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java.lang.Object atg.rview.RelationalView
A RelationalView comprises two parts:
The methods in a RelationalView provide a means for accessing the rows of the RelationalView using Java beans as the mechanism for passing in row information, or for retrieving row information. All methods in the RelationalView act only on the rows represented by the RelationalView. The insert methods are the notable exceptions, where rows inserted through this interface may or may not appear as part of the row subset encompassed by the RelationalView.
A RelationalView can also provide subviews which are themselves RelationalViews that contain subsets of the rows contained by the parent RelationalView. Subviews may be obtained by providing explicit property conditions, or by selecting a named, parameterized subview.
| Field Summary | |
static java.lang.String |
CLASS_VERSION
|
| Constructor Summary | |
RelationalView()
|
| Method Summary | |
abstract RelationalView |
createSubview(java.util.Dictionary pConstraints)
Returns a subview filtered by the given Dictionary. |
abstract RelationalView |
createSubview(java.util.Dictionary pConstraints,
java.lang.String pWhereClause,
java.lang.Object[] pWhereClauseParameters,
java.lang.String pOrderByClause,
java.lang.Object[] pOrderByClauseParameters)
This is the same the general createSubview method, except that the value of the distinct flag is taken from the value of this RelationalView's distinct flag. |
abstract RelationalView |
createSubview(java.util.Dictionary pConstraints,
java.lang.String pWhereClause,
java.lang.Object[] pWhereClauseParameters,
java.lang.String pOrderByClause,
java.lang.Object[] pOrderByClauseParameters,
boolean pDistinct)
This is the most general method for creating a subview at runtime (i.e., a subview that has not been predefined in the description file). |
abstract int |
delete()
Deletes all of the rows in the RelationalView. |
abstract java.lang.Object |
executeFunction(java.lang.String pFunctionName)
Executes a predefined function, identified by name. |
abstract java.lang.Object |
executeFunction(java.lang.String pFunctionName,
java.lang.Object pFunctionParameter)
Executes a predefined function, identified by name. |
abstract java.lang.Object |
executeFunction(java.lang.String pFunctionName,
java.lang.Object[] pFunctionParameters)
Executes a predefined function, identified by name. |
abstract java.lang.Class |
getBeanClass()
Returns the Class of the bean used to represent the rows handled by this RelationalView. |
abstract RelationalViewDefinition |
getRelationalViewDefinition()
Returns the RelationalViewDefinition that defines this RelationalView and all of its subviews (i.e., subviews of this RelationalView will return the same RelationalViewDefinition). |
abstract RelationalViewManager |
getRelationalViewManager()
Returns the RelationalViewManager that produced this RelationalView. |
abstract RelationalView |
getSubview(java.lang.String pSubviewName)
Returns a pre-defined subview identified by name. |
abstract RelationalView |
getSubview(java.lang.String pSubviewName,
java.lang.Object pSubviewParameter)
Returns a pre-defined subview identified by name. |
abstract RelationalView |
getSubview(java.lang.String pSubviewName,
java.lang.Object[] pSubviewParameters)
Returns a pre-defined subview identified by name. |
abstract RelationalView |
getUncachedRelationalView()
Returns a RelationalView that is identical to this RelationalView, except that all of its select calls bypass the caches and go directly to the database. |
abstract int |
insert(java.util.Dictionary pPropertyValues)
Inserts a row into the RelationalView. |
abstract int |
insert(java.lang.Object pBean)
Inserts a row into the RelationalView. |
abstract int |
insert(java.lang.Object[] pBeans)
Inserts several rows into the RelationalView. |
abstract int |
insert(java.lang.Object[] pBeans,
java.lang.String[] pPropertyNames)
Inserts several rows into the RelationalView. |
abstract int |
insert(java.lang.Object pBean,
java.lang.String[] pPropertyNames)
Inserts a row into the RelationalView. |
abstract void |
invalidateCaches()
Invalidate any caches that depend on the relational view. |
abstract java.lang.Object[] |
select()
Returns an array of all the rows in the RelationalView, in order, where each row has been converted into a bean according to the RelationalView's row-to-bean mapping. |
abstract java.lang.Object |
select(int pIndex)
Returns the row specified by the given index (the first row has index 0). |
abstract java.lang.Object[] |
select(int pIndex,
int pCount)
Returns up to the specified number of rows starting with the given index (the first row has index 0). |
abstract int |
selectCount()
Returns the number of rows in the RelationalView. |
abstract boolean |
selectExists()
Returns true if there are any rows in the RelationalView, false if not. |
abstract java.lang.Object |
selectFirst()
Returns the first row in the RelationalView. |
abstract int |
update(java.util.Dictionary pPropertyValues)
Updates all of the rows in the RelationalView. |
abstract int |
update(java.lang.Object pBean)
Updates all of the rows in the RelationalView, setting their columns from the properties of the specified bean. |
abstract int |
update(java.lang.Object pBean,
java.lang.String[] pPropertyNames)
Updates all of the rows in the RelationalView, setting their columns from the properties of the specified bean. |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
public static java.lang.String CLASS_VERSION
| Constructor Detail |
public RelationalView()
| Method Detail |
public abstract RelationalViewManager getRelationalViewManager()
public abstract RelationalViewDefinition getRelationalViewDefinition()
public abstract java.lang.Class getBeanClass()
public abstract int insert(java.lang.Object pBean) throws java.sql.SQLException
pBean
- the bean whose properties are to be inserted into
the row's columns. The bean's class must match the type of bean
associated with this RelationalView.
java.sql.SQLException
- if a database error occurredpublic abstract int insert(java.lang.Object pBean, java.lang.String[] pPropertyNames) throws java.sql.SQLException
pBean
- the bean whose properties are to be inserted into
the row's columns. The bean's class must match the type of bean
associated with this RelationalView.pPropertyNames
- the list of properties whose columns are to
be set. Any properties not named in this list will not have
their corresponding columns assigned values. This can be used to
allow columns to take on the default values specified by the
database.
java.sql.SQLException
- if a database error occurredpublic abstract int insert(java.lang.Object[] pBeans) throws java.sql.SQLException
pBeans
- the array of beans whose properties are to be
inserted into the row's columns. The bean's class must match the
type of bean associated with this RelationalView.
java.sql.SQLException
- if a database error occurredpublic abstract int insert(java.lang.Object[] pBeans, java.lang.String[] pPropertyNames) throws java.sql.SQLException
pBeans
- the array of beans whose properties are to be
inserted into the row's columns. The bean's class must match the
type of bean associated with this RelationalView.pPropertyNames
- the list of properties whose columns are to
be set. Any properties not named in this list will not have
their corresponding columns assigned values. This can be used to
allow columns to take on the default values specified by the
database.
java.sql.SQLException
- if a database error occurredpublic abstract int insert(java.util.Dictionary pPropertyValues) throws java.sql.SQLException
pPropertyValues
- a mapping of property names to their
corresponding values to be inserted into the row.
java.sql.SQLException
- if a database error occurredpublic abstract int delete() throws java.sql.SQLException
java.sql.SQLException
- if a database error occurredpublic abstract int update(java.lang.Object pBean) throws java.sql.SQLException
pBean
- the bean whose properties are to be updated into the
rows' columns. The bean's class must match the type of bean
associated with this RelationalView.
java.sql.SQLException
- if a database error occurredpublic abstract int update(java.lang.Object pBean, java.lang.String[] pPropertyNames) throws java.sql.SQLException
pBean
- the bean whose properties are to be updated into the
rows' columns. The bean's class must match the type of bean
associated with this RelationalView.pPropertyNames
- the list of properties whose columns are to
be set. Any properties not named in this list will not have
their corresponding columns assigned values. This can be used to
prevent certain columns from being modified.
java.sql.SQLException
- if a database error occurredpublic abstract int update(java.util.Dictionary pPropertyValues) throws java.sql.SQLException
pPropertyValues
- a mapping of property names to their
corresponding values to be updated into the row.
java.sql.SQLException
- if a database error occurredpublic abstract java.lang.Object[] select() throws java.sql.SQLException
java.sql.SQLException
- if a database error occurredpublic abstract java.lang.Object select(int pIndex) throws java.sql.SQLException
pIndex
- the index number of the row to be returned (0 is
the first row)
java.sql.SQLException
- if a database error occurredpublic abstract java.lang.Object selectFirst() throws java.sql.SQLException
java.sql.SQLException
- if a database error occurredpublic abstract java.lang.Object[] select(int pIndex, int pCount) throws java.sql.SQLException
pIndex
- the index number of the row to be returned (0 is
the first row)pCount
- the maximum number of rows to be returned
java.sql.SQLException
- if a database error occurredpublic abstract int selectCount() throws java.sql.SQLException
java.sql.SQLException
- if a database error occurredpublic abstract boolean selectExists() throws java.sql.SQLException
java.sql.SQLException
- if a database error occurredpublic abstract RelationalView createSubview(java.util.Dictionary pConstraints, java.lang.String pWhereClause, java.lang.Object[] pWhereClauseParameters, java.lang.String pOrderByClause, java.lang.Object[] pOrderByClauseParameters, boolean pDistinct) throws java.sql.SQLException
pConstraints
- a Dictionary containing the constraints for
the subview. The Dictionary's keys are the names of properties,
and the values are values corresponding to those properties. The
resulting RelationalView will contain only those rows where the
columns corresponding to the specified properties contain the
values corresponding the values specified in the Dictionary. If
this argument is null, then it is ignored.pWhereClause
- this is a WHERE clause written in SQL. All
column and table names should be written in terms of relational
views using the ":" syntax. All literal values should be passed
as parameters in pWhereClauseParameters and referred to using ":"
syntax. The clause should not include the actual "WHERE"
keyword. For example: ":this.age >= :0(INTEGER)". If this
argument is null, then it is ignored.pWhereClauseParameters
- these are the parameters to the
WHERE clause, as referred to using the ":" syntax. For example,
":0" would refer to the first element in this parameter list. If
there are no parameters, or there is no WHERE clause, this
argument may be left as null.pOrderByClause
- this is an ORDER BY clause written in SQL.
All column and table names should be written in terms of
relational views using the ":" syntax. All literal values should
be passed as parameters in pOrderByClauseParameters and referred
to using ":" syntax. The clause should not include the
actual "ORDER BY" keywords. For example: ":this.name, :this.age
desc". If this argument is null, then it is ignored.pOrderByClauseParameters
- these are the parameters to the
ORDER BY clause, as referred to using the ":" syntax. For
example, ":0" would refer to the first element in this parameter
list. If there are no parameters, or there is no ORDER BY
clause, this argument may be left as null.pDistinct
- if true, then the SELECT statements for this
subview will be generated using the DISTINCT keyword. Otherwise,
the DISTINCT keyword will not be used.
java.sql.SQLException
- if a database error occurred, or if an
unknown property name was included in the Dictionarypublic abstract RelationalView createSubview(java.util.Dictionary pConstraints, java.lang.String pWhereClause, java.lang.Object[] pWhereClauseParameters, java.lang.String pOrderByClause, java.lang.Object[] pOrderByClauseParameters) throws java.sql.SQLException
java.sql.SQLException
- if a database error occurred, or if an
unknown property name was included in the Dictionarypublic abstract RelationalView createSubview(java.util.Dictionary pConstraints) throws java.sql.SQLException
java.sql.SQLException
- if a database error occurred, or if an
unknown property name was included in the Dictionarypublic abstract RelationalView getSubview(java.lang.String pSubviewName, java.lang.Object[] pSubviewParameters) throws java.sql.SQLException
pSubviewName
- the name of the pre-defined subviewpSubviewParameters
- the list of parameters to be associated
with the subview
java.sql.SQLException
- if a database error occurred, the
specified subview name is not defined, or if the subview's
parameters are incorrectly specified (wrong number or type).public abstract RelationalView getSubview(java.lang.String pSubviewName, java.lang.Object pSubviewParameter) throws java.sql.SQLException
pSubviewName
- the name of the pre-defined subviewpSubviewParameter
- the parameter to be associated with the
subview
java.sql.SQLException
- if a database error occurred, the
specified subview name is not defined, or if the subview's
parameters are incorrectly specified (wrong number or type).public abstract RelationalView getSubview(java.lang.String pSubviewName) throws java.sql.SQLException
pSubviewName
- the name of the pre-defined subview
java.sql.SQLException
- if a database error occurred, the
specified subview name is not defined, or if the subview's
parameters are incorrectly specified (wrong number or type).public abstract java.lang.Object executeFunction(java.lang.String pFunctionName, java.lang.Object[] pFunctionParameters) throws java.sql.SQLException
pFunctionName
- the name of the pre-defined functionpFunctionParameters
- the list of parameters to be
passed to the function
java.sql.SQLException
- if a database error occurred, the
specified function name is not defined, or if the function's
parameters are incorrectly specified (wrong number or type).public abstract java.lang.Object executeFunction(java.lang.String pFunctionName, java.lang.Object pFunctionParameter) throws java.sql.SQLException
pFunctionName
- the name of the pre-defined functionpFunctionParameter
- the parameter to be passed to the
function
java.sql.SQLException
- if a database error occurred, the
specified function name is not defined, or if the function's
parameters are incorrectly specified (wrong number or type).public abstract java.lang.Object executeFunction(java.lang.String pFunctionName) throws java.sql.SQLException
pFunctionName
- the name of the pre-defined function
java.sql.SQLException
- if a database error occurred, the
specified function name is not defined, or if the function's
parameters are incorrectly specified (wrong number or type).public abstract RelationalView getUncachedRelationalView() throws java.sql.SQLException
java.sql.SQLException
- if a database error occurredpublic abstract void invalidateCaches()
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Jiaxing TIAN
Boston, MA
Name: Jiaxing TIAN Gender: Male Birthday: 01/05/1993 Born: Liaoning, China Nationality: China Residence: 1131 Commonwealth Ave,Allston, MA, United States, 02134 Education: BEng of Electronic and Information Engineering Master of Science in Computer Engineering University: BA: The Hong Kong Polythecnic University, HK MS: Boston University, MA, US Hobbies: Sports, Travel, Electronics, Games Facebook: www.facebook.com/star.tian.92
Ski and Snowboard
Travel
Electronics
Gaming
Cloud Computing
Machine Learning
Computer Vision
Artifical Intelligence
My professional goal can be expressed as an old saying in China:
"To learn and to apply, for the benefit of mankind".
When I was doing my final year project about
parttern recognition, I developed an insterest in image processing and object classification.
At that time, I use basic image processing techniques like swift and Histogram of Orientanted Gradient.
Algrithems like these are slow in processing speed and limited for classification category. Later,
as I learn about machine learning and artifical neural network are used in object detection and recognition,
I am impressed by the accuracy and processing speed of this technique and decided to learn more about machine
learning. As machine learning being used in more areas in people's everyday life, I believe the future of
computer science and data science rely on it. I would like to delicate myself into machine learning and help make
people's life easier.


When you commit a change you can be certain you will never lose it. If you stash something and delete the stash you can be sorry later. If you reset uncommitted changes you also might suffer.  You can always find it later.
The reflog is a great tool for going back in history. You can revert any change in the git tree. (undo branch reset, commit, rebase, pull, etc..). In order to go back in history open 2 git bashes:
In the first one write:
git reflog
And find the head position you want to go to, then write in the second bash (let's say for position 10 in the HEAD):
git reset --hard HEAD@{10}
In this example, I wanted to go back to when I commited "fix(sidenav-unread): show number of unread chats ...".
Now you can refresh git extensions and see you went back in time!
Even this action it-self is revertable using the the same technique.


Pan: {{panCount}}
Longpress: {{longpressCount}}
Press: {{pressCount}}
Swipe: {{swipeCount}}
Slide: {{slideCount}}


MIDI defines the byte 255 as a Reset byte. If the Digital Chroma receives this on any port or virtual jack, it treats it as though an All Sounds Off control and an All Controls Off control were received on all sixteen channels. This turns off all notes, and resets all performance controls to their default values. It also turns off MPE mode on the USB host and serial MIDI input ports.
If Reset is received on the serial or USB host ports, and an input is intercepted by the {_global_parameter global} MIDI Main Input or MIDI Link Input parameter, then the Reset is passed on through to the Main and Link {_player players}, but followed with additional messages that set the various controls according to the actual positions of the physical controls. This includes the two Reverb Room and Reverb Send controls, which come from the global Reverb Room and Reverb Send parameters.


There are currently no events running. Following the trend of 2016 and 2017, the next event could be the Summer Games 2018.
Days
Hours
Minutes
Seconds
Season 10 began 1 May 2018. Notable changes included the addition of Rialto and Brigitte to Competitive. It will end on 28 June 2018.
Days
Hours
Minutes
Seconds
Season 11 begins on 30 June 2018. No new changes, except Top 500 players must have Blizzard SMS Protect enabled on their account.
The latest patch <IP_ADDRESS> was released on 26 June 2018. Highlights include new social features as well as changes to Symmetra and Lunar Colony.


Companies across all industries once thought to be impervious to technology disruptiion, are struggling to keep pace with the velocity of innovation in emerging technologies such as AI, Blockchain, Cloud, IoT, and many more. At Talio we equip your engineers through hands on bootcamps to leverage these new technological paradigms to create disruptive innovation for your companies.
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Encourages broader distribution of expertise within your organization
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Customized Engineering Onboarding Bootcamps
We develop technical onboarding bootcamps fully customized and tailored to your company’s needs. We challenge new engineers with lab projects that leverage your company's actual products and services, familiarizing your standards & best practices, and clarifying & documenting workflows for development & delivery processes.
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Higher engagement & code quality
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Improved employee retention
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High performance engineering culture
is Integral to Training
Cohesive technical documentation is a cornerstone of first-class training programs and also serves as an ongoing resource for engineers and technicians. For most companies, documentation is scattered and uneven, increasing technical debt, leaving developers without a map. As part of training development, we deliver first-rate documentation tailored to your stack, clarifying and distilling existing material, as well as filling any gaps by providing new documentation to cover opaque processes or resources. We produce clear, polished, and comprehensible Markdown-based documentation that integrates with platforms like GitHub Enterprise and static site generators, inspiring engineers to contribute and build a culture of knowledge sharing.
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Training at the point of need
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Training integrated into existing tools (GitHub)
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Keeping documentation up to date
Emerging Technology for Executives
Talio delivers targeted, cutting-edge professional development for visionaries and executives who are ready to solve real business problems and build real products with new technologies. We equip you with both the practical knowledge as well as actionable strategies for implementation in your business, leveraging the skills you already have to apply them successfully in this new technological landscape.
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Executives equipped with understanding of how to leverage ML to impact business outcomes
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Official partner with Bootstraplabs Applied Artificial Intelligence Conference
Talio Community
We host meet ups, conferences, and special forums, to keep you up to date on technology trends and share insights on how to implement them in your own company.
We believe in building a community that shares information freely so that we collectively learn from our experiences and accelerate time to implementing new technologies.


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java.lang.Object org.apache.xalan.trace.PrintTraceListener
public class PrintTraceListener
Implementation of the TraceListener interface that prints each event to standard out as it occurs.
TracerEvent
| Field Summary | |
|---|---|
(package private) int |
m_indent
|
(package private) java.io.PrintWriter |
m_pw
The print writer where the events should be written. |
boolean |
m_traceElements
Set to true if the listener is to print events that occur as each node is 'executed' in the stylesheet. |
boolean |
m_traceExtension
Set to true if the listener is to print information after each extension event. |
boolean |
m_traceGeneration
Set to true if the listener is to print information after each result-tree generation event. |
boolean |
m_traceSelection
Set to true if the listener is to print information after each selection event. |
boolean |
m_traceTemplates
This needs to be set to true if the listener is to print an event whenever a template is invoked. |
| Constructor Summary | |
|---|---|
PrintTraceListener(java.io.PrintWriter pw)
Construct a trace listener. |
| Method Summary | |
|---|---|
void |
_trace(TracerEvent ev)
Print information about a TracerEvent. |
void |
extension(ExtensionEvent ev)
Print information about an extension event. |
void |
extensionEnd(ExtensionEvent ev)
Print information about an extension event. |
void |
generated(GenerateEvent ev)
Print information about a Generate event. |
void |
selected(SelectionEvent ev)
Method that is called just after a select attribute has been evaluated. |
void |
selectEnd(EndSelectionEvent ev)
Method that is called after an xsl:apply-templates or xsl:for-each selection occurs. |
void |
trace(TracerEvent ev)
Print information about a TracerEvent. |
void |
traceEnd(TracerEvent ev)
Method that is called when the end of a trace event occurs. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
java.io.PrintWriter m_pw
public boolean m_traceTemplates
public boolean m_traceElements
public boolean m_traceGeneration
public boolean m_traceSelection
public boolean m_traceExtension
int m_indent
| Constructor Detail |
|---|
public PrintTraceListener(java.io.PrintWriter pw)
pw
- PrintWriter to use for tracing events| Method Detail |
|---|
public void _trace(TracerEvent ev)
ev
- the trace event.public void trace(TracerEvent ev)
trace
in interface TraceListener
ev
- the trace event.public void traceEnd(TracerEvent ev)
traceEnd
in interface TraceListenerEx2
ev
- the trace event.public void selected(SelectionEvent ev) throws javax.xml.transform.TransformerException
selected
in interface TraceListener
ev
- the generate event.
javax.xml.transform.TransformerException
public void selectEnd(EndSelectionEvent ev) throws javax.xml.transform.TransformerException
selectEnd
in interface TraceListenerEx
ev
- the generate event.
javax.xml.transform.TransformerException
public void generated(GenerateEvent ev)
generated
in interface TraceListener
ev
- the trace event.public void extension(ExtensionEvent ev)
extension
in interface TraceListenerEx3
ev
- the extension event to print information aboutpublic void extensionEnd(ExtensionEvent ev)
extensionEnd
in interface TraceListenerEx3
ev
- the extension event to print information about
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Discoverthreejs.com
Perspective Camera Controls
Aspect Ratio (set automatically):
0
Field of View:
35
Zoom:
1
Effective Field of View:
35
(takes zoom into account)
Near Clipping Plane:
1
Far Clipping Plane:
100


EasyMock 3.0
Clover Coverage Report
Dashboard
Coverage Reports
Coverage
(
Aggregate
)
Test Code
(
Aggregate
)
Test Results
Application Packages
org.easymock
(100%)
org.easymock.internal
(100%)
org.easymock.internal.matchers
(100%)


The Barrier Reef Orchestra is in a sound financial position with concert attendance and revenue from tickets up for 2013.
The Orchestra performed on six occasions over the last 12 months. This included a children’s concert at Riverway featuring music from Harry Potter and Peter and the Wolf. The concert was well received by the audience and the Orchestra got into the mood by dressing up appropriately for their musical characters.
Masterworks conducted by Mark Sheills and featuring the 2013 Australian Concerto and Vocal Competition winner was performed in September with a follow up performance in the Burdekin. Sadly the Burdekin concert was not well attended despite the best efforts in advertising and extra signage.
Last Night of the Proms was performed in November and conducted by Richard McIntyre. As expected the audience join in with the antics.
The new year saw the successful season launch at the Pier Restaurant and featured our new harp much to the enjoyment of those present. The Mayor of Townsville, Councillor Jenny Hill, officially launched the 2015 season and spoke of the importance of the Barrier Reef Orchestra to Townsville. Not long after that was Sounds of Romance conducted by Raymond Yong. The issue of parking problems were extreme and the matter was taken up with Council. Hopefully there will not be a repeat performance.
The Orchestra was invited to open the Townsville Arts Awards with a cameo performance of the music from Frozen much to the audiences’ pleasure, particularly with the AV accompaniment. The Barrier Reef Orchestra will conduct the second Conducting Workshop at the end of May as it was so successful in 2013.
For the rest of the year there is our support to the AFCM concert, our World Music Concert commissioned by the Civic Theatre (a first for BRO), support to DanceNorth with their Twilight performances and lastly a Musical Feast for November.
To make all of this happen there is a dynamic and committed committee working away to bring this all together. I thank them all for their magnificent work. My thanks also goes to our major sponsor the Townsville City Council, our generous benefactors and to the Orchestra Manager Sally Frewen-Lord who has found time to run a survey for the musicians to get some feedback on how we do business. Thank you all.
Jeff Nielsen has reworked our website and taken great steps forward in producing a functional and relevant website. Jeff is handing it over to the next person to continue the good work, Thanks Jeff. I will be introducing life members later as a way of marking the Barrier Reef Orchestra 15th Anniversary.
The Barrier Reef Orchestra has taken the opportunity to be directly involved with the development of the TPAC proposal. I see it as necessary support to all of the arts organisations to promote the need for more performance spaces in Townsville and I would urge you all to visit the website and help spread the word. Simon has injected himself into this project with the usual eye for detail while keeping appraised of the macro developments in Townsville. Thanks Simon for your energy and incisive views on this important project.
The 15th anniversary year of BRO has been marked by several approaches to the Orchestra to perform in support of other arts organisations. I take this as a sign of confidence others see in our Orchestra and acceptance of the Barrier Reef Orchestra as Townsville’s resident cultural cornerstone to orchestral music. A fitting milestone for the 15th year of the Barrier Reef Orchestra.


--- layout: page title: Blog permalink: /blog/ description: software solutions habesha, Tigrinya dictionary, ecommerce developer, website developer, words dictionary, tigrigna language, tigrinya, tigrinya language, habesha software, .NET Developer ---


Nevada Women’s Philanthropy names Sara Costello president
by Las Vegas Review-JournalNevada Women’s Philanthropy has named Sara Costello as president and Dawn Mack as vice president. Each will serve a two-year term.
Costello, a member of NWP since 2009, served the organization as grant outreach chair from 2014 to 2017, and most recently as vice president. “I’m really excited to lead NWP into its 15th year as I believe strongly in its mission and strategic way of giving,” Costello said in a news release. “By being involved in NWP, I have learned so much about our community and the critical needs that are being addressed so passionately by the nonprofits in Southern Nevada. Our structure, as a pooled-fund, allows me the comfort of knowing that I am making an impact in our community.”
Konami Gaming, Inc. has named Jason Kremer as vice president of studio operations. Kremer brings more than 20 years of industry expertise to the company’s games research and development team.
The Charter School Association of Nevada has elected Trustee Eve Breier-Ramos as president of the Board of Trustees. Breier-Ramos, deputy superintendent of Legacy Traditional Schools in Nevada, succeeds Colin Seale.
Grant a Gift Autism Foundation has announced Peter Krauss has joined its board of directors. Krauss is president and CEO of Arroweye Solutions. The foundation also welcomed new team members, Dave Altfas as controller and Ambyr Baham, as administration manager.
The Forum Shops at Caesars Palace, in conjunction with Simon Property Group, recently announced that retail industry veteran Lea Willingham, who most recently served as general manager of The Shops at Crystals in Las Vegas, has been named senior general manager. Shane Wheatley was appointed assistant general manager. He held a similar position at The Shops at Crystals.
The Ladder appears Sundays. Submit announcements and photos to<EMAIL_ADDRESS>for consideration.


ModelCollection
public class ModelCollection
| Field Summary | |
|---|---|
| Array | |
| HydratableQuery | |
| String |
| Constructor Summary | |
|---|---|
| void | __construct(mixed targetClass) |
| Method Summary | |
|---|---|
| void | fetch() launches the query and stores results into $items; |
| Array | toArrayIndexedBy($col String, mixed col) Builds an array containing the results of the query indexed by choosen column |
| Integer | count() Returns the number of entries in Array $items |
public Array $items = Array()
public HydratableQuery $query
public String $targetClass
public void __construct(mixed targetClass)
public void fetch()
launches the query and stores results into $items;
public Array toArrayIndexedBy($col String, mixed col)
Builds an array containing the results of the query indexed by choosen column
public Integer count()
Returns the number of entries in Array $items
This class creates an object handling a HydratableQuery with flexibility


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3. PREPERATIONS
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The northern most port in Israel, it is a busy oil and passenger terminal. Its main attraction is the religious sites on Mount Carmel.
Position 32°49.2' N,35° 1.9'E.
This is a convenient port of entry for yachtsman arriving from Turkey and Cyprus.
Yachts should clear inside the Kishon harbour (Shavit Port). New arrivals are met by a Navy boat who will alert the officials. Yachts should dock at the visitor's pontoon provided and officials will board there.
Haifa Port Police, VHF 16, Tel. +972 4-8686425.
Last updated August 2015.
Haifa-Kishon Marina is a new marina situated in the old Kishon fishing harbour. It has about 250 berths. Due to its land-locked position (inside Haifa Harbour) it is considered the safest marina in Israel, although the facilities are fairly minimal.
Reports are that the marina is generally full.
Haifa Carmel Yacht Club has transferred its yachts and activity to the new Kishon Marina in Haifa harbour. Haul-out, various workshops available.


Globe Princess Theatre
We welcome you to the big screen
keyboard_arrow_downA Simple Favor
Directed by: Paul Fig
Synopsis
Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate.
Cast
- Anna Kendrick
- Blake Lively
- Henry Golding
News and Events
Rewards
Free Tickets when you see 4 movies*
$5 Movie Tuesdays
See a movie plus snacks for just $10!
Every Tuesday at Globe Princess Theatre!
The Sanderson Sisters
In honor of it's 25th anniversary, we're bringing Hocus Pocus back to the big screen! Catch it 10/25 through 10/31


Sister of Silence Eris: Finally we meet, Successors of Fate. In the end, the endless Bridle of Eternity will be back where it belongs. "I'd like to go outside." Quest


@artemii235 , I'm going to use the Constructible to port some C of the global G values into MmCtx. I think it's awesome, but please tell me if there are remaining concerns or things to improve here and with regards to porting C globals to MmCtx in general.
I suggest for the moment to use the --source-file option of the test executable to be able to run the unit tests of a specific file. it seems to me the least intrusive and the most reasonable


The Great Dictation
Roadmap
Dominik
Svenja
Tobias
Tonio
Wednesday, 11.11.2015
Django/Python
Read up on Python-BackEnd Integration/Django
Research
Research on didactic fundamentals about dictation
Spelling-Mistakes
Find first concepts about spelling-mistake patterns
"Roadmap"
Develop Roadmap with integrated task distribution
DB-Model
Rough draft as ER-Model
Meeting 11.11.2015 14.30 o'clock
Meeting 11.11.2015 18.00 o'clock
Wednesday, 18.11.2015
Backend frame
Integrate a backend system to handle pages and python backend
User System
Integrate a simple user system in php, allowing to register, login, logout. No fancy stuff reguiered yet.
(Seriously, we will talk about and agree on fancy stuff later!)
Project Plan
Write the first part of the project plan including Goals and Solving
Levenshtein
Integrate Levenshtein in Python in backend
Frontend Main Template
Frontend Integration of main template for version 0
Frontend Dictation Page
Frontend Integration of dictation page
Clear Plan: Which elements (of analysis) should V0.0 contain?
Meeting 17.11.2015 18.00 o'clock
Meeting 18.11.2015 14.30 o'clock
Wednesday, 25.11.2015
DB Communication System
Integrate a backend system to communicate with the database
And write general SQL statements
DB Design
Develop/Optimize DB Design
COLLABORATOR: Tonio
Project Plan
Work on Project Plan
Why Dictation?
Write "Why Dictation?" Page
Alignment Algortihms
Write Python Algorithm to align user input to meant target words
Frontend Representation of Levenshtein
Process data of levenshtein for visual representation
DB Design
Develop/Optimize DB Design
COLLABORATOR: Dominik
Meeting 24.11.2015 18.00 o'clock
Tuesday, 1.12.2015
Project Plan
finish Project Plan
Info Texts
Write Expand and Style Information for Users about Dictation / the page
Finish V0 Levenshtein
Finish all necessary tasks for Levenshtein
Levenshtein to Frontend
Frontend Integration of Levenstein Data
Version 0 - finish to be used for data collection
Project Plan: Finished!!!
Meeting 01.12.2015 18.00 o'clock
Tuesday, 8.12.2015
Recruit a core group of people for data collection and let them use the system
Specification Presentation
Finished Version 0!!!
Legend (<- due-date)


Osimhen’s worth triples, valued between €40m and €50m
by Kelvin EkereteKelvin Ekerete
Lille forward, Victor Osimhen’s value has increased three times more than the actual price he was purchased by Lille in the summer.
According to a research by The International Center for Sport Studies, the stock of the Nigeria international has risen thrice more than his original value in just three months at the club since joining from Belgian side, Sporting Charleroi.
Osimhen, who joined Lille for €12m, has been valued between €40m and €50m, making him the second most expensive player in the club behind French international Jonathan Ikone,, who is valued between €70m – €90m.
The CIES figures was confirmed in a tweet by LOSC Actualité.
“After three months of competition, CIES has re-assessed the values of the LOSC players. Jonathan Ikoné is still the most expensive player in the squad (70-90M €) but Victor Osimhen saw his value triple in just three months (40-50M € ).”
Osimhen has scored nine goals in 17 appearances in all competition for the French side.
Copyright PUNCH.
All rights reserved. This material, and other digital content on this website, may not be reproduced, published, broadcast, rewritten or redistributed in whole or in part without prior express written permission from PUNCH.
Contact: theeditor@punchng.com


Working with Local Data Sources
Working with Local Data Sources
Even the most rudimentary applications usually have some data storage requirements. Perhaps you want to save a user's name or preferences. Your app could download product information so that it's available when the network is not available. Or, maybe users snap photos which you save as files for later use within your application. In any of these cases, storing data on the user's device is a critical feature. In this chapter, you'll explore Titanium's uniform, cross-platform methods for accessing local data stores.
Sections in this chapter
Choosing a Persistence Strategy for your Application
In this chapter, you'll examine the various ways you can store data locally on the user's device and decide when it's best to use each technique.
Lightweight Persistence with the Properties API
Next, you'll learn how to store both simple and complex data in app properties and retrieve that data later.
Working with a SQLite Database
In this chapter, you will learn how to interact with the built-in SQLite3 RDMS with the Titanium.Database module.
Finally, you'll learn how to manipulate files and directories by using the Titanium.Filesystem module. So let's get started: Choosing a Persistence Strategy for your Application >


TaoSecurity
Some interesting comment on BP's new deperimeterisation moves (more information here )
I'd agree with the sentiments expressed in TaoSecurity, I agree with the Jericho Forums position that every device should be able to stand on its own from a security perspective, however the idea of deliberately weakening the security afforded to laptops by connecting them directly to the Internet when they're on the Corporate LAN seems like a very bad plan, as it reduces the numbers of layers of protection afforded to them needlessly.
Also it renders the security of the laptops very brittle, so if for example there is a problem with a change deployed to these devices which leaves them vulnerable to an attack, they won't have the safety net of being behind a corporate firewall to allow the IT team time to fix the problem before it has an impact...
I've also been thinking, how is this going to work in practice? If the laptops are on the Internet, surely they'll need to connect to Corporate IT assets, so they'll need a VPN tunnel into the company. Also surely BP will still want to take advantage of centralised web site monitoring, Email Anti-Virus etc... So all the traffic from these laptops sitting in corporate offices will go through a VPN tunnel back into the corporate LAN then potentially back out onto the internet.... Surely that's not a great plan from a cost perspective..


--- layout: post title: Industrial Age date: 2009-02-08 19:43:48.000000000 +05:30 categories: - DX 7590 - raxeffect tags: - Industry - Night - Reflection - Riverside - Water status: publish type: post published: true meta: _edit_last: '2' author: login: raxeffect email<EMAIL_ADDRESS>display_name: raxeffect first_name: Rakshith last_name: Prasad ---
Av: F/3.2; Tv: 6s; f: 11.5mm (35mm-equiv:69 mm); Ev : -0.33; ISO: 100
This is actually a very simple photo of an industry at night. It has a very well-balanced feel to it and just gives a feeling of tranquility.
To capture this photo, I used a tripod and a relatively long shutter speed of 6s. I tried an Exposure bias (Ev) of -0.33 in this photo to reduce the brightness and achieve black in certain areas, which would enhance the effect of the lights.
* The use of natural framing in this photo draws the attention of the observer towards the subject in the centre.
* The reflection of lights on the water surface is another plus point of this photo. The smoothness of the water surface was achieved by the long shutter speed. If not for the smoothness of the water, the photo wouldn't have had the same effect.
* I did not have to resort to much post-processing for this. However, I had to use the clone tool to erase a glaring electric wire within the framing area.
Improvements I would like to see in this photo include
* The improvements in the quality of the photo with less noise, especially in the area of the lights.
* More emphasis on the framing with increased exposure would have made it a little more apparent, but that would have diminished the contrast between light and darkness.
* I could also have tried with a very narrow aperture to give a star-around-the lights effect.


You've agreed to try mediation
Your claim number:
352MC733
What happens next
If Jan Clark agrees to try mediation, we'll contact you with details of your appointment.
If Jan Clark rejects mediation, the claim will go to a hearing. We'll send you their response.
{% include "includes/contact.html" %} {% include 'prototypes/prototype-oct-2018/includes/contact.html' %} {% endblock %}


THE HORSEMAN ON THE ROOF (LE HUSSARD SUR LE TOIT) A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 7.5 Alternative Scale: *** out of ****
France, 1995 U.S. Release Date: 5/24/96 (limited) Running Length: 1:57 MPAA Classification: R (Violence, nudity, cholera) Theatrical Aspect Ratio: approx. 2.2:1
Cast: Olivier Martinez, Juliette Binoche, Pierre Arditi, Carlo Cecchi Director: Jean-Paul Rappeneau Producer: Rene Cleitman Screenplay: Jean-Paul Rappeneau, Nina Cornpaneez, and Jean-Claude Carriere Cinematography: Thierry Arbogast Music: Jean-Claude Petit U.S. Distributor: Miramax Zoe In French with English subtitles
The year is 1832. Napoleon has fallen, leaving behind a vacuum of power. The Austrian empire is attempting a takeover of Italy, and many Italian patriots have fled to France to continue the fight from there. Meanwhile, a devastating cholera epidemic sweeps across France like wildfire, wiping out entire towns and generating widespread a fear of all strangers. Soldiers patrol the countryside, enforcing quarantines by lethal means. It's a grim era, and many superstitious folk think that God's judgment of the world has finally come.
This is the setting for Jean-Paul Rappeneau's THE HORSEMAN ON THE ROOF, an old fashioned, historical, epic romance in the same vein as recent films like THE LAST OF THE MOHICANS, LEGENDS OF THE FALL, and QUEEN MARGOT. These movies have certain common characteristics: a love affair involving two attractive protagonists; sweeping, beautifully- photographed backgrounds; and a tragic, tumultuous plot. Replete with heaving bosoms, thundering horses, energetic swordfights, and glorious widescreen cinematography, THE HORSEMAN ON THE ROOF delivers what's expected. Like any good summer film, it's fun to watch while not offering a serious intellectual challenge. (Presumably, Miramax is offering THE HORSEMAN as an alternative for anyone seeking something with more substance than TWISTER or MISSION: IMPOSSIBLE.)
The two protagonists in THE HORSEMAN ON THE ROOF are Angelo Pardi (played by a hunky Olivier Martinez), an Italian Carbonaro in exile, and Pauline de Theus (Juliette Binoche), a married French noblewoman. Their relationship is surprisingly chaste, primarily because Pauline is determined to remain faithful to her husband. Other than a few pregnant glances, these two don't share much in the way of intimacy. They don't even kiss. A little extra heat might have made for a more powerful romance -- at times, THE HORSEMAN ON THE ROOF takes restraint too far.
Love and emotion aside, this is a wonderful spectacle, and, with all the action and adventure, it's an undeniably enjoyable romp. Even those who typically shun France's more artistic fare will be entertained by this big-budget feature. Not counting the subtitles, it's the kind of thing that Hollywood would be proud of. There's nothing in this film that American audiences can't relate to.
The story opens with Angelo dodging a trio of Austrian assassins sent to Aix-en-Provence to murder him. With the killers hot on his trail, he flees to the city of Manosque. Before he can join up with a group of Italian refugees, he is accused of poisoning a water supply, and has to run from an angry mob. Angelo takes to the rooftops as riots break out in the streets below. When a thunderstorm strikes, he shelters in a house. The woman living there is Pauline, and, upon encountering Angelo, she reacts with unexpected calmness, inviting him to warm up and have some tea. Soon after, the two are paired in a flight across France to reunite Pauline with her husband and send Angelo back to Italy.
Although much of THE HORSEMAN ON THE ROOF is more lighthearted than many sweeping melodramas, there are moments of stark, horrifying power. Most deal with the effects of cholera on France's unprepared populace. Early in the film, there is a scene where Angelo stumbles into an abandoned house to find a flock of crows gorging themselves on the pasty, decaying corpses of the former human occupants. It's a chillingly memorable moment.
This is one of the most lavish, recent French exports, and the production values are top-notch. Rappeneau (CYRANO DE BERGERAC) directs with a sure hand, Martinez and Binoche do credible (if not spectacular) jobs, and cameos by Francois Cluzet and the ubiquitous Gerard Depardieu add a few brief moments of "star power". Despite all of this, however, THE HORSEMAN ON THE ROOF is not a transcendent experience. But, while it doesn't have the power to get eyes misty and hearts aflutter, it's still entertaining enough to make the two hours pass quickly.
- James Berardinelli e-mail<EMAIL_ADDRESS>web: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Jaxen is an open source XPath library written in Java. It is adaptable to many different object models, including DOM, XOM, dom4j, and JDOM. Is it also possible to write adapters that treat non-XML trees such as compiled Java byte code or Java beans as XML, thus enabling you to query these trees with XPath too.
The current version is 1.1.6:
You can download Jaxen from the releases page.
XOM 1.2.8 bundles Jaxen 1.1.4.
Bob McWhirter talked about Jaxen at Software Development 2003 West.
Check out these Performance Benchmarks comparing dom4j and Jaxen against Xerces and Xalan.
Sun chose Jaxen for the XPath engine for the JSP Standard Tag Library (JSTL) and the Java Web Services Developer Pack 1.0 and 1.1.
Since the reference implementation of Java API for XML Messaging is based on dom4j and Jaxen, that means you can use Jaxen to query SOAP messages on the Java platform too!
Check out Elliotte Rusty Harold's book chapter on XPath and Jaxen
Alex Chaffee wrote XPath Explorer to help visualize results of XPath expressions.


Mandalas are constructed on an SVG object. There can be multiuple SVG objects per page (like this one). To get started, assign a variable to reference the object on which to draw. Here, we'll begin drawing on the SVG object with the identifier
id="svg0"
and draw a grid.


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Don’t Miss Out; Great Deal Prices on Laptops
by Review TeamThere’s a huge range of laptops out there in the market with branded ones and others assembled in the US. Depending on the key components and features, all the machines can deliver the functions they are built for. A majority of computer users use it for regular day-to-day purposes like checking their emails and replying to them as well as creating documents and spreadsheets. You need not spend too much on these laptops.
Samsung Notebook 9 Pen 15-Inch
This Samsung Notebook 9 Pen 15-inch is also a convertible device with an S Pen as the highlight. The display is 15inches and the processor is an 8th generation Intel Core i7 processor. The memory support comes in the form of 16GB RAM and 1TB SSD internal storage. An NVIDIA GeForce Mx150 graphics card offers graphics support. It is a multitasking laptop that can be rotated to be used as a tablet. The S Pen is an added advantage for you to write notes or sketch something on the screen. There’s a handwriting recognition software that enables you to convert your notes into text or a sketch into a proper diagram.
This Samsung Notebook 9 Pen 15-inch laptop is available at $1,599.99, $200 down from its original price of $1,799.
Razer Blade Stealth 13 Ultrabook Laptop
This Razer Blade Stealth Ultrabook has a 13.3-inch Full HD display with 100% sRGB and an 8th generation Intel Core i7-8565U processor. The RAM is 8GB and the storage is 256GB SSD. The outer shell of this laptop is made of CNC aluminum. The battery is life is quite long at 13 hours and it charges quickly. Windows 10 OS comes pre-installed.
This Razer Blade Stealth Ultrabook laptop is going for $1,099.99, which is $300 off on $1,399,99that is its original price.
Lenovo Flex 5 15 2-in-1 Laptop
This Lenovo Flex 5 15 2-in-1 laptop sports a 15.6-inch Full HD display with a screen resolution of 1920×1080 pixels. The main processor is an 8th generation Intel Core i5-8250U CPU and a 2GB NVIDIA GeForce MX130 graphics card is used for graphics support. 16GB DDR4 2400 SDRAM and 1TB SSD + 16GB PCIe storage support ensure that you get the best performance out of your Lenovo laptop. You get a full range of connectivity options and a backlit keyboard. Windows 10 Home edition OS is pre-installed. There’s a fingerprint sensor for security. Active Stylus is an added advantage with this laptop.
This Lenovo Flex 5 15 2-in-1 laptop is now going at a 10% off at $1,019 (old price $1131.09).


Gwyneth Paltrow admits to 'complicated relationship' with Harvey Weinstein
by Jessica NapoliGwyneth Paltrow confessed she's "not sure" how she feels about her former working relationship with disgraced movie producer Harvey Weinstein.
The Goop CEO, 47, appeared onstage at The New York Times DealBook Conference on Wednesday to talk about her business, but the conversation shifted to her involvement in the #MeToo movement.
“You know, I don’t like to be binary about people or about things,” she told moderator Andrew Ross Sorkin. “I think we’re all equal parts or varying percentages light and dark.”
GWYNETH PALTROW SNAPPED IN RARE INSTAGRAM PHOTO WITH LOOKALIKE DAUGHTER
Paltrow was one of the first major Hollywood stars to accuse Weinstein of sexual misconduct and worked closely with Pulitzer Prize-winning reporters Jodi Kantor and Megan Twohey on their investigative book "She Said."
“He was a very, very important figure in my life. He was my main boss,” she explained. “He gave me an incredible opportunity and yet during that time we had a very, very fraught, complicated relationship. Highs and lows."
Weinstein produced "Shakespeare in Love," for which Paltrow won an Oscar.
GWYNETH PALTROW TALKS AGING IN HOLLYWOOD: 'I'VE ALWAYS FELT SO FUNNY ABOUT MY LOOKS'
"And the postscript to that chapter of my life is where it gets extremely complicated for me, because information came to light about who he was and how he was behaving that I didn’t know during my already very difficult time with him. So I’m not sure. I’m not sure how I feel." Paltrow added.
Sorkin acknowledged that many other high-profile men have been exposed and asked the Marvel star, “Can they repent? Is there something they can do?”
CLICK HERE TO GET THE FOX NEWS APP
“There’s a spectrum,” Paltrow answered. "But it does seem to me, for the more egregious offenders, that really loss of power is what keeps them from further offending. So if they don’t have the power, then they lose that dynamic and then the game’s over.”
Weinstein has denied all allegations of misconduct and nonconsensual sex.


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|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object de.uni.bamberg.wiai.minf.forflow.datagenerator.controller.io.PhysicalDummyFile
public class PhysicalDummyFile
Here is the physical file created we use as a dummy
for each artefact generated when it is of artefact
type document and has all constraints set
to create a file. The constraints are defined in
the class DummyFile
. This class holds the
date used in here.
| Constructor Summary | |
|---|---|
PhysicalDummyFile()
sole default constructor |
| Method Summary | |
|---|---|
boolean |
createDummyFile(java.lang.String file)
creates a physical dummy file at the given path. |
boolean |
createDummyFile(java.lang.String file,
GeneratedArtefact generatedArtefact)
creates a physical dummy file at the given path. |
boolean |
createDummyFile(java.net.URI file)
creates a physical dummy file at the given path. |
boolean |
createDummyFile(java.net.URI file,
GeneratedArtefact generatedArtefact)
creates a physical dummy file at the given path. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public PhysicalDummyFile()
| Method Detail |
|---|
public boolean createDummyFile(java.net.URI file)
file
- a dummy file with file name and optional a file format.
public boolean createDummyFile(java.lang.String file)
file
- a dummy file with file name and optional a file format.
public boolean createDummyFile(java.lang.String file, GeneratedArtefact generatedArtefact)
file
- the dummy file with file name and optionally with file formatgeneratedArtefact
- the content of the dummy file has the content of the
generated test data.
public boolean createDummyFile(java.net.URI file, GeneratedArtefact generatedArtefact)
file
- the dummy file with file name and optionally with file formatgeneratedArtefact
- the content of the dummy file has the content of the
generated test data.
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Work Day Scheduler
A simple calendar app for scheduling your work day
Time
09:00 am
10:00 am
11:00 am
12:00 am
01:00 pm
02:00 pm
03:00 pm
04:00 pm
05:00 pm


| # | File | Line | Problem |
|---|---|---|---|
| 1 | C:\xampp\htdocs\attendance_system\app\Model\mode_holiday_type.php | 7 | The class mode_holiday_type is not named in CamelCase. |
| 2 | C:\xampp\htdocs\attendance_system\app\Model\mode_monthly_attendance_history.php | 7 | The class mode_monthly_attendance_history is not named in CamelCase. |
| 3 | C:\xampp\htdocs\attendance_system\app\Model\mode_user_holiday_information.php | 7 | The class mode_user_holiday_information is not named in CamelCase. |
| 4 | C:\xampp\htdocs\attendance_system\app\Model\model_authority.php | 7 | The class model_authority is not named in CamelCase. |
| 5 | C:\xampp\htdocs\attendance_system\app\Model\model_daily_attendance.php | 7 | The class model_daily_attendance is not named in CamelCase. |
| 6 | C:\xampp\htdocs\attendance_system\app\Model\model_department.php | 7 | The class model_department is not named in CamelCase. |
| 7 | C:\xampp\htdocs\attendance_system\app\Model\model_monthly_attendance.php | 7 | The class model_monthly_attendance is not named in CamelCase. |
| 8 | C:\xampp\htdocs\attendance_system\app\Model\model_notification.php | 7 | The class model_notification is not named in CamelCase. |
| 9 | C:\xampp\htdocs\attendance_system\app\Model\model_overtime.php | 10 | The class model_overtime is not named in CamelCase. |
| 10 | C:\xampp\htdocs\attendance_system\app\Model\model_overtime.php | 18 | The variable $user_id is not named in camelCase. |
| 11 | C:\xampp\htdocs\attendance_system\app\Model\model_overtime.php | 18 | The variable $date_format is not named in camelCase. |
| 12 | C:\xampp\htdocs\attendance_system\app\Model\model_overtime.php | 18 | The variable $user_id is not named in camelCase. |
| 13 | C:\xampp\htdocs\attendance_system\app\Model\model_overtime.php | 18 | The variable $date_format is not named in camelCase. |
| 14 | C:\xampp\htdocs\attendance_system\app\Model\model_position.php | 7 | The class model_position is not named in CamelCase. |
| 15 | C:\xampp\htdocs\attendance_system\app\Model\password_reset.php | 7 | The class password_reset is not named in CamelCase. |


|
ClusterDuck Protocol
|
Client for Morse Code communication. The public interface is the same as Arduino Serial. More...
#include <Morse.h>
Public Member Functions | |
| MorseClient (PhysicalLayer *phy) | |
| Default constructor. More... | |
| int16_t | begin (float base, uint8_t speed=20) |
| Initialization method. More... | |
| size_t | startSignal () |
| Send start signal. More... | |
| size_t | write (const char *str) |
| size_t | write (uint8_t *buff, size_t len) |
| size_t | write (uint8_t b) |
| size_t | print (__FlashStringHelper *) |
| size_t | print (const String &) |
| size_t | print (const char[]) |
| size_t | print (char) |
| size_t | print (unsigned char, int=DEC) |
| size_t | print (int, int=DEC) |
| size_t | print (unsigned int, int=DEC) |
| size_t | print (long, int=DEC) |
| size_t | print (unsigned long, int=DEC) |
| size_t | print (double, int=2) |
| size_t | println (void) |
| size_t | println (__FlashStringHelper *) |
| size_t | println (const String &s) |
| size_t | println (const char[]) |
| size_t | println (char) |
| size_t | println (unsigned char, int=DEC) |
| size_t | println (int, int=DEC) |
| size_t | println (unsigned int, int=DEC) |
| size_t | println (long, int=DEC) |
| size_t | println (unsigned long, int=DEC) |
| size_t | println (double, int=2) |
Client for Morse Code communication. The public interface is the same as Arduino Serial.
| MorseClient::MorseClient | ( | PhysicalLayer * | phy | ) |
Default constructor.
| phy | Pointer to the wireless module providing PhysicalLayer communication. |
| int16_t MorseClient::begin | ( | float | base, |
| uint8_t | speed = 20 |
||
| ) |
Initialization method.
| base | Base RF frequency to be used in MHz. |
| speed | Coding speed in words per minute. |
| size_t MorseClient::startSignal | ( | ) |
Send start signal.


Table Booking Form
Number of Adults
1
2
3
4
5
and more
Number of Children
1
2
3
4
5
and more
©2018 Table Booking Form. All Rights Reserved | Design by
W3Layouts


| Class | LiveF1::Packet::Sys::Commentary |
| In: |
lib/live-f1/packet.rb
|
| Parent: | Sys |
Commentary packets contain the commentary provided by the live timing stream.
Each packet contains a maximum of 125 bytes of commentary. A commentary string longer than this will be transmitted in successive Commentary packets with the final one having a specific bit set
Is this the last line of this commentary string?
If not, the next packet should also be a Commentary packet continuing this text


Baby: Don't Hurt Me
Leaderboard:
Play the game!
Map list:
{% for map in maps %}
{{map.name}}
{% endfor %}
Per map support is coming soon!
This game in a nutshell:


Custom classes
Move me, but you can only drop me in one of these containers.
If you try to drop me somewhere other than these containers, I'll just come back.
Item 3.
Item 6.
You can drop me in the left container, otherwise I'll stay here.
Item 4.
Item 5.
dragularService([document.getElementById(left), document.getElementById(right)], { classes: {
mirror: 'custom-green-mirror'
} });
// Default classes are:
option.classes = {
mirror: 'gu-mirror',
hide: 'gu-hide',
unselectable: 'gu-unselectable',
transit: 'gu-transit',
overActive: 'gu-over-active',
overAccepts: 'gu-over-accept',
overDeclines: 'gu-over-decline'
};


What is Vitalblinks?
VitalBlinks - The Game is a business decision-making board game for MBA Students, Professionals, and Entrepreneurs looking to build, challenge or enhance their decision-making skills. The game explores economic game theories and their applications in real-world crisis management scenarios.
Experience
Players will learn the architecture of regulated industries [Pharmaceutical, Medical Device, Biologics or Food] and the strategic roles that various economic environments play in the overall success of a business. The game specifically explores the roles of Contract Law, Patent law, Regulations of Medicinal products, Mergers and Acquisitions and Financial Instruments in shaping decision outcomes.
The VitalBlinks experience is innovative and is exceptionally teaching tool for strategic problem solving through application of quantitative and behavioral methods. Players learn how to combine intellectual ideals with the realities of human and organizational behavior. Simply put, the game design foster decision making skills by presenting opportunities for isolating optimal choices from many different decision alternatives.
Game Design
VitalBlinks is designed to be played in teams with each team reacting to post market surveillance activities. Teams will choose regions of the world they would like to do business and the specific industry type they would like to engage in [Pharmaceutical, Medical Device, Biologics or Food].
VitalBlinks introduces the concept of decision making science through post market surveillance. It covers the various aspects of traditional business models including, Regulatory, R&D, Operations, Quality, Marketing. The path to wining is mastering the ability to grow and accumulate significant revenue during crisis.
There are 10 levels representing 10 years of product market. Using several economic game theories within the game, VitalBlinks highlights the most important elements of human conflict and cooperation within competitive environments. Each level begins a with powerful story with world symbols that reminds players of the human elements that sometimes have much more significant influence than factual data when it comes to decision making.
They say history repeats itself! It about time we experience Vitalblinks.
Click to learn more or contact us.


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Sami Purmonen
Wall of Shame
Projects
About me
My name is Sami Purmonen and I'm a student of computer science at
KTH
.
Email:
purmonen@kth.se


More Jataka Tales
by Ellen C. Babbitt
“Prince Wicked and the Grateful Animals”
Additional Information
- Year Published: 1922
- Language: English
- Country of Origin: United States of America
- Source: Babbitt, E.C. (Ed.). (1922). More Jataka Tales. New York, NY: D. Appleton-Century Company.
-
Readability:
- Flesch–Kincaid Level: 4.0
- Word Count: 1,792
- Genre: Fairy Tale/Folk Tale
- Keywords: good vs. evil, kindness
- ✎ Cite This
Downloads
Once upon a time a king had a son named Prince Wicked. He was fierce and cruel, and he spoke to nobody without abuse, or blows. Like grit in the eye, was Prince Wicked to every one, both in the palace and out of it.
His people said to one another, “If he acts this way while he is a prince, how will he act when he is king?” One day when the prince was swimming in the river, suddenly a great storm came on, and it grew very dark.
In the darkness the servants who were with the prince swam from him, saying to themselves, “Let us leave him alone in the river, and he may drown.”
When they reached the shore, some of the servants who had not gone into the river said, “Where is Prince Wicked?” “Isn’t he here?” they asked. “Perhaps he came out of the river in the darkness and went home.” Then the servants all went back to the palace.
The king asked where his son was, and again the servants said: “Isn’t he here, O King? A great storm came on soon after we went into the water. It grew very dark. When we came out of the water the prince was not with us.”
At once the king had the gates thrown open. He and all his men searched up and down the banks of the river for the missing prince. But no trace of him could be found.
In the darkness the prince had been swept down the river. He was crying for fear he would drown when he came across a log. He climbed upon the log, and floated farther down the river. When the great storm arose, the water rushed into the homes of a Rat and a Snake who lived on the river bank. The Rat and the Snake swam out into the river and found the same log the prince had found. The Snake climbed upon one end of the log, and the Rat climbed upon the other.
On the river’s bank a cottonwood-tree grew, and a young Parrot lived in its branches. The storm pulled up this tree, and it fell into the river. The heavy rain beat down the Parrot when it tried to fly, and it could not go far. Looking down it saw the log and flew down to rest. Now there were four on the log floating down stream together. Just around the bend in the river a certain poor man had built himself a hut. As he walked to and fro late at night listening to the storm, he heard the loud cries of the prince. The poor man said to himself: “I must get that man out of the water. I must save his life.”  I will save you!” as he swam out in the river.
Soon he reached the log, and pushing it by one end, he soon pushed it into the bank. The prince jumped up and down, he was so glad to be safe and sound on dry land.
Then the poor man saw the Snake, the Rat, and the Parrot, and carried them to his hut. He built a fire, putting the animals near it so they could get dry. He took care of them first, because they were the weaker, and afterwards he looked after the comfort of the prince. Then the poor man brought food and set it before them, looking after the animals first and the prince afterwards. This made the young prince angry, and he said to himself: “This poor man does not treat me like a prince. He takes care of the animals before taking care of me.” Then the prince began to hate the poor man.
A few days later, when the prince, and the Snake, the Rat, and the Parrot were rested, and the storm was all over, the Snake said good-by to the poor man with these words:
“Father, you have been very kind to me. I know where there is some buried gold.  It shall all be yours.”
Next the Rat said good-by to the poor man.  It shall all be yours.”
Then the Parrot came, saying: “Father, silver and gold have I none, but if you ever want choice rice, come to where I live and call, ‘Parrot!’ and I will call all my family and friends together, and we will gather the choicest rice in the fields for you.” Last came the prince. In his heart he hated the poor man who had saved his life. But he pretended to be as thankful as the animals had been, saying, “Come to me when I am king, and I will give you great riches.” So saying, he went away.
Not long after this the prince’s father died, and Prince Wicked was made king. He was then very rich.
By and by the poor man said to himself: “Each of the four whose lives I saved made a promise to me. I will see if they will keep their promises.”
First of all he went to the Snake, and standing near his hole, the poor man called out, “Snake!” At once the Snake darted forth, and with every mark of respect he said: “Father, in this place there is much gold. Dig it up and take it all.”
“Very well,” said the poor man. “When I need it, I will not forget.” After visiting for a while, the poor man said good-by to the Snake, and went to where the Rat lived, calling out, “Rat!” The Rat came at once, and did as the Snake had done, showing the poor man where the money was buried.
“When I need it, I will come for it,” said the poor man. Going next to the Parrot, he called out, “Parrot!” and the bird flew down from the tree-top as soon as he heard the call. “O Father,” said the Parrot, “shall I call together all my family and friends to gather choice rice for you?” The poor man, seeing that the Parrot was willing and ready to keep his promise, said: “I do not need rice now. If ever I do, I will not forget your offer.”
Last of all, the poor man went into the city where the king lived. The king, seated on his great white elephant, was riding through the city. The king saw the poor man, and said to himself: “That poor man has come to ask me for the great riches I promised to give him. I must have his head cut off before he can tell the people how he saved my life when I was the prince.”
So the king called his servants to him and said: “You see that poor man over there?
The servants had to obey their king. So they seized and bound the poor man. They beat him at every corner of the street. The poor man did not cry out, but he said, over and over again, “It is better to save poor, weak animals than to save a prince.” At last some wise men among the crowds along the street asked the poor man what prince he had saved.
The wise men and all the rest of the crowd cried out: “This poor man saved the life of our king, and now the king has ordered him to be killed. How can we be sure that he will not have any, or all, of us killed?
Then they made the poor man king, and set him to rule over them. The poor man ruled his people well. One day he decided once more to try the Snake, the Rat, and the Parrot. So, followed by many servants, the king went to where the Snake lived.
At the call of “Snake!” out came the Snake from his hole, saying, “Here, O King, is your treasure; take it.” “I will,” said the king. “And I want you to come with me.” Then the king had his servants dig up the gold. Going to where the Rat lived, the king called, “Rat!” Out came the Rat, and bowing low to the king, the Rat said, “Take all the money buried here and have your servants carry it away.” “I will,” said the king, and he asked the Rat to go with him and the Snake.
Then the king went to where the Parrot lived, and called, “Parrot!” The Parrot flew down to the king’s feet and said, “O King, shall I and my family and my friends gather choice rice for you?” “Not now, not until rice is needed,” said the king. “Will you come with us?” The Parrot was glad to join them.
So with the gold, and the money, and with the Snake, the Rat, and the Parrot as well, the king went back to the city. The king had the gold and the money hidden away in the palace. He had a tube of gold made for the Snake to live in. He had a glass box made for the Rat’s home, and a cage of gold for the Parrot. Each had the food he liked best of all to eat every day, and so these four lived happily all their lives.


{% extends "base.html" %} {% block title %}Political representatives for this location{% endblock %} {% block content %}
{{ address }}
{% endif %}NOTE: Geocoding (converting a street address to a longitude/latitude point) and geolocating (determining your location from GPS or radio triangulation) are inexact sciences—this service is provided without warranty or guarantee of accuracy.
{% endblock %}


Changeset 465 for mystic/mystic/__init__.py
- Timestamp:
- 07/01/11 23:05:59 (5 years ago)
- File:
-
- 1 edited
-
mystic/mystic/__init__.py (modified) (5 diffs)
Legend:
- Unmodified
- Added
- Removed
-
mystic/mystic/__init__.py
r464 r465 78 78 79 79 You will be warned of any missing dependencies and/or settings 80 after you run the "build" step above. Mystic depends on numpy, 81 so you should install it first. Having matplotlib is necessary 82 for running several of the examples, and you should probably go 83 get it even though it's not required. 80 after you run the "build" step above. Mystic depends on numpy 81 and sympy, so you should install them first. There are several 82 functions within mystic where scipy is used if it is available; 83 however, scipy is an optional dependency. Having matplotlib installed 84 is necessary for running several of the examples, and you should 85 probably go get it even though it's not required. Matplotlib is 86 also required by mystic's "analysis viewers". 84 87 85 88 Alternately, mystic can be installed with easy_install:: … … 99 102 - python, version >= 2.5, version < 3.0 100 103 - numpy, version >= 1.0 104 - sympy, version >= 0.6.7 101 105 102 106 Optional requirements:: 103 107 - setuptools, version >= 0.6 104 108 - matplotlib, version >= 0.91 109 - scipy, version >= 0.6.0 105 110 - pathos, version >= 0.1a1 111 - pyina, version >= 0.1a1 106 112 107 113 … … 144 150 145 151 Important classes and functions are found here:: 152 - mystic.mystic.solvers [solver optimization algorithms] 153 - mystic.mystic.termination [solver termination conditions] 154 - mystic.mystic.strategy [solver population mutation strategies] 155 - mystic.mystic.tools [monitors, function wrappers, and other tools] 156 - mystic.mystic.forward_model [cost function generator] 157 - mystic.models [a collection of standard models] 158 - mystic.math [some mathematical functions and tools] 159 160 Solver and model API definitions are found here:: 146 161 - mystic.mystic.abstract_solver [the solver API definition] 147 162 - mystic.mystic.abstract_map_solver [the parallel solver API] 148 163 - mystic.mystic.abstract_nested_solver [the nested solver API] 149 - mystic.mystic.termination [solver termination conditions]150 - mystic.mystic.strategy [solver population mutation strategies]151 164 - mystic.models.abstract_model [the model API definition] 152 - mystic.models.forward_model [cost function generator]153 - mystic.mystic.tools [monitors, function wrappers, and other tools]154 - mystic.mystic.math [some useful mathematical functions and tools]155 156 Solvers are found here::157 - mystic.mystic.differential_evolution [Differential Evolution solvers]158 - mystic.mystic.scipy_optimize [Nelder-Mead and Powell's Directional solvers]159 - mystic.mystic.nested [Batch Grid and Scattershot solvers]160 165 161 166 … … 218 223 219 224 """ 225 __all__ = ['solvers', 'termination', 'strategy', 'munge', 'tools'] 220 226 221 227 # solvers 222 import differential_evolution, scipy_optimize, nested228 import solvers 223 229 224 230 # strategies, termination conditions … … 226 232 import strategy 227 233 234 # constraints and penalties 235 # import constraints 236 # import penalties 237 228 238 # monitors, function wrappers, and other tools 239 # import monitors 240 import munge 241 import tools 242 243 # backward compatibility 229 244 from tools import * 245 230 246 231 247 def copyright():
Note: See TracChangeset
for help on using the changeset viewer.


This text has been informed by ideas shared in a workshop at Poimu, a feminist antiracist studio space, on 15 November, 2019. We wish to acknowledge and thank those who contributed to this two-hour discussion: Danai Anagnostou, Pii Anttonen, Linda Ciesielski, Minna Henriksson, Eeti Piiroinen, Johanna Rojola, and one anonymous person.
Within the field of arts and culture, it is very rare to work in isolation. Our practices are propelled by our relationships. Being clear, explicit, and organised about needs is essential when entering any collaboration. In the Finnish art field, written contracts are rare, and artists and freelancers often end up doing a lot of unpaid work to communicate and establish their working conditions. We believe that those initiating the collaboration—i.e. institutions, curators, choreographers—should take responsibility for creating clear and understandable working conditions.
From our workshop, we gathered together these prompts in the hope that the scope and desires of the collaboration can be clearly articulated from the outset. Not all questions apply to every situation, however after both parties have answered the relevant questions, it is likely easier for an agreement to be drafted (then debated, and finalised through signing—it may also include a commitment to revisit key points like the fee and timeline throughout the project). The first step of any collaboration is agreeing upon a shared understanding. This list is long, contains a lot of important things, and undoubtedly many specific, individual needs, are still missing. We hope that this can function as a starting point for conversations about collaborations and contracts. We hope that artists can use this to think of their needs and wishes, and that institutions could read this and understand their responsibilities in changing the field for better by providing collaborators with clear and fair contracts.
In this way, we hope to foster healthier working cultures. We at FCH care about collectively creating conditions which would make people want to work together again in the future. We also want to create ways to support people’s refusal, if one’s needs are not able to be met. This could become apparent before the collaboration begins, or it might become clear during the working process that clearly articulated needs are not able to be met. Rather than feeling trapped, we instead suggest that dialogue and collective reflection be included in every project timeline.
Some of these questions and prompts are appropriate for longer term contract work, and might not be so useful for smaller gig work (like drawing a page of comics, writing 500 words, or giving a guest lecture). For a shorter version, in addition to the 1. Essentials, you might wish to approach a potential collaboration by responding to the following prompts:
“My needs are… I could negotiate about… Things that are important to me, that I would like to share, include…
We also encourage you to consider (and discuss) how to document the encounters that arise from this process—can all verbal communication be recorded, who is taking notes (and how are they recorded)?
What could collaborators value? The participants of our workshop valued the following, what else would you like to add to this list?
★ sincerity ★ working with people who care about how others are feeling ★ being told to take breaks / someone acknowledging our limits ★ diverse colleagues ★ humour ★ physical boundaries being respected ★ time-boundaries being respected (not being asked to work on free days) ★ scheduling free days ★ having the option to stay home if needed ★ having the option to not work in the office sometimes, meeting outdoors or somewhere else ★ an environment with no harassment, yelling, aggressive behaviour ★ having time to think and concentrate ★ discussion and sharing ★ seeing others’ exhibitions, performances etc, and learning from others in our collective working time ★ environmental consciousness / awareness of waste ★ being in situations where there are enough people to do the job / not being overburdened ★ having the time to situate together before beginning work ★ making sure the working environment is clean, warm and relaxed ★ communicating before moving onto the next stage / asking if people are ready ★ knowing others are being compensated fairly ★ regular check ins if we don’t know each other ★ having an agreement, payslips, and a job certificate ★ being given access to space outside of home for “productivity” ★ time for tea
1. Essentials For (precarious) artists and arts workers being approached to collaborate
Before beginning to work with you, I need to know… Choose from the list your essential needs, and add more if needed...
What is your aim? What is the job/task? What equipment is needed, and who provides it? What aspects of my work are meaningful to you, and why should we work together? Who else is part of this? How will my work be used? What is the schedule? What is the start date, and end date? How long does it take to prepare? Is this included in the fee? What is the fee? Is it the take-home fee, or will tax and employment costs be taken out from it1? What is the payment schedule? (for freelancers, we suggest requesting 25% payment upon signing the agreement, 50% when a key milestone has been reached, and 25% when the project has been delivered)
2: Making the details clear Now we have the basics (and I’m feeling good about what’s proposed), let’s discuss… Choose from the list and add more if needed.
Who is responsible for what? Is there a hierarchy, do I report to someone (and who do they report to)? How do we communicate (through which channels, and with what kind of advance notice)? When do we communicate (what are our limitations—i.e. no work on weekends, no emails after 17, no msgs after 21—and what are our predicted response times)? What is the budget? (we hope for total transparency in budgets, openly discussing who is being paid what, and including funds for materials, preparation, and copyright, if applicable) How is this being funded, where does the money come from? How do you intend to use my work? (suggest some limits on use—I won’t provide you with the copyright, but let’s discuss how, when, and for how long my work can be used) If you wish to use my work in other ways in the future, how will you contact me for permission? How do you approach putting limits on a collaborator’s artistic expression/censorship, are there instances where it has felt reasonable? If there is conflict, what methods do you use to resolve it / how do you approach mediation? At this stage, do you foresee particular difficulties or challenges arising in relation to the aims of the work? If the scope of the work goes beyond our predictions, how will the timelines and fees be negotiated/re-evaluated? How will this working process be documented (and how can I get copies?) Am I insured / do I have access to healthcare when I’m working for you? Is there something I need to share about medical conditions / allergies, and do I need to limit who knows and can share this information? Can you confirm I will not be liable for any loss or damage resulting from my work (e.g. if someone hurts themself when encountering my artwork when it’s under your care)? When I visit you, are there any emergency procedures I should be aware of? How to terminate (or suspend) the collaboration if needed, e.g. accident, illness, pandemic, censorship, or a conflict that can’t be resolved?
3. For institutions, organisations, and those approaching (precarious) artists and arts workers Before reaching out, it’s good to think about…
3.1 Inclusion
• Who else is involved, and what might they represent in terms of the diversity and inclusion of the project? • Am I thinking of collaborators as representing certain identities? Do they know how I’m thinking about them? Have I asked them if they are comfortable claiming this identity position in the context of this project? If they are, am I open to checking in regularly to see if this position still feels comfortable? • Safer space guidelines—do you have them/follow them, or do these need to be introduced to you? • Are there gender neutral spaces / toilets in places the group needs to frequent? • Is there time to agree on important language / terminology, and acknowledge terms that might be hurtful or problematic? • Can you confirm the workplace enforces anti-discrimination laws?
3.2 Practicalities to get started
• Let’s discuss accessibility needs • Let’s discuss boundaries and needs related to boundaries • Who amongst us has knowledge about working with diversity, and who will do the education? • Is this a diverse working group, and if not, (how) can this be changed? • How would you like to work—in which locations; in which kinds of environments (quiet, consistent, familiar, not stressful, solitary, with others); with what tools (that I provide, that you provide)? • (When) is it possible for children, dogs/other animals, others we care for, to join us in the working space? • How do we begin our meetings? Can we agree to make introductions (names, pronouns, a quick introductory sentence) whenever new people join us? • If people misgender our collaborators, can we step in, correct them, accept their apology, and move on? • Can we acknowledge the need for breaks, and decide who is responsible for making sure they are taken? • Who will plan our time together? In the agenda, include introductions, recap, and checking in, as well as the topics to be discussed. • Who will take/share meeting notes, and the list of tasks/responsibilities that need to be completed before we next meet? Can this be a collective task that rotates through the group? • Keeping track of hours: let’s work together to come to shared and realistic understandings of the time certain tasks take (not under-scoping the job to fit the budget). • Before we end a meeting, let’s recap: what was said / what was meant / how was it heard / discussion • How do we end our meetings? Let’s check in, ask if everyone understands what their responsibilities are, and ask if anything feels unresolved, or lingering, or stressful. • Does anyone need to apologise for, or acknowledge, their behaviour? • Are we all stressed, and how can we deal with that? Do we need to scream together, take some time to be alone, look at a body of moving water, move our bodies so we sweat, listen to music, treat ourselves, think about what we’re thankful for, recognise people’s contributions?
3.3 Reflection
• Can we schedule collective time to reflect on the aims / goals of the project, before it begins? • Can we schedule time to reflect, during the project (quarterly, if the project feels “long term”) • Can we also commit to scheduling a critical reflection after ‘the thing’ is done (and pay everyone for their time)? In this, can we identify ways to do things differently, and commit to building these into future processes (not just conveniently forgetting them and going back to how things are always done, because it’s less work) • Is there a need for—or an opportunity to include—professional guidance, mentoring, an “outsider” to audit or facilitate our processes? • Can we ask about people’s needs at the end of the project—if they are burned out, what would be a nice gesture? Do they need other work—how could we help? • In doing so, can we also consider different currencies—are there other resources that can be offered, in addition to money? In addition to willingly writing a kind and genuine recommendation letter afterwards, could we commit to providing a support letter or reference for a future grant application, read an application, make an introduction, send an invitation?
3.4 Acknowledgements NB Let’s be aware that acknowledgements and celebrations shouldn’t just happen at the conclusion of a project!
• Can we acknowledge the different conditions under which people are working, and the different resources we have (ie people with salaries might be fine to go to lunch after a meeting, but this could be a big pressure on people who are receiving a small fee) • How should we acknowledge everyone’s work—publically, internally, amongst others in the field, online, archivally? Note to discuss image credits/acknowledgement line when reproducing/promoting the work. • How should we celebrate everyone’s work—publically, internally, amongst others in the field, online, archivally? How to keep track of everyone involved, and make sure everyone is included in the celebrations? • Can we look at the tracked hours, the tasks that were done, and the meetings we had, and acknowledge any differences between what was predicted in the original agreement, and what happened? Can we detail these discrepancies in a retrospective agreement, and agree to use this in future iterations of the job?
We welcome your feedback as we continue to refine these tools<EMAIL_ADDRESS>FURTHER READING
Mentorship Toolbox for Artists. Co-authors and editors: Anne-Sofie Ericson, Anna Grip, Hanna Hedman, Albin Hillervik, Emelie Johansson, Peter Mills, Lisa Nyberg, Bodil Persson, Isaac Spencer & Rachel Tess. Milvus Artistic Research Center & SITE Stockholm, 2019. http://sitesweden.se/wp-content/uploads/2019/06/Mentorship-Toolbox.pdf The work of Rosalie Schweiker http://rosalieschweiker.info/ The work of Sophie Chapman and Kerri Jefferies https://www.sophieandkerri.com/ Training for Exploitation? Politicising Employability & Reclaiming Education by Precarious Workers Brigade http://joaap.org/press/trainingforexploitation.htm Art Workers—Material Conditions and Labour Struggles in Contemporary Art Practice. Co-written by Minna Henriksson, Erik Krikortz and Airi Triisberg http://www.art-workers.org/ Night Schoolers: Polyphonic Texts—Unionising Toolkit. Giovanna Esposito Yussif, Minna L. Henriksson, Elina Juopperi, Karolina Kucia, Christine Langinauer, Lauri Mattila, David Muoz, Minna Pöllänen, Martta Tuomaala, and Elina Vainio.
1 f you are not an entrepreneur, you can use online invoicing services to make an invoice, but please note that these services will take a percentage of your fee. We believe institutions should cover this, if they insist on receiving invoices from artists and freelancers. Alternatively, you can ask to be paid as a freelancer with your tax card (if you have one). In this case, request that the tax be added on top of the take-home fee. Employers should also pay the other employer costs, such as insurance, on top of the fee.
NB In Finland, art institutions can apply for specific funding that is solely reserved for fees paid to artists.


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My name is Dipendra Khatri. Currently, I am working as a Database Administrator in a Navy Base near Seattle, WA and attending Software Development bootcamp after work. I was in the military for 4 years and also held some customer facing positions after getting out of the military. I like front-end development and I am also interested in machine learning (AI stuff). That’s why I am learning JavaScript followed by Python which are offered in the evenings and also fit my schedule. My ideal environment to use my software development skills would be one of the various fields like defense, real estate, e-commerce, cloud services where I can grow my skills with a decent work-life-balance.
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