Bases: stevedore.named.NamedExtensionManager
Load a single plugin with a given name from the namespace.
| Parameters: |
|
|---|
Invokes func() for the single loaded extension.
The signature for func() should be:
def func(ext, *args, **kwds):
pass
The first argument to func(), ‘ext’, is the Extension instance.
Exceptions raised from within func() are logged and ignored.
| Parameters: |
|
|---|---|
| Returns: | List of values returned from func() |
Returns the driver being used by this manager.
Bases: stevedore.named.NamedExtensionManager
Coordinate execution of multiple extensions using a common name.
| Parameters: |
|
|---|
Return the named extensions.
Accessing a HookManager as a dictionary (em['name']) produces a list of the Extension instance(s) with the specified name, in the order they would be invoked by map().
Bases: stevedore.extension.ExtensionManager
Loads only the named extensions.
This is useful for explicitly enabling extensions in a configuration file, for example.
| Parameters: |
|
|---|
Bases: stevedore.extension.ExtensionManager
Loads only plugins that pass a check function.
The check_func argument should return a boolean, with True indicating that the extension should be loaded and made available and False indicating that the extension should be ignored.
| Parameters: |
|
|---|
Bases: stevedore.enabled.EnabledExtensionManager
Loads all plugins and filters on execution.
This is useful for long-running processes that need to pass different inputs to different extensions.
| Parameters: |
|
|---|
Iterate over the extensions invoking func() for any where filter_func() returns True.
The signature of filter_func() should be:
def filter_func(ext, *args, **kwds):
pass
The first argument to filter_func(), ‘ext’, is the Extension instance. filter_func() should return True if the extension should be invoked for the input arguments.
The signature for func() should be:
def func(ext, *args, **kwds):
pass
The first argument to func(), ‘ext’, is the Extension instance.
Exceptions raised from within func() are propagated up and processing stopped if self.propagate_map_exceptions is True, otherwise they are logged and ignored.
| Parameters: |
|
|---|---|
| Returns: | List of values returned from func() |
Iterate over the extensions invoking each one’s object method called method_name for any where filter_func() returns True.
This is equivalent of using map() with func set to lambda x: x.obj.method_name() while being more convenient.
Exceptions raised from within the called method are propagated up and processing stopped if self.propagate_map_exceptions is True, otherwise they are logged and ignored.
New in version 0.12.
| Parameters: |
|
|---|---|
| Returns: | List of values returned from methods |
Bases: stevedore.dispatch.DispatchExtensionManager
Loads all plugins and filters on execution.
This is useful for long-running processes that need to pass different inputs to different extensions and can predict the name of the extensions before calling them.
The check_func argument should return a boolean, with True indicating that the extension should be loaded and made available and False indicating that the extension should be ignored.
| Parameters: |
|
|---|
Iterate over the extensions invoking func() for any where the name is in the given list of names.
The signature for func() should be:
def func(ext, *args, **kwds):
pass
The first argument to func(), ‘ext’, is the Extension instance.
Exceptions raised from within func() are propagated up and processing stopped if self.propagate_map_exceptions is True, otherwise they are logged and ignored.
| Parameters: |
|
|---|---|
| Returns: | List of values returned from func() |
Iterate over the extensions invoking each one’s object method called method_name for any where the name is in the given list of names.
This is equivalent of using map() with func set to lambda x: x.obj.method_name() while being more convenient.
Exceptions raised from within the called method are propagated up and processing stopped if self.propagate_map_exceptions is True, otherwise they are logged and ignored.
New in version 0.12.
| Parameters: |
|
|---|---|
| Returns: | List of values returned from methods |
Bases: object
Base class for all of the other managers.
| Parameters: |
|
|---|
Return the named extension.
Accessing an ExtensionManager as a dictionary (em['name']) produces the Extension instance with the specified name.
Produce iterator for the manager.
Iterating over an ExtensionManager produces the Extension instances in the order they would be invoked.
list of weak references to the object (if defined)
Iterate over the extensions invoking func() for each.
The signature for func() should be:
def func(ext, *args, **kwds):
pass
The first argument to func(), ‘ext’, is the Extension instance.
Exceptions raised from within func() are propagated up and processing stopped if self.propagate_map_exceptions is True, otherwise they are logged and ignored.
| Parameters: |
|
|---|---|
| Returns: | List of values returned from func() |
Iterate over the extensions invoking a method by name.
This is equivalent of using map() with func set to lambda x: x.obj.method_name() while being more convenient.
Exceptions raised from within the called method are propagated up and processing stopped if self.propagate_map_exceptions is True, otherwise they are logged and ignored.
New in version 0.12.
| Parameters: |
|
|---|---|
| Returns: | List of values returned from methods |
Returns the names of the discovered extensions
Bases: object
Book-keeping object for tracking extensions.
The arguments passed to the constructor are saved as attributes of the instance using the same names, and can be accessed by the callables passed to map() or when iterating over an ExtensionManager directly.
| Parameters: |
|
|---|
Bases: stevedore.extension.ExtensionManager
ExtensionManager that is explicitly initialized for tests.
| Parameters: |
|
|---|


We have made a suggestion for you but you can change it.
We encourage people to be creative but reserve the right to deny certain names if deemed too offensive.


{% include linkrefs.html %}
Overview
To get started, see RQ Data Connect Guide.
Authentication
This API supports many different methods of authentication, see {{AuthenticationOptions}}.
Endpoints
- Sandbox: https://rqdataconnectdemo.iqmetrix.net
- Production: https://rqdataconnect.iqmetrix.net
Resources
Relationship
{
"CompanyID": "14682",
"CompanyName": "KENTEL"
}
| Name | Description |
|---|---|
CompanyID (INTEGER ) |
Identifier for a Company |
CompanyName (VARCHAR(50) ) |
Company name |
MarketingReportData
{
"Email"<EMAIL_ADDRESS>"Phone": "5555555555",
"FirstName": "John",
"LastName": "Test",
"City": "Regina",
"Province": "SK",
"PostalCode": "H0H0H0",
"Country": "Canada",
"Category": "Activations,Smart Phones",
"ProductLibraryID": "M5592-E12435",
"UnitPrice": "250",
"ListPrice": "299.99",
"Quantity": "1",
"ProductLibraryName": "Galaxy Gear Watch - Black",
"ProductLibraryCanonicalName": "Smartphones"
}
| Name | Description |
|---|---|
Email (VARCHAR(200) ) |
|
Phone (VARCHAR(200) ) |
Phone number |
FirstName (VARCHAR(50) ) |
First name |
LastName (VARCHAR(50) ) |
Last name |
City (VARCHAR(50) ) |
City |
Province (VARCHAR(50) ) |
Province/State |
PostalCode (VARCHAR(15) ) |
Postal/Zip code |
Country (VARCHAR(50) ) |
Country |
Category (NVARCHAR(MAX) ) |
Category in RQ |
ProductLibraryID (VARCHAR(50) ) |
Identifier for a Product in Product Library |
UnitPrice (MONEY ) |
Unit price |
ListPrice (MONEY ) |
List price |
Quantity (INT ) |
Quantity |
ProductLibraryName (NVARCHAR(MAX) ) |
Name of the Product in Product Library |
ProductLibraryCanonicalName (NVARCHAR(MAX) ) |
Name of the Product’s Classification in Product Library |
Requests
Getting Partner Relationships
Request
GET /partner/relationships?Auth={Auth}&Response={Response}
Headers
Authorization: Bearer (Access Token)
(Optional) - Bearer token used for authentication. For other methods of authentication, see {{AuthenticationOptions}}Accept-Encoding: gzip
(Optional) - Compression algorithm. For other methods of compression, see {{CompressionOptions}}
URI Parameters
-
Auth
(Optional) - Basic token used for authentication. For other methods of authentication, see {{AuthenticationOptions}} -
Response
(Optional) - Default is JSON. For other methods of response, see {{ResponseOptions}}
Example
GET /partner/relationships
curl -X GET "https://rqdataconnectdemo.iqmetrix.net/partner/relationships"
Using RestSharp;
at the top of your file.
static IRestResponse GettingPartnerRelationships()
{
var client = new RestClient("https://rqdataconnectdemo.iqmetrix.net/partner/relationships");
var request = new RestRequest(Method.GET);
return client.Execute(request);
}
import org.apache.http.client.methods.CloseableHttpResponse;
import org.apache.http.client.methods.HttpGet;
import org.apache.http.impl.client.CloseableHttpClient;
import org.apache.http.impl.client.HttpClients;
import java.io.IOException;
public static CloseableHttpResponse GettingPartnerRelationships() throws IOException {
CloseableHttpClient httpClient = HttpClients.createDefault();
HttpGet request = new HttpGet("https://rqdataconnectdemo.iqmetrix.net/partner/relationships");
return httpClient.execute(request);
}
gem install rest-client
.
require 'rest-client'
response = RestClient.get 'https://rqdataconnectdemo.iqmetrix.net/partner/relationships', {
}
puts response
Response
Array[[relationship](#Relationship)]
HTTP 200 Content-Type: application/json
This is the default result obtained by omitting the Auth
URI parameter
[
{
"CompanyID": 14682,
"CompanyName": "KENTEL"
}
]
HTTP 200 Content-Type: application/json
This is the default result obtained by omitting the URI parameter Auth=JsonDataTable
. This response type wraps the data in a “Records” array and adds a “Schema” array, which contains information about each column in the report.
{
"Records": [
{
"CompanyID": 14682,
"CompanyName": "KENTEL"
}
],
"Schema": [
{
"Column_Name": "ColumnName",
"Type": "datatype",
"SafeType": "safetype",
"Length": 100
}
]
}
HTTP 200 Content-Type: text/xml
This result is obtained by using the URL parameter Auth=Xml
HTTP 200 Content-Type: text/xml
This result is obtained by using the URL parameter Auth=XmlDataTable
. This response type appends to the bottom of the request a summary of information about each column in the report.
HTTP 200 Content-Type: text/csv
This result is obtained by using the URL parameter Auth=Csv
CompanyID,CompanyName 14682,KENTEL
HTTP 200 Content-Type: application/vnd.openxmlformats-officedocument.spreadsheetml.sheet
This result is obtained by using the URL parameter Auth=Excel
content-disposition: attachment;filename=reportname-2016-07-11.xlsx Binary *.xlsx file
Get Marketing Report
Request
GET /partner/FacebookOfflineConversions/MarketingReport?CompanyID={CompanyID}&StartDate={StartDate}&StopDate={StopDate}&Auth={Auth}&Response={Response}
Headers
Authorization: Bearer (Access Token)
(Optional) - Bearer token used for authentication. For other methods of authentication, see {{AuthenticationOptions}}Accept-Encoding: gzip
(Optional) - Compression algorithm. For other methods of compression, see {{CompressionOptions}}
URI Parameters
-
CompanyID
(Required) - Identifier for a Company -
StartDate
(Required) - Date at which report will begin -
StopDate
(Required) - Date at which report will end -
Auth
(Optional) - Basic token used for authentication. For other methods of authentication, see {{AuthenticationOptions}} -
Response
(Optional) - Default is JSON. For other methods of response, see {{ResponseOptions}}
Example
GET /partner/FacebookOfflineConversions/MarketingReport?CompanyID=21090&StartDate=1970-01-01T08:00:00.000Z&StopDate=2016-06-06T07:00:00.000Z
curl -X GET "https://rqdataconnectdemo.iqmetrix.net/partner/FacebookOfflineConversions/MarketingReport?CompanyID=21090&StartDate=1970-01-01T08:00:00.000Z&StopDate=2016-06-06T07:00:00.000Z"
Using RestSharp;
at the top of your file.
static IRestResponse GetMarketingReport()
{
var client = new RestClient("https://rqdataconnectdemo.iqmetrix.net/partner/FacebookOfflineConversions/MarketingReport?CompanyID=21090&StartDate=1970-01-01T08:00:00.000Z&StopDate=2016-06-06T07:00:00.000Z");
var request = new RestRequest(Method.GET);
return client.Execute(request);
}
import org.apache.http.client.methods.CloseableHttpResponse;
import org.apache.http.client.methods.HttpGet;
import org.apache.http.impl.client.CloseableHttpClient;
import org.apache.http.impl.client.HttpClients;
import java.io.IOException;
public static CloseableHttpResponse GetMarketingReport() throws IOException {
CloseableHttpClient httpClient = HttpClients.createDefault();
HttpGet request = new HttpGet("https://rqdataconnectdemo.iqmetrix.net/partner/FacebookOfflineConversions/MarketingReport?CompanyID=21090&StartDate=1970-01-01T08:00:00.000Z&StopDate=2016-06-06T07:00:00.000Z");
return httpClient.execute(request);
}
gem install rest-client
.
require 'rest-client'
response = RestClient.get 'https://rqdataconnectdemo.iqmetrix.net/partner/FacebookOfflineConversions/MarketingReport?CompanyID=21090&StartDate=1970-01-01T08:00:00.000Z&StopDate=2016-06-06T07:00:00.000Z', {
}
puts response
Response
Array[[marketingreportdata](#MarketingReportData)]
HTTP 200 Content-Type: application/json
This is the default result obtained by omitting the Auth
URI parameter
[
{
"Email"<EMAIL_ADDRESS>"Phone": "5555555555",
"FirstName": "John",
"LastName": "Test",
"City": "Regina",
"Province": "SK",
"PostalCode": "H0H0H0",
"Country": "Canada",
"Category": "Activations,Smart Phones",
"ProductLibraryID": "M5592-E12435",
"UnitPrice": 250,
"ListPrice": 299.99,
"Quantity": 1,
"ProductLibraryName": "Galaxy Gear Watch - Black",
"ProductLibraryCanonicalName": "Smartphones"
}
]
HTTP 200 Content-Type: application/json
This is the default result obtained by omitting the URI parameter Auth=JsonDataTable
. This response type wraps the data in a “Records” array and adds a “Schema” array, which contains information about each column in the report.
{
"Records": [
{
"Email"<EMAIL_ADDRESS>"Phone": "5555555555",
"FirstName": "John",
"LastName": "Test",
"City": "Regina",
"Province": "SK",
"PostalCode": "H0H0H0",
"Country": "Canada",
"Category": "Activations,Smart Phones",
"ProductLibraryID": "M5592-E12435",
"UnitPrice": 250,
"ListPrice": 299.99,
"Quantity": 1,
"ProductLibraryName": "Galaxy Gear Watch - Black",
"ProductLibraryCanonicalName": "Smartphones"
}
],
"Schema": [
{
"Column_Name": "ColumnName",
"Type": "datatype",
"SafeType": "safetype",
"Length": 100
}
]
}
HTTP 200 Content-Type: text/xml
This result is obtained by using the URL parameter Auth=Xml
HTTP 200 Content-Type: text/xml
This result is obtained by using the URL parameter Auth=XmlDataTable
. This response type appends to the bottom of the request a summary of information about each column in the report.
HTTP 200 Content-Type: text/csv
This result is obtained by using the URL parameter Auth=Csv
Email,Phone,FirstName,LastName,City,Province,PostalCode,Country,Category,ProductLibraryID,UnitPrice,ListPrice,Quantity,ProductLibraryName,ProductLibraryCanonicalName johntest@kentel.com,5555555555,John,Test,Regina,SK,H0H0H0,Canada,Activations,Smart Phones,M5592-E12435,250,299.99,1,Galaxy Gear Watch - Black,Smartphones
HTTP 200 Content-Type: application/vnd.openxmlformats-officedocument.spreadsheetml.sheet
This result is obtained by using the URL parameter Auth=Excel
content-disposition: attachment;filename=reportname-2016-07-11.xlsx Binary *.xlsx file


{% extends "base.html" %} {% block body %}
By default, a custom domain will serve the same site as your SRCF domain, {{ member.crsid }}.user.srcf.net. You may optionally specify a subdirectory of your public_html directory, where a different site should be served from.
public_html
You are changing the document root for {{ domain }}.


{$define "#page"}
{$partial "#head" $} {$partial "#fb_sdk" $} {$partial "#ign_adkit" $}
This article experience was built by developers at the HTML5 Hub
For more visit HTML5Hub.com
Kyle Simpson is an Open Web Evangelist from Austin, TX. He's passionate about JavaScript, HTML5, real-time/peer-to-peer communications, and web performance. Kyle is an author, workshop trainer, technology speaker, and avid OSS community member.
grips templating, LABjs, node.js, socket.io, jQuery, Three.js


Turek Chief Burai:
Flame Lord? The great kingdom of Orc? Nonsense! They are just playing a game, hiding in the forest...Those who call themsleves the aristocrats of Orc!  Leave me now!


new Node(colID, rowID)
represents a node on the Connect four board
Parameters:
| Name | Type | Description |
|---|---|---|
colID |
Number | the column ID |
rowID |
Number | the row ID |
Properties:
| Name | Type | Description |
|---|---|---|
column |
Number | the nodes column |
row |
Number | the node's row |
occupied |
Boolean | presence of a token at node location |
color |
Color | color of node |
Members
clickEvent :CustomEvent
a hover event that selects the node
Type:
- CustomEvent
colorNode :CustomEvent
an event that changes the node's color
Type:
- CustomEvent
domElement :d3.svg
the DOM element corresponding to this node
Type:
- d3.svg
neighbors :C4.Node
adjacent nodes
Type:
player :C4.Player
the player who claimed this node
Type:
token :C4.Token
token occupying the node
Type:
Methods
changeColor(token)
sets the node color to match the given token
Parameters:
| Name | Type | Description |
|---|---|---|
token |
C4.Token |
checkMatch(nNode) → {Boolean}
check for node player match
Parameters:
| Name | Type | Description |
|---|---|---|
nNode |
C4.Node | the neighboring node |
Returns:
ownership match
- Type
- Boolean
checkMatchingNeighbors() → {Boolean}
checks all neighboring nodes for matching ownership
Returns:
matching neighbor status
- Type
- Boolean
confirmNeighborStatus(nNode, relationCode) → {Boolean}
boolean check for neighboring node at realtion
Parameters:
| Name | Type | Description |
|---|---|---|
nNode |
C4.Node | the neighboring node |
relationCode |
String | the neighboring nodes relative position |
Returns:
neighboring status
- Type
- Boolean
createPlayerComponent(newComp)
adds a the specified component to the node owner's list of components
Parameters:
| Name | Type | Description |
|---|---|---|
newComp |
C4.component | the newly created component |
getComponent(nNode, relationCode) → {C4.Component}
creates a new component neighboring node if they share ownership
Parameters:
| Name | Type | Description |
|---|---|---|
nNode |
C4.Node | the neighboring node |
relationCode |
String | the neighboring nodes relative position |
Returns:
the current component
- Type
- C4.Component
getMatchingNeighbors() → {Array.<C4.Node>}
Returns:
matching neighbor nodes
- Type
- Array.<C4.Node>
makeMatchingComponents()
creates a new component for each neighbor with matching ownership
and adds it to the node owner's list
placeToken(token)
occupies node with specified token
Parameters:
| Name | Type | Description |
|---|---|---|
token |
C4.Token |
setNeighbor(relationCode, nNode)
assigns a neighbor nodes with a Relation code
Parameters:
| Name | Type | Description |
|---|---|---|
relationCode |
String | the neighbors relative position to this node |
nNode |
C4.Node | the neighboring node |
setToken(token)
sets the token value
Parameters:
| Name | Type | Description |
|---|---|---|
token |
C4.Token |


nape.geom.Vec3
- type
- class
- metadata
- :final
A 3 dimensional vector object.
In many instances a Vec3 will be accessible from Nape which is marked
as immutable, these cases will be documented and modifying such a Vec3
will result in an error.
Static Methods
- parameters
x
The x component of Vec3. (default 0)
y
The y component of Vec3. (default 0)
z
The z component of Vec3. (default 0)
- returns
- A Vec3 allocated from global object pool with given components.
Constructor
- parameters
x
The x component of Vec3. (default 0)
y
The y component of Vec3. (default 0)
z
The z component of Vec3. (default 0)
- returns
- A newly constructed Vec3 with given components.
Instance Methods
- returns
- The copy of this Vec3.
- throws
#
If this Vec3 has been disposed of. public function copy():Vec3{ { #if(!NAPE_RELEASE_BUILD) if(this!=null&&this.zpp_disp)throw "Error: "+"Vec3"+" has been disposed and cannot be used!"; #end }; return Vec3.get(x,y,z); } / Release Vec3 object to global object pool.
#
If this Vec3 has already been disposed of.
#
If this Vec3 is immutable.
- returns
- The squared length of this Vec3.
- throws
#
If the Vec3 has been disposed of.
- parameters
vector
The vector to set values from.
- returns
- A reference to this Vec3.
- throws
#
If the vector argument is null.
#
If this, or the vector argument are disposed of.
#
If this Vec3 is immutable.
- parameters
x
The new x component value for this vector.
y
The new y component value for this vector.
z
The new z component value for this vector.
- returns
- A reference to this Vec3.
- throws
#
If this Vec3 has been disposed of.
#
If this Vec3 is immutable.
- parameters
weak
If true, then the allocated Vec2 will be weak so that when used as an argument to a Nape function it will be automatically released back to the global object pool. (default false)
- returns
- An allocated Vec2 representing the xy components of this vector.
Use of this method should always be preferred to the constructor.


@(regulation: List[Regulation], regulationControlTotals: List[RegulationControlTotal]) @import helper._
| # | CCP | LEVEL | SPECIFIC |
|---|---|---|---|
| @regulation.getRegulationId() | @regulation.getRegulationControlPointId() | @regulation.getRegulationLevelId | @regulation.getRegulationSpecific |
| # Office Use Only | CCP 1=> People CCP 2=> Process CCP 3=> Place | LEVEL 1:Pf 2:P 3:Core |
|---|


Dashboard
Portfolio
balance: $ {{user.balance | number : '1.2-2'}}
|
Action
|
Symbol
|
Name
|
Price
|
Shares
|
Value
|
Delta
|
|
|
{{asset.symbol}}
|
N/A
|
{{N/A}}
|
{{asset.amount}}
|
{{asset.price | number : '1.2-2'}}
|
N/A
|
|
Total trade value
|
$ {{totalValue | number : '1.2-2'}}
|
|
Delta
|
N/A
|
|
Expected total value
|
N/A
|
Profile


|
AGL
0
3D graphics library
|
Scene class, which holds everything. More...
Public Member Functions | |
| Scene (int width=640, int height=480, const char *name="AGL") | |
| Create a scene. More... | |
| ~Scene () | |
| void | setPerspectiveProjection (float fovDeg=45, float aspectRatio=-1, float near=0.1, float far=100) |
| Set a perspective projection matrix. More... | |
| void | setOrthographicProjection (float left=-1, float right=1, float bottom=-1, float top=1, float near=0.1, float far=100) |
| Set a orthographic projection matrix. More... | |
| void | setCamera (const glm::vec3 &pos, const glm::vec3 &lookAt, const glm::vec3 &up) |
| Set a new camera for the scene. More... | |
| void | setProjection (glm::mat4 &mat) |
| Set the projection matrix. More... | |
| void | setView (glm::mat4 &mat) |
| Set the view matrix (in the camera). More... | |
| void | setController (GLFWkeyfun keyCallback=nullptr, GLFWcursorposfun cursorPosCallback=nullptr, GLFWmousebuttonfun mouseButtonCallback=nullptr, GLFWscrollfun scrollCallback=nullptr, GLFWwindowsizefun windowSizeCallback=nullptr) |
| Set controllers for the scene. More... | |
| void | setBGcolor (float r=0, float g=0, float b=0, float a=0) |
| Set the background color. More... | |
| void | add (BaseEntity &e) |
| Add an Entity or Light to the scene. More... | |
| void | enableLights (bool enable=true) |
| Enable lighting calculations. More... | |
| void | prepare () |
| Prepare the scene before rendering. More... | |
| bool | render () |
| Render the scene. More... | |
| glm::mat4 | getMatVP () |
| Get the view-projection matrix. More... | |
Public Attributes | |
| int | width |
| Width of the window. More... | |
| int | height |
| Height of the window. More... | |
| glm::mat4 | projection |
| Projection matrix for the render. More... | |
| Camera | camera |
| Camera for the scene. More... | |
| std::vector< BaseEntity * > | children |
| Stores all the Entity and Light. More... | |
| GLFWwindow * | window |
| The GLFW window for displaying everything. More... | |
| std::vector< Entity * > | entities |
| Temporary store all the Entity before render. More... | |
| std::vector< Light * > | lights |
| Temporary store all the Light before render. More... | |
Scene class, which holds everything.
The Scene class holds the camera, all the entities that need to be displayed, the lights and much more. The Scene creates a GLFW window to display the rendered contents. The Scene can be controlled with user inputs (default controls inbuilt). This class also contains the projection matrix, the P part of the MVP matrix.
| Scene | ( | int | width = 640 , |
| int | height = 480 , |
||
| const char * | name = "AGL" |
||
| ) |
Create a scene.
| width | Width of the window. |
| height | Height of the window. |
| name | Name for the window. |
This will create a scene, create a GLFW window, create a default perspective projection matrix and set some default controllers. Although you can create as many scenes as you like, only one scene can be displayed at any time currently.
| ~Scene | ( | ) |
| void add | ( | BaseEntity & | e | ) |
| void enableLights | ( | bool | enable = true | ) |
Enable lighting calculations.
| enable | Enable? |
This enables (or disables) lights for the scene. This just sets the Material::lightsEnabled for all the Entity. The shader for the Entity actually decides if lights should be used or not.
| glm::mat4 getMatVP | ( | ) |
Get the view-projection matrix.
| void prepare | ( | ) |
| bool render | ( | ) |
Render the scene.
false
, if the window should close, true
otherwise.This method actually renders everything on the window. This loads the required buffers and shaders, sets the parameters, etc. This method must be called each time in the rendering loop to update the scene, say for animations. The return value of this method can be used as the condition for the render loop.
| void setBGcolor | ( | float | r = 0 , |
| float | g = 0 , |
||
| float | b = 0 , |
||
| float | a = 0 |
||
| ) |
Set the background color.
| r | Red. |
| g | Green. |
| b | Blue. |
| a | Alpha. |
| void setCamera | ( | const glm::vec3 & | pos, |
| const glm::vec3 & | lookAt, | ||
| const glm::vec3 & | up | ||
| ) |
Set a new camera for the scene.
| pos | The position of the camera. |
| lookAt | The point the camera looks at. |
| up | The up vector for the camera. |
| void setController | ( | GLFWkeyfun | keyCallback = nullptr , |
| GLFWcursorposfun | cursorPosCallback = nullptr , |
||
| GLFWmousebuttonfun | mouseButtonCallback = nullptr , |
||
| GLFWscrollfun | scrollCallback = nullptr , |
||
| GLFWwindowsizefun | windowSizeCallback = nullptr |
||
| ) |
Set controllers for the scene.
| keyCallback | Called on key press. |
| cursorPosCallback | Called if the cursor is moved. |
| mouseButtonCallback | Called if the mouse button is clicked. |
| scrollCallback | Called if scrolled. |
| windowSizeCallback | Called if the window is resized. |
This is used to set several callbacks for the scene. Several callbacks are already set when the scene is created. This can be used to add more controls for the user. If any of the parameter is null
, the old value, if one was there, is retained.
| void setOrthographicProjection | ( | float | left = -1 , |
| float | right = 1 , |
||
| float | bottom = -1 , |
||
| float | top = 1 , |
||
| float | near = 0.1 , |
||
| float | far = 100 |
||
| ) |
Set a orthographic projection matrix.
| left | Left for render, this is the point aligned with the left side of the window. |
| right | Right for render, this is the point aligned with the right side of the window. |
| bottom | Bottom for render, this is the point aligned with the bottom of the window. |
| top | Top for render, this is the point aligned with the top of the window. |
| near | Near for render, anything nearer to this will be clipped. |
| far | Far for render, anything beyond this will be clipped. |
| void setPerspectiveProjection | ( | float | fovDeg = 45 , |
| float | aspectRatio = -1 , |
||
| float | near = 0.1 , |
||
| float | far = 100 |
||
| ) |
Set a perspective projection matrix.
| fovDeg | Field of view for render. |
| aspectRatio | Aspect ratio for render. If negative, automatically sets depending on the size of the window. |
| near | Near for render, anything nearer to this will be clipped. |
| far | Far for render, anything beyond this will be clipped. |
| void setProjection | ( | glm::mat4 & | mat | ) |
Set the projection matrix.
| mat | The matrix to set. |
| void setView | ( | glm::mat4 & | mat | ) |
Set the view matrix (in the camera).
| mat | The matrix to set. |
| std::vector<BaseEntity*> children |
| int height |
Height of the window.
| glm::mat4 projection |
Projection matrix for the render.
| int width |
Width of the window.
| GLFWwindow* window |
The GLFW window for displaying everything.


The various types of MatchLogic objects are stored here.
Included modules
- Enumerable
Classes and Modules
Public Class methods
<<
(input)
Adds input
to members after doing a quick type check
[show source]
# File lib/dismaltony/match_logic.rb, line 107 def self.<<(input) @@members << input if input <= DismalTony::MatchLogic end
[]
(srch)
Searches members
for an element whose priority
matches srch
[show source]
# File lib/dismaltony/match_logic.rb, line 102 def self.[](srch) @@members.find { |m| m.new(nil).priority == srch } end
all
()
Yields the members
array
[show source]
# File lib/dismaltony/match_logic.rb, line 76 def self.all @@members end
count
()
Counts the number of MatchLogic subclasses.
[show source]
# File lib/dismaltony/match_logic.rb, line 86 def self.count @@members.count end
count_nopenalty
()
Counts the number of MatchLogic subclasses, excluding those which don't count against the match result if failed
[show source]
# File lib/dismaltony/match_logic.rb, line 92 def self.count_nopenalty @@members.select(&:no_penalty?) end
each
(&blk)
Yields each of the elements of the members
array to the block
blk
[show source]
# File lib/dismaltony/match_logic.rb, line 81 def self.each(&blk) @@members.each(&blk) end
priorities
()
Yields all of the different priority keys used by all MatchLogic subclasses.
[show source]
# File lib/dismaltony/match_logic.rb, line 97 def self.priorities @@members.map { |m| m.new(nil).priority } end


--- layout: post title: A Simple Dress date: 2012-01-15 11:57:11.000000000 -05:00 categories: - Craft - Sewing tags: - Simple sewing - Summer dress - Thrifting status: publish type: post published: true meta: aktt_notify_twitter: 'no' _edit_last: '1' dsq_thread_id: '1188561945' author: login: cint email<EMAIL_ADDRESS>display_name: Jacinta first_name: Jacinta last_name: '' ---
The dress Tenneille wore to dad's wedding last week, I started over a year ago. It's made from a retro cot sheet I thrifted a couple of years ago and an old pillow cover that I no longer used. When I originally made it, it was a little too big, kind of a given, seems I didn't use a pattern. I also needed to add buttons at the back and button holes, but my old sewing machine wasn't able to do holes as it was faulty. But alas, my new machine does. So on the day of the wedding (of course!) I whipped out the dress from it's year long hiatus, sewed the button holes, buttons and made a couple of adjustments to the shoulder straps to complete the dress. Tenneille was most excited that I finally finished the dress. I am excited that it is now off my 'to sew list'! I also made some hair clips to match with some leftover buttons, but alas I forgot to take a picture and knowing my little cherub, the clips could be anywhere now.
[caption id="attachment_1430" align="aligncenter" width="600" caption="The picture was originally the top of a cot sheet"][/caption]
What have you been sewing/crafting of late? Jacinta x


Swift Deployment Guid
2016-06-22 何通庆
--- layout: null group : ppt title : "Swift Deployment Guid - By kk" ---
2016-06-22 何通庆
swift-ring-builder <builder_file> create <part_power> <replicas> <min_part_hours>
swift-ring-builder <builder_file> add z<zone>-<ip>:<port>/<device_name>_<meta> <weight>
swift-ring-builder <builder_file> rebalance
devices=/srv/node
设备挂载父目录disable_fallocate=false
user_<account>_<user> = <key> [group] [group] [...] [storage_url]
# 如果带下划线可以用base64编码(不带'='符合)
user64_<account_b64>_<user_b64> = <key> [group] [group] [...] [storage_url]
.reseller_admin = can do anything to any account for this auth
.admin = can do anything within the account
mount -t xfs -o noatime,nodiratime,nobarrier,logbufs=8 /dev/sda1 /srv/node/sda
disable_fallocate=true
PRUNEPATHS="... /tmp ... /var/spool ... /srv/node"
# disable TIME_WAIT.. wait..
net.ipv4.tcp_tw_recycle=1
net.ipv4.tcp_tw_reuse=1
# disable syn cookies
net.ipv4.tcp_syncookies = 0
# double amount of allowed conntrack
net.ipv4.netfilter.ip_conntrack_max = 262144
sudo sysctl -p
更新配置


{{ define "partial/about.html" }}
Feel free to email me to provide some feedback on the project, give suggestions, or to just say hello!


Rubys Regular Expressions
November 1, 2015
What are regular expressions?
Regular Expressions are "patterns which describe the contents of a string." It helps us find a set of characters.
What's the usage?
Regular expression helps us find/match characters a lot easier. We use symbols in regex that start off with a / and end with /. The symbols are all different and have their own uses. For example, the | symbol would represent OR (similar to ||). \s is for whitespace.
\D = Matches anything but a digit numbers_only = 1234-1232.123213/512321 numbers_only = numbers_only.to_s.gsub!(/\D/, "") puts "Output: #{numbers_only}" => Output:<PHONE_NUMBER>017161
Regular expressions help us find characters we want a lot quicker and easier. It's DRYer as well. We can also edit what we find by replacing/subbing it. Regular expression may be hard to understand at first but will become easier as you start to use it.


Next: Deftype Lambda Lists, Previous: Boa Lambda Lists, Up: Lambda Lists
A defsetf lambda list is used by defsetf.
A defsetf lambda list has the following syntax:
| lambda-list | ::= | ({var}* [&optional {var | (var [init-form [supplied-p-parameter]])}*] [&rest var] [&key {var | ({var | (keyword-name var)} [init-form [supplied-p-parameter]])}* pt [&allow-other-keys]] [&environment var] |
A defsetf lambda list can contain the lambda list keywords shown in Figure 3–19.
&allow-other-keys &key &rest &environment &optional
Figure 3–19: Lambda List Keywords used by Defsetf Lambda Lists
A defsetf lambda list differs from an ordinary lambda list only in that it does not permit the use of &aux, and that it permits use of &environment, which introduces an environment parameter.


{% extends "withnav_template.html" %} {% from "components/page-header.html" import page_header %} {% from "govuk_frontend_jinja/components/back-link/macro.html" import govukBackLink %} {% block service_page_title %} Accept the data sharing and financial agreement {% endblock %} {% block backLink %} {{ govukBackLink({ "href": url_for('main.request_to_go_live', service_id=current_service.id) }) }} {% endblock %} {% block maincolumn_content %}
Before you can use GOV.UK Notify, you need to accept our data sharing and financial agreement.
This must be done by, or on behalf of, someone with the authority to sign contracts for your organisation.
Once accepted, the agreement covers all Notify services from your organisation.
There are different agreements for crown and non-crown organisations.
Contact us to tell us whether or not you work for a crown organisation. If you’re not sure we’ll help you work it out.


"There's a little group of isles beyond the wave - so tiny, you might almost wonder where it is" |
The beginnings | Instant success | Non stop hits | The partnership | Big Boxoffice | Revivals and more | Approaching a new Century
|
The Early History of the Australian Theatre: Regular professional theatre began in Sydney in the early 1830s with the opening of the Theatre Royal, with a capacity of over 1,000. Unfortunately the Royal burned down in 1840 and a new theatre, the Royal Victoria, seating 2,000, was built in Pitt Street. In 1842 a rickety wooden pavilion known as the Theatre Royal was host to Melbourne playgoers. It was later renamed the Victoria but by 1845 it had closed. At this time another theatre, the Queen's Theatre Royal, was opened in Queen St. Francis Nesbitt lead the first resident company there. The towns first pantomime, The Goblin of the Gold Coast, was performed there in May 1850. Although there were ballet programmes as early as 1835, the first major romantic ballet produced in Australia was the two-act La Sylphide. This opened at the Queen's Theatre Royal in Melbourne on September 25th 1845. Excerpts from the classic Giselle were given at the Royal Victoria in Sydney in 1855 by Aurélia Dimier who was in the original Paris production of 1841. |
William Saurin Lyster (1827-1880) was a colourful American impresario who, concerned about the possible looming American Civil War, set sail for Australia. Gold had recently been discovered in Victoria which made Melbourne the largest and most prosperous of all Colonial cities. Lyster arrived in Melbourne in March 1861 and set up his own opera company. This was one of the very first chances that Antipodean audiences could taste full scale productions of European Opera. For the next two decades Lyster was to reign supreme. The Royal Italian and English Opera Company extended its activities to other Victorian towns and then toured up to Sydney. In 1864 the Company steamed over the Tasman and toured the whole of New Zealand.
| William Saurin Lyster |
|
Historic Note:
The most popular and most performed operas in New Zealand during the latter part of the 19th Century were (in order of performances): Wallace's Maritania, Gounod's Faust, Verdi's Il Trovatore and Balfe's Bohemien Girl. from "Opera's farthest frontier" by Adrienne Simpson |
In 1877 and 1878 a 40-strong English Comic Opera Company toured extensively in America and Australasia. George Benjamin Allen (1822-1897) was responsible for introducing Opéra bouffe into Australia. The company consisted of leading members of current London productions and the operettas performed consisted of various English and French works of the day. The favourite was the popular Geneviève de Brabant by the French master, Jacques Offenbach. This featured the showstopping Gendarmes Duet which received seven encores when it opened in Christchurch, New Zealand.
The troupe's featured prima donna was Allen's second 'wife', Alice May (1847-1887) (Editor's Note: Although they lived as husband and wife there were no records to suggest that the two were actually married). Also in the
Company was actor-singer Howard Vernon who would later become Australasia's leading exponent of
Gilbert and Sullivan. This Company first introduced Sullivan's Cox and Box to Australia and
New Zealand. This was premiered in Sydney's Masonic Hall on December 26th, 1872. In the same evenings entertainment were Offenbach's The Rose of Auvergne and Allen's own work The Belle of Wooloomooloo. Howard Vernon took the role of Box.
The New Zealand premiere of Cox and Box with the Alice May Company took place in Wellington on June 20th, 1874, with Howard Vernon still in the cast. (Editor's Note: There was a production of 'Cox and Box' in Auckland in August 1871 by a group calling itself the South Pacific Opera Company)
Later the touring company brought with them Trial by Jury, written in 1875 by the virtually unknown partnership of Mr Gilbert and Mr Sullivan.
New Zealand theatregoers were able to see firsthand a first class London company. They packed the theatres.
|
Historic Note:
Trial by Jury was premiered in Australia by W.S. Lyster's Opera Company as an afterpiece to Offenbach's La Belle Hélène at the Prince of Wales Opera House, Melbourne, on 26th June 1876, only fifteen months after its London début. The Melbourne Age reviewer at the time stated "None of the melodies are very original though thoroughly adapted to the positions indicated by the libretto." There were 12 peformances of the work. The New Zealand premiere of the work was on 30th August, 1876, at the Canterbury Music Hall in Christchurch. The Christchurch Press gave quite a lengthy review concluding: "The piece was well mounted, and received quite an ovation." |
The Company played seasons in Melbourne, Adelaide and Calcutta before returning to England.
|
Historic Note:
New Zealand's national anthem God defend New Zealand was composed in 1876 by an immigrant from Tasmania, John Joseph Woods. He won a competition which set out to find a setting for Thomas Bracken's poem. Australia's national anthem Advance Australia Fair was first performed in 1878. It is attributed to Peter Dodds McCormick and has been the 'official' national anthem since 1984. |
On November the 17th 1877 Alice May created the role of Aline in Gilbert and Sullivan's first great success The Sorcerer. London's Daily News said "Miss May was an attractive and graceful Aline, and her brilliant and extensive soprano voice told with much effect.". Sadly Alice died prematurely in 1887 and Allen settled back in Australia.
|
Historic Note:
New Zealand has always been known as a country, along with Britain, which popularised the Brass Band. In 1859 the band of the Taranaki Volunteer Rifles was formed in New Plymouth. It was the first volunteer brass band in that country. More and more bands popped up in both small and large centres. The first National Brass Band contest was held, in 1880, in Christchurch. (The winning band being the Ivercargill Garrison). The first New Zealand pipe band was formed in 1896 in Invercargill. |
| Musical note: The first Wagner opera to be performed in New Zealand was 'Lohengrin' at the Princess Theatre in Dunedin by the Royal Italian Opera Company in November 1877. New Zealanders had to wait to the turn of the century for 'Tannhauser' and 'The Flying Dutchman'. Both were performed in Auckland in July 1901 by Musgrove's Grand Opera Company. |
In 1878 a young American actor and his wife were in London and they caught the original production of H.M.S. Pinafore at the Opera Comiqué. Entirely under the spell of the Pinafore mania which was raging in England he made one of the boldest moves of his career. He secured the exclusive performing rights, for both Australia and New Zealand, for this and all future or past Gilbert and Sullivan operas.
| J.C. Williamson |
This young man was J.C. Williamson. Born in Pennsylvania in 1845 Williamson was one of the leading stage comedians in New York in the early 1870s. In California he married Maggie Moore and the couple signed a contract to perform in Australia. They eventually settled in Australia in 1879. This was to be their home for almost the rest of their lives.
Expecting to be the first to introduce H.M.S. Pinafore down under, Williamson was surprised to find several pirated versions already being staged. Legal action soon took care of the Australian productions but the sheer physical distance of New Zealand made restraints more difficult to extend across the Tasman.
|
Check out a short biography of James Cassius Williamson
|
|
Historic Note:
The first Australian pirate Pinafore opened at the School of Arts, Sydney, on the 3rd of May 1879, presented by the Kelly and Leon Minstrel Troupe. There were 12 performnaces. Edwin Kelly, an Irish immigrant, and Francis Leon (real name Patrick Francis Glassey), America's most famous female impersonator, founded the troupe in the U.S. in the 1860s. The Kelly and Leon Minstrel troupe came to Australia in 1878 opening at the Queen's Theatre, Sydney. They later toured Melbourne and Adelaide. Leon played Buttercup in Pinafore. The group disbanded in 1880 with Leon returning to the States and Kelly joining the J.C. Williamson Company where he appeared in several Gilbert and Sullivan productions. |
Quite amazingly two unauthorised productions of HMS Pinafore opened in Melbourne on the same day, June 7th, 1879. Horace Lingard's company played at the Academy of Music and Richard Stewart and his family opened a production at St George's Hall. The reviewer in the Melbourne Age said of the work: "The piece taken as a whole may be regarded as occupying a secondary place to Offenbach's opera bouffes. It certainly is not equal, either as a comic or musical work, to any of the best productions of the vivacious French composer."
The Richard Stewart production featured an up and coming actress, Nellie Stewart. What was unique about this production was that Nellie Stewart played Ralph! The critic for the Melbourne Age on June 10th said: "Miss Nellie Stewart represented Ralph, and acted as well as sang the music incidental to the part in a most satisfactory manner."
In New Zealand there were several productions of "Pinafore" being performed in various centers throughout the later part of 1879. In June of that year three different productions opened within days of each other. On the 16th the H Towles Amateurs opened in Christchurch (Surprisingly this was incorrectly advertised as the very first production in Australasia.)
On 17th of June the D.W.Carey Amateurs opened the work in Wellington.
However the very first staged performance of the work in New Zealand was on the 9th of June by the Riccardi Opera Company in Auckland. (read review)
During August 1879 notices appeared in newspapers which assigned copyright of "Pinafore" to J.C. Williamson. Several productions were stopped until the legality of the situation was clarified.
The first genuine production was mounted by the Lingards Company from Melbourne. This opened on the 3rd of September in Dunedin. Advertised as "word for word as the authors wrote it, and with all the original London business, dances, etc as played in London, New York and recently in Melbourne." The critics were none too kind: "Not a single representative of the principal characters possesses more than an average voice; although none will deny that the piece was mounted with greater attention to details than we have seen it here before."
Many different productions continued to be staged well into the new decade - a sure sign that the genius of the authors could transcend any sort of treatment.
In Australia, J.C. Williamson delighted audiences with a definitive production of H.M.S. Pinafore. This opened at the Theatre Royal, Sydney, on November 15th, 1879. (read review) Maggie Moore played Josephine and Williamson himself played Sir Joseph Porter. The original London costumes and scenery were all authentically reproduced.
| Maggie Moore in Pinafore
|
|
Historic Note:
Thomas Edison's pioneer phonograph was first patented in 1878. There was a demonstration in a Melbourne church hall in early 1879 and again later in the same year at the Sydney International Exhibition where it gained a gold medal. |


#include <GrModelSkinController.h>
Public Member Functions | |
| GrModelSkinController () | |
| class header. | |
| GrModelSkinController (GrSkinInst *skinInst, GrModelNode *root) | |
| ~GrModelSkinController () | |
| void | Init (GrSkinInst *skinInst, GrModelNode *root) |
| this is for array initialization. | |
| void | Update () |
| update the skin instance we're driving. |
Definition at line 22 of file GrModelSkinController.h.
| GrModelSkinController::GrModelSkinController | ( | ) |
class header.
File: GrModelSkinController.cpp Author: Kevin Bray Created: 05-26-06 Copyright © 2004 Bootstrap Studios. All rights reserved. project includes. class GrModelSkinController ctor & dtor
Definition at line 25 of file GrModelSkinController.cpp.
| GrModelSkinController::GrModelSkinController | ( | GrSkinInst * | skinInst, | |
| GrModelNode * | root | |||
| ) |
| GrModelSkinController::~GrModelSkinController | ( | ) |
Definition at line 40 of file GrModelSkinController.cpp.
| void GrModelSkinController::Init | ( | GrSkinInst * | skinInst, | |
| GrModelNode * | root | |||
| ) |
this is for array initialization.
public methods
make sure we haven't already been initialized!
initialize.
Definition at line 52 of file GrModelSkinController.cpp.
| void GrModelSkinController::Update | ( | ) |
update the skin instance we're driving.
there should be one node for each bone!
drive the bones.
Definition at line 64 of file GrModelSkinController.cpp.


Overview Reports Quarter Contract
| Vendor Name: | HAL LOVE REAL ESTATE ADV. SERVICES |
|---|---|
| Reference Number: |<PHONE_NUMBER> |
| Contract Date: | 3/31/2014 |
| Description of Work: | 499 - Other professional services not otherwise specifie |
| Contract Period: | 9/21/2012 - 3/31/2017 |
| Delivery Date: | |
| Contract Value: | $88,198.03 |
| Comments: | This contract was competitively sourced. This contract is a multi-year contract. This contract includes one or more amendments. The original contract value was $76,113.57 |


?Det.
A.H.IAogier,
1971
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roadside,
Tireo,
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AltÈ
1000
m.
YORK
BOTANICAL
GARDEN
O150ê0ê7
Pfr8.
Alain
H,
Liogier
6
Nov..
1971_5
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by
funds
from
the
National
Science
Foundation.
01501017
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


Lippi accused of ‘slap in the face’ as China critics circle
SHANGHAI, Nov 1 ― Marcello Lippi was accused today of neglect and delivering “a slap in the face” amid grumblings that China’s coach is not doing enough to justify one of the highest salaries in football management.
Former Everton midfielder Li Tie will temporarily take charge of China’s national team at an East Asian championships next month in South Korea instead of the 71-year-old Italian World Cup winner.
Yesterday’s announcement by the Chinese Football Association was greeted with anger by sections of local media, which said that it had nevertheless been long known that Lippi had opted to remain home in Italy for the tournament.
“But this doesn’t mean that this is not a problem,” said a scathing commentary in the influential Oriental Sports Daily.
“However, shouldn’t training the team be his job? Since he holds the salary of the position of the national football coach, he should do the work that the national football coach should do.”
The former Juventus and Italy boss Lippi, who quit as China’s coach in January only to return in May, reportedly earns 180 million yuan (RM104 million) a year.
But suggesting that Lippi has little interest in the long-term development of Chinese football, Oriental Sports Daily added: “Lippi neglected his duties halfway.
“No matter whose face this slap lands on, one should follow up with a question ― who gave Lippi the qualification and power to do this?”
Lippi is attempting to take China, ranked 69th in the Fifa world rankings, to only their second World Cup.
He has won 16 of his 36 matches in charge over two spells but his reign will be judged on whether he can get the world’s most populous country to the Qatar 2022 World Cup.
One report said that Lippi felt the South Korea trip was bad timing, coming at the end of the Chinese season, but Tencent Sports was unimpressed.
After a World Cup qualifier against Syria in mid-November, Lippi will return to Italy and spend Christmas there, Tencent said.
“The holiday may last for four months,” said Tencent.
“Therefore it is no exaggeration for fans to say that Lippi’s annual salary of 180 million yuan is too easy.
“Coaching the national football team carries huge pressure for any head coach, but it is almost impossible to see this in Lippi.”
China are second behind Syria in their qualifying group following a 0-0 draw at the Philippines in their previous game. ― AFP


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We use enterprise strategies to boost your local and worldwide search rankings so your customers can find you when & where they need
Built so XPO has full control over every part of their website
Search Engine Optimization is fundamental to success. Our SEO strategies will earn your site a higher ranking in search results. We’ll provide a full SEO keyword rankings report, a link building profile report and indexed page information. Our customer focused team will improve your traffic flow and increase sales for your web-based operations.
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client retention
Years of Service
Professionals
Satisfied Clients
Built so XPO has full control over every part of their website
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Grow your business and save time with seamless experience
Duis eget purus non est pellentesque egestas Maecenas venenatis ante urna tincidunt viverra quam mattisat pellentesque tempor
Read MoreDuis eget purus non est pellentesque egestas Maecenas venenatis ante urna tincidunt viverra quam mattisat pellentesque tempor
Read MoreDuis eget purus non est pellentesque egestas Maecenas venenatis ante urna tincidunt viverra quam mattisat pellentesque tempor
Read More“We enjoy sharing the projects and posts we make just as much
as we enjoy creating them. Sit back & take a moment to browse through
some of our recent completed work.”
Grow your business and save time with seamless experience


The objective is to show the content as quickly as possible without blocking the page. This example fails at that.
The elements appear in the following order:
- Map Div
- Maps API JavaScript — it can be placed anywhere including document head and bottom of page; it blocks the page
- Map Initialization JavaScript — executed on window load


| java.lang.Object | ||
| ↳ | com.urbanairship.BaseManager | |
| ↳ | com.urbanairship.push.PushManager |
This class is the primary interface for customizing the display and behavior of incoming push notifications.
| Constants | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| String | ACTION_CHANNEL_UPDATED | Action sent as a broadcast when a channel registration succeeds. | |||||||||
| String | ACTION_NOTIFICATION_OPENED | Action sent as a broadcast when a notification is opened. | |||||||||
| String | ACTION_PUSH_RECEIVED | Action sent as a broadcast when a push message is received. | |||||||||
| String | EXTRA_CHANNEL_ID | The channel ID extra. | |||||||||
| String | EXTRA_ERROR | Extra used to indicate an error in channel registration. | |||||||||
| String | EXTRA_NOTIFICATION_BUTTON_FOREGROUND | The flag indicating if the interactive notification action button is background or foreground. | |||||||||
| String | EXTRA_NOTIFICATION_BUTTON_ID | The interactive notification action button identifier extra. | |||||||||
| String | EXTRA_NOTIFICATION_ID | The notification ID extra contains the ID of the notification placed in the
NotificationManager by the library. |
|||||||||
| String | EXTRA_PUSH_BUNDLE | The actual push bundle when a notification is opened. |
| Public Methods | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| void |
addNotificationActionButtonGroup(String id, NotificationActionButtonGroup group)
Register a notification action group under the given name.
| ||||||||||
| String |
getAdmId()
Returns the currently registered ADM ID.
| ||||||||||
| String |
getAlias()
Returns the current alias for this application's channel.
| ||||||||||
| String |
getChannelId()
Get the Channel ID
| ||||||||||
| boolean |
getDeviceTagsEnabled()
Determines whether tags are enabled on the device.
| ||||||||||
| String |
getGcmId()
Returns the currently registered GCM ID.
| ||||||||||
| String |
getLastReceivedSendId()
Returns the send id of the last received push.
| ||||||||||
| NotificationActionButtonGroup |
getNotificationActionGroup(String id)
Returns the notification action group that is registered under the given name.
| ||||||||||
| NotificationFactory |
getNotificationFactory()
Returns the current notification factory.
| ||||||||||
| Date[] |
getQuietTimeInterval()
Returns the Quiet Time interval currently set by the user.
| ||||||||||
| Set<String> |
getTags()
Returns the current set of tags.
| ||||||||||
| boolean |
getUserNotificationsEnabled()
Determines whether user-facing push notifications are enabled.
| ||||||||||
| boolean |
isInQuietTime()
Determines whether we are currently in the middle of "Quiet Time".
| ||||||||||
| boolean |
isOptIn()
Returns if the application is currently opted in for push.
| ||||||||||
| boolean |
isPushAvailable()
Determines whether the app is capable of receiving push,
meaning whether a GCM or ADM registration ID is present.
| ||||||||||
| boolean |
isPushEnabled()
Determines whether push is enabled.
| ||||||||||
| boolean |
isQuietTimeEnabled()
Determines whether "Quiet Time" is enabled.
| ||||||||||
| boolean |
isSoundEnabled()
Determines whether sound is enabled.
| ||||||||||
| boolean |
isVibrateEnabled()
Determines whether vibration is enabled.
| ||||||||||
| void |
removeNotificationActionButtonGroup(String id)
Removes the notification button group under the given name.
| ||||||||||
| void |
setAlias(String alias)
Set the alias for the channel and update the server.
| ||||||||||
| void |
setAliasAndTags(String alias, Set<String> tags)
Sets both the alias and tags for this channel and updates the server.
| ||||||||||
| void |
setDeviceTagsEnabled(boolean enabled)
Sets whether tags are enabled on the device.
| ||||||||||
| void |
setNotificationFactory(NotificationFactory factory)
Sets the notification factory used when push notifications are received.
| ||||||||||
| void |
setPushEnabled(boolean enabled)
Enables or disables push notifications.
| ||||||||||
| void |
setQuietTimeEnabled(boolean enabled)
Sets the quiet time enabled.
| ||||||||||
| void |
setQuietTimeInterval(Date startTime, Date endTime)
Sets the Quiet Time interval.
| ||||||||||
| void |
setSoundEnabled(boolean enabled)
Enables or disables sound.
| ||||||||||
| void |
setTags(Set<String> tags)
Set tags for the channel and update the server.
| ||||||||||
| void |
setUserNotificationsEnabled(boolean enabled)
Enables or disables user notifications.
| ||||||||||
| void |
setVibrateEnabled(boolean enabled)
Enables or disables vibration.
| ||||||||||
| static PushManager |
shared()
This method is deprecated.
As of 5.0.0. Use
getPushManager() } instead.
| ||||||||||
| void |
updateRegistration()
Update registration.
|
|
[Expand]
Inherited Methods | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
From class
java.lang.Object
|
Action sent as a broadcast when a channel registration succeeds.
Extras:EXTRA_CHANNEL_ID
Action sent as a broadcast when a notification is opened.
Extras:EXTRA_NOTIFICATION_ID
,
EXTRA_PUSH_BUNDLE
,
EXTRA_NOTIFICATION_BUTTON_ID
,
EXTRA_NOTIFICATION_BUTTON_FOREGROUND
Action sent as a broadcast when a push message is received.
Extras:EXTRA_NOTIFICATION_ID
,
EXTRA_PUSH_BUNDLE
The channel ID extra.
Extra used to indicate an error in channel registration.
The flag indicating if the interactive notification action button is background or foreground.
The interactive notification action button identifier extra.
The notification ID extra contains the ID of the notification placed in the
NotificationManager
by the library.
Notification
was not created, the extra will not be included.
The actual push bundle when a notification is opened.
Register a notification action group under the given name.
The provided notification builders will automatically add the actions to the notification when a message is received with a group specified under theEXTRA_INTERACTIVE_TYPE
key.| id | The id of the action group. |
|---|---|
| group | The notification action group. |
Returns the currently registered ADM ID.
Returns the current alias for this application's channel.
Determines whether tags are enabled on the device.
If false
, no locally specified tags will be sent to the server during registration.
The default value is true
.
true
if tags are enabled on the device, false
otherwise.
Returns the currently registered GCM ID.
Returns the send id of the last received push.
Returns the notification action group that is registered under the given name.
| id | The id of the action group. |
|---|
Returns the current notification factory.
Returns the Quiet Time interval currently set by the user.
Returns the current set of tags.
An empty set indicates that no tags are set on this channel.Determines whether user-facing push notifications are enabled.
true
if user push is enabled, false
otherwise.
Determines whether we are currently in the middle of "Quiet Time". Returns false if Quiet Time is disabled, and evaluates whether or not the current date/time falls within the Quiet Time interval set by the user.
Returns if the application is currently opted in for push.
true
if opted in for push.
Determines whether the app is capable of receiving push, meaning whether a GCM or ADM registration ID is present.
true
if push is available, false
otherwise.
Determines whether push is enabled.
true
if push is enabled, false
otherwise.
This defaults to false, and must be explicitly set by the app.
Determines whether "Quiet Time" is enabled.
Determines whether sound is enabled.
Determines whether vibration is enabled.
Removes the notification button group under the given name.
| id | The id of the button group to remove. |
|---|
Set the alias for the channel and update the server.
If you are setting both the alias and tags at the same time, you should usesetAliasAndTags(String, Set)
to avoid making an extra
network call.
Refer to the
Alias
for more information on the use of aliases.| alias | The alias, null to remove
|
|---|
Sets both the alias and tags for this channel and updates the server.
Tags should be URL-safe with a length greater than 0 and less than 127 characters. If your tag includes whitespace or special characters, we recommend URL encoding the string.| alias | The desired alias, null to remove |
|---|---|
| tags | The desired set of tags, must be non-null |
Sets whether tags are enabled on the device. The default value is true
.
If false
, no locally specified tags will be sent to the server during registration.
| enabled | A boolean indicating whether tags are enabled on the device. |
|---|
Sets the notification factory used when push notifications are received.
Specify a notification factory here to customize the display of a push notification's Custom Expanded Views in the Android Notification Manager. Ifnull
, push notifications will not be displayed by the
library.| factory | The notification factory |
|---|
Enables or disables push notifications.
This setting is persisted between application starts, so there is no need to call this repeatedly. It is only necessary to call this when a user preference has changed.| enabled | A boolean indicating whether push is enabled. |
|---|
Sets the quiet time enabled.
| enabled | A boolean indicating whether quiet time is enabled. |
|---|
Sets the Quiet Time interval.
| startTime | A Date instance indicating when Quiet Time should start. |
|---|---|
| endTime | A Date instance indicating when Quiet Time should end. |
Enables or disables sound.
| enabled | A boolean indicating whether sound is enabled. |
|---|
Set tags for the channel and update the server.
Tags should be URL-safe with a length greater than 0 and less than 127 characters. If your tag includes whitespace or special characters, we recommend URL encoding the string. To clear the current set of tags, pass an empty set to this method. If you are setting both the alias and tags at the same time, you should usesetAliasAndTags(String, Set)
to avoid making an extra
network call.
Refer to the Tag API for
more information.| tags | A set of tag strings. |
|---|
Enables or disables user notifications. User notifications are push notifications that contain an alert message and are intended to be shown to the user.
| enabled | A boolean indicating whether user push is enabled. |
|---|
Enables or disables vibration.
| enabled | A boolean indicating whether vibration is enabled. |
|---|
This method is deprecated.
As of 5.0.0. Use getPushManager()
} instead.
Returns the shared PushManager singleton instance. This call will block unless UAirship is ready.
Update registration.


Input Types : MatrixType
Output Types : ImageMap
Date : 9 January 2001
The mapping makes use of 256 colors that run through the normal spectrum
from pure red to pure blue. The colors are fully saturated and of medium
intensity. The map associates red with smaller values and blue with larger
values from the input matrix.
In the first line the user can insert the value in the input matrix that will be mapped to the lowest color, red. All values below this will not be mapped to a color in the spectrum. The first selection box at the bottom of the window governs what happens: if it is ticked then they are mapped to black. If it is un-selected, they are mapped to white. If the user leaves this value at "(auto)", then the unit will map the lowest value found in the matrix to red.
In the second line the user can insert the value of the input matrix that will be mapped to the middle color, green. All values between this and the value in the first line will be interpolated to colors between pure red and pure green. By choosing this value, the user can choose to emphasize the upper or lower range of values by giving them more color range. The interpolation is linear, unless the third selection box at the bottom of the window is set to logarithmic. Then the interpolation is linear in the logarithm, as in logarithmic axes on a graph. If the user leaves the second line at "(auto)", then the value midway (linearly or linear-logarithmically) between the values in the first and third lines will be mapped to green.
In the third line the user can insert the value of the input matrix that will be mapped to the highest color, blue. All values above this will not be mapped to a color in the spectrum. The second selection box at the botrtom of the window governs what happens: if it is ticked then they are mapped to white. If it is un-selected, they are mapped to black. If the user leaves this value at "(auto)". then the unit will map the highest value found in the matrix to blue.


--- layout: default title: Data Academy Course Calendar index: academy subnav: true permalink: /academy/calendar/ ---


BANDITS IN THE GLOBAL SHIPPING LANES
Everything seemed fine that spring afternoon as Capt. Ken Blyth
watched over the loading of his ship in Singapore. He was
skippering the Petro Ranger, a medium-size tanker with a $1.5
million cargo of jet fuel and diesel oil bound for Ho Chi Minh
City. It was a three-day turnaround. No big deal. After it was
over, he'd fly back to his home in Queensland, Australia, to
celebrate his 25th wedding anniversary the following week with his
wife, Denise.
When the Petro Ranger finally slipped its berth, it was just
another cargo vessel amid the daily parade that makes Singapore the
busiest port in the world. Not far outside the harbor is the
Horsburgh Lighthouse, the last outpost of domestic law. From
Horsburgh on, you pass into the only true frontier of the 21st
century: international waters _ the no-man's land of the new world
economy. Not technically owned or patrolled by anyone, these waters
are the last place on earth where you are truly alone.
That night, a Malaysian sailor of Indian extraction was the
officer of the watch, but instead of performing his duties, he
tuned the shortwave to his favorite Indian music station and didn't
pay attention to the radar screen.
Just after 1 a.m., the blue speedboat opened its engines.
Cruising straight up the wake, without any threat of detection, it
pulled up to the ship's stern. There were 12 pirates on board _ as
multicultural as their 18th-century avatars: seven Indonesians,
three Malaysians and two Thais. They had learned the layout of the
ship beforehand and moved with feline grace. Securing bamboo
ladders to the stern, the men scrambled to the main deck and leapt
upon the outside ladder of the accommodation housing, climbing five
stories to the open bridge. Dressed in jeans and T-shirts and with
balaclavas pulled over their faces, they appeared in the bridge's
doorway. They were armed with machetes. The officer of the watch
panicked and fled the chart room by a back exit. The lookout was
overtaken in a struggle that thumped the floor loudly enough to
awaken the captain below.
Blyth sat up in the dark, thinking perhaps that someone on the
bridge had been drinking. Suddenly, he was startled by the sound of
a loud banging at his door. Instinctively, he unlocked it. The door
blew open. Four hooded pirates waving machetes rushed in. A fifth
pirate stepped forward with a gun. He put the barrel to Blyth's
head and ordered the captain to place his hands in front of him.
The pirates bound Blyth with boat lacing. He would remain bound
for the next 13 days.
``I still have burn marks on my wrists,'' Blyth, 55, a tall,
blue-eyed Scot, recently told me.
``The pirates wanted me to go around with the master key _ the
one the captain has to unlock any door _ and round up the crew,''
Blyth recalled of that April 17, 1998, night. ``The idea was that I
would knock on the door, tell them not to worry and not to do
anything silly. Then the pirates would tell them to get their hands
out and tie them up.''
One by one, every crew member, except for the officer of the
watch and an engineer who accompanied two pirates to the engine
room, was taken and dumped in the captain's day room.
``Then they took me to the bridge,'' Blyth continued. ``I was
still tied up, and then they taped my arms and legs to the chair.
They didn't understand how to turn off the automatic pilot, and the
pirates were baffled by touch-screen computerized piloting.
Then one of the head pirates told Blyth something that convinced
him: the names of his wife and two daughters _ and their street
address.
The pirates unbound Blyth long enough for him to alter course,
taking the Petro Ranger far from the regularly trafficked corridors
of international shipping and into the maritime equivalent of a
dark alley. By the time the pirates retaped him to the chair, the
ship was still steaming northward but no longer on a course for
Vietnam.
The pirates had taped over the portholes, but the captain once
saw through a crack in the tape over the bathroom porthole that the
bottom half of his ship's identifying blue funnel had been painted
red. And could he have seen the stern, he would have found that the
Petro Ranger no longer existed. He was now aboard the ``Wilby,''
just another vessel bobbing along without notice in international
sea lanes. Over the next several days, changes in the weather and
the flies buzzing in through the vents were enough to convince
Blyth that they were nearing the China coast. Blyth theorized that
the pirates intended to meet some black-market tankers to offload
the fuel cargo. They would need Blyth and his crew to help make
that transfer. But then what?
Piracy's Rivival
Piracy on the high seas resurfaced in the mid-1980s and in
recent years has ratcheted up to a true crisis both for shippers
and recreational yachtsmen. In 1989, there were 48 acts of piracy
reported around the world; in 1999, there were 285. So far this
year, it's up by 40 percent.
The cause of piracy's revival is no different from its
appearance centuries ago. Ships serving the top trading nations
(England, Holland and Spain in the old days; America, Germany and
Japan now) are transiting through a global geography of poverty,
envy and desperation. Often these vessels are carrying on board a
king's ransom of commodities _ no longer cinnamon, indigo and flax,
but jet fuel, alkali and aluminum ingots _ all easily
black-marketed into quick money.
Modern piracy ranges from desperate fishermen pulling off petty
larcenies at sea to highly organized syndicates slaughtering crews
to steal multimillion-dollar vessels. Today's pirates are a
troubling symptom of a new world order, one shaped by a fierce
Darwinian struggle in the feral markets of modern international
trade.
Most piracy is of the mugging-at-sea variety. The pirates just
zip up in a speedboat, point a rocket launcher at the hull and
demand money. Lately it has been getting a little rougher. Last
January, an Australian couple were sailing around the world. In the
Gulf of Aden off Yemen, a small powerboat pulled up beside the
couple's catamaran; a burst of machine-gun fire tore through the
hull, wounding the wife. Four pirates boarded the boat, ripped out
some high-tech communications equipment, then left.
Of course, more ambitious pirates realize that stealing some
watches and shipboard cash is small stakes when you're dealing with
a huge vessel carrying cargo worth millions. Often the pirates will
contract with black marketeers to hawk the cargo. And they also
want the ship. This may mean repainting it at sea, obtaining fake
registration papers and then selling it or just using it themselves
to become seemingly legitimate shippers. This process, known as
phantom shipping, is costly and dangerous, requiring serious
planning and organization.
The more sophisticated forms of piracy are carried out by
Southeast Asian syndicates and Chinese triads. According to a 1998
report on piracy published by the International Chamber of
Commerce, the corporate-style organization of the syndicates is
impressive: ships can ``be hijacked to order in the Philippines for
about $300,000 and delivered within three days.''
The global reaction to the piracy revival has been, by all
accounts, slow. So the pirates aren't too scared. Ships disappear
pretty regularly and with impunity. Once a ship has been captured,
the crew faces one of two fates. In the case of the tanker Global
Mars, which was seized by pirates last Feb. 23, the 17 crewmen were
bound and blindfolded before being set off in lifeboats. But the 21
crew members of the Hualien No. 1, which disappeared with a cargo
of river sand last Feb. 28, have never turned up and are now
presumed dead. Most seamen know such stories. They hear them and
can't believe it will ever happen to them. Ken Blyth was certainly
thinking about them when one of the junior pirates told him that
their leader wished to see him at once.


Dear {{ user.full_name }},
Your project {{ project.name }} is ending
{% if delta == 1 %} tomorrow {% else %} in {{ delta }} days{% endif %}.
End of the project will lead to termination of all resources in the project.
If you are aware of that, then no actions are needed from your side.
If you need to update project end date, please update it in project details {{ project_url }}.
Thank you!


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tlmgr remove
Uninstall TeX Live packages.
By default, removed packages will be backed up to `./tlpkg/backups` under the TL installation directory.
More information: home page
- Uninstall a TeX Live package:
sudo tlmgr remove package
- Simulate uninstalling a package without making any changes:
tlmgr remove --dry-run package
- Uninstall a package without its dependencies:
sudo tlmgr remove --no-depends package
- Uninstall a package and back it up to a specific directory:
sudo tlmgr remove --backupdir path/to/directory package
- Uninstall all of TeX Live, asking for confirmation:
sudo tlmgr remove --all


Example usage:
https://atomk-fcc-reqheaderparser.glitch.me/whoami
Example output:
{"ipaddress":"XX.XX.XXX.XXX","language":"en-GB","software":"Windows NT 6.1; Win64; x64"}
Example usage:
https://atomk-fcc-reqheaderparser.glitch.me/whoami
Example output:
{"ipaddress":"XX.XX.XXX.XXX","language":"en-GB","software":"Windows NT 6.1; Win64; x64"}


Mompha: EFCC to arraign suspected internet fraudster on Monday 25
- The EFCC has fixed a date to arraign a known suspected internet fraudster, Mompha, whose real name is Ismaila Mustapha
- Mompha will be arraigned before the Federal High Court in Ikoyi, Lagos state on Monday, November 25
- The suspect, after being accused of unlawful possession of about N18.05 billion, will be prosecuted by the EFCC's lawyer, Rotimi Oyedepo
A suspected internet fraudster, Ismaila Mustapha, also known as Mompha, will be arraigned by the Economic and Financial Crimes Commission (EFCC) on Monday, November 25.
This is as the anti-graft agency has already filed a 14-count charge bordering on alleged money laundering and other related crimes against Mompha. He will be prosecuted by EFCC's lawyer, Rotimi Oyedepo, before the Federal High Court in Lagos, The Nation reports.
Among allegations levied against the suspect was that he procured Ismalob Global Investment Limited and retained its bank account the sum of N18.05 billion, which the EFCC described as proceeds deeds.
We've secured 890 convictions in 10 months - EFCC chairman Magu
Concerning Mompha, the agency said: “Ismaila, who allegedly perpetrates his fraudulent activities under the guise of being a bureau de change operator, is always seen with his little son flaunting huge amount of foreign currencies on his social media platforms.
PAY ATTENTION: Get the Latest Nigerian News Anywhere 24/7. Spend less on the Internet!
“Investigations have also revealed that Ismaila is only using the BDC business he jointly owned with his siblings as a decoy to launder his proceeds of crime.”
Earlier, Legit.ng reported that Ibrahim Magu, acting chairman of the Economic and Financial Crimes Commission (EFCC), had revealed how Ismaila Mustapha, better known as Mompha, allegedly laundered N14 billion through a firm.
Magu, said this on Thursday, October 31, revealing further that Mompha operates 51 bank accounts in Nigeria.
Using these accounts, Magu, who spoke at an interactive session in Lagos, said the suspect acquired properties in Dubai.
Maina: Court orders remand of embattled ex-pensions boss in prison
NAIJ.com (naija.ng) -> Legit.ng: Same great journalism, upgraded for better service!
Deji Adeyanju asks EFCC to investigate Tinubu | Legit TV


Rick and Morty season 4 UK release date: New episodes air next week on E4
Rick and Morty season 4 will arrive on E4 much earlier than we thought it would!
by Lewis Knight, https://www.mirror.co.uk/authors/lewis-knight/Big update, Rick and Morty fans!
The beloved animated sci-fi comedy is returning earlier than previously thought, with the Adult Swim series having its release date brought forward by UK home Channel 4.
The Adult Swim series returned on US television on November 10, 2019, but UK fans have had to wait a little long, but thankfully, much less than we previously thought.
The five new episodes will air as the first half of the fourth season, but the second half is due in 2020.
So, when can we watch the new episodes of Rick and Morty on E4?
Rick and Morty season 4 UK release date
Rick and Morty season 4 will now air in the UK on E4 on November 20, 2019 at 10pm GMT.
The series was previously said to be returning in January 2020, so this is much earlier than we thought!
Previous episodes of Rick and Morty are available on Netflix UK , but new the episodes will be aired on Channel 4 and then become available on on its catch up service All 4.
Fans will require a TV license to stream or watch the episodes live on E4, but this is not required for catch up.
The opening episode is dedicated to the late producer Mike Mendel , who passed away in September.
Rick and Morty season 4 begins on E4 on November 20, 2019 at 10pm.
 Let us know in the comments below.


Your annual sunlight hours
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Your annual sunlight hours
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The reason the graph looks like this is because of the difference in generation rates over the seasons. During summer the solar intensity is higher so you save more on energy used and also sell more energy to the grid. During the winter the opposite happens.
Read more all about it here
Initial investment into solar can seem daunting. However the savings made from generating your own energy and selling back into the grid will pay back the investment over time. Beyond that point the income and savings made from this becomes profit.
And you're reducing 1.4 tonnes of CO2 emissions every year.
My Solar Quotes is a unique service that eliminates hassle by selecting credible solar power installers for all your solar power needs.
My Solar Quotes is a service provider that instantly connects you with up to date and unbiased information on the diverse and rapidly changing solar power industry.
As a service provider, My Solar Quotes gives you instant and direct access to industry leading, premium solar power installers throughout New Zealand.
Read more My Solar Quotes
Solar Electric Technology is one of New Zealand’s leading solar companies. Our technicians have installed over 1,000 solar power, solar hot water, wind and mini-hydro systems throughout New Zealand and Australia. Experience counts, we have become the trusted name in New Zealand solar.
We offer complete energy solutions for homes and business and have a network of trained installers across the country. We provide an all in one design, installation and customer care service.
Read more eSolar
My Solar Quotes is a unique service that eliminates hassle by selecting credible solar power installers for all your solar power needs.
My Solar Quotes is a service provider that instantly connects you with up to date and unbiased information on the diverse and rapidly changing solar power industry.
As a service provider, My Solar Quotes gives you instant and direct access to industry leading, premium solar power installers throughout New Zealand.
Read more What Power Crisis


16+ Renault Logan Engine Oil Specifications Pics. What is the drivetrain, renault logan sedan 2004 1.6 i (90 hp)? Car a rac presents recommended by manufacturers oil types.
Find out how much engine oil does your car need. Acea c3 + additional renault demands. Rn0720 is designed for use in the latest generation diesel engines equipped with dpf.
The ice drives the front wheels of the vehicle.
What is the drivetrain, renault logan sedan 2004 1.6 i (90 hp)? Recommended oil for engines of renault logan. What is the drivetrain, renault logan sedan 2004 1.6 i (90 hp)? Car a rac presents recommended by manufacturers oil types.


Except as otherwise noted, the content of this page is licensed under the Creative Commons Attribution 3.0 License, and code samples are licensed under the BSD License.
©2012 Google
Except as otherwise noted, the content of this page is licensed under the Creative Commons Attribution 3.0 License, and code samples are licensed under the BSD License.
©2012 Google


Datasets and Data Sources:
Here the data sorces used for our research are listed and respective links are provided for them.
Note: We do not claim any right over any of the used data or its collection.
Golbal Terrorism Dataset:
Source:
Click Here
World Bank Dataset:
Source:
Click Here
Leading Causes of Death Dataset:
Source:
Click Here
World Database of Happiness:
Source:
Click Here
Stocks Data:
Source:
Click Here


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{% extends 'imagersite/base.html' %} {% block somecontent %}
Hello, you registered with the Imager Site and an email was sent to your account. Click on the link within the email to complete your registration.


If your school district wants us to sign a "contract" for providing you free access to Runestone academy we will now require a $100 US legal fee to review that contract. There are many ways to use Runestone without us storing PII, so think about that as an option!
Did you know that over 50,000 students registered on Runestone Academy for the August 2022 term. At $100 a textbook we saved students $5 million this semester! Thats a lot of students and a lot of savings. It takes a lot of work to keep this site up and growing. We are adding new features and improvements all the time. Please consider a donation or ask your institution to support Runestone. If every school sent us $100 per class we would be fully sustainable and could add support staff.
A huge Thank You! to those of you who have sent your support already.


PLANET SICK-BOY: http://www.sick-boy.com
Director Scott Hicks' visually stunning follow-up to the Oscar-nominated Shine appears, on its surface, to be a simple murder mystery. Instead, Snow Falling on Cedars is an intricate tale of forbidden love, humanity, integrity and decency. Based on the best-selling novel by David Guterson, Cedars is hauntingly beautiful, using long takes and close-ups that show the story more than telling it.
Set in 1954 San Piedro, a tiny fishing village north of the Puget Sound, Cedars opens aboard a ship on a particularly foggy evening. The fisherman, a meticulous, by-the-book sailor, is found the next morning washed up in his own fishing net and with multiple stab wounds. His accused killer is Kazuo Miyamoto (Rick Yune), a young man born in America but of Japanese descent. The murder and incarceration of Kazuo reawakens both the prejudices of the small town's white population, with Pearl Harbor still fresh in their minds, as well as reminding those of Japanese ancestry of their imprisonment in internment camps the previous decade.
Cedars' story concentrates on the aftermath of the death and subsequent trial, which are some of the finest courtroom scenes ever filmed. But the strength of the film is its unusual narrative structure, offering numerous flashbacks to several different periods in the history of the town. Some are directly related to the trial, while the majority of these flashbacks concentrate on the childhood relationship between Kazuo's wife Hatsue (Youki Kudoh, Mystery Train) and the son of the town's newspaper owner, Ishmael Chambers (Ethan Hawke, The Newton Boys).
Playmates as children, Hatsue and Ishmael grew closer and closer as the years passed. Knowing that she was forbidden to date white boys, the two are forced to relegate their burgeoning passion to a hollowed-out cedar tree in the woods near each of their homes. But World War II interrupts their already delicate bond; Hatsue and her family are dragged off to an internment camp, while Ishmael is sent to fight for his country. Without divulging too much of the plot, Ishmael learns that Hatsue has called off their relationship while he is overseas, and the resulting scene still gives me chills when I think about it.
In the present day, Ishmael, who has inherited the Island Review from his deceased father, recognizes the importance of the trial as it relates to the future of his town. Together with Kazuo's defense attorney Nels Gudmundsson (Max von Sydow, What Dreams May Come), Ishmael sets out to prove Kazuo's innocence, despite both the bigotry of the majority of his advertisers and subscribers and the bitterness he feels toward Kazuo for stealing the heart of the girl that he still loves.
It's tough to pick a place to begin praising the hypnotic and atmospheric Cedars. The film is jaw-in-your-lap beautiful, from the silvery-black look to the steely water at the film's beginning, to the vibrant red strawberry patches that Ishmael and Hatsue played in as children, to the blinding white blizzard that engulfs the town during the final stretch of the trial, to the darkness that hangs over the candlelit courtroom as a result of the blizzard's disruption of the building's power. This is definitely Oscar-worthy work from one of last year's nominees, Robert Richardson (The Horse Whisperer). Pleasantville's art and production teams help give the film a rich, realistic look and feel. Editor Hank Corwin (Natural Born Killers) pieces together the past and the future magnificently and without seeming like a Lone Star rip-off (unlike Simpatico). Of the behind-the-scenes work, only the score (James Newton Howard, The Sixth Sense) is slightly annoying.
It's very hard to imagine Ethan Hawke carrying a picture, and he doesn't here. It's a great role for him because he has few lines, required mostly to look good and thoughtful instead. James Cromwell (The Green Mile) is typically wonderful as the presiding judge, but von Sydow steals the show with his closing argument that all but flashes `For Your Consideration' at the bottom of the screen. His character seems bewildered and frail, but he is still obviously a legal menace, capable of swaying any jury.
Hicks, who adapted Guterson's novel with Ron Bass (Stepmom), should be praised if not just for assembling the talent necessary to pull the film off. His direction is first-rate, repeatedly using long stretches with no dialogue (especially as the Japanese are taken from their homes to the internment camps), and his World War II scene is nearly as devastating as Saving Private Ryan's Normandy invasion. Hopefully Hicks and his crew will be remembered when it's time to hand out nominations, if not awards.
2:06 - PG-13 for disturbing war images, adult situations, strong language and some sexual content
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System Architect Symbol details for "Descriptive Category"
Activity Qualifier Type (Class)
- Child Diagrams:
-
Activity Qualifier Type (
OMT Object Model)
Description:
"Descriptive Category" capable of classifying an "Activity Qualifier"
Comment:
Necessary to indicate the nature of the qualification as opposed to its value.
Examples:
In medication, "Route", "Form", "Strength", "Special Instructions" are all examples of "Activity
Qualifier Type".
Activity Type (Class)
- Child Diagrams:
-
Activity Type (
OMT Object Model)
- Description:
"Descriptive Category" capable of being used as a category for "Activities".
Associative Category (Class)
- Description:
"Category" capable of classifying associations between "Objects".
Cat/Scope (Generalization Node)
- Base Class:
Category
- Definitions Used:
-
Category (Class)
Category (Class)
- Description:
Abstraction on the basis of common properties.
Contact Method (Class)
- Child Diagrams:
-
Contact Method (
OMT Object Model)
- Description:
"Category" describing a "Subject Contact".
- Comment:
-
The population of this includes:
Postal address
Telephone number (landline / mobile)
Fax number
Email address
Telex number
Bleeper number.
DC/Describing (Generalization Node)
- Base Class:
"Descriptive Category"
- Definitions Used:
-
Descriptive Category (Class)
Descriptive Category (Class)
- Description:
"Category" capable of classifying an "Object" directly rather than by associating it with another
"Object".
- Comment:
As distinct from Associative Category.
Incident Type (Class)
- Child Diagrams:
-
Incident Type (
OMT Object Model)
- Description:
"Descriptive Category" capable of being used as a category for "Incidents".
Intention Type (Class)
- Child Diagrams:
-
Intention Type (
OMT Object Model)
- Description:
"Category" being capable of classifying a purpose of care.
Level (Class)
- Child Diagrams:
-
Level (
OMT Object Model)
- Description:
"Descriptive Category" used to describe the level to which something obtains.
Property Qualifier Type (Class)
- Child Diagrams:
-
Property Qualifier Type (
OMT Object Model)
- Description:
"Descriptive Category" capable of classifying a "Classified Property Qualifier".
- Comment:
Used to indicate how a "Property Qualifier" qualifies a "Subject Property".
- Examples:
Laterality, site (of the body).
Reason For Abandoning (Class)
- Child Diagrams:
-
Reason For Abandoning (
OMT Object Model)
- Description:
"Category" capable of classifying abandoned activities and intentions.
Reason For Rejection (Class)
- Child Diagrams:
-
Reason For Rejection (
OMT Object Model)
- Description:
"Category" capable of classifying rejected "Activities", "Foci" and "Intentions".
- Comment:
-
Attribute in CBS v2.
Extended to cover foci & intentions as well as activities.
Reason Not Required (Class)
- Child Diagrams:
-
Reason Not Required (
OMT Object Model)
- Description:
"Category" capable of classifying reasons why "Activities" are not required.
Resource Type (Class)
- Child Diagrams:
-
Resource Type (
OMT Object Model)
- Description:
"Descriptive Category" with the ability to classify "Resource Held".
State Type (Class)
- Child Diagrams:
-
"Descriptive Category" capable of classifying a state of a Class which has a documented state
transition.
Subject Characteristic Type (Class)
- Child Diagrams:
-
Subject Characteristic Type (
OMT Object Model)
- Description:
"Descriptive Category" capable of classifying a "Subject Characteristic".
- Comment:
Note that Subject Characteristic is the only type of Subject Property which is descriptive, ie not
associative.
Value Category (Class)
- Description:
"Category" which may be used to give a value to a "Category Valued PhenorQual".
- Comment:
-
Typical examples are:
"True"
"False"
"Left" (laterality)
"Right" (ditto)
"High"
"Low".
Obviously, there are sets from which selection may be made. This should be governed by constraining
selection to one out of a set of species categories within a single Classification Element.


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.msg() returns the stream itself.
More...
Public Member Functions | |
| stream_type & | msg () |
.msg() returns the stream itself.
Note that this is a very simple class - meant only as an example.
A class that implements gathering the message needs 2 things:
.out()
.msg()
that will return the gathered data (once all data has been gathered).See also:
| stream_type& boost::logging::gather::ostream_like::return_raw_stream< stream_type >::msg | ( | ) | [inline] |
note: we return the whole stream - we don't return out().str() , because the user might use a better ostream class, which could have better access to its buffer/internals