Data Science Group Project investigating the relation between Happiness and Terrorist Attacks
This was a Python Project for my Widening Horizons Module Data Science For Everyone. Found that there was some link between the two but was very small.
Personal Website
This is the website you are on! Built using Django.
This is a Java Project which implements differnt AI algorithms I have learnt in my first year Artificial Intelligence module. This also uses ideas learnt from for other first year modules like Programming in Java and Data Structures and Algorithms.
As someone who has a lot of interest in Ciphers I have implemented differnt cipher and also differnt ways to break cipher.
Hackathons and CTFs and Competitions
CSS Qiskit Hackathon November 2019
Created a Python program which accurately measures the Pi. This is done by working the proportion of random coordinates are in or out of the circle. The random numbers were generated using a (simulated) quantum computer.
A CTF which was run by TryHackMe. First ever CTF which I had done.
BAE Systems Capture The Flag January 2020
A CTF run by BAE. Gave me more experience on how they working
MLH Local Hack Day
A day where I learnt a bit about website design and how the cloud works.
GSA-Ultra
This was a Programming Competition Over 10 days around August 2020. I came 168th (out of 968) with 60 points. As this was my first time ever doing something like this and I restarted my summer job in the middle I was quite happy with the result.


About Kyerstin
Kyerstin is...
kind of a big deal.
basically a badass.
stoked to be learning code!
Kyerstin can sell your home and design the flyers for your open house!
She is a multi-talented queen!
Kyerstin has also taken the digital media deep dive bootcamp and is well versed in Spark AR, After Effects, Premiere Pro, and so much more!
Here's her LinkedIn page:
Kyerstin O'Neal


--- layout: post title: "2 Weeks at Google" date: 2012-03-12 05:08:01 +0000 permalink: /2012/03/12/2-weeks-at-google/ category: Work tags: - Google - SRE - Life redirect_from: - /blog/2-weeks-at-google/ ---
Two weeks at Google have been... amazing. There's a lot that I can't talk about, but I can feel comfortable in confirming some of the things you hear about Google:
I'm a "Site Reliability Engineer" which is a job title that may not exist anywhere else. It's basically production-oriented operational engineering: keeping production systems running and making them run better.
Ann and I have found a new place, so we'll be moving there from the corporate housing next week. It'll be nice to get our stuff back and get settled in.
(All opinions expressed here are mine and not my employers. I will not comment on or discuss Google policy, unreleased products, or other proprietary information.)


PureBasic - VectorDrawing
Overview
The VectorDrawing library provides resolution independent, high-quality drawing operations for display, image manipulation or printing. Unlike the 2DDrawing library, function in this library can operate in a variety of measurement units and allows for arbitrary coordinate transformations. This allows to easily write drawing routines that are independent of the actual output resolution and can easily scale to different sizes. The VectorDrawing library supports alpha transparency in all its operations.Drawing sequence
Drawing operations in this library involve three basic steps:
1) Construct a path with functions such as AddPathLine(), AddPathCurve(), etc.
2) Select a drawing source such as VectorSourceColor()
3) stroke, fill, dot or dash the path
After stroking or filling a path, the path is reset and a new path can be constructed for the next drawing operation. The selection of the drawing source (step 2) does not need to be repeated every time, as the drawing source is not reset.
The path based drawing model allows the drawing complex shapes with properties such as thick lines with rounded/diagonal corners and dot/dash patterns without introducing any visible artifacts in the places where segments of the figures meet. Since the entire path is drawn at once, such artifacts can be avoided.
See the AddPathLine() function for a basic example of the drawing steps.Measurement units
Every drawing output has a default unit of measurement. The default unit is pixels for screen or raster image outputs and points for printer or vector image outputs. It is however possible to select a different unit of measurement for the output when creating it with the ImageVectorOutput(), PrinterVectorOutput() or similar function. All drawing operations will use the selected unit of measurement and internally convert the values to the actual device coordinates. This allows to write the drawing code in the prefered unit of measurement independent of the used output. The selected unit of measurement for an output can be checked with VectorUnit().Coordinate transformation
It is possible to move, scale, rotate, flip or skew the coordinate system used for drawing. The transformations can be freely combined. Such transformations affect all drawing operations.
Possible uses of coordinate transformations is to draw figures in a rotated or stretched manner without the need to modify the actual drawing code. For example, printing code can easily switch to landscape printing by simply rotating the coordinates (and therefore all output) at the start of the drawing options.
There are four different coordinate systems and some functions take an optional parameter to select which system should be used. These are the available options:
#PB_Coordinate_DeviceThis coordinate system represents the physical coordinates of the output device. It cannot be transformed. This coordinate system is useful when converting values between the device and the actual drawing coordinate system with ConvertCoordinateX() and ConvertCoordinateY().#PB_Coordinate_OutputThis coordinate system represents the initial output coordinates in the selected unit of measurement. This coordinate system is equal to #PB_Coordinate_Device except for possible scaling by a different measurement unit. This coordinate system cannot be transformed.#PB_Coordinate_UserThis is the coordinate system used for all drawing operations. This coordinate system is used whenever a different system is not explicity specified. It can be freely transformed. Initially, this coordinate system is equal to the #PB_Coordinate_Output system and can be reset that way with ResetCoordinates().#PB_Coordinate_SourceThis coordinate system is used by the commands that select the vector drawing source. It is most useful together with the VectorSourceImage() command to transform the used source image. This coordinate system is relative to the #PB_Coordinate_User system, so any transformation to the #PB_Coordinate_User system will affect this system as well.For most purposes, the #PB_Coordinate_User is the intresting coordinate system and is therefore the default. The other systems are useful mainly for coordinate conversion or for special purposes such as transforming the source image.Example: Rotating the coordinate system
Example: Combining coordinate transformations (translation & skew)
Drawing state and layers
A number of properties of the drawing output such as coordinate transformations, clipping or the drawing source can be saved and later restored with SaveVectorState() and RestoreVectorState() respectively. This allows to make temporary modifications to the drawing output and later restoring the previous state. The commands work in a stack, so it is possible to save/restore multiple drawing states.
The BeginVectorLayer() allows to save the current drawing state, constructs a new virtual drawing layer. Future drawing operations will be directed to that layer. A call to EndVectorLayer() will combine the layer with the below drawing output and restore the previous drawing state. This allows to combine a number of drawing operations and then applying them as a layer to the output. Multiple temporary layers can be created this way.Command Index
AddPathArc
AddPathBox
AddPathCircle
AddPathCurve
AddPathEllipse
AddPathLine
AddPathText
BeginVectorLayer
ClipPath
ClosePath
ConvertCoordinateX
ConvertCoordinateY
CustomDashPath
DashPath
DotPath
DrawVectorImage
DrawVectorParagraph
DrawVectorText
EndVectorLayer
FillPath
FillVectorOutput
FlipCoordinatesX
FlipCoordinatesY
IsInsidePath
IsInsideStroke
IsPathEmpty
MovePathCursor
NewVectorPage
PathCursorX
PathCursorY
PdfVectorOutput
ResetCoordinates
ResetPath
RestoreVectorState
RotateCoordinates
SaveVectorState
ScaleCoordinates
SkewCoordinates
StartVectorDrawing
StopVectorDrawing
StrokePath
SvgVectorOutput
TranslateCoordinates
VectorFont
VectorOutputHeight
VectorOutputWidth
VectorParagraphHeight
VectorResolutionX
VectorResolutionY
VectorSourceCircularGradient
VectorSourceColor
VectorSourceGradientColor
VectorSourceImage
VectorSourceLinearGradient
VectorTextHeight
VectorTextWidth
VectorUnit
Supported OS
AllReference Manual - Index


{{aboutCtrl.package.description}}
This site is written as an AngularJS HTML5 application. It is hosted entirely on IPFS (Interplanetary File System).
{{aboutCtrl.package.name}} uses the following npm packages:
| Name | Version | Description |
|---|---|---|
| {{package.name}} | {{package.version}} | {{package.description}} |


| Package | Description |
|---|---|
| com.jme3.asset |
com.jme3.asset contains the AssetManager ,
a utility class that is used to load assets such as textures, models, and
sound effects in a jME3 application. |
| com.jme3.font | |
| com.jme3.material |
The
com.jme3.material package contains classes for manipulating
jMonkeyEngine materials. |
| com.jme3.post |
The
com.jme3.post package provides utilities for
render processing. |
| com.jme3.renderer |
The
com.jme3.renderer package provides classes responsible for
rendering. |
| com.jme3.scene |
The
com.jme3.input package contains the scene graph implementation
in jMonkeyEngine. |
| com.jme3.shadow | |
| com.jme3.util |
| Modifier and Type | Method and Description |
|---|---|
Material |
AssetManager.loadMaterial(java.lang.String name)
Load a material instance (J3M) file.
|
Material |
DesktopAssetManager.loadMaterial(java.lang.String name) |
| Modifier and Type | Method and Description |
|---|---|
Material |
BitmapFont.getPage(int index) |
| Modifier and Type | Method and Description |
|---|---|
void |
BitmapFont.setPages(Material[] pages) |
| Modifier and Type | Method and Description |
|---|---|
Material |
Material.clone()
Clones this material.
|
| Constructor and Description |
|---|
Technique(Material owner,
TechniqueDef def)
Creates a new technique instance that implements the given
technique definition.
|
| Modifier and Type | Field and Description |
|---|---|
protected Material |
Filter.material |
protected Material |
Filter.Pass.passMaterial |
| Modifier and Type | Method and Description |
|---|---|
protected abstract Material |
Filter.getMaterial()
Must return the material used for this filter.
|
Material |
Filter.Pass.getPassMaterial() |
| Modifier and Type | Method and Description |
|---|---|
void |
Filter.Pass.init(Renderer renderer,
int width,
int height,
Image.Format textureFormat,
Image.Format depthBufferFormat,
int numSample,
Material material)
init the pass called internally
|
void |
Filter.Pass.setPassMaterial(Material passMaterial) |
| Modifier and Type | Method and Description |
|---|---|
void |
RenderManager.setForcedMaterial(Material mat)
Set the material to use to render all future objects.
|
| Modifier and Type | Field and Description |
|---|---|
protected Material |
Geometry.material |
| Modifier and Type | Method and Description |
|---|---|
Material |
BatchNode.getMaterial()
Returns the material that is used for the first batch of this BatchNode
use getMaterial(Material material,int batchIndex) to get a material from a specific batch
|
Material |
Geometry.getMaterial()
Returns the material that is used for this geometry.
|
| Modifier and Type | Method and Description |
|---|---|
void |
BatchNode.setMaterial(Material material)
Sets the material to the all the batches of this BatchNode
use setMaterial(Material material,int batchIndex) to set a material to a specific batch
|
void |
Geometry.setMaterial(Material material)
Sets the material to use for this geometry.
|
void |
Node.setMaterial(Material mat) |
void |
Spatial.setMaterial(Material material)
Applies the given material to the Spatial, this will propagate the
material down to the geometries in the scene graph.
|
| Modifier and Type | Field and Description |
|---|---|
protected Material |
AbstractShadowRenderer.postshadowMat |
protected Material |
PssmShadowRenderer.postshadowMat
Deprecated.
|
protected Material |
AbstractShadowRenderer.preshadowMat |
protected Material |
PssmShadowRenderer.preshadowMat
Deprecated.
|
| Modifier and Type | Field and Description |
|---|---|
protected java.util.List<Material> |
AbstractShadowRenderer.matCache
list of materials for post shadow queue geometries
|
protected java.util.List<Material> |
PssmShadowRenderer.matCache
Deprecated.
|
| Modifier and Type | Method and Description |
|---|---|
protected Material |
AbstractShadowFilter.getMaterial() |
protected Material |
PssmShadowFilter.getMaterial()
Deprecated.
|
Material |
AbstractShadowFilter.getShadowMaterial() |
Material |
PssmShadowFilter.getShadowMaterial()
Deprecated.
|
| Modifier and Type | Method and Description |
|---|---|
protected abstract void |
AbstractShadowRenderer.clearMaterialParameters(Material material)
This method is called once per frame and is responsible for clearing any
material parameters that subclasses may need to clear on the post material.
|
protected void |
DirectionalLightShadowRenderer.clearMaterialParameters(Material material) |
protected void |
PointLightShadowRenderer.clearMaterialParameters(Material material) |
protected void |
SpotLightShadowRenderer.clearMaterialParameters(Material material) |
protected abstract void |
AbstractShadowRenderer.setMaterialParameters(Material material)
This method is called once per frame and is responsible for setting any
material parameters that subclasses may need to set on the post material.
|
protected void |
DirectionalLightShadowRenderer.setMaterialParameters(Material material) |
protected void |
PointLightShadowRenderer.setMaterialParameters(Material material) |
protected void |
SpotLightShadowRenderer.setMaterialParameters(Material material) |
protected void |
AbstractShadowRenderer.setPostShadowMaterial(Material postShadowMat)
set the post shadow material for this renderer
|
| Constructor and Description |
|---|
PssmShadowRenderer(AssetManager manager,
int size,
int nbSplits,
Material postShadowMat)
Deprecated.
Create a PSSM Shadow Renderer More info on the technique at http://http.developer.nvidia.com/GPUGems3/gpugems3_ch10.html
|
| Modifier and Type | Method and Description |
|---|---|
static Material |
PlaceholderAssets.getPlaceholderMaterial(AssetManager assetManager) |
Material |
MaterialDebugAppState.reloadMaterial(Material mat) |
| Modifier and Type | Method and Description |
|---|---|
Material |
MaterialDebugAppState.reloadMaterial(Material mat) |


--- layout: default title: Home ---
If you can't explain it simple, then you didn't understand it well enough - Albert Einstein
br> br>I am currently a full stack developer working for Cerner Corporation at Kansas City, MO. In the past few years, I have greatly enhanced my programming skills by taking up the course on Data Analytics, React Native and also contributing to open source libraries. My Other interests involve playing Guitar and PS Games.
As a full stack developer at Cerner Corporation, I have been developing both mobile and desktop versions of the applications which are widely used across the world by Nurses, to administer and prepare medications for the patients. The past 2 years have given me the ability to write a clean and understandable code. Currently, I'm consider myself as a Professional Developer in React JS, D3 JS and Java. However, my favourite language hands down in Python.
Apart from my technical skills, I believe I am a team player and always encourage a friendly environment in the team. I am currently a mentor to a new associate who joined the team and help him understand the workflows and other technical aspects. During my masters and bachelors, I led a team of developers at my University to implement projects related to Image Processing.
Short-term goal: I am looking for a challenging full time opportunities which allow me to apply my experience and provide an environment for me to learn; I have a diverse profile and I love to pick up new technologies.
Long-term goal: I see myself making the technologies more open source and licence free. I strongly believe technology should not cost money and should be accessible to everyone at free of cost.
Full stack Engineer working with React, Ruby (React on Rails), Java REST services along with Git, Maven, NPM and Docker to develop and deploy medical solutions accessible to our clients.
Masters of Science in CS with Big Data, Android Applications, Image Processing and Networking
This is when the developer inside me ignited
A guide to solve few of the Competetive programming problems found online.
Created a personal portfolio website on Github pages. The Website is built on top of Hyde which is 2 column Jekyll theme. The Website is built entirely using HTML, CSS, and Javascript.
A fun simulation of how Go back N and Selective Repeat algorithms work which is the basic essense of data flowing across the internet and how loss of packets could affect the delivery of the content


The left sidenav will 'lock open' on a medium (>=960px wide) device.
The right sidenav will focus on a specific child element.
{{::company.address}}
{{::company.zipcode}}
{{::company.city}}
{{::company.tax}}


## Roadmap:
1. Our Team
2. The project
3. State of the Art
4. Data and Methodology
5. Results
1. Second Step Analysis
1. Use of fundings
1. Expected impact
Our Team:
Elliott Ash
Assistant Professor at ETH Zurich
Malka Guillot
Post-doc at ETH Zurich
Adrien Pacifico
ATER at Cergy Paris Université (CY)
Elliott Ash :
Research interests:
Law and Economics, Political Economy, Public Finance, Computational Linguistics, Machine Learning.
Law: Training and research in tax law.
NLP: Extracting information from plain text, including laws/judgments.
Data: Specialize in large datasets of laws and metadata.
Malka Guillot :
Research interests:
Labor Economics, Public Finance, Natural Language Processing, Political Economy.
Data: Has worked with large administrative datasets (POTE, DADS).
Past experiences: Has worked on many successfull team projects (IPP, WID) .
Tools: Stata, Python, gensim.
Adrien Pacifico :
Research interests:
Public Economics, Household Taxation, Political Economy, Reproductibility in Economics, Machine Learning.
Data: Has worked with the Échantillon Démographique Permanent for more than three years (50 Gb of data).
Open Science: Open the code and make it understandable with Jupyter Notebooks. Certify results are fully reproducible with Cascad.
We are experienced with working on large administrative datasets.
We know the French system well.
We use cutting edge technologies that are efficient, open source, and very compatible with the best open science standards .
# Project
Context :
Measurement of intergenerational social mobility is important.
Strict requirements on data to measure social mobility .
No available income mobility indices for France based on both parents' and children's income.
## Goal:
1. Provide measures of intergenerational mobility for France based on parents'/children's taxable income.
1. Build on these mobility indices to perform more advanced analysis based on geographical analysis.
## State of the Art
1. Data were only recently available to analyze intergenerational income mobility.
1. Recent improvements in access to administrative data now allow precise measurements of intergenerational income mobility.([Bratberg et al., 2005](); [Chetty et al., 2014](); [Corak, 2019](); [Acciari et al., 2019]()).
1. Some of these studies use varations between localities to identify factors linked with intergenerational income mobility.
## What about France?
* Studies on equality of opportunities ([Lefranc et al., 2009]()), or on income mobility ([Poncelet et al., 2016]()) exist.
* Some using geographic variation ([Dherbécourt, 2015](); [Kenedi and Dherbécourt, 2017]()).
None of these use linked data on parent's and children's income.
Note:
Use proxies for income, for example by social status (five or nine categories)
## Data and Methodology
## Dataset
We use the Échantillon Démographique Permanent (EDP).
* A blend of administrative data and surveys.
* Contains income tax return data for a large sample of individual since 2011.
* Allows following over time individuals born at specific dates.
* The sample size is approximately 15,000 households per year.
* Contains many variables including precise localization, civil registry data, diplomas, etc.
## Measuring parents' and children's income.
1. We observe parent's income while their tax-dependent children, aged 16-18 years old, live with them.
1. We measure children's income five years later (aged 21-23 years old).
## Intergenerational Mobility Measures
IGE:
$$IGE = Corr(log \; y_i , log \; y_i^p) \frac{SD(log \; y_i)}{SD(log \; y_i^p)}$$
Rank-Rank Slope:
$$R_i = \alpha + \beta R_i^p + \epsilon_i$$
Absolute Upward Mobility: $$\mathbb{E}[R_i | R_i^p < 50] $$
Q1-Q5 (American Dream): $$\mathbb{E}[Q = 5 |Q^p = 1] $$
_____________________________
* $y_i$ is child income; $y_i^p$ parents income
* $R_i$ child percentile rank; $R_i$ parents rank
* $Q$ child quintile rank; $Q_i$ parents rank
Note:
IGE : intergenerational income elasticity
* Captures the elasticity of child income with respect to parental income
* An IGE of 0.5, for example, means that a 20 pct differ- ential in parental income translates into a 10 pct differential in child income.
Rank-Rank Slope :
* a$\alpha$ measures the expected rank of botom of the distribution children
* $\beta$ correlation strenght between children and parents income.
### (Preliminary) Results
## Overall results:
* Upward mobility of 40.9% in France (41.57% in the US)
* "American Dream" metric of 7.69% (8.22% in the US)
## Open Science:
* [Github repository](https://github.com/adrienpacifico/Intergenerational_mobility)
* Binder Link: [![Binder](https://mybinder.org/badge_logo.svg)](https://mybinder.org/v2/gh/adrienpacifico/Intergenerational_mobility/master?filepath=map_version_1.ipynb)
## Second Step Analysis
## Mobility and Bankruptcy:
* We will use the _Banque de France_ database of bankruptcy cases (MUSES).
* Individual bankruptcy cases
* 100,000 new observations per year
* Rich variables (income and capital of the debtor, age, sociodemographic characteristics, precise location of housing)
Note:
does this do it?
## Mobility and Bankruptcy:
* We intend to estimate the following model for a locality $i$:
$$\boxed{y_i = \beta_0 + \beta X_i + \beta_1 \text{intergenerational mobility}_i + \epsilon_i}$$
* $y_i$: bankruptcy rate
* $X_i$: set of local control variables (e.g. unemployment, activity and poverty rate)
## Other Avenues:
* Populist voting and mobility.
* Distance to university and mobility.
* Income mobility in the families of immigrants and natives ([Abramitzky et al. (2019)](https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3476488)).
## Expected impact:
* Some of the first evidence outside U.S. on intergenerational mobility.
* Preliminary evidence suggests France not more mobile than U.S.
* Focused on France but will provide more general insights on mechanisms of mobility.
* New evidence on links between bankrupcty and mobility.
## Organisational details
## Use of fundings:
* Data access (SD-BOX from the CASD, 6552 euros)
* Postdoctorate researcher: working at 50% for 12 months (23448 euros)
## Research agenda (12 months):
* Months 1-5:
1. computing the intergenerational mobility measures
1. online browser app with maps illustrating the measures
1. data steps on the bankruptcy data (to prepare the merge with mobility measures)
* Months 6-7: Producing the results (regression tables and figures)
* Months 8-12:
* writing a draft
* presenting a first version of the paper
* applying to international conferences


This repo is for distribution on npm
and bower
. The source for this module is in the
main AngularJS repo.
Please file issues and pull requests against that repo.
You can install this package either with npm
or with bower
.
shell
npm install angular
Then add a <script>
to your index.html
:
html
<script src="/node_modules/angular/angular.js"></script>
Note that this package is not in CommonJS format, so doing require('angular')
will return undefined
.
If you're using Browserify, you can use
exposify to have require('angular')
return the angular
global.
shell
bower install angular
Then add a <script>
to your index.html
:
html
<script src="/bower_components/angular/angular.js"></script>
Documentation is available on the AngularJS docs site.
The MIT License
Copyright (c) 2010-2012 Google, Inc. http://angularjs.org
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


The accordion component builds on top of the collapse directive to provide a list of items, with collapsible bodies that are collapsed or expanded by clicking on the item's header.
The body of each accordion group is transcluded into the body of the collapsible element.
multiple
- (?boolean=false
) - Control whether expanding an item will cause the other items to close.class
(?string=''
) - To set custom class on md2-accordion
element.header
- (?string=''
) - The clickable text on the tab's header. You need one to be able to click on the header for toggling.disabled
(?boolean=false
) - Whether the accordion tab is disabled or not.active
(?boolean=false
) - Whether accordion tab is open or closed.class
(?string=''
) - To set custom class on md2-accordion-tab
element.open
- It fires after a open tab.close
- It fires after a close tab.


Mastering Monero
Chapter 6 - Community and contributing
Community Culture
Principles of Openness
- Transparency
- Collaboration
- Basically, the opposite of ByteCoin
Community Culture
Many great minds work on Monero
- Monero Core Team
- Monero Research Lab
- Monero Workgroups
- The Community
Code Culture
Create a pull request for the improvements
- Fork the repository on GitHub
- Clone the repository to your machine
- Make a branch, implement necessary changes
- Commit the files with a clear descriptive message
- Execute git push origin branch-name to sync the local changes to
your forked repository
- Create a pull request (including clear descriptions and
documentation) to submit your changes back to the original (base) repository
Code Culture
Patch Etiquette & General Guidelines
- Preferably use a pull request
- Otherwise, git format-patch
- Patches should be self-contained
- One patch per separate issue
- Follow the code style of the original thing
- Don't change other stuff like whitespace
Code Culture
Repository for Monero
- Monero: the core of Monero network which includes the Monero
Wallet CLI, written in C++ language
- Monero-site: source code for the https://getmonero.org website
- Monero-GUI: Graphical User Interface for Monero, built with Qt
library
- kastelo: the community hardware wallet
- kovri: The Kovri anonymizing router
Code Culture
Repository for Monero
Note: At the time of writing, some components of the Monero ecosystem are shifting their
repositories from GitHub to GitLab.


Cayenne
Italian Sausage
Cheese & Garlic
Potato & Rosemary
Pepperoni
Onion & Green pepper
Bacon
Mushrooms
Pineapple
Crispy
Stuffed
Gluten-free
Flat-bread
Thin crust
Sicillian style
Small
Medium
Large
Gluten-free cheese & garlic medium sized pizza
Ksh. 1000
Subtotal: Ksh. 3000
Enter your details
The total cost is Ksh. 3000. Kindly submit your order
pizza total price: Ksh. 3000
Shipping fee: Ksh. 100
Total cost: Ksh. 3100


{{ site.user_description }}
Though being pretty much at the beginning of my career, I have gained experience in a multitude of management consulting firms.
Having a hands-on mentality, I enjoy building all kinds of stuff - ranging from machine learning models or BI dashboards over to sand castles.
While being a hard worker at daytime, I'm always down for drinks with friends after work - especially when football is involved. Go Schalke!


Why do you need us
We sit down with you and listen to your requirements. I have worked with numerous companies and know that the process starts by gather a requirement. Once we understand your requirement, I work to create a mobile and web and cloud solution that will match your requirement. I document the technical process and make the c# code available, if needed. Your company may not have experience in C# or Azure. I do the heavy lifting to decide and select the technology that best meets your business requirement. Why waste time on building an application, no one wants?
Describe the business problem, management wants to solve and build a story. Business people are not technical. Don't worry about how the story will be created. Note, the story tells, what your business wants to build. Let us, figure out the "how" the data collection system will be built. As managers, you know the two variables to collect which matter too your organization!
Project Management and Business Analysis - matter!
Design is critical in building the right product. The better the design the less coding is required. Software as a service has allowed companies to use other companies platforms to use external functionality. Functionality like SMS messaging, cloud storage, and information of things. Understand the process and building a great design helps establish a platform. Platforms are the key to long term sustainability and support. We want to be able to support your applications long term, upgrade them as the technology changes and charge for each transaction.
Value added
Listen Software Solutions will gather the IOT (expand acronym) data into a hosted database. You don't need to worry about the pain of gathering the data, setting up the database or the code to talk with the devices. We do the heavy lifting. You provide the definition of the product to be built. One of the biggest reasons for failure is building the wrong product--a product that you do not want. We build the product you want to gather the data. We figure out the technical how-to. You tell us what you want for your business. We work to define your objectives and the key indicators that will tell you if you’re reaching your goal and confirm your beliefs about your organization.
Cybernetics
Computer Science is based on cybernetics or feedback. Listen Software Solutions will provide feedback to the users by email and SMS messaging. Feedback improves the quality of the system and increases the robustness of the functions and features of the system
Get Started!
Describe the business problem, management wants to solve and build a story. Business people are not technical. Don't worry about how the story will be created. Note, the story tells, what your business wants to build. Let us, figure out the "how" the data collection system will be built. As managers, you know the two variables to collect which matter too your organization!
Value Added:: Listen Software Solutions will gather the IOT (expand acronym) data into a hosted database. You don't need to worry about the pain of gathering the data, setting up the database or the code to talk with the devices. We do the heavy lifting.
You provide the definition of the product to be built. One of the biggest reasons for failure is building the wrong product--a product that you do not want. We build the product you want to gather the data. We figure out the technical how-to. You tell us what you want for your business. We work to define your objectives and the key indicators that will tell you if you’re reaching your goal and confirm your beliefs about your organization.
Cost structure
We take the risk of building the app. We make money on the transactional fees. Once production starts, transaction block counts can be purchased for as low as a $10 for 1,000 data transactions. We also provide a portable unit to display Key Indicators and Performance reports with a small access fee.
View cost
Why we love our work
Here is our story. We love to solve hard problems. For over a decade, we have been successful at solving problems that others are only now starting to address.
We believe that no successful company should be without technology support to achieve their business requirements. It is exciting to add value to a company through automated data collection, where it was previously only gathered manually. Our unique, exciting technology allows customers to see their own information visually. We like to make our customers smarter by providing dashboards and visual systems that serve to help them understand their own data. It is a great feeling knowing how the new information gathering effort is increasing profits and reducing company waste


|
Cocop.AmqpRequestResponseHelper (C#)
2.0.0
API to enable request-response communication over AMQP
|
A class that acts as a request-response server for an AMQP message bus. More...
Public Member Functions | |
| delegate void | RequestReceivedEventHandler (object source, RequestReceivedEventArgs args) |
| Event handler delegate for the RequestReceived event. More... | |
| RequestResponseServer (IModel channel, string excName, string servTopic) | |
| Constructor. More... | |
| void | SendResponse (RequestReceivedEventArgs args, byte[] msg) |
| Sends a response to a request. More... | |
| Public Member Functions inherited from Cocop.AmqpRequestResponseHelper.ConsumerHolderBase | |
| void | Dispose () |
| Disposes the object. More... | |
Protected Member Functions | |
| override void | HandleDeliveryImpl (IBasicProperties properties, byte[] body) |
| Implements the handling of a delivery received by the consumer. More... | |
| Protected Member Functions inherited from Cocop.AmqpRequestResponseHelper.ConsumerHolderBase | |
| void | ExpectConsumerIsActive () |
| Checks if the consumer held is active. Throws an exception if not. More... | |
Events | |
| RequestReceivedEventHandler | RequestReceived |
| Raised when a request is received. More... | |
Additional Inherited Members | |
| Properties inherited from Cocop.AmqpRequestResponseHelper.ConsumerHolderBase | |
| string | TopicName [get] |
| The name of the topic associated to the consumed queue. More... | |
A class that acts as a request-response server for an AMQP message bus.
| Cocop.AmqpRequestResponseHelper.RequestResponseServer.RequestResponseServer | ( | IModel | channel, |
| string | excName, | ||
| string | servTopic | ||
| ) |
Constructor.
| channel | Channel. |
| excName | Exchange name. |
| servTopic | Server topic name. |
| RabbitMQ.Client.Exceptions.AlreadyClosedException | Thrown if the channel is closed. The RabbitMQ API reference does not specify, which exceptions may occur, but this is likely possible. |
| RabbitMQ.Client.Exceptions.OperationInterruptedException | Thrown if the operation fails. The RabbitMQ API reference does not specify, which exceptions may occur, but this is likely possible. |
|
protectedvirtual |
Implements the handling of a delivery received by the consumer.
| properties | Message properties. |
| body | Message body. |
Implements Cocop.AmqpRequestResponseHelper.ConsumerHolderBase.
| delegate void Cocop.AmqpRequestResponseHelper.RequestResponseServer.RequestReceivedEventHandler | ( | object | source, |
| RequestReceivedEventArgs | args | ||
| ) |
Event handler delegate for the RequestReceived event.
| source | Source. |
| args | Event arguments. |
| void Cocop.AmqpRequestResponseHelper.RequestResponseServer.SendResponse | ( | RequestReceivedEventArgs | args, |
| byte [] | msg | ||
| ) |
Sends a response to a request.
| args | Event arguments of the related request. |
| msg | Message. |
| RabbitMQ.Client.Exceptions.AlreadyClosedException | Thrown if the channel is closed. The RabbitMQ API reference does not specify, which exceptions may occur, but this is likely possible. |
| RabbitMQ.Client.Exceptions.OperationInterruptedException | Thrown if the operation fails. The RabbitMQ API reference does not specify, which exceptions may occur, but this is likely possible. |
| InvalidOperationException | Thrown if the object is no longer active. |
| RequestReceivedEventHandler Cocop.AmqpRequestResponseHelper.RequestResponseServer.RequestReceived |
Raised when a request is received.
Before using this software, please make sure to read and understand LICENSE.txt.
COCOP - Coordinating Optimisation of Complex Industrial Processes
https://cocop-spire.eu/
This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 723661. This piece of software reflects only the authors' views, and the Commission is not responsible for any use that may be made of the information contained therein.


Links: index.html, groups.html, groups-drag-and-drop.html, resize.html, textwrap.html, isolation.html


THE GARDEN OF THE FINZI-CONTINIS A film review by Edwin Jahiel Copyright 1997 Edwin Jahiel
THE GARDEN OF THE FINZI-CONTINIS (IL GIARDINO DEI FINZI-CONTINI) (Italy, 1970) . *** 3/4 Directed by Vittorio De Sica. Written by Cesare Zavattini, Vittorio Bonicelli, Ugo Pirro, Giorgio Bassani, from Bassani's semi-autobiographical novel. Photography, Ennio Guarnieri. Editing, Adriana Novelli. Art direction, Giancarlo Bartolini Salimbeni. Sets, Franco D'andria. Music, Manuel De Sica. Cast: Dominique Sanda (Micol), Lino Capolicchio (Giorgio), Helmut Berger (Alberto), Fabio Testi (Malnate), Rmolo Valli (Giorgo's father), et al. A Sony Classics release. In Italian with subtitles. 95 min. (Rated R --but this is an old, unbelievably severe rating)
The best film around these days may well be the 27-year old "The Garden of the Finzi-Continis," re-released in a beautifully restored print, with updated sound. It was made by Vittorio De Sica, one of a handful of masters of neorealism, the Italian "movement" (in subjects and style) that appeared during World War II and widened incalculably the scope of film.
"The Garden of the Finzi-Continis"" won the Best Foreign Film Oscar in 1971 and a slew of other honors. It was said to be De Sica's comeback, but he had really never gone away. There was and still is a general misconception that De Sica's star waned after 1953.
There have been so many misapprehensions and hasty judgments about De Sica that a short evaluation is in order.
===========THE FILM REVIEW PROPER CONTINUES AFTER THIS SECTION==========
De Sica started his career as a stage performer. He soon became very popular. He then became also a film actor. From the early 1930s on he was idolized in Italy by the public and the critics. As in the Fascist period the once-great Italian cinema had declined enormously, it is safe to say that De Sica's presence salvaged a big percentage of the 20 or so films he appeared in during the Mussolini era. Some years ago, a retrospective of Italian movies of that era at the Pesaro Festival proved beyond question the importance of De Sica as an actor.
He began directing films in 1939, with good results right away, notably "The Children Are Watching Us" (1942). Soon his lifelong collaborator was Cesare Zavattini. Arguably the best of Italian scriptwriters, he worked on practically all of De Sica's movies. In 1946 began the director's golden neorealist period, with classics like "Shoeshine,"" Bicycle Thieves,"" Miracle in Milan, and "Umberto D."
Between 1953 and 1963 he directed eight films and a very good episode in the omnibus "Boccaccio 70." "Indiscretion of an American Wife" (Stazione Termini) (1953) has its virtues but was hampered by the tug between the director and the producer, and its original release print cut down to 63 minutes. Next, De Sica showed that he had a talent for comedy in the excellent "The Gold of Naples." "The Roof" is a touching return to neorealism. "The Last Judgment," unknown in the US and little-known elsewhere, is very good. The realistic, gripping "Two Women" is a superb drama which won Sophia Loren an Oscar. Two more features, "Anna from Brooklyn" and "Il Boom," hardly circulated in the States, if at all. And I cannot remember clearly "The Condemned of Altona" to give an opinion.
Then came in 1964 the very colorful, funny yet touching "Marriage Italian Style" with Sophia Loren and Marcello Mastroianni. It won a 1964 Oscar nomination for Loren, and (oddly, in 1965) the nomination for Best Foreign Film, while De Sica's "Yesterday, Today and Tomorrow," also with Loren-Mastroianni, won the 1964 Oscar for Best Foreign Film.
Even those movies that, for some viewers, seemed beneath what they expected of De Sica, have more than a few flashes of brilliance. This was confirmed a few years back during a major De Sica retrospective at my favorite film festival, in La Rochelle (France). (La Rochelle has repeatedly opened our eyes to other "auteurs," whether unknowm, little-known , neglected or misunderstood.)
After his Oscar triumphs, De Sica, driven by his need of money, made six (or parts thereof) commercial films in so many years. Three of them, "A Young World," "The Witches" may be unknown in America. "After the Fox" and "Woman Times Seven," are underrated. The very commercial "A Place for Lovers" (Mastroianni and Faye Dunaway " and "Sunflower" (Mastroianni-Loren) are admittedly duds.
A second comeback followed with "The Garden of the Finzi-Continis." Finally came his last three works, one good, two excellent, all of a serious nature "A Brief Vacation," "We'll Name Him Andrea" (1972) --sadly not seen in America--and "The Voyage" (1973).
Throughout his life De Sica continued to play in several films. Most were by others. Some he directed himself but he hardly appeared in any of his top works. By my count he was in at least 74 movies, probably more. Both his accepting roles and directing some pictures stemmed from his perpetual need of money. He was a compulsive gambler who kept losing fortunes. In the early 1970s I once sat not far from him in a casino. It was a sad sight.
==================== REVIEW RESUMES ===============
"The Garden" chronicles the years 1938-1943 fitfully and with some clear flashbacks (but has none of the customary dating of World War II's developments), around a wealthy, cultivated and aristocratic Jewish family in Ferrara. Their large, walled-in estate and mansion, open to friends and family, become a gilded ghetto when Mussolini starts his anti-Semitic decrees. At first it's like an avoidance reaction: stay apart and things may improve. This is not stupidity. Jews in other countries were clinging to similar hopes. After all, in places like Germany or Italy so many of them were totally assimilated and respected that it was inconceivable that patriotic people (many had fought bravely for their country in the Great War ) would be treated savagely.
But the measures get nastier: exclusion from clubs, no military service for Jews, no phone directory listings, no obituaries in papers, no non-Jewish servants, no going to schools or public libraries and other places, etc. And World War II is looming. Says main character Giorgio, a son in another Jewish family: "The war will be even harder for us -- the Negroes."
Giorgio's parents are well-to-do Ferrarans. His father is a proud Fascist --until he sees the light. For ten years, Giorgio and the Finzi-Contini daughter Micol, have been best friends. Now grown-up, Giorgio has an unrequited passion for the girl. She would like to keep the camaraderie but love is out of the question. Is there another man? Does cool, elusive, self-possessed Micol have an incestuous relationship (whether in thought or in deed) with her beloved, terminally ill brother Alberto? Is he homosexual? Is it by chance that Micol is reading Jean Cocteau ("he is chic") who deals with both gayness and incest?
The film weaves with skill and pertinence its various elements, reactions, personal relations. Discrimination is mostly dealt with in a low-key fashion, without the shown or verbally described physical brutality of most Holocaust pictures. There are questions and ambivalences yet the whole remains lucid. A major role held by Malnate -- Giorgio's best male friend, a Communist and a non-Jew -- adds veracity and complexity to the story.
The Fascists' anti-Semitic measures may not have been anything like the Nazi ones, and were disapproved by a large number of Italians, but they did exist. There was no deportation of the magnitude in other countries. For example, in Thessaloniki, the second largest city in Greece, were concentrated most of the Jews of the country, in a community of at least 60,000. During the Occupation of Greece in World War II, the Nazis deported all of Thessaloniki's Jews to death camps from which an infinitesimally small fraction returned. (Of the few thousands of other Jews living elsewhere in Greece, some, warned by the Thessaloniki disaster, managed to hide. Still, many others were sent to death camps).
But then, the horror of persecution both is and is not a matter of numbers. The focus on the Finzi-Continis makes it come terribly alive. Even if the people in authority, as they herd off the victims, keep saying "Prego" (Please).
Without symbolic obviousness, the film contrasts intelligently changes of seasons, the beauty of nature, young people or old buildings, with the ugliness of the events. Ferrara is not a studio set but the real city. The performers are, in neo-realist fashion, mostly non-professionals except for the headliners: Austrian-born Helmut Berger; the first-rate Lino Capolicchio and Romolo Valli; and Parisian Dominique Sanda. She had already made her mark in three films : by Robert Bresson, Maximilian Schell and especially in Bernardo Bertolucci's "The Conformist." The latter plus "The Garden" made her a major star.
This is a film without audience manipulation or pulling of heart-strings. The actors are surprisingly "un-Italian" by not engaging into big, overt emotions, not to mention that wonderful Italian theatricality that would have been out of place here. There are no heroes. We watch the protagonists with their strengths and weaknesses in an almost cerebral fashion as we do the senior, dignified Finns-Contini members. Yet emotion gradually builds up, climaxing with the final off-screen singing of a heart-breaking Kaddish, the Prayer for the Dead.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Before Change
augmentables[i].shape[2]
if len(augmentables[i].shape) >= 3
else 1)
alpha = np.average(alphas[i, 0:nb_channels_i])
else:
alpha = alphas[i, 0]
assert 0 <= alpha <= 1.0, (
"Expected "alpha" to be in the interval [0.0, 1.0]. "
After Change
else:
// the condition is required here if all images have a channel
// axis of size 0
alpha = alphas[i, 0] if alphas.size > 0 else 1.0
assert 0 <= alpha <= 1.0, (
"Expected "alpha" to be in the interval [0.0, 1.0]. "
"Got %.4f." % (alpha,))


Download This Plugin
Back To jQueryScript.Net
jQuery table multiselect plugin demo
#
First Name
Last Name
Username
1
Mark
Otto
@mdo
2
Jacob
Thornton
@fat
3
Larry the Bird
@twitter
4
Panda
Can't select me
@china
5
Eireen
@taiwan
6
Pig Win
Can't select me too
@twitter
7
PP Wang
@gk
8
Lion
@zoo
You can select with
Ctrl
,
Shift
,
Common
Or
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Select Items


You are viewing an historical archive of past issues. Please report new issues to the appropriate project issue tracker on GitHub.
Comments
-
Greg Hurrell
Thanks for posting the feature request, Brett. But it's a dupe of request #108. If you have any further comments to add please add them there.
- ** This bug has been marked as a duplicate of 108 ***
Add a comment
Comments are now closed for this issue.


| Overview | Module | Use | Devguide | Index |
| uses of exception RuntimeException |
back to exception RuntimeException |
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Rebecca Stambler
Talks
GopherCon San Diego (July 2019) [
video
] [
slides
]
GopherCon Singapore (May 2019) [
video
]
GopherCon Russia (April 2019) [
video
]


HOUSESITTER A film review by Frank Maloney Copyright 1992 Frank Maloney
HOUSESITTER is a film directed by Frank Oz and written by Mark Stein. It stars Steve Martin, Goldie Hawn, and Dana Delany, with Richard B. Shull, Laurel Cronin, Julie Harris, and Donald Moffat. Rated PG, for mature humor, mild profanity.
HOUSESITTER gives us a one-joke movie that is amusing and entertaining without actually being anything particularly memorable. We have Goldie Hawn in her best role in 20 years as the gifted liar Gwen (Steve Martin's Newton says, "You're the Ernest Hemmingway of bullsh*tters!"); I hereby officially and publicly forgive her for BIRD ON A WIRE.  Steve Martin as the architect who becomes her victim and her partner in her fantasies has a couple of good set pieces in which he gets to amuse us by thoroughly embarrassing us -- the gawkiest seduction you've ever squirmed through and a reluctant crooning of a lullaby in a very un-lullaby-ish setting. Then there's Dana Delany (from "China Beach") who plays Newton's love object, Becky; Becky is a second banana and introduces a twist on her character at the last moment that doesn't seem particularly well set up, but Delany appears to an acceptable movie presence.
Characterization is the most common problem in Hollywood comedies, and this one has its share. The plot is mechanical and completely predictable, so the interest ought to devolve to the characters, but I found them mostly either undeveloped or incompletely so. Gwen is the most fully developed and in that sense this is Hawn's movie more than Martin's, although they do seem to work well together. We see Gwen working her fantasies and we are given a reason for them and for her actions; it's not exactly a rigorous analysis, but any attempt to give a third dimension to her character is welcome. Martin's Newton is more problematic. We are told repeatedly that he is a dreamer, a fantasizer, a wild and crazy guy, as it were, but what I see is someone thoroughly pedestrian and little inept socially; it's not that he dreams, he merely assumes facts not in evidence. He supposed to have a complicated relationship with his father (Donald Moffat), but it's mostly an excuse for Gwen to weave some of her lies and benignly ensnare some more victims. Julie Harris plays Newton's mother, but it could have been played by just about any middle-aged white woman; one of the great actors of the American theater is completely wasted here.
There are two really fine supporting performances by Richard B. Shull and Laurel Cronin as a pair of crazed street people who are recruited to play Gwen's parents. They give their small parts their all and their all is very fine indeed.
As for the plot, if you've ever seen CHRISTMAS IN CONNECTICUT you've seen a funnier, faster, and more frantic version of HOUSESITTER. This movie could have been paced a bit faster and I would not have minded a bit. It doesn't quite drag, but it does slow down from time to time. It probably doesn't live up to its comedic possibilities and could do with a touch more confusion and chaos. Frank Oz might have turned to the screwball comedies of the 30s for a model that would have served us all better.
This is Martin's third movie with Oz (LITTLE SHOP OF HORRORS and DIRTY ROTTEN SCOUNDRELS). When Oz turns Martin loose, he does it with great pacing. Oz also gets a lot of atmospheric effects out of the Massachusetts towns, Concord and Cohassett, which provide the kind of scenery that is almost too lovely to be real. So far I find myself being mostly of two minds about Oz's films (although LITTLE SHOP is nearly perfect). They seem to be nice, little movies, nothing that really sticks to the craw or one remembers without a prod or two. SCOUNDRELS was mostly unable to live up to its trailer, but there's always the possibility that I'm not hip enough to really get it. WHAT ABOUT BOB I thought was mostly silly and irritating that failed to stretch or challenge its stars.
So, that's pretty much what have here, a nice little movie that challenges neither its stars or its audience over much, neither does it really insult anyone. I doubt that many of us will remember having seen it a year from now.
If you go to HOUSESITTER, and I don't know why you shouldn't, go to a discount matinee. That's about the right price.
-- Frank Richard Aloysius Jude Maloney .
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The vertical-align property is used in two scenarios: to vertically align inline elements with respect to the line box, and to vertically align the contents of table cells.
When vertically aligning inline elements within a line box, the vertical-align property can be used with the keywords top, middle, bottom, text-top, text-bottom.
Gg Top Middle Bottom Text Top Text Bottom
The top and bottom keywords align to the top and bottom of the line-box respectively. The middle keyword aligns to the center point of the highest lowercase letter. The text-top and text-bottom keyword align to the tallest and lowest character, respectively.
The vertical-align property can also accept either a percentage or length value. The percentage value is a percentage of the line-height value; the length is offset from the bottom of the line-height.
Gg 200% 46px
Finally, when applied to table cells, the baseline, top, middle, and bottom keywords have different meanings.
| This copy aligns with the bottom of the tallest content in the first row of the table. | Baseline | Top | Middle | Bottom |


0fbe96f9ec9f942d8ba2143fc2bc44a1 js lab2 v1 necu20 2020-11-01 19:36:26 v4.0.0 (2019-03-05)
Generated 2020-11-01 20:36:26 by dbwebb lab-utility v4.0.0 (2019-03-05).
Statements and expressions in JavaScript.
Use MDN as your reference and base to solving the exercises.
Create five variables: card1, card2, card3, card4, card5
.
Assign the values 5, 9, 11, 8, 7
to the variables created above.
Add them up and put the sum in a variable called result
.
Answer with the variable result
.
Use an if statement
to see if the five cards (card1-card5) have a combined sum that is higher than 21.
Create a variable status
and give it a different value depending on the following.
"busted"
."safe"
.Answer with your status-variable.
Use if else statements
to see if the combined value of the first three cards (card1-card3) is lower, higher or exactly 21.
Answer with a string corresponding to the result:
lower = "safe"
higher = "busted"
21 = "black jack"
Store the response in your status-variable and answer with it.
Create three variables: dealer1, dealer2, dealer3
.
Assign the values 1, 6, 9
to the variables.
Combine the if
, else if
, else
statements and the operator AND (&&)
to see what the dealer should do. Combine as you feel needed.
If the sum of the dealercards is lower than 17, answer with "pick"
, if the sum is higher than or equal to 17 and lower than 21 answer with "stop"
. If the sum is 21 answer with "black jack"
. If the sum is higher than 21 answer with "busted"
.
Store the response in a variable, and answer with it.
PS. You can change the sum to test that your if-statement really works for all values, just to try it out.
Use a switch-case statement to create a message with the type of fruit and its color. You have the following type of fruits with a corresponding color:
Create a variable myFruit
which holds the current type of your fruit. If ‘myFruit’ is banana, the result should be a variable containing the string value "The banana is yellow."
Ensure that your switch-case works for all values.
Answer with the result where myFruit = "apple"
.
Extend your switch-case statement with a default value
. The result should be:
"That is an unknown fruit."
when the variable ‘myFruit’ has an unknown value.
Answer with the result where ‘myFruit = pear’.
Use a for-loop
to increment 875
with the value 4
, 16
times.
Answer with the result.
Use a for-loop to decrement 587
with the value 8
, 14
times.
Answer with the result.
Use a for-loop to add all the even values in the range 28
to 48
to a string with each number separated by a comma ,
.
The result should not end with a comma. You should neither have a space after the comma.
Answer with the resulting string.
Use a while-loop
to increment 16
with the value 4
until it has reached or passed 875
.
Answer with the amount of steps needed.
Use a while-loop to subtract 8
from 587
until the value has reached or passed 0
.
Answer with the amount of steps needed.
Use a while-loop to add all the values, to a comma-separated string, in the range 22
to 67
, where the value is divisable by 5 or 7.
Answer with the resulting string.
0fbe96f9ec9f942d8ba2143fc2bc44a1


Congratulations on winning the game, Brackets!


|
AssetTrackerRK
|
This class adapts the output from TinyGPS++ to match the results from the Adafruit parser and official Particle AssetTracker library. More...
#include <LegacyAdapter.h>
Public Member Functions | |
| LegacyAdapter (TinyGPSPlus &gpsData) | |
| Constructs the LegacyAdapter object. More... | |
| virtual | ~LegacyAdapter () |
| Destructor. | |
| float | convertToDegreesMinutes (double deg) const |
| Converts a degree value (as a double) into the weird GPS DDMM.MMMMM format (degrees * 100 + minutes). More... | |
| float | readLat (void) const |
| Return the latitude in a GPS-style value DDMM.MMMMM format (degrees * 100 + minutes). More... | |
| float | readLon (void) const |
| Return the longitude in a GPS-style value DDMM.MMMMM format (degrees * 100 + minutes). More... | |
| float | readLatDeg (void) const |
| Returns the latitude in degrees as a float. May be positive or negative. More... | |
| float | readLonDeg (void) const |
| Returns the longitude in degrees as a float. May be positive or negative. More... | |
| float | getSpeed () const |
| Gets the speed in knots. More... | |
| float | getAngle () const |
| Get the course angle in degrees 0 <= deg < 360. | |
| uint8_t | getHour () const |
| Get the current hour (in UTC) | |
| uint8_t | getMinute () const |
| Get the current minute (in UTC) | |
| uint8_t | getSeconds () const |
| Get the current second (in UTC) | |
| uint16_t | getMilliseconds () const |
| Get the current millisecond (in UTC) More... | |
| uint8_t | getYear () const |
| Get the current year (in UTC) More... | |
| uint8_t | getMonth () const |
| Get the current month (1-12) (at UTC) | |
| uint8_t | getDay () const |
| Get the current day of month (1-31) (at UTC) | |
| uint32_t | getGpsTimestamp () const |
| Returns the number of milliseconds since the last GPS reading. | |
| uint8_t | getFixQuality () const |
| Returns true (1) if there is a GPS fix or false (0) if not. | |
| float | readHDOP (void) const |
| Gets the HDOP value. More... | |
| float | getGpsAccuracy () const |
| Gets the GPS accuracy. | |
| float | getAltitude () const |
| Get the altitude in meters. | |
| float | getGeoIdHeight () const |
| Get the GeoID separation in meters. More... | |
| uint8_t | getSatellites () const |
| Gets the number of satellites found. | |
| bool | gpsFix (void) const |
| Returns true if there is a GPS fix. More... | |
| String | readLatLon (void) const |
| Returns a string version of latitude and longitude. More... | |
Static Public Attributes | |
| static const unsigned long | MAX_GPS_AGE_MS = 10000 |
| GPS location must be newer than this to be considered valid. | |
This class adapts the output from TinyGPS++ to match the results from the Adafruit parser and official Particle AssetTracker library.
| LegacyAdapter::LegacyAdapter | ( | TinyGPSPlus & | gpsData | ) |
Constructs the LegacyAdapter object.
| gpsData | The TinyGPSPlus object containing the actual data |
You will likely never need to do this as AssetTracker is a superclass of this object. This class just separates out the legacy translation features so they can be kept together and also to be tested by the unit test framework.
| float LegacyAdapter::convertToDegreesMinutes | ( | double | deg | ) | const |
Converts a degree value (as a double) into the weird GPS DDMM.MMMMM format (degrees * 100 + minutes).
This is the format for the Adafruit methods that don't have "Deg" in them, like readLat() and readLon(). Because of rounding it may not be the same as the actual value returned by the GPS, but it should be close.
|
inline |
Get the GeoID separation in meters.
Geoid separation is difference between ellipsoid and mean sea level.
|
inline |
Get the current millisecond (in UTC)
Note that this is the time of the last timestamp received by GPS, and does not automatically increment, so it's not useful for measuring the actual time to the nearest millisecond!
|
inline |
Gets the speed in knots.
If you want to get more common units, you can use:
Miles per hour: getTinyGPSPlus()->getSpeed().mph(); Meters per second: getTinyGPSPlus()->getSpeed().mps(); Kilometers per hour: getTinyGPSPlus()->getSpeed().kmph();
|
inline |
Get the current year (in UTC)
Because the AssetTracker V1 only returned a 2-digit year, that is returned here as well.
The 4-digit year can be found with: getTinyGPSPlus()->getDate().year()
|
inline |
Returns true if there is a GPS fix.
Note: It may take 10 seconds for for this to go to false after losing GPS signal.
|
inline |
Gets the HDOP value.
HDOP: Acronym for horizontal dilution of precision. A measure of the geometric quality of a GPS satellite configuration in the sky. HDOP is a factor in determining the relative accuracy of a horizontal position. The smaller the DOP number, the better the geometry.
|
inline |
Return the latitude in a GPS-style value DDMM.MMMMM format (degrees * 100 + minutes).
The result is always positive! To find out if the latitude is south, check location.rawLat().negative or check the sign of readLatDeg().
|
inline |
Returns the latitude in degrees as a float. May be positive or negative.
Negative values are used for south latitude.
|
inline |
Returns a string version of latitude and longitude.
The values are in signed degrees in lat,lon format.
|
inline |
Return the longitude in a GPS-style value DDMM.MMMMM format (degrees * 100 + minutes).
The result is always positive! To find out if the latitude is east, check location.rawLng().negative or check the sign of readLonDeg().
|
inline |
Returns the longitude in degrees as a float. May be positive or negative.
Negative values are used for east longitude.


Restrictions on recipient addresses
smtpd_recipient_restrictions
This parameter specifies restrictions on recipient addresses that SMTP clients
can send in RCPT TO commands.
These destinations do not need to be listed in
$relay_domains.
The following restrictions are available (* is part of default setting):
- *permit_mynetworks: permit if the client address matches
$mynetworks.
- reject_unknown_client: reject the request if the client hostname is unknown.
- reject_maps_rbl: reject if the client is listed under
$maps_rbl_domains.
- reject_invalid_hostname: reject HELO hostname with bad syntax.
- reject_unknown_hostname: reject HELO hostname without DNS A or MX record.
- reject_unknown_sender_domain: reject sender domain without A or MX record.
- *check_relay_domains: permit only mail:
Reject anything else.
- permit_auth_destination: permit mail:
- reject_unauth_destination: reject mail unless it is sent
- reject_unauth_pipelining: reject mail from improperly pipelining spamware
- permit_mx_backup: accept mail for sites that list me as MX host.
- reject_unknown_recipient_domain: reject domains without A or MX record.
- check_recipient_access maptype:mapname: look up recipient address, parent domain, or<EMAIL_ADDRESS>Reject if result is REJECT or "[45]xx text".
Permit otherwise.
- check_client_access maptype:mapname: see
smtpd_client_restrictions.
- check_helo_access maptype:mapname: see
smtpd_helo_restrictions.
- check_sender_access maptype:mapname: see
smtpd_sender_restrictions.
- reject_non_fqdn_hostname: reject HELO hostname that is not in FQDN form.
- reject_non_fqdn_sender: reject sender address that is not in FQDN form.
- reject_non_fqdn_recipient: reject recipient address that is not in FQDN form.
- reject: reject the request. Place this at the end of a restriction.
- permit: permit the request. Place this at the end of a restriction.
Restrictions are applied in the order as specified; the first
restriction that matches wins.
Specify a list of restrictions, separated by commas and/or whitespace.
Continue long lines by starting the next line with whitespace.
NOTE: YOU MUST SPECIFY AT LEAST ONE OF THE FOLLOWING RESTRICTIONS
OTHERWISE POSTFIX REFUSES TO RECEIVE MAIL:
reject, check_relay_domains, reject_unauth_destination


Justin Pinder Car Rental
Branding
The owners of Cadet Car Rentals were looking to redesign their previous website. One thing was certain, that they wanted to incorporate an e-commerce platform, thus setting them ahead of their local competition.
The Problem
My main challenge was to understand the target market of users who have utilised e-commerce platforms, analyse the competitive landscape of the sites in this category (vehicle rental), and to design and develop a well crafted site for the brand.
The Process
In 2016, the owners of Cadet Car Rentals tasked us with the opportunity to redesign their current (at the time) website. The first order of business was to do a competitive analysis of e-commerce platforms available in the business’ region. From here on out, we analysed the local competition, in an effort to gain insight and feedback; it was important to grasp a thorough understanding of our competitors strengths and weaknesses. We worked closely alongside the owners of Cadet Car Rentals, helped pinpoint the features that they deemed necessary to create their web presence.


---
layout: wrap
title: À propos
permalink: /apropos/
---
{{ site.description | newline_to_br }}
AUTEUR
{% for member in site.members %}
{% for entry in member.social %}
{% endfor %}
{{ member.name }}
{{ member.position }}
{{ member.text | newline_to_br }}
{% endfor %}


Weekend In-Store Coupons!
Macy’s, Ulta, Bath & Body Works, Guitar Center, Auto Zone, Chili’s, Children’s Place + More!
Find all of these and more at www.retailmenot.com
Copyright 2013 WhaleShark Media. 301 Congress Avenue, Suite 700, Austin, Texas 78701
To opt-out please reply to this email with UNSUBSCRIBE in the subject line.


Position the elements below according to the comments in the file. Changing any styling needed.
1-1
1-2
1-3
2-1
2-2
2-3
3-1
3-3
3-2


ESM Billing & Consulting offers comprehensive billing and collection services that include initial consultations to ensure the highest value claims coding and incorporate your practice into our state-of-the-art electronic billing system, the Lytec® Practice Management solution. We handle your patient’s accounts, record transactions, provide monthly statements, fill out and submit insurance claims and provide you with detailed statistical reports on your practice. We handle your patient’s accounts, record transactions, provide monthly statements, fill out and submit insurance claims and provide you with detailed statistical reports on your practice.
Each practice is different with different needs. We custom tailor our service to meet those needs. We adapt to your work flow to minimize impact on your practice
Reduce or eliminate paperwork, avoid costly human error, speed up the rate of your reimbursements and ensure proper coding. It all adds up to a better bottom line!
ESM’s electronic billing platform, Lytec® Practice Management, is a state-of-the-art solution recognized by medical experts as an industry leader.  We virtually eliminate the risk of human error since patient records and procedure codes are stored in our database. And we speed up the entire claims process, which results in faster payments and improved cash flow.
Payments are received seven to 21 days from the time of service provided, on average, as opposed to weeks and even months using hard copy methods.
Our electronic billing system is HIPAA compliant and is recognized by Medicare, Medicaid, the Blues and commercial insurance carriers. It has allowed ESM Billing & Consulting to achieve an acceptance rate that approaches 100%.
We offer interim or temporary billing services to clients who need short-term assistance in order to keep income consistent. The rate is based on size of practice and length of services needed.
ESM’s fees are based on a percentage of the total collections rather than a cost per claim. In almost every ase, this fee structure results in significant savings for our practice clients. All of our professional services aside from the initial practice set-up, which is a one-time charge, are included in our percentage fee. Postage, electronic billing fees, paper, HCFA forms, clearing house costs, training, and coding are also included in our fee.


TCP:
Kali> nc -nvv -w 1 -z host 1000-2000
UDP:
# UDP (ICMP Error -> Port Closed)
Kali> nc -nv -u -z -w 1 host 160-162


Here are the hints for using the application:
Details of the this application can be found at sites.google.com/site/remindmeat. You can also leave comments and thoughts at remindmeat.blogspot.com.
This mobile application provides reminder notification of tasks based on your location obtained through your mobile phone's location sensor. It keeps track of your location and remind any tasks you have in the vicinity which you wanted to be reminded off. Use the previous key or exit to exit the application. Leave the background GPS observer on to be notified of ur reminders when. The background observer service is safe to leave it on and will not consume much battery.


DfE enquiries
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Press release
New initiative to support female teachers returning to the classroom after a career break and increase the number of female headteachers.
Ahead of International Women’s Day, Education Secretary and Minister for Women and Equalities Nicky Morgan today (6 March 2016) announced a new national programme to support female teachers returning to the classroom after a career break and ensure more is done to celebrate the talent and potential of female teachers at all stages of their career.
The Education Secretary also wants to see more women reaching the top of the profession and drive up the number of female headteachers. Women are currently under-represented in top school leadership roles, particularly at secondary school, where 37% of headteachers are female, compared to 63% who are male.
Getting more women into senior positions across all professions is also crucial to the government’s drive to close the gender pay gap and ensure leadership better reflects the diversity of the workforce.
The new programme will include the launch of a new dedicated website to make it easier for women to search for teaching roles which offer part-time or flexible hours - and to match them with schools that have suitable positions available, offering a win-win for both sides. The site will also help women identify potential job-share partners - other women in a similar position who want to find a flexible solution to help manage their responsibilities inside and outside the workplace.
Schools will also be offered guidance on how they can offer flexible working opportunities to encourage them to think about how teaching roles, including more senior positions, can be designed for part-time, job sharing or flexible working.
Education Secretary and Minister for Women and Equalities Nicky Morgan said:
Too many women still feel unable to return to work after having a child, and too many parents feel they lack the support to juggle the demands of having a family and their career.
I want to ensure there are no limits to what women can achieve so we make the most of the exceptional talent we have in the teaching profession. That’s why we’re announcing a package of support to help get women back into the classroom - such as better access to job shares and flexible working, alongside coaching and mentoring for anyone returning to work or wanting to move into a leadership position.
Emma Stewart, joint CEO , Timewise, said:
Our research highlights that very few employers are open to considering flexible or part-time working at the point of hire. This is causing a significant bottleneck for the millions of people - particularly women - who need flexibility in their next role.
Timewise is delighted to support this new initiative which will enable schools to attract the best possible talent by supporting them to open up roles to part time, job share or flexible hours, and help female teachers to progress their careers within the education sector whilst having the flexibility they need to fit work with their family commitments.
Ben Black, Director, My Family Care, said:
This is a fantastic idea and one that is sorely needed. There is huge potential to help get teachers who have left the profession, many of whom will be mothers, back into schools and doing what they do best - educating our children.
The best employers understood a long time ago that more flexible work patterns were a win for everyone. In that context, it’s great to see the DfE leading the agenda rather than following it.
The launch of this new national programme, specifically targeted at female returners to the profession, follows concerns that too many women can find it difficult to return to teaching after a career break, particularly to start a family. Currently, just 1 in 4 female teachers work part time, compared with nearly half of women in the workforce nationally. This is a crippling waste of talent which is why the government wants to do more to help all parents - mums and dads - balance caring responsibilities with work.
Women returning after a career break will be offered personal coaching and mentoring support to help them share personal experiences and challenges, as well as focusing on longer-term career ambitions. These will sit alongside tailored training packages to refresh professional knowledge and skills across areas, including pedagogy, subject content and behaviour management, helping returners refresh their teaching skills.
To help get more women into senior leadership positions in schools, Nicky Morgan is also calling on exceptional leaders across the teaching profession to sign a pledge offering their time and expertise to coaching at least one woman to develop their career. The aim is to see at least 1,000 coaching relationships in place next year, establishing a pipeline of promising female talent for the school leadership roles of the future.
Echoing the invaluable professional networks which are already commonplace in the private sector, Nicky Morgan today also announced the launch of a new ‘Women in Education’ network to further help women realise the full extent of their career ambitions within education. The network will include 50 equality and diversity champions to deliver trailblazing and innovative ways to get more women and under-represented BME groups into school leadership roles. These networks will offer vital support, including forums for women to discuss how they have overcome specific professional challenges.
Jan Shadick, Executive Principle of Lambeth Academy in London, said:
There are unique challenges which face women as they take on more and more leadership responsibility. These challenges are deep and complex and work in ways which many are oblivious to.
We all have a responsibility, men and women alike, to firstly be aware and acknowledge that these challenges exist and secondly be committed to do something about them at every level. That means thinking differently. By providing a women’s network, we give women a voice that many perceive (real or otherwise) that they do not have; it gives them support to draw upon - letting them know that it is ok to ‘sit at the table’, and, if there is no one like them sitting there at the moment, that doesn’t mean there isn’t a place - and it keeps the agenda of ensuring we get the very best leaders at the forefront of what we do.
Gemma Hobbs, Director of Teaching School, St Peter’s Catholic School, West Midlands, said:
I know I’m not alone in dealing with this, where there never seem to be enough hours in the day. This is where a women’s network could play a key part - in offering support and empowerment to women on a more formal level and in helping each and every one of us to realise that we are not unique in the challenges and struggles that we face. In short, a women’s network would provide a much-needed forum for females to share, support, advise, collaborate, celebrate and inspire.
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Published: 6 March 2016
From: Department for Education
Part of: Teaching and school leadership


Paste json to generate go struct. For source code and more details see https://github.com/m-zajac/json2go If you use Visual Studio Code, checkout this cool vsc-json2go extension!
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Programming Style for Tycho
The following programming style will be followed in the Tycho project.
Please submit comments or suggestions to<EMAIL_ADDRESS>- Indentation
- Comment conventions
- Naming conventions
- Global variables
- Java exceptions conventions
- Documentation conventions
- Copyright and acknowledgements
- Proofreading
Tabs are 8 characters. Do not override this in your text editor.
Nested statements should be indented 4 characters, as in:
itcl_class MyClass {
inherit MyParent
constructor {config} {
One line constructor command
}
}
Closing brackets should be on a line by themselves, aligned with
the beginning of the line that contains the open bracket.
Long lines (which are common, especially for Tk commands)
should be broken up into many small lines. Continuation lines
are indented by 8 characters, as in
$prefix.m.edit.menu add command \
-label "Select All" \
-underline 0 \
-accelerator "C-/" \
-command "$this selectall"
Notice that the line breaks are carefully chosen so
that the options are easy to identify. Avoid the following
variant:
$prefix.m.edit.menu add command \
-label "Select All" \
-underline 0 -accelerator "C-/" \
-command "$this selectall"
Glancing at this, it is easy to miss the -accelerator
option.
If you have a long puts
statement, In Itcl, you can use
backslashes to make the text more readable. Note that each backslash
introduces a space in the output.
puts "This is a long line\
that extends over a few\n\
lines"
In Java, you can often use the +
operator to concatenate
Strings
together:
return "This is a really " +
"long string";
Itcl comment
conventions are described elsewhere. However, in general,
comments should follow the guidelines below.
All programming languages have a global namespace. In Itcl, class
names, and procedure names are in the global namespace.
Choose names carefully.
In Itcl, there is no limit to name sizes (as it should be).
Do not hesitate to use long names.
When naming objects, use automatic naming as much as possible.
For any Itcl class that does not define a top-level window,
the syntax is:
Classname #auto ?options?
If the class defines a top-level window (i.e. it eventually inherits
the TopLevel
class ), then you should use the syntax
Classname [::tycho::autoName .classname] ?options?
The autoName
procedure is defined in Tycho and returns a
class name that is constructed by appending to the single argument an
underscore and an integer that ensures that the name will be unique.
Method and variable names that are protected
or private
a leading underscore "_
".
(i.e. _protectedMethod()
, _privateMethod()
.
Method names should have internal capitalization and start with
a lower case letter (i.e. aPublicMethod()
).
If possible, variables should not use internal capitalization, unless the
name is long. This makes it easier to distinguish between
methods and variables. However, avoiding capitalization in variable names is up to the implementer.
Method and variable names should avoid using underscores internally.
Global variables are almost entirely unnecessary in Itcl.
If you need a global variable, use a "common" variable in a class.
The Tycho documentation layout and conventions are discussed in
$TYCHO/doc/documentation.html
Java exception classes that are part of the pt
package
in $TYCHO/java/pt
should
follow these conventions.
We would prefer to be able to release Tycho with the
standard UC Berkeley copyright,
which allows for subsequent commercialization.
However, this is a large project, and we should use existing
code as much as possible. The following scenarios are possible:
- An uncopyrighted program (public domain) is used either verbatim
or as inspiration. In this case, it is essential to acknowledge the
author and institution originating the code, but this has no effect
on our copyright policy.
- A copylefted program (under the Gnu public license) is used
as inspiration. If there is no verbatim code used, then it
is sufficient (and necessary) to acknowledge the author and
institution.
- A copylefted program or portion of a program is used verbatim.
This will place the entire Tycho program under the Gnu public license,
and therefore should be done only with good reason. However, we are
not averse to doing this. If you include copylefted code,
be sure to identify every line of code that is borrowed in this
way. This will allow us (or someone else) to later rewrite this
code and liberate Tycho from the copyleft.
In all cases, any foreign code that you use should be carefully
read and tested. Yes, it should be read!
Preferably, it should be reformatted to fit our programming
style, but if it is a large piece of code, it is probably not
worth doing. We will need to devise a scheme to avoid
confusing the automatic documentation generator.
If it is Tcl/Tk code, it must be ported to Tk 4.0
(a nontrivial task). If it is not Itcl code, it should
be carefully searched for namespace violations.
If your file is based on a file that has non-UC Berkeley
copyrights, then you should be sure to include the copyrights.
Currently we are using the %Q%
SCCS
directive to adjust the copyright dates automatically. The
copyright should have %Q%
as the ending date of the copyright:
1995-%Q%
The Tycho interface to SCCS takes care of interpreting the
%Q%
.
If your file is a rewrite of a previously copyrighted file from UC
Berkeley, then you should include the date from that file.
The Itcl template file contains the appropriate copyright to be used for
Itcl files at UC Berkeley. Other sites may want to substitute
their own template. The Itcl editor has a
file template menu choice
that will insert the Itcl template file
Software has become a publication medium. People will read your code.
Your name is on it, so you want to be proud of it. It seems that most
people stop working on the code when it "works." This is like stopping
work on a paper when what it says is correct, and not worrying at all
about how it is said. PROOFREAD YOUR CODE AFTER YOU'VE GOT IT WORKING.
Tycho Home Page
Copyright © 1995-1998, The Regents of the University of California.
All rights reserved.
Last updated: 05/22/98,
comments to: eal@eecs.berkeley.edu


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Quentin Tarantino to give rare live Q+A in London
Here's how to get your hands on tickets
Quentin Tarantino is to give a rare public Q+A in London on November 13, taking part in BAFTA’s ‘A Life In Pictures’.
The Pulp Fiction, Kill Bill and Django Unchained director will appear at the recently-refurbished ODEON Luxe Leicester Square, the same theatre he premiered his latest movie Once Upon A Time In Hollywood.
Fans can purchase tickets here, which are on sale now and certain to sell out sooner rather than later.
The ‘A Life In Pictures’ series has seen the likes of Christopher Nolan, Hugh Jackman, Nicole Kidman and Kate Winslet appear for in-depth discussions of their life and work.
Quentin Tarantino
Tarantino recently opened up on the future of Once Upon A Time In Hollywood character Rick Dalton (Leonardo DiCaprio), and what might’ve happened to him after the film.
“There are a few different ways his career could have gone depending on who you hitch your horse to of who he is representing,” the director began. “The George Maharis way is this way, the Tye Hardin way is that way. It’s a combination of a few of them.
He continued: “What could have easily have happened, even if he had a little bit more success in the 1970s than maybe I give him credit for, what I could really see happening, because it happened to a lot of these guys, is that by the late 1970s, early 1980s, a lot of these macho ’50s and ’60s television leading men they showed up on TV shows again but as the older cop who’s the boss of the younger cop that sends them out on the missions.”
A five-star NME review of Once Upon A Time In Hollywood called the film “Tarantino’s most satisfying work in decades.”


No. The compressed file is a binary file.
The DataInputStream
class is the compliment of
the DataOutputStream
class.
Files (and other streams) written with one are usually
read with the other.
Here is a list of some of the methods:
Constructor
public DataInputStream(InputStream in) Construct a data input stream.
Methods
public void close() throws IOException public final boolean readBoolean() throws IOException Reads a boolean represented as a 1-byte value. public final byte readByte() throws IOException public final char readChar() throws IOException public final double readDouble() throws IOException public final float readFloat() throws IOException public final int readInt() throws IOException public final long readLong() throws IOException public final short readShort() throws IOException public final int readUnsignedByte() throws IOException
All these methods throw an IOException
if an error occurs.
Upon reaching end of file they throw an EOFException
.
Reaching end of file is not an error;
but throwing an exception is a convenient way of signaling
when this happens.


Artstat
Flow Nerd
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Contacts
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Tasks
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19,855
Total likes
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Enter your word in the Russian language and press Enter:
Your word is divisen into syllables:
квин-тэ-ссен-ци-я


 But soon you give up, knowing there is no answer to this dilemma, and you resign yourself to watching the next hour of Bring It On, knowing full well that since it's a PG-13 movie, nothing scandalous is ever going to happen to make it interesting.
Going in to this movie, I knew full well it was, well, a movie about cheerleading, so I wasn't expecting another American Beauty (which, now that I think of it, was partly about cheerleading, but anyway...). Suffice it to say that my expectations were low. And sure enough, Bring It On is an utterly vapid film with horrendous character development, hackneyed dialogue, and a questionable theme. No surprise there. Essentially it is Fame in short skirts.
The story revolves around an affluent San Diego high school and its crack cheerleading squad, the Toros, which are led by a girl named Torrance (Kirsten Dunst). Torrance is picked to lead the Toros to its sixth consecutive national cheerleading championship, but tragedy strikes when she learns their routines have all been stolen from an East Compton high school troupe, the Clovers, which has moves to spare. Eventually, of course, it comes down to Toros vs. Clovers in the championships.
The bulk of the film revolves around the Toros trying to come up with their own moves and hiring a choreographer, an outcast cheerleader named Missy (Eliza Dushku) who shakes things up, and a mild romance between Torrance and Missy's brother Cliff (Jesse Bradford). While I'm not sure if Bring It On's tepid, teen-friendly raunchiness is titillating or disturbing, thank god for the pair of Dushku and Bradford, who salvage this film with their anti-school-spirit tirades and actual ability to act.  Dushku played Schwarzenegger's daughter in True Lies. Bradford played the geeky, youngest hacker Joey in Hackers.)
But Kirsten Dunst? Dunst is truly one of the best young actresses working today and this is the material she has to work with? Her character comes off as an imitation of Alyson Hannigan's "Once, at band camp..." character from American Pie. Kirsten, you should not be in movies like this.
 Fortunately, this is not the case. Bring It On is really about how a white teenage girl, if she has enough determination, can forgo everything else in her life and just focus on cheerleading, cheerleading, cheerleading. Now there's a message.

The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Awaiting Players
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That makes you a loser, unfortunately.
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Admissions scandal in background as South Koreans sit for grueling college exam
by Minwoo Park, Sangmi ChaSEOUL (Reuters) - A record low number of South Korean students sat for the annual college entrance exam on Thursday, a test that many of them have prepared for since day one at school, and for which the country delayed work hours and put flights on hold.
A college admission scandal involving a former justice minister hung over the half-million test takers and their parents, many of whom fumed that nobody should be allowed to use their position to unfairly help their children.
Families and peers cheered as students walked into exam centers around the country by 8:10 a.m. for the grueling eight-hour tests on subjects ranging from languages to mathematics and science.
Financial markets and offices opened an hour later to allow smoother traffic for the students, and commercial flights were grounded for 35 minutes during the listening comprehension section of the English test.
The Korea Institute for Curriculum and Evaluation said 548,734 students applied for the exam this year, the lowest figure in 27 years, reflecting a falling birthrate.
The recent corruption scandal involved the family of former Justice Minister Cho Kuk, whose wife, Chung Kyung-shim, a college professor, is on trial on charges of forging documents for their children’s college admissions and improper financial investments.
Local media reported prosecutors summoned Cho for questioning on Thursday as part of the investigation.
Im Ok-nam, 48, who came to cheer her daughter, said: “It (the Cho scandal) is extremely unfair and it showed what the haves do with the privileged they enjoy ... I think my daughter is far better than his.”
Fighting back tears, Im added that her daughter had lived and studied for this day for 12 years.
Park Jin-woo, whose brother was sitting for the test, said he believes admission scandals are rampant.
“I wish everyone could enjoy equal opportunity and start from the same starting line,” Park said.


--- title: "Default Button" type: buttons scss: sass/modules/_buttons.scss usage: --- Button Link Button


6 overrides of SetLineBreakpoint
System.Management.Automation (6)
engine\debugger\debugger.cs (2)
2755
public override LineBreakpoint
SetLineBreakpoint
(string path, int line, int column, ScriptBlock action, int? runspaceId)
4307
public override LineBreakpoint
SetLineBreakpoint
(string path, int line, int column, ScriptBlock action, int? runspaceId) =>
engine\hostifaces\PSTask.cs (1)
1305
public override LineBreakpoint
SetLineBreakpoint
(string path, int line, int column, ScriptBlock action, int? runspaceId) =>
engine\remoting\client\Job.cs (1)
3961
public override LineBreakpoint
SetLineBreakpoint
(string path, int line, int column, ScriptBlock action, int? runspaceId) =>
engine\remoting\client\remoterunspace.cs (1)
2120
public override LineBreakpoint
SetLineBreakpoint
(string path, int line, int column, ScriptBlock action, int? runspaceId)
engine\remoting\server\ServerRunspacePoolDriver.cs (1)
1922
public override LineBreakpoint
SetLineBreakpoint
(string path, int line, int column, ScriptBlock action, int? runspaceId) =>
5 references to SetLineBreakpoint
System.Management.Automation (5)
engine\debugger\debugger.cs (2)
674
SetLineBreakpoint
(path, line, column, action, runspaceId: null);
4308
_wrappedDebugger.
SetLineBreakpoint
(path, line, column, action, runspaceId);
engine\hostifaces\PSTask.cs (1)
1306
_wrappedDebugger.
SetLineBreakpoint
(path, line, column, action, runspaceId);
engine\remoting\client\Job.cs (1)
3962
_wrappedDebugger.
SetLineBreakpoint
(path, line, column, action, runspaceId);
engine\remoting\server\ServerRunspacePoolDriver.cs (1)
1923
_wrappedDebugger.Value.
SetLineBreakpoint
(path, line, column, action, runspaceId);


Hardcoded secrets can be abused to gain unauthorized access and compromise the security perimiter.
TO DO


SIP server for Windows.
Login
Click on a row to edit domain specific options and users.
Below helpers simplify editing XML configuration. Settings will reflects in XML configuration. Click Save Changes to apply configuration when finished.
Password's hash is used in the configuration instead plain password
Default value is C:\AppData\OfficeSIP\Server\Tracing\
The server available at http://localhost:5060/
Leave field empty if you do not want to change its value
Do you really want to delete accounts?
Do you really want to delete users?


{init} {loader} {config}
The inline JS on this page emulates 3rd-party code which monkey-patches the EventTarget.prototype.addEventListener after our patching.