This is the official AtomicDEX mobile beta program channel -
Android: https://play.google.com/store/apps/details?id=com.komodoplatform.atomicdex - iOS: https://testflight.apple.com/join/c2mOLEoC - Please use https://github.com/KomodoPlatform/atomicdex/issues for bug reports and feature requests. For critical security bug reports please do send us your encrypted (https://pgp.mit.edu/pks/lookup?op=get&search=0x379287998EE6CF47) report to<EMAIL_ADDRESS>and allow up to 24h for reply. For atomicDEX API (mm2) related issue reports or feature requests please do use https://github.com/KomodoPlatform/atomicDEX-API/issues
Between 17-Dec-19 12:00 AM and 18-Dec-19 12:00 AM
fazer17-Dec-19 12:12 AM
@ca333 could you please check difference between columns <2 columns to create password when restoring> and <column where to enter password when logging back to existing wallet>. First <2 columns> seems like leaking, but second not leaking....(edited)
just create and confirm password by restoring offers word autocomplete.
but enter password to existing does not offer word autocomplete
i will check it more tomorrow. now is too late here to use brain... sleeping....
ca33317-Dec-19 12:16 AM
the above one is from the password creation page - however, the unlock wallet pw-field has the same setup.
if you don't mind could you please DM me info about your phone model.
klein17-Dec-19 02:19 AM
Why isn't the ability to see liquidity for pairs without having deposited said coins possible?
Seems like a pretty essential feature
Like having a tab at the top right next to "History"(edited)
"View Orderbooks"(edited)
>select pair
degenerate gamblers want this plus its useful(edited)
Hi all, are there any news when VSC will be available in atomicdex again?
gcharang17-Dec-19 09:24 AM
the VRSC network is getting updated, you will find upto date info in their discord
1
JaNuS17-Dec-19 09:29 AM
thx!
CoinKing8817-Dec-19 04:03 PM
All of my KMD to DEX trades seem to fail (either not getting paired or fail at step 2 "swap in progress"). Tried several days, several small and bigger trades but same result. Other trades work fine (ie BTC to KMD worked fine yesterday).
I cleared most of the orderbook @ 0,05xxx DEX per KMD but they are now either failed of i can cancel them in the order tab but nothing is happening
gcharang17-Dec-19 04:08 PM
there seems to be a maker for DEX who hasn't updated in quite a while
a feature to locally ban bad makers is in development
jorian17-Dec-19 04:12 PM
you want to buy DEX?
TonyL17-Dec-19 04:15 PM
best working order in AtomicDEX @22 KMD at the moment (just bought a little)
Oszy17-Dec-19 04:24 PM
One at 22 works fine
aldomex17-Dec-19 06:11 PM
what should I do when a trade is sending a message as "Timed out" but the coins are not back to my wallet?
gcharang17-Dec-19 06:13 PM
let the app stay in the background and wait for upto 4 hours
they should come back automatically
aldomex17-Dec-19 06:13 PM
ok, thanks
richardt17-Dec-19 06:22 PM
Could there be some kind of pop-up message that informs users about what happens when a swap fails? Seems like that's the majority of complaints here and the same answer has to be given over and over
Indicate the approximate amount of time to wait for the coins to be available for a swap again.
CoinKing8817-Dec-19 06:45 PM
Now i got a more serious problem: made a decent swap with KMD to DEX and now my DEX app is empty
all wallets gone
wl17-Dec-19 06:45 PM
Why the change sounds never stops?
gcharang17-Dec-19 06:47 PM
@CoinKing88 can you send the log to me in DM ?
in the meanwhile, search your address in an explorer. you should see the coins
please wait to reinstall it
we might need your installation to stay like that for debugging
Good day. I just sent BTC from the AtomicDEX Android app to a segwit address starting with 3. Or I tried, because after sending I saw that the app did not send to my address, but it sent to a legacy address that I don't know and that never received funds before. How come the Android AtomicDEX sends to an unknown legacy BTC address when sending to a BTC segwit address?
Acura17-Dec-19 08:27 PM
Segwit actually not supported in AtomicDex
CoinKing8817-Dec-19 08:32 PM
@TonyL@smk762 can anybody help me with above? @gcharang is offline
TonyL17-Dec-19 08:33 PM
Have you already tried to restart the phone?
neonesk17-Dec-19 08:35 PM
Steps to reproduce:
1. Use AtomicDEX on Android, version 0.1.4-6d
2. Tap Bitcoin
3. Tap Send
4. Fill in amount & segwit adres
5. Tap "Withdraw"
6. See segwit address show up in confirmation screen
https://i.imgur.com/t0NSmKV.jpg
7. Tap "Confirm"
8. See BTC sent to a legacy address instead of the address in confirmation screen
TonyL17-Dec-19 08:36 PM
1. Use AtomicDEX on Android, version 0.1.4-6d is very old version, please update
1
actual version is 0.2.8, you're using version almost half of year old. New mm2 and GUI not allow to send btc to segwit addresses
neonesk17-Dec-19 08:37 PM
That sounds good. Didn't know I was on an old version like that
TonyL17-Dec-19 08:38 PM
0.1.4 was released on Jul 24
legacy already hehe
CoinKing8817-Dec-19 08:39 PM
@TonyL ill try that first
1
TonyL17-Dec-19 08:40 PM
If it'll not help please DM me the app log (settings -> send log)
neonesk17-Dec-19 08:51 PM
@TonyL Thanks for your replies! The Play Store said I installed the latest version. Though the app still said 0.1.4-6d. Had to uninstall app & re-install again to see the latest Android app version, 0.2.8. When I try to send to a segwit address is now shows "Error, please try later". That's good & safe.
TonyL17-Dec-19 08:53 PM
Always glad to help! From my experience Play Store got some problems with caching (sometimes Play Store cache clearing helps to see the new version)
artemciy_dice17-Dec-19 11:15 PM
To recap, we can't disable the sounds for now, but we're making them configurable. The option to pick a local sound file is in the works.
Now, I wonder if someone else likes to create sounds, with https://tonematrix.audiotool.com/ ( https://youtu.be/TaeeiLzfVmc ) and the like? I wonder what the consensus would be on adding support for such custom sounds into the AtomicDEX sound configuration.(edited)


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|
Elektra
0.9.5
|
This namespace is for the libtool library. More...
Classes | |
| class | Backend |
| A low-level representation of the backend (= set of plugins) that can be mounted. More... | |
| class | BackendBuilder |
| Highlevel interface to build a backend. More... | |
| class | BackendBuilderInit |
| Used as argument of constructor of *BackendBuilder. More... | |
| class | BackendFactory |
| Factory for MountBackendInterface. More... | |
| struct | BackendInfo |
| Info about a backend. More... | |
| class | BackendInterface |
| Minimal interface to add plugins. More... | |
| class | Backends |
| Allows one to list backends. More... | |
| class | ErrorPlugins |
| Plugins to handle errors during configuration access. More... | |
| class | GetPlugins |
| Plugins to get configuration. More... | |
| class | GlobalPlugins |
| Low level representation of global plugins. More... | |
| class | GlobalPluginsBuilder |
| Build global plugins. More... | |
| class | ImportExportBackend |
| Backend for import/export functionality. More... | |
| class | MockPluginDatabase |
| A plugin database that works with added fake data. More... | |
| class | Modules |
| Allows one to load plugins. More... | |
| class | ModulesPluginDatabase |
| A plugin database that works with installed modules. More... | |
| class | MountBackendBuilder |
| High-level functionality to build a mountpoint. More... | |
| class | MountBackendInterface |
| Interface to work with mountpoints (backends) for factory. More... | |
| class | Plugin |
| This is a C++ representation of a plugin. More... | |
| class | PluginAdder |
| Adds plugins in a generic map. More... | |
| class | PluginDatabase |
| Loads all plugins and allows us to query them. More... | |
| class | Plugins |
| A collection of plugins (either get, set or error) More... | |
| class | PluginSpec |
| Specifies a plugin by its name and configuration. More... | |
| struct | PluginSpecHash |
| Only to be used with PluginSpecName! More... | |
| class | SerializeInterface |
| Interface to serialize a backend. More... | |
| class | SetPlugins |
| Plugins to set configuration. More... | |
| class | SpecBackendBuilder |
| Build individual backend while reading specification. More... | |
| class | SpecReader |
| Highlevel interface to build a backend from specification. More... | |
| struct | ToolException |
| All exceptions from the elektratools library are derived from this exception. More... | |
Functions | |
| std::ostream & | operator<< (std::ostream &os, Backend const &b) |
| Prints the current status. More... | |
| kdb::KeySet | parsePluginArguments (std::string const &pluginArguments, std::string const &basepath) |
| Parse a string containing information to create a KeySet. More... | |
| PluginSpecVector | parseArguments (std::string const &cmdline) |
| Parse a complete commandline. More... | |
| template<typename Iterator > | |
| PluginSpecVector | parseArguments (Iterator first, Iterator last) |
| Parse a complete commandline that is already tokenized in pluginname pluginconfig. More... | |
| std::ostream & | operator<< (std::ostream &os, PluginSpec const &spec) |
| Output the name, refname and size of config. | |
| bool | operator== (PluginSpec const &self, PluginSpec const &other) |
| Compare two pluginspec if their value is equal. More... | |
| bool | operator!= (PluginSpec const &self, PluginSpec const &other) |
| Compare two pluginspec if their value is not equal. More... | |
This namespace is for the libtool library.
| bool kdb::tools::operator!= | ( | PluginSpec const & | self, |
| PluginSpec const & | other | ||
| ) |
Compare two pluginspec if their value is not equal.
| std::ostream & kdb::tools::operator<< | ( | std::ostream & | os, |
| Backend const & | b | ||
| ) |
Prints the current status.
| os | stream to print to |
| b | backend to get status from |
| bool kdb::tools::operator== | ( | PluginSpec const & | self, |
| PluginSpec const & | other | ||
| ) |
Compare two pluginspec if their value is equal.
| PluginSpecVector kdb::tools::parseArguments | ( | std::string const & | cmdline | ) |
Parse a complete commandline.
| cmdline | contains space separated plugins with optional plugin configurations |
| PluginSpecVector kdb::tools::parseArguments | ( | Iterator | first, |
| Iterator | last | ||
| ) |
Parse a complete commandline that is already tokenized in pluginname pluginconfig.
| Iterator | forward iterator type |
| cmdline | contains space separated plugins with optional plugin configurations |
| KeySet kdb::tools::parsePluginArguments | ( | std::string const & | pluginArguments, |
| std::string const & | basepath | ||
| ) |
Parse a string containing information to create a KeySet.
| pluginArguments | comma (,) to separate key=value, contains no whitespaces |


timelinefx:timelinefx.CheckCollision
Check for a collision between 2 Boundaries
You can use this function to check for collisions between any type of boundary: tlBox, tlCircle, tlLine and tlPolygon. The tlCollisionResult
can then be used to determine what you want to do if a collision happened (or will happen). See PreventOverlap to make boundaries block or push
each other.
| Parameters |
|
source |
tlBox object |
target |
tlBox object |


No, It's Mine! Two Golden Retrievers in Row Over a Toy
Sharing things with others can be quite challenging not only for children but to our pets, as well.
These two golden retrievers chose different ways to express their dissatisfaction with each other's actions. The one who is barking angrily probably wants the other to give away a yellow rubber toy or maybe free such a cosy place on a couch.
Check out the video to see what the end of the row was.


Title
Release Definition
Release Definition
Measurement Unit
days
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weeks
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Source Branch Filter (optional)


| 648 | (A) | than bowmen at the bankes thay bendyn thaire gere |
| 651 | (C) | Bowemen at þe banke . benden vp her gere |
| 643 | (D) | Bow-men at þe bank bentyn her gere |
| 625 | (E) | ¶ Bowe-men be-nethe . bentyn her bowys |
| (Ex) | ---- no text ---- | |
| 666 | (L) | bow-men atte bonke benden here gere |
| 605 | (P) | Bowmen to þe bank bended þaire gere |
| 634 | (U) | Bowe men atte bank / benten her gere |
| (V) | ---- no text ---- |


Track
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Halse Crescent Police Dept
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[29, 29]
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Layouts are templates that wrap around your content.
They allow you to have the source code for your template in one place
so you don't have to repeat things like your navigation and footer on every page.
Layouts live in the _layouts
directory.
The convention is to have a base template called default.html
and
have other layouts inherit from this as needed.
The first step is to put the template source code in default.html
.
content
is a special variable,
the value is the rendered content of the post or page being wrapped.
<!doctype html>   <meta charset="utf-8"> <title>{{ page.title }}</title> <link rel="stylesheet" href="/css/style.css">    Home Blog
{{ page.title }}

 {{ content }}
  © to me
You have full access to the front matter of the origin.
In the example above, page.title
comes from the page front matter.
Next you need to specify what layout you're using in your page's front matter.
You can also use front matter defaults to save you from having to set this on every page.
--- title: My First Page layout: default --- This is the content of my page
The rendered output of this page is:
<!doctype html>   <meta charset="utf-8"> <title>My First Page</title> <link rel="stylesheet" href="/css/style.css">    Home Blog
My First Page

 This is the content of my page
  © to me
Layout inheritance is useful
when you want to add something to an existing layout for a portion of documents on your site.
A common example of this is blog posts,
you might want a post to display the date and author but otherwise be identical to your base layout.
To achieve this you need to create another layout
which specifies your original layout in front matter.
For example this layout will live at _layouts/post.html
:
--- layout: default ---
{{ page.date }} - Written by {{ page.author }}
 {{ content }}
Now posts can use this layout while the rest of the pages use the default.
You can set front matter in layouts,
the only difference is when you're using in Liquid,
you need to use the layout
variable instead of page
.
For example:
--- city: San Francisco ---
{{ layout.city }}
 {{ content }}


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| (PH) PHILIPPINES |
| Subdivision | 17 regions (en) / région (fr) / rehiyon (tl); 80 provinces (en) / province (fr) / lalawigan (tl) |
| List Source | IGN 1992; Philippines. Department of the Interior and local Government 2000; http://www.nscb.gov.ph/activestats/psgc/listreg.asp; http://geonames.de/couph.html |
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| Country | Subdivision | Name | Level |
| PH | ABR | Abra | Province |
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Defines a set of interfaces for core entities used by various algorithms. Contains
the FloatingPoint class which is used to normalize numerous floating point
computations to deal with round-off error that occurs.
Throughout the code in this repository, we have endeavored to write each algorithm
in an independent way from the arbitrary means by which the input is structured.
While this is easy to do when arrays are the standard means of input, it becomes
challenging when working with Computational Geometry. Thus, in this package you
will find interfaces for the most common elements in 2- and n-dimensions. All
of the interfaces to the Computational Geometry algorithms are designed to
work with these interfaces. Such an approach should make it easy for you to
adapt the existing algorithms to your own needs.


"THE MATRIX" review by R.L. Strong
Warner Brothers Presents a Silvers Picture in association with Village Roadshow A Wachowski Brothers film Keanu Reeves Laurence Fishburne "THE MATRIX" Carrie-Anne Moss Joe Pantoliano Hugo Weaving Co Producer Dan Cracchiolo Music by Don Davis Cinematography by Bill Pope Edited by Zach Staenberg Special Effects Matthew Ferro Stunt co-ordinator & Martial Arts Director Yuen Woo-ping Produced by Andrew Mason Barrie M. Osborne & Joel Silver Written & Directed by Andy Wachowski & Larry Wachowski
What if your reality wasn't real? That have been the several stories and films that have utilized this construct. Titles as "Total Recall" and "Blade Runner" jump immediately to mind as two example of such story lines. But this production from Joel Silver does something unique and exciting. Now I must warn you ahead of time, that if you want the surprises of "The Matrix" to remain surprises, please skip the next two paragraphs, as I am going to reveal aspects of the plot.
The film opens with a computer screen tracing a phone call to a computer hacker named "Neo" (Keanu Reeves). The caller is a black leather clad beauty named Trinity (Carrie-Anne Moss). The police locate her and close in. Also arriving on the scene are several secret service types lead by Agent Smith (Hugo Weaving), who warns the police that the Trinity is no ordinary woman. That fact is brought to stunning light by Trinity's swift and explosive decimation of the police officers (an absolutely jaw dropping sequence of acrobatic and martial art dexterity). The film takes a drastic turn as Trinity escapes her pursuers by leaping off from the roof of the building and onto the roof of a second, covering an impossible space in the leap. She reaches her extraction point, a lone phone booth, but is run down by Agent Smith in a truck. Surprisingly, she does escape.. but how we can't tell.
'Neo' is the computer tag used by Thomas Anderson. He is contacted by Morpheus (Laurence Fishburn), a notorious cyber terrorist that the government is trying to capture.  That his reality is nothing more that electrical impulses fed to him by a sentient life form built by man in the late '90's. This Artificial Intelligence (spiritual cousin to both the Hal 2000 from '2001' and 'Cyberdyne Systems' from 'The Terminator' films) has destroyed all of mankind and is now breading man to be used only as a living battery. When 'Neo' awakes from his dream, he is rescued by Morpheus and his followers and trained to become the savior that they believe him to be.
"The Matrix" is the second film from the Wachowski Brothers, Andy and Larry respectively. Their first film, the remarkably subtle and stylish "Bound" gave only a hint of the level of expertise and experimentation these two filmmakers possess. What has been achieved in 'The Matrix" is nothing short of awe inspiring. The effects, stunts, cinematography all combine to create a completely dizzying world of fantasy. One so complex and multi-layered as to be almost acceptable. No faint praise here. While the film doles out ladles full of action set pieces (each one more extravagant and jaw dropping than the previous one), one never loses site of the plot machinations of the characterizations in the film.
While some of the characters are given short shrift in the film, all of the principles do a fine job of carrying their roles. Keanu does a fine job as the savior 'Neo', his growing acceptance of his role in the salvation of mankind is a nice turn by an actor that has been giving little if no respect critically. Here, Keanu ups the ante, by learning and performing some of the most striking Martial Art fights ever caught in an American film. Credit for that goes to Hong Kong master Yuen Woo-ping, who not only trained the actors in the basics of several fighting forms but also designed and directed the fighting scenes. The remarkable thing is that these scenes intersect with the body of the film so well, that Mr. Yuen might not receive the credit deserved him.
Laurence Fishburne returns with a nicely tempered performance as Morpheus. His style and grace hiding the desperate passion with a man who knows that the truth is a lie. And that the restoration of that real truth may cost him his life. Carrie-Anne Moss is given the least amount of character development (which is an unfortunate situation of almost all action films), and this is a shame as her screen presence is so magnetic. You believe this woman could save the world all by herself. Joe Pantoliano (who worked with the Wachowski Brothers on "Bound") is his ever sleazy self, giving the film just the right touch of levity and menace.
Now in a film that is dealing with the end of mankind and spectacular battle scenes, the question comes up as to how good are the effects. Well, for the first time we have a film here that does justice to all of the many Hong Kong and Japanese fantasies of super heroes and super men that we have seen and chuckled at over the past decades. It may now be near impossible to watch an Ultraman episode without thinking them as quaint at best and horrendous at worse. The complex digital and miniature work done on this film are simple a marvel to behold. There are actually scenes here that out gun anything by John Woo or Ringo Lam.
The sound design of the film is ecstatic. I haven't been this enthralled with sound effects and their affront on my senses since 'Star Wars'. I can't think of anything recently that had me ducking and blinking subconsciously as much as this film.
If movies are becoming nothing more than glorified roller coasters, then I hope that all future action films use this feature as a blueprint and move forward from here. Now we've all been bludgeoned with films that have sold themselves on the basis of their effects or action. But, for just pure unadulterated entertainment, you could do much, much worse than spending two hours in 'The Matrix"
On a scale of one to five "The Matrix" rates a solid four. A good time at the bijou, and a film that cries out for multiple viewings.
Copyright ©1999 Areles' Delphian Dungeon Nothing in this article may be copied, reprinted or altered in anyway without the expressed written permission of the author.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


login to the dashboard and create a new app (this will be the name in the URL)
Deploy tab: Deployment method, choose git and search for your new repo to connect to, then below choose a branch and select enable automatic deployment
On the settings tab, reveal Config vars and set username and password as key/values: PROTOTYPE_USERNAME: / PROTOTYPE_PASSWORD
Go back to deploy tab, under Manual deploy, hit deploy branch. Once inital build is deployed, go to the url provided and you should be prompted for the username and password for your new heroku prototype!


My experience with Better Battlelog over the past year has been remarkable and made my browsing on battlelog way better, but The settings or configuration page of BBlog on battlelog is in need of improvements. I think and the popups form clicking on categories on top is hard to browse, could it be possible that a few people would consider redesigning his section of BBlog?
Thanks in advance!! much appreciated
BrainFooLong
Administrator
BBLog will be redesigned in the future (few months). Therefore some changes for this section also will come.


What is a twirp you might ask? A twirp is simply an unwelcome digital intrusion in your daily life, much like a Facebook push notification. It is derived from the word ‘tweet’.
The point of this blog is a testing ground as well as a store of the bits and pieces of knowledge I have collected en route to getting old and dying. This website is served specifically using technologies I have been exposed to (so I don't forget them) and will discuss things that are cool - such as my music and photography. Think of this website as the egotistical outlet of someone but-so-humble in person ;).


Fractional Knapsack Problem
Add
Speed
slow
medium
fast
Algorithm
Selection Sort
Insertion Sort
Weight Left | Total Value:
-


Cloud-Base - Curator's Interface
Resource Name
Attributes (as an map) eg: {"colour": "helk", "age":"young"}
Component Resources
Compose Deployment Plan
Handlers
Search Handlers in ServiceBase
Task Category
IaaS
PaaS
SaaS
Put


{% extends 'base.html' %} {% block title %}It works!{% endblock %} {% block content %}
Fancy banner with donor engagement utilities here
An image rendering of the document as a PDF here. Make sure to disable downloading.


EUR/GBP Technical Analysis: Sluggish below monthly trendline, 21-day EMA
by Anil Panchal- EUR/GBP stays directionless despite bouncing off six-month lows.
- Prices remain clubbed between the low of Monday’s Doji and 0.8600/05 resistance confluence.
- Broad bearish momentum remains intact unless breaking 61.8% Fibonacci retracement.
EUR/GBP fails to justify Monday’s Doji candle as the quote remains directionless around 0.8565 ahead of the European open on Friday.
The quote bounced off six-month lows on Monday and registered a Doji candle, signaling a recovery. However, prices still stay below near-term key resistance confluence around 0.8600/05 area including 21-day Exponential Moving Average (EMA) and a five-week-old falling trend line.
Should buyers concentrate on the bullish signal from 12-bar Moving Average Convergence and Divergence (MACD), they to stay strong beyond 0.8605 to aim for 0.8680 and mid-October highs near 0.8750. Though, 61.8% Fibonacci retracement level of May-August upside, at 0.8810, could keep the pair’s further upside limited.
Alternatively, a daily closing below Monday’s low of 0.8522 can recall bears targeting May month bottom of 0.8490 and the yearly low near 0.8470.
EUR/GBP daily chart
Trend: Bearish
additional important levels
| Overview | |
|---|---|
| Today last price | 0.8565 |
| Today Daily Change | -1 pip |
| Today Daily Change % | -0.01% |
| Today daily open | 0.8566 |
| Trends | |
|---|---|
| Daily SMA20 | 0.8599 |
| Daily SMA50 | 0.8719 |
| Daily SMA100 | 0.8894 |
| Daily SMA200 | 0.8801 |
| Levels | |
|---|---|
| Previous Daily High | 0.8582 |
| Previous Daily Low | 0.8544 |
| Previous Weekly High | 0.8626 |
| Previous Weekly Low | 0.8544 |
| Previous Monthly High | 0.9022 |
| Previous Monthly Low | 0.8575 |
| Daily Fibonacci 38.2% | 0.8559 |
| Daily Fibonacci 61.8% | 0.8567 |
| Daily Pivot Point S1 | 0.8547 |
| Daily Pivot Point S2 | 0.8527 |
| Daily Pivot Point S3 | 0.851 |
| Daily Pivot Point R1 | 0.8584 |
| Daily Pivot Point R2 | 0.8601 |
| Daily Pivot Point R3 | 0.8621 |


SPECIES II A film review by Matt Williams
RATING: 1/2* out of * * * *
Just when you thought it was safe to go back to the movie theater, there, lurking in the corners, leaps out a stupefyingly horrid sequel to 1995's sci-fi misfire, Species.
Those rascally scientists, not having learned their lesson from the first movie, have recreated Sil...now called Eve (Natasha Henstridge). Under the supervision of Dr. Laura Baker (Marg Helgenberger), this new Eve is calmer and more sedate, but is used as a lab rat to research weapons against future Species-alien attacks.
That disaster scenario is coming true sooner than some have anticipated. The first manned mission to Mars is underway, with a crew including Justin Lazard and Mykelti Williamson. The Martian soil samples they retrieve contain more than dirt...they contain Species DNA samples. When the crew returns, all three may have been infected and are potentially hazardous to their mates. Luckily, NASA has established a 10-day sexual quarantine for interplanetary flights (no, really!).
>From there, it all goes downhill (which, since it is one of the opening scenes, is no small trick).  Now that's one thing that I just don't quite understand about this movie. Why would this creature, which now has the ability to assimilate people with merely a few strands of its DNA, need to bother with creating a "perfect" offspring. (Disregarding the fact that the offspring of two hybrids wouldn't necessarily be "pure"). One would think that the creature should just wander around the countryside bleeding. Its pools of blood are apparently sentient, and if they can't kill humanity...they should be able to merge with it in no time.
But that would assume the movie was trying to make sense. No, this is the movie that has people thinking things like, "Hmm...a crawling pool of blood...I think I'll walk over and touch it..." The film touts its own stupidity and scientific ignorance as if it were a badge of honor (even though I don't think the film's even smart enough to know what a badge is.)
No...the heart of Species and its sequel is: alien sex. Rather than present us with the ultimate femme fatale, as in the original, the sequel instead delivers a series of literally explosive pregnancies. (A strange thing though: all the resulting offspring mysteriously acquire identical grey shirts as their only form of clothing. Maybe it's another mutation...but then, I'm thinking again. Bad reviewer! Bad reviewer!).  Heck, if that turns you on...more power to ya.
But don't go in expecting any great sci-fi action scenes. (Or even tepid ones like the original). No, the brainless attitude of the film destroys any sense of suspense even quicker than your credulity evaporates.
One thing we can, unfortunately, expect is yet another sequel. Like most horror films, this one leaves the door wide open. In fact, it fails to resolve a central point to do so. Gone are the days of the faint rasp of facehuggers crawling after the credits in Aliens...these days the filmmakers don't care about subtlety, or even resolving the plot... At least they didn't stoop as low as the mutant rat in the first film (a thread which, thankfully, is never followed upon).
As Marg Helgenberger utters after witnessing a spectacularly gory corpse: "This is awful...just awful." I couldn't have said it better.
Copyright 1998 Matt Williams
- Matt Williams<EMAIL_ADDRESS>Reviewer for Cinematter: http://www.cinematter.com Home of over 500 reviews, and information on over 600 upcoming releases
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Fair wages
Floor-level wage, timely payment and the prohibition of gender-based discrimination are the silver linings in the codification. In the era of the contractualisation of labour, the the rights of workers’ rights have been severely compromised as the “governing power” has shifted from the state to private agencies. The withdrawal of the state from welfare to capital is under way as is evident from the privatisation of social security benefits. These measures have taken away the dignity of labour and its associated rights (Editorial page, “The broken promise of decent and fair wages”, November 25).
Nayakara Veeresha,
Bengaluru


-
v1.8.4 20210815
Added Himetsuru Ichimonji's crest.
-
v1.8.3 20210811
Added Himetsuru Ichimonji.
-
v1.8.2 20210622
Corrected EXP mapping for Rarity 4 Tachi kiwame swords.
-
v1.8.1 20210521
Small fixes and added compatibility with Johren site for EN version of game.
-
v1.8.0 20210428
Added new swords: Taikou Samonji, Samidare Gou, Oochidori Juumonji Yari, Hanjin, Ichimonji Norimune, Murakumo Gou.
-
v1.7.2 20200819
Fixed mismatched exp maps for the big swords.
-
v1.7.1 20200819
Tachiwame exp map was missing the last table entry for leveling 98 -> 99.
-
v1.7 20200819
Fixed Nihongou rarity rating from 3->4 and 4->5 for kiwame form along with proper equip quantities.
Fixed the original three R3 Uchigatana's type from 'Tachi' to 'Uchigatana'.
Included missing Kiwame Sayo crest.
Added Tachiwame sword info and exp map.
-
v1.6 20200810
Added new sword #188 Nikkou Ichimonji
-
v1.5.1 20200801
Added new sword #186/187 crest.
Fixed spelling mistakes in last versions patch notes.
-
v1.5 20200801
Added new sword Chiganemaru.
Resized sword icons 182/184.
Fixed Firefox Date/Time errors caused by difference in browsers' handling of "Date" Objects. Chrome handles Date parsing differently than Firefox and other browsers.
-
v1.4 20200430
Updated rare drop list to include event drops.
Added new swords Jizou Yukihira and Kokindenjunotachi.
-
v1.3 20200416
Updated rare drop list to include event drops.
Fixed a bug where the Helper would break upon entering the "Repair" Room.
Added placeholders for new upcoming swords so that the helper won't break when they are released.
-
v1.2 20200336
Fixed Kuwana Gou experience points.
Reimplemented LITE-Patch for Kuwana Gou experience fix
-
v1.1 20200313
Releases now have an official Firefox version!
Fixed version numbering now that FF version is out
-
v0.4.5* 20200301
Added all swords and crests up to #180 Sanchoumou (including #21 Onimaru Kunitsuna
Added new horse Iwaigogou, gift from Mission K10 for 5th Saniwa Anniversary.
Changed download link from Google Drive to GitHub (easier to update)


Mehmet Yalcinkaya
Entrepreneur, Lead Developer
Vishal Singh
Research and Development Manager
Seppo Törmä
Technology Manager
Teemu Lehtinen
Business Developer
Nam Vu Hoang
Linked Data Expert, Developer


Changelog
not yet released
None yet.
v1.4.1 (2017-08-02)
-
21 Update verror dep
-
22 Update extsprintf dependency
-
23 update contribution guidelines
v1.4.0 (2017-03-13)
-
7 Add parseInteger() function for safer number parsing
v1.3.1 (2016-09-12)
-
13 Incompatible with webpack
v1.3.0 (2016-06-22)
-
14 add safer version of hasOwnProperty()
-
15 forEachKey() should ignore inherited properties
v1.2.2 (2015-10-15)
-
11 NPM package shouldn't include any code that does
require('JSV')
-
12 jsl.node.conf missing definition for "module"
v1.2.1 (2015-10-14)
-
8 odd date parsing behaviour
v1.2.0 (2015-10-13)
-
9 want function for returning RFC1123 dates
v1.1.0 (2015-09-02)
-
6 a new suite of hrtime manipulation routines:
hrtimeAdd()
,hrtimeAccum()
,hrtimeNanosec()
,hrtimeMicrosec()
andhrtimeMillisec()
.
v1.0.0 (2015-09-01)
First tracked release. Includes everything in previous releases, plus:
-
4 want function for merging objects


Entry points
REST API
person-list
instrument-list
detector-list
acquisition-list
image-list
algorithm-list
article-list
classification-list
attribute-list
instance-list
category-list
category-concepts
Query parameters
format=html
format=xml
format=json


|
CaseCreation
Creation of a case to play with
|
Abstract class that implements a volume of interest with common location and radius. More...
Public Member Functions | |
| def | __init__ |
| Constructor function. | |
| def | isContained (self) |
| This method finds whether the attribute is viable, given its center and radius and given the center and radius of the original body that contains it. | |
| def | isInThisVOI (self, x, y) |
| This method takes a location in space and returns whether this location exists in this VOI or not. | |
| def | printVOI (self) |
Public Attributes | |
| tc | |
| Object with general information about the case. | |
| xcenter | |
| X location of center. | |
| ycenter | |
| Y location of ceter. | |
| radius | |
| Radius of the Volume of Interest. More... | |
| isTarget | |
| Boolean that determines whether this is a target or not (in case of False, it is an OAR) | |
| isinside | |
| Is this region contained inside the body? | |
| VOIID | |
| Unique ID for each particular Volume of Interest. | |
Static Public Attributes | |
| int | numVOIs = 0 |
| Static counter of Volumes of Interest. | |
Abstract class that implements a volume of interest with common location and radius.
| casecreator.VOI.radius |
Radius of the Volume of Interest.
All of them are circumferences


Week 11 Ex. 4: When you print out the data from a HashSet, does it follow the same order you would expect from the order in the text? Why?
When you print out the data from a HashSet, it does not follow the same order you would expect from the order in the text, because I would expect it to print out in the order I entered the information.


 In my spare time, I salsa dance, hike, practice martial arts, run, play video games, read, write, create, and play. My favorite color is pink, my favorite liquor is tequila, and my favorite book is "The Name of The Wind" by Patrick Rothfuss. I love summer dresses, warm beaches, the touch of sunlight on my skin, fluffy animals, good reads, and pretty pictures. I have a sassy cat named Snowdrop, a rambunctuous dog named Toby, and a typically awesome but sometimes just tolerable husband named Adam.
- Fun things that I've done:
- Bicycled from Champaign, IL to Canada by myself in four days (~400 miles).
- Roller bladed from Champaign, IL to Chicago, IL with a friend in three days (~130 miles).
- Skydiving!
- White water rafting.
- Scuba dived in the Blue Hole.
- Snorkeled with sharks and sting rays, and swam with turtles.
- Fun things I plan to do, in order:
- Run a half marathon (November 26th, 2017)!
- Create a layout that is posted to CSS Zen Garden.
- Summit Mount Rainier.
- Buy a vacation home in Belize.
- Leash train a cat to go on hikes with me.


We describe the kinetics of Zika virus (ZIKV) detection in serum and urine samples of 6 patients. Urine samples were positive for ZIKV >10 days after onset of disease, which was a notably longer period than for serum samples. This finding supports the conclusion that urine samples are useful for diagnosis of ZIKV infections.
Zika virus (ZIKV) is an emerging mosquito-borne pathogen (family Flaviviridae, genus Flavivirus) that was isolated in 1947 from a rhesus monkey in the Zika forest in Uganda ( 1 ). ZIKV is believed to be transmitted to humans by infected Aedes spp. mosquitoes ( 2 , 3 ). Studies have demonstrated that ZIKV is endemic to Africa and Southeast Asia ( 4 ). Before 2007, few cases of human infection with ZIKV had been reported. In 2007, an epidemic of ZIKV infection in humans occurred in Yap, Federated States of Micronesia, in the Pacific region. A seroprevalence survey determined that ≤70% of the population had been infected ( 5 ). During 2007–2013, the few cases of infection with ZIKV reported were in travelers returning from Africa ( 6 ) or Southeast Asia ( 7 ).
In humans, ZIKV infection is characterized by mild fever (37.8°C–38.5°C); arthralgia, notably of small joints of hands and feet; myalgia, headache; retroorbital pain; conjunctivitis; and cutaneous maculopapular rash. ZIKV infection is believed to be asymptomatic or mildly symptomatic in most cases ( 5 ). Thus, Zika can be misdiagnosed during the acute (viremic) phase because of nonspecific influenza-like signs and symptoms. Hemorrhagic signs have not been reported in ZIKV-infected patients ( 5 – 7 ). However neurologic complications, including Guillain-Barré syndrome, have been observed ( 8 ).
Biological confirmation of ZIKV infections is based mostly on detection of virus RNA in serum by using reverse transcription PCR (RT-PCR). Although IgM against ZIKV can be detected by ELISA, few laboratories have this ability. Thus, in addition to the nonspecific clinical features of infection with ZIKV, laboratory diagnosis is challenging because of low viremia and cross-reactivity of ZIKV antibodies with other flaviviruses (including dengue), which require confirmation by neutralization assays ( 8 ) and make rapid serologic confirmation difficult. We investigated the diagnostic utility of urine as a source for detection of ZIKV RNA by real-time RT-PCR.
In October 2013, a ZIKV outbreak was reported in French Polynesia ( 9 ). This was the second outbreak of ZIKV infection reported in the Pacific region. In New Caledonia, where ZIKV infection had never been documented, the first cases of ZIKV infection imported from French Polynesia were confirmed by the end of November, and the first autochthonous cases were reported by mid-January 2014. Early in February 2014, the New Caledonia Health Authority declared an outbreak situation. By the end of August 2014, >1,400 cases of ZIKV infection were biologically confirmed, including 34 cases imported from French Polynesia ( 10 ).
Written informed consent was obtained from all patients in this study. Clinical signs and symptoms of 6 ZIKV-infected patients are shown in the Table . In this study, a cutaneous maculopapular rash of the trunk and extremities was systematically observed and considered a relevant clinical criterion. Complete blood counts showed a discreet perturbation common in many viral infections (mild leukopenia and thrombocytopenia associated with activated lymphocytes).
| Characteristics | Patient 1 | Patient 2 | Patient 3 | Patient 4 | Patient 5 | Patient 6 |
|---|---|---|---|---|---|---|
| Clinical | ||||||
| Headache | – | – | – | – | + | – |
| Arthralgia | – | +++ (ankles) | ++ (hands) | +++ | ++ (hands) | – |
| Maculopapular rash | +++ | ++ | +++ | ++ | +++ | +++ |
| Itching | + | + | + | ++ | +++ | ++ |
| Edema in hands | + | – | – | ++ | – | ++ |
| Conjunctivitis | – | ++ | - | + | + | – |
| Adenopathy | ++ | – | – | – | – | – |
| Fever | + | + (38°C) | + | ++ (39°C) | ++ (39.5°C) | – |
| Retroorbital pain | ++ | – | – | – | – | – |
| Myalgia
|
NA
|
–
|
+
|
+
|
+
|
+
|
| Laboratory | ||||||
| Leukopenia | – | – | + | – | NA | + |
| Thrombocytopenia | – | – | + (123 g/L) | – | NA | – |
| Activated lymphocytes | + | + | + | + | NA | + |
*–, negative; +, light; ++, moderate; +++, intense; NA, not available.
To detect ZIKV in samples (RNA extracted from 200 μL of serum or urine), we used both sets of primers/probe specific for ZIKV ( 11 ). A standard curve with serial dilutions of known concentrations of a ZIKV virus stock was used to estimate viral load in samples. All blood samples were also tested for dengue virus and chikungunya virus by real-time RT-PCR and showed negative results. ZIKV was detected in serum of 4 patients ( Figure). Urine samples from 2 other patients were also positive for ZIKV, and showed a higher viral load than corresponding serum samples and were positive for ≤7 days (patient 4) and probably >20 days (patient 3) after viremia reached an undetectable level ( Figure). Urine samples from 6 healthy patients were also assessed and showed negative results.
Detection of Zika virus in blood and urine specimens of 6 patients by using real-time reverse transcription PCR with primers/probe 1086/1162c/1107-Cy5 ( 11 ) New Caledonia, 2014. A) Patient 1; B) Patient 2; C) Patient 3; D) Patient 4; E) Patient 5; F) Patient 6. Triangles indicate urine samples and squares indicate serum samples. The cutoff cycle threshold (C
Partial sequences of the gene for ZIKV nonstructural protein were obtained ( 12 ) directly from amplification products from urine or serum samples. Sequences obtained (GenBank accession nos. KJ873160 and KJ873161) had 100% identity with the sequence of a ZIKV strain isolated from a patient who returned from French Polynesia in 2013. As observed previously ( 9 , 13 ), sequences also had 98% identity with sequences of ZIKV strains isolated in Cambodia in 2010 and in Yap in 2007.
We report the suitability of urine samples for diagnosis of ZIKV infection by showing that ZIKV RNA is detectable in urine at a higher load and with a longer duration than in serum. ZIKV infection has been poorly described because it is a benign, self-limiting illness in most cases ( 5 ). Thus, ZIKV infection has probably been underdiagnosed and underreported in disease-endemic settings ( 4 ) or in returning travelers. However, if perifocal vector control is to be implemented and severe neurologic complications are to be avoided, biological confirmation of ZIKV infection is essential. Because of the absence of specific IgM-based diagnostic tests, molecular confirmation is the only method available for routine diagnosis.
For ZIKV infection, date of onset of illness is difficult to establish because of sporadic and frequently mild fever. Although rash has been reported 3–5 days after the febrile phase ( 6 , 7 ), the 6 patients in our study had light asthenia and mild fever 2–3 days before the rash was observed; these symptoms were considered indicative of disease onset. Therefore, at the time the rash was observed, viremia was probably decreasing, which makes detection of virus in serum samples extremely challenging ( Figure).
Other groups have reported that other flavivirus genomes, such as those of dengue virus ( 14 ), West Nile virus ( 15 ) and recently ZIKV ( 13 ), can be detected in urine samples for a longer time than in serum samples. Furthermore, use of urine samples for laboratory testing has some advantages, such as noninvasive sampling and ease of use. We detected ZIKV RNA in urine samples from all 6 patients. Urine samples showed strongly positive results; estimated maximum viral load was 0.7–220.10 6 copies/mL. For all cases with sequential specimens, ZIKV RNA was detected ≤15 days (range 10 days to >20 days) after onset of symptoms, which was >7 days after it was not detected in serum samples.
In our study, ZIKV was detected in patient serum until a rash was observed (days 2–3 after disease onset). However, urine was preferred for virus detection. We observed a slight increase in ZIKV RNA from urine over the first few days after disease onset and rash ( Figure). We therefore attempted to isolate ZIKV from urine samples, but failed to cultivate infectious particles. Further investigations are needed to evaluate whether live infectious ZIKV particles are excreted in urine, as has been observed for other arboviruses ( 15 ).
This study investigated the diagnostic utility of urine as a source for detection of ZIKV RNA by real-time RT-PCR. Results suggest that urine might be useful for confirmation of ZIKV infection because virus was detected at higher titers and for a longer period in urine samples than in serum samples. Although these results need confirmation in larger cohorts, they strongly suggest the suitability of urine as a specimen for ZIKV detection and screening in large-scale investigations or other epidemiologic contexts (e.g., returning travelers).
In industrialized regions, where local transmission of arboviruses, such as dengue virus or chikungunya virus has been reported, physicians should test patients who return from tropical regions for ZIKV when a case of dengue-like infection is suspected. Travelers might be a source of local transmission because Ae. albopictus mosquitoes are a competent vector for ZIKV ( 3 ).
Suggested citation for this article: Gourinat AC, O’Connor O, Calvez E, Goarant C, Dupont-Rouzeyrol M. Detection of Zika virus in urine. Emerg Infect Dis [Internet]. 2015 Jan [ date cited].
These authors contributed equally to this article.
We thank the staff of the Institut Pasteur in New Caledonia and M. Richard for providing technical support and I. Leparc-Goffart for providing Zika virus stock for the RT-PCR. Sequencing experiments were performed on La-Plateforme-du-Vivant (Noumea, New Caledonia).
Dr. Gourinat is a clinical pathologist and head of the Serology, Immunology, and Molecular Biology Unit at the Institut Pasteur, Noumea, New Caledonia. Her research interests are diagnostic and biological surveillance of arboviruses.


Algeria plans sharp cut in wheat purchases to curb import bill
TUNIS (Reuters) - Algeria is targeting a sharp reduction to its wheat imports as it tries to rein in its costly subsidized bread programme in the face of popular protests against the ruling elite.
The North African country has decided to cap soft wheat imports at 4 million tonnes a year, down from 6.2 million tonnes, the government said in a statement late on Wednesday.
The move is designed to “preserve foreign currency and reduce Algerian imports of cereals, especially soft wheat”, it said.
The import ceiling reflected a government estimate of the actual needs of the domestic market for soft wheat at 4 million tonnes.
The change will take effect immediately, a government source said.
Algeria is among the world’s biggest wheat buyers, sourcing most of its supply from France. It spent about $3 billion on wheat imports last year, including durum wheat, flour and semolina.
However, hit by lower oil prices since 2014, it is trying to reduce its imports.
Mass protests this year, which led to the departure of longstanding President Abdelaziz Bouteflika, have also pushed the interim government to target corruption.
Grain traders said the import ceiling is in keeping with other moves this year.
In July the government removed the head of state grains agency OAIC after a corruption investigation and has also closed some of the country’s 500 flour mills.
After the closure of 45 mills, more than 300 others are under investigation, an agriculture ministry source said.
OAIC also refrained from any wheat imports in October, breaking with its usual practice of holding tenders every calendar month.
“They are showing they want to curb abuse and mismanagement,” one European trader said.
However, traders remained sceptical about Algeria’s ability to reduce wheat imports so steeply, given low domestic production and the importance of its subsidized bread programme.
OAIC held an import tender for soft wheat on Wednesday, with traders reporting that the agency bought about 500,000 tonnes at $223-$224 a tonne including freight.


In other words, highly publicized school shootings were part of the impetus for increased presence of police in schools, even though school shootings are statistically very rare [8.12.143].


The art of constructing a good research question is a difficult skill to learn, but with persistence and dedication it can be mastered in a short span of time. A good research question is not something that can be written in a single sitting. This process requires careful planning, critical analysis of your chosen topic, and revisions based on the feedback you will receive.
Once you have chosen an acceptable research topic, it is time to write your research question. When beginning to write the question, keep in mind the following factors:
Your research question should be unique. This means that either no one has previously asked this question or that your work presents a new line of thought on an existing controversy.
Your research question should be asking a specific question that is narrow. For example, "How did President Clinton's Foreign Policy Towards Southern Europe in the Late 1990s Help America?" is too broad. What part(s) of America will you be discussing in the paper? What exact time period does "the late 1990s" constitute? What do you consider to be the boundaries of Southern Europe? You do not need to provide all of these answers in your initial research question, but you should consider them as you attempt to make your question more specific. A better research question, using our example, would be, "How did President Clinton's foreign policy towards Southern France and Northern Italy between 1995 and 1999 influence the economy in America’s Northeast?"
Remember that your research question should include the following four components: who, what, where and when. In our example of a good research question above, the who is "President Clinton," the where is both "Southern France and Northern Italy" and "America’s Northeast," the when is "between 1995 and 1999" and the what is "President Clinton’s foreign policy." You do not need to necessarily include every component specifically in the question; for example, you could have used "late 1990s" in place of "between 1995 and 1999." However, at some point in your paper you would need to clarify what you consider to be "late 1990s."
Make sure your research question has enough available scholarly sources for you to write the paper (although this should have been confirmed when choosing your research topic).
Although the answer to this question is debatable, it is too broad and uses "who" instead of "why" or "how." In order to improve the question, the topic needs to focus more closely on one aspect of JFK's assassin(s) and provide more details in the question.
Improved: "Why do modern historians continue to debate the ‘lone gunman theory’ of the JFK Assassination?"
Improved: "How did the secrecy of the Warren Commission establish a foundation for theories of conspiracy concerning the JFK Assassination?"
This question is far too broad - there are many possibilities that can be explored - and the scholarship on this subject is likely limited, as it is a very recent topic. In order to improve this question, a student should focus on a topic that is at least a few years old and is more specific. Also, keep in mind that while looking toward the future may be fine as an aspect for the paper, it can prove difficult to focus an entire paper around predicting the future.
Improved: "How can the errors made in Hillary Clinton's 2008 Presidential Campaign be analyzed in order to improve the success of future candidacies?"
Improved: "How did Hillary Clinton's loss in the 2008 Democratic Iowa Caucus create a domino effect that led to the Presidency of Barack Obama?"
This question needs to be more specific, and as with the previous example, the scholarship on this subject may be limited, as it is a very recent topic. At this point in time, focusing on a previous president would lead to better sources and academic research for your paper. Also, keep in mind that while topics encompassing modern politics are covered in a variety of sources, not all of these materials may be considered scholarly or peer-reviewed (The New York Times and The Washington Post are acceptable sources for this paper, but the bulk of your research should come from peer-reviewed journal articles or academic texts).
Improved: "How was Barack Obama able to use his victory in the 2008 Iowa Caucus to win the Democratic Party Nomination for President of the United States?"
Improved: "Why was the 2008 Democratic Party Presidential Primary electorate so enthusiastic about the candidacy of Barack Obama after his victory in the Iowa Caucus?"


At the start of the project, team set the research goals and divided into sub-teams. After every research activity, sub-teams discussed their findings with the whole team to start making connections.
We sent out a preliminary survey to gain insight at a larger scale into how often our target users feel lonely and what types of situations perpetuate this feeling.
Most of the survey responses were ambiguous and this gave us insight on the preferred terminology used by our audience, and helped us avoid confuse wording of questions during intercepts and interviews.
We conducted 60 intercepts across Savannah to understand the public's current mental model towards art as a medium for self-expression and how their intimate social circles developed.
Initially participants were hesitant in answering questions related to loneliness because of the stigma attached to it. But later after some warm-up questions participants were able to open-up. We used these findings and data to scope our interview questions moving forward.
Staging 30 min user meet-ups allowed for us to uncover a more in-depth understanding of how each beat of the prompt related to the users’ daily lives.
“Recently I've stopped posting a lot because I’d rather do it face to face when there is a certain level of friendship versus texting or online. If they want to know how I feel online, they’ll ask, so I don't feel the need to tell the world how I'm is doing.” - Participant
“A sense of vulnerability comes with art - painting or drawing, it gives you a sense of vulnerability because of how they respond to the piece.” - Participant
“I know I need to reach out first, but I get intimidated because I don't want to feel rejected.” - Participant
We noticed a commonality that many participants measured a relationship's authenticity by the amount of effort put forth. Yet, many participants expressed how they feared reaching out first due to the risk of rejection.
We put out cultural probes posting the questions of what it means to be a part of a community and what feelings were associated with it in relation to how often participants preferred to be alone.
“I need friends around me so I don't fully realize how alone we really are.” - Participant
We got mixed responses from cultural probes. People had both good and bad experiences in communities and some participants even related community to anxiety and depression.
We sought out six experts’ opinions on how to build a community founded on strong authentic relationships. These experts varied from community specialists such as resident directors and the director of counseling services at SCAD, to behavioral experts such as a neurologist and psychoanalyst.
“It is really important to have a common goal or purpose within a group of people. Everyone should agree on this purpose.” - Melanie Miller, Psychoanalyst
“Authentic relationships have certain amount of depth, certain amount of vulnerability. Person is willing to do or share a personal piece with other people.” - Christopher Corbett, Psychologist
“We have to make sure we are not forcing choices but providing opportunities and let them pick. They still might feel little vulnerable but they going to at least feel like they are in control.” - Christopher Corbett, Psychologist
“The trick is, how do you help someone get to a point of being vulnerable may be without them realizing it. That's where structure or technology or activities are going to help.” - Christopher Corbett, Psychologist
“People who are lonely are going to seek others who make them feel more alive but you can't find happiness solely in other people” - Allison Shapiro-Davis, Psychologist
“Loneliness is a consequence of lack of empathy, lack of desire and fear of rejection.” - Gley de Menezes, Psychoanalyst
We Learned, our society moves so fast nowadays that relationships have difficulty going past the superficial stage. For meaningful connections, people need to slow down, which is paradoxical: what we need to do is to do less, which is hard in a society that is constantly telling us to do more and faster. Additionally, different people suffers from varying degree of loneliness which affects their behavior.
We set up a drawing probe in Forsyth Park and encouraged people to express why they came to the park that day. We chose this prompt because sharing a common interest is the first step in building a relationship. We learned, adding onto previous creations lowers the entry barrier for those who lacked artistic background.
We examined the competitive applications, programs, and events which attempted to draw people together, champion art, or utilize augmented reality. Many augmented reality applications restricted their tools for self-expression to a limited set of colors, amount of text and choice of emoticons. We also found that the augmented reality applications in the market lack the opportunity for users to collaborate on works of art, and simply focus on an individual’s personal experience.
Our research insights led us creating three unique archetypes. Using this, we could create scenarios based on our research, and pinpoint moments in their daily lives in which our app could enhance their experiences and ease their pains.
Lone Wolves see society as hostile and shelter themselves from the world due to their fear of being rejected.
Wall flowers can feel loneliness even in the company of others and often feel overlooked or unimportant. They feel a lack of connection to people around them.
Social Butterflies have no problem meeting new people, but can still feel lonely due to a lack of deeper connection or intimacy others.
By determining users' needs, behaviors, likes and dislikes, we prioritized certain needs that we would focus on. These needs were divided and a affinitized to discover similar patterns.
Analyzing user needs, likes/dislikes, behavior & motivation we formulated our design principles, which helped us know exactly which user we were designing for.
Facilitate collaborative creation and consumption of art.
Ensuring a safe place for self-expression.
Provide actions and activities that are passively available.
Make users feel recognized and appreciated.
Our design principles were the culmination of our research. The needs and likes/dislikes of our archetypes (that were created based on our interviews), were complemented and checked against the information of our experts and directed towards areas our competitors were lacking in. These served as our guiding compass when creating our initial wave of concepts.
This model is not suggesting that a Lone Wolf will become a Social Butterfly, rather we identified how each might begin to form an authentic relationship. Through our research we learned that if a person is suffering from Chronic Loneliness an App might not help him, it is recommended for him to see the consultant for that. Moving forward, we decided to focus more center three steps.
Based on design principles and user need, we came up with six concepts. After getting feedback from Google Daydream team and analyzing the technological limitations, we decided to proceed with EastAR egg and Geo Grams.
This concept allows users to transform their worlds into master paintings. When users scan art, they unlock other artists’ lenses. Users can also share their lenses with friends.
Local businesses or individuals can craft experiences for users to partake in. Users will be recommended events based on their interests and can notify friends if they are going. AR bread crumbs will lead to the event location. These trails will be tailored to fit the theme of the event.
By allowing users to create their own visual flag, they can alert their friends of potential interests without fearing direct rejection that is associated with an immediate question.
This AR pal can generate topics based on mutual interests between its human and other nearby users. It can also initiate the first conversation, alleviating any stress that comes from making the first move.
Users are encouraged to share their messages and illustrations with their friends. They can easily show their feelings through personalized messages pinned to a specific geo location. Others can then respond or continue to expand on other messages.
Users can leave AR art installations in specific locations of interest for friends to discover. Those who discover the installations are prompted to replace it with their own art or add to it. This includes a history of the past concepts. These installations can be edited by anyone who finds them.
Moving with EastAR egg and Geo Grams as our base concepts we start defining user tasks. We also incorporated different ideas from other concepts to target our three archetypes but also made sure we are always referring our design principles to validate our ideas.
After defining user tasks, team of UX and interaction designers start visualizing how information should be laid out and how different flows interact with each other.
We made this video to give you the better understanding of our design decisions and the overview of the process.
We soon realized that to handle such a complex problem we need to divide it into sub problems and prototype each component separately. We divided the team of UX designers and programmers and assigned them sub problems to quickly prototype and validate.
Based on the information architecture we start sketching wireframes and defining the basic flow of the app. In early wireframes we assumed the creation tool as black box to simplify the flow. Another team of designers and programmers were working on it to test and prototype in parallel.
After defining the sketching out the basic wireframes and we also start testing how user will use different tools to create objects in the Augmented reality. We tested different prototypes to answer how can we place toolbox in Augmented reality and how user can interact with tools to build his/her creations.
From user testing we learned users were not at all comfortable with moving toolbox. We observed users were getting more comfortable in using the Augmented reality toolbelt instead of tool boxes. Moreover, the app flow was really confusing to users. Partially because of the low fidelity of it. Other than that, they were not able to make sense of collaboration on the project and how they are sending their creations to people on the map. After identifying these problems we came up with another set of prototypes and tested it with the users.
In next iteration we detach the collaboration feature from the canvas placement and put the top center of the screen which brings the list of people to collaborate. This facilitate user to invite other people later and start the creation without making a choice. We also combined creation placement on map and sending to a friend on one screen to avoid giving the user better context of what they are supposed to do after working on their creation.
In parallel, we start doing testing intercepts around the campus to quickly validate our prototypes and get user's feedback.
We also started working on defining the visual guidelines so that we can make sure all the visuals including UI, print and digital assets are consistent.
After couple of more iterations we made a hi-fidelity prototypes to get more granular feedback about the specific interactions like how you will move the object, scale it and animate it. Animating an object was another challenge. We tested the prototype in which you will move your phone in exactly the same path you want your object to move. And users loved it!
During the implementation phase we never forgot our design principles and was continuously validating our ultimate goal of mitigating the disconnection between users using art!
The landing page of Scapes serves as a viewfinder into the augmented world by using the phone’s camera with a minimalistic, material design UI. At your fingertips, you can access the discovery map, collaborate with your friends see your profile or start creating art.
The core of Scapes presents you with a toolbelt that follows you around and can be seen with a small down tilt of your phone, providing easy access while not obstructing your view. You can use it to select primitive shapes, base models organized in categories, particle effects, saved assets or access Google’s Low Poly library for more.
With one or multiple objects selected, the user can pinch to scale them, hold the finger and move around to rotate, or select one of the various functionalities on the sidebar. Those include moving the object, grouping or un-grouping them, duplicating it, deleting it, changing its color, attaching sound, adding gravity or creating a motion path for it to follow.
User can host a collaborative art session and invite friends or join existing ones that are being hosted by their friends or in public mode. The users’ avatars serve as a stand-in if they are not in the same location and highlights indicate the sections they are working on.
While creating your art, be it solo or collaboratively, you can start live-streaming at any moment for people around the world to view and react to it. You can get notified if people live-stream works using your art or if your friend starts one, or you can simply search for them using certain filters.
After you are done creating your art, you can use the share map to place it anywhere in the world or, conversely, let it sit exactly where you created it for context-dependent art. When placing your art, you can make it public, friends-only or leave it for a specific friend to find, as well as change the settings whether people can save it as an asset or add to it.
From the home screen user can access the discovery map where they can view live streams, join open collaboration and look for creations around them. Undiscovered creations are represented by the abstract icons and get replaced by the actual creation once you find it in physical space.
Either by notification, tracking through the map or randomly walking up on it, your home screen is your viewfinder into the augmented world of scapes, and lets you find creations others have placed in the world. You can also add onto creations and it will generate a timeline that users can scroll through to see how the art has evolved overtime.
After discovering the creations, you can add onto it by jumping directly into the creation tool. Moreover, you can save that creation to your tool belt for future use.
Design and develop a website that can serve as a documentation for the Google Daydream team. Moreover, website should also give the brief introduction of the Scapes and should also cover the brief design process of the team.
Initially I was thinking of dividing the website into two main sections, the product itself and our team story containing multiple videos. But later considering our process and the amount of information I had to display I changed the layout to four pages.
On the home page, the challenge was to give the brief introduction and also displaying the foundation
of Scapes like who the users are, what are the design principles and how it's expected to build authentic
relationships. All of this information was causing a long scrolling and the information had to be displayed
in the chronological order to make sure viewer knows how we came up with design principles and same was the
case with most of the pages. So, I decided to go with the section scroll layout and within each section
I used carousals to encapsulate the content. This end up giving two benefits.
1) User can now focus on the one piece of information at a time.
2) The information is not overwhelming, if user wants to know more he/she can use carousal to get more information with in sections.
The website was developed using basic front-end technologies like HTML5, SASS, Flexbox, JavaScript and JQuery. The website is not using any boilerplate or template and everything is written from scratch expect supporting plugins like fullPage.js, owl.carousal etc. This enables developer to have the full control over the layout and styling.
I would like to thank my professors, my team for a wonderful nine weeks journey and Google Daydream team for giving us this amazing opportunity.


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Mourinho raids Lille for Osimhen’s coach
by Solape Lawal-SolarinSolape Lawal-Solarin
Victor Osimhen seems to be the first casualty of Jose Mourinho’s ascension in the dugout at EPL dark horse, Tottenham Hotspur, Sports Extra reports.
The Special One, as he is fondly called, was appointed as the new Lilywhites manager after Argentine, Mauricio Pochettino, was booted out for poor results on Tuesday night.
And Mourinho, whose last job was with Manchester United, approximately 11 months ago, is eager to construct his backroom staff, and turned to Lille, poaching Osimhen’s coach, Joao Sacramento.
Sacramento, is an assistant to Les Dogues’ manager, Christian Galtier.
He was appointed in 2017 as an assistant to Galtier, helping the 20-year-old to settle in well at the Stade Pierre-Murroy following his €12m switch this season.
The Nigeria international won the Club’s Player of the Month for October after scoring nine goals in all competitions so far this season.


Placeholdem is a JavaScript plugin that animates placeholder carets on inputs and textareas. The placeholder value will incrementally delete on focus, and restore on blur.
<!-- add placeholder to input or textarea --/>
<input name="fieldname" placeholder="Placeholder Value" />
// run Placeholdem on all elements with placeholders
Placeholdem( document.querySelectorAll( '[placeholder]' ) );
This project is no longer being developed or maintained. The effect this plugin gives is visually appealing, but it's a bad practice in terms of usability and accessibility. On top of that, manipulating the values of different HTML5 input types directly has a lot of issues (text, email, number, search, etc.). I suggest using an alternative styling for labels and placeholders, such as Floating Labels.


Run the statements in the Ad Hoc command window to the right and review the results tab in the bottom panel.
Indexes are created on the compressed and uncompressed tables. By updating the table and index statistics and looking at the SYSCAT.INDEXES catalog table you can see the results.
The index on the compressed table is automatically compressed, while the index on the uncompressed table is not compressed. You can override this automatic decision by adding the COMPRESS (NO/YES) clause to the end of the CREATE INDEX statement.


3.3 Pecan Pie Energy Bites
April Berteau
3.3.1 Pitch
These pecan bites are a perfect no-bake snack that’s easy and delicious!
With no added sugar, this is a perfect clean eating recipe you can enjoy in a lunch box or when the 3 p.m. slump comes along, guilt-free. Paleo-approved, gluten-free, grain-free, and vegan; what a bite!
3.3.2 Materials
- Raisins or dates
- Unsweetened coconut flakes
- Cinnamon
- Ground ginger
- Pecans
- Vanilla extract
- Nutmeg
Salt
A food processor or high-speed blender
3.3.3 Methods
- Soak: place raisins in a bowl and cover with hot water. Let them soak for 10 minutes; drain.
- Blend: pulse the raisins and nuts in a food processor until they are finely ground and have formed a paste. Stir in the coconut flakes, vanilla, cinnamon, nutmeg, ginger, and salt. Pulse a few times and refrigerate for 30 minutes.
- Form: using a spoon and your hands, scoop and shape the dough into 16 small balls. Refrigerate in an airtight container to store and enjoy.


I occasionally have a major insomnia problem. I tossed and turned for 2 hours, until I got pissed. I remembered some combinatrion off of this section for getting some sleep.

T+1: 3:30 AM As soon as I hit the pillow, I was in between wake and dreaming yet aware. The body buzz was comparible to a high dose of heroin...I kept reaching semi-awake with all of the laughter I found from within.  I was too nodded out.
T+2: 5:30 AM After floating in this nexxus for 2 hours I finally reached a dreaming state...for the last thing my REAL eyes saw was the time.
My dreams were so vivid I Cannot believe they were only dreams. I traveled a lot. All 6 senses were intact. I could predict what people were thinking. In one instance I was in an orgy with two females that had colored hair. As soon as we were finished I felt a bigger presence. I saw a shadow from behind us, and turned around. A very tall man with a weird high-tech outfit who claimed to be the devil commanded me to leave.  I laughed as he made flies cover me. Next he grew in size and was almost transparent in the scenery like he was superimposed. The whole realm blew up as I awoke.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The German Digital Library provides access to a continuously growing collection that is part of the digital cultural heritage of German cultural and academic institutions. This project attempts to make the dimensions of this stock of artefacts, documents and resources visible and tangible with the help of interactive visualizations. The resulting representations are experimental overviews of the temporal and spatial distribution of objects and the associated topics, people, and organizations.
The visualizations are the result of an exploratory study aimed at generating innovative perspectives on the collection of the German Digital Library (Deutsche Digitale Bibliothek, DDB) and make them available as visual and interactive representations. In contrast to existing search interfaces, which show only a few objects as part of result lists, the presented views should show the distribution of objects along time, place, topic, people, and other dimensions.
How are the visualizations related with the metadata fiels of the DDB?
The visualizations are solely based on the facets (e.g., persons & organizations),
which the DDB exposes via the search interface or the API method indexing-profile.
Are the visualizations optimized for accessibility?
No, at the moment the pages and visualizations are unfortunately not yet optimized towards accessibility.
Why do the numbers of the objects sometimes do not match the numbers displayed on the DDB website?
The visualizations are based on a data snapshot from June 2014 and do not represent the current state of the DDB collection.
Which browser versions are supported?
The visualizations were developed towards the current versions of the four most used browsers (June 2014): Chrome 35, Safari 7, Firefox 30, Internet Explorer 11. The visualizations have not yet been optimized for mobile devices.
What is the design concept behind the visualizations?
Good question! We gave a presentation at Information+ 2016 about this project and wrote an article in the Information Design Journal (Preprint).


Add the application name to /etc/hosts file
Display final success message
Preform Apache-Passenger clean configuration for Linux
Construct app name
Contruct the apache touch file removing ’.’
Construct the application public folder path
Create virtual host for default name unless the user provide a name
Display all available commands and options
Run Apache command to enable the site
Check whether a virtual host exists in the same name
[Validate]


The objective of Richard Stallman’s paper titled “Why Software Should be Free” is to answer the question: how should the use of software be regulated in order to maximize the benefit of software for all people? As an answer to this question, Stallman establishes the view that the concept of ownership when applied to software is detrimental to society, and that software developers ought to write “free” software. He defines free software as software that is free to use in any capacity and not simply software with no direct monetary cost (Stallman 43). In this paper, I will argue for the view that not all software should be free. First I will summarize and interpret the meaning behind the content of Stallman’s work, then I will critically evaluate his claims and provide reasoning for my argument.
Stallman aims to support his claim that all software should be free by dismantling arguments in favour of software ownership and detailing forms of material harm that come from obstruction of software use. He suggests that Owners justify their right to ownership using an emotional argument and an economic argument (Stallman 43-44). The emotional argument that Stallman claims programmers appeal to goes as follows: I put effort and energy into X, therefore, I should own X. Stallman implies that programmers have an irrational emotional attachment to the programs that they develop and that they should detach their personal feelings towards their work, like a Renaissance painter. But he does not think that this argument requires ‘serious refutation’ (Stallman 43). The economic argument for software ownership claims: If I don’t get paid X amount of money, I won’t program.  He contends that in the same way that people choose careers in art and politics despite low economic prospects, people will produce free software due to a passionate interest or a desire to benefit society (Stallman 51).
Next, Stallman endeavors to describe the harm that comes from restricting the distribution and use of software and to show that the resulting level of harm outweighs the good. He believes that any and all limitations of use have negative connotations (Stallman 46). The three forms of harm brought on by restrictions on use are as follows: less people have access to the program, no users can modify the program, and other programmers cannot learn from the program. Stallman additionally claims that each material harm has an underlying psychosocial harm with broad implications, but due to the scope of this assignment I will not address this point. The first material harm is focused on the barrier that a monetary cost places on software. In this instance Stallman is appealing to free software in an economic sense. He claims that if a piece of owned software has a cost, then the amount of people that purchase the software will be much smaller than the pool of potential users (Stallman 46). The second form of material harm is the lack of sanctioned modification that proprietary software has. Stallman suggests that by not releasing the source code of their proprietary software, software owners are harming other developers. Developers often take existing code and either modify it to suit their needs or use bits and pieces in a completely separate program. Stallman cites an example where access to proprietary source code would have greatly reduced the six month development time of a program that his friend worked on (Stallman 49). The third material harm of software obstruction is its preventative affect it has on software education. This harm is closely connected to the second material harm as they both limit potential improvement upon existing software. He thinks that Software owners often want to safeguard their knowledge to maintain an advantage, but this behavior has a negative impact on society and the evolution of software as a whole.
Thus far, I have addressed the points in Stallman’s paper that I take to be most relevant to my evaluation of his argument. In what follows, I will identify a number of flaws in the arguments given by Stallman and thereby suggest that not all software should be free.
Stallman’s reconstruction of the emotional argument straw-mans a view that could be given a much more convincing and robust defense. At the centre of the emotional argument is the claim that we have a right to the fruits of our labours, because of the close relationship between the source/means of production and what is produced. This view requires serious refutation
I think he is mischaracterizing the economic argument by saying that people believe that if they aren’t incentivized there will not be software at all. That’s not actually the argument. The actual economic argument is that if software isn’t given the value it currently is and if people are not payed high wages then not as many people will produce software. There will still be software, that software just may not be as diversified. He formulates the economic argument as a question-begging ‘threat’ that sets up an either/or scenario, when it could be formulated instead as a projection about the extent to which incentives motivate a high degree of creative work in the field.
In the section on the harms of...Stallman presupposes that software will be produced and that decisions regarding ownership will follow initial production. Although the harms he mentions may be of concern, if one takes the economic to be a realistic projection and less of an arbitrary threat aimed at securing monetization, then one might wonder whether any good would be produced in the first place. What’s more, the burden should be on Stallman to explain why material harm outweighs the harm that could be inflicted upon programmers if they are economically alienated from the fruits of their labours.
Find Stallman's paper here


Got a question? Need more information? Maybe you're just lonely and want to talk Of course you do, we're not surprised; we're just too good to be true, right? Well, we can clarify anything you need to know through the conventional means. No ancient summoning rituals or smoke signals this time.


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--- layout: page title: About permalink: /about/ ---
Coin Flip Games, LLC is a micro game studio based out of Fort Collins, Colorado.
We were founded in January 2014 officially by Joel Trum and Robert Newton. We actually started working on our first title, Top Snake, back in May 2013, but didn't register as a company until we were
ready to release. We've released a bunch of games from various game jams and prototyping sessions and we're currently working on expanding our first mobile title, Bitmite Blitz. We've got a lot planned! Keep an eye on the blog!Our goal is to bring an arcade spirit to all the games we produce. We want to make fun, addictive games with a distinct lack of bugs... though we make no such promise for our prototypes!
Below you can see all the people involved with Coin Flip Games over time.
We've bundled up our logo for easy use as a .zip. Feel free to use this anywhere provide you follow the guidelines below:


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University of Guelph • 2016 - 2021
Bachelor of Computing • Co-op
Major in Software Engineering • Minor in Marketing
My hobbies and passions as a kid turned into my focus for a career as I grew older. I decided to focus on technology for my career at the moment, but one day I hope to combine my love for cars and technology as my full-time gig.
Full Stack iOS Developer Intern
Junior Web Developer Intern
Full Stack Developer Intern
Project Coordinator Intern
Security Software Developer Intern


Hierarch Kekropus:
On the other hand, we Kamael are limited in our birth and our destiny.
We may only wield the sword; we do not have a god so we cannot use holy powers, nor can we sing the song of magic...
You younger Kamael have a few more options, but not many. Why is it that only the women have the ability to protect, while only the men have the ability to wield a sword?
Can something be done?


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ActiveTcl User Guide
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Tcl_CreateCommand - implement new commands in C
#include <tcl.h>
Tcl_Command
Tcl_CreateCommand(interp, cmdName, proc, clientData,
deleteProc)
Tcl_CreateCommand defines a new command in interp and associates it with procedure proc such that whenever cmdName is invoked as a Tcl command (via a call to Tcl_Eval) the Tcl interpreter will call proc to process the command. It differs from Tcl_CreateObjCommand in that a new string-based command is defined; that is, a command procedure is defined that takes an array of argument strings instead of objects. The object-based command procedures registered by Tcl_CreateObjCommand can execute significantly faster than the string-based command procedures defined by Tcl_CreateCommand. This is because they take Tcl objects as arguments and those objects can retain an internal representation that can be manipulated more efficiently. Also, Tcl's interpreter now uses objects internally. In order to invoke a string-based command procedure registered by Tcl_CreateCommand, it must generate and fetch a string representation from each argument object before the call and create a new Tcl object to hold the string result returned by the string-based command procedure. New commands should be defined using Tcl_CreateObjCommand. We support Tcl_CreateCommand for backwards compatibility.
The procedures Tcl_DeleteCommand, Tcl_GetCommandInfo, and Tcl_SetCommandInfo are used in conjunction with Tcl_CreateCommand.
Tcl_CreateCommand will delete an existing command cmdName, if one is already associated with the interpreter. It returns a token that may be used to refer to the command in subsequent calls to Tcl_GetCommandName. If cmdName contains any :: namespace qualifiers, then the command is added to the specified namespace; otherwise the command is added to the global namespace. If Tcl_CreateCommand is called for an interpreter that is in the process of being deleted, then it does not create a new command and it returns NULL. Proc should have arguments and result that match the type Tcl_CmdProc:
typedef int Tcl_CmdProc( ClientData clientData, Tcl_Interp *interp, int argc, CONST char *argv[]);
When proc is invoked the clientData and interp parameters will be copies of the clientData and interp arguments given to Tcl_CreateCommand. Typically, clientData points to an application-specific data structure that describes what to do when the command procedure is invoked. Argc and argv describe the arguments to the command, argc giving the number of arguments (including the command name) and argv giving the values of the arguments as strings. The argv array will contain argc+1 values; the first argc values point to the argument strings, and the last value is NULL. Note that the argument strings should not be modified as they may point to constant strings or may be shared with other parts of the interpreter.
Proc must return an integer code that is either TCL_OK, TCL_ERROR, TCL_RETURN, TCL_BREAK, or TCL_CONTINUE. See the Tcl overview man page for details on what these codes mean. Most normal commands will only return TCL_OK or TCL_ERROR. In addition, proc must set the interpreter result to point to a string value; in the case of a TCL_OK return code this gives the result of the command, and in the case of TCL_ERROR it gives an error message. The Tcl_SetResult procedure provides an easy interface for setting the return value; for complete details on how the the interpreter result field is managed, see the Tcl_Interp man page. Before invoking a command procedure, Tcl_Eval sets the interpreter result to point to an empty string, so simple commands can return an empty result by doing nothing at all.
The contents of the argv array belong to Tcl and are not guaranteed to persist once proc returns: proc should not modify them, nor should it set the interpreter result to point anywhere within the argv values. Call Tcl_SetResult with status TCL_VOLATILE if you want to return something from the argv array.
DeleteProc will be invoked when (if) cmdName is deleted. This can occur through a call to Tcl_DeleteCommand or Tcl_DeleteInterp, or by replacing cmdName in another call to Tcl_CreateCommand. DeleteProc is invoked before the command is deleted, and gives the application an opportunity to release any structures associated with the command. DeleteProc should have arguments and result that match the type Tcl_CmdDeleteProc:
typedef void Tcl_CmdDeleteProc(ClientData clientData);
The clientData argument will be the same as the clientData argument passed to Tcl_CreateCommand.
Tcl_CreateObjCommand, Tcl_DeleteCommand, Tcl_GetCommandInfo, Tcl_SetCommandInfo, Tcl_GetCommandName, Tcl_SetObjResult
bind, command, create, delete, interpreter, namespace
Copyright © 1989-1993 The Regents of the University of California. Copyright © 1994-1997 Sun Microsystems, Inc. Copyright © 1995-1997 Roger E. Critchlow Jr.


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2 Chronicles 34:11
Even to the artificers and builders gave they it, to buy hewn stone, and timber for couplings, and to floor the houses which the kings of Judah had destroyed.