Far richer in texture and character than even the classics from the 30's and 50's. George C. Scott was born to be Scrooge, just as he was born to be Patton. Mr. Scott will be known as one of the greatest actors of the 20th century. The character of Scrooge as played by Mr. Scott seemed to jump off the screen. Scott as Scrooge brought an richer, more robust, yet a more deeply moving Scrooge to the screen than any of his predecessors in the role of the meanest man in 18th century London. Mr. Scott seemed to bring Scrooge to a more personal, understandable yet highly conflicted level; his role was acted with the great authority Scott always bring to the screen: yet his usual bellicose voice would sometimes be brought to a whisper, almost as a soliloquy, as he would berate the Christmas holiday in one breath, yet reveal his own human frailty in his next line. He could portray the sour and crusty Scrooge, and a misunderstood, sympathetic Scrooge all in the same scene.

Truly a remarkable performance by a giant of his generation.


So this made for TV film scores only a 7.6 on this site? Bah! Humbug! Without question this 1984 version of Dickens' classic tale is the best ever made. And yes, the Hound has seen the 1951 version which was also good, but not good enough. The lack of color is perhaps the biggest shortcoming of that version, although the acting was wonderful.

George C. Scott is simply incredible as Ebenezer Scrooge. We all know the story of this stingy businessman who is haunted by the ghost of his dead partner, then by three other spirits later on that evening. Scott is properly gruff as Scrooge. Too gruff in fact for some critics who claim he is unable to project the new-found glee that he awakens to on Christmas morning after the spirits teach him a valuable lesson. But hey, this is George C. Scott. He's never going to go dancing down the street in a fit of joy. He has too much dignity, and his Scrooge projects his emotion in a realistic manner.

The supporting performances are uniformly excellent, as are the costumes, music, and scenery. 19th Century London comes to life in Clive Donner's visionary style. The film even borders on frightening in several scenes involving the spirits. The important tale of morality shines through in every frame, though.

You won't often find this version aired on television anymore, and that is a disappointment. The 1984 version of A Christmas Carol should be a required part of every household's celebration of the holiday. When the decorations come out of the basement, this film should find its way into the DVD player at least once during the season.

10 of 10 stars.

The Hound.


I know many people have a special fondness for the Alistair Sim version of Dickens' story, but for me, this 1984 version is the one to beat. My wife and I own a copy of this film on VHS, and we watch it together every Christmas Eve. I often remark that we could watch it on Halloween too, because it's a very creepy ghost story.

Scott--typecast as Scrooge--is shudderingly mean and nasty, making his transformation all the more miraculous and moving. I think it's up there with his performance in Patton. The spirits are all effective, each one creepier than the last. Watching the dark, floating, skeletal form of the Spirit of Christmas Yet to Come sends shivers down my spine every year. And what a supporting cast! David Warner, in particular, is in top form as Bob Cratchit, as is Susannah York as his wife.

I seem to recall that this version sticks closer to the original story than most others--but I may be mistaken, as it's been several years since I read it. Regardless, this is a terrific Christmas classic.


The setting and actors make this television movie for me the best rendition of Dickens' classic tale. George C. Scott is very believable as is the rest of the cast. His Scrooge oozes with nastiness until the very end of the movie. Then his character changes to one who is truly repentant. The 19th Century English town chosen for the setting creates an ambiance that is fitting to Dickens and adds to the plausibility of this film. It is a movie I watch every Christmas along with the real Grinch and It's A Wonderful Life.


"Telefilms" tend to fall under the pitfalls of a low budget and a hasty shooting schedule, which is why this film always tends to buck the trend.

George C. Scott embodies Ebenezer Scrooge perfectly, fully encompassing all of his cold tendencies, and still makes him a simpathetic character. The production value for this film was exceptional, never relying on boffo special effects or soundstage set-ups, yet relying on the depth and clarity of on-site shooting and strong backdrops. A movie that certainly stands alone.


This is simply one of the finest renditions of Dicken's classic tale. The script very accurately follows the story originally penned by Dickens, and captures a perfect balance between a film atmosphere and a play atmosphere. Viewers fond of either format will find enough of the story rooted in their presentation style of choice.

George C. Scott brings a delightfully realistic approach to the character of Scrooge, and is very convincing in the character development instigated by the visits of the ghosts. I found that he was able to win me over to the point where I sympathized with the old miser, something rarely done in other versions. The superb job done by the supporting actors add greatly to this production, which is simply the most enjoyable of all the Christmas Carol versions I have seen.


and possibly closest to the Dickens story line. Although I find the young Ebenezer hard to watch (who's idea was that period hair, surely they could have done better than that!), Scott does an incredible job as Scrooge. His delivery of some of the lines from Dickens finally brought it to life for me. Edward Woodward is everything we expect and more of the Ghost of Christmas present. I find G.C. Scott's Scrooge much more of a believable miser than the more current version done by Patrick Stewart. The scene Christmas Morning when Scrooge realizes he hasn't 'missed it', is enough to convince one that Scott knows how to act versus overact. He's phenomenal here. Nearly the entire cast is incredible. The Tiny Tim in this version of The Christmas Carol is a little tough to look at, almost too sweet. Still the music and the scenery make this a must watch every holiday. Enjoy!


As the celebration of Christmas has evolved through the years, whether one concentrates on the religious or the secular traditions, it is a time when people are supposed to behave a little better to each other. That has somehow slipped past one Ebenezer Scrooge, merchant and money lender in 19th century London.

As his nephew points out to his uncle, he doesn't keep Christmas in any way because Scrooge feels the whole thing is humbug. The humanity in Scrooge was driven out long ago, he's a hard case, a whole lot like his 20th Century counterpart, Mr. Potter of Bedford Falls, New York.

But as Charles Dickens told this tale, redemption is not too late for any of us and a lonely ghost and three spirits visit Scrooge and show him how.

A Christmas Carol is such a timeless holiday classic that we sometimes forget that it is as much a social commentary of 19th century Great Britain as Oliver Twist was. The characters in this film are middle and lower class. The Cratchits are a couple of rungs above the street people in Oliver Twist, but they are having to struggle to stay up there. Still love and happiness radiate their home, no thanks to the guy Bob Cratchit works for.

Like George Bailey who did a whole lot of good in his life and just had to be reminded how much, Ebenezer Scrooge needed a wake up call as to the potentiality he still had for doing some good in this old world.

Patrick Stewart in his live performances and filmed play has pretty much taken over the part of Scrooge. But George C. Scott captures the old miser pretty well in this film. The meanness of him, but with a trace of sadness that makes us root for him to change. Scott joins a fine tradition of people like Reginald Owen and Alastair Sim who've both done great interpretations of Scrooge.

Among the supporting roles I particularly enjoyed David Warner as Bob Cratchit and Edward Woodward as a hearty and stern spirit of Christmas present.

According to IMDb this is one of 32 versions of A Christmas Carol made that they have archived and it is one of the best.


This story is told and retold and continues to be retold in every possibly way imagine. The immortal Charles Dicken's story has been recreated in every possible way imagine. I admit I have not seen the classic Alistair Sim version and I'm sure someday I will but I would be blown away if it touched even close to this amazing eighties version. I believe that if Dickens himself had created his story for film this would be it.

The story is well known, I won't go into much detail because everyone has seen it in one form or another. A rich, stingy, mean, old man is visited by the Ghost of his former partner and warned about his mean ways. In order to straighten him out he is visited by three spirits, each which show him a different perspective of his life and the people he is involved with, past, present and future. Finally in seeing all this before him he realizes the error of his ways in a big way and attempts retribution for all the wrong he has done.

George C. Scott is absolutely, undeniably perfect for this role. He takes hold of the Ebeneezer Scrooge role and makes it his own and creates an incredible character. He is not just a mean old man, but someone who has been effected by certain situations in his life that has made him bitter and angry at the world. There is compassion within him but he holds it below everything else and is very self involved. Scott delivers the role of perfection when it comes to Scrooge.

Not only does the leading role make this film but everything else fits into place. This is a grand epic of Victorian England, Dickens England is recreated before our very eyes, the sights and the sounds and you can almost feel the breeze in your face and the smells of the market. Director Clive Donner brilliantly recreates this scene and leaves nothing to the imagination. I could watch this film on mute and be dazzled by the scenery. It's not spectacular scenery per se but it's real. The film takes us from the high class traders market to the very dismal pits of poverty and everything in between.

The rest of the cast fits into their roles and brings their literary counterparts to life. Bob Cratchitt, played by David Warner and his entire family including and especially the young Tiny Tim played by Anthony Walters were wonderful. The Ghosts each had their own distinct personality and added to the dark mood of this story. A Christmas Carol is not a light story. Dickens wrote this story for a dark period in England's life and it's one of the few Christmas tales that is really dark, almost scary, and it has to be scary in order to scare a man who has been a miser for so many years into turning around. The dark feel to the story is captured in this film and is downright frightening and yet the end lifts your spirits and captures Christmas miracles. The score to this film is also something to be mentioned as it is epic and grand and beautiful to listen to whether it's the actual score or the Christmas music, everything fits together. Apparently Christmas movies are my favorite because I insist everyone see this Christmas Carol above all others. 10/10


You could stage a version of Charles Dickens' "A Christmas Carol" with sock puppets and I'll probably watch it. Ever since I was a child, this has been one of my favorite stories. Maybe it's the idea that there is good in everyone, and that therefore no one is beyond redemption, that appeals to me, but for whatever reason I never miss an opportunity to watch one of the many screen adaptations of this timeless classic when they're on TV as they inevitably are this time of year.

What makes this version really stand out is the somber gravitas that the cast bring to their respective roles. Lines we've heard dozens of times in the past take on a whole new intensity, and each character becomes more real and believable in the hands of this wonderful ensemble.

George C. Scott was nominated for an Emmy in 1985 for this role. It is to his everlasting credit that rather than sleepwalking through this oft-portrayed role of Scrooge, he instead gave it a fresh interpretation that was, in my opinion, one of his finest performances ever. He wisely did not attempt a British accent, instead delivering his lines in that famous gravelly voice. His Scrooge is not merely a cranky old man (as he is so often portrayed), but a man who harbors a profound anger against the world. As he is visited in turn by each of the Three Spirits, we understand how this anger took root, grew, and ultimately strangled his soul. As he is forced to review his life, we see him alternately softening, and then relapsing again into unrepentant obstinacy. And in the great dramatic scene when he, kneeling and weeping at his own grave, begs for mercy as he attempts to convince the third spirit of his repentance and desire to alter his life, we see a man who has been utterly broken and brought to his knees literally and figuratively. Scott has made Scrooge utterly believable and painfully human.

Impressive as Scott's performance is, the ensemble of supporting actors contributes significantly the this version's dark beauty. Fred Holywell, Scrooge's nephew, is an excellent example of this. Often portrayed as an affable buffoon, here he is played by Roger Rees with an emotional intensity missing from earlier portrayals. When he implores Scrooge, "I ask nothing of you. I want nothing from you. Why can't we be friends?", we see in his face not only his frustration, but his pain at Scrooge's self-imposed separation from his only living relative. It is a moving performance, and one of the movie's most dramatic scenes.

Even more magnificent is the performance given by the wonderful English actor Frank Finlay as Scrooge's late partner, Jacob Marley. In most versions of this tale, the scene with Marley tends to be a bit of a low point in the film, simply because it's difficult to portray a dead man convincingly, and the results are usually just plain silly (ooooh, look, it's a scary ghost.......not!) In this version, it is perhaps the most riveting scene in the whole movie. Marley's entrance, as the locks on Scrooge's door fly open of their own accord and the sound of chains rattling echo throughout the house, is wonderfully creepy. But Finlay's Marley is no ethereal spirit. He is a tortured soul, inspiring both horror and pity. Marley may be a ghost, but his rage and regret over a life wasted on the pursuit of wealth, and his despair at his realization that his sins are now beyond redress, are still very human. As portrayed by Finlay, we have no problem believing that even the flinty Scrooge would be shaken by this nightmarish apparition. Finlay really steals the scene here, something not easy to do when you're opposite George C. Scott.

And it just goes on and on, one remarkable performance after another, making it seem like you're experiencing this story for the first time. Edward Woodward (remember him from the Equalizer?) is by turns both jovial and menacing as the Ghost of Christmas Present. When he delivers the famous line, "it may well be that in the sight of Heaven you are more worthless and less fit to live than MILLIONS like this poor man's child" he is no longer a jolly Santa Claus surrogate, but an avenging angel who gives Scrooge a much needed verbal spanking.

Susannah York is a wonderfully tart tongued Mrs. Cratchit, and David Warner brings marvelous depth to the long suffering Bob Cratchit, a man who goes through life bearing the triple crosses of poverty, a sick child, and an insufferable boss. His face alternately shows his cheerful courage, and also, at times, his weariness, in the face of intolerable circumstances. Later, in the scene in which Scrooge is shown by the Ghost of Christmas Yet to Come the Cratchit family after the death of Tiny Tim, Warner's performance, while hardly uttering a word, will move you to tears.


I saw a lot films about Charles Dickens' Christmas Carol. But this one is the best of all! There is an atmosphere which is exactly the same as in the book. The actors (George C. Scott and others) are great! Unfortunately, you can't often watch the film in Germany and Switzerland.


This is the best film version of Dicken's classic tale. I've seen it over and over on VHS, and recently acquired the DVD version, which is formatted for TV (not wide-screen). What I find interesting about this teleplay is the cast of English actors who are now recognizable since many have appeared in other films/shows in North America since 1984. My biggest surprise is Edward Woodward, "the Equalizer", as the Ghost of Christmas Present.


I first saw this version of "A Christmas Carol" when it first appeared on television. I actually anticipated seeing the film when it was advertised and it more than lived up to my expectations. I have now purchased the DVD and plan to watch it every year. With the exception of "It's A Wonderful Life" I consider this version of "A Christmas Carol" one of the best Christmas movies ever made. George C. Scott is excellent and a superb cast led by Roger Rees surrounds him! Scott proves once again that he is one of finest actors of our time. Scott has the artistic talent and acting ability to play any role and keep the character unique to himself. How can someone be remembered as both Patton and Scrooge? Scott does so easily. The direction is marvelous with the fine sets, costumes and music that give the movie a special feeling of the time, place and era depicted. You will simply love this movie and will place it among your favorites to watch during the holiday season.


OK. I'm biased. I live near Shrewsbury in England, where this wonderful movie was filmed. It still looks the same now. I remember them filming here quite vividly, and the fake snow on the streets for days on end. Often, when I'm walking through Shrewsbury I see a street or a house and it will remind me of this film.

George C. Scott's Scrooge is a more realistic character than many of the other screen versions. His physical appearance isn't the typical miser. Scott's is big and imposing. A man who finds those smaller than himself to be inferior.

We all know the story and the quotes. The book is one of the most cherished works in the English language. And I don't believe there are many cynics who would say that people aren't capable of change and redemption. This film version portrays all of that quite beautifully. George C. Scott may be American but he plays the part of the English miser with wonderful skill.

I love this movie. If you haven't seen this version I would strongly urge that you do. It's usually available for a very small amount of money... or are you too mean?


Okay, there are a ton of reviews here, what can I possibly add?

I will try anyway.

The reason this is my favorite Scrooge is because of EVERYthing. The sets, outdoor locations, costumes are so beautiful and authentic. The music is sweet. The supporting cast is very well done. One of my favorites is the narrator & nephew, played by Roger Rees. His understated sincerity is touching and his voice is the sound of Christmas to me. David Warner is also a totally believable Bob Cratchit. His is a difficult life, but he remains positive and dignified.

The best part of course- is George C. Scott as Ebenezer Scrooge. Some have said his portrayal too gruff. I couldn't disagree more. His exchanges at the beginning while cold or harsh, weren't out of character. He is a terribly disillusioned man who's heart has been hardened by the vicissitudes of life and his own lust for wealth.

During the flashbacks, it's obvious that he isn't all gruff. This is where we see that there is hope for him. If he was totally gone, his partner Marley would never have come for his sake in the first place. And after all, we are none of us past hoping. I think that is a HUGE part of what Dickens was trying to say. When Scrooge looks in on his dance at his employer's with Belle, you see him smile regretfully as he tells Belle in the flashback that he will go through life "with a grin on my face." Clive Donner was smart enough as the director to allow these moments on film. Sometimes they get left on the editing room floor.

And finally, his conversion is so absolutely full of joy that it makes me cry tears of joy EVERY time I see it. His apology to his nephew Fred, so sincere, so moving, it is the spirit not only of Christmas, but of humanity itself. The joy he brings to Fred, to his wife are so apparent. And the line that gets me every time, "God forgive me for the time I've wasted."

Bravi tutti!


Although George C. Scott is the only actor in this version of ACC without a British accent, he more than makes up for it with his over-the-top and larger-than-life interpretation of Ebenezer Scrooge.

Particularly effective is when he confronts Bob Cratchit in his office at the movie's end. As Scott stands before a large window, sunlight casts a glowing mantle over him; all you can see is his silhouette. Augmented by Scott's voice, a ponderous growl, the effect is galvanizing...much like Marlon Brando's first scene in APOCALYPSE NOW. "The Horror," indeed!

However, as they say, the very thing that works for you can also work against you. Because Scott displays such gleeful ferocity throughout the movie, it proves infectious. To put it another way, the "before" Scrooge is almost as charismatic as the "after," even though he really shouldn't be. It's what you might call the "Doctor Smith" effect, since Jonathan Harris used a very similar approach when playing that role and numerous other heavies (stage and screen alike).

Actually, I myself don't consider Scott's glib rage a liability. But other "Christmas Carol" purists might. See the film and judge for yourselves.


When this initially aired in 1984, my wife and I taped it on our very first VHS recorder. I still have that aging tape, which I try to watch annually. It was the year my first child was born, and seeing A Christmas Carol in this incarnation brings back fond memories of happy times -- many hours of which were spent with this film playing in the background. I finally broke down this year and ordered a DVD, which prompted me to take a moment to write this brief reaction to the movie. Charles Dickens' story is captured in outstanding fashion here. George C. Scott is absolutely amazing and totally believable as Scrooge. The supporting cast is equally spectacular. This is, to my mind, a flawless production. Little details add much to the enjoyment. The game "similes" Scrooge's nephew and wife play with their party guests is a neat item. (I've since re-created it with my high school English students as a brief respite from class work!) Honestly, I can think of few ways to entertain myself over the holidays I enjoy more than indulging in this CBS production, which was originally sponsored by IBM. (Incidentally, it's fun to watch the old tape with the original IBM commercials ... which show just how much computers have evolved in 21 years. Amazing how things have changed!) Bottom line: A Christmas Carol is a timeless story, and this rendition is a timeless classic. Enjoy ... and God Bless Us, Every One!


Everyone is surely familiar with this most famous of stories  a heartless businessman is visited by the ghost of his dead partner on Christmas Eve and warned that if he continues in his uncaring ways then he will be doomed to an afterlife in chains. So that he can avoid his partner's fate he is visited by three spirits who show him visions of Christmases past, present and yet to come, so that he will hopefully see the error of his ways before it is too late. A rather morbid tale one might think, but it is classic Charles Dickens, and also one of the most famous and popular Christmas stories of all time.

To me this is the definitive version of Dickens' timeless story; it's the one I always remember watching in school, and I remember being absolutely terrified by it! The ghost of Jacob Marley, the final scene with the ghost of Christmas present under the bridge, and the ghost of Christmas yet-to-come especially I found very frightening. How on earth did the film gain the 'U' certificate? (For non-UK readers 'U' is the lowest classification, it means family friendly and children welcome, nothing to scare them etc... This is certainly not the case though, as some smaller children will undoubtedly find the final segment positively terrifying with the grim reaper-like spectre of Christmas future.

Be that as it may, from the many versions of this classic story I have seen adapted for film, this is possibly the most faithful to the book. Most notably included is a segment rarely seen in film adaptations of the original text - that of the ghost of Christmas present showing Scrooge the two children hidden under his robe (you'd never get away with a scene like that nowadays!). The two children represent Ignorance and Need (although changed to Want in this film).

Criticisms for me however become apparent having watched it again with more objective and trained eyes, the main one of which being that George C. Scott's portrayal of Scrooge seems simply not cold enough. He laughs too much. I don't want to use the word jolly because of course Ebeneezer is anything but, but he does seem to be merely a grumpy old man, rather than the positively unkind, cold and uncaring man that he is in the book and other films. Patrick Stewart portrayed him excellently in one of the most recent versions filmed, and Michael Caine, despite acting alongside the Muppets, was positively cold. Further, the development of the character over the course of the film as he learns more about the error of his ways and grows towards redemption is unconvincing and appears inconsistent. He appears to have changed little by the time he reaches the third spirit's final lesson.

But ignoring this one (albeit major) quibble, it is still a spellbinding and ultimately heart-warming Christmas tale, as all Christmas films should be. London of course looks like the perfect picturesque quaint snow-covered English town that many Americans probably imagine it still is (the truth is that even then that London was grey and grimy  and any snow would never have been so white!) And everyone is so impeccably dressed too, even the poor people look rather dapper. But of course it's a Christmas film, so why shouldn't everything look nice? Perfect holiday season viewing; coupled with copies of It's a Wonderful Life, Miracle on 34th Street and The Snowman and you've got everything you need.


This version of the Charles Dickens novel features George C Scott as the Scrooge. Fine casting, especially the choice of Scott, who plays the role to the hilt..a fine cast supports him in the very good adaption. A Modern day holiday classic on a scale of one to ten..9


In our household, we are enormous fans of A Christmas Carol and watch virtually every version each Christmas, including the old 1938 Reginald Owen and the modern 1999 Patrick Stewart. Our overall favorite is the 1951 black & white classic, because Alastair Sim IS Ebeneezer Scrooge and his conversion rings the truest. However, this 1984 rendition has its own unique merits and makes a lovely & entertaining story, quite faithful generally to Dickens' novel. (See my comments on the other film adaptations, if interested)

First of all, George C. Scott can certainly seem pretty crotchety and doesn't make a bad Scrooge. I adore his sideburns, his long topcoat & hat. He cuts the finest fashion figure of the lot, and quite a handsome gentleman. However, sometimes it seems Scott is enjoying his role as Scrooge just a wee bit too much and not taking it quite as seriously as he ought!

This rendition has the best overall Christmas atmosphere, hopeful and optimistic. Somehow you know this story is going to have a happy ending. Filmed in the town of Shrewsbury, England, it just seems somehow very British. The film has a lovely musical score, with wonderful, lively caroling music throughout all the appropriate portions of the tale. Sometimes I could almost smell the chestnuts roasting and the pudding singing in the copper!

Marley's anguished ghost (with his wonderful jaw dropping scene) and the three Spirits are all quite convincing. Christmas Past is a lovely ethereal lady, Christmas Present wonderfully giant and jovial, Christmas Yet To Come shrouded and foreboding as always. However, I found Scrooge's nephew, Fred, a wee bit quiet & grim, not nearly as jolly & hearty as he should be. I like the nephew's wife, whom they've named Janet, with her lovely, sprightly period hairstyle. Instead of blind man's bluff, they've concocted a game called Similes for the nephew's Christmas dinner party, which is a cute little touch, Scrooge getting right into the spirit of the thing.

The Cratchits and their somewhat meagre (though much appreciated) Christmas dinner are well depicted, with Bob (David Warner) suitably sympathetic and long-suffering in his miles of scarf. Mrs. Cratchit is charmingly portrayed by Susannah York, who also starred with George C. Scott in the wonderful 1970 adaptation of Jane Eyre. Above all, this version has unquestionably the best Tiny Tim, not only an adorable & endearing little waif but sickly. With those dark circles under his eyes, the frail wee thing looks unlikely to survive the hour!

This is a delightful & heartwarming version of the holiday classic. With its festive atmosphere, it's sure to put you in the spirit of the season.


I saw this movie in sixth grade around Christmas Time, and I was really excited about seeing it, and when I heard that George C. Scott was in it, I was really excited, because I really love George C. Scott! When me and my class were watching this movie, I was really into it, and when it was over, I was really impressed, I thought that it was totally fabulous! This is the best version of Charles Dickens' classic novel that I have seen so far! George C. Scott's performance as Scrooge is something else, I thought that he was the perfect choice, he was Scrooge, he is the definitive Scrooge! I've seen two different versions of A Christmas Carol, the other is the one with Patrick Stewart, but this is the better one!

What it really great about this is the acting, I thought that the actors were fabulous, everyone was, the spirits, Tiny Tim, Bob Cratchit, everyone, they could not have found anyone better than the ones they had doing the parts! But the best part of the movie was George C. Scott! When I saw him, I thought that he was the absolute best! He is the definitive Ebenezer Scrooge, I do not think that they could have found someone better! I don't think that they could have found anyone better to replace anyone in the movie!

This movie is probably the definitive movie adaption of the classic by Charles Dickens, and I really think that you will agree, you will think that this movie is fabulous! I am probably going to have to buy this movie on DVD, because I thought that it was totally fabulous! I totally recommend that you see this masterpiece! This is the best version of A Christmas Carol, period.

10/10


*********Ten out of Ten Stars*********

It's hard to believe this was a made for television movie. Just the phrase, "made of TV", makes me shudder. The production values for made for TV movies are almost always remarkably lower than production values for professional movie studios. That being said, this version of the "Christmas Carol" should have been released in theaters, because it IS that good. It's my personal favorite of all the "Christmas Carol" movies because every aspect of this production are of the highest quality. Yes, there are some minor on screen glitches with two of the ghosts that visit Scrooge, but there isn't a movie in existence that doesn't have at least a couple of mistakes.

Scott turns in a stellar performance as Scrooge, he's a pleasure to watch. In fact, I can't think of one performance in this film that shouldn't be applauded. The costuming, location shooting, and winter backdrop are mesmerizing. The musical score is endearing and heart warming. Add to that, solid directing, flawless cinematography, and faithful scripting; we have here what will one day be considered a holiday classic. It really hasn't been around long enough to be a classic, but mark my words, one day soon it will be. This film has turned into a yearly Christmas tradition in my home because it embodies the true meaning behind Christmas: Love, selflessness, and giving. In as selfish, greedy world, my family and I can lose ourselves in "The Christmas Carol", starring George C. Scott.


I enjoy all the versions of this story but this one is my all time favorite. George C.Scott gives a depth to the Scrooge character that the others do not give. The movie shows more about why he becomes so bitter. The changes in Scrooge appear gradually as he encounters the different ghosts and the incidents that they show him.

This movie has the best Tiny Tim by far. He is the right age rather than being played by someone who is almost a teenager as in the other films. Anthony Walters still has all or most of his baby teeth.

David Warner is wonderful as Bob Cratchit. He is such a versatile actor. He portrays a man who clearly loves his family. He plays the role with dignity neither as a wimpy man cowering under Scrooges'thumb but as a man who gracefully puts up with it because he has a family to provide for. Susannah York and the other actors do a fine job of bringing the characters to life. Edward Woodward is the best Ghost of Christmas Present I've ever seen. Most often he is played as a jolly Santa type character. In this he shows anger at Scrooges attitudes and really makes Scrooge reconsider.

The costumes and the sets really bring the London of Dickens time to life. A wonderful movie.


I'm sure that most people already know the story-the miserly Ebenezer Scrooge gets a visit from three spirits (the Ghosts of Christmas Past, Present and Yet to Come) who highlight parts of his life in the hopes of saving his soul and changing his ways. Dickens' classic story in one form or another has stood the test of time to become a beloved holiday favorite.

While I grew up watching the 1951 version starring Alastair Sims, and I believe that he is the definitive Scrooge, I have been impressed with this version, which was released when I was in high school. George C. Scott plays a convincing and mean Ebenezer Scrooge, and the actors playing the ghosts are rather frightening and menacing. David Warner is a good Bob Cratchit as well.

This version is beautifully filmed, and uses more modern filming styles (for the 1980's) which make it more palatable for my children than the 1951 black and white version.

This is a worthy adaptation of the story and is one that I watch almost every year at some point in the Christmas season.


Father of the Pride was the best new show to hit television since Family Guy. It was yet another masterpiece from the talented people at Dreamworks Animation. Like The Simpsons, the show centers around a nuclear family (of white lions, in this case). It also contains many memorable supporting characters including Roger the surly orangutan, Vincent the Italian-American flamingo, the eccentric white tigers Blake and Victoria, the faux patriotic Snout Brothers and Chutney the elephant. The other stars of the show are the Sigfreid and Roy. They are incredibly eccentric and do everything in a grandiose manner, making the most mundane activities entertaining. The combination of cute animal characters with very adult dialog and controversial issues (drugs, prejudice, etc) is the source of the program's brilliance.

The blame for this show's failure lies with NBC. They opted to broadcast the episodes in no particular order (perhaps being influenced by which guest stars they could promote) rather than the more logical production order. Several times, the show was preempted for an extra half-hour of such dreck as The Biggest Loser (as if 60 minutes of that was not enough)! It is indeed an ill omen for the future of television as art if an original and daring show like this fails while Fear Factor and American Idol dominate.

Luckily, the complete series was released on DVD and the show now has an opportunity to gain a larger following. 10/10


I had watched as much of the series as I could manage to watch on television, but unfortunately, started a job that got me working evenings. I managed to catch some recordings of it, at least... and, of course, purchased the recently released DVD of the complete series. Watching the DVD, you can see that the animation was a bit more crude at first, but they ironed out a fair number of the flaws after the pilot was done. The voices are well suited to the characters, and the writing is excellent. It's rather refreshing to see animation getting back to it's roots by reintroducing adult themes. Thing is, with the way society has come in the last century, you need to be a bit more blatant about it by today's standards in order to be recognised as an adult-oriented show. The characters have very realistic personalities and are placed in situations that parallel what we often face in real life. It's your typical sitcom in that regard, but the humor is more like what you'd expect from late night television like a talk show skit or Saturday Night Live... back when SNL was actually funny. Good job, Dreamworks. Perhaps you need to work with one of the more liberal networks to keep this series going... and also improve the marketing of merchandise for the series to help defray it's high costs. It's a challenge to do this for a cartoon of a mature nature though. Hmm...


"Father of the Pride " was another of those good shows that unfortunately don't have a very long life . And that is pretty sad ,specially if you consider that almost all the time the worst shows are still on air ( think in "The Simple life ") I admit that are many similarities with this show and "The Simpsons" ,but despite the similarities ,the show have it own merits . The animation is just adequate ,not incredible ,but is good .The best are the characters . All the animals are very likable and funny , and even Sigfried and Roy had their moments . The music was good ,I liked many of the songs .

Even if the show isn't very original ,I think that this had lots of potential .Like "Mission Hill " a show that isn't very famous but I liked a lot , this didn't have the appreciation that it deserved . What a shame .


I don't know why some people criticise that show so much.

It is a great, funny show - probably not the right material for mainstream prime-time, but still...

The family dynamics are funny, and all in all the same you see in most comedy shows. The supporting characters are absolutely hilarious. The plots of the individual episodes and the frequent Siegfried & Roy jibes are only just above average, but ever so often you have sub-plots or one-liners that make you roll on the floor laughing.

This show was well worth the 8 Pounds I paid for it.

rating: 8/10


One word: suPURRRRb! I don't think I have see anything like this in a long time on network or cable television. Watching this show was like taking a breath of fresh air amid TV schedule filled with reality shows and boring re-runs.

I have to say I had my reservations. After all, critics were almost unanimous in crying foul and downgrading the show. But when half an hour was over (by the way, thank you, NBC, for running a commercial-free show), I was left with the feeling of instant love, love at first glance, the true love that one feels in his guts. Everything about this show screamed EXCELLENCE.

Graphics in this show were at least as good as Finding Nemo and Shrek. No small feat considering those movies took years to be developed.

Cast was marvelous. I am partial to John Goodman's voice, but the rest of the team certainly were on par with John. Special mention: Lisa Kudrow's guest appearance. She was on top of the game creating neurotic, pudgy, and lovable panda with a Jewish streak in her. (Panda from Brooklyn? Only in this show.)

Script was funny, with a lot of inside and adult jokes which were sharp, yet not tacky. A note for all parents: this is NOT for children. This show was never advertised as such, and there's a reason why it's set for 9PM, not 8PM. So if you'd like to complain about "objectionable context", save your breath. Adults deserve a comedy made just for them, and Father of the Pride is it.

Not everything was perfect. I was a bit puzzled by Siegfried and Roy's characters. Do I sense "stereotype" when it comes to them? Yes, they are gay. Yes, they are flamboyant. Yes, they speak with German accents. But that's yesterday's news. Give us something new, something fresh, something funny. Putting the old jokes in a new show is definitely the wrong approach. I understand that the creators of this show wanted to use the "star power" that these guys have. That's fine by me. But please don't dwell on something everybody already knows by heart. Hopefully, the rest of the show is not going to play the same old record over and over.

In general, the show is definitely a Must-See-TV. Funny, witty, with a few unexpected twists here and there -- there haven't been a comedy this good since Seinfeld. I am certainly looking forward to the next episode.


Father of the pride is a pleasant surprise: It is funny, witty and features some great voice acting. The show is about the family of a Lion who is acting as the attraction of Siegfried & Roy shows. Indeed all of them are stereotypes but that's what makes them so funny. FOTP is not a kiddie-cartoon it includes some crude adult humor but in a very mild way. It is full of popculture references and celebrity cameos and most of them are very well executed. I'd say I'll give the show a 7 out of ten because it is nice fairly well executed but not very original, I've seen most of those stereotypes many times before, even in that particular order!


I never saw it on TV but rented the DVD through Netflix as soon as I found that it was available. I had high expectations, and was not disappointed. It's funny, and the animation is excellent. That level of quality I would only have expected from feature films, so I'm surprised at some of the bad comments on it. Maybe the DVD release had improved animation? One bonus to the DVD is that it was fun to see both versions of the pilot. I'm an adult, and I really appreciate that it is for adults. It isn't only kids who like cute animated characters. It is nowhere near "raunchy" as some have claimed, but I can see where some parents wouldn't want their young children to see it. I'm very disappointed that it was cancelled. I wish they would produce more episodes. Or perhaps a movie.


At least for a half hour a week. I haven't been interested in anything on the big 3 networks (ABC/CBS/NBC) in years. All of the lions are interesting, although Larry can get annoying at times. I really like the Middle earth action figures they bring in with Hunter. Most of the other characters are interesting as well. The sideshow of Siegfried and Roy is entertaining at times, too. The animation is top notch, and definitely the best CG that has been done on a weekly TV show. Usually when they hire big names to star in a show, they're trying to hide a poor script or characters. Not entirely true in this show though, There's a couple characters that were weak and improved by the voice acting, but overall the characters stand on their own.

This is definitely for 16 and up. There's nothing here that most kids haven't already heard before though, and most of the jokes would probably just fly right over their heads. It's definitely not as crude and edgy as South Park, but does bring some of the same "Bash everyone" feel to it. One example is that it makes fun of both Dick Cheney and Barbara Streisand at the same time in one episode.

Father of the Pride and other Dreamworks productions like Shrek also feel like the spiritual successors of Animaniacs, Pinky and the Brain, and Freakazoid. It's the same type of humor grown up. It may not be as witty as Spielberg's classic TV series, but it's still good.

I hope that it finishes this season off well, and is renewed for future seasons. Otherwise I may never find a reason to watch the big 3 again.


PERHAPS in an attempt to find another "Hot Property" for adaptation, the Brothers Fleischer thought back to their highly successful foray into the world of the Newspaper Comic Strip with their production of 1933's POPEYE THE SAILOR (Fleischer Studios/Paramount). Although it was a part of the BETTY BOOP Series, Miss B. only made a brief appearance in the short; leaving the rest as a pilot episode for the possible emergence of a full blown series.

AS is now common knowledge, the gruff, squinty eyed, brawlin' seaman became perhaps the most successful cartoon series ever; outlasting and literally outliving the Fleischers and their Studio, lasting to this day.

RETURNING to King Features for another try at luck was no doubt the reason for trying out the very popular HENRY Comic Strip character in a BETTY BOOP outing; objective being the seeking of another series. The reasoning then surely seemed sound. HENRY was a most popular feature in the Hearst Papers' line-up; appearing as both a Daily and on Sunday's Color Comics Supplement, PUCK, THE COMICS WEEKLY. You know, "What Fools These Mortals Be!" Remember that one, Schultz? IN viewing the chubby, little, bald boy Comic Strip 'Hero' and his on screen antics, both solo and in tandem with Miss Betty; we were pleasantly surprised in seeing just how well the character was handled. The story and Director Dave Fleischer both afforded a plethora of comic strip-like situations and sight gags that seemed most appropriate for the character of little Henry. These mostly silent vignettes were very important to the animated film in remaining faithful to the printed page; as the HENRY Feature was mostly done in a sort of 4 color 'mime'.

IN the cartoon, titled BETTY BOOP WITH HENRY: THE FUNNIEST LIVING American (Fleischer Studios/Paramount Pictures Corporation, 1935), we see what is; basically being a one situational exercise; being punctuated with the usual array of Dave Fleischer's rapid fire, machine gun-like gags. In short, Henry spots a puppy in the window of Betty Boop's Pet Shop. It is a sort of love at first sight as Henry attempts to purchase the little pup dog with the only money he had, to coins in his pocket. He is in formed by Miss Boop that it would be $2.00 in depression era money to make the purchase. Tears appear as the little guy leaves dejectedly.

BUT a reprieve is soon on the horizon as Betty asks the boy to mind the store, while she leaves on urgent business. In return for his services, Miss Betty promises him the little dog in return. Of course, they have a deal and Betty leaves.

GETTING to the work of cleaning cages and feeding the livestock affords the opportunity for the Fleischer Crew to fire up a whole new string of gags; this time featuring bird seed, Henry's bald pate and push brooms. (But not all at once of course, Schultz!) Henry's enthusiasm for mass feeding of the store's avian population by first literally seeding his head soon leads to a mass defection of the birds; out of the store to the open street in a mass jail break.

BETTY returns to this sight and expresses her disappointment and anger with Henry's temporary custodial care. All bets were off, no doggie for Henry. He begins to leave; dejectedly; but soon convinces the proprietress to give him another shot at fixing things up. His head covered with bird seed, he manages to corral all of the little feathered creatures; returning them to their pet store coop. Happily, the little fella leaves; but this time he has his own affectionate, little, face licking puppy.

UNDOUBETLY this was a winning combination. We have the carefree, energy filled, free wheeling of the boy, the kindness of Betty and the emotions of the situation and doubtful outcome of the 'boy and his dog' situation. Max and Dave Fleischer had given us a sort of almost minor mini-masterpiece of a surreal comedy short.

WE were quite surprised that no HENRY Series followed. Judging by the fairly faithful treatment of the character, it certainly could have been sustained for some time. At any rate, this teaming was in many ways the best of the Betty Boop try out pictures. Although the first, POPEYE THE SAILOR (Fleischer/Paramount, 1933), was the most successful (and barely had any Betty Boop in it, save for a cameo as a carnival hula dancer); the HENRY Short was much better than the two following King Features "tryouts", BETTY BOOP AND THE LITTLE KING and BETTY BOOP AND LITTLE JIMMY, both 1936.

POODLE SCHNITZ!!


This cute animated short features two comic icons - Betty Boop and Henry.

Henry is the bald, slightly portly boy from the comics who never speaks.

Well here he does speak!

He wants to get a puppy from Betty Boop's pet store, and when he is left to mind the store - some hilarious hijinks ensue.

Betty sings a song about pets, Henry gets in a battle with birds and a monkey, but everything works out in the end.


Having been a fan of 'Columbo', I was sorely disappointed in 'Corky Romano'. While certainly a funny movie, Falk's mob boss character was a far cry from the lovable lieutenant he's played for so many years, especially with the offensive language he used. After 'Corky Romano', I was honestly both surprised by and soured on Mr. Peter Falk. HOWEVER, having just seen 'Finding John Christmas' and its predecessor, 'A Town Without Christmas', for the first time within a week of each other, I have to say that 'Max', Peter's Falk's delightful character in both movies, is surely as memorable and lovable as 'Columbo'. While parts of the movie are quite predictable, such scenes in no way take away from the enjoyment of seeing the story played out. I too wish I had recorded both of these heartwarming Christmas movies, and I highly recommend them whether you're a Falk fan, a Christmas nut, or simply someone who enjoys the occasional feel-good movie of the week. This movie may end up lost among the throngs of made-for-TV holiday flicks, so be sure to find 'Finding John Christmas' before it's too late.


IF ANYONE IS INTERESTED IN OBTAINING A COPY OF THIS FILM PLEASE READ THE BOTTOM OF THIS DESCRIPTION: First telecast by CBS on November 30, 2003, the made-for-TV Finding John Christmas is a sequel to the previous year's A Town Without Christmas, with Peter Falk reprising his role as versatile guardian angel Max. Valerie Bertinelli plays Kathleen McAllister, a divorced small-town nurse whose depression... over the fact that the hospital ER she maintains may be forced to shut down because of a $100,000 debt is briefly lifted when she spots a newspaper picture taken by photojournalist Noah Greeley (David Cubitt). The picture shows an act of bravery performed by Noah's firefighter brother Hank (William Russ), who mysteriously left town 25 years ago and hasn't been seen since. Hank would like to quietly slip back into town without explanation or fanfare, but this proves impossible when Noah's newspaper posts a $50,000 reward to identify Hank, known only to the public as "John Christmas." And there's something, very, very curious about that photo: It also shows a Santa Claus suit seemingly floating in midair without an occupant. That elusive "Santa" is of course the angelic Max, who pops up now and again throughout the story in a variety of guises to solve problems, dispense advice, tie up loose plot strands--and even share a musical duet with Kathleen's talented daughter Socorro (Jennifer Pisana).

INTERESTED IN HAVING A COPY: WRITE TO ME HERE: IAMASEAL2@YAHOO.COM


I watched this in July and even with the Christmas theme, found it touching and sensitive. It is not for someone with a reality-mind as it is full of fantasy and lovely moments that sometimes don't make sense. William Russ did a grand job as Hank. I have only seen him in the remake of The Long, Hot Summer where he played a weak character. But in this one, the expression in his eyes throughout, as Hank considered the things that were happening to him, was wonderful and tender. Valerie Bertinelli was excellent and lovely as usual and very believable in this role. And Peter Falk as Max was splendid and always brought a smile when he appeared in a number of important scenes. There were many special scenes, including the one where Hank realizes who Max really was in his life. It's not for everyone.....especially those who aren't into 'feel-good' movies and this is definitely one! If you like everything to be perfect and make sense, avoid this one. But I think it is well-worth re-watching, which is why I taped it. (Yes, some of us still have VCRs. :)


My Comments for VIVAH :- Its a charming, idealistic love story starring Shahid Kapoor and Amrita Rao. The film takes us back to small pleasures like the bride and bridegroom's families sleeping on the floor, playing games together, their friendly banter and mutual respect. Vivah is about the sanctity of marriage and the importance of commitment between two individuals. Yes, the central romance is naively visualized. But the sneaked-in romantic moments between the to-be-married couple and their stubborn resistance to modern courtship games makes you crave for the idealism. The film predictably concludes with the marriage and the groom, on the wedding night, tells his new bride who suffers from burn injuries: "Come let me do your dressing"

V I V A H - showcases a lot of good things - beauty of arranged marriage, beauty of Indian culture, beauty of Indian woman, last but not least a nice IDEALISM of the about-to-be-couple waiting to get married .... playing by the rules ! Simple yet Beautiful; Such a Simple story .... no plot ... no villain - as is the case with most of Sooraj Barjatya films. Sooraj sir is back to what he does BEST. He has made the movie with FULL CONVICTION. Its a very sweet film - which teaches the current generation a lot of good things bout Arranged Marriage & the Union of 2 Families. I think AMRITA RAO - looks very good & she has acted very well. She has most of the good scenes - although i thought the last half hour was completely to Shahid Kapur - who for a change gives an awesomely restrained performance. I also liked the acting of all others for ex. the Choti i.e. Amrita Prakash, Alok Nath, Anupam Kher, Shahid's bro & sis-in-law. It almost seemed as real and recognizable as it could. Sooraj sir has got another nice family film to his credit after Maine Pyar Kiya, HAHK & Hum Saath Saath Hain. The chemistry between Shahid & Amrita is AWESOME.

Stuff like Sanctity in a Marriage/Relationship, Avoiding Courtship, Mutual Respect, Care & Space, Waiting for getting Married "officially", Praying/Sacrficing for Ur Beloved - all these and more get SHOWCASED in Vivah. There's still some good audience who r going & enjoying this film. Some of the folks/audience are already excited after seeing, that they r thinking bout Arranged-Marriage :) Thats Success if you ask me. it seems AMRITA RAO - our actress-from-Vivah {Result for a nice performance} has been bestowed the prestigious DADSAHEB PHALKE award for 2006 !! Hats off to her for this achievement Chalo, even though Vivah , Shahid or Amrita didn't get any of the film-fare & other awards; @ least this is news to CHEER about !! Congrats to AMRITA RAO- for showing us a visual of Indian Bride-to-be in the purest form and Of Course to Sooraj Barjatya for portraying her the best way :) Shudn't forget Shahid Kapur and all others who make VIVAH as sweet and legendary as it is today !! Imagine, to share the same pedestal as the legendary Dilip Kumar .......... Its no mean achievement !! Congrats to Amrita Rao - for taking her Career to another level with this award .... I personally feel - she should keep doing movies only with Shahid Kapur !! They make a cute couple and their on-screen chemistry reminds me of {SRK-Kajol} or {Aamir Khan & Juhi Chawla} .................

Some points that I observed,few of the elements :- #1 If u notice carefully, Amrita Rao looks so good because shes always wearing traditional dresses. She gives every bit of the Indian Woman essence - in this film !! Perfect Fit #2 Shahid Kapur is like most of us - not exactly ready for marriage or early-marriage .... but PREM listens carefully to the step-wise talk given by his DAD - having full faith in Anupam Kher. Eventually "Honesty" & "Trust" are the keywords that he reflects in his first talk with Amrita. Most people would think such a first meeting with a total stranger plus for a limited time is never enough to judge a person. But according to what I saw in this film, I have a feeling - that Two people who are made for each other can connect within a 1st meet also, Its possible !!! #3 In the entire movie - there are basically 4 or 5 sequences where Shahid & Amrita are together - or shown to be together. Its unlike most other romantic/wedding-based movies where Hero & Heroine are always singing/dancing or nowadays - doing cheap stuff. But the beauty of each of these 5 sequences :- Characterized by restraint, innocence & respect for the other ! #4 I really liked the relationship shown between Chacha ALOK NATH & Amrita Rao. These kinda movies should highlight the indifference shown to daughters/girl-kids in some parts of India. #5 Romantic scenes between lead couple are shot very nicely - no cheap scenes,songs are beautifully pictured !! Words like "Jal","praarthana" e.t.c. are going to be buzzwords for all girls who liked this film :) Personally, I really am fond of many dialogs in this film. #6 Last but not the least - The entire Hospital Scene where Shahid puts "sindhoor" to Amrita when shes struggling for Life - is terrific. Those dialogs between the couple are so touching and U feel the LOVE/I-cant-do-without-U ; Its a Hats-Off feeling !!!

*** In many ways, VIVAH reminded me of Maine Pyar Kiya, DDLJ, Qayamat Se Qayamat Tak, Hum Dil De Chuke Sanam - for the freshness/on-screen-chemistry of the LEAD pair :) :) *** IF U ASK ME :- Along with films like Rang De Basanti, Lage Raho Munnabhai, DOR, CORPORATE and Kabul Express, V I V A H ranks among the best films made in 2006. IN FACT - i think Vivah does deserve better viewing/business than Dhoom2 or Fanaa or Golmaal or all those time-pass/fuzzy/style/crap movies !!


All the talent Mr. Sooraj Barjatya showed in his first 3 movies, I thought were all an accident because his 4th one Main prem ki diwani hoon was so bad. But I have to say it wasn't an accident. This guy is talented and the way he has done Vivah is just brilliant. Right from the first scene it affects you. the sequences between shahid and amrita are awesome. The chemistry between these two actors gives glimpses of that between srk and kajol. As usual Alok Nath as the good and loving father is fantastic, so is Anupam Kher. But its a Shahid-Amrita film.Amrita looks good in most scenes though shahid does look a little young to get married but he does a good job of a shy but yet morally strong groom. this movie will especially be liked by those who has gone through such beautiful moments in their life. All in all a brilliant film. hats off to Mr. Sooraj Barjatya...


Vivah is by no means a classic. However in the days of hardcore action, path-breaking special effects & complex plots (none of which Bollywood has mastered yet), its quite refreshing to see a simple film like Vivah. The story as we all know is a journey from a couple's first meeting to their eventual wedding after some coy moments and testing times. Nothing more, nothing less. The music isn't quite in the same league as MPK or HAHK but doesn't jar your senses either. Two songs stood out for me - Mujhe Haq Hai & Do Anjaane. While Milan abhi aadha & Hamaari shaadi were hummable. Shahid performs sincerely & shows a lot of potential. Its good to see him play something else but the "cool dude" he normally does. Amrita is very sweet and plays the role of a docile small-town girl to perfection. Alok Nath, Anupam Kher & Seema Biswas are terrific supports and the rest of the cast does a reasonable job. Suraj's direction is simple but effective. The movie's prime flaw is the slow pace which might test the patience of a lot of young viewers. But all in all a good, clean, decent family movie.


This is one of the best movies to come from Bollywood in years. Certainly the best this year until now. Indian to the core, the panoramic visuals, the heart-pleasing dialogs and the melodious and soft music make the movie an exceptional one. The apt depiction of Indianvalues and culture makes the viewer search for his/her roots in them and invigorates the mind and spirit with a sense of pride and a new lease on life.

This movie is for viewers who enjoy a call to their imagination and philosophical senses. If you like watching movies to get all your nerves excited through on-screen action, sex or terror, then this movie is not for you, because you will find that the movie is not full of 90 degrees twists in it. It is as simple a story for a movie as it can get. But that's exactly where the art of the movie lies. One gets a real life experience, and the best thing is, this experience is one full of values and hope. It is about the positive side of life, about the sweet things that God has showered on humans, as against the regressive movies that insist on showing dons, terrorists and underworlds. This is not about things and people that have gone bad. It is about the goodness that still persists, and that keeps the world running. Of course, every genre of movies is respectable but it takes a lot of courage and talent to come up with a movie that swims against the current and tries to open the eyes of the public to the hidden realities and truths.

Having said that, here's more...

The movie is the journey of a couple from their engagement to their arranged marriage - yes, that's right, it is an arranged marriage and the couple come to know each other only through their parents, and learn to love each other. The 6 month gap between engagement and marriage is a long time, not full of "enticing" happenings, but one that nurtures the growing love and devotion of the couple to each other. They learn together the importance of their relationship and of this invaluable period of their lives, and work to strengthen the bonds of marriage. But have these been strengthened enough? Their relationship will face the test of not only time but also fortune. Will they pass this test? That is what "Vivah" is about.


This movie brings back many memories of the classic cinema of old, where actors didn't have to take their clothes off to make viewers watch their film.

Firstly I think the main plus point of this movie is the amazing chemistry between Shahid and Amrita, it is definitely the making of the film.

I have seen lots of comments regarding the film being sickly sweet and overly slushy. In response to this, I think to a certain degree this is a correct analysis, however considering this is a Barjatya film I think that compared to MPK, HAHK, HSSH and MPKDH, it has been toned down significantly. HSSH was almost unbearable to watch in some places.

In this film however, when the sentimental moments come along, you find yourself smiling, wishing the budding couple all the best and hoping that nothing bad happens to them.

Another major plus point is the performances of Shahid and Amrita. Both have acted very well, especially Shahid who looks great in the film. Amrita looks simply stunning and should be taken seriously as a future major star.

Although I really enjoyed the film as a whole, I do feel that it was too long. Some of the middle could have been trimmed off and it would maybe made even more of an impact. I also think the music, although it fits into the film when you see the situations is slightly old fashioned and the movie could have benefited if a more up-to-date soundtrack had been available. Although the picturisation of the songs Mujhe Haq Hain and Hamari Shaadi Mein are wonderful.

All in all, I definitely recommend this film, its romantic, looks stunning and has a dramatic climax (I won't go into details, just in case you haven't seen it.

PS. If you're prone to crying-take a tissue! (I needed several)


VIVAH in my opinion is the best movie of 2006, coming from a director that has proved successful throughout his career. I am not too keen in romantic movies these days, because i see them as "old wine in a new bottle" and so predictable. However, i have watched this movie three times now...and believe me it's an awesome movie.

VIVAH goes back to the traditional route, displaying simple characters into a sensible and realistic story of the journey between engagement and marriage. The movie entertains in all manners as it can be reflected to what we do (or would do) when it comes to marriage. In that sense Sooraj R. Barjatya has done his homework well and has depicted a very realistic story into a well-made highly entertaining movie.

Several sequences in this movie catch your interest immediately:

* When Shahid Kapoor comes to see the bride (Amrita Rao) - the way he tries to look at her without making it too obvious in front of his and her family. The song 'Do Anjaane Ajnabi' goes well with the mood of this scene.

* The first conversation between Shahid and Amrita, when he comes to see her - i.e. a shy Shahid not knowing exactly what to talk about but pulling of a decent conversation. Also Amrita's naive nature, limited eye-contact, shy characteristics and answering softly to Shahid's questions.

* The emotional breakdown of Amrita and her uncle (Alok Nath) when she feeds him at Shahid's party in the form of another's daughter-in-law rather than her uncle's beloved niece.

Clearly the movie belongs to Amrita Rao all the way. The actress portrays the role of Poonam with such conviction that you cannot imagine anybody else replacing her. She looks beautiful throughout the whole movie, and portrays an innocent and shy traditional girl perfectly.

Shahid Kapoor performs brilliantly too. He delivers a promising performance and shows that he is no less than Salman Khan when it comes to acting in a Sooraj R. Barjatya film. In fact Shahid and Amrita make a cute on-screen couple, without a shadow of doubt. Other characters - Alok Nath (Excellent), Anupam Kher (Brilliant), Mohan Joshi (Very good).

On the whole, VIVAH delivers what it promised, a well made and realistic story of two families. The movie has top-notch performances, excellent story and great music to suit the film, as well as being directed by the fabulous Sooraj R. Barjatya. It's a must see!


It is nice to see Suraj Barjatya back at what he is best at.A story woven around a marriage.It feels nice to have a movie in which there is no single scene which you would avoid watching with your family. Though the story is simple and does not contain any new elements,you still like the movie,because of the presentation, performances,and actually the over all treatment. Hats Off to Suraj.. The movie is about the fact that engagement leads to love. The depiction of the changes in the way of thinking,behaving once you get engaged is excellent. Director has definitely given it much thought and actors have done it to perfection.Though the movie is slow,you don't mind it,because you kind of get so much involved with the story that you just wanna continue watching the joy of this newly engaged couple. As a typical RajShree stuff it has many sentimental scenes which are highly likely to make viewer burst into tears(specially ladies). But when you come out of the cinema hall you are very much satisfied and feel that the ticket was worth :-).


I liked this movies. Its a another Yash raj film which you know will look good on screen, all character are always nice or very nice with one exception who you know will eventually covert to being nice... Another rule of Yash raj's film is that either hero or heroine;s have only one or none parent. Think back to all of those films.. MPK Suman didn't have mom, HMAPK Salman didn't have parents, AND FINAL rule is that you are 90% likely to see Alock Nath crying...

The film is good too. Its a bit slow at first but keeps you entertained. There is almost no comedy but it does make you smile often enough. The little kid (hero's nephew) is well placed and deliver very good one liners. The actress is very pretty but shy you wouldn't get that in real life. this film doesn't have massively big happy families living in BIG house which I thou was a good Idea and allowed the film to be differentiated from other films. There will be lots of women crying at the end of the film. There isn't a strong message from this film but its a good watch. If you are married (arranged marriage)the film will remind you of what you went through. And if you are not it will inform and may be scare you ...

Overall a very good looking film. No big plots or twists but a very gentle film, very much like Bollywood classic.


I can't believe currently this movie is rated a 6.9. Anyway this movie was probably one of the most touching real Indian movies I have ever seen. It was really refreshing to see a movie that showed traditional family cinema. As for the story I thought it was great it was about shahid kapur being set up on an arranged marriage with amrita rao. He is kind of a happy go lucky kind of guy, while Amrita Rao is a traditional Indian girl who is very helpful to her uncle but the only problem is her cousin doesn't seem to get as much attention as she does so her Aunt dislikes Amrita with a passion. This upsets Amrita because she just wants her aunt to love her. It was also very touching to see that although Amrita's family wasn't that rich maybe just middle class to lower class, while Shahids family was quite upper class, they still treated their family with respect and didn't even ask put them down which really struck a nerve with me. This is because i've actually seen people being very rude to people who are not as well of thinking their below their standards which i feel is very shallow. This movie showed that shahids family was willing to look at the great values that Amrita had been brought up with and turned a blind eye to the fact she wasn't a rich business tycoons daughter or anything. All in all this movie deserved an 8/10 I wish more and more of these kind of movies were made.


This movie is a great attempt towards the revival of traditional Indian values which are being replaced by western ones.Its a joint family story showing all the ethics every person should follow while communicating with every single relative around.Shahid Kapoor gives a gr88 performance as a desi about to tie knot with Amrita Rao who is also very Desi and she also acts pretty well...The genre of the movie is the same as HAHK and such movies deserve to be made in India for the revival of old traditional values...The movies doesn't get 10 as it isn't very good at music which counts a lot in every movie,besides this it is flawless....


VIVAH is in my book THE BEST MOVIE OF 2006 ! PERIOD !!. In my book it is one of the best 100 movies EVER MADE IN Bollywood. Its sad that this movie doesn't have that many reviews and isn't having that much popularity.

VIVAH is once again a true achievement from a director who DOES it again. After HAHK and Maine Pyar Kiya Sooraj has once again pulled off a brilliant one VIVAH.

This is the most simple and cute movies that I've seen this year. After seeing Don 2 which was CRAP and later Dhoom 2 which even beat Don in that matter, I finally see a movie which is so close to my heart and my culture.

I don't know why Bollywood is moving away from the beautiful culture which we have and are making Hollywood remake style crap movies like Dhoom 2 and don.

The story is beautiful and relates much to the Indian system of Arranged marriage which I too would like to be a part of. Our system which teaches us to obey elders, follow them and of course obey their thoughts is so brilliantly shown in this movie!. Of course there isn't any force in choosing your life partner and it should be a brief meeting between the couple and its up to them to decide as it is brilliantly shown in this movie.

Coming back to the movie.....VIVAH is a story of Journey between the beautiful period of Engagement and marriage. The phase where the guy meets the girl !....Both understand each other ..Both try to assess if they could love each other for Seven generations (as our system says) and the various which occur during marriages.

Amrita Rao is brilliant in the movie.......Shahid is OK.....and Alok Nath and Anupam Kher are awesome !! The songs are BRILLIANT. ! I especially like the HAMARI SHAADI MAIN HAFTE REH GYE CHAAR and Do Anjaane Ajnabi ......

Overall A MUST SEE for anyone who still believes in the Indian culture and tradition and I certainly do !.

Go see this movie......I just have to say one word.......

BLISS !.


I had lost faith in Sooraj R. Barjatya after the movie Main Prem Ki Deewani hoon, then a year back now I saw promos for Vivah which looked good. But I didn't want to waste my hard earned money watching it in cinema. When the film first came out on DVD I rented it and watched and I loved the movie and took back my words for Sooraj. I just finished watching it yesterday again and this time I thought I have to review this movie. Sooraj R. BarjatyaGot it right this time, okay I was not a huge fan of Hum App Ke Hai Kaun. But I have always loved Manie Pyar kiya, after Manie Pyar kiya to me I think Vivah is Barjatyas best work. I hardly ever cry in a movie but this movie made me feel like crying. If you have ever been in love before then there will be many moments that will touch you in this movie, the movie is just too sweet and will have you falling in love with it, my view a much underrated movie.

The story of this movie you might call desi and very old times, but to me it seemed modern because the two couples which are getting an arrange marriage are aware it's an old tradition. It's done in present times, lots of people don't believe in this arrange marriage, but I do. The journey between the engagement and wedding which will always be special and this movie shows it clearly. When Prem meets Poonam for the first time, they show it how it is and that's reality and my parents where saying that's how they got married and it showed it in a way which is so real yes people the way Prem and Poonam meet in this movie is how most marriages happen. It was a very sweet, you feel nervous yet excited, the song "Do Ajnabe" shows that very well. Getting back to the story yes it's a journey which you soon get glued to between Prem and Poonam (Shahid Kapoor and Amrita Rao) and there families. A twist occurs in this movie which is really good, the last 30mins you all will be reaching for the tissue box.

What makes this film so amazing is the chemistry between Prem and Poonam, how they fall for each other is too sweet. Simple boy and Simple Girl, when they first meet during and after the song "Do Anjane Ajnabe" It's very sweet to watch, She hardly says anything and Prem does all the talking being honest with her about his past and the girl he liked and him smoking. Then it leads on to them all having a family trip and then that's when they really do fall for each other. It makes you just want to watch the couple and watch all the sweet moments they have. Another factor is that Poonam chichi is really mean to her and you feel sorry for Poonam because she has been treated bad and makes you want to see her happy and when she finally finds happiness, you too start feeling happy with her the movie basically makes you fall in love with Poonam more then just Prem. When she finds happiness through Prem you want her to stay happy and also hope nothing goes wrong because the character is shown as a sweet simple girl. Which brings me to performances and Amrita Roa as Poonam is amazing in the movie, her best work till date you will fall in love with this innocent character and root her on to find happiness. Shahid Kapoor as Prem is amazing too, he is Poonam support in the film, he is her happiness the movie, together they share an amazing chemistry and I have never seen a cuter couple since SRK and Kajol. If Ishq Vishk didn't touch you to telling you how cute they are together this surely will. "Mujhe Haq hai" the song and before that is amazing chemistry they show. Scenes which touched me was when Prem takes Poonam to his room and shows her that's where they will be staying and he opens her up and they have a moment between them which is too sweet. Again if you have ever been in love with someone that much these scenes you can defiantly connect to. The film is just the sweetest thing you will see ever.

The direction is spot on, to me a good movie is basically something that can pull me in and stop me believe for this hours what is being seen here is fake and there is a camera filing them. To me this film pulled me in and for those three hours I felt really connected to the movie. The songs you will only truly like when you have seen the movie as they are songs placed in the situation after I saw the movie I been playing the songs non stop! The music is amazing, the story is simply amazing too what more can I ask for?

What I can finally say it, rarely do we get a movie that makes us feel good, this movie after you have seen it will make you feel really good and make you want to be a better person. Its basically the sweetest journey ever, its basically showing you they journey between engagement and marriage and many people say it's the bestest part of your lifeWell this movie actually shows you way do people actually say that? Why do people actually say that the journey is just that amazing! Watch this movie and you will find out why the journey is amazing!


Suraj Barjatya is best in movies on marriage. And here he is; back to his basics on Vivaah. As the story goes this is a story from engagement to marriage. A movie you can watch with your entire family around you. A movie you will hate watching alone. The story is simple, but the music is good, cinematography is excellent, direction is best, everything about the movie has a class of its own. There are a lot of scenes which will make you cry and am sure if you are watching the movie with your sweetheart, you both are definitely going to hold each others hand till the end of the movie.

Shahid & Amrita jodi has given us hit movies earlier like Ishq Vishq, & Shikhar. Though Shikhar was a good movie it wasn't accepted well by the public.A truly Shahid & Amrita film.


I can honestly say I never expected this movie to be good. I do not like family films. I am far from a fan of Shahid Kapoor. The director's last movie (MPKDH was complete stupidity. And the music was very boring and bland. But there was Amrita Rao, who has become my favorite after Main Hoon Na. There was also Seema Biswas, Alok Nath, and Anupam Kher who are very talented. So a few plus points.

I finally saw the movie and I was very impressed. He brings us the young lovers of MPK with a pinch of the HAHK wedding, and we have a winner. The story outline is similar to HAHK, light hearted in the beginning to serious mode at the end. The director also made character that you could relate to. The thing I did not like about HAHK was that the characters were too eccentric. The casting adds to its perfection. Shahid Kapoor surprised me with a good performance. This is a major improvement, and most importantly he suits the role. The best is easily Amrita Rao. In fact, this is her best performance. Her screen presence is so electrifying, you are bound to love her performance. Sameer Soni, Amrutha Prakash, Anupam Kher, Alok Nath and Seema Biswas are terrifically cast. Not one actor feels out of place.

The songs were quite disappointing but they will sound better after watching them. Mujhe Haq Hai and Do Anjaane Ajnabi are nice ballads. Milan Abhi Aada Adhura Hai is also nice in watching. The songs aren't colorful and dancey, and they are more like ballads. The exception is Hamari Shaadi Mein which is bound to remind you of HSSH and HAHK. So what was the flaw in the movie? The movie gets quite slow, and the ending is quite stretched. But the movie is still goes at a good pace, making it a perfect family film.


i thought this movie was really really great because, in India cinemas nowadays, all you see is skin, music, and bad acting...in this movie, you can see some tradition, ethnicity, and at least some decency...although some parts were a little dramatic, guess what? that is what Indian cinema is all about! after watching this movie, at least you don't get a headache from all the loud overrated music, or any violence, its just the truth, it teaches about love, and of course caring for the person you love throughout life...i think it was an amazing movie...Kids can watch it without a doubt, and adults will enjoy the simplicity that used to be India's sure profoundness...until all these rap hits, miniskirts, and skin showing became a part of it.


Well... Vivah is quite a good, but typical Sooraj Barjatya's movie. It shows different aspects of Indian families, wedding ceremonies, etc. The movie is more than good, but not extremely good.

The big plus point of the movie is direction, music and Shahid and Amrita's acting (especially the last scene). The movie starts with a common factor of Indian movie--- A girl being disliked by her step-mother. Story is the movie is a bit common, but it is good, good enough to make the movie a blockbuster.

Minus point is common story of Bollywood movie. Overall I would say it is two times must watch movie, if you want to see typical Indian family values and of-course love!


This is one of the best Bollywood movies i have seen up until now. Family and friends feel the same way about it. This movie is really romantic and dramatic at the same time. In my opinion we need more films or movies like this to keep the south Asian culture alive. Shahid Kapoor and Amrita Rao acted extremely well in this, also their couple attracts a lot of people to the movies. This is a must see movie, it's a family and romantic movie. This movie is also from the makers of Hum Saath Saath Hain and Hum Apke Hain Kon. This movie is their best right now... the setting of the movie was beautiful which also is a huge attraction. This movie is must see... recommended to everyone!!


I watched this movie alongwith my complete family of Nine. Since my younger brother has recently got married, we could connect with the goings-on. The movie stands out for the classical touch given to the romance of the engaged couple. Thankfully this time all Indian locales like Ranikhet Almora etc have been used, which have been already visited by most of the urbanites, hence adding to the connection with movie. The dialogues are much better than those in the "Umrao Jaan Ada" - a supposedly dialogue based movie. The background music is augmenting the "soft focus" of the movie. It somehow remind me of VV Chopra's "Kareeb", in which neha and to some extent Bobby did full justice to the character. Same here, in that the lead pair does not disappoint in any department-looks or acting. The Supporting cast are too good. I rate the actress playing the role of Bhabhi in the front league. The situations of family interactions portrayed are real and you smile when you find yourself in place of one of the characters. Songs were too suiting the scenes and going along well with the movie. However, though I respect Ravindra Jain for his body of work from movies to Ramayana, I missed Ram Laxman badly.

It had no double entendres(Sivan category), no bikinis, no intrigue, and no nonsense. You would comfortably watch the movie with your parents except if you're already or going to be soon engaged. I want to express on candid thing here that though Suraj proposes that the marriages is between families and not only individuals, his approach is totally individualistic. The movie is only about Prem & Poonam, rest of the characters are incidental. Art immitating life? The "peripheral characters" are consigned to the background and the only protagonists are the lead pair.

Coming back, Everything was almost great. Except, for the drama part. The situation of tragedy was artificially created. The outcome, the sacrifice and the ensuing heart change are not compelling at all. That is why it lacks the emotional punch-the very purpose of this turn of events. But, a twist in the tale was necessary to transcend the movie from a beautiful pre-marital video to a 'feature film'. But I kept waiting for the punch and it never came. The preaching by Mohnish Bahal and later by Alok Nath on dowry was out of place and it made things too overboard. May be this will help the movie a tax-free status. But the plot could have been made more interesting and non-linear than what it was.

There were too question in my mind when the movie ended: 1 Has the movie really ended? 2 Has the movie ended?


One would have to be very jaded indeed not to be swept up into this gem of a film (and I've seen hundreds of Hindi and Bollywood movies, too). The actors, the beautiful settings, locations, and surroundings, the deep emotions portrayed, the sweet songs (especially the singing voice of Udit Narayan, my favorite) -- everything was just lovely. The human (imperfect) element was also woven in, to create some drama and drive the plot, as well as allowing a heartfelt resolution. Alok Nath is such a terrific actor, so open with the emotions of the characters he portrays, he almost steals the show from the young stars. I highly recommend this film to anyone who loves true romances -- ones that go beyond superficial beauty to real love -- as one of the best films out there, Hindi or otherwise!


What can i say, i have grown up watching Hum Saath Saath Hain, Hum Aapke Hain Koun and Maine Pyar Kiya. Soraj have always been different. Movies are part of our lives in evolutionary times Soraj creates something thats hard to find. Love and joint family that loving and great. Vivah is journey for a couple that are getting arrange marriage that turns on arrange and love marriage. Shahid has done fine work. Anupamji as always brilliant. Amrita Rao quit different even though I felt that someway the other to me she doesn't suit in that role. We've seen her in Ishk Vishk and Ab ke baras, and Main ho on Na. So quit different role that she isn't in to. She is been excellent in Main ho on Na and ishk vishk but may be she could've put little more in the role. Anyways great going work by Barjatya. This movie rejuvenates the values that we forgot. Sweet film of the year. Great music and lyrics. I am not sure if its a remake but anyways brilliant story that is original. Soraj's movies have been brilliant all the way so we always expect something different from him. Great work by all the cast the crew and everybody. Lovely family film to enjoy with your parents, siblings, friends and love ones. I give it 10 out of 10.


Once in a while, you come upon a movie that defines your values and shows you the true depth of human emotions leaving you drained. Vivah is just that  maybe more. After watching DDLJ, Saajan, and Lamhey, I really thought that Bollywood has reached its pinnacle and will never come up with anything like that - EVER. Boy was I wrong! I went to the store to buy some groceries and decided to pick this movie up along with the new "DON" (just so I can compare The Great AB with ShahRukh  although the decision is already made in my mind). After debating whether I should waste almost 3 hours on a meaningless movie I decided to watch it realizing I had nothing else to do. When I saw the rating of U instead of an A, I was happy that at least it is something where I don't have to watch scantily clad women with bad acting skills doing nothing but dancing on every opportunity they get and making out with every guy to show that they have more skills in bed than a Hollywood B actress. For the first 5 minutes or so I thought I would again be subjected to meaningless story with bad acting. After all everyone who has seen Shahid Kapor know that he as never gained his fame as an accomplished actor. Boy  was I wrong about this movie. This movie grabbed my interest after the first 5 minutes and would never let it go. It was a great movie with a good storyline about the vanishing traditions of our society. I liked not only that the director was brave enough to make a movie where younger generation might not relate to the concept (of arranged marriage), but also that he did it with a conviction (that it is the right thing to do). I have no idea why some people think that the acting was not good. I felt that the acting was great and even though the music score might not be considered the best ever, it was still very very good. The good thing is this music will grow on people with time like it did with me after the I watched that movie a second time. The other good thing is that thee songs are not pushed into the script as we have all seen in so many movies. These songs actually tell a big part of the story and are certainly a welcome addition. Just like Ajay Devgan went from being a joke to a great actor (after Company), and Salman found his groove after "Hum Aapkey Hain Kaun"; this movie will help Shahid Kappor jump to being of the better actors and entertainers in Bollywood. This is the first movie of his in which I like him and his role. He acted well and adjusted to being the nice good looking young rich kid. Yes you will not find him playing basketball and scoring every point on a dunk like you saw ShahRukh in DDLJ (even though he is shown to be an Indian in England  both countries not big on Basketball by the way), he does come across as very believable as a person who holds true to his values. Amrita Rao, for the first time came across as someone to be remembered. In all her other movies she was competing with big faces which was actually hindering her. No one knew how good of an actress she really is until they watch this movie. Some of the scenes in which she has to cry especially towards the end really shows her knowledge and depth of acting. Although she has been in another movies she is most memorable in this one. I think this movie will and should do wonders for her. Move over Rani  there is finally another girl who if given a decent chance to work with good directors can grab the torch from you. She is beautiful with a great voice and has a face that exudes complete innocence. Oh having almost 0% body fat does not hurt either (yes people I will challenge you find even 0.1% fat on her and unlike so many others like Sonali she can actually act too). I thought I will never be enamored by anyone's beauty after Madhuri and early Kajol, but she completely changed that. Shahid and Amrita worked very well together and their relationship fitted their characters and they both did an excellent job (although I was waiting for Shahid to turn into a girl like Salman did every time he uttered "Hum aapkey Hain Kaun"). When I finished watching this movie, it left me so emotionally drained that I decided to watch this movie again (right away). Yes right away. I have never ever done that. Not even with DDLJ, but this movie just had something that had to be understood again and again. I will probably watch this movie a third time over the weekend just so I can watch and relive the traditions we all grew up with. I miss those times where families sat down and had fun. When parents had time for their kids and where kids respected what their parents believed in. I know a lot of people think that movie does not portray real life but deep down don't we all want it to happen. The families, thee tradition, the love and respect. This is what this movie will remind all of us of. I can assure you it is an extremely well made movie which you will enjoy. I am sure some young people will not like this movie but if you are over 28 I doubt that you will be one of them.


'Soapdish' is one of the best, yet least well remembered comedies of the 1990's. The film revolves around the various off-camera drama's that occur behind the scenes of a cheaply produced Daytime Soap Opera. The first of the film's various impressive strengths is it's fantastic A-List cast. 'Soapdish' features some of the greatest actors and actresses of it's era.

The film is superbly led by Sally Field, as the neurotic ageing actress Celeste Talbert (She famously throws a tantrum when put in a costume that makes her look like "Gloria F*CKING Swanson!"). Her supporting cast reads like a who's-who of 90's Movie Greats! Whoopi Goldberg, Robert Downey Jr, Teri Hatcher, Kevin Kline and Kathy Najimy all elevate the film greatly. Goldberg is predictably excellent, whilst Downey Jr.'s and Hatcher's performances hint at the comedic excellence they would later achieve.

In terms of writing, the film is outstanding. There is a really modern edge to the script, which strays into the wonderfully bizarre on several occasions. There also several visual gags that are quite ahead of their time. In some ways, the film is reminiscent of Mel Brooks at his best and frequently reminded this reviewer of 'High Anxiety' (1977). Much of the film's humour hinges on it's often scathing, but pretty accurate, representations of daytime television and of neurotic and pretentious actors. For example, The extras casting session featuring the exploitative executive played by Carrie Fisher, is both hilarious and honest.

'Soapdish' is, for my money, one of the very best comedies Hollywood produced during the 1990's. It's excellent script and A-Class cast make it a must-see. It's hard not to love this film after it's kept you laughing for 90 minutes.