NELL A film review by Alex Fung Copyright 1994 Alex Fung
Fox Starring Jodie Foster, Liam Neeson, Natasha Richardson, Richard Libertini Screenplay by William Nicholson and Mark Handey Produced by Renee Missel and Jodie Foster Directed by Michael Apted Rated AA [Adult Accompaniment] in Canada for brief nudity
After much hype, 20th Century Fox's winter entry into the Oscar fracas, NELL, has opened here in Toronto this Xmas weekend.
NELL is a crowd-pleaser dealing with the discovery of the title character, a young woman brought up secluded from society in the woods, and found to communicate in unintelligible gibberish and grandiose sweeping and swaying gestures with her arms and body.
Nell's discovery is brought to the attention of two doctors, who invariably differ upon the course of action to be taken. One feels that the 'wild child' should be brought to the local hospital for observation and studying, while the other becomes enraptured by her innocence and pure soul, and seeks to protect her. However, the agendas of both parties become altered by an unforeseen human element.
Jodie Foster plays the title character in a breathtaking and outstanding performance. She brilliantly emotes with her eyes and facial expressions, and makes a deceptively difficult acting job convincing and effective. Foster disappears completely into the role, and makes Nell a very gut character while still exuding charisma. With this performance, it seems very likely that Foster will receive her third Best Actress Oscar in less than a decade--it is excellent work.
Liam Neeson plays Jerry, the doctor who befriends Nell, and is capable in the role, if not quite up to the calibre of Foster. He does project likeability and a good sense of timing, while being a hulking, imposing figure on the screen, especially in contrast to Foster's fragile little Nell. Natasha Richardson portrays Paula, the opposing doctor who decides that it is in Nell's best interest to take her for studying, and is just fair in the role. Her performance tends to be rather flat, and while she is competent, Richardson's emotional interludes seem too forced and inauthentic.
NELL's plotline is fairly formulaic and over-manipulative. There are many moments in the film where you may have more than an inkling on future events in the movie, and some lines of dialogue are delightfully hokey. NELL suffers from an abudance of gushing weepy over-sentimentalism, particularly in the ridiculous climactic scene which almost undermines the entire film, and one scene designed to bring suspense almost had me laugh aloud. However, Apted utilises visuals very well, with some beautiful shots of the brush and wilderness, and a very pretty sky shot at one point in the film. The film's score is lush, if somewhat omnipresent, and the keynote song of the film is Patsy Cline's CRAZY. Although filled with several stock characters, Apted has succeeded in producing a heart-warming tear-jerker that should success commercially, and showcases an outstanding acting performance by Jodie Foster. On my four-star rating scale, I give NELL three stars.
-- Alex Fung<EMAIL_ADDRESS>.
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Related links: index of all rec.arts.movies.reviews reviews


Perks of Being a Wallflower Book Cover Design
Spring 2017, New York
Individual Work
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Town of Soda Springs
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What have we done
By Daniel Reeves
The drive has last forever. Leaving Jackson ages ago, hours ago. We have been driving this road forever. I look out the window, I see the same hill, I have seen it before, I will see it again. The hill is all always there, and there and there. It sits hot high in the sun, lazy and baked. In winter it sits topped in alabaster dust a barrier no longer lazy.
Contact Information
FO'Drizzle Weather Forcast
Phone:<PHONE_NUMBER>
Email: fo'drizzle@weather.com


{% load static %} {% comment %}
This package contains the entire Hello Web App series — the paperback books, the videos, and the eBooks. Learn how to build, grow, and monetize your web app all in one purchase.
Learn better with a physical book? I got you! This package contains the eBooks (in all three formats) plus the paperback books. Shipping extra.
Not for sale at the moment. Feel free to email if you really want a physical book.
The digital books, lovingly designed by Tracy herself. Comes in PDF, .mobi, and .ePub formats for each.
Please note that the book was last updated for Django 3.2 and may be out of date. As it covers beginner concepts, most (maybe all?) may still work. But please reach out for a refund if it doesn't work for you.


toc: false copyright: false assets: none
Type, type, Type(), type()
%Array% and %ArrayPrototype% from ES6 should link (but not %Arrayprototype%).
Lowercase
strict mode
%Percent%
extra spaces
Await
Variants
lowercase should not autolink. But Lowercase should. But not LowerCase.
Strict mode shoud link. But Strict Mode should not. Also, strict mode can be wrapped across lines and contain extra whitespace.
extra spaces in a dfn should be narrowed to one space.
%Percent% should autolink.
Vars to dfns should be vars not dfns: _Lowercase_.
Also, no autolinks in anchors: Lowercase.
Similarly, no autolinks for [Await].
Variants like vOne and vTwo should autolink, including when capitalized as in VOne.
%Array% and %ArrayPrototype% outside of clauses is ok.


mustache
-- Mustache processor
mustache <YAML> <FILE>
mustache --compile <FILE>
mustache --tokens <FILE>
Mustache is a logic-less templating system for HTML, config files, anything.
The mustache
command processes a Mustache template preceded by YAML
frontmatter from standard input and prints one or more documents to
standard output.
YAML frontmatter beings with ---
on a single line, followed by YAML,
ending with another ---
on a single line, e.g.
---
names: [ {name: chris}, {name: mark}, {name: scott} ]
---
If you are unfamiliar with YAML, it is a superset of JSON. Valid JSON should work fine.
After the frontmatter should come any valid Mustache template. See mustache(5) for an overview of Mustache templates.
For example:
{{#names}}
Hi {{name}}!
{{/names}}
Now let's combine them.
$ cat data.yml
---
names: [ {name: chris}, {name: mark}, {name: scott} ]
---
$ cat template.mustache
{{#names}}
Hi {{name}}!
{{/names}}
$ cat data.yml template.mustache | mustache
Hi chris!
Hi mark!
Hi scott!
If you provide multiple YAML documents (as delimited by ---
), your
template will be rendered multiple times. Like a mail merge.
For example:
$ cat data.yml
---
name: chris
---
name: mark
---
name: scott
---
$ cat template.mustache
Hi {{name}}!
$ cat data.yml template.mustache | mustache
Hi chris!
Hi mark!
Hi scott!
By default mustache
will try to render a Mustache template using the
YAML frontmatter you provide. It can do a few other things, however.
-c
, --compile
Print the compiled Ruby version of a given template. This is the code that is actually used when rendering a template into a string. Useful for debugging but only if you are familiar with Mustache's internals.
-t
, --tokens
Print the tokenized form of a given Mustache template. This can be used to understand how Mustache parses a template. The tokens are handed to a generator which compiles them into a Ruby string. Syntax errors and confused tags, therefor, can probably be identified by examining the tokens produced.
If you have RubyGems installed:
gem install mustache
$ mustache data.yml template.mustache
$ cat data.yml | mustache - template.mustache
$ mustache -c template.mustache
$ cat <<data | ruby mustache - template.mustache
---
name: Bob
age: 30
---
data
Mustache is Copyright (C) 2009 Chris Wanstrath
Original CTemplate by Google
mustache(5), mustache(7), gem(1), http://mustache.github.com/


{% extends 'users/mobile/pw_reset_form.html' %} {% block content %}
{% trans %} We've sent an email to any account using this address. Please follow the link in the email to reset your password. {% endtrans %}


We are very excited to bring Il Coniglio to you. Here, you’ll be immersed in a French/Italian amalgam, echoing old world comfort while advancing gastronomic technique and embracing monumental hybrid design. Matchlessly blurring the lines between kitchen and dining room, this interactive yet distinguished approach will uniquely fulfill your desire to be a part of the culinary experience while still feeling like an honored guest. Il Coniglio will showcase Chef Dirk’s state of the art cuisine in a shared environment, creating an untapped culture for casual fine dining.
Investor Information
We are currently seeking partners to join us in this exciting endeavor. Please download our investors package below. In it you will find financial projections, sample menus, decor examples, and information about why we are so passionate about this restaurant.
THIS CONFIDENTIALITY AGREEMENT, (the “Agreement”) is made and entered into
by and between IL CONIGLIO, LLC, an Illinois limited liability company (“IC”),
and ________________________________________, an individual (“Recipient”), as of
the date Recipient viewed the Agreement and electronically signed his or her name
thereto.
Recitals: A. Recipient has entered, or is interested in entering, into
discussions with IC regarding a potential investment in, or business transaction
with IC or an affiliate with the understanding that its relationship with IC will
be kept confidential as more fully set forth below. B. In the course of such discussions,
including in the course of performing a due diligence review of IC’s business plans
and in reviewing and working with IC on certain confidential business plans and strategies,
Recipient has had and will have access to Confidential Information (as hereinafter
defined). C. IC is not willing to continue or enter into discussions or a business
relationship with Recipient unless Recipient enters into this Agreement. THEREFORE,
in consideration of the premises set forth above, the promises and covenants herein
contained, and for other good and valuable consideration, the receipt and sufficiency
of which are hereby acknowledged, it is hereby agreed as follows: 1. Confidentiality.
(A) As used in this Agreement, the term “Confidential Information” shall mean and
include all confidential information, whether written, oral or otherwise, concerning
the businesses and affairs of IC or its affiliated or related entities or their customers
(the “Disclosing Entities”), including without limitation, business plans, concepts
and designs, strategic plans, marketing programs and plans, potential business names
and marks, research and development projects, financial statements and information,
identities of and relationships with suppliers, contractors and customers, trade
secrets, and other non-public aspects of any of the Disclosing Entities’ businesses
or affairs. The term “Confidential Information” does not include (x) information
that has become or hereafter becomes generally available to the public in a single
publication other than as a result of a disclosure by Recipient or any of its representatives,
(y) information that is furnished to Recipient on a non-confidential basis from a
source other than the Disclosing Entities that is not under any obligation of confidentiality
to the Disclosing Entities, or (z) information that is within the Recipient’s possession
prior to its being furnished to Recipient by a Disclosing Entity, as is demonstrated
by written records of Recipient. (B) Recipient acknowledges and agrees that the Disclosing
Entities have expended, or will expend, significant sums of money and have invested,
or will invest, a substantial amount of time to develop, use, and maintain the secrecy
of, the Confidential Information. The Disclosing Entities have thus obtained, or
will obtain, a valuable economic asset which has enabled, or will enable, them to
develop an extensive reputation and to establish long-term business relationships
with their suppliers and customers. If such Confidential Information were disclosed
to another person or used for the benefit of anyone other than the Disclosing Entities,
the Disclosing Entities would suffer irreparable harm, loss and damage. Accordingly,
Recipient acknowledges and agrees that: (i) the Confidential Information is, and
at all times hereafter shall remain, the sole property of the respective Disclosing
Entities, and nothing herein shall be construed to grant to Recipient any license
or other right or interest in any of the Confidential Information or any other property
of any of the Disclosing Entities; (ii) Recipient shall use its best efforts and
the utmost diligence to guard and protect the Confidential Information from any unauthorized
disclosure to any competitor, or any other person, other than to those of Recipient’s
employees necessary for purposes of the business relationship between Recipient and
IC who have agreed to keep such information confidential; (iii) unless IC gives Recipient
prior express written permission, during Recipient’s relationship with IC and thereafter,
other than as necessary for purposes of Recipient’s due diligence review of, and
working relationship with, IC, Recipient shall not use for its own benefit, or divulge
to any competitor, supplier or any other person, the Confidential Information which
Recipient may obtain as a result of Recipient’s discussions or relationship with
IC or any other Disclosing Entity; and (iv) Recipient shall disclose Confidential
Information only to its representatives (x) who need to know the Confidential Information
in order to assist Recipient in its due diligence review of, and in working with,
IC, (y) who are informed by Recipient of the confidential nature of the information
Recipient discloses to them and the terms of this agreement, and (z) who are instructed
by Recipient and agree to treat such information confidentially. (C) Recipient acknowledges
and agrees that all Confidential Information, regardless of its form, is supplied
or made available by IC to Recipient solely to assist Recipient in its due diligence
review and potential business relationship with IC. (D) Recipient also acknowledges
and agrees that, upon the termination of Recipient’s business relationship with IC
for any reason, Recipient shall immediately return to IC all documentary or tangible
Confidential Information in their possession, custody, or control, and not make or
keep any copies, notes, abstracts, summaries, tapes or other record of any type of
any of the Confidential Information. 2. Miscellaneous. (A) Recipient hereby acknowledges
that IC does not make and has not made any representation or warranty, either express
or implied, as to the accuracy or completeness of the Confidential Information and
agrees, to the fullest extent permitted by law, that IC shall have no liability to
Recipient on any basis (including, without limitation, in contract, tort, under federal
or state securities laws or otherwise) as a result of Recipient’s use of all or any
portion of the Confidential Information. (B) The validity, construction, and enforceability
of this Agreement shall be governed in all respects by the laws of State of Illinois.
(C) This Agreement may be executed in any one or more counterparts, each of which
shall constitute an original, no other counterpart needing to be produced, and all
of which, when taken together, shall constitute but one and the same instrument.
IN WITNESS WHEREOF, the parties hereto have executed this Agreement as of the date
contemplated above.


Loan Amount
{{ loanDetails.loanAmount | currency: '₦' }}
Tenor
{{ loanDetails.tenor }}
| # | Product Name | Loan Amount | Approval Status | Disbursed Status | Liquidated Status | Action |
|---|---|---|---|---|---|---|
| {{ i + 1 }} | {{ l.productName }} | {{ l.loanAmount | currency: '₦' }} | Approved Not Approved | Disbursed Not Disbursed | Liquidated Not Liquidated |
Click the Apply Now button below to apply for a
Loan
It is as simple as that
| Approval Status | Is Disbursed | Is Liquidated |
|---|---|---|
| {{ loanDetails.approvalStatus == 1 ? 'Approved' : 'Not Approved' }} | {{ loanDetails.isDisbursed ? 'Is Disbursed' : 'Not Disbursed' }} | {{ loanDetails.isLiquidated ? 'Is Liquidated' : 'Not Liquidated' }} |
{{ loanDetails.loanAmount | currency: '₦' }}
{{ loanDetails.tenor }}
Are you sure you want to liquidate {{ loanDetails.productName }}


Dear User,
Here are the statistics for ANUVAAD data and jobs:-
Status : {{downloadable_file1}}
---------------------------------------------------------------------
Thanks,ANUVAAD Team


Main
Feet
Shoulders
Face
About
Main
About
This webapp is a part of the course DM2518 at KTH.
Created by Mark Hobro and Yinan Xu.

Experience the contact with the ground.
Feel into the soles of the feet.
Feel the knees.
The hips.
The spine.
Shoulders.
Neck.
Head.
Feel the connection between the top of the head and the feet.
Main
Shoulder
Feel Your Shoulders
Let your arms hang loose.
Become aware of the shoulders.
Slightly lift one shoulder and release it.
Let the shoulder come all the way down.
Lift the other shoulder and release it.
Alternate three more times on each side.
Experience the breath flowing in and out of the body.

Feel the forehead.
The eyebrows.
Eyes.
Nose.
Nostrils.
Air flowing through the nostrils.
Cheeks.
Jaw.
Lips.
Tongue.
Whole of the head.
The space surrounding the head.


Back
|
Search
Look up issue or community posts within your neighbourhood, municipality or province by using the search tool below.
Search by:
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&
Keyword
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Testing is simple: choose an example, change the flashvars and see if it works.
You can also download this testing page as part of the plugin development SDK.
Please note, if you're running this page from a local file, the testing tool won't work. You'll need to run it from a local or remote web server.


This implementation modifies the default Calendar to allow for selection of multiple values. This is accomplished by simply changing an option in the calendar configuration options:
var cal1;
function init() {
cal1 = new YAHOO.widget.Calendar("cal1", "cal1Container");
cal1.Options.MULTI_SELECT = true;
cal1.render();
}


Realized in Excel VBA, takes as input a folder containing non-tabular reports, compiled by the members of the field force. The data gets collected, structured and then used to generate a centralized, tabular report, used as a starting point for further analysis.


Common Database Abstraction Layer
Parent class that our database driver classes should be extending. Contains basic functionality for instantiation and interfacing.
Located in /classes/Database/Common.php (line 24)
Object | --Database_Common
| Class | Description |
|---|---|
| Database_Mongo | Mongo Database Abstraction Layer |
| Database_PDO_Common | PDO Abstraction Layer |
Connection resource
Database name for the server
Driver
Hostname for the server
Password for the server
Port number for the server
Results object for the executed statement
UNIX socket for the server
Username for the server
Inherited from Object
Object::$config
Object::$instances
Constructor
Closes database connection
Sets the connection to null regardless of state.
Get Driver
Returns the name of the driver in use. Used by the Model class to determine which path to take when interfacing with the Database object.
Opens database connection
Establishes a connection to the MySQL database based on the configuration options that are available in the Config object.
Set Database
Set Hostname
Set Password
Set Port
Set Socket
Set Username
Inherited From Object
Object::__construct()
Object::getInstance()
Object::__destruct()
Documentation generated on Fri, 24 Dec 2010 19:43:54 -0500 by phpDocumentor 1.4.3


I am an engineer through and through, excelling in logical and deductive thinking as well as analytical reasoning. I have a passion for problem solving (like any aspiring engineer) but consider my interests and skillset diverse. I consider myself goal-driven and experimental. I live by the philosophy that I will never not make mistakes but will never stop seeking to better myself. If, by some small miracle, you're not two seconds away from closing this page then feel free to find out more about me in the, uhm... ABOUT ME section.
From an extremely young age I've had a passion for technology, science and understanding how things work. In high school I was introduced to the field of mechatronics and instantly knew that this was the direction I wanted to steer my life in. I've worked with the singular and focused vision of a career at the cutting edge of engineering and robotics. Once attained, I intend to do my utmost to live out my life doing what I love and doing something of value.


Version control allows multiple users to work on the same project and gives the ability to set up multiple versions of the program allowing the ability to go keep older versions in the same place
Version tracking is importanty becuase it allows the programmers to se who changed the program, when it was changed and what changed allowing to fix errors, and potential problems in a effective manner all while keeping it organized and keeping people accountable.
add - what you create to be added / commit - commiting the new data into a useable text / push put it into effect and cause an update


@import gospeak.core.domain.{Cfp, Group, Proposal, Sponsor, SponsorPack, User} @import gospeak.core.domain.utils.Constants @import gospeak.libs.scala.domain.{Page, Tweet} @import gospeak.web.domain.{Breadcrumb, PageMeta} @import gospeak.web.pages.published.groups.routes.GroupCtrl @import gospeak.web.pages.published.speakers.routes.SpeakerCtrl @import gospeak.web.pages.published.partials.html.{container, groupCard} @import gospeak.web.utils._ @(group: Group.Full, speakerCount: Long, talks: Page[(Proposal.Full, Option[Tweet])], cfps: List[Cfp], speakers: List[User], sponsors: List[Sponsor.Full], packs: List[SponsorPack], orgas: List[User], userMembership: Option[Group.Member])(b: Breadcrumb)(implicit req: UserAwareReq[AnyContent]) @container(s"${Constants.Emoji.group} ${group.name.value} talks", PageMeta.group(group.group, b), b)() {
At @event.name.value on @event.start.asDate
}


This is the use of models to represent the areas used to make plans, given that such things are easier when people have the context of an area to see what to do.
Of course, the Unspoken Plan Guarantee means the plan rarely works as expected. But it still lets the audience not only know the plan, but also have an idea of what's happening when things go wrong.
A miniature is one of the most common forms of model for this, but CGI models are getting more common. Sometimes the model can even be 1:1 scale, usually if precision in the plan is a must. Holograms are also popular in more futuristic settings.
In Real Life, relief maps were not widely used in the 17th and 18th centuries, so models were common—especially when it came to military engineering, where a model was a must-have if you were building or besieging a fortress.
The Big Board and Planning with Props are Sister Tropes, which often overlap with this.
A Sub-Trope of Only a Model. Compare Exposition Diagram. Compare This Is What the Building Will Look Like, which deals specifically with construction projects and is often (but not always) associated with bad guys.
Examples:
- In GI Joe, Destro has been known to use little models to plan out his strategies—he does it in the famous "Silent Interlude" issue.
- Dungeon Keeper Ami: Ami's attack on Dreadfog Isle is mapped with a glass model, used to plot out paths to where the troops need to go.
- Disney's Mulan has one, when the general describes the planned advance to his son.
- A Running Gag in the Back to the Future trilogy: Doc Brown builds elaborate models of city blocks or canyons to demonstrate his plans to Marty, then apologizes for "the crudity of the model". It also catches on fire, repeatedly.
- The Death Star attack plans in the Star Wars films A New Hope and Return of the Jedi are with CGI models.
- In Entrapment, the protagonists plan a heist using yarn to practice navigating a Laser Hallway.
- The plan in The Dirty Dozen is largely with a model (and a Donald Duck figure).
- The Ocean's Eleven remake has the thieves building an exact, full-size replica of the vault they're planning to rob for practice.
- In The Italian Job (2003) the thieves build a replica practice course in a warehouse to practice driving their escape route, and also have a CGI animation on their computer of the car as if it were traversing the actual route in real time for no apparent reason.
- In Top Secret!, what begins as Planning with Props segues into this. The protagonists sketch their plan to infiltrate an East German fortress by drawing a crude map in the dirt. As the description progresses, the props get increasingly elaborate until they end up with a highly-detailed scale model of the installation complete with working train set.
- The French commandos in The Longest Day use a detailed model of the town they are to assault on D-Day for their Mission Briefing.
- In Raid On Entebbe, Israeli commandos use a mockup of the Entebbe terminal to practice their assault plan.
- Goldfinger had a very impressive scale model of Fort Knox and its surroundings.
- Superman Returns has a train set used this way. Lex Luthor throws part of a Kryptonian crystal in the model lake to show its effect. Made extra creepy when the camera zooms on little plastic people and you hear screams.
- Star Trek Beyond. Kirk and his officers plan their attack on Krall's base and the rescue of their crew using parts from the spaceship they're trying to repair.
- The Reveal in The Kennel Murder Case involves this, as Philo Vance uses a model of the Coe residence and the apartment building next door to demonstrate how the murder went down.
- During the courtroom scenes in JFK Jim Garrison uses a meticulously detailed model of Dealey Plaza to demonstrate his theory of how the Kennedy assassination happened. In a nice bit of self-reference the model had originally been constructed to help Oliver Stone plan out the camera angles when shooting the assassination sequence in the actual Dealey Plaza.
- Jack Ryan:
- In Without Remorse, the model used for going over John Kelly's part of the Great Escape from the Song Tay Prisoner of War camp is mentioned in passing, with a note of the marker used to represent Kelly being a rubber band cut open, with two dots on one end for eyes, after Kelly's callsign of "Snake".
- A model found in an Afghanistan cave during a US Army raid becomes a plot point in Dead or Alive.
- Models are used to plan attacks in Battlestar Galactica. At one point, the camera view of the models inverts just before a scene cut to show that a group of fighters depicted is concealing themselves by attaching their landing gear to the bottom of a freighter.
- Inverted in The Gil Mayo Mysteries, where the team debates possible solutions to the weeks murder(s) by playing with models. The same eclectic set of models is used each week, so they bear no real resemblance who they are meant to represent. Except for that one time when the Reverend Beaver was represented by, of course, a beaver.
- "The Architect Sketch" on Monty Python's Flying Circus has an architect who represents his plans for an apartment building with a model that gradually collapses as he gives his presentation, and then spontaneously catches fire. He gets the contract anyway, because he's a Freemason. Or possibly because his competitor's plan involved corridors of rotating knives.
- Mentioned a couple of times in the first two episodes of Band of Brothers. In the first episode, the soldiers are instructed to study various pieces of intelligence, including sand table models of their objectives. In the second episode, when one trooper asks another how he is so sure of their location, the trooper replies, "Cuz I studied the sand tables, genius!"
- The POWs in Colditz use models of the castle made from Red Cross Parcel boxes to demonstrate their escape plans, including how to launch a glider from the roof.
- BBC News, and later Channel Four News, were ridiculed and parodied for this when using sandbox models and toy tanks to explain British involvement in assorted wars and peace-keeping operations (First Gulf, Yugoslavia, Second Gulf). These were pushed around by an enthusiastic Armchair General called Peter Snow.
- The Avengers (1960s). In "A Funny Thing Happened on the Way to the Station" the villain handcuffs Steed to a pipe so he can explain his Evil Plan with the help of a model train set.
Villain: I had you brought here to witness the final phase.
Steed: That's very decent of you.
Villain: It's for me really, verging on megalomania you might say. But a coup is not a coup without someone to see.
Steed: (indicating cuffs) Excuse me if I don't applaud. - The Goodies. A BBC news broadcast simulates what will happen when the Goodies' moon rocket returns to Earth. James Burke demonstrates what will happen next by dropping a model Apollo landing module on a map of Britain so it smashes to pieces.
- The Flash (2014) has Cisco creating a model of Iris upcoming death out of LEGO bricks to make a point. Barry is more concerned over the choice of minifigure to represent him.
Barry: Why am I an astronaut?
- In the Hogan's Heroes episode "The Gasoline War" Hogan's plan to blow up a convoy involves one of theses. He explains to his men how, as each convoy truck approaches the fuel pump at Stalag 13, they will quickly run over from across the road and attach dynamite charges to the undercarriage. When they point out the searchlight in the nearby guard tower will reveal them, Hogan uses the model to show that the light's beam is blocked by the truck leaving them in darkness.
- Similar to the Mayo example above, Jonathan Creek tries this in an early episode, but discards his results as it was all made up to fit the little information to hand, and nothing he came up with appeared in the eventually-revealed plot.
- Also tried in Agatha Christies' Chimneys, by two characters, with similarly disappointing results.
- One of these is used to plan a casino heist in Saints Row 2.
- In Final Fantasy VIII the La Résistance group Forest Owls used train models to explain the hijacking the railcar of an enemy president.
- Antonio in Assassin's Creed II has a model of the Venice rooftops in his office in the Thieve's Guild.
- One of the pre-rendered cutscenes in Stuntman has the protagonist demonstrating how toy cars and miniatures are used by the stunt team to meticulously plan everything out. Of course, the player doesn't learn more than one or two key stunts before having to memorize the sequence on the job....
- Inverted/Accelerated in Warcraft III in the final cinematic of the Undead campaign, when a newly-summoned Archimonde the Destroyer raises a model of Dalaran from sand. Then he swipes at the sand building... and the building it corresponds to crumbles.
- The Order of the Stick has one with miniatures before the battle for Azure City.
- The Last Days of FOXHOUND planned their fight with Solid Snake with clue pieces.
- An episode of Batman: The Animated Series opens with the apparent explosion of a Gotham neighborhood, only for it to be revealed as a model, with the Big Bad of the episode detailing his plans to make it really happen.
- The Simpsons:
- In the episode "Who Shot Mr. Burns? Part 1", Burns uses a model Springfield to show Smithers his plan to block out the Sun in order to make everyone more reliant on the power plant. After Smithers quits due to Burns' descent into "cartoonish super-villainy", Monty begins stomping on the model for fun:
Mr. Burns: Take that, Bowlerama! (stomp) Take that, Convenience Mart! (stomp) Take that, Nuclear Power Plan-- (stomp) Oh, fiddlesticks.- In season six's "Bart's Comet," they used a model to show the different ways they can blow up the comet — all ending with Moe's tavern being destroyed in flames.
- In The Venture Bros. Christmas special, the Monarch displays a scale model of the Venture compound as he gleefully outlines his plan to destroy Dr. Venture on Christmas Eve. Dr. Girlfriend is visibly ticked off.
Monarch: ...What??
Dr. Girlfriend: That model was supposed to be a surprise!
Monarch: [sheepishly] ...I peeked? - Phineas and Ferb
- Dr. Doofenshmirtz does this sometimes. One episode shows a flashback to him working all weekend to make the model and hoping that Perry the Platypus appreciates it. He doesn't.
- In "Night of the Living Pharmacists," Phineas explains the plan to end the zombie apocalypse using a scale model. With the zombies breaking in as he speaks, Candace asks whether it was really worth the time to make the model. He says it was.


 %}
You can put any information here that you like , yu can also add anything thats necessary


{%extends "base/page.html"%} {%block title%}Manuals{%endblock%} {%block contents%}
| Release | Online Version | PDF Version |
|---|---|---|
| {{v.tree}} |
Please see the manual archive for documentation for older releases. The DocBook SGML source for the manuals is available as part of the PostgreSQL source download available in the FTP area.
{%endblock%}


Julia syntax
- Julia syntax
is straightforward: if you
know any modern language, you will found Julia very easy to use;
- Developing good libraries and macros is slightly more
difficult;
- Noteworthy differences from other languages:
- Julia has an end block delimiter:
end
;
- Indexing of arrays is 1-based. Last index is
end
;
- Julia has no vectorized versions of functions (not needed for performance). To vectorize an expression use
the dot
syntax:
sin.([0, pi/2])
- By convention, function names terminating
with
!
modifies their inputs.


- All Known Implementing Classes:
- Alternative, Grammar, LeftRecursiveRule, LexerGrammar, Rule
public interface AttributeResolver
Grammars, rules, and alternatives all have symbols visible to
actions. To evaluate attr exprs, ask action for its resolver
then ask resolver to look up various symbols. Depending on the context,
some symbols are available at some aren't.
Alternative level:
$x Attribute: rule arguments, return values, predefined rule prop.
AttributeDict: references to tokens and token labels in the
current alt (including any elements within subrules contained
in that outermost alt). x can be rule with scope or a global scope.
List label: x is a token/rule list label.
$x.y Attribute: x is surrounding rule, rule/token/label ref
$s::y Attribute: s is any rule with scope or global scope; y is prop within
Rule level:
$x Attribute: rule arguments, return values, predefined rule prop.
AttributeDict: references to token labels in *any* alt. x can
be any rule with scope or global scope.
List label: x is a token/rule list label.
$x.y Attribute: x is surrounding rule, label ref (in any alts)
$s::y Attribute: s is any rule with scope or global scope; y is prop within
Grammar level:
$s AttributeDict: s is a global scope
$s::y Attribute: s is a global scope; y is prop within


Hi there, welcome to my website.
I am currently a machine learning applied scientist at the EU headquarter of Amazon. I work on information retrieval and search algorithms.
I did my Ph.D. at the Department of Intelligent Systems, KTH Royal Institute of Technology, Stockholm. My thesis is about practical Bayesian methods. I was the teaching assistant for the graduate course Pattern Recognition and Machine Learning, EECS, KTH, in 2017-2020.


What is your role at Gilt?
I’m lead engineer for Team Galactus. (We like to give our teams abstract names that don’t refer to a particular initiative; at the time of forming Galactus, we were going through a comic book phase!) I’m a full-stack engineer, but the vast majority of my work at Gilt is on the backend: developing shared libraries, web applications and services.
How long have you been with Gilt?
Just over two years.
Has your role here changed over time?
No, I’ve always been a backend engineer. I’ve done some frontend stuff with previous companies that were very small, and where you had to roll up your sleeves and basically do everything.
Why do you enjoy backend development more than frontend?
It’s less like the Wild West than frontend development. You can implement clean, well-tested and reusable solutions fairly easily; it’s a lot more difficult to do that in the frontend. Frontend work often feels like one hack on top of another hack, with a third hack thrown in to work around some IE issue. And it all feels really fragile, because it’s not statically typed. Refactoring something can be a very stressful experience! There have been a few frameworks over the years built to try to solve this problem (e.g. GWT), but it’s still generally a more challenging environment to work in. Throw CSS into the mix, which can do some really cool, untestable stuff, and … well, you get the picture.
Which technologies do you use on a day-to-day basis?
Scala, Play, Handlebars (both the standard JS Handlebars and Gilt’s own Scala implementation–fondly called Scandlebars, and written by Gilt engineer Mark Wunsch.
What’s your personal strategy for learning a new technology?
My inclination is always to just learn on the job. That only gets you so far, though. And when you’re working on important pieces of software, you need to be the expert in the technologies you are using. Taking time out to really learn those technologies is something I have to work hard at; it’s not something that comes naturally. My preference when I do need to learn something in detail is a good old-fashioned paper book–remember those?
I recently took Martin Odersky’s Coursera course on Scala. This was really enjoyable.
Describe for us some of the projects that you’ve been working on recently.
The team is currently in the process of migrating our sale listing page (the most visited page on Gilt: ~30k rpm at noon) over to a new technology stack: Play, Scala, Handlebars, and Solr. As part of that work we are building a new app and adding a lot of new code to shared libraries.
We are also working to integrate Scalatest/Selenium testing into our continuous delivery framework. Continuous delivery allows us to deploy to production in minutes at any time with no manual interaction after the developer types “sbt release” on their laptop. Having really good Selenium test coverage, written using Scalatest, is a key part of that.
 You simply provide a transformation function, and you get back a virtual cache of a different type. The views themselves can be cached (if the transformation is expensive) and you can stack them, so you can have views of views. Getting the type system to work was a bit of a mind melt, but I think the end result is pretty cool.
One technology you’ve been using lately is Solr. Tell us more about that.
We started using Solr to power some basic search capabilities on the site in 2011. Galactus then built keyword search using the same technology stack. We are now moving the sale listing page onto Solr–after all, a sale listing is simply a search for all products with a particular sale ID. This means that less code is required to power the site. As part of moving the listing page over, we’re really having to step up the performance of the search technology stack. It has to be scalable and really fast!
What’s been your biggest accomplishment here?
I’ve done a few things that I’m proud of. Early on, I think my biggest accomplishment was “getting” the Gilt technology stack so quickly, and being able to contribute within a few weeks of joining. I’ve since worked on some pretty core pieces of software like Commons, which is a client library for Gilt’s domain model; the sale targeting engine, which targets sales to the appropriate members; and keyword search. I also recently led the redevelopment of the product page: a complete rewrite of the old page from the bottom up.
What would you say are the best parts about working at Gilt? And more specifically, about working at Gilt-Dublin?
The pace–things move very fast all the time. We’re on the cutting edge in terms of continuous delivery, the technologies we’re using, and some of the testing tools we’re building.
Also, the people. Gilt has some great people in so many different areas. I’ve learnt more in my first two years at Gilt than I did in the previous eight years since I left college. The Dublin office, being a bit younger than Gilt NYC, feels a little more like a start-up in some ways. There’s a really good atmosphere. Despite being the new kid on the block, we’re solving big problems and we’re doing great work!
The actual office itself is also fantastic: A penthouse office in the city centre with great views. Plus it’s in Dublin, the best city in the world!
Can you talk a bit about mentoring and your on-the-job inspiration sources?
While Gilt is using some really cool and interesting technologies, I’m an engineer rather than a technologist, so solving problems is what makes me want to go to work each day–and Gilt has some really hard, interesting problems to solve.
I’m also lucky to work with exceptional people. This is also a great inspiration: working with people who, in pretty much every interaction I have with them, teach me something.


The sinsh kernel is defined as
where alpha is a custom coefficient specified by the Coeff property.
[See Also] Resampler Example, Kernel Example


Mapping vulnerability and potential loss amplification
A qualitative assessment.
For hurricanes, the primary risk factor is wind. The main measure of wind risk is windspeed maps. During assessment, windspeed maps were attained from ASCE 7-16 for "ordinary buildings" (ASCE 7-10 Risk Category II). A 700-year MRI was used. Areas expecting Saffir-Simpson Category III were categorized as "Low", Category IV as "Moderate and Category V as "High".
Secondary risk factors include windborne debris and storm surge. These effects show up mostly on the coastline. Windborne debris maps were found through ASCE 7-16 and the Florida Building Code, storm surge maps through NOAA. Saffir-Simpson categories for 700-year MRI were used for inspection.
Windborne debris and storm surge were assigned lower importance factors while aggregating natural risk.
Bigger Picture.NIBS, 2018. "Mitigation Saves."
DBPR, 2017. "Florida Building Code."
A qualitative assessment.
The main measure of wind risk is windspeed maps. During assessment, windspeed maps were attained from ASCE 7-16 for "ordinary buildings" (ASCE 7-10 Risk Category II). A 700-year MRI was used. Areas expecting Saffir-Simpson Category III were classified as "Low", Category IV as "Moderate" and Category V as "High".
NIBS, 2018. "Mitigation Saves."


ready_for_review
by None at 2021-07-26 17:39:27.automatic_base_change_succeeded
by None at 2021-07-26 12:46:57.referenced
by None at 2021-07-26 12:46:56.merged
by None at 2021-07-26 12:46:56.closed
by None at 2021-07-26 12:46:56.head_ref_deleted
by None at 2021-07-26 12:46:57.labeled
by None at 2021-07-26 12:48:33.Superseded by #1550.
closed
by None at 2021-07-26 12:48:35.head_ref_deleted
by None at 2021-07-26 12:48:35.head_ref_force_pushed
by None at 2021-07-26 12:48:34.head_ref_force_pushed
by None at 2021-07-26 12:48:31.@mzelesky is aware of this issue.
unassigned
by Christina Chortaria at 2021-07-26 13:26:57.mentioned
by None at 2021-07-26 13:27:33.subscribed
by None at 2021-07-26 13:27:33.This is fixed.
closed
by Christina Chortaria at 2021-07-26 13:29:03.We are moving to alma. closing.
closed
by Christina Chortaria at 2021-07-26 13:31:23.closed
by Christina Chortaria at 2021-07-26 13:57:59.will open this if a patron reports an issue
closed
by Christina Chortaria at 2021-07-26 13:53:54.closed
by Christina Chortaria at 2021-07-26 14:43:27.closed
by Christina Chortaria at 2021-07-26 14:45:19.we are moving away from voyager.
closed
by Christina Chortaria at 2021-07-26 14:46:17.labeled
by Christina Chortaria at 2021-07-26 14:47:09.closed
by Christina Chortaria at 2021-07-26 14:47:55.labeled
by Christina Chortaria at 2021-07-26 14:49:31.labeled
by Christina Chortaria at 2021-07-26 14:49:40.closed
by Christina Chortaria at 2021-07-26 14:50:17.I cant reproduce this. subfield w was removed from data. closing
closed
by Christina Chortaria at 2021-07-26 14:52:53.closed
by Christina Chortaria at 2021-07-26 14:53:11.closed
by Christina Chortaria at 2021-07-26 14:54:00.closed
by Christina Chortaria at 2021-07-26 14:57:54.This was done.
closed
by Christina Chortaria at 2021-07-26 14:59:10.We don't want to make changes right now during go-live. We'll circle back and consider between: - Add a group with several users as needed (alma, bibdata, lib-jobs, humans) - Rebuild this server on ubuntu so it can be managed by ansible - do #1353
the issue that I explained earlier in our checkin is: call number fields appear as one string: ``` "callnumberdisplay": [ "01.XIII.19 JV6225 .R464 2001" ], "callnumberbrowses": [ "01.XIII.19 JV6225 .R464 2001" ], "callnumberlocatordisplay": [ "01.XIII.19 JV6225 .R464 2001"
the call number page will display with the call number as one string as: ```
with the fix call numbers will index as expected: (this is from my local index)
"call_number_display": [
"01.XIII.19",
"JV6225 .R464 2001"
],
"call_number_browse_s": [
"01.XIII.19",
"JV6225 .R464 2001"
],
"call_number_locator_display": [
"01.XIII.19",
"JV6225 .R464 2001"
labeled
by Christina Chortaria at 2021-07-26 16:08:04.assigned
by Christina Chortaria at 2021-07-26 16:08:45.labeled
by Christina Chortaria at 2021-07-26 16:09:01.renamed
by Christina Chortaria at 2021-07-26 16:24:44.referenced
by Christina Chortaria at 2021-07-26 18:57:07.referenced
by Christina Chortaria at 2021-07-26 19:45:36.referenced
by Christina Chortaria at 2021-07-26 19:49:57.head_ref_force_pushed
by Christina Chortaria at 2021-07-26 19:49:57.deployed
by None at 2021-07-26 20:37:35.closed
by Eliot Jordan at 2021-07-26 15:17:26.head_ref_force_pushed
by None at 2021-07-26 14:42:56.referenced
by Eliot Jordan at 2021-07-26 15:17:26.merged
by Eliot Jordan at 2021-07-26 15:17:26.closed
by Eliot Jordan at 2021-07-26 15:17:27.head_ref_deleted
by Eliot Jordan at 2021-07-26 15:17:29.closed
by None at 2021-07-26 16:12:08.Got it. Thanks!
I've "cleared" you and @tpendragon from this and assigned myself. I'll follow up with catalogn and ask them to either zap the offending fields or give me the go ahead to do so.
And throw in (for my future reference) that Bib 8540474 has the same problem.
assigned
by David Platt at 2021-07-26 19:49:46.unassigned
by Esmé Cowles at 2021-07-26 19:49:51.unassigned
by Trey Pendragon at 2021-07-26 19:49:51.unassigned
by David Platt at 2021-07-26 19:49:51.assigned
by David Platt at 2021-07-26 19:49:55.mentioned
by Trey Pendragon at 2021-07-26 19:54:51.subscribed
by Trey Pendragon at 2021-07-26 19:54:51.referenced
by None at 2021-07-26 19:42:33.closed
by Trey Pendragon at 2021-07-26 19:43:28.referenced
by Trey Pendragon at 2021-07-26 19:43:28.merged
by Trey Pendragon at 2021-07-26 19:43:28.closed
by Trey Pendragon at 2021-07-26 19:43:29.head_ref_deleted
by Trey Pendragon at 2021-07-26 19:43:31.I've asked @LynnDurgin for assistance in locating the missing file. From now on, the system will tell us when there is data missing instead of crashing.
labeled
by Bess Sadler at 2021-07-26 18:54:21.closed
by Bess Sadler at 2021-07-26 20:56:12.reopened
by Bess Sadler at 2021-07-26 20:59:17.mentioned
by None at 2021-07-26 20:59:54.subscribed
by None at 2021-07-26 20:59:54.referenced
by Bess Sadler at 2021-07-26 20:56:12.merged
by Bess Sadler at 2021-07-26 20:56:12.closed
by Bess Sadler at 2021-07-26 20:56:12.head_ref_deleted
by Bess Sadler at 2021-07-26 20:56:13.assigned
by Trey Pendragon at 2021-07-26 16:30:46.referenced
by Trey Pendragon at 2021-07-26 16:37:36.closed
by Trey Pendragon at 2021-07-26 16:54:45.referenced
by Trey Pendragon at 2021-07-26 16:54:45.merged
by Trey Pendragon at 2021-07-26 16:54:45.closed
by Trey Pendragon at 2021-07-26 16:54:45.head_ref_deleted
by Trey Pendragon at 2021-07-26 16:54:46.assigned
by None at 2021-07-26 17:05:55.assigned
by Francis Kayiwa at 2021-07-26 17:06:32.assigned
by Trey Pendragon at 2021-07-26 17:06:32.assigned
by Zaynab Masood at 2021-07-26 17:06:32.assigned
by Bess Sadler at 2021-07-26 17:10:31.assigned
by None at 2021-07-26 17:10:31.head_ref_force_pushed
by Trey Pendragon at 2021-07-26 18:30:46.head_ref_force_pushed
by Trey Pendragon at 2021-07-26 18:58:51.head_ref_force_pushed
by Trey Pendragon at 2021-07-26 21:33:43.head_ref_force_pushed
by None at 2021-07-26 12:36:29.referenced
by Zaynab Masood at 2021-07-26 15:02:55.merged
by Zaynab Masood at 2021-07-26 15:02:55.closed
by Zaynab Masood at 2021-07-26 15:02:55.head_ref_deleted
by Zaynab Masood at 2021-07-26 15:02:58.referenced
by Zaynab Masood at 2021-07-26 16:01:18.merged
by Zaynab Masood at 2021-07-26 16:01:18.closed
by Zaynab Masood at 2021-07-26 16:01:18.head_ref_deleted
by Zaynab Masood at 2021-07-26 16:01:24.unassigned
by James R. Griffin III at 2021-07-26 18:18:48.assigned
by James R. Griffin III at 2021-07-26 18:18:57.automatic_base_change_succeeded
by None at 2021-07-26 12:47:20.automatic_base_change_succeeded
by None at 2021-07-26 12:47:20.referenced
by None at 2021-07-26 12:47:19.merged
by None at 2021-07-26 12:47:19.closed
by None at 2021-07-26 12:47:19.head_ref_deleted
by None at 2021-07-26 12:47:20.closed
by None at 2021-07-26 12:47:20.moved_columns_in_project
by None at 2021-07-26 12:47:21.Coverage remained the same at 96.842% when pulling 861fd454a1f54fc077001e873e4d6fd25dc78542 on dependabot/bundler/addressable-2.8.0 into 7d72cf21189fb8c2ebcd127091e8985f50504c44 on main.
head_ref_force_pushed
by None at 2021-07-26 12:48:31.referenced
by None at 2021-07-26 15:34:45.merged
by None at 2021-07-26 15:34:45.closed
by None at 2021-07-26 15:34:45.head_ref_deleted
by None at 2021-07-26 15:34:46.assigned
by James R. Griffin III at 2021-07-26 17:55:13.assigned
by James R. Griffin III at 2021-07-26 17:55:29.Resolved by https://github.com/pulibrary/princeton_ansible/pull/2390
assigned
by James R. Griffin III at 2021-07-26 18:01:36.head_ref_force_pushed
by James R. Griffin III at 2021-07-26 17:53:45.head_ref_force_pushed
by James R. Griffin III at 2021-07-26 18:26:16.head_ref_force_pushed
by James R. Griffin III at 2021-07-26 18:27:20.head_ref_force_pushed
by James R. Griffin III at 2021-07-26 19:28:00.referenced
by None at 2021-07-26 13:08:42.merged
by None at 2021-07-26 13:08:42.closed
by None at 2021-07-26 13:08:42.head_ref_deleted
by None at 2021-07-26 13:08:43.closed
by Kevin Reiss at 2021-07-26 18:32:06.referenced
by Kevin Reiss at 2021-07-26 18:32:06.merged
by Kevin Reiss at 2021-07-26 18:32:06.closed
by Kevin Reiss at 2021-07-26 18:32:06.head_ref_deleted
by Kevin Reiss at 2021-07-26 18:32:07.review_requested
by Francis Kayiwa at 2021-07-26 19:17:19.@faithc @ccleeton Do one of you have an EAD which is "Some Restricted Content"?
mentioned
by None at 2021-07-27 00:02:10.subscribed
by None at 2021-07-27 00:02:10.mentioned
by Christa Cleeton at 2021-07-27 00:02:10.subscribed
by Christa Cleeton at 2021-07-27 00:02:10.ready_for_review
by Kevin Reiss at 2021-07-26 13:44:26.review_requested
by Kevin Reiss at 2021-07-26 13:44:45.head_ref_force_pushed
by None at 2021-07-26 14:47:37.referenced
by None at 2021-07-26 15:08:14.merged
by None at 2021-07-26 15:08:14.closed
by None at 2021-07-26 15:08:14.referenced
by None at 2021-07-26 15:08:55.Resolved: Figgy is back up in 98d54b9
.
labeled
by Francis Kayiwa at 2021-07-26 05:26:03.labeled
by Francis Kayiwa at 2021-07-26 05:26:03.locked
by Francis Kayiwa at 2021-07-26 05:26:04.closed
by Francis Kayiwa at 2021-07-26 05:31:30.


Before Change
shape=res.shape
prod = 1
for i,e in enumerate(shape):
if i < len(shape) - 1:
prod *= e
features=res.reshape(prod, shape[-1])
prediction=RF.predictProbabilities(features.astype(numpy.float32))
After Change
// If our LabelsCount is higher than the number of labels in the training set,
// then our results aren"t really valid.
// Duplicate the last label"s predictions
chanslice = slice(min(key[-1].start, RF.labelCount()-1), min(key[-1].stop, RF.labelCount()))
result[...]=prediction[...,chanslice]*255 // FIXME: This assumes that channel is the last axis


Brooke Vincent shares first family photo with newborn Mexx and boyfriend Kean
The Coronation Street actress welcomed her first child in October
by Lucy Needham, https://www.facebook.com/dailymirror/Brooke Vincent has delighted fans by sharing the first photo family photo featuring her newborn son.
The Coronation Street actress took to Instagram to share the adorable snap with baby Mexx and her footballer boyfriend Kean Bryan.
Brooke and Kean welcomed Mexx in October, with the soap star gushing he was 'everything she'd dreamed of' as she made the annoucement.
26-year-old Brooke has now returned to social media to share a snap of her small family cuddling up for a selfie.
The new mum was looking very relaxed as she held baby Mexx against her chest while her partner Keane leaned in.
Brooke's thousands of followers on the site were quick to congratulate the couple on their beautiful boy.
"Aaaw Brooke !! You are amazing ! Well done," complimented one.
"Beautiful little family. What a lovely journey it is. Enjoy and embrace every moment," another told her.
Brooke, who has played Sophie Webster on Corrie for 15 years welcomed her first baby with Sheffield United footballer partner Kean on October 23.
Announcing her pregnancy in OK! she said: "We're both each other’s biggest fans and having a baby together will add an extra bond.
"Kean brings out the best in me and it makes me so excited that we're on this journey together. I like to think I'm the boss of our relationship but Kean has a really wise head on his shoulders, so I know he'll be a brilliant dad.
"My mum had me when she as 24 and we have a really close relationship so I’m hoping that will happen for me. If I’m half the mother my mum is then I’ll be happy," she added.
They wanted to keep the sex of their unborn baby a surprise, so didn't go down the usual celebrity route of throwing a gender reveal party.

Brooke also joined her Corrie co-stars Hayley Tamaddon and Julia Goulding for a special spa day in August, where the trio compared their growing baby bumps.
The close friends showed off their bumps in their swimsuits, with Hayley captioning the snap: "Mummy's to be having a spa day at the garden spa in Warrington .. proudly showing off our baby bumps. So lucky we get to go through this together."


§273-12 Railway to be fenced. The corporation shall fence in the line of railway with a good and sufficient legal fence. [L 1878, c 29, §23; RL 1915, §899; RL 1935, §1805; RL 1945, §5063; RL 1955, §106-12; HRS §273-12]


#assign n0_docs="true"> <#assign n1_query="true"> <#assign filterMany= "true">
This applies a filter on the beans returned for a OneToMany
or ManyToMany
relationship.
For example, Customer has OneToMany Orders. Instead of fetching ALL the orders for the customers being fetched we instead only want to fetch the new orders they placed since last week.
We use filterMany()
to apply the filter to the orders fetched for each customer.
The above ORM query uses 2 sql queries to build the graph.
```sql -- Primary query - customers ... select t0.id, t0.inactive, t0.name, ... from customer t0 where lower(t0.name) like ? escape'|' -- (1) filter customers ``` ```sql -- Secondary query - orders for those customers ... select t0.customer_id, t0.id, t0.status, t0.order_date, t0.ship_date, ... from orders t0 where (t0.customer_id) in (? ) and t0.order_date > ? and t0.status = ? -- (2) filter the orders for those customers ``` <@next_edit "Aggregation" "/docs/query/aggregation" "/docs/query/filterMany.html"/>


{%extends "layout.html"%} {%block body%}
Enter the URL to your REDCap's API and your API Key. These can be obtained from your REDCap administrator.
For each constraint you'd like to place on the search, enter the raw column name in the left text box, select the appropriate comparison and enter the constraint value.
To filter by more than one constraint, click the button. To remove the last constraint, click the button.
Choose specific raw fields to output. The primary field is always outputted.
You can add fields to the output by clicking on the button and remove the last one by clicking on the button.


Eclipse Project Tests
Create and Download Eclipse Project
Steps
- Start maqetta in mutli user mode. (With M7, that's the only mode!)
- Create a new project by going to New-->Project in the menu bar.
- Type a name for the project, and click the "Enable Eclipse Support"
- Create a new folder under WebContent by going to the New-->Folder in the title bar. Call the folder aaa
- Create a new HTML file in the WebContent/aaa folder by going to New-->HTML File in the menu bar
- Add some content to the new HTML file, including at least one Dijit widget. Save and close
- Re-open file. Hit preview. URL should end in zazl=true. If not, enable zazl in preferences and hit preview again. Confirm that widget renders.
- Download the entire workspace as a zip by clicking the "Download Workspace" icon on the File Explore shortcut bar.
- Default settings are fine, click OK and save the file somewhere on the file system
- Unpack zip file and open HTML file you created in a browser. Make sure Dijit widget renders
Expected results
You should have a zip file in your file system containing a zip file with the same files and structure as your Maqetta workspace.
Import Project into Eclipse
NOTE: If you choose to do the optional Rational Application Developer 8.5 tests in the last section, you can skip this part (since RAD runs on top of Eclipse).
Steps
- Start Eclipse.
- Select the File-->Import menu option.
- In the General section select Existing Project into Workspace, click the radio button next to From Archive, and then browse to find the zip file you just downloaded.
- The Maqetta project should show up in the list of available projects. Select it and click OK
Expected results
You should now have a project in your Eclipse workspace with the same name and structure as your Maqetta project. You should be able to open
any of the HTML files in a browser or editor.
Import Project into Rational Application Developer 8.5 (optional)
NOTE: While marked "optional" if you have RAD 8.5 installed, it is strongly recommended you run through this scenario.
Steps
- If you don't have Rational Application Developer 8.5 on your system, then download and install
the evaluation copy.
- Start Rational Application Developer 8.5.
- Select the File-->Import menu option.
- In the General section select Existing Project into Workspace, click the radio button next to From Archive, and then browse to find the zip file you just downloaded.
- The Maqetta project should show up in the list of available projects. Select it and click OK
- Once the import is complete, switch to the Web Perspective.
- Open the file you created earlier (or Sample1.html) and you should see the file in RAD's Rich Page Editor with a rendering that looks like it did in Maqetta.
- Make the Palette tab visible and you should see widgets that can be dragged onto your page.
- Drag a Dojo widget from the palette onto your page and ensure it gets added where you dropped it with an appropriate rendering.
Expected results
You should now have a project in your RAD workspace with the same name and structure as your Maqetta project. You should be able to open
your file in RAD's Rich Page Editor and drag/drop widgets from RAD's widget palette.


sfddiff
A program for comparing fonts ==============================
sfddiff [-merge outfile] [-ignorehints] [-ignorenames] [-ignoregpos] [-ignoregsub] [-ignorebitmaps] [-exact] [-warn] [-version] [-help] fontfile1 fontfile2
Sfddiff compares (or merges) two font files (in any format fontforge can read) and checks for differences.
It will notice:
- any characters present in one font but not in the other
- any characters present in both fonts but which have different sets of outlines or references. The outlines may be compared so that only exact matches are accepted, or so that a fuzzier match is used (useful in compare that a truetype and postscript font are the same). Similarly references may be matched exactly or may match after an unlink.
- optionally will check if the postscript hints or truetype instructions are different.
- if the truetype 'name' tables match
- if kerning (and other 'GPOS' data) match
- if ligatures (and other 'GSUB' data) match
- Any bitmap strikes present in one font but not the other
- Any bitmap characters present in one font but not the other
- Any bitmap characters which differ
If the -merge
flag is specified the following argument should be the name of an output file into which sfddiff will store a merged version of the two fonts. This will contain everything from fontfile1 as well as any characters present in fontfile2 but not in fontfile1. For any characters with different outlines or references, the background of the character will contain the splines from fontfile2 (sadly references can not be placed in the background).
If the -ignorehints
flag is specified, then no hint differences will be reported.
-help
will provide a mini description and will list the available options.
-usage
will list the available options.
-version
will display the current version of sfddiff.


Home
Title
Title
Location
Contact
Title
ArcticWolf from BingWallpaper
RainbowMarmot from BingWallpaper
CanadaLynx from BingWallpaper


Who are we looking for
The Content Marketer will be responsible for developing the voice for all aspects of the organization’s online presence. The person will also be responsible for crafting site promotions, email newsletters, and online outreach campaigns. The content marketer will work closely with technical, business development, and marketing members of the organization.
What will you be doing?
Requirement
Copyright (C) Cerebtech. All Rights Reserved.


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View the original tutorial
This is a tutorialzine demo. View the original tutorial to read and download the source files. The gallery features artwork from rambocre, pickupjojo and codenamebender


Last change: Frank Naumann<EMAIL_ADDRESS>Wed Sep 26 09:00:00 2001 UTC
- initial Sparemint release
Description:
The rdate utility retrieves the date and time from another machine on your network, using the protocol described in RFC 868. If you run rdate as root, it will set your machine's local time to the time of the machine that you queried. Note that rdate isn't scrupulously accurate. If you are worried about milliseconds, install the xntp3 package, which includes the xntpd daemon, instead.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 8–10 as a tapas
Dietary
Patatas bravas as they should be: crisp, olive oil-fried potatoes topped with a tomato sauce, well-flavoured with hot pimentón and sharpened with a little vinegar.
For the salsa brava, heat the olive oil over a low heat, add the pimentón, chilli flakes, Tabasco and vinegar and mix together well. Stir in the tomato sauce and season to taste with salt and freshly ground black pepper (thin the mixture with a little water if necessary).
Cut the potatoes into small, even-sized pieces. Drop into a large pan of well-salted water and cook for 6-7 minutes, or until just tender. Drain well.
Heat the olive oil in two large, non-stick frying pans, divide the potatoes between them and shallow-fry in a single layer for 10–12 minutes, turning them regularly, until crisp, golden-brown all over and sandy in texture.
Spoon the potatoes into one large or small individual serving plates, drizzle over the sauce, sprinkle with a pinch of pimentón and serve with some toothpicks and napkins.


Show sprint goal in tab label
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Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
Spatchcocked poussin take no time to cook and the result is juicy, tender meat. Try them served with a spicy sauce and creamy celery and walnut salad.
Mix the shallots, parsley, chillies, oregano and chives together in a bowl. Stir in the vinegar, olive oil, Tabasco sauce and lemon juice.
Preheat the grill to medium-high.
Heat an ovenproof griddle pan until hot. Place the poussins and lemon halves onto the griddle pan and fry for 2-3 minutes on each side, or until golden-brown on both sides.
Transfer to the grill and cook for for 8-10 minutes, or until cooked through. Squeeze the roasted lemon halves over the poussins (take care as the lemon halves will be hot).
For the walnut salad, mix the celery, walnuts, stilton, parsley and celery leaves together in a bowl.
Whisk the crème fraîche, honey, vinegar and mayonnaise together in a bowl until smooth. Add the dressing to the salad and mix until well combined.
Mix the salad with enough of the dressing to coat.
To serve, place the poussin onto a serving plate, drizzle over the sauce and spoon the salad alongside.


Stereo48K
The stereo audio mode with two audio channels for speaker, and single audio channel for microphone, both with 48KHz sampling rate.


Hi there oldies and (potential) alumnis!
-
- Are you maybe feeling too old for the AC, but too EGEAn for this world?
- Mark the date in your calendar and join us! :D
-
-
- This year, EGEA Alumni meet-up will take place during the last weekend of EGEA AC
- on 19th-22nd of September at the same location in Loucna nad Desnou in Czechia.
-


|
RayTracer
|
Class for loading wavefront .obj files. More...
#include <OBJFile.h>
Public Member Functions | |
| OBJFile (const char *file_name, Material mat) | |
| std::vector< Triangle > | get_triangles () const |
| void | dump (std::string file_name) const |
| BinaryVolumeHierarchy | getBVH () |
Private Attributes | |
| std::vector< Triangle > | polygons |
| std::vector< Vector3D > | vertices |
| std::vector< Vector3D > | normals |
| MTLLib | materials |
Class for loading wavefront .obj files.
| OBJFile::OBJFile | ( | const char * | file_name, |
| Material | mat | ||
| ) |
| void OBJFile::dump | ( | std::string | file_name | ) | const |
| std::vector< Triangle > OBJFile::get_triangles | ( | ) | const |
| BinaryVolumeHierarchy OBJFile::getBVH | ( | ) |
|
private |
|
private |
|
private |
|
private |


We love events. We organize them, attend them, have fun in them, meet some of the best people in them. Tech conferences, hackathons, TEDx events, Barcamps, unconferences, and what not.
BadgeIt, is our first attempt at giving back to the awesome events that we've gained so much from. We hope you'd love it.
More about the application can be found at Github, FAQ, Blog.


라이선스¶
Copyright © 2011 by the Pallets team.
Some rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
- Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
- Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
- Neither the name of the copyright holder nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.
We kindly ask you to use these themes in an unmodified manner only with Pallets and Pallets-related projects, not for unrelated projects. If you like the visual style and want to use it for your own projects, please consider making some larger changes to the themes (such as changing font faces, sizes, colors or margins).

The initial implementation of itsdangerous was inspired by Django’s signing module.
Copyright © Django Software Foundation and individual contributors. All rights reserved.


This study aims to examine the patterns of urbanisation and UHI distribution in Melbourne from 2001-2020 in order to see the changes that have occurred over an extensive period of time. These changes will be explored in relation to each other in order to drive the association of these two potentially phenomena factors on the Metropolitan area of Melbourne. A geospatial approach will be used throughout this paper, utilising cloud computing, remote sensing, and spatial analysis. UHIs will be derived from satellite imagery, while NDVI and NDBI will be used as measures of urbanisation by measuring vegetation health and built-up level respectively, as well as being combined in the form of the Built-Up Index (BUI).
This study focuses on the interaction of surface temperatures and the urban environment in the metropolitan region of Melbourne, Australia. Melbourne is the business and administration capital of the state of Victoria, with an associated population of 5 159 211 during the 2019-2020 financial year (Australian Bureau of Statistics 2021), and has an extent of 9992.5 km2 as of 2016 (City of Melbourne 2021). Urbanisation is of particular concern in Melbourne as from July 1 2019 to June 30 2020, Melbourne experienced a population growth of 80,100 people (a growth rate of 1.6%), firmly cementing the city as the second most populous in the country (Australian Bureau of Statistics 2021). It is projected that this number will have increased to over 9 million by 2056 (DELWP 2019). Adding to the concern of urbanisation is the occurrence of high temperatures within the city. In 2020 Melbourne’s mean temperature was 19.0°C, with a maximum recorded reading of 42.9°C on January 31st. This temperature was recorded following a period of extreme warm temperatures across south-eastern Australia, where towards the end of January temperatures were recorded at 40°C or above almost daily in Melbourne, with temperature records set across both the state and country (Bureau of Meteorology 2021). With increasing urban populations as well as experiencing high temperatures and record heat waves, Melbourne has become an important study area for research into the relationship between natural and built environments.
The results of this study are to be finalised, but some preliminary results are included below.
A more deatiled look at the land surface temperature of Melbourne can be observed from the interactive maps below. These maps formed part of a an interactive website (see below image).


05. Hapi.js
Hapi.js Overview
Welcome to this section on hapi.js!
In this section, we’ll be creating our own hello world hapi application. To do that we’ve broken the section up into 3 main sections.
Getting started: In the first video, we’ll take a look at hapijs.com, and check out some of the resources and documentation.
Hello World: In the second video, you’ll get hapi.js installed locally and get your ‘hello world’ application up and running.
Code Overview: Finally, we’ll go back into the local environment and walk through the code to better understand what’s going on with our new application.
System Requirements
Hapi.js should be simple to install and get started with. It is compatible with any operating system and only requires some space in your working directory to install its dependencies.
When you’re ready, come see the next video where we overview hapijs.com.
Hapi.Js Getting Started
Hapi.js Hello World
You can follow the documentation here to get started with your first hapijs hello world application.
In the next video, we’ll walk through this process step by step to get up and running with our first hapijs application.
Hapi.Js Hello World
Hapijs Hello World Recap
Here are each of the steps we took to create our Hapi.js hello world application.
You can get started by following the get started documentation here https://hapijs.com/tutorials.
Open Terminal
cd desktop
mkdir hapi-app
cd hapi-app
npm init
npm install --save hapi
touch server.js
Open server.js
In your server.js file, paste the following code then save your file.
'use strict';
const Hapi=require('hapi');
// Create a server with a host and port
const server=Hapi.server({
host:'localhost',
port:8000
});
// Add the route
server.route({
method:'GET',
path:'/hello',
handler:function(request,h) {
return'hello world';
}
});
// Start the server
async function start() {
try {
await server.start();
}
catch (err) {
console.log(err);
process.exit(1);
}
console.log('Server running at:', server.info.uri);
};
start();
Run server.js
Finally, use npm start
to run the server.js file to launch your application.
Open Browser
The application was create on port 8000. To get there, open up your web browser and navigate to localhost:8000/hello
.
Hapi.js Environment
In the next video, we’ll do a quick overview of the project files and some details of what’s going on in the server.js file.
Hapi.Js Environment
Hapi.js Recap
Congratulations on getting through this section! Here you created your hello world hapi.js application.
Hapijs Homepage: First, we went over the basics of what problems they try to solve and where you can find out more information about the framework.
Hapijs Hello World: Next, we created a basic application using the hapijs getting started tutorial.
Hapijs Resources: This is a great framework and there are many resources to help you get started. If you’re interested in learning more, they provide a great list of books, blogs, and more on their site. https://hapijs.com/resources.
Resources
Congratulations again on getting started with your hapijs application!


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You may well have arrived here by searching for one of the following keywords, cleverly designed to lure the unsuspecting:
The Hooting Yard Search Engine Keyword Lure
homunculus pencil sharpener baize tungsten hebetude ullage toxin orlop custard Ordnance Survey Map guillemot basin creosote bandages orrery airbag gristle linctus subterfuge porlock hobbledehoy mucker crumple scrofula usufruct flap palinode chutes myrmidon bindweed vinculum blazer sponge porridge remorse pelf cyclops treadmill pins
You have now joined the teeming millions who have already visited Hooting Yard. Three of them have written in to express their awe, but unfortunately the Duty Git hurled their missives into his big iron incinerator.
Some Hooting Yard-approved links
*
From Hooting Yard to the four corners of the earth…
Correspondence is welcome
Frank Key<EMAIL_ADDRESS>This site was last updated at some point in the 17th century. Unless, of course, you read the Independent On Sundaywhich says that Hooting Yard is “an attic crazily packed with the aerostats, flanges, cobalt and general late-Victorian flotsam of British comic surrealism”. Who am I to disagree with a national newspaper?
16 November 1996


/ Sentinel /
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Want to Learn How to Help? Start Your Search Here!


Left-click to add a point of "class 0" (indicated by a circle).
Right-click to add a point of "class 1" (indicated by a square).
Click any existing point to remove it.
Start anew by pressing the "Clear" link.
Share or download the data using the respective links.
(Because sometimes you just want a synthetic dataset for testing simple classification problems without having to define the point coordinates functionally.)


WARRIORS OF VIRTUE 1997 A film review by Timothy Voon Copyright 1998 Timothy Voon 5 :-( :-( :-( :-( :-( for ugly, butt kicking Roos
Cast: Mario Yedidia, Angus Macfadyen, Marley Shelton, Chao-Li Chi, J. Todd Adams, Adrienne Corcoran, Doug Jones, Don W. Lewis, Jack Tate Director: Ronnie Yu Producers: Dennis Law, Ronald Law, Christopher Law, Jeremy Law, and Patricia Ruben Screenplay: Michael Vickerman & Hugh Kelley
If you thought THE TEENAGE MUTANT NINJA TURTLES or POWER RANGERS were bad, wait till you watch WARRIORS OF VIRTUE. This creation has sunk the quality of children's movies to a new all time low. I should have seen it coming and heeded my friend's warning. No good can come from butt kicking kangaroos, carrying far-eastern religious philosophies.
The dialogue is so garbled, that one may perhaps gain the true meaning behind the gibberish, if one was perhaps meditating on ‘Speed' and only then if struck by lightning first. The ending comes as suddenly as kangaroos becoming TRANSFORMERS. In this case, they merge into a bright light and blast the bad guy into oblivion. What a major cop-out for an ending!
As for each of the Roos – there are five of them, and each symbolises a virtue that is colour coded - blue (water), red (fire), silver (metal), green (wood) and white (air). They are all pretty lame (not to mention stupid), except for great tail strength. As they started to annoy me during the movie, I felt like tying them together and stringing them up by their tails for a good Mexican Piñata.
Most annoying of all is the kid (Mario Yedidia) who finds himself lost in the world of Tao. I detest whiny kids and this one isn't short on that. Besides that, the director, Ronny Yu who is best known for his Hong Kong fantasy, ‘kick flicks' ie THE BRIDE WITH WHITE HAIR, has made this children's movie a little too outlandish for my taste.
Timothy Voon e-mail<EMAIL_ADDRESS>Movie Archives http://us.imdb.com/M/reviews_by?Tim+Voon Hugues Bouclier's Movies in Melbourne http://www.labyrinth.net.au/~bouclier/week/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Utility function
Defining three status functions avoids linking the Subject to the Receiver or the corresponding hashes
function getPresentationStatus(Status subjectStatus, Status receiverStatus) pure public validStatus(subjectStatus) validStatus(receiverStatus) returns(Status){
If the Presentation does not exists the return is a void Presentation
If we want a log, should we add an event?
function getReceiverPresentationStatus(address receiver, bytes32 receiverPresentationHash) view public validAddress(receiver) returns(bool exists, Status status) {
If the Presentation does not exists the return is a void Presentation
If we want a log, should we add an event?
function getSubjectPresentationStatus(address subject, bytes32 subjectPresentationHash) view public validAddress(subject) returns(bool exists, Status status)
Utility function Defining three status functions avoids linking the Subject to the Receiver or the corresponding hashes function getPresentationStatus(Status subjectStatus, Status receiverStatus) pure public validStatus(subjectStatus) validStatus(receiverStatus) returns(Status){


Introduction Overview from 30,000 feet
The purpose of our Markup Guide is to give clear direction on the methodology to follow when performing front-end development to our products, and a reference guide, all in one place. We will be using examples of code where ever we can and request feedback for unclear items in order to make this markup guide better. Email me at<EMAIL_ADDRESS>for feedback, clarity, or questions.
Starting with some general items, we'll explain some of the theory behind our Modular code, and we will drill into the nitty gritty CSS, Javascript, PHP. Throughout we'll discuss what we've done to make your developer job faster, easier, and painless for maintenance. Years of experience with HTML, CSS, and JavaScript have been melted into the best practices we use, so let's begin! =)
Folder Structure The files are inside the computer
client-folder/ ├── !base-build/ │ ├── html/ │ ├── img/ │ │ ├── shadowbox/ │ │ ├── sm-profile/ │ ├── js/ │ │ ├── plugins.js │ │ ├── scripts.js │ ├── index.html │ ├── style.css ├── !project-files/ │ │ ├── assets/ │ │ ├── design/ │ │ ├── files-from-client/ │ │ ├── updates/ │ ├── img/ │ ├── js/ │ ├── mobile/ ├── footer.php ├── functions.php ├── header.php ├── screenshot.png ├── sidebar.php └── style.css
To the left is a general visual breakdown of our folder/file structure. Since we are doing child themes in WordPress we simply do not need anywhere near as many files. Whatever WordPress files we do not include in the child theme will automatically use the parent theme. The basis of this structure comes from the lovely gents at HTML5 Boilerplate. It has been adapted for WordPress themes, and to fit our needs with the design community, etc.
The !base-build
folder is where the flat file templates are built for (typically) one inner page template and one home page template. This folder and contents never get uploaded to the server. Browser testing can be done easily, and JavaScript interaction can be tested as well. !base-build/html/
folder is where video impimentation with Shadowbox can be implimented. !base-build/img/
& js/
are for organizing your images and JavaScript code.
!project-files/
is where all files go that will never be uploaded to the server but are related to the project in some aspect. Any general assets, code modules or (what was originally intended for) original stock photography.
The rest of the files mimic the structure of the !base-build/
folder with the exception of mobile/
. the mobile/
folder is used for WordPress's plugin WPTouchPro. WPTouchPro is the current mobile plugin used for our mobile phone offering. Other files in the base client-folder/
includes a function.php
file for adding specific navigations, widget areas, etc.; screenshot.png
a screenshot of the home page themplate; and a few other .php
files that are the minimum requirements for the WordPress children themes.
Modular Zones Get in the zone, Autozone.
Zen Garden
The idea behind our Modular websites is loosely based of a brilliant piece of work by Dave Shea called the CSS Zen Garden. The idea was with one set of HTML one could create just about any visual web site they wanted to. Go to the CSS Zen Garden for more details and examples.
Modular
The goal with our Modular's is to have one snippet set of HTML that can be used as a head start for each of 6 zones. That snippet of HTML is properly labeled, and can be copied and pasted into the document one is working on to get styling with CSS faster!
Zones
The concept of a 'zone' is a horizontal slice, or region of a web site. This horizontal slice is represented by two factors, the six zones are listed below and each zone has multiple versions described with a number. In other words a zone of Header 4 is the header zone, and the 4th option of that zone. One would look in the Header Zone snippets for option 4. The designers based their design off this layout and this HTML snippet will give one a head start on getting the CSS going.
A full list of zones:
- Header Zone
- Marketing Zone
- Buckets Zone
- Content Zone
- Footer Zone
- Quick Contact Zone
Example Code Google Prettify with line numbers
We're going to put line numbers on everything, although if you want to copy and paste the code those line numbers will not be in your copy.

Code Visuals When we can, we'll show you more visuals
Quick example of the above code visual below, all available sizes can be seen at: Zone Example page.
Naming Conventions Order in the court!
What? Where? Why?
We believe in using thoughtful, mindful, meaningful markup. We are creative beings and appreciate the work we do so why not build some standards to make things easy for others to figure out when they are reading our code?
Also note that the web does not like spaces, so instead replace spaces with dashes. Use dashes between each word in your naming conventions and lowercase lettering.
Where are we using this?
Everywhere. Let's list it out to make it even more clear:
- HTML
- CSS
- JavaScript
- Photoshop Slices
- Media
- Folders
Three Questions
Remember these three questions whenever you are naming something and you'll start to see things fall into place.
- What is it?
- Where is it?
- How would you describe it?
screenshot-naming-convention.png
is enough for this image to be descriptive.Examples
If we look at the screenshot to the left we can start to see how a simple naming convention for something as simple as the /img/
folder can bring great benefits visually, and organizationally.
All the other kids with the pumped up kicks!
Again we're using dashes instead of spaces, and lowercased naming.Get those creative juices flowing
The below may not be relevant together, but they are starting points. The screenshot to the left is a more specific working example, but here are some terms to help you wrap your mind around being mindful with naming
| What? | Where? | Descriptions |
|---|---|---|
| button | header | video |
| logo | marketing-zone | hover |
| bg | sidebar | contact |
| video | content | blockquote |
| bullet | footer | awards |
| icon | sidebar | aop |
| badge | aside |


This is a phonetic (ITRANS) keyboard layout for Bengali. It is based on ITRANS transliteration scheme with some modifications. You can type using the modified ITRANS scheme on a regular QWERTY keyboard and get Bengali script as output.
In Bengali, the inherent vowel অ is pronouned as ô rather than a. However, for consistency in ITRANS scheme, a is used in this keyboard.
For example, the keys saMskRta will output the word সংস্কৃত, laxmI will output the word লক্ষ্মী.
The default and shifted layouts cover digits, consonants, vowels and other commonly used characters.
Consonant conjuncts and consonants with combining marks are generated by a combination of keys as described in the tables below.
The following table shows the English letters to type to get consonants.
| ক | ka | | | খ | Ka/kha | | | গ | ga | | | ঘ | Ga/gha | | | ঙ | ~Na/Nga |
| চ | ca/cha | | | ছ | Ca/Cha | | | জ | ja | | | ঝ | Ja/jha | | | ঞ | ~na/Ya |
| ট | Ta | | | ঠ | Tha | | | ড | Da | | | ঢ | Dha | | | ণ | Na |
| ত | ta | | | থ | tha | | | দ | da | | | ধ | dha | | | ন | na |
| প | pa | | | ফ | pha | | | ব | ba | | | ভ | bha | | | ম | ma |
| য | ya | | | র | ra | | | ল | la | | | শ | sha | | | ||
| ষ | Sa/Sha | | | স | sa | | | হ | ha | | | | | ক্ | k | ||
| ক্ষ | xa/kSa | | | ত্র | tra | | | জ্ঞ | GYa/j~na | | | ৰ | qa | | | ৱ | wa |
The following table shows the English letters to type to get consonants with nuktas.
| ড় | .Da | | | ঢ় | .Dha | | | য় | .ya |
In the following table, independent vowels, dependent vowel signs and vowel signs combined with the consonant `k` are shown in ITRANS transliteration scheme on the top two rows. The third row shows Vowels in their independent form on the left and their corresponding dependent form (maatraa or vowel sign) on the right. The fourth row shows the vowel sign combined with the consonant `k`. `ka` is without any added vowel sign, where the vowel `a` is inherent. Please note that there is no independent vowel for Bengali AU length mark, ৗ.
If there is a need to type ONLY the vowel signs, it can be done using `@` instead of a consonant. e.g. @A will output া, @ai will output ৈ.
| a | aa/A | i | ii/I/ee | u | uu/U/oo | R | e | ai/ei | o | au/ou | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | ka | aa | kA | i | ki | ii | kI | u | ku | uu | kU | R | kR | e | ke | ai | kai | o | ko | au | kau | O | kO |
| অ | আ | া | ই | ি | ঈ | ী | উ | ু | ঊ | ূ | ঋ | ৃ | এ | ে | ঐ | ৈ | ও | ো | ঔ | ৌ | ৗ | ||
| ক | আ | কা | ই | কি | ঈ | কী | উ | কু | ঊ | কূ | ঋ | কৃ | এ | কে | ঐ | কৈ | ও | কো | ঔ | কৌ | কৗ |
Arranged with the vowels are two consonantal diacritics, the final nasal anusvāra ং M and the final fricative visarga ঃ H (called অং aṁ and অঃ aḥ). Another diacritic is the candrabindu/anunāsika ঁ MM (অঁ). These consonantal diacritics follow the vowel signs including the implicit ’a’. The following table shows consonant ’k’ followed by various dependent vowel signs and consonantal diacritics ং M, ঃ H and ঁ MM.
| ka | kA | ki | kI | ku | kU | kR | ke | kai | ko | kau | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| M | কং | কাং | কিং | কীং | কুং | কূং | কৃং | কেং | কৈং | কোং | কৌং |
| H | কঃ | কাঃ | কিঃ | কীঃ | কুঃ | কূঃ | কৃঃ | কেঃ | কৈঃ | কোঃ | কৌঃ |
| MM | কঁ | কাঁ | কিঁ | কীঁ | কুঁ | কূঁ | কৃঁ | কেঁ | কৈঁ | কোঁ | কৌঁ |
Consonant conjuncts are automatically formed, e.g. k t produces ক্ত্. The inherent a is only applied when followed by space. e.g. k t a or k t space produces ক্ত. To force an explicit virama at end of word, use ^ e.g. k t ^ space produces ক্ত্ .
A full (live) consonant with visible virama in middle of words can be typed using ^, e.g. k ^ S produces ক্ষ্, when followed by space it will be ক্ষ.
To type a Zero Width Non Joiner, _ can be typed between the letters, for example: a _ i will generate অই.
| Keys Input | Output Character | Comment |
|---|---|---|
| , | , | Comma |
| ,, | ૰ | Bengali Abbreviation Sign |
| . | . | Period |
| .. | । | DanDaa |
| ... | ॥ | Double DanDaa |
| - | - | Dash |
| -- | – | En Dash |
| --- | — | Em Dash |
| Key | Output Character | Comment |
|---|---|---|
| v | ৎ | Bengali Letter Khanda Ta |
| O | ৗ | Bengali AU Length Mark |
| V | ঽ | Bengali Avagraha |
| Q | ৺ | Bengali Isshar |
| W | ঀ | Bengali Anji |
| E | ◌৾ | Bengali Sandhi Mark - not supported in Fonts |
| Z | ৲ | Bengali Rupee Mark (historic usage) |
| X | ৻ | Bengali Ganda Mark (historic usage) |
| F | ৳ | Bangladeshi taka |
| Key | Output Character | Comment |
|---|---|---|
| # | ওঁ | OM SIGN |
| $ | ₹ | RUPEE SIGN |
| % | ࿕ | U+0FD5 RIGHT-FACING SVASTI SIGN |
| * | ❀ | U+2740 WHITE FLORETTE UNICODE CHARACTER |
| & | ☸ | U+2638 WHEEL OF DHARMA UNICODE CHARACTER |
| Key | Output Character | Comment |
|---|---|---|
| '' | ॑ | DEVANAGARI STRESS SIGN UDATTA - SVARITA |
| ''' | ᳚ | VEDIC TONE DOUBLE SVARITA |
| '''' | ᳛ | VEDIC TONE TRIPLE SVARITA |
| `` | ॒ | DEVANAGARI STRESS SIGN ANUDATTA |
| MM^ | ꣳ | CANDRABINDU VIRAMA |
| == | ᳶ | VEDIC SIGN UPADHMANIYA |


He does a brilliant job for us – Lennon lauds Hayes contribution
Neil Lennon heaped praise on ‘reliable’ Jonny Hayes after his man of the match performance in Celtic’s 2-0 win over Motherwell at Parkhead.
Hayes has been a fringe player since signing on a free transfer from Aberdeen in 2017 but he has started the last two matches in place of injured left-back Boli Bolingoli, including Thursday’s 2-1 win over Lazio in Rome which saw the Hoops qualify for the last-32 of the Europa League.
The 32-year-old Irishman’s current deal is up next summer and Lennon admitted his performances will make it difficult for him not to be offered a new deal.
“I am delighted with him,” said the Parkhead boss, who saw goals from striker Odsonne Edouard and an own goal by Well defender Richard Tait keep his side ahead of Rangers at the top of the Ladbrokes Premiership by one goal scored.
“He is popular among the players, he has shown a real reliability and quality.
“He knows his role in the squad.
“His fitness levels and pace is fantastic, his enthusiasm for the game and his game intelligence is improving all the time.
“I thought he was wonderful today. I thought he had a great game as the game went on, on Thursday, so he has been a real plus for me.
“I thought he probably had his best game today but he has played in some big games for me, cup final and semi-final, Rangers here in March, and has not let me down. He has played really well in every game.
“He may not be everyone’s cup of tea but he does a brilliant job for us.”
Lennon was asked about his assistant John Kennedy, reportedly on a five-man short list for the vacant managerial post at Hibernian.
He said: “I don’t want him to go for a start.
“It doesn’t surprise me, because he is a superb coach.
“It is a feather in a cap for John if that is the case but as far as I’m concerned he won’t be going anywhere, he is very integral to what we are doing here.”
Lennon was “delighted” with Celtic’s performance and result which keeps his side top of the table going into the international break.
He said: “It’s a great performance, another clean sheet, another good win.
“I thought we could have won the game by more.
“I don’t remember Motherwell having a shot on target and that speaks volumes for how the team is playing.
“It has been a great week, a great few weeks, eight wins in all competitions, I can’t ask for any more.
“It has been fantastic. Now we take stock.”
Well boss Stephen Robinson was similarly pleased with his side’s performance against the champions, if not the result.
He said: “I thought it was a good performance.
“I thought our shape worked very well, we contained them a lot and had a threat going forward.
“There were a lot of positives. I thought we were very well organised, the boys carried it out to the letter.
“Could we have had more of a threat in the final third? Yes.
“But they wear you down. Credit to the level you are playing against.
“You don’t beat Lazio if you are not a top-class side.”


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