Storyboarding
أحمد زيدان
Storyboarding:The point of storyboarding is to communicate your vision of the film to a crew who will be working under your direction. For them to understand what you’re trying to achieve is imperative. • TOP TIPS  The drawings need not be large, you can comfortably fit 4-6 on a page of A4 paper. Leave space under each…
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creativepractices200
CLOSE-UP SHOT: A close range of distance between the camera and the subject.

DISSOVLE: A transition between two shots, where one shot fades away and simultaneously another shot fades in.

FADE – A transition from a shot to black where the image gradually becomes darker is a Fade Out; or from black where the image gradually becomes brighter is a Fade In.

HIGH CAMERA ANGLE: A camera angle which looks down on its subject making it look small, weak or unimportant.

JUMP CUT: A rapid, jerky transition from one frame to the next, either disrupting the flow of time or movement within a scene or making an abrupt transition from one scene to another.

LEVEL CAMERA ANGLE: A camera angle which is even with the subject; it may be used as a neutral shot.

LONG SHOT: A long range of distance between the camera and the subject, often providing a broader range of the setting.

LOW CAMERA ANGLE: A camera angle which looks up at its subject; it makes the subject seem important and powerful.

PAN: A steady, sweeping movement from one point in a scene to another.

POV (point of view shot): A shot which is understood to be seen from the point of view of a character within the scene.

REACTION SHOT- 1.: A shot of someone looking off screen. 2.: A reaction shot can also be a shot of someone in a conversation where they are not given a line of dialogue but are just listening to the other person speak.

TILT: Using a camera on a tripod, the camera moves up or down to follow the action.