ArchiveTool
The ArchiveTool is used to create or extract .ezArchive
files. Archives are similar to zip files, they contain all the files in a folder, using compression. ezArchive files can be mounted at runtime as data directories.
ezArchive Format
The internal structure of ezArchives is optimized to make mounting as a data directory extremely efficient. The files are memory mapped and file lookups are faster than for regular folders. Each file in the archive may use compression or not, depending on whether it would make sense for the particular file. Different compression algorithms are possible, though the main compression used is zstd which yields good compression and is extremely fast to decode.
Usage
The ArchiveTool is a command line tool.
Default Usage
The most convenient way to use it, is to pass a single path as the only argument:
ArchiveTool.exe C:/my/data
When the path points to a folder, it will compress the folder and store the ezArchive file next to it. In the example above: C:/my/data.ezArchive
ArchiveTool.exe C:/your/data.ezArchive
When the path points to an existing archive, the tool will extract the data to a folder next to the file. In the example above: C:/your/data
All Options
The following options allow you to be more specific:
- -pack
"path/to/folder"
"path/to/another/folder"
... - -unpack
"path/to/file.ezArchive"
"another/file.ezArchive"
- -out
"path/to/file/or/folder"
-pack and -unpack can take multiple inputs to either aggregate multiple folders into one archive (pack) or to unpack multiple archives at the same time.
-out specifies the target to pack or unpack things to. For packing mode it has to be a file. The file will be overwritten, if it already exists. For unpacking the target should be a folder (may or may not exist) into which the archives get extracted.
If no -out is specified, it is determined to be where the input file is located.
If neither -pack nor -unpack is specified, the mode is detected automatically from the list of inputs:
- If all inputs are folders, mode is going to be 'pack'.
- If all inputs are files, mode is going to be 'unpack'.
Examples
Pack all data in "C:\Stuff" into "C:\Stuff.ezArchive":
ArchiveTool.exe "C:\Stuff"
Pack all data in "C:\Stuff" into "C:\MyStuff.ezArchive":
ArchiveTool.exe "C:\Stuff" -out "C:\MyStuff.ezArchive"
Unpack all data from the archive into "C:\Stuff"
ArchiveTool.exe "C:\Stuff.ezArchive"
Unpack all data from the archive into "C:\MyStuff"
ArchiveTool.exe "C:\Stuff.ezArchive" -out "C:\MyStuff"


Pat's Salmon Cookie Shops
Sales
Home
About
Calculate Store Data
Name of Location:
Minimun Customers:
Max Customers:
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Add Store Info!


Story by Mark J. Kunerth
Teleplay by Richard Goodman
Transcribed by: Eric Aasen
[Scene: Monica and Rachel's erm, Chandler and Joey's, Chandler is watching TV, and we hear Mr. Treeger in the bathroom.]
Mr. Treeger: Ohhh, man!!
Joey: (coming in from his bedroom) What is that?
Chandler: Treegers snaking the shower drain.
Mr. Treeger: What in the name of hell?
Joey: Maybe he found you flip-flop.
(Joey sits down and changes the channel, and we see two people making out.)
Chandler: Hey!
Joey: Whoa! Is this porn? What did I do? I mustve hit something on the remote.
Chandler: Do we pay for this?
Joey: No, we didnt even pay our cable billmaybe this is how they punish us.
Chandler: Maybe we shouldnt pay our phone billfree phone sex.
Joey: Maybe we shouldnt pay our gas bill? (Stops and thinks about what he just said.)
Mr. Treeger: (coming in from the bathroom) Whoa, hey, that ladys all kinds of naked.
Chandler: Yeah, Joey just pressed something on the remote and it just, came on!
Mr. Treeger: Yeah, it happened to me once. I was just flipping through the channels and bam! It was like finding money.
Chandler: Like finding money with naked people on it!
Mr. Treeger: Then I made the mistake of turning off the TV, I never got it back again. And Im sad. (Exits.)
Joey: (to Chandler) Why would he turn off the TV? (Chandler shrugs.)
Opening Credits
[Scene: Monica and Rachel's erm, Chandler and Joey's, later that morning. The porn is still on, there are three women getting ready to shave the chest of some guy. Joey and Chandler are wondering why that guy is letting them shave his chest, and Monica and Rachel are eating breakfast at the foosball table.]
Rachel: All right, yknow what, come on, do we really have to watch this while we eat? (She makes a move for the remote.)
Joey and Chandler: (stopping her) Oh no-no-no-no!
Chandler: We dont know what could make this go away.
Joey: Yeah, so no one touches the remote. And no one touches the TV!
Chandler: And no one touches the air around the TV!

Monica: Well at least, Im going to mute it.
Joey and Chandler: Oh no-no-no! (Monica mutes the TV and they tentatively look behind them)
Chandler: We still have porn.
Joey: Hey.
Phoebe: (entering, carrying her massage table) Hi!
Monica: Hi!
Rachel: Honey, what are you doing? Thats too heavy.
Phoebe: Yeah.
Rachel: Give it here. (She takes the table.) Oh, God. (And gives it to Monica right away.)
Monica: Okay.
 Yknow, I have to find a job where I carrying a smaller table. (She goes over and stands in front of the TV.)
Chandler: Or a job where you dont have to carry a table.
Phoebe: You mean like a doctor?
Joey: Pheebs! Youre blocking the porn! Look out!
Phoebe: Ohh! (She moves.) Oh my. Oh, that reminds me, I have to see my OB-GYN today.
[Scene: Chandler and Joey's erm, Monica and Rachel's, Ross is entering.]
Ross: Hi.
Monica: Hi.
Ross: So uh, Emily just went to the airport.
Monica: Oh. Why didnt you take her?
Ross: Eh, her-her uncle already had planned on doing it. And yknow, we-we said our good-byes this morning, so
Monica: You must feel horrible. Hey! The guys have free porn!
Ross: (Thinks about it.) Nah.
Monica: Hey, cheer up! Youre gonna see her again, right?
Ross: Well I, thats the thing, I dont know! I mean, whenever I brought it up with her she said, (In a British accent.) "This is so fantastic! Why do we have to talk about the future? Lets just enjoy "
Monica: (interrupting him) No-no-no, dont-dont do the accent. Youve got to see her again.
Ross: And why do you care so much?
Monica: Because! You could get to live out my fantasy!
Ross: You had fantasies about Emily?
Monica: No! Yknow, the fantasy! Meet someone from a strange land, fall in madly love, and spend the rest of your lives together.
Ross: Is that why in junior high you were the only one that hung out with that Ukrainian kid?
Monica: Yeah that, plus his mom used to put sour cream on everything!
Ross: Ahh.
Monica: Do you love her?
Ross: We said it was only going to be two weeks, yknow?
Monica: You love her!
Ross: What-what is love really?
Monica: Ohhh, I knew you loved her! Then you need to go to the airport and tell her.  Youre gonna call out her name and say, "I love you!" And shes gonna say, "I love you, too!" And you guys are going to have the most amazing kiss, everyone at the gate will applaud.
Ross: I am a good kisser.
Monica: Then you two can, can sneak into the cockpit, and things will start to heat up, and then a stewardess comes in (Ross looks at her.) Ive been watching too much porn.
[Scene: Beth Israel Medical Center, Phoebe is at her OB-GYN doing an ultrasound, Rachel is with her. We here the babys heartbeat.]
Rachel: Is that the heartbeat?
The Doctor: Thats it.
Phoebe: Oh my God!
Rachel: Oh wow! This is so cool.
(The heartbeat changes, and we hear a different one.)
The Doctor: Have we talked about the possibility of multiple births?
Phoebe: Why dont take care of this one, and should I get pregnant again, Ill hold onto your card, okay?
The Doctor: No, Im getting three separate heartbeats.
Phoebe: Three? You guys were worried I wouldnt even have one!
The Doctor: Doctors are wrong all the time.
Phoebe: Well, yeah.
Rachel: Well, so, are-are you sure that there are three?!
The Doctor: Definitely. (Points out each head on the ultrasound.)
Phoebe: Oh my God! Oh my God! Oh my God!! So I-I mean so in a few months Im going to have three full grown babies just walkin around inside me?! Oh! Oh! And its gonna be one of those log rides where they just come shooting out!
The Doctor: Actually, giving birth to three babies isnt that different from giving birth to one.
Phoebe: What do you know?!
[Scene: Central Perk, Phoebe is there, waiting to tell Frank and Alice the news.]
Alice: (entering) Oh-oh, Phoebe!
Phoebe: Ooh! Hi!
Alice: Hi! (She runs over and hugs Phoebes stomach.) So, how did it go at the doctors?

Frank: Yes.
Phoebe: Okay, yeah well, good news, youre going to have three babies.
Alice: Three babies?
Frank: I finally got my band!
Alice: Were gonna have a big family, Ive always wanted a big family!

Frank: Why would we be freaked?
Phoebe: No, no maybe cause its harder to raise them, and the added expense, and
Frank: (Theyre less than happy now) Oh.
Alice: Right.
Phoebe: No, back to happy. Back to happy!
Alice: No-no-no, no, its going to be fine. Because umm, because I teach Home Ec, and uh, I can have 30 kids making baby clothes all year long. Yknow itll-itll be like my very own little sweatshop.
Frank: Yeah, Ive been thinking ever since you said we were having triplets, the best thing for me to do is to drop out of college and get a job.
Alice: No, Frank.
Phoebe: No you cant quit college! No! Youre in college? Really?
Frank: Yeah, refrigerator college.
Alice: Yeah.
Frank: Yeah, yknow when we found out we were going to have a baby, yknow I figured yknow like I should yknow have like a careerand I love refrigerators!
Phoebe: You cant give up on your dream.
Frank: No, its okay. Were-were gonna have three kids! And thats-thats a different kind of dream. Three kids and no money.
[Scene: The airport, Emily is getting ready to board her flight to London.]
Ticket Agent: (On the P.A.) This is the boarding call for Flight 009.
Ross: Emily! (Runs up.)
Emily: Oh my God! What are you doing here? (They hug)
Ross: I just, I had to see you one more time before you took-off.
Emily: You are so sweet. (They kiss.)
Ross: Thats, thats, thats a big candy bar. (Shes holding one of those huge Toblerone bars.) I had the most amazing time with you.
Emily: Me too.
Ticket Agent: This is the final boarding call for Flight 009.
Emily: Well, that me. (They kiss again.) Here, have this. (She gives him the candy bar.) Im only allowed one piece of carryon anyway. (She starts towards the jetway.)
Ross: (stops her) Wait uh, listen. I-I, I have to tell you something. Umm, Ive been thinking, Im just gonna come out and say it. Okay? I-I-I ah, I-I think I love you.
Emily: Oh. (Shes shocked and hugs him.) Thank you. (She boards the plane.)
Ross: Thats no problem.
Commercial Break
[Scene: Monica and Rachel's erm, Chandler and Joey's, Rachel is singing some kind of song.]
Rachel: Whats that song? It has been in my head all day long.
Chandler: Its the theme from Good Will Humping.
 My new boyfriend Joshua.
Joey: Yeah right.
Rachel: No, he told me. He prefers to leave certain things to the imagination.
Chandler: Oh-oh, yeah, and did he also say that ah, some of the dialogue was corny and that he actually found it was funny and not sexy?
Rachel: Yes!
Joey: Yeah, he likes porn.
(Rachel starts to leave.)
Monica: Where ya going?
Rachel: Im going to find out if he really thinks supermodels are too skinny. (As she exits, Phoebe enters.) Hey, Pheebs!
Phoebe: Hey.
Joey: Hey!
Monica: How did it go with Frank and Alice?
Phoebe: Well, Frank has to quit college because his super fertile sister is having three babies! I need to make a lot of money really fast, and I had an idea that I want to talk to you (Points to Chandler) about, cause you work for a big company. Okay, insider trading, what information is there that you can give me.
Chandler: They dont really talk to us about that kind of stuff. I can get you some free white out though.
(Ross enters.)
Monica: Ohh! Did you do what I said? Did-did-did you tell her?
Ross: I did.
Monica: And well, what did she say?
Ross: Thank you.
 Whatd she say?
Ross: She said, "Thank you." I said, "I love you." And she said, "Thank you."
Chandler: Whoa-whoa, wait a minute, did you say, you love her?
Joey: Yeah, what were you trying to get her to do?!
Ross: What do I do now?
Joey: You play hard to get.
Ross: She already lives in London.
Joey: Then you go to Tokyo.
Chandler: All right look, forget it, forget it.
Monica: It is not over! Youre over!
Chandler: What?
Monica: You know!
Chandler: Okay. (Pause) Good one.
 And the reason why she couldnt, is because her feelings were so strong, it scared her. Now you go home and wait for her call, she could be calling you from the plane! Come on now go! Go! (Tries to push Ross out the door.)
Ross: Okay! Okay! But if she doesnt call, it is definitely over! No, wait. Wait. Unless, eventually, I call her, yknow just to she whats going on, and, and she says shell call me back, but then she doesnt. Then its over.
(Joey holds his fist up, and Chandler gives him two thumbs up.)
Joey: Way to be strong, man!
(Ross leaves, and after the door closes, Joey gives him the loser sign.)
[Scene: Chandler and Joey's erm, Monica and Rachel's, Chandler and Joey enter having just woken up.]
Rachel: Hey!
Chandler: Hi! Listen, can we watch cartoons on your television? We need a porn break. We spent the last two hours watching In & Out & In, Again.
Rachel: Well, so, why dont you just turn it off?

Phoebe: (entering carrying a case) Ooh, good, youre hear! Okay.
Monica: Hey!
Phoebe: Hi!
Rachel: Well, what-what cha got there?
Phoebe: Oh this, well Im glad you asked. (She opens the case and removes a knife and an soda can.)  (She efficiently cuts it in half.) Ahh!
Monica: Phoebe, they didnt make you pay for those knives, did they?
Phoebe: No!
Monica: Are you sure?
Phoebe: No!
Rachel: Honey, youre not gonna make enough money to help Frank and Alice just by selling knives.
Phoebe: No-no, I know that, but I just have to make enough money for the second part of my plan.
Chandler: Whats the second part of your plan?
Phoebe: My Saturn dealership.
[Scene: Rosss bedroom, he has fallen asleep waiting for Emily to call. He is awaken by the phone.]
Ross: (Answers the phone.) Hello?
Emily: Ross.
Ross: Emily, hi! Uh, how-how was you flight?
Emily: It was dreadful. I felt terrible about how I acted when you said those wonderful things.
Ross: No, no, that-that, thats all right. Umm, Im just glad you called.
Emily: Ross umm, theres something that Ive got to tell you, theres-theres someone else.
Ross: Does that mean the same thing in England as it does in America?
[Scene: Monica and Rachel's erm, Chandler and Joey's, Ross is relating his recent conversation with Emily to the gang.]
Ross: She doesnt know which one of us she wants, me or this Colin guy.
Monica: This isnt how its supposed to go, there cant be another guy.
Ross: Well
Monica: Of course theres another guy!! This is even more perfect! Now you have to prove your love!
Ross: Im not proving anything. Okay, Im done listening to you. If I hadnt let you talk me into going to the airport in the first place, I never wouldve put my fist through the wall!
Chandler: You put your fist through the wall?
Ross: No, I missed and hit the door. But, it opened really hard!
Monica: You have to go to London!
Ross: What?
Monica: Yeah, you have to go fight for her!
Joey: Oh yeah, sure, that makes sense. Yeah.
Monica: When Rachel was with Paulo, what did you do?
Ross: I made fun of his accent.
Monica: You sat back and let him have her, you didnt fight at all. Am I right? Do you want the same thing to happen with Emily?
Ross: No.
Monica: All right then, go fight for her! Go to London! I mean, that could be you and Emily! (Points to the TV.) That, but-but nicer. Just, go to London!
Ross: Really?
Monica: Come on! Surprise her! Show up at her doorstep! Dont let her go without a fight!
Ross: All right. All right, Im gonna do it!
Monica: All right.
Ross: Im gonna, Im gonna go to London and Im going to fight for her.
Monica: Okay, good luck!
(Ross starts to leave.)
Joey: Ross! Ross! If youre going to the airport, could you pick me up another one of those Toblerone bars? (Chandler nods his head no.)
[Scene: Chandler and Joey's erm, Monica and Rachel's, Monica, Joey, and Chandler are sitting and talking as Phoebe and Rachel enter.]
Rachel: Hey!
Phoebe: Ooh-Ooh! I did it! I did it! I figured out a way to make money!  And! We can work it around his schedule so he doesnt have to quit school!
Monica: Thats sounds great, but how are you going to afford it?
Rachel: Well, we were walking down the street and we saw that van that you guys used for catering and we realised
Phoebe: Im telling it! Im telling it!
Rachel: Okay.
Phoebe: Okay. You know how people need transportation, but they also need massages to help them relax so I just figured we could combine the two, okay, I give the massages and Frank drives! I can fix up the van, bolt the table in the back, and you know what Ive got?

Phoebe: No! Think about it, its a taxi that people take when they need to relax, its
Rachel: (interrupting) Relaxi-Taxi!
Phoebe: The name was my favourite part!
Rachel: Well, well I can up with it!
 Oh! No! You came up with Relaxi Cab! Thats not good.
Rachel: Well, I
(The phone rings and Monica answers it.)
Monica: Hello.
Ross: (on phone) Hey.
Monica: Oh my God! Ross, are you in England? Was Emily surprised?
[Cut to Ross in one of those British phone booths.]
Ross: No, because she hasnt come home yet. And she hasnt been home all night!
Monica: All right. When is, when is the next flight out?
Ross: About four hours.
Monica: Okay, just stay there a couple more hours and if she doesnt show up by then, then just come on home.
Phoebe: Hey, tell him about Relaxi-Taxi, and-and ask him if he thinks thats better than Relaxi Cab.
Rachel: Okay, its not Relaxi Cab. Its Relaxicab, like taxicab.
Phoebe: Oh, that is better.
[Scene: Monica and Rachel's erm, Chandler and Joey's, later that same night. There is a knock on the door and Chandler answers it to reveal Emily standing behind it.]
Chandler: Are we in London?
Monica: What are you doing here? You cant be here!
Emily: Ive uh, Ive come to talk to Ross.
(She sets her bag down on the foosball table and Joey sees the Toblerone bar sticking out of it and gazes longingly at it.)
Emily: What?
Joey: (pause) Nothing. No, nothing.
 I knew it! (Points at Chandler) I was right! (Points to Emily) Im right, right?
Emily: Id really rather talk to him.
Monica: Oh.
Emily: I uh, Ive been to his apartment and he wasnt there, and uh. I need to talk to him, so do you have any idea where he is?
[Cut to London, we sit Ross sitting outside Emilys apartment. We hear Emilys phone ring with amazing clarity. Apparently, sound travels quite easily through the walls of British buildings. Anyhoo, Ross looks around for the ringing phone and in the meantime Emilys answering machine picks up and once again with amazing clarity we hear Emily say ]
Emily: Ross, are you there? Ross, I dont know if you can hear this but (Ross has moved to the window, apparently so that he can hear better.) Im gonna talk anyway, uh, Im in the States with you sister and your friends and its all over with Colin.  Uh, I came here to tell you that I love you.
Ross: (yelling, thinking Emily can hear him through the answering machine all the way to New York.) I love you too! Im, Im gonna call you right now from the phone booth! (Realises) You cant hear me. (Goes to make his call.)
Emily: I wish I could know if youd heard any of that. I suppose Ive either just told you I love you or given my neighbours a good laugh. Mrs.  I suppose theres not much chance you did heard that, and theres the call waiting so, I should go. Oh well. (Answers the call waiting.) Hello.
Ross: Hi.
Emily: Ross, I love you!
Ross: Ohh! Thank you.
Closing Credits
[Scene: Monica and Rachel's erm, Chandler and Joey's, Joey is still watching the porn as Chandler enters.]
Chandler: Hey.
Joey: Hey.
Chandler: I was just at the bank, and there was this really hot teller, and she didnt ask me to go do it with her in the vault.
Joey: Same kind of thing happened to me! Woman pizza delivery guy come over, gives me the pizza, takes the money, and leaves!
Chandler: What, no, "Nice apartment, I bet the bedrooms are huge?"
Joey: Noo! Nothing!
Chandler: Yknow what, we have to turn off the porn.
Joey: I think youre right.
(Goes over and picks up the remote.)
Chandler: All right, ready?
Joey: One.
Chandler: Two.
Both: Three.

Joey: Thats kinda nice.
Chandler: Yeah, thats kinda a relief.
Joey: Yeah.
(Pause.)
Chandler: You wanna see if we still have it?
Joey: Yeah.
(Chandler turns on the TV and )
Chandler: FREE PORN!!!
Joey: Yeah!!
Chandler: We have free porn here!!!
End


{% extends "layout.html" %} {% block page_title %} Additional information {% endblock %} {% block content %} {% include "../includes/phase_banner_alpha.html" %} Additional information Include anything else that explains how your condition or disability affects you. {% include "../includes/help.html" %} {% endblock %}


Database Initialization
In RDO.Data, database creation and initialization are extensively supported. You can:
- Generate database with all tables, or subset of tables, to any specified destination, with or without initial or testing data;
- Generate DataSet (C# or VB code) from existing database so that you can use existing external database editing tool such as SQL Server Management Studio to edit initial or testing data, then save these data into DataSet source code.
You application should have a separate console application project to handle database creation and initialization. This project:
- By convention is named with a
.DbInit
suffix; - References DevZest.Data.DbInit nuget package;
- Call RunDbInit at entry point;
- Defines classes derived from DbSessionProvider<T>, DbGenerator<T> or DbMock<T>.
RDO.Tools runs this console application project from Visual Studio, just like unit test runner runs your unit test project. For detailed information, please refer to Tutorial
and AdventureWorksLT
samples.
Database Session Provider
Database session provider is your class derived from DbSessionProvider<T>. It creates your Db
object as the destination to create and initialize your database. The following is an example of database session provider:
[EmptyDb]
public sealed class _DevDb : DbSessionProvider<Db>
{
public override Db Create(string projectPath)
{
var dbFolder = Path.Combine(projectPath, @"LocalDb");
string attachDbFilename = Path.Combine(dbFolder, "AdventureWorksLT.Design.mdf");
File.Copy(Path.Combine(dbFolder, "EmptyDb.mdf"), attachDbFilename, true);
File.Copy(Path.Combine(dbFolder, "EmptyDb_log.ldf"), Path.Combine(dbFolder, "AdventureWorksLT.Design_log.ldf"), true);
var connectionString = string.Format(@"Data Source=(localdb)\MSSQLLocalDB;AttachDbFilename=""{0}"";Integrated Security=True", attachDbFilename);
return new Db(connectionString);
}
}
public sealed class DevDb : DbSessionProvider<Db>
{
public override Db Create(string projectPath)
{
var dbFolder = Path.Combine(projectPath, @"LocalDb");
string attachDbFilename = Path.Combine(dbFolder, "AdventureWorksLT.Design.mdf");
var connectionString = string.Format(@"Data Source=(localdb)\MSSQLLocalDB;AttachDbFilename=""{0}"";Integrated Security=True", attachDbFilename);
return new Db(connectionString);
}
}
The above example code declares two destinations: _DevDb
and DevDb
. They both point to LocalDb/AdventureWorksLT.DbInit.mdf
database, relative to current project folder. However, _DevDb
is decorated with EmptyDbAttribute indicating it's an empty database, whereas DevDb
is a existing database with tables created/initialized. The later one is used to generate DataSet from database.
You can also define database session provider for production environment:
[EmptyDb]
public class _PrdDb : DbSessionProvider<Db>
{
public override Db Create(string projectPath)
{
var connectionString = string.Format($"Server=<IP_ADDRESS>,4000;Database=AdventureWorksLT;User Id=sa;Password={Password};");
return new Db(connectionString);
}
[Input(IsPassword = true)]
public string Password { get; set; }
}
Your source code should not contain any sensitive data such as database connection password. You can use InputAttribute to decorate a public settable string property so that the runner can prompt the user to enter the value, or read value from environment variable, when executed.
You can generate database from database session provider, with all tables and without initial data. In Visual Studio, right click your database session provider class source code which decorated with EmptyDb
attribute (as _DevDb
in previous example), to show the context menu:
Click Generate Db...
from context menu, the following dialog will be displayed:
Click OK
button, the database will be created:
Database Initializer
A database initializer is a class that takes care of database creation and initialization. You can initialize your database with all tables via deriving your database initializer class from DbGenerator<T> class, or you can mock your database with subset of tables via deriving your database initializer class from DbMock<T> class:
- DbGenerator<T> is concrete class, can be used directly with database session providers. The preceding database generation example is using this class implicitly. You can optionally call SetData in InitializeData override.
- DbMock<T> is abstract class, must be derived to override Initialize to call Mock to specify table(s) and/or data explicitly.
You can generate the database from your database initializer class by right clicking the source code in Visual Studio, as described in previous example.
Both SetData and Mock methods accept a delegate to provide initial/testing data. This delegate must be a static method which returns a DataSet:
public sealed class MockSalesOrder : DbMock<Db>
{
private static DataSet<SalesOrderHeader> Headers()
{
...
}
private static DataSet<SalesOrderDetail> Details()
{
...
}
protected override void Initialize()
{
// The order of mocking table does not matter, the dependencies will be sorted out automatically.
Mock(Db.SalesOrderDetail, Details);
Mock(Db.SalesOrderHeader, Headers);
}
}
If your database initializer class contains any static method returns DataSet, right clicking the source code in Visual Studio will display Generate DataSet(s)...
context menu:
Click Generate DataSet(s)...
context menu item, the following dialog will be displayed:
You can use existing external database editing tool such as SQL Server Management Studio to edit initial or testing data, then select the existing database from DbSessionProvider
, after clicking button OK
, the static methods will automatically populated with code to initialize the DataSet:
private static DataSet<SalesOrderHeader> Headers()
{
DataSet<SalesOrderHeader> result = DataSet<SalesOrderHeader>.Create().AddRows(4);
SalesOrderHeader _ = result._;
_.SuspendIdentity();
_.SalesOrderID[0] = 1;
_.SalesOrderID[1] = 2;
...
_.ResumeIdentity();
return result;
}
private static DataSet<SalesOrderDetail> Details()
{
DataSet<SalesOrderDetail> result = DataSet<SalesOrderDetail>.Create().AddRows(32);
SalesOrderDetail _ = result._;
_.SuspendIdentity();
_.SalesOrderID[0] = 1;
_.SalesOrderID[1] = 1;
...
_.ResumeIdentity();
return result;
}


Can you drive a nail into a board using a Phillips-head screwdriver?
Yep. But it'll suck.
Great design patterns are reusable, modular expressions of what's going on in your code. They allow you to communicate to other developers simply by the way you code, in addition to being easily maintainable themselves. Put simply, patterns are the available tools in the developer's toolbox.
There are hundreds of design patterns that can be leveraged for use here in your code base. Ain't nobody got time for that, so we'll cover only a few that are pretty different from one another, but are prevalent in applications, to get a glance at what's out there.
You are already familiar with this pattern. Trust me. It's one of the most common patterns on the web.
There can be only one....instance of this object.
A facade is exactly what it sounds like: makeup on a bulldog. You're covering over complex, ugly things with a simplified interface for future, more scalable development.
This pattern is useful for action-oriented objects.
The factory pattern lets you encapsulate multiple types of objects within a categorical constructor.
This is a pattern that we've talked about previously, within the context of Ember. But how can you implement a publish/subscribe model yourself? And when should you?
Delegates are a pattern that allow for event-like communication between components.
This is one of the most fundamental design patterns in the JavaScript universe. It's primary use is to include both private and public variables within a single class-like object while at the same time protecting the private methods/properties from the application.
Modules accomplish this encapsulation by using closures to protect the private pieces while allowing the developer to determine which pieces of the object should be publicly exposed to the rest of the application.
var myModule = (function () {
var myProperty = 'Value';
return {
getProperty: function () {
return myProperty;
},
setProperty: function (newValue) {
myProperty = newValue;
}
};
})();
myModule.getProperty(); // Returns 'Value'
myModule.setProperty('New Value');
myModule.getProperty(); // Returns 'New Value'
My return object is going to get a bit messy....
var myModule = (function () {
var myProperty = 'Value';
function getProperty () {
return myProperty;
}
function setProperty (newValue) {
myProperty = newValue;
}
return {
get: getProperty,
set: setProperty
};
})();
myModule.get(); // Returns 'Value'
myModule.set('New Value');
myModule.get(); // Returns 'New Value'
Everything. <\sarcasm>
But really.
The singleton pattern is extremely useful if you only one instance of the object to ever exist. Basically, what occurs within the Singleton pattern is that you write your object, and then as a part of that object, you have an additional method. This function simply checks if an instance of the object already exists. If it does, use that instance. If not, then create a new one and store the reference.
var mySingleton = (function () {
var instance,
myProperty = 'Value';
function getProperty () {
return myProperty;
}
function setProperty (newValue) {
myProperty = newValue;
}
function initialize () {
return {
get: getProperty,
set: setProperty
};
}
return {
getInstance: function () {
if ( !instance ) {
instance = initialize();
}
return instance;
}
};
})();
var moduleA = mySingleton.getInstance();
var moduleB = mySingleton.getInstance();
moduleA.get(); // Returns 'Value'
moduleB.set('New Value');
moduleA.get(); // Returns 'New Value'
Application Instances.
The facade pattern is often paired with other patterns to add an extra layer of security while at the same time providing a simpler interface to the underlying functionality.
var myFacade = (function () {
var myProperty = 'Value';
function getProperty () {
return myProperty;
};
function setProperty (newValue) {
myProperty = newValue;
}
return {
get: function () { return getProperty(); },
set: function (newValue) { setProperty(newValue); }
};
})();
One of the most prevalent uses of the Facade pattern ever: jQuery
The command pattern completely separates the implementation and execution of methods. Usually, in order to execute a method, you directly invoke the method itself. The command pattern takes the name of the method to execute as an argument into an "execute" or "run" method on the command object, applying the rest of the arguments list to the function being invoked.
In most programming, objects represent nouns. In the command pattern, objects are verbs.
var myCommand = {
requestData: function (id, attribute) {
return 'Data attribute ' + attribute + ' has been requested for object ' + id + '.';
},
clearData: function (id, attribute) {
return 'The data attribute ' + attribute + ' has been reset for object ' + id + '.';
}
}
myCommand.run = function (command) {
return myCommand[command.request](command.id, command.attribute)
};
/*
Alternatively, the run function could look like this, which would pass extra arguments in order to the requested command:
myCommand.run = function (command) {
return myCommand[command].apply( myCommand, [].slice.call(arguments, 1));
};
or for argumentless commands, you can go even simpler:
myCommand.run = function (command) {
return myCommand[command]();
}
*/
Command Line Interfaces for Node.js
The factory pattern is as a interface that can be used to create objects, usually which belong to a set or category. The factory takes in the attributes of the object to be created, and then returns a new instance of our object.
function Manager ( config ) {
this.name = config.name || 'Michael Scott';
this.role = config.role || 0;
this.user = config.user || 'MichaelScott123';
}
function Contributor ( config ) {
this.name = config.name || 'Bob Smith';
this.role = config.role || 1;
this.user = config.user || 'BobSmith123';
this.mngr = config.mngr || 'MichaelScott123';
}
function Contractor ( config ) {
this.name = config.name || 'John Doe';
this.role = config.role || 2;
this.user = config.user || 'JohnDoe123';
this.mngr = config.mngr || 'MichaelScott123';
this.term = config.term || '6 months';
}
function WorkerFactory() {}
WorkerFactory.prototype.employeeClass = Contributor;
WorkerFactory.prototype.hireSomeone = function ( config ){
switch (config.type){
case 'manager':
this.employeeClass = Manager;
break;
case 'contractor':
this.employeeClass = Contractor;
break;
default:
this.employeeClass = Contributor;
break;
}
return new this.employeeClass( config );
}
var HR = new WorkerFactory();
var newHire = HR.hireSomeone({
type: 'manager',
name: 'Hulk Hogan',
role: 0,
user: 'Hulkamania'
});
console.log(newHire instanceof Manager); // True.
Address Book (contacts), To-Do App (tasks)
In the observer pattern, a type of publish-subscribe pattern, there is an object (often called the subject or observable) that notifies other objects (observers) of any changes that occur to the state of the subject. The observers are often maintained in a list on the observable, to be iterated upon when a change occurs.
var observer = {
addSubscriber: function (callback) {
this.subscribers[this.subscribers.length] = callback;
},
removeSubscriber: function (callback) {
for (var i = 0; i < this.subscribers.length; i++) {
if (this.subscribers[i] === callback) {
delete(this.subscribers[i]);
}
}
},
publish: function (what) {
for (var i = 0; i < this.subscribers.length; i++) {
if (typeof this.subscribers[i] === 'function') {
this.subscribers[i](what);
}
}
},
makePublisher: function (o) { // turns an object into a publisher
for (var i in this) {
o[i] = this[i];
o.subscribers = [];
}
}
};
var paulRevere = {
sendNews: function () {
var content = 'the British are coming!';
this.publish(content);
}
};
observer.makePublisher(paulRevere);
var townspeople = {
hear: function (message) {
console.log('We just heard that ' + message);
}
}
paulRevere.addSubscriber(townspeople.hear);
paulRevere.sendNews();
Source: For another example using Ember's implementation, check out Chad Hietala's Connection Viewer repository.
YUI Custom Events. Ember Observables.
In the delegate pattern, an object (the delegator) offloads a task to an associated helper object (the delegate), rather than performing the task itself. Often times, this is within an MVC framework or architecture, involving a Controller as the delegator.
var ViewClass = function () {
return {
init : function (el) {
var $el = $(el);
// REQUIRED: delegate should have a viewWasClicked method implemented
$el.on('click', this.delegate.viewWasClicked);
},
delegate : null
};
};
var ControllerClass = function () {
return {
viewWasClicked : function (e) {
console.log('I was called!');
}
}
};
var controller = new ControllerClass();
var view = new ViewClass();
view.delegate = controller;
view.init(document.getElementById('myHeader'));
Source: David Drew's fantastic article on implementing Objective-C Delegates in JavaScript
Most MVC frameworks at least involve delegation in their design in some regard, due to the interaction between models, views, and controllers.


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AP Top Sports News at 6:05 a.m. EST
by EndPlayThe Rock, President Trump watch Masvidal win big at UFC 244
Strasburg opts out of Nats deal, $100M, to become free agent
Alvarez stops Kovalev in 11th round to win 175-pound title
Book's late TD run helps No 16 Notre Dame beat Virginia Tech
Fromm, Georgia beat Florida 24-17 in 'Cocktail Party'
McIlroy wins HSBC Champions in a playoff over Schauffele
15-1 long shot fatally injured in Breeders' Cup Classic
Chapman, Yankees agree to $48M, 3-year contract
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Harry Higgs takes 2-shot lead in Bermuda Championship


How we improved our PWA score by 53 points in 4 hours
Posted 13 March, 2017- About 6 mins to read
This post wast orignially posted on the madewithlove site
A week ago Hannes and I attended PHPUK in London (You can read all about it here). We saw a lot of great talks and met numerous very smart people. Among these was Rowan Merewood, who gave a talk called “Progressive Web Apps in the wild”. He convinced me to try and add some PWA’ness to one of our applications, just to try it out.
Hold up, what is PWA?
So the first thing you should know about PWA (or progressive web apps) is that it’s an adaptation of your current site or web app. This means that if you want to have all the features of a progressive web app, you are going to need to change your current site/application. The good news here is that they are all changes you would want to have anyway.
PWA turns your site/application into something that feels like a native application on supported mobile browsers (this is mostly Chrome on Android at the time of writing). Making your application feel more native includes offline access, an app icon on the homescreen, an app like interface (you can choose to hide the navigation bar) and a lot more.
What is needed to make this happen?
For this I’m going to steal some information from the developers.google pages:
- Progressive - Works for every user, regardless of browser choice because it’s built with progressive enhancement as a core tenet.
- Responsive - Fits any form factor: desktop, mobile, tablet, or whatever is next.
- Connectivity independent - Enhanced with service workers to work offline or on low-quality networks.
- App-like - Feels like an app to the user with app-style interactions and navigation because it’s built on the app shell model.
- Fresh - Always up-to-date thanks to the service worker update process.
- Safe - Served via HTTPS to prevent snooping and to ensure content hasn’t been tampered with.
- Discoverable - Is identifiable as an “application” thanks to W3C manifest and service worker registration scope, allowing search engines to find it.
- Re-engageable - Makes re-engagement easy through features like push notifications.
- Installable - Allows users to “keep” apps they find most useful on their home screen without the hassle of an app store.
- Linkable - Easily share via URL, does not require complex installation.
That looks like a lot of work right?
In reality most of this is not really new. Your site should already be responsive, be served over https, linkable etc. The others things are easily added.
Ok, let’s do this. How do we start?
Well I had the same question… Most of those things above are front-end things, and front-end was a name I haven’t heard in a long long time. So I called in our resident front-end guru Sam who helped me through it.
So first up is installing Lighthouse, this is a chrome plugin, created by the friendly people at Google that checks the site you are currently visiting for compliance with the list above and returns not only a score but also some pointers on what to improve.
We’ve decided to run it against our own site (note: you’re currently reading our blog which is decoupled from our company site) and this is what we got.
So if you don’t want to check out the entire report, let’s go over some highlights first. First of all is the score.
46/100 is not really great, but at least we already covered some stuff.
Ok, so what are the major areas for improvement here?
We seem to miss these things related to a manifest, a “Service Worker” and some misc server/css stuff.
What is a manifest?
A manifest is some meta data about your website. One of the cool things this allows you to do is make it possible for Android phones (and maybe in the future other OS’s) to add a shortcut to the home screen that makes the app feel like a native app.
Time to make a manifest! This is what we ended up with. (don’t forget to link it in your HTML)
As you can see, this is not really complicated. Let’s take a quick look at the fields:
short_name
is the name that will appear under the icon on the homescreen.name
is the longer name that will be used in communication screens.icons
is a collection of homescreen icons in different sizes.start_url
is the relative url the app should open on launch.display
is the feeling the app should have, we set it tostandalone
so the app has a native feeling.background_color
this is the background colour of the splash screen.theme_color
is the colour of the application and top bar of the browser.
So that’s all there is to it, let’s run Lighthouse again and see how we did: report
That was a huge bump for such a small job! We could stop here, but in for a penny in for a pound. What else can we tackle?
Service Workers, how hard can it be?
Service workers essentially act as proxy servers that sit between web applications, and the browser and network (when available). They are intended to (amongst other things) enable the creation of effective offline experiences, intercepting network requests and taking appropriate action based on whether the network is available and updated assets reside on the server. They will also allow access to push notifications and background sync APIs. - MDN
This is probably a bit more complicated than a json file … Sam (mainly) and I tinkered some time with this but in the end we decided on using a premade Service Worker from Chris Coyier.Our version can be found here.
This Service worker has a nifty caching implementation(for mobile and desktop) that supports offline browsing on you mobile device.
Report time! report
Can we push it to 100?
In our case … sadly no.
Our biggest problem here is that big map at the top of our site. It’s not really open to modifications. We could rewrite it ourselves, but that would bring us too far into this 4 hour experiment.
We have also decided to rework our homepage, when we do this we’ll probably keep a keen eye on our PWA score so we can finally grab that 100%!
What else did we get out of this?
Something we didn’t really anticipate was the nice speed increase we got. This is of course due to the Service worker and its caching methods.
Checkout these before and after images:
Conclusion
I was actually really surprised how easy this was. We got an almost perfect score in a short time experimenting with that spec. The results are also pretty amazing, we now have something that feels like a native app, a nice bump in page speed and some extra SEO points, just by adding 2 files.
I totally advise you give this a shot, maybe you can even push it to 100%!


Department of Biostatistics and Data Science
School of Public Health
The University of Texas Health Science Center at Houston
> x <- c(1, 2, 3)
> x <- c(x[1:2], c( 4, x[3] ))
> x
[1] 1 2 4 3
x <- c(1, 2, 3)
y <- x
library(lobstr)
obj_addr(x)
#> [1] "0x7fe11b31b1e8"
obj_addr(y)
#> [1] "0x7fe11b31b1e8"
However, the address may change if we modify the vector
Mem chunks copied to new address only if two or more names point to different values after modification
> x <- c(1,2, 3)
> y <- x
> obj_addr(y)
[1] "0x7f8711e2a288"
> obj_addr(x)
[1] "0x7f8711e2a288"
> x <- c(x, 4)
What are the addresses of
> obj_addr(x)
[1] "0x7f8711e2b2c8"
> obj_addr(y)
[1] "0x7f8711e2a288"
You can verify memory copied by the function
x <- c(1, 2, 3)
cat(tracemem(x), "\n")
#> <0x7f80c0e0ffc8>
y <- x
y[[3]] <- 4L
#> tracemem[0x7f80c0e0ffc8 -> 0x7f80c4427f40]:
y[[3]] <- 5L
# no output: means no mem copy operations
Why no output for the last line?
> obj_addr(x)
[1] "0x7f8711e2b2c8"
> x[1] = 10
> obj_addr(x)
[1] "0x7f8711e2b2c8"
> x[1] <- "10"
> obj_addr(x)
[1] "0x7f87020a1c70"
Explain why the address was or was not changed on each line.
If
y <- c(x, x)
z <- x
Type number in webex chat:
y <- vector(length=2)
y[1] <- 1
y[2] <- 2
What is wrong with the following?
y <- NULL
y <- c(y, 1)
y <- c(y, 2)
> c(1, 2) + c(1, 2, 3, 4, 5)
[1] 2 4 4 6 6
Warning message:
In c(1, 2) + c(1, 2, 3, 4, 5) :
longer object length is not a multiple of shorter object length
> c(1, 2, 1, 2, 1) + c(1, 2, 3, 4, 5)
[1] 2 4 4 6 6
> c(1, 2) + c(1, 2, 3, 4)
[1] 2 4 4 6
Instead of using
> x <- NULL
> 1:length(x)
[1] 1 0
> seq(x)
integer(0)
findruns <- function(x,k) {
n <- length(x)
runs <- NULL
for (i in 1:(n-k+1)) {
if (all(x[i:(i+k-1)]==1)) runs <- c(runs,i)
}
return(runs)
}
What are the issues?
findruns1 <- function(x,k) {
n <- length(x)
runs <- vector(length=n)
count <- 0
for (i in 1:(n-k+1)) {
if (all(x[i:(i+k-1)]==1)) {
count <- count + 1
runs[count] <- i
}
}
if (count > 0) {
runs <- runs[1:count]
} else runs <- NULL
return(runs)
}
This reduces the number of allocations.
> m <- matrix(1:4, 2)
> m[,2]
[1] 3 4
> m[,2, drop=FALSE]
[,1]
[1,] 3
[2,] 4
makecov <- function(rho,n) {
m <- matrix(nrow=n,ncol=n)
m <- ifelse(row(m) == col(m),1,rho)
return(m)
}
Operating matrices like vectors
Find the location, value of the minimum in a row
imin <- function(x) {
lx <- length(x)
i <- x[lx] # original row number
j <- which.min(x[(i+1):(lx-1)])
k <- i+j
return(c(k,x[k]))
}
return the minimum of
mind <- function(d) {
n <- nrow(d)
# add a column to identify row number for apply()
dd <- cbind(d,1:n)
wmins <- apply(dd[-n,],1,imin)
# wmins will be 2xn, 1st row being indices and 2nd being values
i <- which.min(wmins[2,])
j <- wmins[1,i]
return(c(d[i,j],i,j))
}
minda <- function(d) {
smallest <- min(d)
ij <- which(d == smallest,arr.ind=TRUE)
return(c(smallest,ij))
}
Though simple, it has drawbacks
> m <- matrix(1:4, 2)
> class(m)
[1] "matrix" "array"
> attributes(m)
$dim
[1] 2 2
Multi-dimenational data similar to matrix implementation
> a <- array(1:6, dim=c(1, 2, 3))
> a
, , 1
[,1] [,2]
[1,] 1 2
...
, , 3
[,1] [,2]
[1,] 5 6
> attributes(a)
$dim
[1] 1 2 3
Again, data fill the first dim, then second, ...


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LANDR releases a free sample pack inspired by the Pantone Colour Of The Year
by Ben RogersonLANDR releases a free sample pack inspired by the Pantone Colour Of The Year
What does ‘Classic Blue’ sound like? We’ve got no idea, but auto-mastering maven LANDR has attempted to answer the question by releasing a free sample pack inspired by this hue, which just so happens to be the Pantone Colour Of The Year.
Created in collaboration with Pantone and New York audio branding agency Audio UX, the pack is designed to serve as a “multisensory experience” in support of said colour.
Classic Blue, we’re told, is: “A timeless and enduring blue hue elegant in its simplicity. Suggestive of the sky at dusk, the reassuring qualities of Classic Blue offers the promise of protection; highlighting our desire for a dependable and stable foundation from which to build as we cross the threshold into a new era.
“Imprinted in our psyches as a restful color, Classic Blue brings a sense of peace and tranquility to the human spirit, instilling calm and confidence and offering refuge. Stimulating us to look beyond the obvious, PANTONE 19-4052 Classic Blue encourages us to expand our thinking; challenging us to think more deeply, increase our perspective and open the flow of communication.”
Gotcha. Whether all of that strikes a chord with you or not, you might still fancy downloading the samples, of which there are 145. Check out the Pantone pack on the LANDR website.


The tracks show enrichment of RNA sequence tags generated by high throughput sequencing (RNA-seq) and mapped to the human genome. Double stranded cDNA was synthesized from polyadenylated RNA (polyA+) . PCR amplified, adapter ligated cDNA, 150-300nt long, was sequenced on an Illumina GA sequencer.
Where designated, cell lines received specific treatments prior to RNA isolation. As indicated, K562 cells were treated with either interferon-a or interferon-g for 30 minutes or 6 hours. These experiments were carried out in conjunction with ChIP-Seq experiments on the transcription factors STAT1 and STAT2 in order to examine the effects that inducers of a specific transcriptional response might have on gene expression and on transcription factor binding site discovery. K562 cells were treated with a-amanitin in order to examine the effects of RNA polymerase II inhibition on RNA polymerase III-mediated transcription.
This track shows expression data generated as confirmation of the SYDH TFBS tracks currently available on genome-preview.
This is a composite track that contains multiple data types (views). Instructions for configuring composite tracks are here.
Cells were grown according to the approved ENCODE cell culture protocols. Total RNA was extracted using TRIzol reagents (15596-018, Life Tech), following the manufacturer's protocol. For polyA+ samples, polyadenylated RNA was purified using the MicroPoly(A) Purist kit (AM1919, Life Tech) and fragmented using RNA Fragmentation Reagent (AM8740, Life Tech). Illumina adapters were ligated to double stranded cDNA which was synthesized using reagents from Life Tech (11917-010).
PCR amplified adapter ligated cDNA (150-300 bp) was sequenced using Illumina GA. Sequence reads of 27-33nt long with 0-2 mismatches were mapped to the genome. The signal height corresponds to the number of overlapping fragments at each nucleotide position in the genome. Samples originally mapped to the hg18 version of the human genome were remapped to hg19 using the BWA aligner, version 0.5.7.
These data were generated and analyzed by the labs of Michael Snyder, Mark Gerstein and Sherman Weissman at Yale University; Peggy Farnham at USC; and Kevin Struhl at Harvard.
Contact: Gerstein Lab.
Nagalakshmi U, Wang Z, Waern K, Shou C, Raha D, Gerstein M, Snyder M. The transcriptional landscape of the yeast genome defined by RNA sequencing. Science. 2008 Jun 6;320(5881):1344-9.
Raha D, Wang Z, Moqtaderi Z, Wu L, Zhong G, Gerstein M, Struhl K, Snyder M. Close association of RNA polymerase II and many transcription factors with Pol III genes. Proc Natl Acad Sci U S A. 2010 Feb 23;107(8):3639-44.
Wu JQ, Habegger L, Noisa P, Szekely A, Qiu C, Hutchison S, Raha D, Egholm M, Lin H, Weissman S et al. Dynamic transcriptomes during neural differentiation of human embryonic stem cells revealed by short, long, and paired-end sequencing. Proc Natl Acad Sci U S A. 2010 Mar 16;107(11):5254-9.
Data users may freely use ENCODE data, but may not, without prior consent, submit publications that use an unpublished ENCODE dataset until nine months following the release of the dataset. This date is listed in the Restricted Until column on the track configuration page and the download page. The full data release policy for ENCODE is available here.


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generateProductCacheKey(String)
- Method in class com.parthparekh.service.utils.
ProductServiceUtils
get(String, Class<T>)
- Method in interface com.parthparekh.service.cache.
Cache
Retrieves data from cache with specified key
get(String, Class<T>)
- Method in class com.parthparekh.service.cache.
CouchbaseImpl
get(String, Class<T>)
- Method in class com.parthparekh.service.cache.
EhCacheImpl
get(String, Class<T>)
- Method in class com.parthparekh.service.cache.
MemcachedImpl
getAddresses(String)
- Method in class com.parthparekh.service.cache.
CouchbaseFactory
getAll()
- Method in interface com.parthparekh.
ProductService
retrieves all the available products
getAll()
- Method in interface com.parthparekh.
ProductWebService
retrieves all the available products
getAll()
- Method in class com.parthparekh.service.cache.
ProductCacheService
getAll()
- Method in class com.parthparekh.service.
ProductServiceImpl
getAll()
- Method in class com.parthparekh.ws.
ProductWebServiceImpl
getAllProductsTest()
- Method in class com.parthparekh.ws.
ProductWebServiceTest
getAllTest()
- Method in class com.parthparekh.service.
ProductServiceTest
getByType(String)
- Static method in enum com.parthparekh.service.cache.
CacheType
getCache()
- Method in class com.parthparekh.service.cache.
EhCacheImpl
getCache()
- Method in class com.parthparekh.service.
ServiceConfiguration
getCache()
- Method in class com.parthparekh.service.
TestServiceConfiguration
getCouchbaseCache()
- Method in class com.parthparekh.service.
ServiceConfiguration
getDatabaseName()
- Method in class com.parthparekh.service.
MongoConfiguration
getDescription()
- Method in class com.parthparekh.api.
Product
getEhCache()
- Method in class com.parthparekh.service.
ServiceConfiguration
getId()
- Method in class com.parthparekh.api.
Product
getMemcache()
- Method in class com.parthparekh.service.
ServiceConfiguration
getName()
- Method in class com.parthparekh.api.
Product
getObject()
- Method in class com.parthparekh.service.cache.
CouchbaseFactory
getObject()
- Method in class com.parthparekh.service.cache.
MemcachedFactory
getObjectMapper()
- Method in class com.parthparekh.service.
ServiceConfiguration
getObjectMapper()
- Method in class com.parthparekh.service.
TestServiceConfiguration
getObjectType()
- Method in class com.parthparekh.service.cache.
CouchbaseFactory
getObjectType()
- Method in class com.parthparekh.service.cache.
MemcachedFactory
getPrice()
- Method in class com.parthparekh.api.
Product
getProduct(String)
- Method in interface com.parthparekh.
ProductService
retrieves product information from id
getProduct(String)
- Method in interface com.parthparekh.
ProductWebService
retrieve product information from id
getProduct(String)
- Method in class com.parthparekh.service.cache.
ProductCacheService
getProduct(String)
- Method in class com.parthparekh.service.
ProductServiceImpl
getProduct(String)
- Method in class com.parthparekh.ws.
ProductWebServiceImpl
getProductTest()
- Method in class com.parthparekh.service.
ProductServiceTest
getProductTest()
- Method in class com.parthparekh.ws.
ProductWebServiceTest
getReplicaSetsIterable()
- Method in class com.parthparekh.service.
MongoConfiguration
getServerAddresses()
- Method in class com.parthparekh.service.
MongoConfiguration
getStatus()
- Method in class com.parthparekh.api.
Product
getStatus()
- Method in enum com.parthparekh.api.
ProductStatus
getType()
- Method in interface com.parthparekh.service.cache.
Cache
Returns the CacheType for the cache
getType()
- Method in enum com.parthparekh.service.cache.
CacheType
getType()
- Method in class com.parthparekh.service.cache.
CouchbaseImpl
getType()
- Method in class com.parthparekh.service.cache.
EhCacheImpl
getType()
- Method in class com.parthparekh.service.cache.
MemcachedImpl
getUserCredentials()
- Method in class com.parthparekh.service.
MongoConfiguration
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In this paper, I investigate the nature of a priori biological laws in connection with the idea that laws must be empirical. I argue that the epistemic functions of a priori biological laws in biology are the same as those of empirical laws in physics. Thus, the requirement that laws be empirical is idle in connection with how laws operate in science. This result presents a choice between sticking with an unmotivated philosophical requirement and taking the functional equivalence of laws seriously and modifying our philosophical account. I favor the latter.
Ecologists typically invoke "lawlike" generalizations, ranging over "structural" and/or "functional" kinds, in order to explain generalizations about "historical" kinds (such as biological taxa) – rather than vice versa. This practice is justified, since structural and functional kinds tend to correlate better with important ecological phenomena than do historical kinds. I support these contentions with three recent case studies. In one sense, then, ecology is, and should be, more nomothetic, or law-based, than ideographic, or historically-based. This conclusion challenges several recent philosophical claims about the nature of ecological science.
In this paper I defend fundamental physical laws against the arguments presented by Nancy Cartwright in The Dappled World.
I argue that the orthodox account of probabilistic causation, on which probabilistic causes determine the probability of their effects, is inconsistent with certain ontological assumptions implicit in scientific practice. In particular, scientists recognize the possibility that properties of populations can cause the behavior of members of the populations. Such emergent population level causation is metaphysically impossible on the orthodoxy.


© 2011 webinos consortium, www.webinos.org.
This document describes the functionality that Webinos devices should implement for retrieving information about the device orientation and motion.
This section is INFORMATIVE.
Webinos is fully committed to the use of Open Standards whenever available. The access to device orientation information is done through the W3C DeviceOrientation event specification.[DEVICEORIENTATION].
This section is NORMATIVE.
Webinos implementations MUST support W3C DeviceOrientation Event Specification [DEVICEORIENTATION].
In order to use this API, access to it must be declared in the widget configuration document (i.e. config.xml). This declaration is done through the feature http://www.w3.org/ns/api-perms/deviceorientation.
Access to this functionality is achieved (as specified by W3C) through two new event types available in the Window
object: deviceorientation
and devicemotion
.
This section is NORMATIVE.
The implementation MUST NOT enable access to this API by default, but only if the declaration is present in the widget configuration document through the appropriate feature tag.
Please note that Webinos Security Framework, depending on its configuration and in the widget level of trust, MAY deny access to this API even if it is declared in the configuration document.
This section is INFORMATIVE.
For completeness, this specification includes a copy of the WebIDL declaration included in the W3C DeviceOrientation Event specification [DEVICEORIENTATION]. The referred specification includes all the details needed to create a conformant implementation.
interface DeviceOrientationEvent : Event { readonly attribute double? alpha; readonly attribute double? beta; readonly attribute double? gamma; readonly attribute boolean absolute; void initDeviceOrientationEvent(in DOMString type, in boolean bubbles, in boolean cancelable, in double? alpha, in double? beta, in double? gamma, in boolean absolute); };
[Callback, NoInterfaceObject] interface Acceleration { readonly attribute double? x; readonly attribute double? y; readonly attribute double? z; };
[Callback, NoInterfaceObject] interface RotationRate { readonly attribute double? alpha; readonly attribute double? beta; readonly attribute double? gamma; };
interface DeviceMotionEvent : Event { readonly attribute Acceleration? acceleration; readonly attribute Acceleration? accelerationIncludingGravity; readonly attribute RotationRate? rotationRate; readonly attribute double? interval; void initAccelerometerEvent(in DOMString type, in boolean bubbles, in boolean cancelable, in Acceleration? acceleration, in Acceleration? accelerationIncludingGravity, in RotationRate? rotationRate, in double? interval); };


§490:4-206 Transfer between banks. Any agreed method that identifies the transferor bank is sufficient for the item's further transfer to another bank. [L 1965, c 208, §4-206; HRS §490:4-206; am L 1991, c 118, pt of §4]


[§466L-10] Expiration of registration. Registrations shall expire on December 31 of each odd-numbered year. The expiration date of the registration shall appear on the appraisal management company registration certificate issued to the registrant, and no other notice of its expiration need be given to the registrant. [L 2017, c 118, pt of §2]


11 June 2004
As of 10 June 2004, the health authorities of Yambio County have reported a total of 30 cases, including 7 deaths of Ebola haemorrhagic fever (case fatality, 23%) in Yambio, Western Equatoria, south Sudan (see previous report).
Overall, 157 contacts are currently being followed up.
Intensive social mobilization activities are being carried out. A workshop involving 94 teachers from the area was organized to disseminate messages about the disease and necessary prevention measures. Trained staff have been placed in the hospital to provide information and counseling to patients and their relatives. Health education materials have been developed and will be distributed in schools and other community centres.
Leaflets on Ebola prevention which will be distributed in Yambio market, and to communities and churches over the next few days:
- English (pdf 271k)
- Zande (pdf, 292k)


Turret Road is a geometric sans serif typeface, with very low contrast, high x-height, high glyph height, and playful diacritics.
Turret Road delves into eugenics, solar evolution, science fiction and homeward conversations. For more information, see its project overview.
To contribute, see github.com/noponies/Turret-Road.


WELCOME TO THE DOLLHOUSE A film review by Larry McGillicuddy Copyright 1996 Larry McGillicuddy
**** (out of 4) Written and Directed by Todd Solondz Starring Heather Matarazzo, Eric Mabius, Brendan Sexton Jr., Telly Pontidis, Herbie Duarte
Review- There was a scene in Welcome to the Dollhouse that shocked me into silence. It is when the main character makes a speech to an auditorium of junior high students, and they all start teasing her in unison. The same exact thing happened to me in high school. It is filmed with such stunning in your face realism it brought back the same exact feelings I had when it happened to me. The whole movie is like that.
Heather Matarazzo stars as a Junior High student with the unfortunate name of Dawn Weiner.  Her sister is a ballerina who sleeps with her dolls and spends much of the movie dancing around in the front yard. Her parents undoubtedly favor the other two children over her. Life isn't going very well for her to say the least.
Two people enter her life, which starts causing some turmoil. One of them is the lead singer of her brother's band, a hunky rebellious type who Dawn is instantly attracted to. There is a hilarious scene where she fills him up with junk food trying to get him to stay at her house longer. The other guy that enters her life is Brandon, a popular classmate of Dawn's who is very cruel to her. There are some very interesting twists involving his character, perfectly played by Brendan Sexton Jr.
First time writer-director Todd Solondz makes a stunning debut. He gives you scenes of unrelenting realism and angst, then cuts to outright humor, only to stun you with angst once again. Heather Matarazzo delivers an amazing performance. She is a true discovery, able to perfectly capture the awkwardness and pain of her character. It is a masterful portrayal. I drove 3 hours to see Welcome to the Dollhouse, and it was well worth it. It is the first truly great movie of the year.
****- Terrific ***- Good **- Below Par *- Very Bad NO Stars- Avoid at all costs.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


Copyright Peri Coleman, Delta Environmental Consulting
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