News — The Christopher Isherwood Foundation
https://images.squarespace-cdn.com/content/v1/60c878199946206b1ba2a9c9/ae056a1f-fdc2-491d-abe4-8ac60c68e37f/favicon.ico?format=100w
The Christopher Isherwood Foundation
August 30, 2024

Nantucket Atheneum

Illustrated lecture by Katherine Bucknell, 6:30 pm. Book signing. Free admission.

September 9, 2024

The New York Society Library, 53 East 79th Street

Katherine Bucknell in conversation with Edward Mendelson, biographer and editor of W.H. Auden, 6pm. Members’ Room $15 | Livestream $10.

September 15, 2024

Craig Krull Gallery, Bergamot Station, Santa Monica

Reading by Katherine Bucknell and conversation with Don Bachardy, 4pm. Book signing.

September 16, 2024

Huntington Library, San Marino

Katherine Bucknell in conversation with novelist and travel writer Pico Iyer, 7:30-9:30pm. Free admission with advance registration.

September 17, 2024

Diesel Books, West Side Country Mart, Brentwood

Katherine Bucknell in conversation with Matt Brennan, Deputy Editor, Entertainment and Arts, Los Angeles Times. Book signing.

September 20, 2024

Nationale Art Space, 15 SE 22nd Avenue, Portland, Oregon.

Reading by Katherine Bucknell and book signing.

October 8, 2024

Women’s Athletic Club, Chicago

Illustrated lecture by Katherine Bucknell and book signing, 6pm.

October 9, 2024

Seminary Co-op Bookstore, 5751 S. Woodlawn Avenue, Chicago

Katherine Bucknell in conversation with Bill Brown, Karla Scherer Distinguished Service Professor in American Culture, University of Chicago, 6pm. Book signing.

October 24, 2024

The International Anthony Burgess Foundation, Manchester, UK

lllustrated lecture by Katherine Bucknell and book signing. Tickets £5 advance, £7 on the door.

November 2, 2024

The Charleston Literary Festival, South Carolina

Katherine Bucknell in conversation with Bill Goldstein, critic at large and author of The World Broke in Two: Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster and the Year that Changed Literature.

Isherwood and Bachardy in Berlin

The exhibition My Dearest Sweet Love: Christopher Isherwood and Don Bachardy was on display at Berlin's Schwules Museum from June 14 to August 26, 2019. Conceived and co-curated by Joseph Rodota along with Kevin Clarke of the Schwules Museum and Katherine Bucknell, the show considered Isherwood and Bachardy’s thirty-three year partnership as well as Isherwood’s earlier years in Berlin and Bachardy’s later career. It included nudes by Bachardy (generously loaned by Suzelle Smith and Don Howarth), portraits by Bachardy and David Hockney, photographs by Wayne Shimabukuro, and pieces from the museum's archive. The opening was marked by a conversation among Katherine Bucknell, Kevin Clarke, and Edmund White, followed by a reception at the museum attended by Suzelle Smith and Don Howarth, Kevin Clarke, Peter Rehberg and Chris Paxton of the Schwules Museum, and members of the Isherwood Foundation.

On June 13, 2019, Chris & Don: A Love Story, the documentary by Guido Santi and Tina Mascara, had its first Berlin screening at Village Berlin. Mascara answered questions from Peter Rehberg, head of collections and archives at the Schwules Museum.

In affiliation with the Isherwood Foundation and the Schwules Museum, the art organisation Instinct.Berlin invited artists to respond to Isherwood and Bachardy's legacy in The Cat and the Horse, an exhibition at Village Berlin (September 12-15, 2019). The opening featured a performance drawing by Gareth Ernst, based on drawings Bachardy made of Ernst.

As a man Guido was sophisticated, intuitive and gentle. As a filmmaker, he was determined, driven by a curiosity that although intensely passionate was never intrusive or predatory. After long courtship, his subjects always yielded their inmost secrets. The subjects were unconventional, the secrets arresting and inspiring. Guido searched through his camera lens for a storyline that was both true and compelling. Like all great documentary filmmakers, he knew the right questions to ask. He was an obsessive recorder, accumulating enough footage to permit him to narrate with conviction. He knew how to get down to the nerve, to the heart of things. He was a master of his art.

Much of Guido’s best work was done in collaboration with his wife, Tina. In her he found a filmmaker whose talent and sensibility complemented his own. Together they made another prize-winning film, Monk with a Camera, and the company they founded, Asphalt Stars, is currently in production on The Muslim Other and Don Bachardy: License to Look.

Guido Santi, born Genoa, Italy, May 9, 1962; died Los Angeles, California, February 4, 2019.

In Italy, he earned a B.A. in Philosophy, summa cum laude, at the Università degli Studi di Urbino, apprenticed with Ipotesi Cinema, a film laboratory coordinated by Cannes and Venice award-winning director Ermanno Olmi (The Tree of the Wooden Clogs), and produced and directed hundreds of reports about technology, entertainment and social issues for Italy’s national TV, RAI. At RAI, he also produced and directed his first documentary biographies, about Luciano Pavarotti and about the Academy Award-winning director, Vittoria De Sica (The Bicycle Thief), and he wrote and directed Concertino, produced by Monica Vitti and Leo Benvenuti, about four teenagers living in the suburbs of Rome.

In Los Angeles, he earned an M.A. in Film and Television Production at USC, where he won a Tom Bush Scholarship Award for Excellence in Cinematography and a Phi Beta Kappa International Distinguished Student Scholarship Award. Later, he won a Pendleton Research and Production Grant. He produced and directed many more documentaries and TV specials about illegal immigration, gangs in Los Angeles, 9/11, and other topical subjects.

He was an assistant professor in the Department of Cinema, Photography, and Media Arts at Ithaca College in New York State, and he taught at USC, the Studio School, UCLA Extension and Columbia College, Hollywood, in Los Angeles, as well as contributing as a guest artist at workshops and seminars around the country. Since 2002, he lectured in Film Aesthetics and History of Cinema and taught cinematography and directing at College of the Canyons in Santa Clarita, California, where he was Professor and Co-Chair of the Cinema Department at the time of his death.

Chris & Don: A Love Story premiered at the Telluride Film Festival in 2008. It won best documentary at the Miami LGBT Festival, the Spokane Film Festival, and the Sulmona International Film Festival, and it was nominated for best documentary by the Gotham Film Award and GLAAD Media Award.

It is now available on iTunes and Prime.

Monk with a Camera (2013) won Best Feature at the 2017 Rishikesh Art and Film Festival and was nominated for Best Documentary Feature at the Palm Springs International Film Festival in 2014.

https://www.hometownstation.com/santa-clarita-news/education/college-of-the-canyons/college-of-the-canyons-professor-guido-santi-remembered-as-genuine-caring-265705

The Animals & A Meeting by the River, The Podcast

The love story of Christopher Isherwood and Don Bachardy is told through their letters, followed by an audio performance of A Meeting by the River, the play they adapted together from Isherwood’s last novel. The Animals is based on the book, The Animals: Love Letters Between Christopher Isherwood and Don Bachardy. The series is presented by Katherine Bucknell. Simon Callow is Christopher Isherwood and Alan Cumming is Don Bachardy. Anthony Page directs A Meeting by the River, starring Dominic West, Kyle Soller, Penelope Wilton and Annabel Mullion. The original music is composed by Edmund Jolliffe.

The eleven thirty-five minute episodes are available free. Listen on line at www.TheAnimalsPodcast.com or on iTunes or wherever you listen to podcasts.

In May 2017, during the David Hockney retrospective at Tate Britain, Alan Cumming and Angus Wright staged a dramatic reading from The Animals and from Isherwood’s diaries in front of David Hockney’s double portrait of Isherwood and Bachardy. Alan Cumming and Simon Callow re-staged the reading in February 2018 to a sold-out auditorium at the Metropolitan Museum of Art in New York to coincide with the display of the double portrait in the Hockney retrospective there.