Julia Cameron Live
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REMEMBERING

I was not there when your mother bore you.

Surely you came into this world, hungering and wet.

We all do that.

Surely you came like the rest of us

From that dark sea of souls,

That sighing that brings us forth

And calls us back — we all share that.

If this is true, and it is — even for you —

Why are you a broken glass smashed against

The floor? Why not the seas’ grass on

The ocean floor? Why not a smooth stone, a willow

In the wind? Why do you break, not bend, and

Even broken, why not mend? You do know how.

Walk with me to the edge of the city.

Take off your shoes and feel the earth.

It is softer than a woman.

It is safer than your father.

It is water. It is air.

It is where you are returning

With this yearning you can’t name.

Cast off your shame. It is an old coat.

Remember who you are. You are a star,

A mountain, that fountain in the sun.

Your heart is the velvet cave.

Where birds sing.

Are you remembering?

COME TO ME

Come to me.

There is no darkness in which

I cannot see you.

Come to me.

My green heart holds your ancestors.

They are waiting to hear your dreams.

Speak to them. They know your name.

Do not imagine you are alone.

Do not imagine they have left you.

They are listening,

Waiting for your voice.

Come home. All of us are waiting.

Every bird remembers you.

The lion, in his pride, still knows your name.

The gazelle, the snake, the silver heron

Lifting at the shore— all these and more—

Your family.

Come back to me. You do not need to grind your bones to dust,

Rusting your heart.

You are known to us,

Only come home.

MY COUNTRY

In my country music is forbidden

Lest you hear it and start dancing in the streets,

Weeping for your glory.

In my country poetry is not allowed

For fear you will hear your name And start speaking in tongues.

If you dance in my country,

They will break your bones

And turn you into beggars.

In my country, children are

Taught to march in rows.

Fear is baked in the bread.

I love my country.

There is no heartbreak,

Only misery.

Quiet as a hungry woman weeping.

I love my country.

There is no passion. It holds

Dampened desires, embraces, but no fires.

My country has safety.

My country has rules.

My country has no kings.

My country has no fools.

In my country, you would not be welcome.

Look what you’ve done to my daughter,

The way she combs her hair, humming,

And lives on water.

My son wants to follow you,

But I won’t allow it.

He has no need to see the mountains

And the sea.

And if he does,

He will just forget them.

As I have.

Once I lived in the country you call home.

It is the land of my ancestors

Which I left behind.

What did I need with clouds at my feet,

The moon still there for breakfast?

It was a treacherous country.

Freedom can break your heart.

I remember one night dancing with a woman who stole my breath.

I was close to death from her kisses

She smelled like mist.

I still smell that woman if I dream.

If I dream, there is singing,

The ringing out of music in my bones.

If I dream, these cities turn to ashes,

The tall grasses sway again,

I laugh with friends.

Oh, you are dangerous to me.

My country can’t survive you—

And your laughter.

YOU DO KNOW ME

You know me.

I have been walking toward you on your breath.

You know me.

I have been waiting in your bones.

If I am unfamiliar, so is air.

I was always there.

When you were young and roaming the green hills

Smelling the sea—

That was me.

Later when you grew older and bolder

Then they knew

I was the street lamp on that wet night.

The Seine told you its secrets and said,

Begin.

You did begin. I was the window

That you saw you in—

I tapped the pane, you turned away.

You thought I was the cat—

And there was truth to that.

I have walked through alleys Darkened by your pain.

I have been those valleys

Where you saw again.

You do know me.

PEAR

It is like this.

There is a pear on the table.

Its flank is every woman I have ever known.

There are flowers in a vase by the window.

Peonies, lilacs, anemones, tulips.

Their petals are every woman

I have ever known.

The flesh of the pear.

The scent of the flower.

The soup boiled down from parts.

Our hearts are like this,

The mixture as before—

But one thing more—

You are my water.

JERUSALEM IS WALKING IN THIS WORLD

This is a great happiness.

The air is silk.

There is milk in the looks That come from strangers. I could not be happier If I were bread and you could eat me.

Joy is dangerous.

It fills me with secrets.

“Yes” hisses in my veins.

The pains I take to hide myself

Are sheer as glass.

Surely this will pass,

The wind like kisses,

The music in the soup,

The group of trees,

Laughing as I say their names.

It is all hosannah.

It is all prayer.

Jerusalem is walking in this world.

Jerusalem is walking in this world.

AFRICA

We are all Africa.

The moist darkness,

The beast moving through the trees.

We are jungle,

Waterfall,

The pitched screaming of a bird

We cannot name.

I am the light on the flank

Of that mountain—

Looming above the plain

Purple as a bruise.

What is there to lose?

I am the okapi

Leaping in the air—

And that, there,

The great and quiet snake,

Larger than a tree limb,

Draped across the path.

We all change shape.

In the morning light,

I am bright in my darkness.

“Panther” is just another word for night.

You’ve got that right.

That is part of me—

But we are all Africa.

And it is not the dark which makes this right.

There, from that still lake—

See the shape I make:

A rosy pink that rises like applause.

I sheath my claws, I feather my furred chest.

This is the best. I wheel like music.

We are all that winged thing.

We are all Africa. If I can say it, so can you.

The rain comes across the plain on legs like mine.

We are all Africa.

THE ELEMENTS

You drink me like water,

Lick me like salt,

Plow me like earth,

I make you grow.

The sun

On the mountain’s face

Burns its cheek.

That mountain is not weak.

And we are not so strong

The elements won’t change us.

There is a great force

Moving through us

Toward connection.

In the quiet wood,

The mountain gathers height.

The climb is high and steep.

The sloping shoulder changes weather.

On the north of trees,

Small plants sink their pylons into bark.

The sky is dark,

Clouds gather above us and below.

Don’t you know? love is an avalanche?

And a mountain,

And this,

The sudden snow.

A FAR COUNTRY

You are a far country.

Wind is the native tongue.

Distance is the custom.

Out of touch is the rule of thumb.

It would take body English

To cross your borders successfully.

The natives all play dumb. In my country, there is tea,

Sandwiches, a softly played piano.

Piano, piano, pianissimo.

In your country, there are drums.

The drums through the trees

Sound to my ear like thunder.

Your body shudders with the

Same drawn-out note.

All my niceties, the tastes I’ve acquired,

Get mired down in the thick of

your tricky weather—

Or slide away.

I watch my tea cart skid across the floor.

When I ask you, “More?” I do not mean

Anything we drink from a china cup.

And there is not enough.

In your country,

Dark is more visible than day;

Only fly by night can get it right

Flying blind, over jungle,

With no place to land,

You reach from the open cockpit

To feel rain on your hand.

TRUE NORTH

I.

An attraction creates a geography,

A territory of the heart

With boundaries, weather,

Dangers of the trail.

A need for plots,

Compasses, survival kits.

You are True North.

II.

I want to love you like a map,

With boundaries and possibilities.

I want to love you like a compass,

With intention and direction.

Like a knife, a gun,

An instinct toward protection.

I want to love you like a rope,

As thick and strong as hope.

THIS EARTH

This earth is not made

For our misery.

It does not grow on trees

Like the fruits.

You do not gather it like berries.

It is not a vegetable, a root,

The tall delicious grasses.

It does not swim in our sea or

Roam the prairies.

The earth knows sorrow—

Floods, famines, droughts

That scorch the earth to parchment so

Our names blow away like dust.

The earth knows loss—

Sudden frost, a pestilence,

Insects descending like dark

Buzzing clouds to eat even our thoughts.

The treacherous snow,

The rains that fall too early

Or too late. We can live with these.

The earth is practiced in these griefs.

They are natural, like the child who

Slips away despite our love.

The earth can hold and soften all these sorrows.

Just give her time. Time that turns her fields

From green to brown.

Time that curls the vine

To sweet tendrils,

Like tiny hands.

Our misery makes something else from time.

The ticking is not natural.

Our bodies know the cost.

Feel how they long to lay down amid the grasses.

Hear them sigh for a wind that carries

Cricket song and lark, a wind that sloughs and ripples

Like a river.

Our earth isn’t made from sound like that.

Take off your shoes. Lay your cheek.

To this dark earth who longs to comfort you.

This earth is not made for our misery.

We are made miserable, longing for this earth.

STAG

I saw a stag in the city.

Velvet-horned,

Sweat-soaked,

Reeking musk and manure,

Alone,

At dawn,

He made his way north.

Every cloven hoofprint

A cleft promise in the snow.

Oh.

How I miss your animal breath,

The casual warmth of your body.

I saw a stag in the city.

BODY ENGLISH

We speak in tongues.

My mouth to your ear.

Your ear to my mouth.

We speak in tongues.

Use body English.

Mouth to mouth,

Heart to heart.

Parts of speech.

Each.

Our every slip of the tongue is graceful.

Our best syllables are silent.

We speak in tongues.

Our skins make conversation.

Talk to me.

IT IS A SIMPLE THING

I notice the small things—

The spider creeping beneath the door,

The leaf that takes the air,

The silver hair burning at your temple.

It is a simple thing.

The moments pass and we pass with them.

Tell me why, knowing we all die, I cannot bear to hear you catch your breath.

THE QUIET ANIMAL

Oh quiet animal, sleeping,

What dreams lie within your cells?

What ages brought you here

Through coal and ice?

Eye twitch, lip curl—

Blood dreams again.

Blood is always dreaming,

Scheming to move us forward

And take us back,

Dreaming the dark places,

Caves and the backs of stars.

Your ivory bones are the tusks of time

Who eats with all our mouths.

That crescent moon? It’s just a bone

Thrown beyond our reach.

The stars at night were someone’s baby teeth.

The blood remembers

What the mind forgets.

The soul is a quiet animal.

Given less to thought than memory,

More to dreams than plan,

The soul owes more to half-remembered gods

Than waking life as man.

YOU CANNOT NAME ME

You cannot name me.

You do not know my name.

I am not that small and foolish thing

You would have me be.

You cannot name me.

I am an arrow shot through time.

My rhyme is not so narrow as your reason.

Do not doubt.

I will have my season.

You’d make me small.

You’d make me call you “Sir.”

As if I were some cur,

Mewling through the streets,

Whipped and yellow.

I am not that fellow

You would meet.

There’s a blindness in your eyes.

You cannot see my size.

I am larger than your fears,

Deeper than the tears God wept for ocean.

We are meant to do devotion out of love.

The hawk, the dove,

The black bear and her cub,

The oak, the ash,

The willow and the grass—

Each has its song

And you have got mine wrong

To name me as small.

And if I wear your cell,

I’ll burst it like a shell.

I’ll be both large and small.

I’ll name me after all.

The letters you don’t use—

Those are what I choose.

PINK IVORY

I am pink ivory.

Only a king can claim me.

And he— only once a year.

Among my ebony sister,

I am pale as an English rose.

In the heart of their great darkness

I am the light that grows.

The music that I make,

The shape I breathe to breath

Can mean a sudden death

To careless men who fell me

as they please.

I am the queen of trees.

I know my place.

I know the man it takes.

I am pink ivory

Only a king can claim me.

Only a king can name me.

Name me. Never tame me.

I am pink ivory.

AFRICAN KING

I am an African king.

My music flows through your streets

Like dark water amid the trees.

Paler than ivory, my smile

Is a sickle moon.

You own no room that

Is large enough to hold me.

A cat that moves through black,

I am exactly that.

My sound disturbs the ground you think you’ve found.

I am freer than I show.

You do not know me.

I am an African king.

My ancestors slept beneath the moon.

They heard the drumming and the flood

Of their own blood.

That blood’s in me.

I am always free.

A fire might gutter out

But not that moon

And that moon knows my singing.

That moon hears me ringing

Through streets of steel and shadows made from stone.

The shape of tooth and claw,

That moon fills you with awe.

I am an African king.

It sings me home.

WHEN HE FOUND ME

I was wandering in the desert

When he found me.

He was a stranger.

He spoke a foreign tongue. He called my name and

Gave me water.

“You thirst for your true nature,”

He said without speaking.

My heart sang like a plucked string.

I was not imagining this thing.

I am an ordinary man.

My life was simple as bread.

When he turned his head away,

I started weeping.

“You are awake,” he said.

“You have been sleeping.”

This was true,

And so I followed him.

Who knew he could turn water into wine?

Who knew that trick with loaves and fishes?

The garden and the rock, the mother weeping—

Who knew? He knew them all.

If you ask me, he answered as was called.

I would not change a thing he led me to.

Man or God he taught me—

Simply do what you must do.

I was wandering in the desert

When he found me.

He was a stranger.

He spoke a foreign tongue.

He called my name and gave me water.

What is there in this, that I should falter?

LANTERN MOON

There is a lantern moon

Which rides the coast.

It is a moon which causes men

To remember.

You know this moon.

You have seen it from your bedroom window.

It has caught you walking, Stalking dreams before the dawn.

This is the moon

That knows your secret heart,

The moon that knows you

Better than a son.

Why are you hiding your dark face?

This moon is expert at that game.

What do you gain by holding back your name?

This moon saw your birth.

This moon knows your worth.

This moon is silver gold

Just like your soul.

COUNTRY OF CONTRADICTIONS

I am a country of contradictions.

I have a mountainous heart,

Full of switchbacks and passes—

Fissures and crevasses—

Where the snow, this late in August,

Is still frozen, so—

I will not make predictions.

There are parts of me that may never thaw— or—

Avalanches, flood,

This love is tricky.

Like my blood.

I am a country of contradictions.

A sable slinks between the trees.

A falcon takes the breeze.

A tiny flower points up like a star.

Below there is a river.

Below there is a flow.

Below there is a verdant green

That grows from my deep snow.

THE DOORWAY

I had been traveling a long time.

Each face looked the same to me.

The mountain and the plain,

The sun and the rain—

They blurred together.

I was my weather

What I owned I carried on my back,

A simple pack, weighty as a stone—

I called that home.

It might have gone on like that forever—

You never know.

In crossing a great desert,

You cannot think about it, so

I lived my life a footstep at a time.

I saw ahead no further than the blind,

And didn’t mind.

The village was small;

The mountains tall;

The air was thin and clear.

I had no way of knowing she was near.

The street was steep;

The snow was deep;

The houses hunched like beggars.

I didn’t look inside—

All of us have hungers.

I heard a high-pitched screaming.

I thought it was the wind.

I heard a high-pitched screaming.

It screamed— and screamed again.

Then I saw the doorway.

Then I saw her face.

I saw, like me, she’d traveled

To every far-off place.

I saw that she was lonely.

I saw she was alone.

I saw her beckon to me.

I saw I’d traveled home.

We tell this story laughing,

We turn it like a stone.

She says she wasn’t screaming—

That was me— alone.

One of us was screaming.

One of us, afraid.

It doesn’t make a difference,

With the difference it’s made.

UNPREPARED

I.

I’m not prepared for this.

I can’t pronounce this bliss.

The way we flow,

The knowing where to go.

This ebb and flow—

Can’t we take it slow?

Where are the walls,

The shadows in the halls?

This light—

Can it be right?

Where does it come from?

I’ve known a different sun,

Walked a different earth

Where air was used for grieving.

I think— we’re leaving.

II.

Before we met

I knew your face

From stars and stones.

I knew your name

From wind and grasses.

Before we met

The red earth held my heart,

The sky cradled my dreams,

The forest floor was my green bed.

These were what I wed

Before we met.

Now that you are here

I am wed to galaxies.

Our sky does not contain me.

Our sun is a candle to what I see.

Sheer as a cliff, the walls drop away.

THERE IS A MUSIC

There is a music.

You hear it in the blood.

Keening like a mother,

Whispering like a lover,

Marching like a brother off to war.

There is a music.

Flowing like a river,

You smell it on the air.

It is a trail for me,

Between those rocks,

Along the cliff edge,

Down the slope.

It is a river that cartographers

Don’t allow.

They’ll never show it.

There is a trail.

I’ll leave notes.

AFTER MAGELLAN

I want to pretend that the earth

Is not round.

I want to pretend I don’t love you.

Loving you has changed everything. ec

I know that walking toward the horizon

Will solve nothing.

There is no final edge,

No step I can take, last,

To reach an end.

The earth curves away from me.

Leaning forward, reaching,

It meets me from behind.

Touched, not touching,

I am your lover.

You encircle me as surely

As this earth I walk away from.

SURVIVAL

I can imagine a life without you.

A sky with no stars.

A time before language.

A primitive age

With values relating to survival.

I can imagine a world without sound,

In which no bells ring, In which birds wing silent

Across skies muted by lack of sun.

What I cannot imagine is my survival—

Still living, still breathing,

When it is air that I am missing.

I am trying not to miss you.

I am trying not to breathe.

ON A MAP OF AMERICA

On a map of America, I could draw a line between us.

I could hang that line with lanterns.

At the mid-point, the rendezvous,

The lantern could be pink, not blue.

From a distance, it would look like a single heart.

Meet me there.

Meet me at the spot where

We are not what we fear

And never were except in years

When we had no lanterns and no light.

Imagine: in our trust

We stand on the dust

Of ashes and of diamonds.

Imagine: even in this darkness,

I have got that right.

BELIEVING IN KANSAS

At the hospital, they change the bandages

In shifts. Every morning, while the rain drips

Like glucose. Later, while the sun slants

Through the blinds, like bamboo slits.

In the evening, too, when it fits.

They work quickly, tearing off soft strips of gauze.

Snowy white and soft like the downy backs of moths.

In Kansas, at twilight, the moths come down like snow.

It’s different here. Their flight seems bumpy.

I don’t know. I might be jumpy. It was crazy there.

They found me clutching the hand of a small child

They say I killed its mother, or perhaps another.

They found me shoeless. Without a foot.

I’d stepped on a mine that should have killed me.

It was crazy there. I swear

They were all the enemy.

I have asked for a different nurse,

One with healing hands.

One who understands

The miracle of crop growth,

The cycle of dormancy,

The promise of a wind-swept plain.

I have asked for a nurse

Who believes in Kansas,

She must see me walk,

Two-legged and whole,

Striding through fields drowsy with grain.

She must believe, like Kansas,

There is always spring, always rain.

DEEP MUSIC

I am a deeper music

Than your bells,

Hung by their throats

In some high steeple,

Tolling out the muffled notes

Of monks.

I am a music of canyon rock,

Of valley, of city street,

Of alley—

You hear my beat.

You walk it with your feet.

An infant’s cry,

An elder’s sigh—

I am all of these.

A panther in your streets,

I take my ease.

I’m you and all of these.

The red heart of this green earth,

I am molten at the core—

And I am more.

I am a music shaped by ocean.

My depths hold icy fire,

Like distant stars.

My sound is ours.

We are a music chorded by the wind.

Our singing spans this planet

Like silken ropes.

Hear you in me.

We are a unity.

I am your dreams and hopes.

I am your loss, your grieving.

All that you are leaving,

All that’s gone before and falls

Behind. I am that wine

Distilled from what you’ve been.

I am the place that you begin

What you’re becoming.

I am the drumming,

That deep humming,

That summing up of parts

That makes us whole.

I am your soul.

Believe me when I say

I am deep music.

Hear me as I whistle

Through your veins.

Hear me as I lullaby

Your pains.

Hear as I say,

And say again,

I am deep music.

Only choose it and my note

Becomes your own.

We are one.

We are all what we have sung

And are becoming.

Open up your throat

And cast your vote.

We are deep music.

WHY WE WRITE

There are many things which resist naming,

And that is why we write.

We write because language is slippery,

And truth is.

We write because

The light we have to see by

Is always shifting.

Never forget that writers are prophets.

We speak in tongues.

We testify.

We are for each other a believing mirror.

Our words make us visible.

Our listening makes us heard.

Never forget that writers are soldiers.

Our writing is the long march,

The walk into time.

Each word is a drum.

We sound it across great distances,

Reaching one another and ourselves.

Every poem is a day’s march.

A celebration more necessary than water or wine.

Every poem is a drink of blood.

Never forget that writing is an act of courage—

Not on the days when it is simple and we discount it.

Not on the days when it is hard and we write like sand.

Our words are torches.

We pass them hand to hand

And mouth to mouth

Like a burning kiss.

Never forget to say thank you.

Every syllable is a grace.

POULTICE

Don't tell me,

Doctor.

I know this is no way to poultice a soul.

For the better part of a year,

I've been administering

These therapeutic doses of scotch and gin.

They've been my anesthetic.

The patent cure I chose

Against your good advice.

You'd think that after all this time,

I'd know how to cauterize a heart.

"Be nice"?

Perhaps I could

But the problem lies,

At least in part,

With all your gentle probing.

I've found the familiar

Curve of your skull

Scalpel enough

To open any wound.

BLIND, DRUNK

Is it any wonder that in the midst

Of my most delicate transactions,

I may suddenly find a twig

Still caught in my hair,

A spider secretly webbing over an ear lobe?

You had to be there.

I guess

You had to know the dark and horror.

You had to know the way my fingers felt

The seams, the joints, the sealed doorway,

The cramped and filthy space:

Home.

Sometimes, in the middle of a conversation,

Walking on a sunny street,

In broad daylight,

My shadow will catch up to me.

I will feel the chill and sweat,

Like the slick cold flank of a bottle.

My hands will fly up,

As in surrender,

Or prayer.

There, in a shop window,

I will catch sight of myself,

Gibbering.

Plucking at the unlucky twig

That reminds me of my luck,

I brush aside my grave,

Concerned that I look normal.

Isn't it a wonder?

LILACS

Who knows what the lilacs

Cost the verdant earth?

Who knows if their fragrance

Is ever really worth

The loss of self containment,

The softening at core,

The quickening at center,

The wrenching to a thaw?

Who knows if the winter earth,

Accustomed to her chill,

Burns as she awakens,

Warms against her will?

The ancient scent of lilacs

Moves modern men to weep.

The perfume of desire

Calls green earth from her sleep.

WORDS FOR IT

I wish I could take language

And fold it like cool, moist rags.

I would lay words on your forehead.

I would wrap words on your wrists.

"There, there," my words would say

Or something better.

I would ask them to murmur,

"Hush" and "Shh, shhh, it's all right."

I would ask them to hold you all night.

I wish I could take language

And daub and soothe and cool

Where fever blisters and burns,

Where fever turns yourself against you.

I wish I could take language

And heal the words that were the wounds

You have no names for.

ACCIDENT

You have decided we are an accident.

Who can blame you?

Accidents happen

And so did we.

The fact of an accident is often over-looked.

We focus on the surprise.

We focus on the fact

It should not have happened.

Do you remember driving in New Mexico,

On the high road, near Penasco?

We made a hairpin turn, noting

The "U" of it, marked by a cross.

"This is where accidents happen,"

You told me. You touched my knee.

The survivors of bad accidents

Tell good stories. I believe them.

They talk about tunnels, figures of light,

A sudden warp in the time space continuum,

The temporary ability to float free from pain.

They say they watched themselves,

spread-eagled,

Limbs twisted at skew angles,

mangled-- happy.

"I didn't feel a thing," they say

With wonder. "I heard music."

So do I.

BREAKING AND ENTERING

My heart is not a furnished room:

TRANSIENTS WELCOME.

I know too much about rooms like that.

The cracked window shade,

The single plant, the cat.

There is more to my heart than that.

You close one door to talk.

You open another and touch me.

We fit together like lock and key.

I am your burglary,

Your hideout.

But my heart is not that room

In the afternoon when the light is lovely.

My heart is morning.

It told me that all night.

My bed was empty except for dreams.

In my dreams, my heart

Is not a furnished room.

I do not need to change the lock.

You have the key.

In my dreams, you do not break me,

Entering.

A DELICIOUS POEM

The first time

I kissed your mouth,

I was surprised.

You tasted like strawberries,

I missed your mouth.

IT'S AMUSING

I pay it money.

Give it sex.

I place bets for it.

Buy it roses.

And bananas.

I tell it stories.

Sing it songs.

It treats me bad.

Makes me mad.

It gives me poems.

SUMMER

Summer in this city is so hot

Subways move in their tunnels

Like blacksnakes.

In bed, we turn our bodies slowly,

Like rotisseries.

WINTER

The first time I saw

Photographs of Antarctica,

I winced to see your face.

The most surprising things

Are surprising.

Any fool would have recognized

The glacial calm, the ice locked floe.

The cold facts are these:

Warmed by your arms, I freeze.

SLEEPTALKING

We talk in our sleep.

Our silences fill with language.

Dreaming,

I listen to the rustle of your thoughts.

Stirring like bed sheets,

As you turn over and over

The idea of us.

WEEDING

I admire the universe.

There is an economy to loss.

The earth is richer

For killing its flowers.

The domestic garden flourishes,

Rooting out its rank, luxurious

Weeds, those outlaw tentacles of life

That grow by a cellular law,

Mentioning no fences, no orderly rows.

A sudden death, in nature,

Is kindest. Lightening doesn't rattle

Before it strikes.

The bolt of light,

The split of sky,

That moment when everything is clear

And then gone;

That death is its own announcement.

In Nature's world,

Every loss has meaning.

The weeds,

Misplaced by gardening hands

Bent on a topiary niceness,

Send their tendrils through rock.

Blooming, blasted by wind

On some unpromising promontory,

They are, after all: alive.

Of all the weeds that gardeners don't allow,

Chickory is my favorite.

You may have seen its crosses,

Wind tossed strips of blue,

Blue that is halfway silver, like tears.

Yanked up by its roots, chickory dies

Quickly.

Subborn as God's own seed,

You spot it later, standing by the roadside,

As if flagging a ride to some safe place.

BIRTH-DAY

My skin is white and bloodless

In the hospital glare

Of the bulb above my mirror.

Catch me here,

Webbed with capillaries,

Netted by veins,

I am sheathed by way of consolation,

In my own smooth skin.

I'm quite an operation.

All afternoon

I've been paring apples,

Peeling back skin

To the skull of fruit,

Slicing carefully,

I've seen red mouths,

Lips quivering at the rush,

Escaping faster than words

Bleed out.

I am an emergency.

Some severed artery,

Dangling obscenely like a loose wire,

Oozing current.

PHANTOM

The soul has phantom limbs

That itch and burn.

Stumps of love,

They yearn for other lives.

I drop my glove.

You bend to pick it up and I think,

When? But cannot get my hands on it.

Something's missing.

And then sometimes, kissing you,

I get deja vu.

This lip, I think,

This hip that jostles hip?

We are too familiar.

You walk me to the door

You straighten out my collar, touch my neck.

I suspect my heart is a shooting star.

We've come so far.

RIB

I felt so at home sleeping

In the crook of your arm,

Pressed against your rib cage,

I called me your missing rib.

I don't believe I lied.

But if pain is any gauge,

From this aching in my side,

I'd say I'm the one without a rib.

A hollow bones my chest.

My cells somewhere are weeping.

ROSES

The roses on the breakfast table

Threaten my equilibrium.

I hold myself carefully,

Slightly hung-over.

I see you stubbed out your cigarette

In the pot for my geranium.

I am ashamed. I did

Nothing to rescue her.

My lip is bruised and my neck.

I should go to bed thinking it doesn't matter.

But I am all skin and

My smallest bones know better.

LOVE

The lip of your body

Is the rim of the known universe.

The space between the stars

Holds your heartbeat.

At night, when the stars sleep,

They rest in that room of dark

Where sparks of life ignite.

You left the seeds of poetry

Inside me.

LINES PIRATED FROM M.B.

In calling a ship from shore,

You need only know what ocean.

That, and the nearest land mass.

In other words, you calculate position

In the roughest terms.

You do not need to know

That phosphorus glows off starboard,

Or hear the slap of the flying fish

That leaping blind lands,

Like you, at your lover's feet.

The slap of salt spray,

The trail of foam

Leading home

That fades away...

Do not consider it.

Do not pause to reckon

The possibility of connection

Over time and distance and misdirection.

Soon enough you will talk.

Soon enough she will tell you

How it was that night

When she dreamed of white sheets,

Sticky with starch,

And the sudden arch of your body,

Entering her dream.

In calling a ship from shore,

Know that we are all, equally, at sea.

Our sullen planet, this lump of wet and granite,

Sails like a spitball in the face of God.

Do not be awed.

In calling a ship from shore,

Ignore the odds.

MARK MY WORDS

In the end, she will have you.

She will hold you longer and better than I.

Her taste will fill your mouth.

You will come into her

Like a landscape dissolving into dark.

I can see it.

All my angling, my plots, my pots and pans,

My plans for us, it's all diversion.

She's the one, not me.

Trust her version.

We lie beneath our bedroom eaves

And no one breathes.

We count like sheep the passing of our days.

We pretend and each believes,

We will stay together.

In that fine phrase: "Forever."

But she will have you.

These days, your face is lined like paper.

The scrawl and scratch of time

Makes it match mine.

In the photo on the bureau,

You were young and dapper.

In the photo, back at zero, we had time.

Oh, lovely hands beneath the flesh is bone.

We knuckle under.

Death, like far thunder,

Speckles the fair weather. Friend,

Age is the cage she will catch you in.

I reach to hold and what I reach is old.

And so we lie. Harbored in our arms,

We hear the blow, attend the crack.

Side by side, we count back

By what amount it missed us:

Childish charms. She will have you.

And when she strikes like lightening,

She will take you home alone.

You will lie in her bed;

I'll lie in our own.