|
There are many things to do in the city of Mos Eisley. From shopping in the local marketplace “Tatooine Traders,” enjoying one of the many spa available for you or your droids, or passing your time away in one of the many cantinas filled with colorful characters. Tatooine has lots of activities for adults and children alike.
Now that there is a stronger Imperial presence here on Tatooine you can enjoy many activities outside of the city as well, such as bungee jumping into the Great Pit of Carkoon or watching the Pod Races through the outlying canyons. Or if you’re feeling lucky you might want to try Jabba’s Palace; the largest casino from here to Coruscant.
On the outskirts of town you can find the Jawa’s Traveling Droid Market. One the number one reason travelers come to Tatooine is for the droid shopping. No one is sure when or why it started, but Tatooine is the galaxies #1 used-droid dumping ground. Ships just fly by and dump unwanted droids from a low-orbit and then jump back into hyperspeed for deep-space. The Jawas scour the desert for junk droids, fix them up and sell them for the lowest prices in all the 15 kingdoms.
The Foamwander Spa is a great place to bring the droids you just purchased from the Jawa for a memory wipe and an oil bath. While your droids are relaxing at the Foamwander Spa, you can go next door to the Hutt Chuba’s restaurant and enjoy the house specialty Wortt Stew.
If you want to hear some live music as you enjoy a drink try Chalmun’s Cantina at 3112 Outer Kerner Way. Mingle with spacers and smugglers and listen to the fascinating stories they tell! Or just find a quiet booth and enjoy the planet’s most popular group, Figrin D'an and the Modal Nodes.
If you are visiting us during the fourth klekket, you should definitely rent a Landspeeder and check out the great Bantha migration. Just remember that while the increased patrols by the Imperial Walkers have made it safe to venture out that far during the day, make sure you make it back before dark. The Tusken Raiders (or Sand People as they known locally) will definitely be coming out at night to round-up a couple of Banthas for transportation.
Another fun planetary past time is to rent a T-16 Skyhopper and fly to Beggar’s Canyon to take out some womp rats. While you’re out there don’t forget to thread the needle.
Or, if you just want to take it easy you can always rent a party skiff and do some of the best sunbathing in the galaxy, courtesy of our lovely twin suns. Just don’t forget to find a peaceful place to watch the most spectacular sunset in the galaxy.
On Tattooine you can find or do just about anything you want. And we do mean anything.
|


Hello World
Hello World! The title of this post in the honour of the first program that is written while learning programming. This is my first post on the blog, and hence I'm calling it Hello World! post. I'm mainly passionate about technology and coding is my passion. I'm right now a student studying M.Tech at Manipal Institute of Technology, Manipal. The main reason of writing this blog is to share with the world what I think, and the new things that I learn. I also like learning about some cool science-related concepts esp. w.r.t. Physics. I'm also a noob Guitarist and a hobby swimmer. Other things that I like are eating and trying out different cuisines.
This blog will be dedicated to writing a lot of things, mainly about different things I learn while coding and some tips and techniques you won't easily find on the internet. I will also write about various experiences that I have while being here at Manipal, and also when I go to discover different and new places. There will be many articles that will be more like chain articles, which will be written in tutorial form which will tell how things are to be done (usually related to computer science). Another main reason behind writing this blog is to satisfy my thirst for writing. I'm not really great at writing, but I love to write a lot. And who says that you need really good grammar and vocabulary to write? I'll just write and put my own content here.
I won't go ahead boring you with my talk and go in for my next post about something that will be more interesting to read.


The SAIT Capstone project is a medical oriented web application that facilitates a better conversation between users and their medical providers. It allows the user to make daiary entries, which can be given to the medical provider for assessment. It is currently under NDA.
View CodeStack used
View screenshots
Click on the images below:
Get in touch with me karmanbadhesha@gmail.com


Unable to fall asleep at night time and suspecting some sort of depression, I saw my general practitioner who pescribed me some Stilnox sleeping tablets. I had no preconceived expectations of what these tablets might bring but was warned by the doctor to only take one at a time.
When I got the brown paper bag home I took out the box and removed the sheet of sealed tablets. The pescription told me to only take one of the tablets which were the size of a tic tac, so I pushed one out of its foil barrier and downed it with several mouthfuls of water. Immediately after this I sat down at my computer to type an email and after about 15 mins still did not start to feel any effects. I pushed another small tablet out of its foil and swallowed it and sat down again and began to type.
I tried to stand up but slumped back into the chair as my body felt too heavy for my legs to support. I giggled to myself in a woozy, heavy kind of way.  My phone rang and it was my friend wanting a to chat. I ended up asking him over to my house and when he arrived he had to carry me up the stairs to my room and I explained to him the tablets that I had taken.
Everything after that is a bit of a blur. The next morning I woke up and there was a used condom on the floor next to my bed and a big puke stain on the carpet. Apparently my friend proceeded to have sex with me after he carried me to my room however I do not remember consenting as I do not remember the act itself. I felt very lethargic the next morning and cleaned up the puke which was presumably mine.
I took the tablets once more after this incident when I was experiencing a particularly horrifying unrinry tract infection and was home alone. I thought I was going to die of pain and there was no one to take me to the hospital, further more I could not walk or crawl to get the phone to call the ambulance as I was curled up in a ball of the most terrifying pain of my life. I managed to get two stilnox into me as I hoped they would knock me out and dull the pain. All they successfully did was make me as dopy as I have previously described.
It has been my experience that sleeping tablets when taken in moderation can be a useful tool in gaining sleep but when taken unwisely can cause blackouts in memory, which in turn can make you a vunerable target.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


--- title: Bibliography Management author: IJ date: '2019-11-29' slug: bibliography-management categories: - R tags: - Rmarkdown subtitle: '' summary: '' authors: [] lastmod: '2019-11-29T11:57:03+01:00' featured: no image: caption: '' focal_point: '' preview_only: no projects: [] link-citations: yes references: - id: xie2016bookdown title: 'Bookdown: Authoring Books and Technical Documents with R Markdown' author: - family: 'Xie' given: 'Yihui' publisher: 'CRC Press' type: book issued: year: '2016' ---
Citation, references and bibliography may take some times. Especially if you do not anticipate that.
Here are some tricks or solutions I have found for specific challenges and situations during the conversion of my materials into another type using R.
Quite simple, evenif you do not master BibTeX.
You need a BibTeX file, with extension .bib
. This is a simple text file containing description of the metadata of the references (title, author, year, etc.)
Bibtex uses a specific format as follows:
@article{RCoreTeam,
Title = {R: A Language and Environment for Statistical Computing},
Author = {{R Core Team}},
Year = {2015},
Type = {Journal Article},
Url = {http://www.R-project.org}
}
@book{xie2016bookdown,
title={Bookdown: Authoring Books and Technical Documents with R Markdown},
author={Xie, Yihui},
year={2016},
publisher={CRC Press}
}
@article
and @book
identifies the reference type which may have specific fields (ex: publisher
). Many other types exist.
In the YAML of your document after the output definition you add:
output: pdf_document
bibliography: [Liste_Publi1.bib]
link-citations: yes
nocite: '@*'
bibliography:
indicates the .bib
file or files and path : [Liste_Publi1.bib, common/Liste_Publi2.bib]
link-citations: yes
: makes each citation linked to the reference in the bibliography section.nocite: '@*'
: where '@*'
is for all references in the bib file. You can choose specific references that are not cited in the text, but that you want appear in the bibliography:nocite: |
@item1, @item2
Objective: Transform my 90 references list (.txt) into a BibTeX file (.bib).
I use text2bib free online tool, developped and maintained at Toronto University by Martin J. Osborne and Fabian Qifei Bai.
@article
to @inbook
).txt
file of your references list. In this file, each line is a standardized reference. References/lines are separated by blank line (return)Add item to BibTeX file and continue
Display current BibTeX file (in new window)
or Save current BibTeX file
, to view or save the bibtex file agregating your checked references.Finally I create a .rmd
file containing all the references (see section above)
Xie, Yihui. 2016. Bookdown: Authoring Books and Technical Documents with R Markdown. CRC Press.


This interactive graphic describes the processes that affect how long gases stay in the atmosphere and the ways in which they can leave.
Gases enter the atmosphere when they are emitted from natural sources (resulting from biological processes) or from human activities. Many warming gases can only be created by human activities.
Long-lived gases leave the atmosphere slowly. They tend to be more chemically stable, reacting less readily with sunlight or other gases in the atmosphere. As a result, their warming effect continues over hundreds or thousands of years.
Short-lived gases are more reactive than long-lived gases and thus leave the atmosphere at a faster rate. Though they only stay in the atmosphere for days to decades, many of these gases can trap more heat in a short time than others do over many years.
Once emitted, both short-lived and long-lived gases can leave the atmosphere in several different ways.
Many gases react with sunlight or other trace molecules in the atmosphere. Some transform into other molecules that no longer trap heat. Others transform into substances that continue to trap heat, sometimes even more heat than the original gas.
When gases get absorbed into rain, snow, or fog, they can fall to the ground as precipitation (wet deposition). They can also combine with dust or smoke to fall to the ground as solids (dry deposition).
Plants remove CO2 from the atmosphere to use as energy for photosynthesis, which allows carbon to be stored in plants and soils. Oceans also absorb gases and serve as large storage reservoirs for long-lived gases.


Parrots, also known as psittacines are birds of the roughly 393 species in 92 genera that make up the order Psittaciformes, found in most tropical and subtropical regions. The order is subdivided into three superfamilies: the Psittacoidea ("true"
parrots), the Cacatuoidea (cockatoos), and the Strigopoidea (New Zealand parrots). Parrots have a generally pantropical distribution with several species inhabiting temperate regions in the Southern Hemisphere, as well. The greatest diversity
of parrots is in South America and Australasia.
Characteristic features of parrots include a strong, curved bill, an upright stance, strong legs, and clawed zygodactyl feet. Many parrots are vividly coloured, and some are multi-coloured.  They form the most variably sized bird order in terms of length. The most important components of most parrots' diets are seeds, nuts, fruit, buds, and other plant material. A few species sometimes eat animals and carrion,
while the lories and lorikeets are specialised for feeding on floral nectar and soft fruits. Almost all parrots nest in tree hollows (or nest boxes in captivity), and lay white eggs from which hatch altricial (helpless) young.
Parrots, along with ravens, crows, jays, and magpies, are among the most intelligent birds, and the ability of some species to imitate human voices enhances their popularity as pets. Trapping wild parrots for the pet trade, as well as hunting,
habitat loss, and competition from invasive species, has diminished wild populations, with parrots being subjected to more exploitation than any other group of birds. Measures taken to conserve the habitats of some high-profile charismatic species
have also protected many of the less charismatic species living in the same ecosystems.
Our Mission is to put an end to the factors that are driving parrots to extinctions and revive the once numerous population of these birds to its original state.
Parrots Face Many problems in both thge wild and captivity. every year thousands of parrots are killed due to human caused habitat loss. Forests are being mowed doen to provide space and resources for buikdings and human architecture, without the native resources and shelter parrots are left scandering around into human territory where they risk capture and death from human interaction. Parrots Also face Poaching for thier beautiful feathers as well as the illegal animal trade. Parrots are captured and forced to breed with other parrots and smuggled around the world for pet enthusiasts who want to brag about their exotic pets.
When people buy parrots most are drawn to their colors and ability to mimic speech. Most people who buy them don't know how to take care of them or don't provide the ideal environment they need to thrive indoors. Parrots are LOUD and MESSY they scream and repeat words that you might not have wanted them to pick up, Some owners get annoyed with this and end up giving the animal away. In Captivity parrots also face behavioral problems such as plucking and risk bacterial diseases that can be transmitted from humans.


Mobilize
I’m working with Mobilize. which is a startup aiming to disrupt the way companies interact with their community. Their solution is a platform where a company can interact with its entire community, without requiring all of its members to sign in to a social network. Since Mobilize's clients vary from non-profit organizations to on-demand workforce or corporates, many features for the different use-cases are needed, which makes the platform rather complicated. My mission in Mobilize is to help the platform be as simple as possible for the user, and also make sure it looks friendly and professional.


Welcome to SkiBurgers
Select Burger
{{burger.id}}
- {{item}}
Customer information
This is where you provide necessary information
Delivery information
Click in the map!
Open dispatcher in new window.
{{"T"}}
Order confirmation
Customer-details
Name: {{ name }}
Email: {{ email }}
Gender: {{ Gender }}
Paymentmethod: {{ recipient }}


Plymouth landlord admits gas safety offences at home he rented out
Thomas Brumby, aged 42, failed to get appliances checked in rented property
by Stuart AbelA landlord has pleaded guilty to failing to get the gas appliances checked in a home he rented out.
Thomas Brumby, aged 42, attended Plymouth Crown Court to admit two counts of breaching health and safety laws.
He pleaded guilty to going at least a year without having his appliances and flue checked between 2015 and 2018.
Barrister Sam Jones, for the Health and Safety Executive, said that Brumby had submitted a basis of plea – or his version of events.
He said: “He says that he made efforts to contact the defendant to arrange for an inspection of the boiler to take place in the course of the tenancy.
“The prosecution written response does not accept that.”
Judge Paul Darlow said that case would have to be adjourned for a Newton hearing – or a fact-finding hearing without a jury.
Brumby, of Canterbury Drive, Whitleigh, was released on bail for a date to be fixed.


Fall Class List
- Financial Literacy
- Chinese 3
- English
- History
- Advanced Algebra
- Innovations
- Computational Thinking
- Chemistry
Winter Class List
- Software Development
- Chinese 3
- English
- History
- Advanced Algebra
- PE
- Strength and Conditioning
- Chemistry
Spring Class List
- N/A
- Chinese 3
- English
- History
- Advanced Algebra
- N/A
- N/A
- Chemistry


This is intended to demonstrate a single page application. In this type of application, there is generally only one view. Additional contents are brought into the view by JavaScript code that makes requests for data and alters the DOM accordingly.
@* singlePageApp Template File *@ @()(implicit request: RequestHeader) @main("Single Page Application") {
This is intended to demonstrate a single page application. In this type of application, there is generally only one view. Additional contents are brought into the view by JavaScript code that makes requests for data and alters the DOM accordingly.


record ALLEGRO_LOCKED_REGION
Unit
Allegro5
Declaration
type ALLEGRO_LOCKED_REGION = record
Description
Users who wish to manually edit or read from a bitmap are required to lock it first. The ALLEGRO_LOCKED_REGION structure represents the locked region of the bitmap. This call will work with any bitmap, including memory bitmaps.
See also
- al_lock_bitmap
- Lock an entire bitmap for reading or writing.
- al_lock_bitmap_region
- Like al_lock_bitmap, but only locks a specific area of the bitmap.
- al_unlock_bitmap
- Unlock a previously locked bitmap or bitmap region.
- ALLEGRO_PIXEL_FORMAT
- Pixel formats.
Overview
Fields
Description
Fields
data: AL_VOIDptr; |
|
Points to the leftmost pixel of the first row (row 0) of the locked region.
|
format: AL_INT; |
|
Indicates the pixel format of the data.
|
pitch: AL_INT; |
|
Gives the size in bytes of a single row (also known as the stride). The pitch may be greater than width * pixel_size due to padding; this is not uncommon. It is also not uncommon for the pitch to be negative (the bitmap may be upside down).
|
pixel_size: AL_INT; |
|
Number of bytes used to represent a single pixel.
|
Generated by PasDoc 0.14.0.
|


| DOSE: |
16 mg |
oral |
2C-I |
(capsule) |
| |
22 mg |
oral |
2C-I |
(capsule) |
I would like to share a little about my first two trials with 2C-I. This was the first halo-phenethylamine that I have taken. I recorded quite a few of my thoughts after the first experience, and I had a very good feeling for what the drug's properties are after only one try. The follow-up experience allowed me to discover how the effects of 2C-I differ across the dosage spectrum, however I preferred to include the second episode as a footnote rather than a separate report.
I had taken only one phenethylamine before this, that being 2C-E. I hoped this would provide a lighter, more enjoyable experience, but I knew quite well the unpredictable power of the 2C family. I took my 2C-I in the form of gel capsules. My sample of 2C-I hydrochloride powder had a classic appearance to it: Puffy and fluffy in consistency. It formed into white, spherical pellets that stuck together. These ultimately build up into interestingly textured structures that somewhat resemble styrophome packing kernels.
-First Trial-
16 Milligrams were taken orally at 11:30AM on a Sunday. Nothing much was felt for at least 45 minutes.
Around T+1:00, I started to feel mildly stimulated, and time seemed to be drawing out, but in an uncertain way. I could not tell whether the flow of time was speeding up or slowing down. I felt the substance as a warm, bubbly blob melting down in my stomach. It was a benevolent-feeling thing.
Around T+1:30, a strong, immersive bodily feeling developed, as well as a brightening of colors. First I felt the substances warm energy coursing out into my fingers and toes. Whereas at first the 2C-I just lurked in the center of my body, now it was fully enveloping all my features. Then it seemed as if an invisible ring passed down over me, hovering from my head down to my feet. As this dividing line moved by, broad sections of the color spectrum were replaced with new, brighter tones. The vivid new colors stayed for the next several hours. In spite of the brightened colors I saw, there was no visual movement whatsoever. Lines did not curve, textures did not crawl, walls did not breath or flow. This made the overall visual effect decidedly subtler than with the other psychedelics I have taken.
Around T+2:00 I began experiencing 'emotional hallucinations'. I turned on my television at one point. An appalling hack comedian appeared, performing a tired puppet act for a somewhat baffled audience. A typical bad TV show. Except that every mediocre joke, every hint of social awkwardness, every irritating element stood out immensely. My ordinary ability to tune out annoying words and thoughts had been snatched away. I realized that my emotions were wide open and exposed to all stimuli.
At T+2:30 I was listening to familiar music and keeping my mood in positive territory. The music itself sounded normal, with no auditory distortion. However, my feelings about the music were intensified. Excitement for music, relaxation from music, nostalgia and memories of the people who introduced me to certain songs, these emotions were tremendous. The music itself was small in relation.
Throughout the 2C-I experience, I found myself alternating between intense internal dialogues within my own mind, balanced with the impulse to socialize with others. At some point on 2C-I, the urge to talk to a friend or just go find people to be with can become overwhelming. I could socialize just fine on 2C-I, and functioned rationally. I may have seemed a bit hyper-sensitive, however, as a result of my increased empathy, the openness of my thoughts and feelings was difficult to conceal.
The effects changed very slowly over the course of the peak period, which was mainly from T+2 hours to T+6 hours. Initially, I felt the drug sinking into my stomach, giving off warm tingling sensations. I visualized it as a little energy reactor in my stomach, discharging miniature lightning bolts in random directions. Later the sensations shifted from my stomach up towards my head. The 2C-I eventually manifested as a swirling light in the back of my skull, touching its tendrils into my thoughts and ideas, amplifying any emotions it chose to. When the light receded, it left behind a slight dizzy, aching feeling in my head. The drug's effects ended after about 8.5 hours. The after-effects were mild and I was completely back to normal by the next day.
-Second Trial-
About a month and a half later, a 22 milligram capsule of 2C-I was taken at 12:05PM on a Saturday afternoon.
At T+0:45, Initial effects were detected. Color brightening occurred fairly suddenly. A slight tightness in the chest was noted. There were racing thoughts and the urge to socialize. Energy crept out from the stomach towards the fingers and toes.
At T+1:30 the psychedelic effects of the substance had fully developed.
While I was walking outdoors, I noticed two visual effects that were not present during the first experiment. First, there was a slight tracer effect, most evident with bright lights. When I looked at a traffic light and then looked away, the red or green light would carry, superimposed briefly over whatever else I looked at. In a second or so it would fade away. Second, there was closed-eye imagery that was definitely more vivid than what I would see while sober. I remember seeing numerous glowing white spots when I closed my eyes, flashing like never-ending fireworks. However, there was still no movement or curvature of straight lines with eyes opened.
Around T+2:15 I came back from outside and realized that a nasty physical feeling was setting in. I was dizzy, sweaty, jittery, and a little nauseous. Sadly, once the bodily feeling became uncomfortable, I began to doubt and question the substance. The rest of the experience became tainted with my own negativity. For the next couple hours, I felt the need to take care of my mildly ill body and I could not be out in public. Sadly, this undermined the magic of 2C-I, as I see its social element as being a large portion of its potential. My body and my mood improved over time, but there was a nagging discomfort that couldn't be entirely shaken. The symptoms were reminiscent of coming up on my first 2C-E experience, especially the sweating and temperature irregularity that occurred. However, these side effects manifested more mildly with 2C-I than they had with 2C-E.
Around T+5:00 an unusual effect was noted: Auditory hallucinations. I detected a crackling, hissing undercurrent in a mostly-silent room. It was subtle, but noticeable. It was as if I had begun to visualize the substance's jittery energy current using my ears. I was hearing the excess energy within my own body.
Around T+6:00 I noted something else unusual: Fairly extreme pupil dilation. This seemed odd given that the visual, emotional, and physical effects of the substance were all at full strength by T+2 hours, and pupil dilation at that time was mild. It seemed like, only when the compound's effects were finally beginning to recede, did full pupil dilation occur. During the first experience, pupil dilation was consistently mild. Strange...
The effects at this dose lasted about 10 hours. Again, I was completely back to normal by the next day.
-Conclusions-
I found that 2C-I emphasizes emotional and physical effects primarily, with subtle sensorial alterations. During both trials, physical effects and altered colors were noticed first, and empathogenic qualities developed a bit later.
The first time I took 2C-I I was a little disappointed by its subtlety. I had read about some users seeing vivid, 2C-B-like visual effects. This was nothing like what I encountered. There was no persian rug overlay flapping about, or even shifting lines and wiggling textures. The experience, however, was interesting on an emotional level and enjoyable on the whole. The substance certainly showed some promise.
The second time I took 2C-I, I discovered that its subtlety is it's charm. Higher doses seem to have little to offer. The slightly fuller psychedelic effects at a higher dose were worth examining, and it does start to become partially synaesthetic (as with lower doses of 2C-E). But the overriding feeling of the experience becomes far less euphoric. The need for balance quickly became apparent, and 6 milligrams was just too much of an increase.
This substance could be good for socialization, and probably has some therapeutic value as well. It was not quite as stimulating as expected, with little raise in pulse rate, especially at the 16 milligram dosage. In fact, it might even be possible to meditate on a low to moderate dose of this substance. 2C-I would be a reasonably good option for initiating the unfamiliar into the world of the phenethylamines.
I am not experienced with MDMA or any true empathogen and I do not have any particular passion or obsession for the family. The only drugs I seem to be able to completely accept and love are the psychedelics. And due to my own prejudices, I find 2C-I a little bit dull. Those who have a true and equal appreciation for both empathogens and psychedelics will consider this to be a treasure. It is not the most sensorially immersive substance in the world. But it enjoyable at the right dose, with a unique and worthwhile effect.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Enter the "value" of browser history to change the location of the web-page to-
Click on the following button to show the protocol of this web page using the window.history.go method:-


- You can search on a partial or complete account name.
- The search string you supply will be automatically wild-carded at the beginning and end.
- Searches are case-insensitive.
- If you do not supply any search string, the search will match all accounts.
The account info page has three components:
- The "Set Account" button. Pressing this button will set the current account for any subsequent message or address search (until a new current account is set). In addition, the results of any previous search still visible under the "Results" tab will be deleted.
- Account attributes.
- A list of folders in the account.


This is simple service of items
Menu
Navigation
Signig
Registration
What do youre want?
Add item
Update item
Delete item
Sorted by done
Id:
Description:
Created
Done
ID
Description
Created
Done


Here's a time line of Dr. Madame C.J. Walker's Life
Born Sarah Breedlove on December 23rd, 1867 on a cotton plantation.
Got married to Moses McWilliams at the age of 14 and gave birth to A'leila on June 6, 1885.
In the early 1890s, she developed a scalp condition that caused her to lose much of her hair. This inspired her to begin experimenting with different haif products and indredients to find a remedy for her hair troubles.
In 1905, Annie Malone hired Sarah as a sales agent to sell hair care products.
In 1908, Madame Walker opened a beauty school and factory in Pittsburgh.
In 1918, Madame C.J. Walker built a mansion that she named Villa Lewaro.
Walker died in 1919 due to hypertension and funeral services were held at Villa Lewaro.
Madame Walker was a business woman and philanthropist.
Don't sit down and wait for opportunities to come. Get up and make them."
- Madame C.J. Walker
Read more about the incredible accomplishments of Madame Walker Here.


Luigi
Classes
Event
Layout
Widget
Lovely User Interfaces for Game Inventors
A UI library for LÖVE 0.10.0 and 0.9.2
Classes
Event
Event class.
Layout
A Layout contains a tree of widgets with a single
root
widget.
Widget
Widget class.
generated by
LDoc 1.4.3
Last updated 2015-11-09 17:17:21


Hoogle
Hoogle is a Haskell type search engine which can be used online or installed locally.
$ cabal install hoogle
Hoogle can be used from the command line as well from GHCi by adding the following lines to your .ghc/ghci.conf
:def hoogle \s -> return $ ":! hoogle --count=15 \"" ++ s ++ "\""
For instance if we forgot the name of the function associated with (a -> m b) -> [a] -> m b
) we could ask hoogle for functions matching. Indeed we see that mapM_
is in the list.
syntastic
Syntastic is a syntax checking plugin for a variety of languages, including Haskell. It integrates with a either ghcmod or hdevtools to provide type errors inline.
To toggle between active or passive type checking we can enable the following key bindings:
map <silent> <Leader>e :Errors<CR>
map <Leader>s :SyntasticToggleMode<CR>
To always show the errors list when editing we can set the following flag:
let g:syntastic_auto_loc_list=1
ghc-mod
ghcmod is a command line tool to analyze Haskell source. It integrates with syntastic to provide integration with GHCi.
$ cabal install ghc-mod
Pressing ( tu
) can then be used to update the background GHC process with the file (from disk). This updates the tagbar and allows you to fill in any missing types by highlighting the toplevel function definition and pressing ( tw
) to infer the corresponding type signature of the highlighted toplevel function and add it to the line above. As usual the signature is the inferred by GHC is guaranteed to be the most general type, not necessarily the most usefull one.
" Reload
map <silent> tu :call GHC_BrowseAll()<CR>
" Type Lookup
map <silent> tw :call GHC_ShowType(1)<CR>
hdevtools
$ cabal install hdevtools
To enable, first install syntastic and then add the following to your .vimrc
.
au FileType haskell nnoremap <buffer> <F1> :HdevtoolsType<CR>
au FileType haskell nnoremap <buffer> <silent> <F2> :HdevtoolsClear<CR>
au FileType haskell nnoremap <buffer> <silent> <F3> :HdevtoolsInfo<CR>
Pressing ( F1
) in Normal mode shows the type under the cursor. Pressing it repeatedly expands the selection to the parent expression up to the toplevel function definition.
Pressing ( F3
) in Normal mode will show further information about type classes, data constructors or functions, including the source location of definition.
hlint
Hlint is a source linter for Haskell which can provide a selection of hints for helping improve your code stylistic and functionally. For instance if you happen to implement one of many Prelude functions it can suggest that you use the builtin instead.
$ cabal install hlint
tagbar
Tagbar is a plugin for browsing the toplevel definitions in a file. It integrates with ghcmod to generate the tags from
The tags are updated upon write, to open the tagbar bind :TagbarToggle
to your key of choice;
nmap <leader>= :TagbarToggle<CR>
let g:tagbar_autofocus = 1
vim-slime
vim-slime
is a plugin to allow one-way communication between vim and a tmux shell, allowing you to interactively send code to ghci. To integrate with tmux add the following to your .vimrc
, then start a separate terminal process running tmux
and ghci
.
let g:slime_target = "tmux"
let g:slime_paste_file = tempname()
In visual mode you now press ( Ctrl-C Ctrl-C
) to send the current block to the tmux session. Upon initial load it will prompt you for the tmux session name and vim panel.
pointfree
Pointfree is a syntax rewriter to eliminate unneccesary free variables from an expression.
$ cabal install pointfree
Then add the following to your .vimrc
.
autocmd BufEnter *.hs set formatprg=pointfree
In visual mode you can now press gq
to convert a expression to it’s pointfree form. Though quite often the resulting form is more obfuscated than the original.


|
About the Collection
The UCSF Japanese Woodblock Print Collection consists of four hundred Japanese woodblock prints on health-related themes. It is the largest collection of woodblock prints related to health in the United States and an important component of the Library's East Asian Collection. In 1963, UCSF Provost and University Librarian, later Chancellor, John B. de C. Saunders, M.D., started the East Asian Collection, which was then developed over the next thirty years by Librarian/Curator Atsumi Minami. Mrs. Minami traveled to Japan and China and purchased items from various smaller, private collections, acquiring the woodblock prints as well as hundreds of rare Chinese and Japanese medical texts, manuscripts, and painted scrolls. The Japanese woodblock prints offer a visual account of Japanese medical knowledge in the late Edo and Meiji periods. The majority of the prints date to the mid-late nineteenth century, when Japan was opening to the West after almost two hundred and fifty years of self-imposed isolation. The prints are housed in the Library's Archives and Special Collections. Rotating exhibits of the prints and other items from the East Asian Collection appear in the first floor gallery of the Library. In 2003, the California Digital Library funded the project to make digital images of the prints available online. The project involved translating titles of the prints into English, updating catalog information, digitally photographing the prints, and ingesting the metadata and digital images into the CDL's website Calisphere. How to search the collectionEnter one or more keywords (subject, artist's name, etc.) in the search box and choose either "all terms" or "any terms." Narrow your search: Enter multiple keywords and choose "all terms" for Boolean AND. Results will be returned only when ALL of the keywords appear. For example: measles smallpox will only retrieve items pertaining to both measles and smallpox. Expand your search: Enter multiple keywords and choose "any terms" for Boolean OR. For example: measles smallpox will retrieve items pertaining to measles as well as those pertaining to smallpox. Exact phrase: Use quotes [" "] to search for an exact phrase. For example: "women's health" "Taiso, Yoshitoshi" Truncation: An asterisk [*] can be used as a wildcard to replace one or many characters. For example: buddh* will retrieve items tagged as Buddha, Buddhism, and Buddhist. Website Credits and AcknowledgementsUCSF Library staff
We are grateful to the following UCSF Library staff for
their support of the project:
Theme essays
English translations of print titles
California Digital Library staff
Website design
Digital photography
Cataloging and metadata
Funding for the digitization of the UCSF Japanese Woodblock Print Collection was provided by the California Digital Library. ReferencesItō Kyōko, "Disease Prevention Prints," Daruma 40 (10:4) (Autumn 2003), pp. 13-33. Jannetta, Ann Bowman, Epidemics and Mortality in Early Modern Japan (Princeton: Princeton University Press, 1987). Rottermund, Hartmut O., "Demonic Affliction or Contagious Disease? Changing Perceptions of Smallpox in the Late Edo Period," Japanese Journal of Religious Studies 2001 (28:3-4), pp. 373-398. Salter, Rebecca. Japanese Popular Prints. From votive slips to playing cards (Honolulu: University of Hawai'i Press, 2006). Tanaka Yūko, "The Cyclical Sensibility of Edo-Period Japan," Japan Echo 25:2 (April 1998), pp. 12-16.
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{% include sidenav.html %} | ||


Instructor:Yunyung Lee
Software engineering goes well beyond software development. It involves understanding customer needs, planning the development process, teamwork, maintenance, and analysis and evaluation tasks, such as testing, verification, and validation. In CS 521/621, we will explore the state-of-the-art research in techniques that make analysis and evaluation of software easier. Concurrently, student groups will engage in research to push forward that state of the art.This term will cover the following topics: static, dynamic, and speculative analyses; model inference, model checking, and formal verification; bug localization; mutation and regression testing, and symbolic execution. Becoming familiar, and a part of cutting-edge research will constitute a major part of this class. There will be three research aspects of the class: The lectures and assignments will draw on the latest research in software engineering The students will, either individually or in pairs, engage in reading and presenting to the class existing research from recent premier conferences and journals. The students will summarize the work in writing and in a class presentation, and will lead a class discussion. The students, either individually or in groups of up to four, will engage in a term-long project to advance the state of the art of one of the above topics. The students will identify a shortcoming of today's techniques, review the relevant literature, develop a novel technique that addresses the shortcoming, and evaluate the technique against the state of the art. Finally, the goal is for students to write a research paper describing their work worthy of submission to a research conference.
Seats Available:
Classroom: RH 201
Hours: Mon-Wed 2.30 - 3.45
Course Ratings:
Instructor Ratings:
Shee’s absolutely awesome at teaching but sometimes the course matter seems a little bit rushed. This is a rare occurrence but I did find myself hung up a couple of times due to this.
I wish I could provide constructive criticism, but I can’t. Absolutely fantastic.
great teacher, great class. You could tell she genuinely cared about making the material interesting and comprehensible to everyone. Great attitude about teaching, highly recommended”


OUT TO SEA A film review by Andrew Hicks Copyright 1997 Andrew Hicks / Fatboy Productions
(1997) *1/2 (out of four)
The latest tired collaboration from Jack Lemmon and Walter Matthau is called OUT TO SEA, which is where screenwriter Robert Nelson Jacobs should be sent. It's one more 100-minute collection of lame jokes, one-note sitcom characters and chances for Lemmon and Matthau to call each other "putz" and "schmuck" in every scene. There aren't too many movies that are simultaneously geriatric and childish, but OUT TO SEA manages to embarrass itself on both counts.
This movie is essentially GRUMPY OLD MEN on a cruise ship -- GRUMPY OLD MEN AND THE SEA. (I wonder how many other movie critics, Internet and print, will think they coined that one themselves.)  The solution: why, isn't it transparent?
Small-time con man he is, Matthau signs himself and Lemmon up as dance instructors so they won't have to pay for the cruise. Lemmon can dance like Astaire livening up a bored night at the nursing home, but Matthau can't dance a lick. It opens the door for so many sitcom situations, like the inevitable montage in which Lemmon tries to teach Matthau to dance (in a comically-bad way, of course) and two men walk in on them during a tender slow-dance moment. Call it "83's Company." Soon, Matthau is trying to romance Dyan Cannon, plastic surgery casefile #459, and Lemmon is trying to get over his ex-wife with a silver-haired siren.
For a bad movie, OUT TO SEA has a great supporting cast. Most of them are aging, out-of-work actors who will apparently say or do anything if a big enough carrot is dangled in front of them. Donald "Make 'em Laugh" O'Conner is one of the genuine dance instructors, and does a couple interesting tap numbers, but we all know he'd dislocate a hip if he tried to duplicate his SINGIN' IN THE RAIN wall flips. Hal "Barney Miller" Linden is another dance instructor who has maybe five lines tops. Rue "Blanche" McClenahan is the owner of the ship who is the victim of a painfully bad dance with Matthau.
But the down-and-out prize goes to Brent "Data" Spiner, who plays the movie's villain, a militant cruise director who relishes his chance to perform cheesy song-and-dance numbers for captive passengers. Spiner does well bringing the best-written character in the movie to life, although like the others he still doesn't have a whole lot to work with. Still, it's fun to watch Spiner do the lounge act, knowing he released a real-life lounge failure album by the name of "Old Yellow Eyes is Back."
OUT TO SEA was a lot of fun for the actors to make, I'm sure. It comes complete with the usual grumpy old blooper reel that has Lemmon and Matthau laughing and cussing it up, but each one of these old fart movies gets increasingly hard to bear. The first GRUMPY had a lot of funny moments, but the second was a seldom- amusing rehash. OUT TO SEA, at its best, seems to contain the most mediocre moments of both. Lemmon and Matthau, you were great in the '60s but now you're a couple tired old men. The only way to succeed now is to pick a script that's not as tired as you schmucks. Geez, now I sound grumpy.
--
Visit the Movie Critic at LARGE homepage at http://www.missouri.edu/~c667778/movies.html
Serving America For Nearly 1/25th of a Century!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Login System Tutorial Part 3 - Sending Request¶
In this tutorial, we will talk about sending data from login form in HTML to the LoginHandler.
Go to login.go in views folder and initialize the User model inside the LoginHandler function.
// LoginHandler !
func LoginHandler(w http.ResponseWriter, r *http.Request) {
// Some codes
// Initialize the User model from uAdmin
user := uadmin.User{}
}
Let’s create a validation whether the user submits requests in the HTML form and if the value of the request is “login”.
// Check if the user submits request in HTML form
if r.Method == "POST" {
// Check if the value of the request is login
if r.FormValue("request") == "login" {
}
}
Inside the r.FormValue(“request”) condition, check if the username from the HTML form contains a value.
// Create the parameter of "username"
username := r.FormValue("username")
// Get the user record where username is the assigned value
uadmin.Get(&user, "username=?", username)
// Print the result
uadmin.Trail(uadmin.DEBUG, "Username: %s", username)
Now run your application and go to the login path in the address bar (e.g. http://<IP_ADDRESS>:8080/login/). Assign the username in the login form (e.g. admin). Click Login button to submit.
Check your terminal for the result.
[ DEBUG ] Username: admin
Exit your application. Go to the login.go in the views folder. Create a validation whether the fetched record from the User model is existing. Inside the validation, assign the parameters then check if the password and OTP password contains a value.
// Check if the fetched record is existing in the User model
if user.ID > 0 {
// Create the parameters of "password" and "otp_pass"
password := r.FormValue("password")
otpPass := r.FormValue("otp_pass")
// Print results
uadmin.Trail(uadmin.DEBUG, "Password: %s", password)
uadmin.Trail(uadmin.DEBUG, "OTP Password: %s", otpPass)
}
Now run your application and go to the login path in the address bar (e.g. http://<IP_ADDRESS>:8080/login/). Assign the username, password, and OTP password in the login form (e.g. admin, admin, 123456). Click Login button to submit.
Check your terminal for the result.
[ DEBUG ] Username: admin
[ DEBUG ] Password: admin
[ DEBUG ] OTP Password: 123456
Click here to view our progress so far.
In the next part, we will discuss about checking the status of the user login with and without OTP validation.


FirstName
Firstname is required.
Firstname must be at least 3 characters.
LastName
LastName is required.
LastName must be at least 3 characters.
Rank
{{type}}
Rank is required.
Military ID
Military ID is required.
Military ID must be at least 5 digits.
Platoon
{{type}}
Platoon is required.
Physical fitness class
{{type}}
Physical fitness class required.


Dataset of 302 measurements of 11 fish species to accompany the manuscript "Length-weight relationships of six freshwater fish species from lake Kirkkojarvi, Finland".
| Version: | 1.0.0 |
| Depends: | R (≥ 2.7.0) |
| Published: | 2016-09-16 |
| Author: | Jose Gama [aut, cre] |
| Maintainer: | Jose Gama <rxprtgama at gmail.com> |
| License: | GPL (≥ 3) |
| NeedsCompilation: | no |
| CRAN checks: | fishkirkko2015 results |
| Reference manual: | fishkirkko2015.pdf |
| Package source: | fishkirkko2015_1.0.0.tar.gz |
| Windows binaries: | r-devel: fishkirkko2015_1.0.0.zip, r-release: fishkirkko2015_1.0.0.zip, r-oldrel: fishkirkko2015_1.0.0.zip |
| OS X binaries: | r-release: fishkirkko2015_1.0.0.tgz, r-oldrel: fishkirkko2015_1.0.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=fishkirkko2015 to link to this page.


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Psalms 36:12
There are the workers of iniquity fallen: they are cast down, and shall not be able to rise.


I love making maps, I also love making gifs. In this short post I make an animated gif of parts of a map moving. In this case the parts of the map only move in the xy direction, but you can also turn them, and make them bigger or smaller. Today I show you how I made a part of the Netherlands ‘float away’. It is part of a larger nonsense project (I have many silly projects), and mostly just to document my path to learning about spatial analytics.
End result :
General principles
- make small functions that do one thing well (not that small in this case)
- combine those
- make imagemagick canvas
- write to the canvas
- animate the canvas
loading libraries and data
suppressMessages(library(tidyverse)) # ggplot2, dplyr, purrr, etc.
library(magick)
library(sf)
library(paletti) # thanks @edwinthoen
# colorscheme
dutchmasters_fill <- get_scale_fill(get_pal(dutchmasters))
# the data
NLD <- read_sf("data/NLD_adm1.shp") # I cannot redistribute the data from GADM, but you can download and use it for your projects
basic functions
I created a function that takes a name, uses that to filter the data and apply a transformation on that part only. (a mutate_if() could also work, but I didn’t know how). And also one that uses that function to plot. The final function takes a matrix of xy values and sequentially applies every row to the plotting function.
- modify data
- plot a single ggplot version
- loop or apply over range
# basic function that moves an a province
move_province <- function(provincename, movement){
mov <- quo(movement)
rest <- NLD %>%
filter(NAME_1 != !!provincename) %>%
filter(TYPE_1 != "Water body")
#rest %>% st_centroid() %>% st_as_text()
province <- NLD %>%
filter(NAME_1 == !!provincename) %>%
mutate(geometry = geometry + !!mov) %>%
st_set_crs("+proj=longlat +datum=WGS84 +no_defs")
data1 <-
rbind(province, rest)
centroids <-
data1 %>% st_centroid() %>% st_coordinates()
cbind(data1, centroids)
}
# make function to create plot
# using the previous function to move the province
plot_netherlands <- function(province, movement){
plotunit <- move_province(provincename = province, movement = movement) %>%
ggplot()+
geom_sf(aes(fill = NAME_1),color = "grey50", alpha = 3/4)+
geom_text(aes(X,Y, label = NAME_1), size = 6)+
lims(x = c(3.2,7.1), y = c(50.8,55))+
labs(x="", y = "", caption = "shapefiles from www.gadm.org", title = "Floating Friesland")+
dutchmasters_fill("little_street")+
theme( legend.position = "empty", # we already labeled the provinces
panel.grid.major = element_line(colour = "grey80"))
print(plotunit) # you have to explicitly tell it to print so the image is captured
}
# go over every frame and print
plot_province_over_range <-
function(offset_matrix, province = "Friesland", debug = FALSE){
if(any(is.na(offset_matrix))){stop("I cannot handle empty movements, there are NA's in movement_matrix")}
if(NCOL(offset_matrix) != 2) stop("movement_matrix needs to have exactly 2 columns")
actionsframe <- data_frame(x = offset_matrix[,1], y = offset_matrix[,2]) %>%
mutate(rownumber = row_number())
actionsframe$name <- paste0(formatC(actionsframe$rownumber, flag = 0,width = 4))
pb <- progress_estimated(NROW(actionsframe))
walk(actionsframe$name, ~{
pb$tick()$print()
vars <- filter(actionsframe, name == .x)
if(debug){
message("using values from: ",vars)
}
plot_netherlands(province = province,movement = c(vars$x[[1]], vars$y[[1]]))
}) # ends the walk action
}
The plotting and saving
Nothing happened before the next step (except loading data). All the action and calculation happens here.
## then the creation starts with the movement
Friesland_moves <- rbind(
matrix(c(c(0,-.1,-.2,-.2,-.3), c(0,.03,.05,.1,.15)) ,ncol = 2),
matrix(c(seq(from = -.3, by = -.1, length.out = 14),seq(from = .2, by = .1, length.out = 14)), ncol = 2)
)
# set up print location
frames <- image_graph(width = 1500, height = 2500, res = 300, pointsize = 5)
plot_province_over_range(offset_matrix = Friesland_moves, province = "Friesland")
# animate
image_animate(frames, 1) %>%
image_write(path = "friesland.gif")
Notes
- code for gif 2 imagemagick
- larger githubproject - floating friesland
- stackoverflow answer that helped me make the gif
- palleti package: making your own color pallete
I tried to edit this post on github on my mobile phone, boy, that does not work at all!


This inspection reports method references which point to the abstract methods of the same functional interface types and hence can be replaced with their qualifiers


A digital journal documenting my computer usage through screenshots taken every five minutes and uploaded live since April 18th, 2014.
View Websiteelijahs-macbook-pro.com