Books – Michener Center for Writers
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Books

Michener Center Alumni: please let us know about any news or upcoming publications.

Lauren Aliza Green

The World After Alice

(Viking Books, 2024)

Flynn Berry

Trust Her

(Viking Books, 2024)

Abe Koogler

Selected Plays

(Bloomsbury Publishing, 2024)

Desiree Evans (editor)

The Black Girl Survives in This One

(Flatiron Books, 2024)

travis l. tate

Untenable Mystic Charm

(Stanchion, 2024)

Megan Kamalei Kakimoto

Every Drop is a Man’s Nightmare: Stories

(Bloomsbury, 2023)

sam sax

Pig

(Scribner, 2023)

Greg Marshall

Leg: The Story of a Limb and the Boy Who Grew from It

(Harry N. Abrams Press, 2023)

Katie Williams

My Murder

(Riverhead Books, 2023)

Roger Reeves

Dark Days

(Graywolf Press, 2023)

Dominic Smith

Return to Valetto

(Farrar, Straus and Giroux, 2023)

Kevin Powers

A Line in the Sand

(Little, Brown & Company, 2023)

Jackson Holbert

Winter Stranger

(Milkweed Editions, 2023)

Rebecca Bengal

Strange Hours

(Aperture, 2023)

Rachel Heng

The Great Reclamation

(Riverhead, 2023)

Skyler Osborne

Rejoicer

(Driftwood Press, 2023)

Matthew Moore

The Reckoning of Jeanne d’Antietam

(University of Nevada Press, 2023)

Abraham Burickson

Experience Design: A Participatory Manifesto

(Yale Books, 2023)

Meg Freitag

This is a Book for People Who Love Dogs

(Running Press, 2023)

Annelyse Gelman

Vexations

(University of Chicago Press, 2023)

Paz Pardo

The Shamshine Blind

(Atria, 2023)

Fiona McFarlane

The Sun Walks Down

(FSG, 2023)

Tracey Rose Peyton

Night Wherever We Go

(ECCO, 2023)

Monica Macansantos

Love and Other Rituals

(Grattan Street Press, 2022)

Carrie Fountain

The Poem Forest

(Candlewick, 2022)

Matthew Dickman

Husbandry

(W.W. Norton & Company, 2022)

Darius Stewart

Intimacies in Borrowed Light

(Eastover, 2022)

Sindya Bhanoo

Seeking Fortune Elsewhere

(Catapult, 2022)

James Hannaham

Didn’t Nobody Give a Shit What Happened to Carlotta

(Little, Brown, & Company 2022)

Amanda Bestor-Siegal

The Caretakers: A Novel

(William Morrow, 2022)

Roger Reeves

Best Barbarian: Poems

(W. W. Norton & Company, 2022)

Rebecca Wadlinger

Terror, Terrible, Terrific

(Octopus Books, 2022)

Maryan Nagy Captan

Sixteen Rabbits

(Host Publications, 2022)

Tomaž Šalamun, Translated by MCW alum Matthew Moore

Opera Buffa

(Black Ocean, 2022)

Sam Taylor

The Book of Fools: An Essay in Memoir and Verse

(Negative Capability, 2021)

Nathan Harris

The Sweetness of Water

(Little, Brown and Company, 2021)

Chosen for Oprah’s Book Club and for President Barack Obama’s Summer Reading List

Shangyang Fang

Burying the Mountain

(Copper Canyon Press, 2021)

Emily Rapp Black

Frida Kahlo and My Left Leg

(Notting Hill Editions, 2021)

Donika Kelly

The Renunciations: Poems

(Graywolf Press, 2021)

Flynn Berry

Northern Spy

(Viking, 2021)

New York Times Bestseller, Reese’s Book Club Pick

Ladan Ali Osman

Exiles of Eden

(Coffee House Press, 2021)

Ben Philippe

Sure, I’ll Be Your Black Friend: Notes from the Other Side of the Fist Bump

(Harper, 2021)

Carrie Fountain

The Life

(Penguin, 2021)

Anna Maria Hong

Fablesque

(Tupelo Press, 2020)

Sarah Matthes

TOWN CRIER

(Persea, 2021)

Winner of the 2020 Lexi Rudnitsky First Book Prize in Poetry

Michael McGriff

Eternal Sentences

(University of Arkansas Press, 2021)

Winner of the 2021 Miller Williams Poetry Prize

Taisia Kitaiskaia

The Nightgown & Other Poems

(Deep Vellum Publishing, 2020)

Chessy Normile

Great Exodus, Great Wall, Great Party

(American Poetry Review, 2020)

Winner of the 2020 APR/Honickman First Book Prize

Travis Tate

Maiden

(Vegetarian Alcoholic Press, 2020)

Ben Philippe

Charming as a Verb

(Balzer + Bray, 2020)

Leah Hampton

F*ckface: And Other Stories

(Henry Holt and Co., 2020)

“The prose in every story in this collection is as punchy as the plots. Hampton’s ability to render her characters with complex desires demonstrates her love for Appalachia and the people who live there.”

—The Boston Globe

Maria Reva

Good Citizens Need Not Fear

(Doubleday Press, 2020)

“Bright, funny, satirical and relevant. . . . A new talent to watch”

— Margaret Atwood

Bruce Snider

Fruit

(University of Wisconsin Press, 2020)

Winner of the Four Lakes Prize in Poetry.

Michael Dickman

Days & Days: Poems

(Knopf, 2019)

Leanna Petronella

The Imaginary Age

(Pleiades Press, 2019)

Winner of the 2018 Pleiades Press Editors Prize.

Lara Prescott

The Secrets We Kept

(Knopf, 2019)

“A gorgeous and romantic feast of a novel”

— The New York Times

Mary Miller

Biloxi

(Liveright, 2019)

“This novel about a man and his dog is also about unexpected connections and the strange turns life can take…. Writing with insight and wit, Miller is both unsparing and sympathetic…. Miller’s deliciously engaging, gently quirky, surprisingly hopeful novel seals her spot in the pantheon of Southern fiction writers.”

— Kirkus Reviews [starred review]

Dominic Smith

The Electric Hotel

(Sarah Crichton Books, 2019)

“Radiant . . . a vital and highly entertaining work about the act of creation, and about what it means to pick up and move on after you’ve lost everything.”

―The New York Times

Virginia Reeves

The Behavior of Love

(Scribner, 2019)

“[Reeves] is never so supple or interesting a writer as when she is tracing a character’s fugitive shreds of consciousness…”

— The New Yorker

Farid Matuk

The Real Horse

(Poems, U. of Arizona Press, 2018)

“A lyrical interrogation of Western notions of gender, race, and manifest destiny.”

—Publisher’s Weekly

Flynn Berry

A Double Life

(Novel: Viking, July 2018.)

“Flynn Berry writes thrillingly about women raging against a world that protects cruel and careless men. . . . As shocking as it is satisfying.”

—The New York Times Book Review

Rachel Heng

Suicide Club

(Novel: Henry Holt & Co, July 2018)

“Heng expertly threads a ribbon of dread through her glittering vistas and gleaming characters…[This is] a complicated and promising debut that spoofs the current health culture craze even as it anticipates its appalling culmination.”

—Kirkus Reviews

Katie Williams

Tell the Machine Goodnight

(Novel: Riverhead, June 2018)

“The book feels like an extended episode of ‘Black Mirror,’ and certainly has that show’s taste for dark humor and high-concept philosophizing around our tech addition, though what raises it above another clever-clever slab of science fiction is that its characters are complex and contradictory and real…Williams offers a master class in not losing sight of the human element.”

—New York Times Book Review

Carrie Fountain

I’m Not Missing

(YA Novel: Flatiron, July 2018)

“Part-plot-twisty thriller, part-sweet romance, and perfect for summer reading”

—Bustle, Best YA Read of July

Kevin Powers

A Shout in the Ruins

(Novel: Little Brown & Co, May 2018)

“In the course of just two novels, Kevin Powers has already become one of the most original and exciting voices of his generation, and A Shout in the Ruins is a singular triumph of a book.”

—NPR

Jennifer Donaldson

Lies You Never Told Me

(YA Novel: Razorbill May 2018)

“This conversation-starting page-turner is…Fatal Attraction meets Big Little Lies.”

—Kirkus Reviews

Anna Maria Hong

Age of Glass

(Poems: Cleveland State Poetry Center, Mar 2018)

WINNER OF THE 2017 CLEVELAND STATE FIRST BOOK POETRY PRIZE

“Hong demonstrates in her own labyrinthine sonnets ‘the monstrous breadth’ of her poetic abilities, offering in them radical interpretations of myths and fairy tales that speak to our time and dazzle us with their wit and linguistic virtuosity.”

—Rosa Alcalá

Anna Maria Hong

H & G

(Novella: Sidebrow Books, May 2018)

WINNER OF THE 2017 CLARISSA DALLOWAY PRIZE/ROOM OF HER OWN FOUNDATION

“Hansel and Gretel . . . for the post-post-modern 21st century . . . a text brimming with biting wit, feminist insight, psychological incisiveness, and a hybrid narrative daring that turns genre on its head.”

—John Keene

Bruce Snider, co-editor with Shara Lessley

The Poem’s Country

(Essays: Pleiades Press, Mar 2018)

“In these ravishing essays, the next generation of poets explores the influence of place on contemporary poetry, and a diverse reimagining of place emerges that both grounds and lifts us up.”

—Quan Berry

Matthew Dickman

Wonderland

(Poems: WW Norton, Mar 2018)

“There is an unabashed rapture to these poems about ordinary American life in the analog age. How astounding, and how perfectly troubling, to be led through this fearsome, familiar realm . . . by an intelligence as deft and buoyant as Matthew Dickman’s.”

—Tracy K. Smith

Josh Booton

The Miraculous Courageous

(Poems: Parlor Press/Free Verse Editions, Feb 2018)

WINNER 2018 NEW MEASURE POETRY PRIZE

“These poems are agile, slippery . . . skewing the boundaries between lyric and monologue, vignette and scene . . . [marking] a rich and startling immersion in the mind of autism.”

—Judge, Jon Thompson

Meg Freitag

Edith

(Poems: Boaat Press, Nov 2017)

“Anyone who has ever loved anything will love this book.”

—Dean Young

Taisia Kitaiskaia

Literary Witches

(Illustrated Collaboration with Katy Horan: Seal Press, Oct 2017)

“Part portal into the superpowers of irreverent female literary heroines and part illustrated almanac of fun facts dispatched through the lens of the ultimate mystical female archetype . . . enormously enjoyable, rich in information, and visually brilliant.”

—Lisa Congdon

Rivers Solomon

An Unkindness of Ghosts

(Novel: Akashic Books, Oct 2017)

“Immediately immersive and sophisticated…This is a phenomenal piece of work.”

—Lee Child

Jesse Donaldson

On Homesickness

(Essays: Vandalia Press UWV, Sept 2017)

“A wonderful prose poem, a beautiful meditation on homesickness and connection to place, and a celebration of Kentucky and that strange and undeniable connection that Kentuckians have to the state.”

—Silas House

Sam Sax

Madness

(Poems: Penguin Random House, Oct 2017)

“MADNESS is a wild, resolute book. This is a fine, otherworldly madness … an astounding debut.”

—Terrance Hayes, judge National Poetry Series

Taisia Kitaiskaia

Ask Baba Yaga

(Otherworldly Advice: Andrews McMeel, Sept 2017)

“A beautiful, strange, troubled, moving piece of fresh air. Pick up this book, turn the pages, inhale, and feel ready to march back into everyday troubles with renewed courage and hope.”

—Edward Carey

MICHAEL MCGRIFF

Early Hour

(Poems: Copper Canyon, Aug 2017)

“It’s [McGriff’s] language that keeps you reading along, transfixed.”

—New York Times Book Review

BRIAN MCGREEVY

The Lights

(Novel: Rare Bird Books, May 2017)

“The Lights begins in the familiar territory of an MFA program, but the narrator’s meditations immediately stretch far beyond it. This is a novel about temptation, validation, and all the different routes (and detours) one might take on her way to becoming an artist.”

—Chelsea Hodson

BRIAN VAN REET

Spoils

(Novel: Lee Boudreaux Books, April 2017)

“A fine piece of writing that should stand in the front ranks of recent war novels.”

—Kirkus starred review

MARY MILLER

Always Happy Hour

(Stories: W.W. Norton, January 2017)

“. . . like drinking an Old Fashioned. It’s strong with a sweet burn, and after each taste you immediately want more. Mary Miller writes well about sex, drugs and white bikinis. “

—Helen Ellis

KELLY LUCE

Pull Me Under

(Novel: Farrar, Straus & GIroux, November 2016)

“PULL ME UNDER is a strange and very appealing novel, a journey to Japan and the primal scene of the main character’s self— which, like a volcano, may have already blown its top.”

—Rachel Kushner

DONIKA ROSS KELLY

Bestiary

(Poems: Graywolf Press, November 2016)

WINNER OF THE 2015 CAVE CANEM POETRY PRIZE

“These poems are gut-punches, heart-shredders, eaters-of-soul-stuff. Love, abuse, loneliness, dogs: it’s all here, everything that matters.”

—BookRiot

MIRIAM BIRD GREENBERG

In the Volcano’s Mouth

(Poems: Pitt Poetry Series, October 2016)

WINNER 2015 AGNES LYNCH STARRETT POETRY PRIZE

“These poems do what the best poetry sometimes does: reveal and deepen our understanding of the strangeness in the ordinary. And do so in language clear as a bell.”

—Ed Ochester, judge

MATTHEW & MICHAEL DICKMAN

Brother

(Poems: Faber & Faber UK, September 2016)

“Michael’s poems are interior, fragmentary, and austere . . . Matthew’s [spill] over with pop-cultural references and exuberant carnality . . . together, the resonance of the work is amplified.”

—The New Yorker

JESSE DONALDSON

The More They Disappear

(Novel: McMillan/Thos Dunn Books, August 2016)

“This feels like what Denis Johnson, Richard Price, or even Graham Greene might have written if they had the precise feel for the region that gave us bluegrass and bourbon.”

—Daniel Torday

FLYNN BERRY

Under the Harrow

(Novel: Penguin, June 2016)

“Once I started reading . . . I couldn’t stop. It’s like “Broadchurch” written by Elena Ferrante.”

—Claire Messud

GINNY WIEHARDT

Migration

(Poems: Gold Line Press USC, June 2016)

“Wiehardt’s poems rove a landscape restless with spiky mementos, eerie portents, and a strange untethered grace.”

—Anna Journey, Judge 2015 Chapbook Competition

FIONA MCFARLANE

The High Places

(Stories: Penguin, AUS, February, 2016; Farrar Straus GIroux, US, May 2016)

“McFarlane reminds us the world revivified by the artist’s imagination, made strange and new, may be the only one in which we truly see.”

—Geordie Williamson, Weekend Australian

DOMINIC SMITH

The Last Painting of Sara De Vos

(Novel: Sarah Crichton Books, April 2016)

“This is a novel of love and longing, of authenticity and ethical shadows, and, most compelling, of art as alchemy, the way that it can turn grief to profound beauty.”

—Lauren Groff

JOSEPH SKIBELL

Six Memos from the Last Millennium: A Novelist Reads the Talmud

(Essays: University of Texas Press, April 2016)

“A fresh look at an ancient source.”

—Kirkus Reviews

KARAN MAHAJAN

The Association of Small Bombs

(Novel: Viking (US), March 2016)

“Karan Mahajan knows everyone, on every side of a detonation: the lost, the grieving, the innocent, the guilty, the damaged. It’s hilarious and also devastating.”

—Elizabeth McCracken

VIRGINIA REEVES

Work Like Any Other

(Novel: Scribner, March 2016)

“Powerfully told and lyrically written, there is not a false note in this book. Reeves is a major new talent.”

—Philipp Meyer

AMY PARKER

Beasts and Children

(Stories: Houghton Mifflin Harcourt, February 2016)

“An electrifying, daring, and magical debut collection sure to appeal to fans of Karen Russell and Lorrie Moore.”

—Booklist

ABE LOUISE YOUNG

Heaven To Me

(Poems: Headmistress Press February 2016)

“These poems are lush, melodious, striking. Abe Louise Young isn’t afraid to be brash, to be soft, to be big, to be the one to tell the queer kids to keep living.”

—Amy King

MICHAEL DICKMAN

Green Migraine

(Poems: Copper Canyon, January 2016)

“For a lyricism markedly without mess, Dickman insightfully intones the detritus of life and death—notably the liminal movement between.”

—The Rumpus

JOHN MCMANUS

Fox Tooth Hound

(Stories: Sarabande Books, November 2015)

“Reading a McManus story isn’t entirely unlike doing a popper of amyl nitrate. . . . an extended moment of disquieting literary ecstacy.”

—Brad Watson

JOSEPH SKIBELL

My Father’s Guitar and Other Imaginary Things

(Essays: Algonquin Books, October 2015)

“Like a literary Louis CK, Skibell is not shy about exposing the foibles of the man he has become, or his clumsy pursuits of happiness .”

—Bret Wood

PATRICK RYAN FRANK

The Opposite of People

(Poems: Four Way Books, October 2015)

“There’s not only empathy but also wisdom between the pages . . .”

— A. Van Jordan

KIRK LYNN

Rules for Werewolves

(Novel: Melville Books, October 2015)

“An offbeat glimpse into how resistance to conformity breeds its own kind of conformity.”

— Kirkus Reviews

KARIM DIMECHKIE

Lifted by the Great Nothing

(Novel: Bloomsbury, May 2015)

“A promising debut penned in vivid, suspenseful prose that gives a new spin to the classic tale of fathers and sons. “

— Kirkus Reviews

JAMES HANNAHAM

Delicious Foods

(Novel: Little, Brown, March 2015)

“A poised and nervy study of race in a unique voice.”

— KIRKUS starred review

ARTHUR BRADFORD

Turtleface and Beyond

(Stories: Farrar, Straus, & Giroux, February 2015)

“A jazzy, anarchic collection.”

— KIRKUS starred review

MICHAEL MCGRIFF & J.M. TYREE

Our Secret Life in the Movies

(Stories: A Strange Object, November 2014)

NPR BEST BOOKS OF 2014

“Reading Our Secret Life in the Movies is like finding a lost frequency on the AM dial. The voices you hear in this book are strange, hypnotic, and intensely American.”

— Jim Gavin

MALACHI BLACK

Storm Toward Morning

(Poems: Copper Canyon, November 2014)

“Both visionary and accurate, true to physics and metaphysics at the same time…Black [has] the confidence of virtuosity and a belief in the ancient pleasures of pattern and repetition.”

— Mark Jarman

BRIAN HART

The Bully of Order

(Novel: Harper Collins, Sept 2014)

BARNES & NOBLE GREAT WRITERS PICK, FALL 2014

“Hart is a conjurer, and he has conjured a singular, searing world. When you step into this novel you submit to its dream, which is terrifying. You read to the end because you trust the storyteller, you believe in his large gift that leaves you stunned and breathless. A wonderful, unique portrait of a particular landscape I was familiar with but now see anew.”

— Amanda Coplin

CARRIE FOUNTAIN

Instant Winner

“Each poem reflects a rediscovery of vulnerability and the purity of new life.” — Publishers Weekly

(Poems: Penguin, September 2014)

SAM TAYLOR

Nude Descending an Empire

(Poems: University of Pittsburgh Press, August 2014)

“Sam Taylor is a poet to reckon with, a poet to live with, a poet to marvel at. This is a wonderful book.”

— Ilya Kaminsky

MICHALLE GOULD

Resurrection Party

(Poems: Silver Birch Press, August 2014)

“A deeply meditative collection at once intelligent, tender, and utterly human.”

— Hayan Charara

SMITH HENDERSON

Fourth of July Creek

(Novel: Ecco, June 2014)

WASHINGTON POST, TOP 10 BOOK 2014; NY TIMES 100 NOTABLE BOOKS 2014

“Fourth of July Creek knocked me flat. This gorgeous, full-bodied novel seems to contain all of America at what was, in retrospect, a pivotal moment in its history…Smith Henderson has delivered nothing less than a masterpiece of a novel.”

— Ben Fountain

KEVIN POWERS

Letter Composed During a Lull in the Fighting

(Poems: Little, Brown, April 2014)

“. . . a piercing look at what the great traumas of history do to people, and what we do with them.”

— NPR

MARY MILLER

The Last Days of California

(Novel: Norton/Liveright, January 2014)

“Miller is a ventriloquist of adolescent angst and a nervy surveyor of American culture.”

— Alexis Smith

SARAH CORNWELL

What I Had Before I Had You

(Novel: Harper, January 2014)

“An exhilarting, hurtling, unstoppable ride for the reader.”

— Margot Livesey

GEORGE BRANT

Grounded

(Play: Oberon Books, December 2013)

2012 SMITH PRIZE, A 2013 SCOTSMAN FRINGE FIRST PRIZE

“A searing piece of writing”

— Guardian

REBECCA WADLINGER

A Hundred Thousand Hours

(translation of poems by Gro Dahle: Ugly Ducking Presse, December 2013)

ROGER REEVES

King Me

(Poems: Copper Canyon Press, November 2013)

BEST POETRY BOOKS OF THE YEAR, LIBRARY JOURNAL

“These poems are resoundingly humanizing and vital and true.”

— Terrance Hayes

KELLY LUCE

Three Scenarios in Which Hana Sasaki Grows a Tail

(Stories: A Strange Object, October 2013)

“Kelly Luce writes stories whose charm is a lasting effect. Her work is witty, unpredictable, and freshly written. There’s a genuine imagination at work here that is a delight to spend time with.”

— Stuart Dybek

FIONA MCFARLANE

The Night Guest

(Novel: Faber & Faber, October 2013)

VOSS PRIZE FOR BEST AUSTRALIAN NOVEL, BARBARA JEFFRIS AWARD, NSW PREMIER’S LITERARY AWARD, SYDNEY MORNING HERALD BEST YOUNG NOVELIST

“An accomplished and polished debut. There’s a delicacy and poignancy to the writing, combined with almost unbearable suspense.”

— Kate Atkinson

JENNY BROWNE

Dear Stranger

(Poems: University of Tampa Press, September 2013)

“Angel-fisted lyrics”

— Major Jackson

JOSH BOOTON

The Union of Geometry and Ash

(Poems: Bear Star Press, September 2013)

DOROTHY BRUNSMAN POETRY PRIZE

“Booton displays an originality that is mature and wise. This is a splendid debut.”

— David Biespiel

FRANCES YA-CHU COWHIG

The World of Extreme Happiness

(Play: Bloomsbury Methuen Drama, September 2013)

“Cowhig . . . makes us sit up and listen.”

— Guardian

PHILLIPP MEYER

The Son

(Novel: Ecco Press, May 2013)

FINALIST, PULITZER PRIZE

“” . . . raw and dazzling and brutal and real, The Son should come with its own soundtrack.” “

— Téa Obreht

KATIE WILLIAMS

Absent

(YA Novel: Chronicle Books, May 2013)

” A thriller… which leads to an unexpectedly transcendent and moving finale.”

— Kirkus Reviews

EMILY RAPP

The Still Point of the Turning World

(Memoir: Penguin, March 2013)

“”A beautiful, searing exploration of the landscape of grief and a profound meditation on the meaning of life.””

— Kirkus Reviews

DOMENICA RUTA

With or Without You

(Memoir: Spiegel & Grau, February 2013)

“Freakishly brilliant, brilliantly freakish, this is one of the best memoirs I have ever read. Domenica Ruta has done something every artist with a failed family must do: She has created herself.”

— Gary Shteyngart

MATTHEW DICKMAN

Mayakovsky’s Revolver

(Poems: W.W. Norton, October 2012)

“”Dickman is big news. He is a lifeboat filled with champagne and asthma inhalers; and his abundant talent and indie-rock spirit are humanizing and reviving American poetry.””

— Tony Hoagland

KEVIN POWERS

The Yellow Birds

(Novel: Little Brown, Sept 2012)

2012 NATIONAL BOOK AWARD FINALIST

“…the ALL QUIET ON THE WESTERN FRONT of America’s Arab wars.”

— Tom Wolfe

ALIX OHLIN

Inside

(Novel: Knopf, June 2012)

SHORTLISTED SCOTIABANK GILLER PRIZE

“Expect to hear her spoken of in the same reverent breath as Lorrie Moore and Joy Williams.”

— Heidi Julavits

ALIX OHLIN

Signs and Wonders

(Stories: Vintage, June 2012)

“I’ve seldom come upon a book so aptly titled for what’s inside, page to page.”

— Richard Bausch

MICHAEL MCGRIFF

Home Burial

(Poems: Copper Canyon Press, May 2012)

“A lyricist at heart, McGriff is a masterful maker of metaphor.”

— Third Coast

BRUCE SNIDER

Paradise, Indiana

(Poems: Pleiades Press/LSU, April 2012)

LENA-MILES WEVER TODD POETRY PRIZE

“Snider is a master of the quiet moment, his memory-driven narratives slowly unfolding until the accumulation becomes a kind of redemption, which is what all poetry should aspire to.”

— The Rumpus

PATRICK RYAN FRANK

How the Losers Love What’s Lost

(Poems: Four Way Books, April 2012)

2010 FOUR WAYS BOOKS INTRO PRIZE

“…one of the best young poets I’ve come across in many years.”

— Alan Shapiro

GABRIEL JASON DEAN

The Transition of Doodle Pequeno

(Play: Dramatic Publishing, 2012)

2013 AMERICAN ALLIANCE FOR THEATRE & EDUCATION DISTINGUISHED PLAY AWARD

S.E. SMITH

I Live in a Hut

(Poems: Cleveland State Poetry Center, March 2012)

CLEVELAND STATE FIRST BOOK AWARD

“Smith is a somersaulting tightrope walker of a poet and her poems will make you look at anything and everything with new eyes.”

— Matthea Harvey

BRIAN MCGREEVY

Hemlock Grove

(Novel: Farrar, Straus, & Giroux, March 2012)

“”A wonderfully creative and twisted reinvention of classic monster archetypes, wrapped up in a mysterious thriller.””

— Eli Roth

DOMINIC SMITH

Bright and Distant Shores

(novel: Washington Sq Press (US) Allen & Unwin (AUS), 2011)

SHORTLISTED FOR THE AGE BOOK OF THE YEAR AND THE VANCE PALMER PRIZE FOR FICTION

“”Written with extraordinary literary grace, Smith’s third novel gleams as a gem of evocative historical fiction.” “

— Kirkus Reviews

JEFF HOFFMAN

Journal of American Foreign Policy

(Poems: New Issues, 2011)

2010 NEW ISSUES POETRY PRIZE

“Tonic intelligence, exhilarating craftsmanship: Jeff Hoffman’s fine first book is a gift to us all.”

— Linda Gregerson

CARSON KREITZER

Self Defense and Other Plays

(Plays: NoPassport Press, June 2011)

MICHAEL DICKMAN

Flies

(poems: Copper Canyon Press, 2011)

JAMES LAUGHLIN AWARD FOR BEST SECOND BOOK

“Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind.”

— The New Yorker

FARID MATUK

This Is a Nice Neighborhood

(Poems: Letter Machine Editions, 2010)

SELECTED FOR THE POETRY SOCIETY OF AMERICA’S NEW AMERICAN POETS SERIES

LORI AURELIA WILLIAMS

Maxine Banks is Getting Married

(YA novel: Roaring Book Press, 2010)

“A spot-on, unsentimental teen viewpoint; [this] honest story of love, heartbreak, and kindness will keep teens hooked.”

— Booklist

JOSEPH SKIBELL

A Curable Romantic

(novel: Algonquin, 2010)

2011 SAMI ROHR CHOICE AWARD IN JEWISH LITERATURE

“Intellectual comedy of the highest order.”

— J.M. Coetzee

GEORGE BRANT

Elephant’s Graveyard

(play: Samuel French, 2010)

2008 KEENE PRIZE IN LITERATURE

“The most striking production in the New Student Drama Festival.”

— Times of London

FRANCES YA-CHU COWHIG

Lidless

(play: Yale University Press, 2010)

YALE DRAMA PRIZE, KEENE PRIZE IN LITERATURE

“[Lidless] recall[s] the political urgency which propelled a previous generation of writers into the theatre in the first place.”

— David Hare

CARRIE FOUNTAIN

Burn Lake

(poems: Penguin, 2010)

WINNER OF THE 2009 NATIONAL POETRY SERIES

“I’m stunned by the power of these poems. Here’s all the real trouble we’re in: death and time and pain—held in a clear crisp collection that seems made of joy.”

— Marie Howe

JAKE SILVERSTEIN

Nothing Happened and Then It Did: A Chronicle in Fact & Fiction

(novel: W.W. Norton, 2010 )

“The great accomplishment is that the reader, in the end, does not care what is fact, what is fiction, because she has happily arrived at that much more elusive grail: truth. “

— Antonya Nelson

BELINDA ACOSTA

Sisters, Strangers, and Starting Over

(YA novel: Grand Central Publishing, 2010)

2011 INTERNATIONAL LATINO BOOK AWARDS, 1ST PLACE BOOKS INTO MOVIES

“Acosta’s joyous celebration of sisterhood, motherhood, friendship, and family is an insightful read.”

— Publisher’s Weekly

MICHAEL MCGRIFF, TRANSLATOR

The Sorrow Gondola: Translated Poems of Tomas Tranströmer

(poems: Green Integer, 2010)

“The first single volume edition of the influential Swedish poet.”

LISA RAILSBACK

Betti on the High Wire

(YA novel: Dial Press, 2010)

“Heartwarming and refreshing. A remarkable new voice in middle-grade fiction.”

LISA RAILSBACK

Noonie’s Masterpiece

(YA novel: Chronicle Books, 2010)

“Fast, funny and filled wtih Noonie’s wild art.”

— Discovery Girls

BRIAN HART

Then Came the Evening

(novel: Bloomsbury, 2009)

“What an achingly beautiful and astonishing first novel.”

— John Dufresne

MICHAEL DICKMAN

The End of the West

(poems: Copper Canyon Press, 2009)

“Dickman’s book moves with careful intensity as it confidently illuminates buried, contemporary suffering.”

— Publishers’ Weekly

BELINDA ACOSTA

Damas, Dramas and Ana Ruiz

(YA fiction: Grand Central/Hatchett Book Group, 2009)

2011 INTERNATIONAL LATINO BOOK AWARDS, 1ST PLACE BOOKS INTO MOVIES

“An engaging, touching book.”

— Julia Alvarez

JESSICA GARRATT

Fire Pond

(poems: University of Utah Press, 2009)

WINNER OF THE 2008 AGHA SHALID ALI POETRY PRIZE

“She narrates her private heartbreaks candidly but without self pity or narcissism, while infusing her work with an Emersonian sense of place.”

— Medbh McGuckian

JAMES HANNAHAM

God Says No

(novel: McSweeney’s, 2009)

“Everything a person could ask of a first novel—and twice that much. “

— Jennifer Egan

PHILLIPP MEYER

American Rust

(novel: Spiegel & Grau, 2008)

NOTABLE BOOK 2009 NEW YORK TIMES; BOOK OF THE YEAR, THE ECONOMIST; TEN BEST BOOKS OF 2009, WASHINGTON POST; BEST.BOOKS.EVER, NEWSWEEK.

“American Rust captures a sense of a menacing society, a wider world in the throes of decay and self-destruction.”

— Colm Toibin

MICHAEL MCGRIFF

Dismantling the Hills

(poems: University of Pittsburgh Press, 2008)

WINNER OF THE 2007 AGNES LYNCH STARRETT PRIZE

“These are poems of place and generation, lyrically intense and intensely crafted.”

— Eavan Boland

MATTHEW DICKMAN

All American Poem

(poems: Copper Canyon Press, 2008)

HONICKMAN FIRST BOOK PRIZE, MAY SARTON AWARD Academy of American Arts & Sciences

“Matthew Dickman’s poems are the epitome of the pleasure principle; as clever as they are, they refuse to have ulterior intellectual pretensions.”

— Tony Hoagland

PHILIP PARDI

Meditations on Rising and Falling

(poems: University of Wisconsin Press, 2008)

WINNER OF THE 2007 BRITTINGHAM POETRY PRIZE

“The real pleasure here is his willingness to . . . examine the familiar in a manner that is both gentle and startling.”

— Bob Hicok

BRENDAN SHORT

Dream City

(novel: MacAdam/Cage, 2008)

“Short’s work is unmannered and precise, and he tells his story so invisibly well that when you reach the last page you won’t expect to be haunted by it. But you will be.”

— Stephen Harrigan

DOMINIC SMITH

The Beautiful Miscellaneous

(novel: Atria/Simon & Schuster, 2007)

“With an exquisite ear not just for language but for emotional truth as well, Dominic Smith has written an ambitious and strikingly unusual tale.”

— Julia Glass

STEVEN GEHRKE

Michelangelo’s Seizure

(poems: University of Illinois Press, 2007)

WINNER OF THE 2005 NATIONAL POETRY SERIES

EMILY RAPP

Poster Child

(memoir: Bloomsbury, 2007)

“Everything about Emily is uniquely wonderful: her memory; her story; her voice; her human insights; her endless strength, honesty and grace; her pitch-perfect prose.”

— Amy Krouse Rosenthal

JENNY BROWNE

The Second Reason

(Poems: Univ of Tampa Press, 2007)

“There is a surprising calm in the wild leaps this poetry makes, as if the poet is at home with the unpredictable and intent upon bringing us there with her. “

— Laura Kasischke

DOMINIC SMITH

The Mercury Visions of Louis Daguerre

(novel: Atria/Simon & Schuster, 2006)

WINNER OF THE 2006 STEVEN TURNER AWARD FOR FIRST FICTION, TEXAS INSTITUTE OF LETTERS

“As beautiful as if it were written not in words but in light.”

— Stephen Harrigan

ALIX OHLIN

Babylon

(stories: Knopf, 2005)

“Ohlin’s stories are animated by an intelligence that defies the restraints of literary categories with rare composure and a quiet, almost self-effacing, assurance.”

— The New York Times

JOHN MCMANUS

Bitter Milk

(novel: Picador, 2005)

“[It] consolidates John McManus’s place as one of the most powerful and original American writers of the twenty-first century.”

— Madison Smartt Bell

SAM TAYLOR

The Body of the World

(poems: Ausable Press, 2005)

“One of the most astonishing first books I have encountered in years.”

— Joseph Stroud

LORI AURELIA WILLIAMS

Broken China

(YA novel: Simon & Schuster, 2005)

WINNER OF PEN/PHYLLIS NAYLOR FELLOWSHIP

ALIX OHLIN

The Missing Person

(novel: Knopf, 2005)

“A wonderful debut by a terrific young writer.”

— Chris Offut

ROBERT FORD

The Student Conductor

(novel: Putnam, 2003)

“[The Student Conductor] brings uncommon musical sophistication to bear on a love story also fraught with personality clashes and politics.”

— The New York Times

JOHN MCMANUS

Stop Breakin’ Down

(stories: Picador, 2003)

“Here is rage on the page . . . . It’s a whole environment, with a new food chain, and yes, I want to know about it.”

— Los Angeles Times

JENNY BROWNE

At Once

(Poems: Univ of Tampa Press, 2003)

HONORABLE MENTION, 2002 TAMPA REVIEW PRIZE FOR POETRY

“These poems are grounded in the human, in the bloom and wither of daily life with all its surprise, mystery, and disappointment.”

SHAO WEI

Pulling a Dragon’s Teeth

(poems: University of Pittsburgh Press, 2003)

WINNER OF THE 2002 AGNES LYNCH STARRETT PRIZE

“This poetry is humorous, magical . . . and sad in a very familiar way, as if we were partly living in the lost East Sichuan province of Shao Wei’s childhood, partly lost among the living in New York.”

— Jean Valentine

JOSEPH SKIBELL

The English Disease

(novel: Algonquin Books, 2003)

“A wildly funny novel that is equal parts Philip Roth, Groucho Marx, and Woody Allen.”

— Booklist

KATE STERNS

Down There by the Train

(novel: Shaye Areheart, 2003)

“It cannot be long before [Sterns] is mentioned in the same breath as Margaret Atwood and Alice Munro.”

— The Sunday Telegraph

LORI AURELIA WILLIAMS

Shayla’s Double Brown Baby Blues

(YA novel: Simon & Schuster, 2003)

“This poetically written and powerful novel has a lyrical quality and emotional honesty similar to Maya Angelous’s I Know Why the Caged Bird Sings.”

— Voice of Youth Advocates

STEVEN GEHRKE

The Pyramids of Malpaghi

(poems: Anhinga Press, 2002)

“His style is already idiosyncratic in the best sense—his thumbprint is clear.”

— T.R. Hummer

BRUCE SNIDER

The Year We Studied Women

(poems: University of Wisconsin Press, 2002)

WINNER OF THE 2003 FELIX POLLAK PRIZE IN POETRY

“[These poems] are content and courageous enough to be what they are: observant, expressive, sometimes sad, sometimes slyly witty.”

— Kelly Cherry

LORI AURELIA WILLIAMS

When Kambia Elaine Flew in from Neptune

(YA novel: Simon & Schuster, 2001)

“Intrigues, breaks hearts, then soars. Williams is superb.”

— Angela Johnson

STEVEN GEHRKE

The Resurrection Machine

(poems: BkMk Press, 2000)

“[These] poems offer us a profoundly moving evocation of illness, death, and a surprising and redemptive faith.”

— Nicole Cooley

JOHN MCMANUS

Born on a Train

(stories: Picador, 2000)

“A phenomenal talent blazing up suddenly on the horizon.”

— Elle

KARLA KUBAN

Marchlands

(novel: Scribner, 1999)

“Marchlands is more than a fine first novel. It’s as wise, tough, tender, and terrific a coming-of-age yarn as one could wish for.”

— John Barth

MARLYS WEST

Notes for a Late-Blooming Martyr

(poems: University of Akron Press, 1999)

“Marlys Wests’s poems do jazz with our brains. What a refreshing wonder she is!”

— Naomi Shihab Nye

JOSEPH SKIBELL

A Blessing on the Moon

(novel: Algonquin Books, 1997)

WINNER OF THE 1998 ROSENTHAL FOUNDATION AWARD, AMERICAN ACADEMY OF ARTS & LETTERS

“Startlingly original.”

— Washington Post Book World