I am going to do my best to give you a look at what recursion is in object-oriented programming. I am by no means an expect programmer, but this post should at least give you a start in the right direction. So without further ado, let's get started!
For the sake of simplicity, recursion is basically when a function calls itself. Recursion is used in order to take a larger problem and slowly break it down into small pieces. As we are breaking the problem down into smaller pieces, we are feeding the input back into the function until our goal is achieved.
While browsing the internet, the most common example you will see of recursion is surrounding the Fibonacci sequence. That being said, I will not cover the Fibonacci sequence since you will probably see it on every other recursion site. Additionally, I am not going to be typing code so I will do my best to describe a recursion example using the english language. Brace yourself.
In this example, lets pretend that we have a dinner plate filled with hundreds of tiny diamonds. From this plate, we would like to select the largest diamond to give to our significant other. The largest diamond represents our base caseor end goal. In order to determine the largest diamond, we will need to examine it in terms of weight by weighing each individual diamond one at a time. Each time we weigh a diamond, we are one step closer to finding out which diamond is the largest. The act of weighing each individual diamond is getting us closer and closer to our end goal. These are both fundamental processes of recursion. If you remember anything from this brief example, remember what base case is and that we are working towards our that end goal.
So how would we use recursion to solve a problem? We will use recursion when it makes sense to iterate through data piece by piece and return the result. As I mentioned previously, this will help us break a larger problem down into smaller problems and eventually reach our end goal, whatever that may be.


Status: Released
Documentation:
Executable
This release is available as an executable Java jar which supports the processing of either Avails or Manifest files. The latest jar may be downloaded from the project's GitHub repository.
Support for native executables for OS-X, Windows, and Linux has been dropped as of Release 1.5. Note that the executable Java jar provides support for both the Avails and Manifest Validators, in contrast to the OS-specific executables in which there was a separate executable for each validation tool.
Users who do not wish to download and install the desktop version of the MDDF Tool Suite may still access the tools by using the on-line MDDF Services. While primarily intended for browser-based usage, they may also be accessed via scripts (e.g. using curl ) or by any other software with the ability to make use of a REST API.
Source Code
Source code is available on the Movie Labs mddf GitHub repository and is under an open source license. If you would like more information, please contact us.
Change Log
This release of the desktop Validation tool has been upgraded to use the latest mddf-lib release. Changes are:
- Enhancement: CM v2.7.1, Manifest v 1.8.1, and Avails v1.8 support added
- Enhancement: When translating an Avail to XML, a comment is inserted, providing an audit trail
- Enhancement: Prompting of user for Avails version when processing XLSX file
- Enhancement: Automatic and on-demand checking for updates to software
- Bug Fix: Validation of sequences and indices now allows non-zero values on case-by-case basis
- Bug Fix: WARNINGS due to structure checks were invalidating file
- Bug Fix: Translation of Avails to XML dropped any AltID source that used an EIDR
- Bug Fix: Translation of Avails to XML dropped AvailMetadata/EpisodeTitleID
- Bug Fix: Launching of internal XML Editor required lower case file-type suffix
- Bug Fix: added missing validation checks for all DigitalAsset types
- Bug Fix: structure check of RefALID threw XML parse exception
Known Bugs
- consistency of Encoding/ChannelMapping is not checked when the number of Audio channels is 1.
- Conversion to Avails 1.8 format is not yet supported.


D:/GitHub/SmallPortableJekyll/ruby/bin/ruby.exe extconf.rb checking for main() in -lc… no creating Makefile
make “DESTDIR=” clean
make “DESTDIR=” generating redcloth_scan-i386-mingw32.def compiling redcloth_attributes.c ragel/redcloth_attributes.c.rl: In function 'redcloth_attribute_parser': ragel/redcloth_attributes.c.rl:27:11: warning: variable 'act' set but not used [-Wunused-but-set-variable] ragel/redcloth_attributes.c.rl: In function 'redcloth_attributes': ragel/redcloth_attributes.c.rl:46:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_attributes.c.rl: In function 'redcloth_link_attributes': ragel/redcloth_attributes.c.rl:55:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] compiling redcloth_inline.c ragel/redcloth_inline.c.rl: In function 'red_parse_title': ragel/redcloth_inline.c.rl:69:7: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_inline.c.rl: In function 'red_block': ragel/redcloth_inline.c.rl:100:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_inline.c.rl:100:9: warning: variable 'attr_regs' set but not used [-Wunused-but-set-variable] compiling redcloth_scan.c ragel/redcloth_scan.c.rl: In function 'redcloth_transform': ragel/redcloth_scan.c.rl:43:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.c.rl:47:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:138:43: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:138:43: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] NONE:9:46: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] NONE:9:46: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:154:41: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:154:41: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:153:29: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:153:29: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:154:43: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:154:43: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] NONE:3:32: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] NONE:3:32: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:180:30: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.rl:180:30: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] NONE:21:33: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] NONE:21:33: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.c.rl: In function 'redcloth_html_esc': ragel/redcloth_scan.c.rl:87:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.c.rl:96:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.c.rl: In function 'redcloth_latex_esc': ragel/redcloth_scan.c.rl:156:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.c.rl:185:7: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] ragel/redcloth_scan.c.rl: In function 'redcloth_to': ragel/redcloth_scan.c.rl:207:3: warning: ISO C90 forbids mixed declarations and code [-Wdeclaration-after-statement] linking shared-object redcloth_scan.so
make “DESTDIR=” install /usr/bin/install -c -m 0755 redcloth_scan.so ./.gem.20160511-8588-1l8nvan installing default redcloth_scan libraries


Breakstone's Cottage Cheese recalled over concerns of possible plastic contamination
by Falycia CampbellCOLUMBUS, Ohio — Breakstone's has recalled 9,500 cases of cottage cheese due to the potential presence of pieces of red plastic and metal inside the product.
The company discovered the issue after a customer contacted them after discovering pieces of red plastic inside a container of cottage cheese. There have been six other complaints and no reports of illness or injury related to this issue, according to the Food and Drug Administration.
The products subject to recall are:
- Breakstone's 2% Milkfat Low-fat Large Curd Cottage Cheese
- Breakstone's 4% Milkfat Large Curd Cottage Cheese
- Breakstone's 4% Milkfat Small Curd Cottage Cheese
The products have a best if used date of December 10, 2019.
Anyone who has purchased the product should not eat it but rather return it back to the store for an exchange or full refund. Consumers with questions may contact the company at 1-866-572-3805 Monday through Friday, 9 a.m. to 6 p.m. Eastern, for a full refund.


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{% extends 'layouts/application.html' %} {% import "items/cards/card.html" as cards %} {% block title %}{{ home_01.title }}{% endblock %} {% block content %}
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Review: Bonnie ‘Prince’ Billy finds inspiration in Hawaii
by PABLO GORONDIBonnie “Prince” Billy, “I Made a Place” (Drag City)
Will Oldham, appearing here under his Bonnie “Prince” Billy alter ego, has made too much music in the past decade to list here, but “I Made A Place” is his first album of new, original songs since 2011’s “Wolfroy Goes to Town,” and it’s another peak in a career with few valleys.
Oldham says the record was inspired by Hawaii and its music - his mother was born in Pearl Harbor - while also carrying the imprint of his wife’s pregnancy. Its shades of folk and country were achieved with assistance from, among others, Joan Shelley on vocals, guitarist Nathan Salsburg and multi-instrumentalist Jacob Duncan.
“New Memory Box” is a merry opening track enlivened by horns and winds as it recommends taking a step back: “A quiet life might be/The way through it all.” It’s followed by “Dream Awhile,” a kind of lullaby which upholds the easygoing outlook - “When I have a problem/I know just what to do/I go to bed and dream awhile/Something will come through.”
Its title inspired by a Hawaiian custom, Oldham makes “Look Backward on Your Future, Look Forward to Your Past” a tale about the consequences of our actions and inactions and our time on this mortal coil - “This particular assemblage of molecules and memories/Someday soon may just run out of gas.”
Oldham goes sweetly romantic on “You Know the One,” which describes the realization that you’ve found your significant other. It makes an uplifting pair with album closer “Building a Fire,” where the relationship is further along and the symbiosis is significant.
Belying promotional photos showing Oldham operating some sort of motorized dinghy, “I Made a Place” is ideal for a raft, paddle boat or sailboat. Whichever provides more time to reach your horizon.
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| Modifier and Type | Method and Description |
|---|---|
DependencyNode |
DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter)
Build the dependency graph.
|
DependencyNode |
DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter,
Collection<org.apache.maven.project.MavenProject> reactorProjects)
Build the dependency graph, with a hack to include dependencies contained in the reactor projects
but that are not yet compiled, which is the minimum prerequisite for Maven core's
ReactorReader to find them.
|
DependencyNode |
DependencyNode.getParent()
Gets the parent dependency node of this dependency node.
|
| Modifier and Type | Method and Description |
|---|---|
List<DependencyNode> |
DependencyNode.getChildren() |
| Modifier and Type | Method and Description |
|---|---|
boolean |
DependencyNodeFilter.accept(DependencyNode node)
Gets whether this filter accepts the specified dependency node.
|
boolean |
ArtifactDependencyNodeFilter.accept(DependencyNode node)
Gets whether this filter accepts the specified dependency node.
|
boolean |
AndDependencyNodeFilter.accept(DependencyNode node)
Gets whether this filter accepts the specified dependency node.
|
boolean |
AncestorOrSelfDependencyNodeFilter.accept(DependencyNode node)
Gets whether this filter accepts the specified dependency node.
|
| Constructor and Description |
|---|
AncestorOrSelfDependencyNodeFilter(DependencyNode descendantNode) |
| Constructor and Description |
|---|
AncestorOrSelfDependencyNodeFilter(List<DependencyNode> descendantNodes)
Creates a dependency node filter that only accepts nodes that are ancestors of, or equal to, the specified list
of nodes.
|
| Modifier and Type | Class and Description |
|---|---|
class |
DefaultDependencyNode
Default implementation of a DependencyNode.
|
| Modifier and Type | Method and Description |
|---|---|
DependencyNode |
Maven3DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter)
Builds the dependency graph for Maven 3.
|
DependencyNode |
Maven31DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter)
Builds the dependency graph for Maven 3.1+.
|
DependencyNode |
Maven2DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter)
Builds the dependency graph for Maven 2.
|
DependencyNode |
DefaultDependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter)
Builds a dependency graph.
|
DependencyNode |
Maven3DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter,
Collection<org.apache.maven.project.MavenProject> reactorProjects)
Builds the dependency graph for Maven 3, eventually hacking for collecting projects from
reactor not yet built.
|
DependencyNode |
Maven31DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter,
Collection<org.apache.maven.project.MavenProject> reactorProjects)
Builds the dependency graph for Maven 3.1+, eventually hacking for collecting projects from
reactor not yet built.
|
DependencyNode |
Maven2DependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter,
Collection<org.apache.maven.project.MavenProject> reactorProjects)
Builds the dependency graph for Maven 2.
|
DependencyNode |
DefaultDependencyGraphBuilder.buildDependencyGraph(org.apache.maven.project.MavenProject project,
org.apache.maven.artifact.resolver.filter.ArtifactFilter filter,
Collection<org.apache.maven.project.MavenProject> reactorProjects)
Builds a dependency graph.
|
DependencyNode |
DefaultDependencyNode.getParent() |
| Modifier and Type | Method and Description |
|---|---|
List<DependencyNode> |
DefaultDependencyNode.getChildren() |
| Modifier and Type | Method and Description |
|---|---|
void |
DefaultDependencyNode.setChildren(List<DependencyNode> children) |
| Constructor and Description |
|---|
DefaultDependencyNode(DependencyNode parent,
org.apache.maven.artifact.Artifact artifact,
String premanagedVersion,
String premanagedScope,
String versionConstraint)
Constructs the DefaultDependencyNode.
|
| Modifier and Type | Method and Description |
|---|---|
DependencyNode |
BuildingDependencyNodeVisitor.getDependencyTree()
Gets the root node of the resultant dependency tree constructed by this visitor.
|
| Modifier and Type | Method and Description |
|---|---|
List<DependencyNode> |
CollectingDependencyNodeVisitor.getNodes()
Gets the list of collected dependency nodes.
|
| Modifier and Type | Method and Description |
|---|---|
boolean |
SerializingDependencyNodeVisitor.endVisit(DependencyNode node)
Ends the visit to to the specified dependency node.
|
boolean |
FilteringDependencyNodeVisitor.endVisit(DependencyNode node)
Ends the visit to to the specified dependency node.
|
boolean |
DependencyNodeVisitor.endVisit(DependencyNode node)
Ends the visit to to the specified dependency node.
|
boolean |
CollectingDependencyNodeVisitor.endVisit(DependencyNode node)
Ends the visit to to the specified dependency node.
|
boolean |
BuildingDependencyNodeVisitor.endVisit(DependencyNode node)
Ends the visit to to the specified dependency node.
|
boolean |
SerializingDependencyNodeVisitor.visit(DependencyNode node)
Starts the visit to the specified dependency node.
|
boolean |
FilteringDependencyNodeVisitor.visit(DependencyNode node)
Starts the visit to the specified dependency node.
|
boolean |
DependencyNodeVisitor.visit(DependencyNode node)
Starts the visit to the specified dependency node.
|
boolean |
CollectingDependencyNodeVisitor.visit(DependencyNode node)
Starts the visit to the specified dependency node.
|
boolean |
BuildingDependencyNodeVisitor.visit(DependencyNode node)
Starts the visit to the specified dependency node.
|
Copyright © 2002–2014 The Apache Software Foundation. All rights reserved.


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{% extends 'channel/settings_base.html' %} {% load nonce format %} {% block settings %}
There is no way to undo this, are you sure you want to delete your channel?
{% include 'form_error.html' %} {% ifequal view.extra.member_count 1 %} {% else %}There seems to be still {{view.extra.member_count}} members on your channel. You can delete the channel when you're the last member.


|
Three Kings: Cinematic Lessons for the War on
Terror
by Rob Waring
If you are ready to regain
a healthy skepticism about America's use of military power in
the post-9/11 era, there is a film at your local video store
available to assist you. I skipped Three Kings by director/screenwriter
David Russell (Flirting with Disaster) when it was released
in the final months of the twentieth century, because the studio
promoted it as an action/adventure flick. However, Amazon.com
describes it as "a confident hybrid of M*A*S*H, Treasure
of the Sierra Madre, and Dr. Strangelove," and
that's pretty close. I would add Catch-22 to that list,
and argue that Three Kings is the best film to date about
the morality of America's military policing actions.
The setting is the
Gulf War (Operation Desert Storm), immediately after the 1991
cease-fire. The U.S. and its allies had just completed a military
campaign that killed more than 100,000 Iraqis and destroyed the
civilian infrastructure of Baghdad. After regaining control of
Kuwaiti oil fields, America stopped the war abruptly, leaving
Saddam the Satan still in power. Groups in the south and north
then rose up in rebellion at the U.S.'s urging, but unchallenged
Iraqi soldiers were slaughtering whole villages. (Some of the
survivors serve as extras in the film.)
The number of Americans killed was so small that deaths from
accidents and friendly fire exceeded the number killed by the
enemy. Most U.S. troops never saw any bloodshed; as portrayed
in the film, the war for them was like a camping trip in the
desert.
Russell could not have foreseen that his film, where U.S. soldiers
operating as outlaws bully Arabs by flashing bogus letters of
authorization from President Bush, would have such hyper-relevance
in 2002. As we struggle to reconcile basic tenants of international
law and humanity with America's War on Terrorism, Three Kings
serves as a reminder of how national self-interest and hubris
can warp ethics. (The U.S. was all too eager to invade Afghanistan,
but now wants little to do with making it work as a nation.)
The theme that assaults viewers repeatedly is that most Americans
did not see the reality of the Gulf War. U.S. military commanders
believed they were fighting a media war, in which winning American
public support for the conflict was as important as any military
effort to "liberate" Kuwait and "defeat"
Iraq. Sound bites that seemed reasonable to American ears when
coming out of the mouths of State Department or Pentagon briefers
are laughable in the film when uttered by infantrymen who confront
Iraqi soldiers, revolutionaries and refugees.
The comedy is at its darkest when an Iraqi army interrogator
asks an American soldier he is torturing to explain the difference
in their causes, and the soldier (played by Mark Wahlberg) answers
in sound bites. The soldier's shallow justification of the need
to liberate the people of Kuwait (one of the world's richest
nations) seems even more ridiculous than his dark-skinned torturer's
desire to exact revenge for the pain suffered by black pop singer
Michael Jackson--forced into plastic surgery to conform in a
white world.
Another scene lampoons America's expectation that other peoples
would blindly follow because America is right. (One post-Gulf
War effort was in fact called "Operation Just Cause.")
George Clooney, as the leader of an outlaw incursion into Iraqi
territory and one of the "kings" in the title, tries
to obtain a fleet of Kuwaiti limousines "liberated"
by the Iraqis. Playing a caricature of Uncle Sam in an army recruiting
poster, he tries to con Iraqi dissidents into giving him the
cars so that he can help them fulfill President Bush's desire
that they rise up against Saddam. They join in his pro-American
pep rally, but, seeing through his exploitation and false promises,
demand payment in full.
Just as during the realm of George I, American officials today
explain questionable military and human rights policies by saying
that we are the good guys--therefore policies in our national
interest must be just and everyone should follow us (that, and
the fact that we are strongest military power in the world).
The overriding message in the film is that those with institutional
values can only see the goals of those institutions. They ignore
any reality--no matter how inhumane--that conflicts with those
goals. In the new world order, America's narrow wartime agenda
has nothing to do with bettering the lives of Arabs.
The film brings this home when, in the end, Clooney and his "kings"
face a terrible choice. As outlaws who have rejected institutional
values, they are only people capable of humane action.
Posted April 5, 2002
|


STURGEON HITS BACK
Boris Johnson slammed for being ‘obsessed’ with SNP as he launches party manifesto
by Chris MussonBORIS Johnson launched his Tory election manifesto today — and was slammed for being “obsessed” with the SNP.
The Prime Minister tore into Nicola Sturgeon and Jeremy Corbyn in the opening comments of his 64-page policy showcase.
He warned the pair would “team up” if the Tories don’t win the December 12 poll — leading to “two referendums on Brexit and Scotland in 2020”.
The manifesto’s Scotland section read: “Twelve years of SNP government have led to an obsessive focus on independence — all while Scotland’s public services and its economy have been neglected.”
But First Minister Ms Sturgeon has said: “The Tories’ panicky obsession with the SNP shows they are running scared of the verdict of the people of Scotland in this election.
“The Tories’ manifesto shows they remain wedded to dragging Scotland out of the EU against our will, continuing to squeeze spending on essential public services and to trade deals with Donald Trump which threaten our precious NHS in Scotland.”
As we told on Sunday, the manifesto contained a series of pledges on freezing taxes including VAT and National Insurance for five years.
It also pledged a review of spirits duty — accounting for nearly three-quarters of the price of a bottle of Scotch whisky.
On Scotland, the manifesto added: “Nicola Sturgeon and the SNP promised that the 2014 referendum would be a ‘once in a generation’ vote and the result was decisive.
“We believe that outcome should be respected.”
At the launch in Telford, Shropshire, Mr Johnson pledged to “get Brexit done” and reunite the country as he unveiled the Tories’ election pledges.
He said: “It is time to unleash the potential of our country and forge a new Britain.”
But Labour leader Mr Corbyn branded the plan a “manifesto for billionaires”.
He said: “All Boris Johnson is offering is more of the same: more cuts, more failure, and years more of Brexit uncertainty.
"Boris Johnson can’t be trusted.”


--- layout: post title: Giveaways in the next KDE TeaTime (#10) categories: - KDE - Software Libre tags: [] status: publish type: post published: true meta: _edit_last: '2' dsq_thread_id: '2226557902' author: login: afiestas email<EMAIL_ADDRESS>display_name: afiestas first_name: Àlex last_name: Fiestas ---
Almost a month has passed since I wrote on this blog about the show, and so far everything is going great, people seem to be enjoying it and we are having a ton of fun doing it.
Since I talked about it we have done 2 more shows:
KDE TeaTime #8 - If you could change one default setting, what would it be?
http://www.youtube.com/watch?v=wgv0etfJdNE
KDE TeaTime #9 - When to release?
http://www.youtube.com/watch?v=8-pcPeUsznE
And for the next one in order to properly celebrate the #10 show we have prepared some giveaways !
During the show we will explain how to participate in the raffle so make sure to not miss it!
Cheerz!


Page maintained by Ke-Sen
Huang. If you have additions or changes, send an
e-mail.
Note that when possible I link to the page containing the link
to the actual PDF or PS of the preprint. I prefer this as it
gives some context to the paper and avoids possible copyright
problems with direct linking. Thus you may need to
search on the page to find the actual document.
Changelog
Appearance and rendering I
- Realistic Rendering of Surface Appearance Using GPU
-
Invited Talk by Baining Guo
- Lightweight Face Relighting
-
Sylvain Paris,
Francois X. Sillion,
Long Quan
- Efficient Rendering of Local Subsurface Scattering
-
Tom Mertens,
Jan Kautz,
Philippe Bekaert,
Frank Van Reeth,
Hans-Peter Seidel
Appearance and rendering II
- Interactive Visualization of Complex Real-World Light Sources
-
Xavier Granier,
Michael Goesele,
Wolfgang Heidrich,
Hans-Peter Seidel
- Variance Invariant Adaptive Temporal Supersampling for Motion Blurring
-
Daniel Neilson,
Yee-Hong Yang
- Illustration Watermarks for Vector Graphics
-
Henry Sonnet,
Tobias Isenberg,
Jana Dittmann,
Thomas Strothotte
- Interactive Modeling of Tree Bark
-
Xi Wang,
Lifeng Wang,
Ligang Liu,
Shimin Hu,
Baining Guo
Geometric Modeling
- Computer Graphics in its Fifth Decade: Ferment at the Foundations
-
Invited Talk by Ron Goldman
- G^2 Blending of Corners with Piecewise Algebraic Surfaces
-
Falai Chen,
Xing Tang
- Skinning Catmull-Clark Subdivision Surfaces With Incompatible Cross-Section Curves
-
A. Nasri,
A. Abbas,
H. Hasbini
3D Acquisition and Interactive Modeling
- Interactive 3D Model Acquisition and Registration
-
Yushuang Liu,
Wolfgang Heidrich
- Dynamic Sculpting and Deformation of Point Set Surfaces
-
Xiaohu Guo,
Hong Qin
- Interactive global and local deformations for virtual clay
-
Guillaume Dewaele,
Marie-Paule Cani
- A Painting Interface for Interactive Surface Deformations
-
Jason Lawrence,
Thomas Funkhouser
NPR
- Machine Learning for Computer Graphics
-
Invited Talk by Aaron Hertzmann
- Non-Photorealistic Rendering and Content-Based Image Retrieval
-
Xiaowen Ji,
Zoltan Kato,
Zhiyong Huang
- Simulating Wax Crayons
-
Dave Rudolf,
David Mould,
Eric Neufeld
Computer Animation
- Computer-Assisted Auto Coloring By Region Matching
-
Jie Qiu,
Hock Soon Seah,
Feng Tian,
Quan Chen,
Konstantin Melikhov
- Enhancing Silhouette-based Human Motion Capture with 3D Motion Fields
-
Christian Theobalt,
Joel Carranza,
Marcus A. Magnor,
Hans-Peter Seidel
- Physical Touch-Up of Human Motions
-
Hyun Joon Shin,
Lucas Kovar,
Michael Gleicher
- Modeling and Deformation of Arms and Legs Based on Ellipsoidal Sweeping
-
Dae-Eun Hyun,
Seung-Hyun Yoon,
Myung-Soo Kim,
Bert Juttler
Morphing, Shadow, and Simulation
- Feature-Based Surface Light Field Morphing
-
Eunhee Jeong,
Mincheol Yoon,
Yunjin Lee,
Minsu Ahn,
Seungyong Lee,
Baining Guo
- Shadow Generation Using Discretized Shadow Volume In Angular Coordinates
-
Khageshwar Thakur,
Fuhua (Frank) Cheng,
Kenjiro Miura
- Adaptive Grouping and Subdivision for Simulating Hair Dynamics
-
Kelly Ward,
Ming Lin
- A Fast Finite Element Solution for Cloth Modelling
-
Olaf Etzmu,
Michael Keckeisen,
Wolfgang Strasser
- Virtual Sandbox
-
Koichi Onoue,
Tomoyuki Nishita
Mesh
- Freeform Shape Representations for Efficient Geometry Processing
-
Invited Talk by Leif Kobbelt
- Hierarchical Least squares Conformal Maps
-
N. Ray,
B. Levy
- DStrips: Dynamic Triangle Strips for Real-Time Mesh Simplification and Rendering
-
Michael Shafae,
Renato Pajarola
Geometric Computing and Visibility
- Bounding Recursive Procedural Models using Convex Optimization
-
Orion Sky Lawlor,
John C. Hart
- Shape-Similarity Comparison of 3D Models Using Alpha Shapes
-
Ryuarou Ohbuchi,
Tsuyoshi Takei
- Breaking the Walls: Scene Partitioning and Portal Creation
-
Alon Lerner,
Yiorgos Chrysanthou,
Daniel Cohen-Or
- Feature-Based Cascading Occlusion Culling for Terrain
-
Sheng Li,
Xuehui Liu,
Enhua Wu
Point-based Rendering
- Data-Driven Computer Graphics
-
Invited Talk by Hanspeter Pfister
- Iso-Splatting: A Point-based Alternative to Isosurface Visualization
-
Christopher S. Co,
Bernd Hamann,
Kenneth Joy
- High-Quality Point-Based Rendering on Modern GPUs
-
Mario Botsch,
Leif Kobbelt
Techniques for Volume and Mesh
- Interactive Volume Illustration and Feature Halos
-
Nikolai A. Svakhine,
David S. Ebert
- RGBVis: Region Growing Based Techniques for Volume Visualization
-
Runzhen Huang,
Kwan-Liu Ma
- Efficient Representation and Extraction of 2-Manifold Isosurfaces Using kd-Trees
-
Alexander Gress,
Reinhard Klein
- A State Machine for Real-Time Cutting Tetrahedral Meshes
-
Daniel Bielser,
Pascal Glardon,
Matthias Teschner,
Markus Gross
kesen.huang@gmail.com


why I chose this web?
-
amusing
-
rich content
-
interactive experience is good
-
good-looking
Hello, welcome to my website, there are the most novel experience, the best design concept and the best interactive experience, I hope you can experience in my website happy, remember praise.
my service
What kind of service do you want? Home service or remote service, we can all change according to your needs.Please leave your comments.
The services we provide include network service, telephone consultation service, manual question answering service and home visiting service. Are you satisfied with our service?If you have any questions, please look at the text on the right.
Didn't you experience any service? Did you see any email addresses? I told you, do not have to find, because I did not provide any help, This is a fake website.ha ha ha ha!
Starting in May 14, 2017, you can choose to browse online or download offline browsing without traffic.
From May 14, 2017, please note down the key section. You can choose to see it or send it to us. We may not be able to receive it.


Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
| Concert A = 440Hz | A5 = 880Hz |
|---|---|
| Middle C ~= 131Hz | C4 ~=262Hz |
| A3 = 220Hz | E4 ~=330Hz |
|---|---|
| C3 ~= 131Hz | G3 ~=196Hz |
The half-step is the building block of scales.
All intervals are exponents of the half-step.
| A (440Hz) | × | 1.0595 | = | A# (466.16Hz) |
|---|---|---|---|---|
| A# (466.16Hz) | × | 1.0595 | = | B (493.88Hz) |
| A (440Hz) | × | 1.05952 | = | B (493.88Hz) |
Notes Are Numbers
Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
Notes Are Numbers
Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
Notes Are Numbers
Every musical note is a number: a frequency vibrating a certain number of times per second (measured in hertz).
Heading 1
Heading 2
Heading 3
Blockquote
Paragraph
Heading 1
Heading 2
Heading 3
Blockquote
Paragraph
Heading 1
Heading 2
Heading 3
Blockquote
Paragraph
More notes per octave: better for small screens
Fewer notes per octave: better for large screens
@include set-hierarchy( $list );
@include add-breakpoint(
$label,
$min-width,
$font-size,
$line-height,
$scale
);
@include remove-breakpoint( $label );
@include type-tune( extend | class );


val hashOfTransactionId: SecureHash
Hash of the consuming transaction id.
Note that this is NOT the transaction id itself – revealing it could lead to privacy leaks.
Hash of the consuming transaction id.
Note that this is NOT the transaction id itself – revealing it could lead to privacy leaks.


Formnext 2019: 3D metal printing, industry use cases, adoption accelerate
by Larry DignanAn Ultimaker survey highlights additive manufacturing momentum as Stratasys, 3D Systems, Markedforged, Desktop Metal and ExOne outline systems at Formnext.
Additive manufacturing is taking center stage for production parts as well as prototyping with awareness being led by the Netherlands, Switzerland and US, according to an Ultimaker survey.
Ultimaker surveyed more than 2,500 3D printing pros to gauge adoption and use cases by industry. Key findings include:
- US market awareness for 3D printing checked in at 77%, but adoption was at 34%.
- China had the highest rate of 3D printing adoption at 53% followed by France at 42%.
- 77% of US respondents use 3D printing to make prototypes.
Here's the roundup from Formnext:
Additive manufacturing in the rail industry via Stratasys
Stratasys launched a parts and digital inventory system for the rail industry. The Stratasys Rail Industry Solution is designed to keep passenger trains, including long-haul and urban metros, to utilize 3D printed parts and bolster uptime. The system includes the Stratasys Fortus 3D printers and materials such as its ULTEM 9085 resin and Antero 800NA material.
Everything you need to know about 3D printing and its impact on your business
According the company, materials in the Rail Industry Solution have passed the European Union's Rail Standard, EN 45545-2.
The company said it has a series of customers and partners using Rail Industry Solution including Angel Trains, Bombardier Transportation, Chiltern Railways, DB ESG, and Siemens Mobility. With the systems rail operators can produce parts within a day or two regardless of the age or uniqueness of the train.
3D Systems goes vertical
3D Systems outlined a series of production systems for healthcare, aerospace and automotive use cases. CEO Vyomesh Joshi said the 3D systems will hit the 200 million parts mark on its system. 3D Systems highlighted the following:
An automotive production system designed to manufacture parts such as an in-door bracket and washer fitting to speed up development. the automotive stack includes Geomagic Design X, 3D Sprint, ProJet MJP 2500, ProX SLS 6100 and 3D Connect among others.
- Aerospace as a joint production and workflow system with partner GF Machining.
- Healthcare use cases for anatomical models, surgical planning and implants.
- 3D Systems also launched a series of new materials for industry use cases.
Markforged launches turbo mode
Markforged, which makes metal and carbon fiber 3D printers, said its X7 3D printer is getting Turbo Print, a feature that doubles print speed without sacrificing quality. Turbo Print will be released Dec. 16 and is compatible with second generation X7 3D printers, which have been shipping since June.
Metal takes center stage
3D metal printing was a big theme at Formnext. Here's the breakdown:
- Desktop Metal launched Shop System, a metal binder jetting system designed for machine shops and metal job shops. The system starts at $150,000. Shop System will complement Desktop Metal's Studio System, a low volume prototyping system.
- ExOne debuted a production model of its X1 25PRO metal 3D printer. The X1 25PRO can print more than six metal materials that have passed ExOne's qualification process. The system can also print a variety of other beta materials on track for qualification.
Also:


Activities for:
10/10/2010
Previous
Next
Statistics:
Working hours:
08:00
Worked hours:
09:00
Slacking hours:
01:30
Overtime hours:
01:00
Total hours:
10:30
Log:
Start
End
Description
Slacking
8:30
9.30
A description
false


| DOSE: |
repeated |
smoked |
Cannabis |
(plant material) |
The first time I smoked weed was six years ago, and in the meantime I've tried many different drugs: psychedelics, E, coke, crack, meth, LOTS of pharms, etc. My illegal drug use has toned down quite a bit in the last few years, pretty much since I came to college, ironically. I hardly ever trip (I've discovered I'm not really in an emotional place to do that right now), do coke once every couple months or so, and I've said goodbye to E for good. I am, however, a pretty regular pot smoker and too regular drinker, and I'm about a pack a day smoker.
I've noticed shifts over time in my subjective experience with marijuana, and most people I've talked to about it seem to report a similar gradual change, especially in their first years of pot smoking. My question for the community is this: Is this caused by greater experience with pot? If so, is it neurological in nature or purely subjective, i.e. do you just get used to it, or is there something in your brain that decays or changes? Or...is it caused by mental maturity? Everyone I know who has a history with the drug to speak of started in their early or mid teens. Do younger brains process pot differently?
The first time I smoked pot was drastically different from every other time I've gotten high. I was a Freshman in highschool and just itching to start doing drugs. I was nerdy, too smart for my own good, and I figured it would help me socially, which it did in some ways, but I think it's hampered my maturity a lot in the meantime. I got invited to this girl's birthday party where there would be weed, and I lied about having smoked before.
Meh, I was young, and in fact I'm still great friends with a lot of the people who were at that party. We all took a walk down to the park by her house to smoke up. The first trip out I didn't get high. I thought I did, but in retrospect I didn't. It was just excitement, pretty much. I've smoked up a few weed virgins and the meantime, and from what I hear this is pretty typical.  Neither did I, at first.
A few more people showed up at the party, one of whom was a friend of mine and would become a source and partner in crime for me later in my drug career. So I went out to smoke with them. We smoked a few bowls, and initially there was no change in my mental state. We might have been gone a little bit too long because the mother of the girl at whose house we were partying came out to find us. Luckily we were already on our way back. As she was leading us back to the house I had a DRASTIC shift in my brainpan.
I felt like I was sitting WAY back in my head, or wearing a mask or something. Everything seemed incredibly far away. Sight and sound. When we got back inside, I got a sort of 'pins and needles' feeling all over my body an conjunction with this feeling of dissociation (if you want to call it that). This was physically painful. Really painful. It lasted pretty much the whole night. I just sacked myself out on the couch and didn't move. I got a ride home from my sister, who was less than sympathetic (hypocrite).
The next day I was spent, and my brain felt like mush. I've only heard the pins-and-needles phenomenon described by one other person, who attributed it to some medication they were taking or something. I find this explanation unlikely because I was on no medication at the time and the pills he was referring to were azithromycin, an antibiotic which is not, to my knowledge, psychoactive.
Subsequent occasions were never like this. In fact not at all. Sometimes I would get a sort of detached feeling, but never in that exact way. For the first year or two of smoking pot, I would experience a 'strobing' effect in all my senses. This was a pretty consistent feature and I would actually get somewhat debilitating 'flashbacks' during my sober life. Sometimes it would get incredibly intense in the tactile sense.
When mildly stoned it felt like my whole body was sort of 'blinking' and with higher doses it almost seemed like individual square patches of skin were strobing on and off in some sort of pattern. The higher the dose, the smaller and more numerous the patches of skin. Once it felt like I had broken up into little cubes that shifted around so that I could move. This isn't a very good explanation of the sensation, but you kind of had to be there. The funny part about this is that when I looked for the breaks, the 'off' cycle of the strobe, I could never find it. I've heard strobe vision described by a few people, but never the tactile weirdness.
All this gradually diminished until I became a true pothead the summer after my sophomore year of high school. I can point to the week it all changed, at it was the week of the camping trip where it suddenly became normal to smoke several times a day. Since then, the experience of smoking pot has been about the same.  No strange sensory effects, just a pleasant slowing-down and an inability to concentrate. The sensory enhancement lasted longer than just about anything else, but it's mostly gone now...*sigh* The giggles were gone about the third year of pot smoking. At least now I can relax.
No matter how long I abstain, I can never seem to get back the feelings I had for the first year, although one time I felt extremely cold after getting stoned and had to go wrap myself up in a blanket and calm down because I couldn't stop shaking, this happened like a year ago. Also, ingesting marijuana can make me exceptionally stoned and bring back the giggles and sometimes, sometimes, the strobes.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Dom's Audio/ Video Extra-Credit
This is the homepage of Dominic Dowell's Extra-Credit for the 2830 class website. Inside are pages with links and images of my artwork. Enjoy ☘
This is the homepage of Dominic Dowell's Extra-Credit for the 2830 class website. Inside are pages with links and images of my artwork. Enjoy ☘


${require('./_head.html')}
${require('./_header.html')}
List of Pages
index
about
products
product single
category
locations
locations results
markets
resources
resources single
contact
news
request literature
search results
${require('./_footer.html')}


Architecture and Process ideas
Can we make it so that it works first by being just a fasta->bcl converter, then add everything as plugins?
For example, the PCR giving more reads in repetitive regions, taking into account UCSC gaps, % of reads that pass filter, etc.
Idea 1
Top level architecture
This high level architecture was described for Idea 1, but is still valid in the final ideas.
Process
- Read the 6.4GB of input fasta files to RAM
- Prepare one tile in RAM while flushing the previous tile to disk. To prepare a tile:
- Pick a random location
- Read 100 bases while applying the error model described below
- Add each base to its associated bcl file, based on the cycle
- Process paired read in a similar way if required
Error model
Inputs
- Quality per cycle table
- Error model: Probability for each nucleotide type to become each other nucleotide (SNP), to be deleted or duplicated.
Process
From the "Quality per cycle table", we calculate the error rate for the current cycle.
If a random number is under the error rate, then we apply the "Error model" to the base.
By remembering the current "read quality" (or just the number of successive same base encountered so far) for this read, we update it to take into account homopolymer runs.
If a random number is under this "homopolymer error rate", we apply a "homopolymer error model" to the base.
Problems
Picking random reads had already made us leave the "coverage standard deviation" property out.
Our initial thoughts were to leave the BAM generation as a secondary external process, but some new "coverage threshold" parameters, which seem very valuable, bring back the need to generate metadata associated to genome positions during the simulation.
Applying "quality control" on specific locations requires us to search through the list of locations and update an associated property each time we generate a new read. If the list of locations becomes large - the ability to characterise the entire genome may be useful - the cpu and ram usages may become too high.
This is addressed in a better way by the next process idea.
Idea 2
The idea is to generate reads by going through the genome sequentially, and keep the shuffling for the end when we write the BCL files.
Advantages:
- BAM and metadata information can be generated on the fly, while keeping only a small region of the genome in RAM (probably the size of the max insert/mate size), input fasta files don't need to be entirely stored in RAM, etc.
- avoid the wasteful process of shuffling data and then having to sort it back when we want to generate the BAM files.
- BAM files are available early, enabling the user to check the simulated data before launching the subsequent tools under test.
- Can be split into independent chunks easily for parallel processing
The new difficulty is shuffling the reads for BCL output.
Possible parallelisation of tasks:
Process
Same as for idea 1, but instead of picking random read locations, the locations will be picked sequentially, in chromosome order. The random element will be the length (which can be 0) of the jump to the next read.
We will also output a random allocation of a tile for each paired read (1 byte/paired read => 1GB), so that the BCL creation process (which will involve shuffling) can be done in parallel.
The BCL creation will then happen at the tile level, where each process generates 1 tile by reading the allocation file sequentially, loading the corresponding paired read to RAM by reading the 100GB data file sequentially too (with possible fseeks) and then flushing the tile when it has been fully prepared in RAM. This can be optimised by processing sets of tiles per process instead of only 1 tile.
Sequencer Simulator details:
Costs
Idea 3
The cost analysis of idea 2 shows 200GB of data being temporarily written and read.
Idea 3 shows that this can be avoided.
Instead of parallelising the Sequencer Simulator per bin, we can parallelise it per tile:
Another consequence on cost improvement is that, in the previous idea, the Metadata (BAM) file and the tile files were imbalanced in size, possibly leading to bottlenecks when writing the BAM files.
With idea 3, this is solved.
Process
The Seq Sim and the Run Folder Generator need to share their RAM, so we'll probably integrate them as 1 process.
However, One Run Folder Generator can still run in parallel with the next tile's Seq Sim. We need to check how long each of these 2 processes take, and if the overlap is sound.
The BAM generator will probably have more work to do than expected: as the metadata will likely be ordered relatively to the sample genome, it will have to be re-ordered relatively to the reference genome. We expected that it would involve merge-sorting the reads from the different tiles, but it will also involve merge-sorting the reads from the different alleles, and splitting/duplicating the reads that overlap breakpoints.
Idea 3b
Based on Idea 3, it may be worth replacing the Metadata output by a second processing of the same inputs, as shown on the following diagram. The BAM generation may be done at a chromosome bin level.
Final Architecture choice
Tasks
- Identified a new requirement: We need FastaReader to read on demand and at the same time to provide the total chromosome lengths. We can achieve this by using the usually existing genome_size.xml file. Maybe we should then allow for directory inputs. This could be compatible with the mutator's "-c chrY -l 0" options when a female is needed.
Attachments:
EagleSequencerSimulatorArchitecture.png (image/png)
EagleSequencerSimulatorArchitecture1.png (image/png)
EagleSequencerSimulatorArchitecture3.png (image/png)
EagleSequencerSimulatorArchitecture3costs.png (image/png)
EagleSequencerSimulatorArchitecture5.png (image/png)
EagleSequencerSimulatorArchitecture_Slide6.PNG (image/png)
EagleSequencerSimulatorArchitecture_Slide7.PNG (image/png)
EagleSequencerSimulatorArchitecture.pptx (application/vnd.openxmlformats-officedocument.presentationml.presentation)


3 |
2 |
2
CUTTING EDGE ARCHITECTURE... SHORT WALK TO NEW STATION.
Alfresco Lifestyle with 6 STAR ENERGY RATING.
Just completed. Generously proportioned 17 square (plus garage) 3 bedroom single level townhouse with huge rear tiered courtyard.
Alfresco lifestyle within 350 metres to new Southland rail station and Westfield.
• Expansive high gloss kitchen with 40mm stone top, glass splashback and Blanco appliances.
• Designer bathroom with freestanding bath, wall hung vanities, quality tiles and fixtures.
• LG multihead split system to 5 points.
• Double glazing to rear windows and doors and commercial style windows to balance of building.
• Main bedroom has WIR plus DBIR and bespoke ensuite.
• Bedrooms 2 and 3 have DBIR's.
• Separate home office/study with feature windows and 3.6m soaring ceilings.
• Plus 2.7m ceilings, super storage, wide board flooring and auto garage with internal access.
Craftsmen built by Norton Constructions
SETTLEMENT 30/60/90 DAYS.
NB: RESERVE IS IN ADVERTISED PRICE RANGE.
View on realestate.com.au


[1]
map correction and accuracy; GPS mount is kinda weak
[2]
Nice big screen, clear maps,; Flaws in manufacturing, appalling after-sales service, odd fault in maps


a.
Decomposition of : The Decomposition of means to decompose a matrix into a product of lower triangular matrix and upper triangular matrix.
In Decomposition of the input is matrix and output is upper triangular matrix obtain by applying following row operation on .
Here,
and
And lower triangular matrix is given by
…… (1)
Consider a matrix,
Initially calculate the value of all entries other than 0 and 1 of equation (1).
Apply the row operation to the matrix A to find the upper triangular matrix U
Calculate the value of ,
…… (2)
Calculate the value of ,
…… (3)
Calculate the value of,
…… (4)
Calculate the value of ,
…… (5)
Apply row transformation to find upper triangular matrix.
Similarly calculate the value of,
…… (6)
Calculate the value of,
…… (7)
…… (8)
Apply row transformation to find upper triangular matrix.
Calculate the value of,
…… (9)
Calculate the value of,
…… (10)
Apply row transformation to find upper triangular matrix.
Calculate the value of,
…… (11)
Apply row transformation to find upper triangular matrix.
Thus the upper triangular matrix is,
Substitute the value of equation (2), (3), (4), (5), (6), (7), (8), (9), (10) and (11) in equation (1).
Hence, the value of lower triangular matrix
Hence, the Decomposition of is
.
b.
Consider an expression,
To solve this, the following steps are followed:
• Express in its decomposition form.
•
• Use backward substation to evaluate.
Express in terms of LU decomposition ( ):
This can be solved by using forward and backward substitution steps.
Forward Substitution:
Let
This is the forward substitution step in which we substitute in as. Since, values of is substituted to find the next value of, hence, this step is forward substitution step.
Putting the above in
Solve for:
…… (12)
…… (13)
…… (14)
…… (15)
…… (16)
Backward Substitution:
In this step, the value of found in previous step is used to compute the value of. This time we work backward from to, and, hence this step is called as backward substitution step.
Find from
Solve for
…… (17)
…… (18)
…… (19)
…… (20)
…… (21)
Hence, the solution of the systemobtain by forward substitution and backward substitution method is.
Inverse of matrix is a matrix such that, where is an identity matrix.
LU decomposition helps to solve problems of the form. This can be utilized to find inverse of matrix by setting up five sub-problems where each sub-problem corresponds to one column of the inverse matrix.
Solving for column1:
• Forward Substitution
Let
Solve for :
• Backward Substitution
Find from
Solve for
• Forward Substitution
Let
Solve for:
• Backward Substitution
Find from
Solve for
Solving for column3:
• Forward Substitution
Let
Solve for:
• Backward Substitution
Find from
Solve for
Solving for column4:
• Forward Substitution
Let
Solve for:
• Backward Substitution
Find from
Solve for
Solving for column5:
• Forward Substitution
Let
Solve for:
• Backward Substitution
Find from
Solve for
Inverse of the matrix can be formed by using the five results which comprises the columns of the inverse matrix.
.
d.
Let the matrix.
• A is positive definite matrix (All eigenvalues are positive)
• Symmetric matrix
• Tri-diagonal matrix
So, the matrix is of the following form:
This matrix being symmetric positive-definite, it is non-singular and hence, divide by 0 situation doesn’t arise and LU decomposition can be carried out without the need for pivoting.
Let for any vector, the equation to be solved is . This is done by following steps:
• LU Decomposition
• Forward Substitution
• Backward Substitution
LU Decomposition: The matrix is decomposed into unit lower triangular and upper triangular matrix, and. The decomposition looks like the following:
Initially,
Then for:
|
For |
#operations per step |
#operations for n steps |
|
|
Step 1 |
1 multiplication |
multiplications |
|
|
Step 2 |
1 multiplication 1 addition |
multiplications additions |
|
|
Step 3 |
• Total number of operations = 2 multiplications and additions
Forward Substitution:
After the decomposition,
So,
This is the forward substitution step in which is substituted in as.
Then for:
|
For |
#operations per step |
#operations for steps |
|
1 multiplication 1 addition |
multiplications additions |
• Total number of operations = multiplications and additions
Backward Substitution: In this step, the value of found in previous step is used to compute the value of.
Find from
Solve for by using the following method:
Then for:
|
For |
#operations per step |
#operations for steps |
|
2 multiplications 1 addition |
2 multiplications additions |
• Total number of operations = 2 multiplications and additions
Total number of operations = multiplications and additions
= multiplications and additions.
Hence, the time complexity of LU decomposition algorithm in this case will be
A system of equations can also be solved by using methods that require matrix inversion. Methods that require matrix inversion take approximately n! operations. This is asymptotically much higher than using LU decomposition to solve a system of equation. In fact, finding out inverse of a matrix is itself faster to compute by LU decomposition than other methods. This is because, LU decomposition takes time. But once, it has been calculated, two triangular matrices are obtained. Matrix calculations using triangular matrices is in general much faster and easier. Infact, calculating inverse of a matrix can be done with an additional time once the decomposition has been done into triangular matrices.
Hence, any method based on forming is asymptotically more expensive in the worst case than LU decomposition method for solving equations.
e.
Let the matrix be.
• A is non-singular, hence, divide by 0 situation doesn’t arise and pivoting is not required. But for the sake of analysis time complexity by LUP decomposition has be calculated.
• Tri-diagonal matrix
So, the matrix is of the following form:
Let for any vector, the equation to be solved is. This is done by following steps:
• LUP Decomposition
• Forward Substitution
• Backward Substitution
Forward and Backward substitution take the same amount of operations as in the previous case. The only different case is the decomposition step. In this case, the decomposition is done into unit lower triangular and upper triangular matrix, and. The pivoting is done by the swapping rows such that the highest element of a column comes to the diagonal place. The decomposition looks like the following:
Here, loses the tri-diagonal property of matrix but it is still a banded matrix. The essence to solve this is similar to the tri-diagonal case. The time complexity now depends on the width of the band or the distance between the farthest diagonals of the resultant matrix. Matrix becomes wider than the upper triangle of the initial matrix. The final complexity becomes
Hence the time complexity of LUP decomposition algorithm will be .


| survreg {survival} | R Documentation |
Fit a parametric survival regression model. These are location-scale models for an arbitrary transform of the time variable; the most common cases use a log transformation, leading to accelerated failure time models.
survreg(formula, data, weights, subset, na.action, dist="weibull", init=NULL, scale=0, control,parms=NULL,model=FALSE, x=FALSE, y=TRUE, robust=FALSE, score=FALSE, ...)
formula |
a formula expression as for other regression models.
The response is usually a survival object as returned by the |
data |
a data frame in which to interpret the variables named in
the |
weights |
optional vector of case weights |
subset |
subset of the observations to be used in the fit |
na.action |
a missing-data filter function, applied to the model.frame, after any
|
dist |
assumed distribution for y variable.
If the argument is a character string, then it is assumed to name an
element from |
parms |
a list of fixed parameters. For the t-distribution for instance this is the degrees of freedom; most of the distributions have no parameters. |
init |
optional vector of initial values for the parameters. |
scale |
optional fixed value for the scale. If set to <=0 then the scale is estimated. |
control |
a list of control values, in the format produced by
|
model,x,y |
flags to control what is returned. If any of these is true, then the model frame, the model matrix, and/or the vector of response times will be returned as components of the final result, with the same names as the flag arguments. |
score |
return the score vector. (This is expected to be zero upon successful convergence.) |
robust |
Use robust 'sandwich' standard errors, based on
independence of individuals if there is no |
... |
other arguments which will be passed to |
All the distributions are cast into a location-scale framework, based on chapter 2.2 of Kalbfleisch and Prentice. The resulting parameterization of the distributions is sometimes (e.g. gaussian) identical to the usual form found in statistics textbooks, but other times (e.g. Weibull) it is not. See the book for detailed formulas.
an object of class survreg
is returned.
Kalbfleisch, J. D. and Prentice, R. L., The statistical analysis of failure time data, Wiley, 2002.
survreg.object
, survreg.distributions
,
pspline
, frailty
, ridge
# Fit an exponential model: the two fits are the same survreg(Surv(futime, fustat) ~ ecog.ps + rx, ovarian, dist='weibull', scale=1) survreg(Surv(futime, fustat) ~ ecog.ps + rx, ovarian, dist="exponential") # # A model with different baseline survival shapes for two groups, i.e., # two different scale parameters survreg(Surv(time, status) ~ ph.ecog + age + strata(sex), lung) # There are multiple ways to parameterize a Weibull distribution. The survreg # function embeds it in a general location-scale family, which is a # different parameterization than the rweibull function, and often leads # to confusion. # survreg's scale = 1/(rweibull shape) # survreg's intercept = log(rweibull scale) # For the log-likelihood all parameterizations lead to the same value. y <- rweibull(1000, shape=2, scale=5) survreg(Surv(y)~1, dist="weibull") # Economists fit a model called `tobit regression', which is a standard # linear regression with Gaussian errors, and left censored data. tobinfit <- survreg(Surv(durable, durable>0, type='left') ~ age + quant, data=tobin, dist='gaussian')


SEMODULE_EXPAND
Section: NSA (8)Updated: Nov 2005
Index Return to Main Contents
NAME
semodule_expand - Expand a SELinux policy module package.SYNOPSIS
semodule_expand [-V -c [version]] basemodpkg outputfileDESCRIPTION
semodule_expand is a developer tool for manually expanding a base policy module package into a kernel binary policy file. This tool is not necessary for normal operation of SELinux. In normal operation, such expanding is performed internally by libsemanage in response to semodule commands. Base policy module packages can be created directly by semodule_package or by semodule_link (when linking together a set of packages into a single package).
OPTIONS
- -V
- show version
- -c [version]
-
policy version to create
SEE ALSO
checkmodule(8), semodule_package(8), semodule(8), semodule_link(8) (8),AUTHORS
This manual page was written by Dan Walsh<EMAIL_ADDRESS>The program was written by Karl MacMillan<EMAIL_ADDRESS>Joshua Brindle<EMAIL_ADDRESS>Index
This document was created by man2html, using the manual pages.
Time: 05:34:29 GMT, December 24, 2015


I started making my own cards when I needed one for a certain occasion and just could not find the right one. Then other people who received my cards would ask me to make one for them, for one thing or another. From there it lead to the desire to make cards that anyone to could enjoy. This slide show gives and example of how my cards turn out. Each card made is unique. This is part of what makes them so special. Thus becoming a keepsake.
Welcome to my website,
Kingsakes was in reality started in the 1980's, but never came out of hiding until thirty years later. I am a Michigander born and raised. Although I tried the sunny south for about five years, the north woods always called me back home. That's where my heart lies and my happiness blooms. I am the wife of one of the worlds kindest most thoughtful men. We are parents of two wonderful young men, who have given their father and I many years of wonderful memories to hold dear in our hearts and strong in our minds even when the years get short. Alexander is our oldest, and he is our "thinker", he is the manager of my website and my go to when I need a reality check. Christopher came along six years later and he is our "doer", if there is something we need done or fixed he is the man we call. Both of our sons are quite remarkable in my opinion, and anyone who truly knows them is blessed. Both boys are very good at drawing, writing and various crafts, that I have tried to nurture through out the years. My enjoyment of crafting bleeds into all aspects of my life. I even inject as much as possible into my actual outside employment position. Which can sometimes be greeted with massive enthusiasm and yes, sometimes falls flat. Growing up I had always planned to become a grade school art teacher. But the best laid plans don't always become reality. It is that desire, which still burns strongly, to share my love and the magic of crafting with the world that makes this endeavor important to me. So in conclusion, I hope you enjoy your visit to Kingsakes the first time and every time, whether it is to buy for yourself or to give as a gift, may you find a keepsake each and every time. Thank you for stopping by.
Happy Crafting,
Luella King


I-Huei, also Melanie.
A Data Scientist but also work on Backend Developing.
A master student from UGA majored in STAT but worked on both statistics and data science.
A Python and R user. DS for Python and STAT for R. Also use Pyspark and Django for web developing. Addicted to Python.
40% of data science, 30% of data analysis, 30% of web developing.
Strong interest in natural language processing, especially want to apply deep learning methods to it.
Experience on image processing (HOG, NMF, CNMF) and natural language processing (Naive Bayes, Logistic Regression, Random Forest).
Used numpy, scikit-learn, nltk, OpenCV. Really wants to spend more time on tensorflow.
Worked on web traffic datasets and applied time series models. Compared ARIMA and LSTM.
Recently really addicted to Cohort Analysis.
A RICEAHOLIC, but also loves ramen and Camembert.
MacBook Pro Retina 13 and Visual Studio Code user. Worships Magsafe2 and enjoys the keyboard sounds while typing.
Loves Airtable, put all traveling itineraries in Airtable and they are awesome.
Wishes to have 48 hours a day. Loves coding, eating, and traveling.
Generalized Linear Model, Mixed Effect Model, Time Series Model, Principal Component Analysis, Non-negative Matrix Factorization, Statistical Programming, Statistical Consultation
Machine Learning, Data Mining, Natural Language Processing, Text Mining, Image Processing, Image Segmentation, Automatic Differentiation
R, Python, SQL, Pyspark, SAS, Microsoft Excel, SPSS, Google Cloud Computing Engine
Mandarin Chinese, English, Japanese


{% extends "base.html" %} {% block title %}Talks{% endblock %} {% block content %} Sorry, we were unable to find the page you were looking for. Try using search or browse to find the content that you're looking for. {% endblock %}


face2cat is a demo of using websocket and face recognition technology.
Select a photo with a face and click upload button, face2cat will replace the faces with a cute cat pattern.
{{ msg }}


The National Basketball Association (NBA) is the pre-eminent men's professional basketball league in North America, and is widely considered to be the premier men's professional basketball league in the world. It has thirty franchised member clubs (29 in the United States and 1 in Canada), and is an active member of USA Basketball (USAB),[1] which is recognized by FIBA (also known as the International Basketball Federation) as the national governing body for basketball in the United States. The NBA is one of the four major North American professional sports leagues. NBA players are the world's best paid sportsmen, by average annual salary per player. The league was founded in New York City on June 6, 1946, as the Basketball Association of America (BAA). The league adopted the name National Basketball Association on August 3, 1949, after absorbing the rival National Basketball League (NBL). The league's several international as well as individual team offices are directed out of its head offices located in the Olympic Tower at 645 Fifth Avenue in New York City. NBA Entertainment and NBA TV studios are directed out of offices located in Secaucus, New Jersey.


NOTORIOUS (director: Alfred Hitchcock; screenwriter: Ben Hecht; cinematographer: Ted Tetzlaff; editor: Theron Warth; cast: Cary Grant (Devlin), Ingrid Bergman (Alicia Huberman), Claude Rains (Alex Sebastian), Louis Calhern (Capt. Prescott), Leopoldine Konstantin (Madame Sebastian), Reinhold Schunzel (Dr. Anderson), Ivan Triesault (Eric Mathis ), Moroni Olsen (Beardsley), Alex Minotis (Joseph), Eberhard Krumschmidt (Emil); Runtime: 102; RKO; 1946)
Reviewed by Dennis Schwartz
A top-rate film noir from the master, Alfred Hitchcock, that is more or less a twisted tale about love. It's also more erotic than the usual Hitchcock ones, as long kissing scenes are duly noted. In fact, one scene was supposedly "the longest kiss onscreen in the history of films,'' taking three minutes in all. It was not, however, a single kiss, but broken up in three second intervals as censors observed.
Alicia Huberman (Ingrid Bergman) is living in Miami in 1946, just after WW11, as a society playgirl, while her father has just been convicted of treason as a Nazi spy and has been sentenced to twenty years in a trial she didn't attend.
Devlin (Cary Grant) is a federal agent whose assignment is to get her to spy on some Nazi activity going on in Rio de Janeiro, as he knows from tapped phone conversations she had with her father that she's against what he did. He tries to appeal to her sense of patriotism and for her need to redeem her family name, but she falls in love with him and probably does it for that reason.
In Rio, his boss, Captain Prescott (Calhern), tells him her assignment is to become romantically linked with Alex Sebastian (Rains), who was a friend of her father's. He's a wealthy old-time Nazi now living in Rio, with contacts to the I. G. Farben chemical firm. There are many Nazi activities going on in his house, and she's asked to find out what they are and who are his visitors. The advantage she has in this contact, is that he knew her before and loved her.
The twist in the plot comes when Sebastian asks her to marry him, and Devlin can't overcome his concern about her past reputation to tell her that he loves her and to stop the marriage. So to please him, thinking that's what he wants-- for her to be a spy for the U.S., she goes through with this sham marriage.
Sebastian's mother (Konstantin) is overbearing; she thinks Alicia's a gold hunter and never stops being suspicious of her. Their mansion is filled with many Nazi spies holding secret business meetings and one of them, who goes by the alias of Dr. Anderson (Schunzel), has been involved with smuggling uranium ore in wine bottles which are kept locked in the wine cellar. Devlin gets that info while an invited guest to a party being held there and brings back that valuable info to his bosses, but Alex now realizes his wife is an American agent as he notices the key to the wine cellar is missing on his key ring.  They would only kill him for his goof.
Devlin now has a chance to redeem himself as he boldly comes to her house and forces Alex, by outmanuevering him, to let him take her to the hospital.  It was a powerful scene, with a marvelous crane-shot following them down the stairs and sweeping the entire hallway as it caught the tension on all the Nazis and the reunited lovers. This memorable scene is in a class with the final one in Casablanca.
Hitchcock's homage to film noir is loaded with brilliant shadowy and dark visuals that add to the suspense; such as, a main character who trusted his wrong emotion but did not trust the woman he loved, and had the woman he loved not only marry the wrong man but nearly get killed because of him. At least Sebastian loves her without questioning her past is the point Hitchcock makes, as he has more respect for the sophisticated Sebastian in this matter than he does for the sexually troubled Devlin who can't act on his desires of love. That is something that the repressed Devlin can't do until she's nearly dead in his arms. It comes out that Alicia is not such a bad woman, but was promiscuous because of reasons she couldn't come to terms with; such as, a father who was a traitor and the shame that caused her.
REVIEWED ON 9/24/2001 GRADE: A
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
========== X-RAMR-ID: 29596 X-Language: en X-RT-ReviewID: 251685 X-RT-TitleID: 1015287 X-RT-SourceID: 873 X-RT-AuthorID: 1315 X-RT-RatingText: A
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Study finds cannabis could relieve headaches
by Justin BoggsResearch from Washington State University suggests cannabis could be used to relieve headaches, university researchers said in the Journal of Pain.
According to the research, inhaled cannabis reduces self-reported headache severity by 47.3% and migraine severity by 49.6%.
According to Washington State, the study was the first to use big data from headache and migraine patients using cannabis in real time.
“We were motivated to do this study because a substantial number of people say they use cannabis for headache and migraine, but surprisingly few studies had addressed the topic,” said Carrie Cuttler, a Washington State University assistant professor of psychology, the lead author on the paper.
Cuttler did caution that there could be a placebo effect, and that further research is needed.
“I suspect there are some slight overestimates of effectiveness,” said Cuttler. “My hope is that this research will motivate researchers to take on the difficult work of conducting placebo-controlled trials. In the meantime, this at least gives medical cannabis patients and their doctors a little more information about what they might expect from using cannabis to manage these conditions.”
The study also found no significant difference between the effectiveness of THC and CBD, two active ingredients in cannabis.
One prior study indicated that cannabis was more effective than ibuprofen in reducing headaches, but that study used nabilone, a synthetic cannabinoid drug.


RevocationRequest implements ArrayCopyable, Arrayable, Jsonable Uses ArrayTrait, JsonTrait
Request to Authlete's /api/auth/revocation API.
The entity body of a revocation request may contain a pair of client ID
and client secret (client_id
and client_secret
) along with other
request parameters as described in
2.3.1. Client Password
of RFC 6749. If the client
credentials are contained in both the Authorization
header and the
entity body, they must be identical. Otherwise, Authlete's
/api/auth/revocation
API generates an error (it's not a service error
but a client error).
When the presented token is an access token, Authlete revokes the access token and its associated refresh token, too. Likewise, if the presented token is a refresh token, Authlete revokes the refresh token and its associated access token. Note that, however, other access tokens and refresh tokens are not revoked even though their associated client application, subject and grant type are equal to those of the token to be revoked.
Interfaces, Classes and Traits
- ArrayCopyable
- Interface to declare instances can be converted into/from arrays.
- Arrayable
- Interface to declare that instances can be converted into an array.
- Jsonable
- Interface to declare that instances can be converted into JSON strings.
Table of Contents
- copyFromArray() : mixed
- Copy the content of the given array into this object.
- copyToArray() : mixed
- Copy the content of this object into the given array.
- fromArray() : static
- Convert an array into an instance of this class.
- fromJson() : static
- Convert a JSON string into an instance of this class.
- getClientId() : string
- Get the client ID extracted from the Authorization header of the revocation request from the client application.
- getClientSecret() : string
- Get the client secret extracted from the Authorization header of the revocation request from the client application.
- getParameters() : string
- Get the request parameters that the revocation endpoint (RFC 7009) of the authorization server received from a client application.
- setClientId() : RevocationRequest
- Set the client ID extracted from the Authorization header of the revocation request from the client application.
- setClientSecret() : RevocationRequest
- Set the client secret extracted from the Authorization header of the revocation request from the client application.
- setParameters() : RevocationRequest
- Set the request parameters that the revocation endpoint (RFC 7009) of the authorization server received from a client application.
- toArray() : array<string|int, mixed>
- Convert this object into an array.
- toJson() : string
- Convert this object into a JSON string.
Methods
copyFromArray()
Copy the content of the given array into this object.
public
copyFromArray(array<string|int, mixed> &$array) : mixed
Parameters
- $array : array<string|int, mixed>
Return values
mixed —copyToArray()
Copy the content of this object into the given array.
public
copyToArray(array<string|int, mixed> &$array) : mixed
Parameters
- $array : array<string|int, mixed>
Return values
mixed —fromArray()
Convert an array into an instance of this class.
public
static fromArray([array<string|int, mixed> $array = null ]) : static
This static function returns a new instance of this class.
If $array
is null
, null
is returned.
Parameters
- $array : array<string|int, mixed> = null
-
An array
Return values
static —An instance of this class.
fromJson()
Convert a JSON string into an instance of this class.
public
static fromJson(string $json) : static
This static function returns a new instance of this class.
If $json
is null
or the type of $json
is not string
,
null
is returned.
Parameters
- $json : string
-
A JSON string.
Return values
static —An instance of this class.
getClientId()
Get the client ID extracted from the Authorization header of the revocation request from the client application.
public
getClientId() : string
Return values
string —The client ID.
getClientSecret()
Get the client secret extracted from the Authorization header of the revocation request from the client application.
public
getClientSecret() : string
Return values
string —The client secret.
getParameters()
Get the request parameters that the revocation endpoint (RFC 7009) of the authorization server received from a client application.
public
getParameters() : string
Return values
string —The request parameters of a revocation request.
setClientId()
Set the client ID extracted from the Authorization header of the revocation request from the client application.
public
setClientId(string $clientId) : RevocationRequest
If the revocation endpoint of the authorization server supports
Basic Authentication as a means of
client authentication,
and if the request from the client application contained its client
ID in the Authorization
header, the value should be extracted from
there and passed to this method.
Parameters
- $clientId : string
-
The client ID.
Return values
RevocationRequest —$this
object.
setClientSecret()
Set the client secret extracted from the Authorization header of the revocation request from the client application.
public
setClientSecret(string $secret) : RevocationRequest
If the revocation endpoint of the authorization server supports
Basic Authentication as a means of
client authentication,
and if the request from the client application contained its client
secret in the Authorization
header, the value should be extracted
from there and passed to this method.
Parameters
- $secret : string
-
The client secret.
Return values
RevocationRequest —$this
object.
setParameters()
Set the request parameters that the revocation endpoint (RFC 7009) of the authorization server received from a client application.
public
setParameters(string $parameters) : RevocationRequest
The value of the parameters
request parameter is the entire entity
body (which is formatted in application/x-www-form-urlencoded
) of
the request from the client application.
Parameters
- $parameters : string
-
The request parameters of a revocation request.
Return values
RevocationRequest —$this
object.
toArray()
Convert this object into an array.
public
toArray() : array<string|int, mixed>
Return values
array<string|int, mixed> —An array.
toJson()
Convert this object into a JSON string.
public
toJson(int $options) : string
Parameters
- $options : int
-
Options passed to
json_encode()
. This parameter is optional and its default value is 0.
Return values
string —A JSON string.


jengablocks
"Anything is possible if you've got enough nerve."
- J.K. Rowling
menu
blog
projects
bio
learn
Cultural
impressions, opinions, perspective
What makes a question?
Conflict
Values
Stereotype Threat
Feedback
Security and Listening Devices
Thinking Styles
Impressions
Technical
lessons, skills, knowledge
Experiencing this blog
Mechanical Keyboards
Ruby hashes vs. Javascript Objects
Variable Scopes
Classes and more
.map Method
Arrays and Hashes
Margin, Border, and Padding
My first week of bootcamp work


{% extends "_base.html" %} {% block content %}
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LAB:
"premine": 10000,
"reward": "1",
"endsubsidy": "1",
"staked": 60
174 million diff, 10,000
10,000 coins, 1 CPU core
59.31s average blocktime
LAB601:
"premine": 1000000,
"reward": "1",
"endsubsidy": "1",
"staked": 60
1.12 billion diff
1,000,000 coins, 1 CPU core.
60.02s average blocktime


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Work on projects and discuss interesting topics in the Linux & open source communities.
Weekly meetings every {{ site.ritlug-day }}, from {{ site.ritlug-time }}.
RIT students, please subscribe on CampusGroups; RIT's filters don't like the public list. RIT non-students, please email {{ site.email }} to be added on CampusGroups.
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Contents
- What is Atom?
- Feed Elements
- Entry Elements
- Common Constructs
- Extending Atom
- See Also
What is Atom?
Atom is the name of an XML-based Web content and metadata syndication format, and an application-level protocol for publishing and editing Web resources belonging to periodically updated websites.
All Atom feeds must be well-formed XML documents, and are identified with the application/atom+xml
media type.
About this document
This document focuses on The Atom Syndication Format produced by the IETF AtomPub Working Group. In the event that this document differs from the Internet Draft, the Internet Draft is to be considered authoritative.
General considerations:
- All elements described in this document must be in the http://www.w3.org/2005/Atom namespace.
- All timestamps in Atom must conform to RFC 3339.
- Unless otherwise specified, all values must be plain text (i.e., no entity-encoded html).
xml:lang
may be used to identify the language of any human readable text.xml:base
may be used to control how relative URIs are resolved.
Sample feed
<?xml version="1.0" encoding="utf-8"?> <feed xmlns="http://www.w3.org/2005/Atom"> <title>Example Feed</title> <link href="http://example.org/"/> <updated>2003-12-13T18:30:02Z</updated> <author> <name>John Doe</name> </author> <id>urn:uuid:60a76c80-d399-11d9-b93C-0003939e0af6</id> <entry> <title>Atom-Powered Robots Run Amok</title> <link href="http://example.org/2003/12/13/atom03"/> <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a</id> <updated>2003-12-13T18:30:02Z</updated> Some text. </entry> </feed>
Elements of <feed>
A Feed consists of some metadata, followed by any number of entries.Required feed elements
Here's a list of the required feed elements, each with a brief description, and an example.
| Element | Description |
|---|---|
| id | Identifies the feed using a universally unique and permanent
URI.
If you have a long-term, renewable lease on your Internet domain name,
then you can feel free to use your website's address.
<id>http://example.com/</id> |
| title | Contains a human readable title for the feed. Often the same
as the title of the associated website. This value should not be blank.
<title>Example, Inc.</title> |
| updated | Indicates the last time the feed was modified in a
significant way.
<updated>2003-12-13T18:30:02Z</updated> |
Recommended feed elements
Atom makes a number of additional requirements and recommendations for feed elements that you should to be aware of. They are as follows:| Element | Description |
|---|---|
| author | Names one author of the feed. A feed may have multiple
author elements. A feed must contain at least one
author element unless all of the entry
elements contain at least one author element. More
info here.
<author> <name>John Doe</name><EMAIL_ADDRESS><uri>http://example.com/~johndoe</uri> </author> |
| link | Identifies a related Web page. The type of relation is defined by the rel attribute. A feed is limited to one alternate per type and hreflang . A feed should contain a link back to the feed itself. More info here.
<link rel="self" href="/feed" /> |
Optional feed elements
Here's a list of optional feed elements.
| Element | Description |
|---|---|
| category | Specifies a category that the feed belongs to. A feed may have multiple category elements. More info here.
<category term="sports"/> |
| contributor | Names one contributor to the feed. An feed may have multiple contributor elements. More info here.
<contributor> <name>Jane Doe</name> </contributor> |
| generator | Identifies the software used to generate the feed, for debugging and other purposes. Both the uri and version attributes are optional.
<generator uri="/myblog.php" version="1.0"> Example Toolkit </generator> |
| icon | Identifies a small image which provides iconic visual identification for the feed. Icons should be square.
<icon>/icon.jpg</icon> |
| logo | Identifies a larger image which provides visual identification for the feed. Images should be twice as wide as they are tall.
<logo>/logo.jpg</logo> |
| rights | Conveys information about rights, e.g. copyrights, held in and over the feed. More info here.
<rights> © 2005 John Doe </rights> |
| subtitle | Contains a human-readable description or subtitle for the feed. More info here.
<subtitle>all your examples are belong to us</subtitle> |
Elements of <entry>
An example of an entry would be a single post on a weblog.Required Elements of <entry>
Here's a list of the required feed elements, each with a brief description, and an example.
| Element | Description |
|---|---|
| id | Identifies the entry using a universally unique and permanent
URI.
Suggestions on how to make a good id can be found
here.
Two entries in a feed can have the same value for id if they represent the
same entry at different points in time.
<id>http://example.com/blog/1234</id> |
| title | Contains a human readable title for the entry.
This value should not be blank.
<title>Atom-Powered Robots Run Amok</title> |
| updated | Indicates the last time the entry was modified in a
significant way. This value need not change after a typo is fixed, only
after a substantial modification. Generally, different entries in a feed
will have different updated timestamps.
<updated>2003-12-13T18:30:02-05:00</updated> |
Recommended elements of <entry>
Atom makes a number of additional requirements and recommendations for entry elements that you should to be aware of. They are as follows:| Element | Description |
|---|---|
| author | Names one author of the entry. An entry
may have multiple authors. An entry must contain at least one
author element unless there is an author element
in the enclosing feed , or there is an author element
in the enclosed source element.
More info here.
<author> <name>John Doe</name> </author> |
| content | Contains or links to the complete content of the entry. Content must be provided if there is no alternate link, and should be provided if there is no summary . More info here.
<content>complete story here</content> |
| link | Identifies a related Web page. The type of relation is defined by the rel attribute. An entry is limited to one alternate per type and hreflang . An entry must contain an alternate link if there is no content element. More info here.
<link rel="alternate" href="/blog/1234"/> |
| summary | Conveys a short summary, abstract, or excerpt of the entry. Summary should be provided if there either is no content provided for the entry, or that content is not inline (i.e., contains a src attribute), or if the content is encoded in base64. More info here.
Some text. |
Optional elements of <entry>
Here's a list of optional feed elements.
| Element | Description |
|---|---|
| category | Specifies a category that the entry belongs to. A entry may have multiple category elements. More info here.
<category term="technology"/> |
| contributor | Names one contributor to the entry. An entry may have multiple contributor elements. More info here.
<contributor> <name>Jane Doe</name> </contributor> |
| published | Contains the time of the initial creation or first availability of the entry.
<published>2003-12-13T09:17:51-08:00</published> |
| rights | Conveys information about rights, e.g. copyrights, held in and over the entry. More info here.
<rights type="html"> © 2005 John Doe </rights> |
| source | Contains metadata from the source feed if this
entry is a copy.
<source> <id>http://example.org/</id> <title>Example, Inc.</title> <updated>2003-12-13T18:30:02Z</updated> </source> |
Common Constructs
Category
<category>
has one required attribute, term
, and two optional attributes, scheme
and label
.
term
identifies the category
scheme
identifies the categorization scheme via a
URI.
label
provides a human-readable label for display
Content
<content>
either contains, or links to, the complete content of the entry.
In the most common case, the type
attribute is either text
, html
, xhtml
, in which case the content element is defined identically to other text constructs, which are described here.
Otherwise, if the src
attribute is present, it represents the URI of where the content can be found. The type
attribute, if present, is the media type of the content.
Otherwise, if the type
attribute ends in +xml
or /xml
, then an xml document of this type is contained inline.
Otherwise, if the type
attribute starts with text
, then an escaped document of this type is contained inline.
Otherwise, a base64 encoded document of the indicated media type is contained inline.
Link
<link>
is patterned after html's link element. It has one required attribute, href
, and five optional attributes: rel
, type
, hreflang
, title
, and length
.
href
is the URI of the referenced resource (typically a Web page)
rel
contains a single link relationship type. It can be a full URI (see extensibility), or one of the following predefined values (default=alternate)
:
alternate
: an alternate representation of the entry or feed, for example a permalink to the html version of the entry, or the front page of the weblog.enclosure
: a related resource which is potentially large in size and might require special handling, for example an audio or video recording.related
: an document related to the entry or feed.self
: the feed itself.via
: the source of the information provided in the entry.
type
indicates the media type of the resource.
hreflang
indicates the language of the referenced resource.
title
human readable information about the link, typically for display purposes.
length
the length of the resource, in bytes.
Person
<author>
and <contributor>
describe a person, corporation, or similar entity. It has one required element, name
, and two optional elements: uri
, email
.
<name>
conveys a human-readable name for the person.
<uri>
contains a home page for the person.
<email>
contains an email address for the person.
Text
<title>
,
, <content>
, and <rights>
contain human-readable text, usually in small quantities. The type
attribute determines how this information is encoded (default="text")
If type="text"
, then this element contains plain text with no entity escaped html.
<title type="text">AT&T bought by SBC!</title>
If type="html"
, then this element contains entity escaped html.
<title type="html"> AT&T bought <b>by SBC</b>! </title>
If type="xhtml"
, then this element contains inline xhtml, wrapped in a div element.
<title type="xhtml">
 AT&T bought by SBC!
 </title>
Extending Atom
The atom content element is designed to support the direct inclusion of other XML vocabularies.
Any fully qualified URI may be used a value for the rel attribute of link
elements.
Elements from other namespaces may be included pretty much anywhere. This means that most RSS 1.0 and RSS 2.0 modules may be used in Atom.


--- layout: default title: Blockquotes number: 5 ---
If you need to call special attention to a quote from another source, or design a pull quote for a magazine article, then Markdown's blockquote syntax will be useful. A blockquote is a sentence or paragraph that's been specially formatted to draw attention to the reader. For example:
"The sin of doing nothing is the deadliest of all the seven sins. It has been said that for evil men to accomplish their purpose it is only necessary that good men should do nothing."
To create a block quote, all you have to do is preface a line with the "greater than"
caret (>
). For example:
> "In a few moments he was barefoot, his stockings folded in his pockets and his canvas shoes dangling by their knotted laces over his shoulders and, picking a pointed salt-eaten stick out of the jetsam among the rocks, he clambered down the slope of the breakwater."
In the box below, turn the book quotation into a blockquote:
Marvelous!
You can also place a caret character on each line of the quote. This is particularly useful if your quote spans multiple paragraphs. For example:
> His words seemed to have struck some deep chord in his own nature. Had he spoken of himself, of himself as he was or wished to be? Stephen watched his face for some moments in silence. A cold sadness was there. He had spoken of himself, of his own loneliness which he feared. > > —Of whom are you speaking? Stephen asked at length. > > Cranly did not answer.
Notice that even blank lines must contain the caret character. This ensures that the entire blockquote is grouped together.
In the box below, Make the entire quotation a block quote by inserting a caret on each line.
Tremendous!
Block quotes can contain other Markdown elements, such as italics, images, or links.
In the box below, make the French text italic (not including the exclamation point). Also, turn the entire quote into a blockquote.


Mnemosyne
Collect Moments
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Clicking the button opens a lightbox with the id the href is referring to.
Shrimppaste adds a backdrop element to the document if there's a shrimppaste element present.
backdrop
This is the content of the lightbox.


Zeitβ|³
Zeit Test 03
A Zeit™-based
λ
to stream a file via websocket.
An app from apps suite to test some
Node.js
stuff (streams, sockets, ffmpeg etc).


{% extends "_base.html" %} {% block content %} {% from "_macro.html" import text_input with context %} {% from "_macro.html" import submit with context %} {% from "_macro.html" import select with context %}
The table represents data about population in districts
| # | Year | District | Men | Women | Children | ||
|---|---|---|---|---|---|---|---|


In the ISBN-10 (International Standard Book Numbering) system that was used until the end of 2006, each book is assigned a unique 10-digit code. The first nine digits uniquely identify the book itself, whereas the last digit merely serves as a check digit to detect invalid ISBN-10 codes.
If $$x_1, \ldots, x_9$$ represent the first nine digits of an ISBN-10 code, the check digit $$x_{10}$$ is calculated as \[x_{10} = (x_1 + 2x_2 + 3x_3 + 4x_4 + 5x_5 + 6x_6 + 7x_7 + 8x_8 + 9x_9)\!\!\!\!\mod{11}\] As a result, $$x_{10}$$ always takes a value in between 0 and 10. You are asked to write a program that computes the tenth digit of an ISBN code, for which the first nine digits are given.
Nine integers $$x_1, \ldots, x_9$$ ($$0 \leq x_1, \ldots, x_9 \leq 9$$), each on a separate line. These integers represent the first nine digits of a given ISBN-10 code.
A single line containing an integer: the ISBN-10 check digit corresponding to the nine digits given. This check digit should be printed without leading zeroes.
Input:
9 9 7 1 5 0 2 1 0
Output:
0


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Sumbit
Address:
1234 North South Street
Wichita, KS 67220
Phone:
316-722-6126
Email:
yourname@lambdaschool.com


[1]
Fast drive, sound packaging.; No mac-compatible software. That stinks.
[2]
looks good, thats about it; messes up your files
[3]
Great backup device.; No off on switch. Useless backup software.


Home page
Homer Davenport (1867–1912) was a political cartoonist and writer from the United States. He is known for drawings that satirized figures of the Gilded Age and Progressive Era, especially Ohio Senator Mark Hanna. Although Davenport had no formal art training, he became one of the highest paid political cartoonists in the world.
... that Washington State Route 142 once included the largest prestressed concrete bridges in the state?
The bee-eaters are a group of near passerine birds in the family Meropidae, containing three genera and twenty-seven species. Most species are found in Africa and Asia, with a few in southern Europe, Australia and New Guinea. They are characterised by richly coloured plumage, slender bodies and usually elongated central tail feathers.
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