About Us
Mission
Our goal is to provide a positive environment to develop mathematical skills while improving problem solving techniques and accuracy in an enjoyable manner. Through working in individual and group settings, we strive to prepare our members to be stronger math students and competitors. We want to encourage working well as a team while also excelling as an individual.
Topics
Our curriculum goes beyond what is covered in district math classes and is meant to complement and not just repeat what is learned in class. For this reason, members are strongly encouraged to take math classes all four years of high school and challenge themselves by taking Advanced Placement classes such as AP Calculus and AP Statistics. Members are also encouraged to meet with their teachers during tutorial after school to reinforce concepts they learned in class. Since we build on knowledge gained in high school-level math classes, it is critical that members make sure they understand basic math concepts that they have been taught.
Attendance & Communication
Our club strongly values communication between our officers and our members. If you have any suggestions for the officers, please let them know. All members need to register with the secretary upon joining the club to ensure that they receive the latest information and that they can be registered for competitions that they sign up to attend. Attendance will also be taken at meetings, so be sure to attend as many meetings and competitions as possible. Members are expected to make Math Club one of their top priorities, so attendance at all events is strongly encouraged, as well as necessary to improve math skills for competitions in a group environment. Members are also encouraged to bring friends to the club meetings.
Bylaws
Our bylaws govern the club activities and provide basic structure to its operations. Our current bylaws were written and last ratified by the club officers and advisor on March 23, 2012.


Ling, Soo et al. conducted a study about mobile app users behaviors. They surveyed 10,208 people from more than 15 countries on their mobile app usage behavior (1). One of the questions in the survey was:
What makes you stop using an app?
Results were split between Android and iOS platforms and displayed using a bar chart. Hover the bars to go into detail.
It is interesting to note that privacy is not one of the most important reasons to drop an app. Also, apps with low performance are a bigger issue for Android users than for iOS users.


ChromedCollab ||
Options
default value
All form fields are required.
Activecollab main URL
API key for you user
Validate user
name
Select project
discussion
files
calendar
tickets
time
people
user tasks
for calendar
for tickets


Agenda
Symfony 4
Dependency Injection Component v4.0
Webpack Encore
API Platform
GraphQL
Event Sourcing & CQRS
Spoiler Alert
this is not a talk
Stuff
Micro by default
New directory structure
Flex
Silex is dead
.env
No more *Bundle
New DIC


Thomas C. P. Olson
About
(current)
Portfolio
Contact
Portfolio
I like turtles
Funky password
Project 1
Brewery Locator
GitHub Repository
Work Planner
RushMe-ReadMe
How is that restaurant application running?
Project 2
Dream Home Search


Games to Relax and Play
Made By
Maaya
&
Instafluff
Stream Game Overlay Link Generator
Not Logged In
Log In with Twitch
Logout
Twitch Channel Name
Choose Game
Wandering Wizards
Trick or Treat (Halloween)
Santa's Secret Service (Christmas)
Frozen Frenzy (Winter)
Cupid Heart Collection (Valentines)
Easter Egg Hunt (Easter)
Pixel Parachute (Day)
Pixel Parachute (Night)
Pixel Plinko
Chat Announcement Message Format
(Twitch Log In is needed to enable chat announcement)
Enable Boss
Boss Effect
Boss Count
Trap Effect
Prize Count
Trap Count
Enable Chat Announcement
Background
Clouds
Hide Until Drop
Sound Volume
Enable Chat Announcement
Background
Clouds
Hide Until Start
Sound Volume
Enable Chat Announcement
Steal Points
Return to Spawn
Points Penalty
Trap Tunnels
Overlay Link
Click to Copy
Copy and add this link as a 1920 x 1080 Browser Source!


Sudoku Technique No.2
Pointing Out - Medium Level
Let's continue with Pointing Out technique, in a higher level.
Look at the board below, focusing on row 4. There are six empty cells in it: 42, 43, 51, 52, 53 and 62 (Please see Sudoku Rules and Terminology on how to locate cells). Notice there are two 4s around row 4, 54 can point out 51, 52 and 53 because they are in the same box, and 32 can point out 62 because they are in the same column, but we still don't know where 4 goes since there are still two cells 42 and 43 left in row 4.
Well, turns out, not only cells can be pointers, units can be pointers too! Let's look at box 1, notice the empty cells in box 1 form a letter T. Now beam light from 32 to box 1, the three cells 11, 12, and 13 that form the upper part of the T are pointed out, leaving the two cells 15 and 18 that form lower part of the T. We don't know which one is 4 but we sure know that 4 in box 1 must be in column 2, so now box 1 can be used as a pointer, which can point out 42 in our target row 4, leaving 43 the only cell left. Click on the board, if you haven't yet, to see the animations.
Another example, box pointer pointing to column.
More examples, here is a box pointer pointing to box:
Of course columns and rows can be unit pointers too, here is an example of column-row pointing:s
Another example of column-row pointing:
A special case of column-row pointing, cross pointing:
An example with a box pointing, a column-row pointing and a cross pointing:
The beauty of unit pointers is, they relay:
That's it for unit pointing, now you can use it to solve Medium level Sudoku puzzles.
The puzzles in this post are from http://school.maths.uwa.edu.au/~gordon/sudokumin.php The work is licensed under a Creative Commons Attribution 2.5 License. Attribution goes to Gordon Royle and The University of Western Australia.


Compute asymptotically linear IPTW estimators with super learning for the propensity score
adaptive_iptw(W, A, Y, DeltaY = as.numeric(!is.na(Y)), DeltaA = as.numeric(!is.na(A)), stratify = FALSE, family = if (all(Y %in% c(0, 1))) { stats::binomial() } else { stats::gaussian() }, a_0 = unique(A[!is.na(A)]), SL_g = NULL, glm_g = NULL, SL_Qr = NULL, glm_Qr = NULL, returnModels = TRUE, verbose = FALSE, maxIter = 2, tolIC = 1/length(Y), tolg = 0.01, cvFolds = 1, parallel = FALSE, ...)
| W | A |
|---|---|
| A | A |
| Y | A |
| DeltaY | A |
| DeltaA | A |
| stratify | A |
| family | A |
| a_0 | A vector of |
| SL_g | A vector of characters describing the super learner library to be
used for each of the propensity score regressions ( |
| glm_g | A list of characters describing the formulas to be used
for each of the propensity score regressions ( |
| SL_Qr | A vector of characters or a list describing the Super Learner library to be used for the reduced-dimension outcome regression. |
| glm_Qr | A character describing a formula to be used in the call to
|
| returnModels | A boolean indicating whether to return model fits for the propensity score and reduced-dimension regressions. |
| verbose | A boolean indicating whether to print status updates. |
| maxIter | A numeric that sets the maximum number of iterations the TMLE can perform in its fluctuation step. |
| tolIC | A numeric that defines the stopping criteria based on the empirical mean of the influence function. |
| tolg | A numeric indicating the minimum value for estimates of the propensity score. |
| cvFolds | A numeric equal to the number of folds to be used in
cross-validated fitting of nuisance parameters. If |
| parallel | A boolean indicating whether to use parallelization based on
|
| ... | Other options (not currently used). |
An object of class "adaptive_iptw"
.
iptw_tmle
A list
of point estimates and
covariance matrix for the IPTW estimator based on a targeted
propensity score.
iptw_tmle_nuisance
A list
of the final TMLE estimates
of the propensity score ($gnStar
) and reduced-dimension
regression ($QrnStar
) evaluated at the observed data values.
iptw_os
A list
of point estimates and covariance matrix
for the one-step correct IPTW estimator.
iptw_os_nuisance
A list
of the initial estimates of the
propensity score and reduced-dimension regression evaluated at the
observed data values.
iptw
A list
of point estimates for the standard IPTW
estimator. No estimate of the covariance matrix is provided because
theory does not support asymptotic Normality of the IPTW estimator if
super learning is used to estimate the propensity score.
gnMod
The fitted object for the propensity score. Returns
NULL
if returnModels = FALSE
.
QrnMod
The fitted object for the reduced-dimension regression
that guards against misspecification of the outcome regression.
Returns NULL
if returnModels = FALSE
.
a_0
The treatment levels that were requested for computation of covariate-adjusted means.
call
The call to adaptive_iptw
.
# load super learner library(SuperLearner)#>#>#>#># simulate data set.seed(123456) n <- 100 W <- data.frame(W1 = runif(n), W2 = rnorm(n)) A <- rbinom(n,1,plogis(W$W1 - W$W2)) Y <- rbinom(n, 1, plogis(W$W1*W$W2*A)) # fit iptw with maxIter = 1 to run fast fit1 <- adaptive_iptw(W = W, A = A, Y = Y, a_0 = c(1,0), SL_g=c("SL.glm","SL.mean","SL.step"), SL_Qr="SL.npreg", maxIter = 1)#>


Aria (1987) 90m.
This collection of operatic arias as interpreted by nine different directors (ten if you count Bill Bryden's linking story) was producer Don Boyd's personal project. He was understandably anxious about its reception but should have realized that only the idea behind his film can be deemed a success or a failure - as a work itself, it is so diverse in nature that it can only be evaluated piecemeal: it becomes just as interesting an exercise in criticism as it is in film-making.
To summarize: Nicolas Roeg's segment replays an obscure moment in European history and comes of as nothing much more than a curiosity; Charles Sturridge's images of children trapped in an adult world complement the numinous aria accompanying them; Godard is just as irritating as ever, though he at least should be commended for proving that a professional piece of film can be created with a minimal production crew; Bruce Beresford's contribution, in which virtually nothing happens, is probably the most disposable entry; Julien Temple choreographs a bedroom farce to Verdi's 'Rigoletto'; Robert Altman, in a moment of pure perversity, shows us not the theatrical event but the audience watching that event (the joke wears thin pretty quickly); Franc Roddam expertly transplants the doomed lovers Tristan and Isolde into contemporary Las Vegas; Ken Russell takes us into a mystical mindscape; and Derek Jarman's clip is so generic that almost any piece of pop music could be dubbed onto it to much the same effect.
To view Boyd's project as a whole, we must really locate where its different directors agree about the essence of opera. In this instance, it's pretty straightforward - sex and death. It's also fun to see where they differ, in any number of binary choices: e.g., popular arias versus the esoteric; the adherence to or departure from the context of the original libretto; the refusal or indulgence of directorial trademarks (to this end, we can see evidence of Jarman's music videos and 8mm film paste-ups, Roeg's use of wife Theresa Russell, Godard's use of intertitles and soundtrack jumpcuts). Surprisingly, it is from the two least expected sources, Sturridge and Roddam, that the potential of Boyd's concept is best realized - their sequences are as evocative and emotive as we would hope for. But it is Ken Russell, who has always been adept at this sort of thing, where ARIA really coalesces in terms of concept, visuals, and music. To say more would spoil it for you. Film is unlikely to produce imitators, so it may well remain one of a kind. Sumptuous photography and superb music make it ideal theatrical fare.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


All Docs | Index
Boomerang Howto #6: Configuring boomerang
To use boomerang, you first include boomerang.js
in your html file and
then call the BOOMR.init()
method. This should be sufficient to measure
page performance, but may not be useful enough to you as a site owner. You still won't
get data back to your server, and probably won't be able to measure the user's bandwidth
either.
In this document we'll look at all the different parameters you can use to configure
boomerang and its built in plugins. If you have additional plugins, consult their
documentation for details on how to configure them.
Configuring boomerang
To configure boomerang and its plugins, you pass in a configuration object to the init()
method:
BOOMR.init({
key: value,
...
});
boomerang has the following configurable parameters:
- beacon_url
-
[highly recommended]
The URL to beacon results back to. All parameters will be added to this URL's
query string. This URL should not already have a query string component.
There is no default value for this parameter. If not set, no beacon will be sent.
- site_domain
-
[recommended]
The domain that all cookies should be set on. Boomerang will try to auto-detect this,
but unless your site is of the
foo.com
format, it will probably get it
wrong. It's a good idea to set this to whatever part of your domain you'd like to
share bandwidth and performance measurements across.
If you have multiple domains, then you're out of luck. You'll just have to get
separate measurements across them.
- user_ip
-
[recommended]
Despite its name, this is really a free-form string used to uniquely identify the user's
current internet connection. It's used primarily by the bandwidth test to determine
whether it should re-measure the user's bandwidth or just use the value stored in the
cookie. You may use IPv4, IPv6 or anything else that you think can be used to identify
the user's network connection.
- log
-
[optional]
By default, boomerang will attempt to use the logger component from YUI if it finds it
or firebug if it finds that instead. If it finds neither, it will default to not
logging anything. You can define your own logger by setting the
log
parameter to a function that logs messages.
The signature of this function is:
function log(oMessage, sLevel, sSource);
Where:
- oMessage
- is the object/message to be logged. It is up to you to decide how to log objects.
-
- sLevel
- is the log level, with values of "error", "warn", "info" and "debug"
- sSource
- is the source of the log message. This will typically be the string "boomerang" followed by the name of a plugin
Note that you can completely disable logging by setting log
to null
.
- autorun
-
[optional]
By default, boomerang runs automatically and attaches its
page_ready
handler to
the window.onload
event. If you set autorun
to false
,
this will not happen and you will need to call BOOMR.page_ready()
yourself.
- <plugin_name>
-
-
Each plugin is configured through a sub-object of the config object. The key is the name
of the plugin. In the following sections we'll see how to configure our built-in plugins.
BOOMR.init({
beacon_url: "http://beacons.yoursite.com/path/to/beacon.php",
site_domain: "yoursite.com",
user_ip: "<IP_ADDRESS>",
autorun: false
});
Roundtrip plugin
All roundtrip plugin configuration items are under the RT
namespace.
- cookie
-
[optional]
The name of the cookie in which to store the start time for measuring page load time. The default name is
RT
.
Set this to a falsy value like null
or the empty string to ignore cookies and depend completely on the
WebTiming API for the start time.
- cookie_exp
-
[optional]
The lifetime in seconds of the roundtrip cookie. This only needs to live for as long as it takes for a single page to load.
Something like 10 seconds or so should be good for most cases, but to be safe, and to cover people with really slow
connections, or users that are geographically far away from you, keep it to a few minutes. The default is set to 10 minutes.
- strict_referrer
-
[optional]
By default, boomerang will not measure a page's roundtrip time if the URL in the
RT
cookie doesn't match
the current page's document.referrer
. This is so because it generally means that the user visited a
third page while their RT
cookie was still valid, and this could render the page load time invalid.
There may be cases, though, when this is a valid flow — for example, you have an SSL page in between and the
referrer isn't passed through. In this case, you'll want to set strict_referrer
to false
BOOMR.init({
beacon_url: "http://beacons.yoursite.com/path/to/beacon.php",
site_domain: "yoursite.com",
user_ip: "<IP_ADDRESS>",
autorun: false,
RT: {
cookie: "MyRT",
cookie_exp: 120
}
});
Bandwidth plugin
All bandwidth plugin configurationitems are under the BW
namespace.
- base_url
-
[recommended]
By default, the bandwidth plugin looks for its bandwidth measurement images in the
images/
subdirectory
of the current directory. This may not be true for all pages on your site. You can set the base_url
parameter to the HTTP path of the directory that contains the bandwidth images. This can be an absolute or a relative
URL. If it's relative, remember that it's relative to the page that boomerang is included in and not to the javascript
file.
- cookie
-
[optional]
The name of the cookie in which to store the measured bandwidth and latency of the user's network connection.
The default name is
BA
. See Howto #3 for more details on the bandwidth cookie.
- cookie_exp
-
[optional]
The lifetime in seconds of the bandwidth cookie. The default is set to 7 days. This specifies how long it will be before
we run the bandwidth test again for a user, assuming their IP address doesn't change within this time. You probably do
not need to change this setting at all since the bandwidth of a given network connection typically does not change by an
order of magnitude on a regular basis.
Note that if you're doing some kind of real-time streaming, then chances are that this bandwidth test isn't right for you,
so setting this cookie to a shorter value isn't the right solution.
- timeout
-
[optional]
The timeout in seconds for the entire bandwidth test. The default is set to 15 seconds. The bandwidth test can run for
a long time, and sometimes, due to network errors, it might never complete. The timeout forces the test to complete at
that time. This is a hard limit. If the timeout fires, we stop further iterations of the test and attempt to calculate
bandwidth with the data that we've collected at that point. Increasing the timeout can get you more data and increase
the accuracy of the test, but at the same time increases the risk of the test not completing before the user leaves the
page.
- nruns
-
[optional]
The number of times the bandwidth test should run. The default is set to 5. The first test is always a pilot to figure
out the best way to proceed with the remaining tests. Increasing this number will increase the tests accuracy, but at
the same time increases the risk that the test will timeout. It should take about 2-4 seconds per run, so consider this
value along with the
timeout
value above.
All optional
All configuration parameters are optional, but not setting some of them can lead to unexpected or incomplete results,
so they should be set. It is, however, possible to get up and running by doing nothing more than putting your bandwidth
images in the right directory, including the code and calling init()
.
The latest code and docs is available on github.com/yahoo/boomerang


{{authorizationService.issuerUri}}
Note that this loaded metadata is a subset of the information understood by the OpenID Connect library in use.
{{ authorizationServiceConfiguration | json }}


These classes provide a minimal immutable representation of relevant objects from spModel, allowing us to take a small but complete (in terms of QPT) snapshot of a running database and then deal with it efficiently.
These classes are created in the ObsQueryFunctor and returned from the server; thus, they must be Serializable.


Q. Create a deployment running nginx version 1.12.2 that will run in 2 pods
Scale this to 4 pods.
Scale it back to 2 pods.
Upgrade nginx version to 1.13.8
Check the status of the upgrade
How do you do this in a way that you can see history of what happened?
Undo the upgrade


- In the Hadoop conf directory edit core-site.xml,
add the following:
<property>
<name>fs.qfs.impl</name>
<value>org.apache.hadoop.fs.qfs.QuantcastFileSystem</value>
<description>The FileSystem for qfs: uris.</description>
</property>
- In the Hadoop conf directory edit core-site.xml,
adding the following (with appropriate values for
<server> and <port>):
<property>
<name>fs.default.name</name>
<value>qfs://<server:port></value>
</property>
<property>
<name>fs.qfs.metaServerHost</name>
<value><server></value>
<description>The location of the QFS meta server.</description>
</property>
<property>
<name>fs.qfs.metaServerPort</name>
<value><port></value>
<description>The location of the meta server's port.</description>
</property>
- Copy QFS's qfs-<version>.jar to Hadoop's lib directory. This step
enables Hadoop's to load the QFS specific modules. Note
that, qfs-<version>.jar was built when you compiled QFS source
code. This jar file contains code that calls QFS's client
library code via JNI; the native code is in QFS's
libqfs_client.so library.
- When the Hadoop map/reduce trackers start up, those
processes (on local as well as remote nodes) will now need to load
QFS's libqfs_client.so library. To simplify this process, it is advisable to
store libqfs_client.so in an NFS accessible directory (similar to where
Hadoop binaries/scripts are stored); then, modify Hadoop's
conf/hadoop-env.sh adding the following line and providing suitable
value for <path>:
export LD_LIBRARY_PATH=<path>
- Start only the map/reduce trackers
example: execute Hadoop's bin/start-mapred.sh


LES MISERABLES (1998) (Columbia/Mandalay) Starring: Liam Neeson, Geoffrey Rush, Uma Thurman, Claire Danes, Hans Matheson. Screenplay: Rafael Yglesias, based on the novel by Victor Hugo. Producers: Sarah Radcliffe and James Gorman. Director: Bille August. MPAA Rating: PG-13 (adult themes, profanity, violence) Running Time: 131 minutes. Reviewed by Scott Renshaw.
I've been hearing people refer to the new film adaptation of LES MISERABLES as "Lay Miz," which goes to show what the common frame of reference is going to be. That abbreviated moniker comes, of course, from Alain Boublil and Claude-Michel Schonberg's immensely popular musical adaptation, which has been selling out theaters around the world for over a decade. Millions of people already know the story of a convict named Jean Valjean, whose twenty year struggle to build a new life after his release from prison is thwarted repeatedly by a monomaniacal police inspector named Javert. They already know of the romance between Valjean's adopted daughter Cosette and a rebel leader named Marius. They already know of a civil war in the Paris streets somewhere beyond the barricades. They know all this not so much because they are familiar with Victor Hugo's novel, but because of that musical with its signature waif-and-tricolor iconography.
Bille August's straightforward rendering of LES MISERABLES makes you realize exactly why the story works so well as grand opera. The screenplay by Rafael Yglesias (FEARLESS) efficiently streamlines the narrative, following Valjean (Liam Neeson) from his conversion at the hands of a kindly bishopto his life as a businessman and mayor to his decade hiding out in a Paris convent, all the while hounded by the relentless, unforgiving Javert (Geoffrey Rush). Along the way he cares for a destitute young woman named Fantine (Uma Thurman), and eventually becomes the guardian of Fantine's daughter Cosette (Claire Danes).
The film is certainly faithful to most basic events of the novel, though it cuts certain characters entirely and chops other encounters down to a bare minimum. It's not textual fidelity which is lacking in LES MISERABLES; it's emotional scope. Virtually every scene feels muted, the passions tamed to a state of dignified dissatisfaction. What LES MISERABLES really needed was for someone, anyone, to break into song. The stage production captured the sweeping melodrama of Hugo brilliantly -- the battles carried a tragic grandeur, the conflicts shook the foundations of society, and the deaths were moments to jerk tears from the driest eyes. There is no substitute for the kind of dramatic economy music or a well-constructed song can provide; three minutes of furtive conversation between Cosette and Marius (Hans Matheson) can't create nearly the convincing sense of love at first sight that three minutes of "In My Life" does. The film seems to have been crafted and edited strictly to make sure certain necessary plot details were included, with little interest in building momentum towards a cathartic release.
From a certain standpoint -- one with no musical preconceptions in the way -- LES MISERABLES is perfectly effective as period drama, and a fine introduction to the classic story. Technical credits are first rate, with costumes by the gifted Gabriella Pesucci (THE AGE OF INNOCENCE) and effective recreations of 19th century Paris. The exceptional cast does generally sharp work, particularly Rush in a more interesting and subtle performance than his Oscar-winning showcase of tics and flourishes in SHINE. Often, however, it feels as though August is keeping them all on a leash, eschewing musical theater in favor of "Masterpiece Theater." There's no real power to the film, nothing which suggest the popular response inspired by the musical. I suspect that the only viewers who will be genuinely satisfied with LES MISERABLES are those who don't come in with radically different expectations in mind...expectations most succinctly expressed by the two syllables "Lay Miz."
On the Renshaw scale of 0 to 10 less MISERABLES: 5.
Visit Scott Renshaw's MoviePage http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the MoviePage for details, or reply to this message with subject line "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| Package | Description |
|---|---|
| edu.cmu.sphinx.decoder |
Provides a set of high level classes that can
be used to configure and initiate the speech recognition decoding
process.
|
| edu.cmu.sphinx.decoder.scorer |
Provides an interface that represents entities that can be
scored, and an interface and several implementations of a scorer that
can score these entities.
|
| edu.cmu.sphinx.decoder.search |
Provides classes and interfaces that are used to manage the search
through the search graph.
|
| edu.cmu.sphinx.frontend.databranch |
This package contains some classes to create a subbranch of a FronEnd at an arbitrary position.
|
| edu.cmu.sphinx.frontend.feature |
Provides classes that processes features.
|
| edu.cmu.sphinx.frontend.filter |
Provides classes that implement frequency filters.
|
| edu.cmu.sphinx.frontend.transform |
Provides classes that transform data from one domain into another.
|
| edu.cmu.sphinx.frontend.util |
Provides classes that are generally useful to the various frontend
classes.
|
| edu.cmu.sphinx.instrumentation |
Provides a set of classes that monitor and track operational aspects of the Sphinx system.
|
| edu.cmu.sphinx.linguist.acoustic.tiedstate |
Provides classes that represent acoustic model in terms of a set of
tied states.
|
| edu.cmu.sphinx.linguist.acoustic.tiedstate.trainer |
Provides classes that represent a trainable acoustic model.
|
| edu.cmu.sphinx.linguist.aflat | |
| edu.cmu.sphinx.linguist.allphone | |
| edu.cmu.sphinx.linguist.dflat | |
| edu.cmu.sphinx.linguist.flat |
Provides an implementation of the
Linguist that
statically represents the search space as a flat graph, where each
word in the vocabulary has its own branch. |
| edu.cmu.sphinx.linguist.language.grammar |
Provides classes and interfaces that can be used to represent a graph of words and word transitions.
|
| edu.cmu.sphinx.linguist.language.ngram.large |
Provides an implementation of the LanguageModel interface.
|
| edu.cmu.sphinx.linguist.lextree |
Provides an implementation of the
Linguist that
represents the search space as a lex tree. |
| edu.cmu.sphinx.linguist.util |
Provides a set of classes that are useful by implementations of the
Linguist interface. |
| edu.cmu.sphinx.tools.batch |
Provides an tool that performs batch-mode speech recognition.
|
| edu.cmu.sphinx.tools.live |
Provides an tool that performs pseudo-live-mode speech recognition.
|
| edu.cmu.sphinx.trainer |
Provides a set of high level classes that can
be used to configure and initiate the speech recognition training
process.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
AbstractDecoder.AUTO_ALLOCATE
If set to true the used search-manager will be automatically allocated
in
newProperties() . |
static String |
AbstractDecoder.FIRE_NON_FINAL_RESULTS
If set to
false the used search-manager all registered
result listeners will be notified only for final results. |
| Modifier and Type | Field and Description |
|---|---|
static String |
ThreadedAcousticScorer.PROP_IS_CPU_RELATIVE
The property that controls whether the number of available CPUs on the system is used when determining
the number of threads to use for scoring.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
TokenSearchManager.PROP_BUILD_WORD_LATTICE
The property that specifies whether to build a word lattice.
|
static String |
SimpleActiveListManager.PROP_CHECK_PRIOR_LISTS_EMPTY
This property is used in the Iterator returned by the getNonEmittingListIterator() method.
|
static String |
WordPruningBreadthFirstSearchManager.PROP_CHECK_STATE_ORDER
The property for checking if the order of states is valid.
|
static String |
TokenSearchManager.PROP_KEEP_ALL_TOKENS
The property that controls whether or not we keep all tokens.
|
static String |
WordPruningBreadthFirstSearchManager.PROP_SHOW_TOKEN_COUNT
The property than, when set to
true will cause the
recognizer to count up all the tokens in the active list after every
frame. |
static String |
SimpleBreadthFirstSearchManager.PROP_SHOW_TOKEN_COUNT
The property that when set to
true will cause the recognizer to count up all the tokens in the
active list after every frame. |
static String |
ActiveListFactory.PROP_STRICT_PRUNING
Property that indicates whether or not the active list will implement 'strict pruning'.
|
static String |
ActiveList.PROP_STRICT_PRUNING
Property that indicates whether or not the active list will implement 'strict pruning'.
|
static String |
SimpleBreadthFirstSearchManager.PROP_WANT_ENTRY_PRUNING
The property that controls whether or not relative beam pruning will be performed on the entry into a
state.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
DataBufferProcessor.PROP_WAIT_IF_EMPTY
If this property is set
true the buffer will wait for new data until it returns from a
getData -call. |
| Modifier and Type | Field and Description |
|---|---|
static String |
FrameDropper.PROP_REPLACE_NTH_WITH_PREVIOUS
The property that specifies whether to replace the Nth frame with the previous frame.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
Dither.PROP_USE_RANDSEED
The property about using random seed or not
|
| Modifier and Type | Field and Description |
|---|---|
static String |
DiscreteFourierTransform.PROP_INVERT
The property for the invert transform.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
ConcatFileDataSource.PROP_ADD_RANDOM_SILENCE
The property that specifies whether to add random silence.
|
static String |
Microphone.PROP_BIG_ENDIAN
The property specify the endianness of the data.
|
static String |
StreamDataSource.PROP_BIG_ENDIAN_DATA
The property specifying whether the input data is big-endian.
|
static String |
StreamCepstrumSource.PROP_BIG_ENDIAN_DATA
The property specifying whether the input data is big-endian.
|
static String |
StreamHTKCepstrum.PROP_BIGENDIAN
The property specifying whether the input is big endian.
|
static String |
StreamHTKCepstrum.PROP_BINARY
The property specifying whether the input is in binary.
|
static String |
StreamCepstrumSource.PROP_BINARY
The property specifying whether the input is in binary.
|
static String |
WavWriter.PROP_CAPTURE_UTTERANCES
The property specifying whether the input data is signed.
|
static String |
Microphone.PROP_CLOSE_BETWEEN_UTTERANCES
The property that specifies whether or not the microphone will release the audio between utterances.
|
static String |
WavWriter.PROP_IS_COMPLETE_PATH |
static String |
Microphone.PROP_KEEP_LAST_AUDIO
The property that specifies whether to keep the audio data of an utterance around until the next utterance
is recorded.
|
static String |
DataDumper.PROP_OUTPUT_SIGNALS
The property that enables the output of signals.
|
static String |
Microphone.PROP_SIGNED
The property specify whether the data is signed.
|
static String |
WavWriter.PROP_SIGNED_DATA
The property specifying whether the input data is signed.
|
static String |
StreamDataSource.PROP_SIGNED_DATA
The property specifying whether the input data is signed.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
ConfigMonitor.PROP_SAVE_CONFIG_AS_XML
The property that is used to indicate whether or not this monitor should save the configuration in an XML
document
|
static String |
AccuracyTracker.PROP_SHOW_ALIGNED_RESULTS
The property that defines whether recognition results should be displayed.
|
static String |
ConfigMonitor.PROP_SHOW_CONFIG
The property that is used to indicate whether or not this monitor should show the current configuration.
|
static String |
ConfigMonitor.PROP_SHOW_CONFIG_AS_GDL
The property that is used to indicate whether or not this monitor should dump the configuration in an GDL
document
|
static String |
ConfigMonitor.PROP_SHOW_CONFIG_AS_HTML
The property that is used to indicate whether or not this monitor should dump the configuration in an HTML
document
|
static String |
SpeedTracker.PROP_SHOW_DETAILS
The property that defines whether detailed accuracy information is displayed
|
static String |
RejectionTracker.PROP_SHOW_DETAILS
The property that defines whether detailed accuracy information is displayed
|
static String |
MemoryTracker.PROP_SHOW_DETAILS
The property that defines whether detailed accuracy information is displayed
|
static String |
AccuracyTracker.PROP_SHOW_DETAILS
The property that defines whether detailed accuracy information is displayed
|
static String |
BestPathAccuracyTracker.PROP_SHOW_FULL_PATH
The property that define whether the full token path is displayed
|
static String |
AccuracyTracker.PROP_SHOW_RAW_RESULTS
The property that defines whether recognition results should be displayed.
|
static String |
SpeedTracker.PROP_SHOW_RESPONSE_TIME
The property that defines whether detailed response information is displayed
|
static String |
AccuracyTracker.PROP_SHOW_RESULTS
The property that defines whether recognition results should be displayed.
|
static String |
SpeedTracker.PROP_SHOW_SUMMARY
The property that defines whether summary accuracy information is displayed
|
static String |
RejectionTracker.PROP_SHOW_SUMMARY
The property that defines whether summary accuracy information is displayed
|
static String |
MemoryTracker.PROP_SHOW_SUMMARY
The property that defines whether summary accuracy information is displayed
|
static String |
AccuracyTracker.PROP_SHOW_SUMMARY
The property that defines whether summary accuracy information is displayed
|
static String |
SpeedTracker.PROP_SHOW_TIMERS
The property that defines whether detailed timer information is displayed
|
| Modifier and Type | Field and Description |
|---|---|
static String |
HTKLoader.PROP_IS_BINARY
Specifies whether the model to be loaded is in ASCII or binary format
|
static String |
Saver.PROP_SPARSE_FORM |
static String |
HTKLoader.PROP_TIE_1PH
Shall we use the real 1ph or tie them from the 3ph ?
|
static String |
Sphinx3Loader.PROP_USE_CD_UNITS
The property specifying whether context-dependent units should be used.
|
static String |
TiedStateAcousticModel.PROP_USE_COMPOSITES
Controls whether we generate composites or CI units when no context is given during a lookup.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
Sphinx3Saver.PROP_SPARSE_FORM
The property specifying whether the transition matrices of the acoustic model is in sparse form, i.e.,
omitting the zeros of the non-transitioning states.
|
static String |
Sphinx3Saver.PROP_USE_CD_UNITS |
static String |
ModelInitializerLoader.PROP_USE_CD_UNITS |
| Modifier and Type | Field and Description |
|---|---|
static String |
AFlatLinguist.ADD_OUT_OF_GRAMMAR_BRANCH
The property that specifies whether to add a branch for detecting
out-of-grammar utterances.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
AllphoneLinguist.PROP_CD
The property that controls whether to use context dependent phones.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
DynamicFlatLinguist.ADD_OUT_OF_GRAMMAR_BRANCH
The property that specifies whether to add a branch for detecting out-of-grammar utterances.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
FlatLinguist.PROP_ADD_OUT_OF_GRAMMAR_BRANCH
The property that specifies whether to add a branch for detecting out-of-grammar utterances.
|
static String |
FlatLinguist.PROP_DUMP_GSTATES
The property used to determine whether or not the gstates are dumped.
|
static String |
FlatLinguist.PROP_SHOW_COMPILATION_PROGRESS
Property to control whether compilation progress is displayed on standard output.
|
static String |
FlatLinguist.PROP_SPREAD_WORD_PROBABILITIES_ACROSS_PRONUNCIATIONS
Property that controls whether word probabilities are spread across all pronunciations.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
Grammar.PROP_ADD_FILLER_WORDS
Property to control whether filler words are inserted into the graph
|
static String |
Grammar.PROP_ADD_SIL_WORDS
Property to control whether silence words are inserted into the graph
|
static String |
SimpleWordListGrammar.PROP_LOOP
The property that if true, indicates that this is a looping grammar
|
static String |
Grammar.PROP_OPTIMIZE_GRAMMAR
The default value for PROP_SHOW_GRAMMAR.
|
static String |
Grammar.PROP_SHOW_GRAMMAR
Property to control the the dumping of the grammar
|
| Modifier and Type | Field and Description |
|---|---|
static String |
LargeNGramModel.PROP_APPLY_LANGUAGE_WEIGHT_AND_WIP
The property that controls whether or not the language model will apply
the language weight and word insertion probability
|
static String |
LargeNGramModel.PROP_CLEAR_CACHES_AFTER_UTTERANCE
The property that controls whether the ngram caches are cleared after
every utterance
|
static String |
LargeNGramModel.PROP_FULL_SMEAR
If true, use full bigram information to determine smear
|
| Modifier and Type | Field and Description |
|---|---|
static String |
LexTreeLinguist.PROP_ADD_FILLER_WORDS
The property that controls whether filler words are automatically added to the vocabulary
|
static String |
LexTreeLinguist.PROP_FULL_WORD_HISTORIES
The property that determines whether or not full word histories are used to
determine when two states are equal.
|
static String |
LexTreeLinguist.PROP_GENERATE_UNIT_STATES
The property to control whether or not the linguist will generate unit states.
|
static String |
LexTreeLinguist.PROP_WANT_UNIGRAM_SMEAR
The property that determines whether or not unigram probabilities are
smeared through the lextree.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
GDLDumper.PROP_DUMP_ARC_LABELS
The property to specify whether to dump arc labels.
|
static String |
GDLDumper.PROP_SKIP_HMMS
The property specifying whether to skip HMMs during dumping.
|
static String |
GDLDumper.PROP_VERTICAL_LAYOUT
The property to specify whether to use vertical graph layout.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
BatchModeRecognizer.PROP_USE_POOLED_BATCH_MANAGER
The property that defines whether or not the decoder should use the pooled batch manager
|
| Modifier and Type | Field and Description |
|---|---|
static String |
LiveModeRecognizer.PROP_SHOW_GAP_INSERTIONS
The property specifying whether to print out the gap insertion errors.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
SimpleTrainManager.DUMP_MEMORY_INFO
The property for the boolean property that controls whether or not the recognizer will display detailed
memory information while it is running.
|
Copyright © 2017. All rights reserved.


Adrienne Louise Graham
Unafffiliated
I currently own a small business with my husband. Our business provides mechanical insulation for industrial-sized projects, including power plants. My job duties include scheduling job walk-throughs, all aspects of bookkeeping and payroll, and other miscellaneous office tasks. Prior to becoming involved with the family business, I was employed as a paralegal with a small law firm in Pueblo, Colorado.
In May of 2020, I graduated from Colorado State University-Pueblo with a Bachelor of Science degree in Sociology. I graduated Summa Cum Laude, having a GPA of 3.97. In 2003, I graduated from Pikes Peak Community College with an Associate of Applied Science degree in Legal Studies. In addition to my two college degrees, I have attained certifications as a Certified Nursing Assistant, principles of accounting, and I am a Notary Public for the State of Colorado. Please see my resume for more information.
81007
My role as a member of the Swallows Charter Academy Board of Directors included representing all of the school stakeholders during decision making. It was important to seek out public opinion of students, parents, staff, and community members. An example of a controversial decision involved deciding whether or not to change to a four-day school week. It was my duty to consider how this decision would positively and adversely affect our stakeholders. When we are representing a community, it is important that we not allow our personal opinions to influence our decision-making. We must gather facts, data, and stakeholder opinions.
In 2016, I assisted the "3 for $3 campaign" in Pueblo West. This was a grassroots campaign that was attempting to get a ballot initiative passed under the Pueblo West Metropolitan District to raise property taxes by no more than $3 per month to fund three new parks in Pueblo West for our area youth.
2016-2020: Swallows Charter Academy Board of Directors 2016: Volunteer for the 3 for $3 campaign in Pueblo West 2018: Volunteer as an outreach coordinator for JDRF for families of kids diagnosed with Type 1 Diabetes. I have also volunteered as a youth coach for soccer and baseball.
This commission is a bipartisan group of citizens who are tasked with working together to ensure district lines are redrawn in a fair and equitable manner. Appointees must adhere to federal and state laws as well as court decisions that address racial and ethnic fairness. This commission is an imperative part of our electorate process. It seeks to prevent gerrymandering and illegal voter suppression. As a proud citizen of the United States and resident of Colorado, it would be an honor to serve on this commission.
My previous work and volunteer experience has prepared me for a position such as this. All political matters involve a great deal of controversy. If I am appointed to this commission, I will not lead with emotion. I will not take opinions personally. Emotional control is of utmost importance when faced with conflict or disagreement. I will validate the concerns of all commissioners and work together to promote unity and fairness with each and every decision we make.
Research and analysis are my two greatest professional strengths. As a paralegal, I had to gather all facts regarding a case. I had to research statutes and case law to determine whether or not our client could succeed in court. Attention to detail was crucial. Laws and procedures change constantly, so I could never assume I knew the answer already. There was little room for error. Likewise, my role as President of the SCA Board of Directors required me to research the Colorado Charter Schools Act, CDE guidelines and mandates, adhere to the Colorado Open Records Act while maintaining confidentiality when necessary, and offer tact and diplomacy when tackling difficult issues. I am more than prepared to take on this role as a commissioner.
Female


But you don't know Karen by night."
Alice is a librarian.
Get Alice home to her significant other, however, and well — the blouse is going to be on the floor, the skirt in the hall, her hair all over the place... and the rest is too NSFW even to describe. As strait-laced as Alice may be in public, none of that carries over into her private life — and vice versa.
A Sub-Trope of Living a Double Life.
Compare Seemingly-Wholesome '50s Girl and Covert Pervert. Contrast Aggressive Submissive.
Examples:
- A Hentai Manga take on this: WereSlut (unfortunate name created from whole cloth by Eros Comix, the US distributor) is about a shy college student named Kimiko who takes a magic beauty pill to make her attractive enough to win her childhood friend (read: she takes off her glasses). It works, but, due to the magic pill being past its expiration date, it keeps kicking in whenever she gets aroused. After the first time, though, it also kills all her inhibitions.
- Ditto for the manga/anime Sprite: Between Two Worlds, wherein Manami, a severely repressed and meek college student turns into Nami, an outrageously uninhibited flirt whenever she's put into any situation that is too much for her to handle. The catalyst is her cousin Toru, who convinced Manami to be more confident around him when they were young by convincing her she was really Nami.
- In the ecchi manga My Balls, the main character's primary love interest Minayo is a sweet, kindly young woman who works at a daycare center. When she gets drunk, however, she goes into what the protagonist describes as "full-blown nympho mode". Unfortunately, said protagonist can't have sex for a month or the demon sealed inside his balls (hence the name of the manga) will be released and cause The End of the World as We Know It. Minayo happens to be an alcoholic, and Hilarity Ensues.
- Paranoia Agent has an episode that plays with this.  When Harumi gets engaged, she starts trying to desperately get rid of Maria before her wedding day, which causes Maria to fight back.
- Code Geass's Nina Einstein and the infamous table scene. Nunnally actually wheeled in on this, but fortunately she was blind already and (hopefully) too young to properly...interpret any sounds she might have heard.
- Paprika: Straight-laced Chiba becomes a lot more flirty and extroverted when she turns into Paprika.
- In a way Nyamo-sensei of Azumanga Daioh. While she's generally straight-laced and down-to-earth in contrast to Yukari, the one who you'd expect to have a wild social life, Yukari makes a comment about her Nyamo "not being alone" in a previous summer, and Relaxo Vision or not, the hilarious incident where she gets drunk and gives The Talk implies she's fairly experienced.
- In the manga Crimson Spell the protagonist Valdrigr is under a curse that causes him to turn into a rampaging demon. The trope kicks in when the Halvir, wizard Vald has recruited to help break the curse, decides that the best method of quelling the demon's rampages is to have sex with him - after the first few instances, it becomes clear that demon-Vald is increasingly less interested in violence and more interested in getting it on with Havi.
- While it never came up in the comics, writer Mark Waid's character notes for the Fantastic Four speculate Susan Storm was like this as a young woman to cope with the stress of having to raise her little brother.
- Aurora was like this in Alpha Flight's early years, exaggerated by her Split Personality. One persona was Jeannie-Marie: strict, stuffy schoolmarm teaching at the same girls' school she was raised in. And then there was Aurora: sultry, adventure-loving, free-spirited partier.
- In Quantum and Woody, Amy Fishbein appears to be a prim and proper white-collar professional, but she starts dropping Anvilicious innuendos and undressing herself as soon as she's alone with Woody.
"God, Woody, you didn't tell him about 'Cats', did you? It's not every girl who loses her virginity in a Broadway show... I'll bet I can get us some tickets. Meeoww."
- In A Pikachu in Love, Pikachu is worried that this is what Ash and Co. will think if they catch him sneaking off at night to meet Pichi, and doesn't want them drilling him for questions on the matter. That still doesn't stop Misty from finding out, though she doesn't press the matter and keeps it a secret from the others even after the ending.
- More than one My Little Pony: Friendship Is Magic fanfic has portrayed Fluttershy like this.
- A Pleasant Surprise paints her as being quite assertive and forthcoming with her sexuality to the point of outright seducing the protagonist.
- Blissful Dream is another such story. Here, Fluttershy is shown as being sexually dominant over her lover.
- Advice from Pinkie Pie puts Fluttershy in a BDSM relationship — as the dominant one — with Rainbow Dash ("Now, my little pony you're going to love me."), while in My Little Slave, she initiates a rape-dungeon roleplay that lasts for 29 chapters before the reader finds out the truth.
- Morning Glory downplays it, as she's embarrassed afterward even in private, but she didn't need the Apples' "honeymoon cider" after all to go wild with Big Mac — she left it for Applejack and Rainbow Dash's unwitting use.
- Always the Quiet Ones: The Rainbooms come to a horrifying conclusion that Fluttershy might be a Serial Killer. Turns out in private, she is in a bondage relationship with Rainbow Dash.
- Celestia, Luna, and Cadance all show this to varying degrees in Diaries of a Madman.
- Rapunzel in The Secret Life of Punzie started committing minor acts of rebellion in-secret due to being sick of being the A+ good girl, starting with getting a tattoo. Eventually it culminated in Rapunzel becoming the star dancer in a lesbian strip-club.
- The movie Belle de Jour is about a seemingly average housewife who's a prostitute in secret. But here this trope is inverted: as she is a housewife, she can actually do this job only by day instead of by night. (This is where the name of the film comes from.)
- The red-headed librarian from Tomcats looks like a plain, uptight young lady. She (and her grandma!) are also into S&M.
- This is a source of some confusion in the film Desperately Seeking Susan.
- Somewhat subverted in the film Blind Date where Walter's sister-in-law tells him not to let the date get drunk as she goes wild. This information is relayed to him via his brother who adds lots of leering to the information. Cue the man getting his date, Nadia, drunk, to find that she goes wild in a drunk-driving, crash-the-car, ruin-the-evening way.
- Looking For Mr Goodbar is a very dark example. Diane Keaton plays a teacher of deaf children from a conservative Irish-Catholic upbringing who starts out having an affair with a married college professor, then starts cruising seedy bars for one-night stands that grow progressively more degrading and dangerous, culminating in her getting raped, beaten, and stabbed to death by a troubled Vietnam vet.
- The title character of the 1984 Sexploitation film Angel and its sequels. The tagline for the original movie was "High School Honor Student By Day. Hollywood Hooker By Night".
- In Guilty of Romance, Mitsuko is a professor at a university during the day and a prostitute by night.
- The essence of The Strange Case of Dr. Jekyll and Mr. Hyde. Jekyll is an upstanding citizen by day, but he becomes Mister Hyde by night in order to live out his immoral, sadistic fantasies without being recognized.
- The Torchwood novel SkyPoint takes this to extremes; a very prim and proper little old lady, who is actually an S&M prostitute.
- Almost every Cairheinan noblewoman in The Wheel of Time is heavily implied to fit this trope. Though during some festivals they will run around almost nude on the streets, especially during the Feast of Light (during which normal prohibitions against inter-class kissing (and other things) are lifted), leading to a large number of commoners having bragging contests about who made out with the most important noblewoman.
- ONLY during the Feast of Lights, after which any such incident is ignored by all parties. With Cairhien being partially based on Versailles France, this roughly corresponds to Mardi Gras.
- A relatively tame version occurs in Good Omens. Sweet little old lady and part-time medium Madame Tracy also offers appointments for "strict discipline and intimate massage every evening except Thursdays", and there are hints that she goes a little further than that on Thursdays.
- In Saving Zoë, Teresa is a pretty preppy girl who acts and sings. By night, she hangs out with drug dealers and porno producers. The same could be said about Zoe, who seems like a perfect bubbly girl but smokes drugs and has sex when her parents don't know. This tendency leads to Zoe's death.
- On the Buses long-suffering Olive would love to be Naughty By Night, but her miserable husband Arthur would rather sleep. Actually, he'd probably rather do his taxes...
- Effy from Skins: innocent schoolgirl by day, Fille Fatale by night.
- Sheila from Shameless (US). By day she's a sweet agoraphobic and germaphobic housewife. But at night she is very very into pegging filthy alcoholic Frank.
- Angel (or rather, his evil side Angelus) hints that cute geek girl Fred is like this.
"Ah, Fred. You look all fresh and sweet, but I hear you at night in your room with Gunn. The things you say. I'm lying there, listening, hands under the covers... I can't help myself. It's so... gripping.
- Twin Peaks — Laura Palmer is a normal high school girl by day, but a prostitute at night, among other things. Or, as she says in The Movie, "Night time is my time."
- Reno 911!. Deputy Weigel and her boyfriend Craig both appear to be socially-awkward nerds, but what we see of their sex life is quite... adventurous. Subverted in that Craig turns out to be a serial killer.
- Subverted on Person of Interest where a PoI is a dedicated workaholic doctor but seems to spend her nights going to night clubs and picking up men.  The doctor is simply building up her resolve to murder the man.
 - The Good Charlotte song Like it's her Birthday has this as the main theme — the Protagonist thinks his Girlfriend's cheating on him when she lies about where she's going, so he follows her and...
"Tonight I kinda get the feeling my girl is up to something
Something that is no good
She said she only had a meeting but she is dressed for something
Something that is no good
Now I'm not saying that she's cheating, but seeing is believing.
Can't believe it, what I'm seeing when I stepped inside." - "Gangnam Style" by PSY describes this as the singer's ideal girl. The translated lyrics:
A girl who is warm and humanly by day
A classy girl who knows how to enjoy the freedom of a cup of coffee
A girl whose heart gets hotter when night comes
A girl with that kind of twist - Usher's song "Yeah!" includes the assertion "We want a lady in the street, but a freak in the bed".
- Variation: after a discussion about horses with traffic reporter Bobbie Prior, BBC Radio 2 DJ Sara Cox (then 45) said "Responsible adult women by day, squealing pony girls by night."
- The play Miss Julie fits this with regard to personality, but replace "librarian" with "aristocrat".
- Fantine in Les Misérables is fired from her factory job when she is discovered to have a child, and her fellow workers claim that she is a prostitute. However, she had only ever had one lover, who had abandoned her, and it is only after she is fired that she has to become a prostitute.
- The song "Miss Byrd" from Closer Than Ever is about a secretary exulting in how no one who sees her would think that she's anything but "that dull Miss Byrd," yet she has secret trysts with her superintendent.
- Parodied in The Music Man: The town gossips manage to convince the Professor that Marian the Librarian is Naughty by Night primarily because she reads "racy" books by "Chaucer...Rabelais...Balzac" and was kind enough to befriend the town outcast. She's not, but he falls in love with her anyway.
- Leisure Suit Larry 7: Love for Sail! got this one, cranked up to 20, with Hot Librarian Victorian Principles.
- Nekoko from Yume Miru Kusuri though this is more of drug effect.
- You Don't Know Jack Movies parodied this one for one of the Question 18 segues:
Question 18: Honor student by day... stripper by night!
- Possibly Litchi from BlazBlue. Despite her incredibly skimpy battle clothes, her personality is fairly conservative. However, supplement materials and a couple of gag endings say that when she gets drunk she gets rather...insistent.
- CollegeHumor: In "The Six Girls You'll Date in College", there's 'The One Who Goes to Church', who's easily impressed by the Nice Guy Audience Surrogate, but in the bedroom is apparently heavily into bondage.
- In Futurama, a prim bureaucrat is utterly turned on after hours by Fry's horrifyingly slobby lifestyle.


Author: Pete Muir
Level: Intermediate
Technologies: CDI, JSF, JPA, EJB, JAX-RS, BV, EAR
Summary: The kitchensink-ear
quickstart demonstrates web-enabled database application, using JSF, CDI, EJB, JPA, and Bean Validation, packaged as an EAR.
Target Product: JBoss EAP
Source: https://github.com/jboss-developer/jboss-eap-quickstarts/
The kitchensink-ear
quickstart is a deployable Maven 3 project to help you get your foot in the door developing with Java EE 7 on Red Hat JBoss Enterprise Application Platform.
It demonstrates how to create a compliant Java EE 7 application using JSF, CDI, JAX-RS, EJB, JPA, and Bean Validation. It includes a persistence unit and some sample persistence and transaction code to introduce you to database access in enterprise Java. It is based on the kitchensink quickstart but is packaged as an EAR archive.
Note: This quickstart uses the H2 database included with Red Hat JBoss Enterprise Application Platform 7.1. It is a lightweight, relational example datasource that is used for examples only. It is not robust or scalable, is not supported, and should NOT be used in a production environment!
Note: This quickstart uses a *-ds.xml
datasource configuration file for convenience and ease of database configuration. These files are deprecated in JBoss EAP and should not be used in a production environment. Instead, you should configure the datasource using the Management CLI or Management Console. Datasource configuration is documented in the Configuration Guide for Red Hat JBoss Enterprise Application Platform.
The application this project produces is designed to be run on Red Hat JBoss Enterprise Application Platform 7.1 or later.
All you need to build this project is Java 8.0 (Java SDK 1.8) or later and Maven 3.3.1 or later. See Configure Maven for JBoss EAP 7.1 to make sure you are configured correctly for testing the quickstarts.
In the following instructions, replace EAP7_HOME
with the actual path to your JBoss EAP installation. The installation path is described in detail here: Use of EAP7_HOME and JBOSS_HOME Variables.
For Linux: EAP7_HOME/bin/standalone.sh
For Windows: EAP7_HOME\bin\standalone.bat
mvn clean install wildfly:deploy
This will deploy ear/target/kitchensink-ear.ear
to the running instance of the server.
The application will be running at the following URL: http://localhost:8080/kitchensink-ear/.
Registering _the_name_you_entered_
mvn wildfly:undeploy
This quickstart provides Arquillian tests. By default, these tests are configured to be skipped as Arquillian tests require the use of a container.
mvn clean verify -Parq-remote
You can also let Arquillian manage the JBoss EAP server by using the arq-managed
profile. For more information about how to run the Arquillian tests, see Run the Arquillian Tests.
You should see the following console output when you run the tests:
Results :
Tests run: 1, Failures: 0, Errors: 0, Skipped: 0
You should see messages similar to the following:
INFO [org.jboss.as.server.deployment] (MSC service thread 1-3) WFLYSRV0027: Starting deployment of "test.war" (runtime-name: "test.war")
...
INFO [org.jboss.as.quickstarts.kitchensink_ear.service.MemberRegistration] (default task-102) Registering Jane Doe
INFO [org.jboss.as.quickstarts.kitchensink_ear.test.MemberRegistrationTest] (default task-102) Jane Doe was persisted with id 1
...
INFO [org.jboss.as.server.deployment] (MSC service thread 1-2) WFLYSRV0028: Stopped deployment test.war (runtime-name: test.war) in 38ms
....
INFO [org.jboss.as.server] (management-handler-thread - 22) WFLYSRV0009: Undeployed "test.war" (runtime-name: "test.war")
Note: You will see the following warnings in the server log. You can ignore these warnings.
WFLYJCA0091: -ds.xml file deployments are deprecated. Support may be removed in a future version.
HHH000431: Unable to determine H2 database version, certain features may not work
You can also start the server and deploy the quickstarts or run the Arquillian tests from Eclipse using JBoss tools. For general information about how to import a quickstart, add a JBoss EAP server, and build and deploy a quickstart, see Use JBoss Developer Studio or Eclipse to Run the Quickstarts.
For this quickstart, follow the special instructions to build Quickstarts Containing an EAR
kitchensink-ear-ear
subproject, and choose Run As
--> Run on Server
.Finish
.kitchensink-ear-ear
project and choose Run As
--> Maven build
. Enter wildfly:undeploy
for the Goals
and click Run
.If you want to debug the source code of any library in the project, run the following command to pull the source into your local repository. The IDE should then detect it.
mvn dependency:sources


Setting Local and Online Lookup Modes
An application can perform local or online lookups as shown in the following diagram.
Lookup Providers
A lookup provider is a module that implements the ability to query data for matches. GNSDK allows both local and online lookup providers to be enabled at run-time, and you can use lookup modes to configure how they will be used.
If the application supports an online connection, by default, GNSDK enables an online lookup provider that connects to the Gracenote Service. To enable other lookup providers, you can initialize a gnsdk_lookup module. For example, to enable the local lookup provider, call the gnsdk_lookup_local_initialize() function.
Storage Providers
A storage provider is a module that implements storage for the entire SDK. GNSDK allows various storage providers to be enabled at run-time.
By default, no storage provider is enabled. To enable a storage provider, you can initialize a gnsdk_storage module. For example, to enable the SQLite storage provider, call the gnsdk_storage_sqlite_initialize()
function.
Note: The only supported storage provider included with GNSDK for Auto is SQLite.
Lookup Modes
GNSDK allows you to determine whether lookups will be done locally or online, by setting lookup modes. The lookup mode options allow an application to switch between the two main lookup providers (local and online). GNSDK is designed to operate exactly the same way in either mode, providing identical behavior whether operating locally or online.
GNSDK supports the following lookup mode options:
GNSDK_LOOKUP_MODE_ONLINE
: This is the default lookup mode except as noted below. Queries are performed against Gracenote Service online. If the application has calledgnsdk_storage_sqlite_initialize()
, the local cache is checked first. If the result is not found in the cache, the query goes online and writes the result to the local cache.GNSDK_LOOKUP_MODE_ONLINE_NOCACHEREAD
: Queries are performed against Gracenote Service online. If the application has calledgnsdk_storage_sqlite_initialize()
, online query results are written to the local cache.GNSDK_LOOKUP_MODE_ONLINE_CACHEONLY
: Queries are performed against the local cache. This mode requires that the application first callsgnsdk_storage_sqlite_initialize()
.GNSDK_LOOKUP_MODE_ONLINE_NOCACHE
: Queries are performed against Gracenote Service online.GNSDK_LOOKUP_MODE_LOCAL
: This is the default lookup mode if your Gracenote license file supports local queries only. Queries are performed against enabled local databases. This requiresgnsdk_lookup_local_initialize()
andgnsdk_storage_sqlite_initialize()
to have been called.
Note: While supported, using a cache is not recommended and is not best practice. For online lookups, use GNSDK_LOOKUP_MODE_ONLINE_NOCACHE
. This is the standard online lookup mode. While GNSDK_LOOKUP_MODE_ONLINE_CACHEONLY
and GNSDK_LOOKUP_MODE_ONLINE_NOCACHEREAD
are available, using them can damage performance.
For example, the following call sets the user lookup option so that lookups are performed locally:
gnsdk_manager_user_option_set( user_handle, GNSDK_USER_OPTION_LOOKUP_MODE, GNSDK_LOOKUP_MODE_LOCAL );
Your application can use GNSDK_USER_OPTION_CACHE_EXPIRATION
option to set the length of time before a cache lookup times out.


This topic provides troubleshooting tips to try if you encounter any problems deploying your Java or JavaFX applications.
This topic contains the following sections:
Use the following checklist if you have trouble running applications after they are packaged:
Verify that you have a supported environment.
Check the release notes for known issues.
If the tips in the following sections do not help to resolve the issue, then the following actions are suggested:
Ask experts in the Java and JavaFX Forums.
File a bug to JIRA.
Describe in detail what you are trying to do, and what exactly does not work as expected. If possible, share a test case to reproduce the problem. Be sure to include information about your environment and your Java and JavaFX versions.
Verify that you are using the latest version of the packaging tools.
javapackager
command fails:
Ensure that the JDK bin folder, where the javapackager
tool is located, is on the PATH
.
Ensure that JAVA_HOME is set.
On OS X, the problem could be due to simultaneous use of Apple's JDK 6 and Oracle's JDK 7 or JDK 8. To work around this issue, set JAVA_HOME and add it to the path:
export JAVA_HOME=/Library/Java/JavaVirtualMachines/jdk1.7.0_06.jdk/Contents/Home
export PATH=$JAVA_HOME/bin:$PATH
Packaging self-contained applications:
If the package format you are trying to build depends on third-party tools, then make sure they are available on the PATH
.
Set verbose="true"
in the <fx:deploy>
task or pass "-v"
to javapackager
to get verbose build output.
Set the environment variable JAVAFX_ANT_DEBUG
to true
to get additional details and keep intermediate build artifacts.
If drop-in custom resources are not used, then verify that the JavaFX Ant task definitions are loaded with the correct classpath, typically with "." at the beginning. See Section 10.3, "Using JavaFX Ant Tasks."
Packaging self-contained applications on remote systems:
If packaging tools are executed on a remote system (for example, Jenkins, Hudson, and other build systems) to produce the artifact, then it is important to have same user logged on a desktop system. If using the same user login is not possible, you can create a custom .dmg bundle using the following steps:
Create a .dmg image from manual build
Convert the .dmg file to a read-write form
Remove the content of you application folder, but keep the top level app directory
Add the dmg to the build
At the build time, mount it, copy .app contents to the image, then convert .dmg to a compressed read only form
NetBeans issues:
Ensure you are using NetBeans 7.2 or later. To use JavaFX features, you need NetBeans 8.0 or later.
If a Clean and Build fails to build the sample application or double-clicking some or all of the files results in an error, check that the JavaFX platform is enabled properly in NetBeans.
To get more insight into the build process, enable verbose output by clicking the Tools icon in the build output window.
To build self-contained applications, ensure that the required third-party tools are added to the PATH
before you start NetBeans. See Section 7.4, "Installable Packages."
Basic checklist:
Verify that you have the latest version of Java installed (Java 8 or later).
For JavaFX applictions, before trying to troubleshoot your application, ensure the JavaFX samples run properly.
Double-click the JAR file, the JNLP file, and the HTML file for at least one sample to ensure it runs correctly.
Validate that the java
process is using your JRE installed location.
If you have a 64-bit system, you might be using either a 32 -or 64-bit version of Java. The best way to avoid problems caused by unexpected use of an older version of the JRE is to keep both 32- and 64-bit versions of Java up to date.
Run the same application from the command line as
java -jar MyApp.jar
This way you can see actual exceptions and trace messages, if any.
Pass -Djavafx.verbose=true
to enable verbose output from the embedded launcher.
If your application starts slowly, then it could be due to network configuration. Try disabling the autoproxy configuration by passing -Djavafx.autoproxy.disable=true
to see if it helps.
Run the native launcher from the console window to see trace messages and so on.
On OS X, the launcher is MyApp.app/Contents/MacOS/JavaAppLauncher
On Windows, you must pass the /Debug
option to the launcher to open a window to see the trace messages.
You can pass debug options to your application with <fx:jvmarg>
or <fx:property> at package time. Examples:
To list all classes loaded, add the following to your <fx:deploy>
task:
<fx:jvmarg value="-verbose:class"/>
To debug:
<fx:jvmarg value="-agentlib:jdwp=transport= dt_socket,address=4000,server=y,suspend=y"/>
This instructs the agent to suspend after the JVM is initialized and wait for a debugger to connect on port 4000.
To profile in Netbeans 7.2 on Mac OS X:
<fx:jvmarg value="-agentpath:/Applications/NetBeans/NetBeans 7.2.app/Contents/Resources/NetBeans/profiler/lib/deployed/jdk16/ mac/libprofilerinterface.jnilib=/Applications/NetBeans/NetBeans 7.2.app/Contents/Resources/NetBeans/profiler/lib,5140"/>
This will stop the application after it is loaded until the profiler is attached. Consult the documentation on your profiler for exact values to pass.
Review the tips for troubleshooting standalone applications.
OS X: if other users cannot run your application, then ensure it is signed. See Section <IP_ADDRESS>, "OS X.")
To validate signing, use
codesign -v -d --verbose=4 MyApp.app
If you rebuilt the application but do not see changes in the runtime, exit the application and use the following steps to clear the Java cache:
Run javaws -viewer
from the command line, or open Java Control Panel manually (for example, by choosing Java in Windows Control Panel).
In the Java Control Panel, in the Temporary Internet Files section, click Settings, then click Delete Files.
Select Cached Applications and Applets and click OK.
If the application fails with an error, then check the process list to see what java
process is actually used to run it. Ensure it comes from the correct location.
Consult the Java SE Troubleshooting Guide for tips on how to troubleshoot generic Java Web Start problems.
Validate your version of Java at http://java.com
.
Check the JavaScript error console for errors.
Try a different browser. See if the problem is common to the system or is browser-specific.
Remember that not all browsers are supported. For example, Chrome on OS X is not supported.
Find out the architecture of the browser you are using. Most of the browsers are 32-bit even if you are using a 64-bit platform.
Install/upgrade 32-bit Java and JavaFX runtimes to resolve the problem.
Review the browser's list of installed plugins.
There should be only one Java Plugin in the list. For JavaFX 2.2 and Java 7 update 6 the correct plugin is version 10.6.*.
On Windows, there should be only one Deployment Toolkit plugin, and it should be the same or a higher version than that of the Java Plugin.
Safari 6 on OS X if the file://
protocol is used:
According to default Safari 6 policy, "no file://
is allowed to open any local resources that might run code". This means that Java and JavaFX applications will not load and appear to get stuck on the spinning wheel.
Run a local web server or disable local file restrictions. To do this, enable the Develop menu, then check the Disable Local File Restrictions menu item.
See the Java SE Troubleshooting Guide for tips on how to troubleshoot generic Java plug-in problems.
By default, JavaFX application proxy settings are taken from the current browser if the application is embedded into a web page, or system proxy settings are used. Sometimes SOCKS proxy settings, specified in the System.setProxy
are ignored.
If you need to disable the automatic proxy configuration in the application, specify a JavaFX-Feature-Proxy
manifest entry in the fx:jar
with the None
as a value as in the following example.
<manifest> <attribute name="JavaFX-Feature-Proxy" value="None"/> </manifest>
After you enter the JavaFX-Feature-Proxy
manifest, the network stack will not be initialized prior to application code gets executed and you can set socks properties in the code.


RT @tapbot_paul: Fast, Good or Cheap. Pick any two.
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The Tragedy of Julius Caesar
by William Shakespeare
Act 1, Scene 2
Additional Information
- Year Published: 0
- Language: English
- Country of Origin: England
- Source: White, R.G. ed. The Complete Works of William Shakespeare. New York: Sully and Kleinteich.
-
Readability:
- Flesch–Kincaid Level: 11.0
- Word Count: 2,853
- Genre: Tragedy
- Keywords: envy, fate, free will, power
- ✎ Cite This
Downloads
SCENE II. The same. A public place.
[Enter, in procession, with music, Caesar; Antony, for the
course; Calpurnia, Portia, Decius, Cicero, Brutus, Cassius, and
Casca; a great crowd following, among them a Soothsayer.]
CAESAR.
Calpurnia,—
CASCA.
Peace, ho! Caesar speaks.
[Music ceases.]
CAESAR.
Calpurnia,—
CALPURNIA.
Here, my lord.
CAESAR.
Stand you directly in Antonius’ way,
When he doth run his course.—Antonius,—
ANTONY.
Caesar, my lord?
CAESAR.
Forget not in your speed, Antonius,
To touch Calpurnia; for our elders say,
The barren, touched in this holy chase,
Shake off their sterile curse.
ANTONY.
I shall remember.
When Caesar says “Do this,” it is perform’d.
CAESAR.
Set on; and leave no ceremony out.
[Music.]
SOOTHSAYER.
Caesar!
CAESAR.
Ha! Who calls?
CASCA.
Bid every noise be still.—Peace yet again!
[Music ceases.]
CAESAR.
Who is it in the press that calls on me?
I hear a tongue, shriller than all the music,
Cry “Caesar”! Speak, Caesar is turn’d to hear.
SOOTHSAYER.
Beware the Ides of March.
CAESAR.
What man is that?
BRUTUS.
A soothsayer bids you beware the Ides of March.
CAESAR.
Set him before me; let me see his face.
CASSIUS.
Fellow, come from the throng; look upon Caesar.
CAESAR.
What say’st thou to me now? Speak once again.
SOOTHSAYER.
Beware the Ides of March.
CAESAR.
He is a dreamer; let us leave him. Pass.
[Sennet. Exeunt all but BRUTUS and CASSIUS.]
CASSIUS.
Will you go see the order of the course?
BRUTUS.
Not I.
CASSIUS.
I pray you, do.
BRUTUS.
I am not gamesome; I do lack some part
Of that quick spirit that is in Antony.
Let me not hinder, Cassius, your desires;
I’ll leave you.
CASSIUS.
Brutus, I do observe you now of late:
I have not from your eyes that gentleness
And show of love as I was wont to have:
You bear too stubborn and too strange a hand
Over your friend that loves you.
BRUTUS.
Cassius,
Be not deceived: if I have veil’d my look,
I turn the trouble of my countenance
Merely upon myself. Vexed I am
Of late with passions of some difference,
Conceptions only proper to myself,
Which give some soil perhaps to my behaviors;
But let not therefore my good friends be grieved—
Among which number, Cassius, be you one—
Nor construe any further my neglect,
Than that poor Brutus, with himself at war,
Forgets the shows of love to other men.
CASSIUS.
Then, Brutus, I have much mistook your passion;
By means whereof this breast of mine hath buried
Thoughts of great value, worthy cogitations.
Tell me, good Brutus, can you see your face?
BRUTUS.
No, Cassius, for the eye sees not itself
But by reflection, by some other thing.
CASSIUS.
 I have heard
Where many of the best respect in Rome,—
Except immortal Caesar!— speaking of Brutus,
And groaning underneath this age’s yoke,
Have wish’d that noble Brutus had his eyes.
BRUTUS.
Into what dangers would you lead me, Cassius,
That you would have me seek into myself
For that which is not in me?
CASSIUS.
Therefore, good Brutus, be prepared to hear;
And since you know you cannot see yourself
So well as by reflection, I, your glass,
Will modestly discover to yourself
That of yourself which you yet know not of.
And be not jealous on me, gentle Brutus;
Were I a common laugher, or did use
To stale with ordinary oaths my love
To every new protester; if you know
That I do fawn on men, and hug them hard
And after scandal them; or if you know
That I profess myself, in banqueting,
To all the rout, then hold me dangerous.
[Flourish and shout.]
BRUTUS.
What means this shouting? I do fear the people
Choose Caesar for their king.
CASSIUS.
Ay, do you fear it?
Then must I think you would not have it so.
BRUTUS.
I would not, Cassius; yet I love him well,
But wherefore do you hold me here so long?
What is it that you would impart to me?
If it be aught toward the general good,
Set honor in one eye and death i’ the other
And I will look on both indifferently;
For let the gods so speed me as I love
The name of honor more than I fear death.
CASSIUS.
I know that virtue to be in you, Brutus,
As well as I do know your outward favor.
Well, honor is the subject of my story.
I cannot tell what you and other men
Think of this life; but, for my single self,
I had as lief not be as live to be
In awe of such a thing as I myself.
I was born free as Caesar; so were you:
We both have fed as well; and we can both
Endure the winter’s cold as well as he:
For once, upon a raw and gusty day,
The troubled Tiber chafing with her shores,
Caesar said to me, “Darest thou, Cassius, now
Leap in with me into this angry flood
And swim to yonder point?” Upon the word,
Accoutred as I was, I plunged in,
And bade him follow: so indeed he did.
The torrent roar’d, and we did buffet it
With lusty sinews, throwing it aside
And stemming it with hearts of controversy;
But ere we could arrive the point proposed,
Caesar cried, “Help me, Cassius, or I sink!
I, as Aeneas, our great ancestor,
Did from the flames of Troy upon his shoulder
The old Anchises bear, so from the waves of Tiber
Did I the tired Caesar: and this man
Is now become a god; and Cassius is
A wretched creature, and must bend his body,
If Caesar carelessly but nod on him.
He had a fever when he was in Spain;
And when the fit was on him I did mark
How he did shake: ‘tis true, this god did shake:
His coward lips did from their color fly;
And that same eye whose bend doth awe the world
Did lose his luster.
[Shout. Flourish.]
BRUTUS.
Another general shout!
I do believe that these applauses are
For some new honors that are heap’d on Caesar.
CASSIUS.
Why, man, he doth bestride the narrow world
Like a Colossus; and we petty men
Walk under his huge legs and peep about
To find ourselves dishonorable graves.
Men at some time are masters of their fates:
The fault, dear Brutus, is not in our stars,
But in ourselves,that we are underlings.
“Brutus” and “Caesar”: what should be in that “Caesar”?
Why should that name be sounded more than yours?
Write them together, yours is as fair a name;
Sound them, it doth become the mouth as well;
Weigh them, it is as heavy; conjure with them,
“Brutus” will start a spirit as soon as “Caesar.”
Now, in the names of all the gods at once,
Upon what meat doth this our Caesar feed
That he is grown so great? Age, thou art shamed!
Rome, thou hast lost the breed of noble bloods!
When went there by an age since the great flood,
But it was famed with more than with one man?
When could they say, till now, that talk’d of Rome,
That her wide walls encompass’d but one man?
Now is it Rome indeed, and room enough,
When there is in it but one only man.
O, you and I have heard our fathers say
There was a Brutus once that would have brook’d
Th’ eternal devil to keep his state in Rome,
As easily as a king!
BRUTUS.
That you do love me, I am nothing jealous;
What you would work me to, I have some aim:
How I have thought of this, and of these times,
I shall recount hereafter; for this present,
I would not, so with love I might entreat you,
Be any further moved. What you have said,
I will consider; what you have to say,
I will with patience hear; and find a time
Both meet to hear and answer such high things.
Till then, my noble friend, chew upon this:
Brutus had rather be a villager
Than to repute himself a son of Rome
Under these hard conditions as this time
Is like to lay upon us.
CASSIUS.
I am glad that my weak words
Have struck but thus much show of fire from Brutus.
BRUTUS.
The games are done, and Caesar is returning.
CASSIUS.
As they pass by, pluck Casca by the sleeve;
And he will, after his sour fashion, tell you
What hath proceeded worthy note today.
[Re-enter Caesar and his Train.]
BRUTUS.

CASSIUS.
Casca will tell us what the matter is.
CAESAR.
Antonius,—
ANTONY.
Caesar?
CAESAR.
Let me have men about me that are fat;
Sleek-headed men, and such as sleep o’ nights:
Yond Cassius has a lean and hungry look;
He thinks too much: such men are dangerous.
ANTONY.
Fear him not, Caesar; he’s not dangerous;
He is a noble Roman and well given.
CAESAR.
Would he were fatter! But I fear him not:
Yet, if my name were liable to fear,
I do not know the man I should avoid
So soon as that spare Cassius. He reads much;
He is a great observer, and he looks
Quite through the deeds of men: he loves no plays,
As thou dost, Antony; he hears no music:
Seldom he smiles; and smiles in such a sort
As if he mock’d himself and scorn’d his spirit
That could be moved to smile at any thing.
Such men as he be never at heart’s ease
Whiles they behold a greater than themselves;
And therefore are they very dangerous.
I rather tell thee what is to be fear’d
Than what I fear, for always I am Caesar.
Come on my right hand, for this ear is deaf,
And tell me truly what thou think’st of him.
[Exeunt Caesar and his Train. Casca stays.]
CASCA.
You pull’d me by the cloak; would you speak with me?
BRUTUS.
Ay, Casca, tell us what hath chanced today,
That Caesar looks so sad.
CASCA.
Why, you were with him, were you not?
BRUTUS.
I should not then ask Casca what had chanced.
CASCA.
Why, there was a crown offer’d him; and being offer’d him,
he put it by with the back of his hand, thus; and then the
people fell a-shouting.
BRUTUS.
What was the second noise for?
CASCA.
Why, for that too.
CASSIUS.
They shouted thrice: what was the last cry for?
CASCA.
Why, for that too.
BRUTUS.
Was the crown offer’d him thrice?
CASCA.
Ay, marry, was’t, and he put it by thrice, every time gentler
than other; and at every putting-by mine honest neighbors
shouted.
CASSIUS.
Who offer’d him the crown?
CASCA.
Why, Antony.
BRUTUS.
Tell us the manner of it, gentle Casca.
CASCA.
I can as well be hang’d, as tell the manner of it: it was
mere foolery; I did not mark it. I saw Mark Antony offer him a
crown;—yet ‘twas not a crown neither, ‘twas one of these
coronets;—and, as I told you, he put it by once: but, for all
that, to my thinking, he would fain have had it. Then he
offered it to him again: then he put it by again: but, to my
thinking, he was very loath to lay his fingers off it. And then
he offered it the third time; he put it the third time by; and
still, as he refused it, the rabblement shouted, and clapp’d
their chopt hands, and threw up their sweaty night-caps, and
uttered such a deal of stinking breath because Caesar refused
the crown, that it had almost choked Caesar, for he swooned and
fell down at it: and for mine own part, I durst not laugh for
fear of opening my lips and receiving the bad air.
CASSIUS.
But, soft! I pray you. What, did Caesar swoon?
CASCA.
He fell down in the market-place, and foam’d at mouth, and was
speechless.
BRUTUS.
‘Tis very like: he hath the falling-sickness.
CASSIUS.
No, Caesar hath it not; but you, and I,
And honest Casca, we have the falling-sickness.
CASCA.
I know not what you mean by that; but I am sure Caesar fell
down. If the tag-rag people did not clap him and hiss him,
according as he pleased and displeased them, as they use to do
the players in the theatre, I am no true man.
BRUTUS.
What said he when he came unto himself?
CASCA.

When he came to himself again, he said, if he had done or said
any thing amiss, he desired their worships to think it was his
infirmity. Three or four wenches where I stood cried, “Alas,
good soul!” and forgave him with all their hearts. But there’s
no heed to be taken of them: if Caesar had stabb’d their
mothers, they would have done no less.
BRUTUS.
And, after that he came, thus sad away?
CASCA.
Ay.
CASSIUS.
Did Cicero say any thing?
CASCA.
Ay, he spoke Greek.
CASSIUS.
To what effect?
CASCA.
Nay, an I tell you that, I’ll ne’er look you i’ the face
again: but those that understood him smiled at one another and
shook their heads; but for mine own part, it was Greek to me. I
could tell you more news too: Marullus and Flavius, for pulling
scarfs off Caesar’s images, are put to silence. Fare you well.
There was more foolery yet, if could remember it.
CASSIUS.
Will you sup with me tonight, Casca?
CASCA.
No, I am promised forth.
CASSIUS.
Will you dine with me tomorrow?
CASCA.
Ay, if I be alive, and your mind hold, and your dinner worth
the eating.
CASSIUS.
Good; I will expect you.
CASCA.
Do so; farewell both.
[Exit CASCA.]
BRUTUS.
What a blunt fellow is this grown to be!
He was quick mettle when he went to school.
CASSIUS.
So is he now in execution
Of any bold or noble enterprise,
However he puts on this tardy form.
This rudeness is a sauce to his good wit,
Which gives men stomach to digest his words
With better appetite.
BRUTUS.
And so it is. For this time I will leave you:
Tomorrow, if you please to speak with me,
I will come home to you; or, if you will,
Come home to me, and I will wait for you.
CASSIUS.
I will do so: till then, think of the world.—
[Exit Brutus.]
Well, Brutus, thou art noble; yet, I see,
Thy honorable metal may be wrought,
From that it is disposed: therefore ‘tis meet
That noble minds keep ever with their likes;
For who so firm that cannot be seduced?
Caesar doth bear me hard, but he loves Brutus;
If I were Brutus now and he were Cassius,
He should not humor me. I will this night,
In several hands, in at his windows throw,
As if they came from several citizens,
Writings all tending to the great opinion
That Rome holds of his name; wherein obscurely
Caesar’s ambition shall be glanced at:
And after this let Caesar seat him sure;
For we will shake him, or worse days endure.
[Exit.]


The logrotate package allows automatic rotation, compression, removal, and mailing of log files.
This package is known to build and work properly using an LFS-9.1 platform.
Download (HTTP): https://github.com/logrotate/logrotate/releases/download/3.15.1/logrotate-3.15.1.tar.xz
Download MD5 sum: afe109afea749c306ff489203fde6beb
Download size: 156 KB
Estimated disk space required: 5.0 MB
Estimated build time: 0.2 SBU (with tests)
Fcron-3.2.1 (runtime)
An MTA (runtime)
User Notes: http://wiki.linuxfromscratch.org/blfs/wiki/logrotate
Install logrotate by running the following command:
./configure --prefix=/usr && make
To test the results, issue: make test. One test fails because the very old compress is not present and two tests fail if an MTA is not installed.
Now, as the root
user:
make install
Logrotate needs a configuration
file, which must be passed as an argument to the command when
executed. Create the file as the root
user:
cat > /etc/logrotate.conf << EOF
# Begin of /etc/logrotate.conf
# Rotate log files weekly
weekly
# Don't mail logs to anybody
nomail
# If the log file is empty, it will not be rotated
notifempty
# Number of backups that will be kept
# This will keep the 2 newest backups only
rotate 2
# Create new empty files after rotating old ones
# This will create empty log files, with owner
# set to root, group set to sys, and permissions 644
create 0664 root sys
# Compress the backups with gzip
compress
# No packages own lastlog or wtmp -- rotate them here
/var/log/wtmp {
monthly
create 0664 root utmp
rotate 1
}
/var/log/lastlog {
monthly
rotate 1
}
# Some packages drop log rotation info in this directory
# so we include any file in it.
include /etc/logrotate.d
# End of /etc/logrotate.conf
EOF
chmod -v 0644 /etc/logrotate.conf
Now create the /etc/logrotate.d
directory as the root
user:
mkdir -p /etc/logrotate.d
At this point additional log rotation commands can be entered,
typically in the /etc/logrotate.d
directory. For example:
cat > /etc/logrotate.d/sys.log << EOF
/var/log/sys.log {
# If the log file is larger than 100kb, rotate it
size 100k
rotate 5
weekly
postrotate
/bin/killall -HUP syslogd
endscript
}
EOF
chmod -v 0644 /etc/logrotate.d/sys.log
You can designate multiple files in one entry:
cat > /etc/logrotate.d/example.log << EOF
file1
file2
file3 {
...
postrotate
...
endscript
}
EOF
chmod -v 0644 /etc/logrotate.d/example.log
You can use in the same line the list of files: file1 file2 file3. See the logrotate man page or http://www.techrepublic.com/article/manage-linux-log-files-with-logrotate/ for more examples.
The command logrotate
/etc/logrotate.conf can be run manually, however,
the command should be run daily. Other useful commands are
logrotate -d
/etc/logrotate.conf for debugging purposes and
logrotate -f
/etc/logrotate.conf forcing the logrotate commands
to be run immediately. Combining the previous options -df
, you can debug the effect of the force command.
When debugging, the command is only simulated, not really run,
thus, eventual non-existing errors appear, when some intermediate
files are expected, because they are not actually created.
To run the logrotate
daily, if you've installed Fcron-3.2.1 and completed
the section on periodic jobs, execute the following
commands, as the root
user, to
create a daily cron job:
install -vdm 754 /etc/cron.daily &&
cat > /etc/cron.daily/logrotate.sh << "EOF" &&
#!/bin/bash
/usr/sbin/logrotate /etc/logrotate.conf
EOF
chmod 754 /etc/cron.daily/logrotate.sh
Last updated on 2020-02-21 00:36:57 -0800


Before Change
// open output file
outfileName = os.path.join(workingDir,output+".txt" )
print(outfileName)
with open(outfileName, "r") as src:
headers = [x.strip() for x in src.readline().split() ]
data = []
line = ""
// starts reading
while not line.strip().startswith("--"):
line = src.readline()
if not line.strip().startswith("--"):
data.append(",".join( line.split())+"\n")
// write the output file
with open(os.path.join(workingDir,output+".csv" ),"w") as outputFile:
outputFile.writelines(",".join( headers ) +"\n")
for i in range(len(data)):
outputFile.writelines(data[i])
After Change
// open output file
outfileName = os.path.join(workingDir,output+".txt" )
headers, data = self._readOutputData(outfileName)
// write the output file
with open(os.path.join(workingDir,output+".csv" ),"w") as outputFile:
outputFile.writelines(",".join( headers ) +"\n")


19 June 2015
In a random order...
Change weights to change output function
Layers of neurons combine and
can form more complex functions
x
→ target_y
)output_y
from the x
output_y
is closer to target_y
for that x
Follow the gradient of the error
w.r.t the connection weights
... around 2-3% error rate on the test set
... need for GPU programmers
numpy
and BLAS
C/C++
or CUDA
(or OpenCL
)
# From : https://github.com/mdda
# Repo : pycon.sg-2015_deep-learning
# Open : ipynb / 1-LivePlotting.ipynb
First section of notebook
Using the blocks
set-up
plotter = Plot('Plotting example', channels=[['cost','a']], after_batch=True)
main_loop = MainLoop(
model=None, data_stream=data_stream,
algorithm=GradientDescent(cost=cost,
params=[a],
step_rule=Scale(learning_rate=0.01)),
extensions=[
FinishAfter(after_n_epochs=1),
TrainingDataMonitoring([cost, a], after_batch=True),
plotter,
])
main_loop.run()
Screen-grab during training ...
(PR submitted to blocks-extras
)
GoogLeNet (2014)
(now human competitive on ImageNet)
Constant
, Gaussian
, Orthonormal
, ...Tanh
, ReLU
, ...Momentum
, ADAgrad
, ...CategoricalCrossEntropy
, ...BeamSearch
, ...
# From : https://github.com/mdda
# Repo : pycon.sg-2015_deep-learning
# Open : ipynb / 6-RNN-as-Author.ipynb
transition = GatedRecurrent(name="transition", dim=hidden_state_dim, activation=Tanh())
generator = SequenceGenerator(
Readout(readout_dim=num_states, source_names=["states"],
emitter=SoftmaxEmitter(name="emitter"),
feedback_brick=LookupFeedback(
num_states, feedback_dim, name='feedback'),
name="readout"),
transition,
weights_init=IsotropicGaussian(0.01), biases_init=Constant(0),
name="generator"
)
ComputationGraph
s
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?)9.#s7X]}$*sxZ"3tf ")
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/`r
Som the riscele his nreing the timest stordor hep pIs dach suedests her, so for farmauteds?
By arnouy ig wore
Thou hoasul dove he five grom ays he bare as bleen,
The seend,
And, an neeer,
Whis with the rauk with, for be collenss ore his son froven faredure:
Then andy bround'd the CowE nom shmlls everom thoy men ellone per in the lave ofpen the way ghiind, thour eyes in is ple gull heart sind, I I wild,
Frreasuce anspeve, wrom fant beiver, not the afan
And in thou' histwish a it wheme-tis lating ble the liveculd;
Noorroint he fhallought, othelts.
AWhis grook my glass' to his sweet,
Bub my fears liken?
And of live every in seedher;
A Lood stall,
But tare tought than thencer sud earth,
Use'st bee sechion,
For all exprit' are a daud in heaven doth her infook perust the fork the tent.
For maud,
The pittent gover
This and rimp,
Who new
Thoir oldes and did hards, cound.
DEDENIUS Why shoulmeying to to wife,
And thou say: and wall you teading for
that struke you down as sweet one.
With be more bornow, bly unjout on the account:
I duked you did four conlian unfortuned drausing-
to sicgia stranss, or not sleepplins his arms
Gentlemen? as write lord; gave sold.
AENEMUUNS Met that will knop unhian, where ever have
of the keep his jangst?icks he I love hide,
Jach heard which offen, sir!'
[Exit PATIIUS, MARGARUS arr [Enter CLOTHUR]
HIRING = True


1.What is Migratation $ python3 manage.py migrate Django's way of propagating changes from your model to database schema
$ python3 manage.py migrate


WATCH: Dancing MBA student manages traffic in MP
A 23-year-old MBA student has been dancing away to make sure riders follow traffic rules on some of the busiest roads in Indore.
Inspired by 'moonwalking' traffic policeman Ranjit Singh, Shubhi Jain, who hails from Bina in Madhya Pradesh's Sagar district, has been asking riders to wear helmets and seat belts by breaking into some quirky dance moves.
Videos of the Pune-based MBA student, who has come to the city for a 15-day internship, have gone viral on social media.
"I had no prior experience of managing traffic. When I came to Indore, I was impressed by young volunteers who managed traffic in the city and got involved with this work," Jain said.
Indore has been ranked number one in the National Sanitation Survey for the last three years, and this beautiful city can be number one in the country in terms of traffic management as well, she added.
Senior police officials have also praised her unique move, and she was felicitated by additional director general of police (Indore range) Varun Kapoor for her phenomenal work.
Jain has rendered her services on intersections located at R egal Chauraha, High Court and Indraprastha on MG Road during peak hours between 5 pm and 8 pm.
In a video that has gone viral on social media, Shubhi can be seen advising two-wheeler riders to wear helmets and four-wheeler drivers to fasten their seat belts.
Recently, traffic police constable Ranjit Singh hit the popularity charts on social media by 'moonwalking' (popstar Michael Jackson's famous dance move) on city's arterial roads.
WATCH THE VIDEO BELOW


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