setpib(1) Qualcomm Atheros Open Powerline Toolkit setpib(1) NAME setpib - Qualcomm Atheros PIB File Editor SYNOPSIS setpib [options] file base [type data] [type data] [...] DESCRIPTION Replace one or more values in a Qualcomm Atheros powerline parameter (or PIB) file and re-compute the checksum. Values are specified as a sequence of type/data pairs. Users must know the offset, length and type of the values they change or problems will certainly result. This program makes absolutely no effort to validate offsets or values. This program can be used to change any PIB value, including those that should not be changed. Be warned that some PIB values are derived from, or interact with, other PIB values. Failure to observe such dependencies may diminish perfor‐ mance or render a device inoperable. Atheros does not recommend the use of this program to edit PIB parameters because small mistakes can cause big problems. In addition, Atheros is under no obligation to provide customers with the offset, length or type of any PIB file parame‐ ters. Atheros recommends using program modpib to change device identity parameters and the Windows Device Manager to change other parameters whenever possible. This program handles older Thunderbolt/Lightning parameter files and newer Panther/Lynx parameter files but it has a larger footprint that may not be acceptable for embedded systems. In cases where only the older or the newer parameter files are used, consider using program setpib1 for an older Thunderbolt/Lightning only version or setpib2 for a newer Panther/Lynx only version. This program is part of the Qualcomm Atheros Powerline Toolkit. See the AMP man page for an overview and installation instructions. OPTIONS -q Enable quiet mode which has not effect. -v Print a hexdump of the edited region. Print hexdump headers if this option appears twice. The region window may be changed with option -w. -w window The display window in bytes. When option -v is present, PIB information surrounding the edited region is dis‐ played to provide some sort of context. The edited region appears in the middle of this window. The default win‐ dow is 32 bytes. This means that the 32 bytes before and the 32 bytes after the edited region are included in the display. -x Repair the checksum. By default, this program does not modify files that fail the size or checksum test on input. In addition, it does not re-compute the checksum on output if no data has changed. This option skips the size and checksum test on input and re-computes the checksum on output even if no data has changed. This option only works on legacy PIB files. It does not work on PIB files having NVM file format. -?, --help Print program help summary on stdout. This option takes precedence over other options on the command line. -!, --version Print program version information on stdout. This option takes precedence over other options on the command line. Usethis option when sending screen dumps to Atheros Technical Support so that they know exactly which version of the Linux Toolkit you are using. ARGUMENTS file The PIB filename. The file must exist and will be re-written. No assumptions are made based on filename and no filename conventions are enforced. This argument is required and must precede the base argument. base The byte offset where changes will start. The offset is expressed in hexadecimal with (or without) the leading "0x". Changes are applied in order, left to right, and offset automatically increments by the correct amount after each change is applied. This permits consectuive PIB locations to be changed with one command. This argu‐ ment is required and must follow the file argument. It must also precede all format/data pairs. Normally, you must use multiple setpib commands to change non-consecutive PIB locations but careful use of format skip can achive the same results using one command. type The implied length and encoding of the data. Valid types are byte, word, long, data and hfid. A valid format must precede each data item. A byte is 8 bits, a word is 16 bits, a long is 32 bits and a huge is 64 bits. The format implies the maximum data value except for format data which is limited by the number of octets entered on the command line. data The information written to the current PIB offset. Integer data may be expressed in binary, decimal or hexadeci‐ mal but must not exceed the type minimum or maximum. String data may contain any ASCII characters that can be entered via keyboard but must be enclosed in quotes when spaces are included. Binary values start with 0b or 0B and hexadecimal values start with 0x or 0X. FORMATS byte integer A signed or unsigned integer stored as 8 bits or 1 byte. The value is expressed in decimal by default. A binary value may be expressed with a 0b prefix. A hexadecimal value may be expressed using a 0x prefix. Negative type/data values must appear at the end of the command line, after option "--", to avoid parsing errors. The off‐ set increments by 1 prior to the next insertion. word integer A signed or unsigned integer stored as 16 bits or 2 bytes. The value is expressed in decimal by default. A binary value may be expressed with a 0b prefix. A hexadecimal value may be expressed using a 0x prefix. Negative type/data values must appear at the end of the command line, after option "--", to avoid parsing errors. The off‐ set increments by 2 prior to the next insertion. long integer A signed or unsigned integer stored as 32 bits or 4 bytes. The value is expressed in decimal by default. A binary value may be expressed with a 0b prefix. A hexadecimal value may be expressed using a 0x prefix. Negative type/data values must appear at the end of the command line, after option "--", to avoid parsing errors. The off‐ set increments by 4 prior to the next insertions. huge integer A signed or unsigned integer stored as 64 bits or 8 bytes. The value is expressed in decimal by default. A binary value may be expressed with a 0b prefix. A hexadecimal value may be expressed using a 0x prefix. The off‐ set increments by 8 prior to the next insertion. Negative type/data values must appear at the end of the command line, after option "--", to avoid parsing errors. This format is only available on hosts that support 64 bit data values. data hex A sequence of hexadecimal octets. Octets may be separated by a colon for clarity. The number of octets deter‐ mines the number of bytes written. The offset increments by the number of bytes written. This is similar to "key" and "mac" below but accepts variable length input. key hex A sequence of hexadecimal octets. Octets may be separated by a colon for clarity. The number of octets must con‐ vert to 16 bytes or an error will occur. The offset increments by 16 prior to the next insertion. This is simi‐ lar "data" above but accepts only fixed length input. This option may be used to set the DAK, NMK or NVAK values. mac hex A sequence of hexadecimal octets. Octets may be separated by a colon for clarity. The number of octets must con‐ vert to 6 bytes or an error will occur. The offset increments by 6 prior to the next insertion. This is similar "data" above but accepts only fixed length input. This option may be used to set the DAK, NMK or NVAK values. text string An ASCII character string. The string string length determines the number of bytes stored. The string is stored with NUL terminator included. It is not padded or truncated. The offset increments by the number of bytes stored prior to the next insertion. This option may be used to enter a variable length string. hfid string An ASCII character string. The string is always stored as 64 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 64 bytes prior to the next insertion. This option may be used to enter user, network and manufacturer identification strings. zero count An unsigned integer representing the number of consecutive bytes to fill with 0x00. The offset increments by the number of bytes written. This option may be used to erase regions of the PIB. fill count An unsigned integer representing the number of consecutive bytes to fill with 0xFF. The offset increments by the number of bytes written. This option may be used to erase regions of the PIB. skip count An unsigned integer indicating the number of bytes to skip over before staring another change. Intervening data data locations are unchanged. TR69 DATA TYPES accesspassword string An ASCII character string. The string is always stored as 257 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 257 prior to the next insertion. accessusername string An ASCII character string. The string is always stored as 33 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 33 prior to the next insertion. adminpassword string An ASCII character string. The string is always stored as 33 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 33 prior to the next insertion. adminusername string An ASCII character string. The string is always stored as 33 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 33 prior to the next insertion. password string An ASCII character string. The string is always stored as 257 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 257 prior to the next insertion. url string An ASCII character string. The string is always stored as 257 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 257 prior to the next insertion. username string An ASCII character string. The string is always stored as 257 bytes. Short strings are padded on the right with NUL characters. Long strings are truncated on the right and the last byte is forced to NUL. The offset incre‐ ments by 257 prior to the next insertion. EXAMPLES The following example edits file abc.pib by writing decimal value 1 at offset 01F7 followed by hexadecimal value 00B052BABE01. A partial dump is printed showing 16 bytes before and 16 bytes after the changed data because the default display windows is 16 bytes. Unless the change occurs right at the start or end of the file, it will appear in the cen‐ ter of the display window. # setpib -v abc.pib 01F7 byte 1 data 00:B0:52:BA:BE:01 000001D0 00 00 00 00 00 00 00 00 00 ......... 000001E0 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................ 000001F0 00 00 00 00 00 00 00 01 00 B0 52 BA BE 01 00 00 ..........R..... 00000200 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................ 00000210 00 00 00 00 00 00 00 00 00 00 00 00 00 00 .............. The following example sets the manufacturer HFID string in PIB file def.pib. HFID strings are 64 characters long and either truncated or padded on the right with NUL characters. You may need to enclose the string in quotes it it contains spaces. # setpib -v def.pib 24 hfid "Galactic Software Pirates, Inc." 00000000 38 1F 00 00 30 1B EB 04 00 B0 52 00 8...0.....R. 00000010 00 66 50 D3 E4 93 3F 85 5B 70 40 78 4D F8 15 AA<EMAIL_ADDRESS>00000020 8D B7 00 00 47 61 6C 61 63 74 69 63 20 53 6F 66 ....Galactic Sof 00000030 74 77 61 72 65 20 50 69 72 61 74 65 73 2C 20 49 tware Pirates, I 00000040 6E 63 2E 00 00 00 00 00 00 00 00 00 00 00 00 00 nc.............. 00000050 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................ 00000060 00 00 00 00 50 D3 E4 93 3F 85 5B 70 40 78 4D F8 ....P...?.[p@xM. 00000070 15 AA 8D B7 49 6E 74 65 6C 6C 6F 6E 20 45 6E 61 ....Atheros Ena 00000080 62 6C 65 64 bled The following example displays the contents of PIB file abc.pib without changing any data. The region displayed is 24 bytes starting at offset 0x24. The format skip specifies the region but does not change it. By default, the 32 bytes before and 32 bytes after are included in the display. This technique can be used to inspect a specific portion of a PIB file. # setpib -v abc.pib 24 skip 64 00000000 38 1F 00 00 30 1B EB 04 00 B0 52 00 8...0.....R. 00000010 00 66 50 D3 E4 93 3F 85 5B 70 40 78 4D F8 15 AA<EMAIL_ADDRESS>00000020 8D B7 00 00 47 61 6C 61 63 74 69 63 20 53 6F 66 ....Galactic Sof 00000030 74 77 61 72 65 20 50 69 72 61 74 65 73 2C 20 49 tware Pirates, I 00000040 6E 63 2E 00 00 00 00 00 00 00 00 00 00 00 00 00 nc.............. 00000050 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................ 00000060 00 00 00 00 50 D3 E4 93 3F 85 5B 70 40 78 4D F8 ....P...?.[p@xM. 00000070 15 AA 8D B7 49 6E 74 65 6C 6C 6F 6E 20 45 6E 61 ....Atheros Ena 00000080 62 6C 65 64 bled The next example does the same thing for a negative value. This is tricky because the minus sign will be interpreted as the start of another option. We must use "--" to end normal option parsing. This is a POSIX standard feature.  The following example computes a new checksum without changing any data. The filename and an offset are required but no other values are needed. This technique can be used to compute a new checksum after modifying the file using software that does not update the checksum. # setpib abc.pib 0 -x DISCLAIMER PIB file structure and content is proprietary to Qualcomm Atheros, Ocala FL USA. Consequently, public information is not available. Qualcomm Atheros reserves the right to modify PIB file structure or content in future firmware releases with‐ out any obligation to notify or compensate users of this program. SEE ALSO chkpib(7), chkpib2(7), getpib(7), modpib(1), pib2xml(1), pibcomp(1), pibdump(1), xml2pib(1) CREDITS Charles Maier<EMAIL_ADDRESS>] open-plc-utils-0.0.3 Mar 2014 setpib(1)


Eanble/Disable implicit conversions between types
'Nett' defines the following standard conversion sets that be activated/deactivated via a 'TOML' config.
- NumericalSize
Only conversions between floating point and integral data types are disallowed. All other conversions are allowed, also the ones where the target type could be to small to hold the source value e.g. TomlInt -> char. - Serialize
- Enum <-> TomlString
- Guid <-> TomlString
- NumericalType
Also allow conversion between floating point and integral data types e.g. TomlFloat -> char.
By default the 'NumericalSize' and 'Serialize' sets are activated. All possible conversions that Nett can do can be activated by:
var config = TomlSettings.Create(cfg => cfg
.AllowImplicitConversions(TomlSettings.ConversionSets.All));
var tbl = Toml.ReadString("f = 0.99", config);
var i = tbl.Get<int>("f"); // i will be '0'
This example shows the drawbacks of activating all conversions. Here the read int
will have a value of 0. The next write would write value 0
into the TOML file and
so probably change the type of the config value. Simply explained, the more conversion are
enabled, the higher the risk is that subtle bugs are introduced.
The opposite route is to disable all 'Nett' implicit conversion via
var config = TomlSettings.Create(cfg => cfg
.AllowImplicitConversions(TomlSettings.ConversionSets.None));
var tbl = Toml.ReadString("i = 1", config);
// var i = tbl.Get<int>("i"); // Would throw InvalidOperationException as event cast from TomlInt to int is not allowed
var i = tbl.Get<long>("i"); // Only long will work, no other type
The drawback of this approach is that your objects are only allowed to use TOML native types to work without further casting or custom converters.
Any set combination can be activated by logical combination of the set flags e.g.:
var config = TomlSettings.Create(cfg => cfg
.AllowImplicitConversions(TomlSettings.ConversionSets.NumericalType | TomlSettings.ConversionSets.Serialize));
Var various scenarios a logical combination of the default conversion sets with some custom converters may be the best choice.


--- layout: post title: War story on why C&C management sucks date: 2006-08-22 00:00:00 category: software-development ---
War story on why C&C management sucks: "Use a command and control management style and you will be the bottleneck of every development step, as every decision beyond what to call the class file will be relegated to you. This is not just hit-and-run micromanagement, this is a semaphore locked development cycle and is hardly an efficient use of your very valuable resources (otherwise known as: people)."


cody jh veal
carson
March 6th, 2015
neon lime green socks
November 10th, 2014
long
May 24th, 2013
mellifluous
May 8th, 2013
i hear you as a song
May 9th, 2010


AngularJS can validate input data
Try writing in the input field:
The input's valid state is:
Try writing an E-mail address in the input field:
The input's valid state is:
Note that the state of the input field is "true" before you start writing in it, even if it does not contain an e-mail address.
AngularJS is constantly updating the state of both the form and the input fields.
Input fields have the following states:
Try leaving the first input field blank:
We use the ng-show directive to only show the error message if the field has been touched AND is empty.
Try writing in the input field:
The input field requires content, and will therefore become green when you write in it.
Create your own directive, containing a custom validation function, and refer to it by using my-directive.
Try writing in the input field:
The input's valid state is:
angular.lowercase
{{ x1 }}
{{ x2 }}
{{ x1 }}
{{ x2 }}
{{ x1 }}
{{ x2 }}
{{ x1 }}
{{ x2 }}
With AngularJS, you can include HTML from an external file.
An animation is when the transformation of an HTML element gives you an illusion of motion.
The ngAnimate module adds and removes classes.
If you want to navigate to different pages in your application, but you also want the application to be a SPA (Single Page Application), with no page reloading, you can use the ngRoute module.


Cloud BC
Cloud computing offers many benefits including: business agility, better time to market, fewer operational issues and less capital expense. Organizations at all levels share common challenges when it comes to getting their services to the cloud. Recognizing this, the BC Council of CIOs (CCIO) - including representatives from the BC Government and Broader Public Sector - developed and launched CloudBC. The intent is to help drive the successful adoption of cloud-based computing services in the BC public sector.
Contact<EMAIL_ADDRESS>> Impact
While still in early days, CloudBC is aiming to tackle the shared problems described above by establishing a common marketplace for cloud services, sharing knowledge about how to benefit from the cloud, and support cross-jurisdictional collaboration in Canada. The marketplace will standardize approaches to procurement, security, privacy and support education and training to make it simpler for the BC public sector to move into the cloud.
> Partner
BC Developers’ Exchange, OCIO, Microsoft, HPAS
Resources Used
Tags
#cloud #flexibledeployment
> Code
N/A


Introduction
Cortical spreading depression (CSD) is an electrical silent wave across all over the cerebral cortex and impairs some cortical activities. This cortical transmission inhibition is hypothesized to be strongly correlated with a number of neurological disorders. In addition to a series of animal and human brain photographic imaging (PET) studies, recent functional magnetic resonance imaging (functional MRI) and brain magnetic (magnetoencephalography) studies also support this hypothesis.
The precise physiological events involved in CSD are not totally understood, however the most generally accepted hypothesis is that the exceed releases of ionic species such as potassium () and neurotransmitters, possibly glutamate, is a key event. Here, we describe a reactiondiffusion model in three-dimensional space and study the change in extracellular potassium.
Simulation Method
The Finite Difference method was implemented in Python (IPython) to simulate the diffusion equation (Fick’s law) of potassium in CSD model. The equation is
where is the concentration of potassium in location , is Laplacian operator, is the coefficient of potassium diffusion and represents the local dynamics of extracellular potassium.
Simulation Condition
Without loss of generality, we take mesh cube to simulate CSD model, and each grid cell is 0.025 mm 0.025 mm 0.025 mm. Initially, we let the potassium concentration of all elements start with 0.03, set each time step to 0.0025 min. and do 2000 ticks (iterations) in our experiment. To simulate the cell channel opening, we locate the channel at the center of the cube, assume the channel is the circle with radius 0.025 mm ~ 0.125 mm and clamp the center value using a value between 0.5 ~ 1.0.
Results
In this simulation, we focused on the diffusion of potassium ions in the brain and the rate of diffusion. The 3D mesh cube is used to represent the effect on the neighboring area when the ion channel is turned on. In Fig. 2, we present the situation after 0.05 minutes of opening the ion channel. The position of Fig. 2 is in the center slice of the mesh cube, and we raise the value of the center circle to simulate the channel release ion, and also fix the radius of the circle to 0.075 mm.
In Fig. 3, the model suggests there is a critical threshold for modifying the wave speed. Importantly, there is a non-linear relationship between the wave speed and the intensities of potassium elevation. The speed of the diffusion wave will keep raising, if the cell channel continues opening. The potassium level being used in the model is an abstract representation of changes in potassium from a baseline value, and because of that it can be rescaled to reflect the change at the physiological range.
In Fig. 4, two different shapes of the sources both generate a non-linear relationship between the level of and the wave speed. However, at a strong elevation, one form can provide a stronger change in wave speed than the other.
References
- James A. Reggia & David Montgomery, Modeling Cortical Spreading Depression
- H. Kager, W. J. Wadman & G. G. Somjen, Conditions for the Triggering of Spreading Depression Studied With Computer Simulations
Material
- Poster
- PPT
- GitHub (I will modify the code to new version.)
Acknowledgements
I would like to thank Dr. James R. Kozloski and Dr. Tuan M. Hoang Trong
who contributed to this research during the summer vacation in 2018.


You have {{ pending.length }} pending items
Time to chill! You have no todos.
Completed tasks: {{ completedPercentage }}


---
layout: en/default
class: community
title: "Join the Rocket.Chat Community"
permalink: /community
theme: dark
redirect_from:
- /community/
- /livechat-demo.html
---
Community Hundreds of people contribute to Rocket.Chat projects by coding JavaScript, TypeScript, Java, Swift, HTML, CSS and writing documentation. Join our open community server to chat with the Rocket.Chat team and community.Join the Rocket.Chat community
The open source team chat application with over 600 contributors across our projects. Star Rocket.Chat on GitHub and help others discover the platform.
View Stargazers on GithubInstall your own server and share Rocket.Chat with your friends and colleagues who haven't experienced the power of an open source team chat platform.
InstallJoin Rocket.Chat's passionate community to help us manage issues and squash bugs for Rocket.Chat Server, Electron, iOS and Android clients.
View GithubYou don't have to be a developer to contribute to Rocket.Chat. You can create new or update old Rocket.Chat.Docs articles or tutorials directly through GitHub.
View DocumentsWrite a blog post on your Rocket.Chat story, tell us about how it improved your team’s communication and we'll share it with the community.
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This version will be the startup and let's look how it goes!
Star Wars
After rescuing Han Solo from the palace of Jabba the Hutt, the rebels attempt to destroy the second Death Star, while Luke struggles to make Vader return from the dark side of the Force.
Silicon Valley
Mike Judge brings his irreverent brand of humor to HBO in the new comedy series SILICON VALLEY. Partially inspired by Judge's own experiences as a Silicon Valley engineer in the late '80s, the show is a collaboration between Judge and Alec Berg.
Fringe
The Fringe team explore the blurring line between the possible and the impossible. They are encountering glitches in the world they are living in, face threats from a parallel universe and try to prevent events that will lead to the destruction of their own universe.
Assassin's Creed
When Callum Lynch (Michael Fassbender) explores the memories of his ancestor Aguilar and gains the skills of a Master Assassin, he discovers he is a descendant of the secret Assassins society.
Star Wars
Three decades after the defeat of the Galactic Empire, a new threat arises. The First Order attempts to rule the galaxy and only a ragtag group of heroes can stop them, along with the help of the Resistance.
Continuum
Continuum is a one-hour police drama centered on Kiera Cameron, a regular cop from 65 years in the future who finds herself trapped in present day Vancouver. She is alone, a stranger in a strange land, and has eight of the most ruthless criminals from the future, known as Liber8, loose in the city. Lucky for Kiera, through the use of her CMR (cellular memory recall), a futuristic liquid chip technology implanted in her brain, she connects with Alec Sadler, a seventeen-year-old tech genius. When Kiera calls and Alec answers, a very unique partnership begins. Kiera's first desire is to get "home." But until she figures out a way to do that, she must survive in our time period and use all the resources available to her to track and capture the terrorists before they alter history enough to change the course of the future. After all, what's the point of going back if the future isn't the one you left?
Agents of S.H.I.E.L.D.
Clark Gregg reprises his role of Agent Phil Coulson from Marvel's feature films, as he assembles a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. Together they investigate the new, the strange, and the unknown across the globe, protecting the ordinary from the extraordinary. Coulson's team consists of Agent Grant Ward, highly trained in combat and espionage Agent Melinda May expert pilot and martial artist; Agent Leo Fitz, brilliant engineer; and Agent Jemma Simmons, genius bio-chemist. Joining them on their journey into mystery is new recruit and computer hacker, Skye.
Falling Skies
The series tells the story of the aftermath of a global invasion by several races of extraterrestrials that neutralizes the world's power grid and technology, quickly destroys the combined militaries of all the world's countries, and apparently kills over 90% of the human population within a few days.
Avengers
Now that there is the Tec-9, a crappy spray gun from South Miami. This gun is advertised as the most popular gun in American crime. Do you believe that shit? It actually says that in the little book that comes with it: the most popular gun in American crime.
Friends
Six young people from New York, on their own and struggling to survive in the real world, find the companionship, comfort and support they get from each other to be the perfect antidote to the pressures of life.


{% if signedIn %}
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Select the hotel:
Choose
com
com.br
es
Type the nickname:
get Habbo
get Profile
get Photos
get Group
get Achievements


NEWS.md
doParallel
(#157)[https://github.com/tidymodels/tune/issues/157], (#159)[https://github.com/tidymodels/tune/issues/159], and (#160)[https://github.com/tidymodels/tune/issues/160]The ...
arguments of tune_grid()
and tune_bayes()
have been moved forward to force optional arguments to be named.
New fit_resamples()
for fitting a set of resamples that don’t require any tuning.
Changed summarise.tune_results()
back to estimate.tune_results()


phpcs
Tokenize PHP, JavaScript and CSS files to detect violations of a defined set of coding standards.
More information: home page
- Sniff the specified directory for issues (defaults to the PEAR standard):
phpcs path/to/directory
- Display a list of installed coding standards:
phpcs -i
- Specify a coding standard to validate against:
phpcs path/to/directory --standard standard
- Specify comma-separated file extensions to include when sniffing:
phpcs path/to/directory --extensions file_extension(s)
- Specify the format of the output report (e.g. `full`, `xml`, `json`, `summary`):
phpcs path/to/directory --report format
- Set config variables to be used during the process:
phpcs path/to/directory --config-set key value
- A comma-separated list of files to load before processing:
phpcs path/to/directory --bootstrap file(s)
- Don't recurse into subdirectories:
phpcs path/to/directory -l


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{% extends 'layouts/layout.html' %} {% from 'button/macro.njk' import button %} {% from 'back-link/macro.njk' import backLink %} {% block pageTitle %} This link does not work {% endblock %} {% block content %}
It has been more than 24 hours since the link was sent to your email. We may have already changed your phone number.
You can change your phone number again on your NHS login settings.
Visit the NHS login help centre if you did not mean to change your phone number, or you do not have access to the phone number on your NHS login.
Reference: CID3002


Reagents
Reactions
+ component
use stereochemistry
similarity
reaction IDs
reaction SMARTS
go
Component
input
output
exact
similar
substructure
smarts


Class WeiXin_SDK
public static
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public
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public
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public
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public
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public
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#
toMsgMusic( $fromUserName, $toUserName, $Title, $Description, $MusicUrl, $HQMusicUrl, $ThumbMediaId = '' )
|
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$template
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$base
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$app_id
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$app_sercet
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public static
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$_instance
WxRobot_SDK Instance |
#
null
|


It's time to write your first application! These detailed instructions are for users of the NetBeans IDE. The NetBeans IDE runs on the Java platform, which means that you can use it with any operating system for which there is a JDK 6 available. These operating systems include Microsoft Windows, Solaris OS, Linux, and Mac OS X.
To write your first program, you'll need:
The Java SE Development Kit 6 (JDK 6)
The NetBeans IDE
Your first application, HelloWorldApp
,
will simply display the greeting "Hello World!". To create this
program, you will:
Create an IDE project
When you create an IDE project, you create an environment in which to build and run your applications. Using IDE projects eliminates configuration issues normally associated with developing on the command line. You can build or run your application by choosing a single menu item within the IDE.
Add code to the generated source file
A source file contains code, written in the Java programming language, that you and other programmers can understand. As part of creating an IDE project, a skeleton source file will be automatically generated. You will then modify the source file to add the "Hello World!" message.
Compile the source file into a .class file
The IDE invokes the Java programming language compiler (javac)
,
which takes your source file and translates its text into instructions
that the Java virtual machine can understand.
The instructions contained within this file are known as bytecodes.
Run the program
The IDE invokes the Java application launcher tool (java
), which uses
the Java virtual machine to run your application.
To create an IDE project:
Launch the NetBeans IDE.
On Microsoft Windows systems, you can use the NetBeans IDE item in the Start menu.
On Solaris OS and Linux systems, you execute the IDE launcher script by navigating to the IDE's bin
directory and typing ./netbeans.
On Mac OS X systems, click the NetBeans IDE application icon.
In the NetBeans IDE, choose File | New Project.
NetBeans IDE with the File | New Project menu item selected.
In the New Project wizard, expand the General category and select Java Application as shown in the following figure:
NetBeans IDE, New Project wizard, Choose Project page.
In the Name and Location page of the wizard, do the following (as shown in the figure below):
In the Project Name field, type Hello World App
.
In the Create Main Class field, type helloworldapp.HelloWorldApp
.
Leave the Set as Main Project checkbox selected.
NetBeans IDE, New Project wizard, Name and Location page.
Click Finish.
The project is created and opened in the IDE. You should see the following components:
The Projects window, which contains a tree view of the components of the project, including source files, libraries that your code depends on, and so on.
The Source Editor window with a file called HelloWorldApp
open.
The Navigator window, which you can use to quickly navigate between elements within the selected class./
NetBeans IDE with the HelloWorldApp project open.
Selecting the Java Platform Manager from the Tools Menu
If you don't see JDK 6 (which might appear as 1.6 or 1.6.0) in the list of installed platforms, click "Add Platform", navigate to your JDK 6 install directory, and click "Finish". You should now see this newly added platform:
The Java Platform Manager
--jdkhome
switch on the command line, or by entering the path to the JDK in the netbeans_j2sdkhome
property of your INSTALLATION_DIRECTORY/etc/netbeans.conf
file.
To specify this JDK for the current project only, select Hello World App in the Projects pane, choose File | "Hello World App" Properties, click on Libraries, then select JDK 6 under the Java Platform pulldown menu. You should see a screen similar to the following:
The IDE is now configured for JDK 6.
When you created this project, you left the Create Main Class checkbox selected in the New Project wizard. The IDE has therefore created a skeleton class for you. You can add the "Hello World!" message to the skeleton code by replacing the line:
// TODO code application logic here
System.out.println("Hello World!"); // Display the string.
/** * * @author */
/** * The HelloWorldApp class implements an application that * simply prints "Hello World!" to standard output. */
Type all code, commands, and file names exactly
as shown. Both the compiler (
|
Save your changes by choosing File | Save.
The file should look something like the following:
/* * HelloWorldApp.java * * Created on February 5, 2006, 6:43 PM * * To change this template, choose Tools | Template Manager * and open the template in the editor. */ package helloworldapp; /** * The HelloWorldApp class implements an application that * simply prints "Hello World!" to standard output. */ public class HelloWorldApp { /** Creates a new instance of HelloWorldApp */ public HelloWorldApp() { } /** * @param args the command line arguments */ public static void main(String[] args) { System.out.println("Hello World!"); // Display the string. } }
To compile your source file, choose Build | Build Main Project from the IDE's main menu.
The Output window opens and displays output similar to what you see in the following figure:
Output window showing results of building the HelloWorld project.
If the build output concludes with the statement
BUILD SUCCESSFUL
, congratulations! You have
successfully compiled your program!
If the build output concludes with the statement
BUILD FAILED
, you probably have a syntax error
in your code. Errors are reported in the Output window as hyper-linked text.
You double-click such a hyper-link to navigate to the source of an error. You can
then fix the error and once again choose Build | Build Main Project.
When you build the project, the bytecode file HelloWorldApp.class
is generated. You can see where the new file is generated by opening the Files window and expanding the Hello World App/build/classes/helloworldapp
node as shown in the following figure.
Files window, showing the generated .class file.
Now that you have built the project, you can run your program.
The next figure shows what you should now see.
The program prints "Hello World!" to the Output window (along with other output from the build script).
Congratulations! Your program works!
The next few pages of the tutorial will explain the code in this simple application. After that, the lessons go deeper into core language features and provide many more examples. Although the rest of the tutorial does not give specific instructions about using the NetBeans IDE, you can easily use the IDE to write and run the sample code. The following are some tips on using the IDE and explanations of some IDE behavior that you are likely to see:
Once you have created a project in the IDE, you can add files to the project using the New File wizard. Choose File | New File, and then select a template in the wizard, such as the Empty Java File template.
You can compile and run an individual file (as opposed to a whole project) using
the IDE's Compile File (F9) and Run File (Shift-F6) commands.
If you use the Run Main Project command, the IDE will run the file that the IDE associates
as the main class of the main project. Therefore, if you create an additional class in your HelloWorldApp project and
then try to run that file with the Run Main Project command, the IDE will run the HelloWorldApp
file
instead.
You might want to create separate IDE projects for sample applications that include more than one source file.
As you are typing in the IDE, a code completion box might periodically appear. You can either ignore the code completion box and keep typing, or you can select one of the suggested expressions. If you would prefer not to have the code completion box automatically appear, you can turn off the feature. Choose Tools | Options, click the Editor tab, and clear the Auto Popup Completion Window checkbox.
If you try to rename the node for a source file in the Projects window, the IDE prompts you with the Rename dialog box to lead you through the options of renaming the class and the updating of code that refers to that class. Click Next to display the Refactoring window, which contains a tree view of changes to be made. Then click Do Refactoring to apply the changes. This sequence of clicks might seem unnecessary if you have just a single class in your project, but it is very useful when your changes affect other parts of your code in larger projects.
For a more thorough guide to the features of the NetBeans IDE, see the NetBeans IDE Docs and Support page or explore the documentation available from the IDE's Help menu.


Bloomberry earned P8.6b in 9 months
by Jenniffer B. AustriaBloomberry Resorts Corp., the owner and operator of Solaire Resort & Casino, said third-quarter net income surged 245 percent to P3.9 billion from P1.13 billion in the same period last year on higher gaming revenues.
This brought nine-month net income to P8.56 billion, up by 33 percent from P6.44 billion a year ago.
Bloomberry said in disclosure to the stock exchange total gross gaming revenue at Solaire went up by 46 percent in the third quarter to P17.11 billion, driven by higher VIP revenues and strength in the mass gaming segments.
“I am pleased to report third-quarter net profit of P3.91 billion, representing a 245-percent year-on-year increase despite incurring higher interest expenses and foreign exchange losses. We are now in the last stretch of 2019, and we look forward to delivering a strong set of full year results,” Bloomberry chairman and chief executive Enrique Razon Jr. said.


GSP
Green Street Presents is a music promotion company, founded in 2013 as a sister company to Phoenix's McDowell Mountain Music Festival. Although GSP's roots are in Arizona, we also have a presence in Salt Lake City, Utah.
Green Street Presents is a music promotion company, founded in 2013 as a sister company to Phoenix's McDowell Mountain Music Festival. Although GSP's roots are in Arizona, we also have a presence in Salt Lake City, Utah.


I'm a mom, non-traditional college student, amateur photographer, avid reader, and the chief cook and bottle washer in my home. I was born in Vermont, grew up in western New York and have spent the last 15 years living in Georgia and Tennessee. Although I'm familiar with much of the material in the HTML, CSS, javasript and wordpress sections of this course there is still a lot of really good material I'm looking forward to working through.


Howto+why using a prototype & bdd for a project estimate + personal rant
Introduction
As you might or might not now, estimating the budget for a project can be very hard sometimes. In order to get started on a project we first need a real estimate of what the client will need, and the client should know what I am going to deliver to him/her.
What I personally learned from the past is that one can never be fine-grained enough, since there will always be mismatches somewhere.
We can however try to offer the client something that he/she can both understand and work with, next to a description of what everything should do (from a business point of view).
How can we do this, while investing as little work as possible ?
Unfortunately one can not correctly estimate projects without doing some work
As straightforward as this might seem, most people do not seem to be able to grasp this ( do not be ashamed; I have been guilty as well ).
In order to give a correct estimate, you have to INVEST a decent amount of TIME.
How can we make sure that we have as little mismatches as possible ?
You can do this by making sure the estimate is complete; a short list of possible deliverables:
- User manual
- Technical reference manual
- Quickstart guide
- Sourcecode
- Educating the endusers
- A scope definition for the software
- A feature definition within the software scope
Building this list is usually really easy, except for the last 2 parts:
Scope and feature definition for the software
This commonly known cartoon is unfortunately true in most cases (click to go the original one) :
Defining the scope of the software is usually hard work, and most of the time the expectations of the client do not match the planned implementations of the developer. How can we avoid this pitfall ???
This is quite easy, but it does require some work: you build a prototype/wireframe of the application, and show this to the client, asking if everything he wants is in there. This requires quite some time, but usually your quote will be selected because they can see how much time you invested in it, and it shows just how professional you approach your work.
Next to this you should start on some high level BDD stories describing the behaviour of the problem domain and the application. This means writing stories from a domain perspective (i.e. no computers involved) as well as from an app perspective if necessary.
But how do I do this technically ?
Well, that is completely up to yourself. In order to get you started I can show you how I do it :
For the prototyping I currently use a combination of HTML/jQuery/jQuery UI and a jQuery plugin called polypage.
You can see a screenshot here:
I am using jQuery UI for tabs and an accordion to define different possible steps of a screen. Next to this I use polypage to switch different states (you can click on the "logged in" link on the left top in orde to switch between a user that is logged in, and one that is not logged in.)
You can look at the sample here : https://www.corebvba.be/demos/prototype/index.html . Please note that this is pure HTML/Javascript, so there is no serverside involved here... So if you save the html/css and script sources you have everything I have... It might also be interesting to know that there is only a single HTML file: index.html. All the necessary code is in there.
Next to this I describe my domain features using BDD/the ubiquitous language. This will later be fed back into the program tests using BDD. For a good introduction on BDD I should redirect you to Dan North.
Describing the domain functionality is needed in order to make sure that you can also estimate your resource usage for everything that happens behind the scenes (which will probably be the biggest part in enterprise projects).
It goes without saying that I do use my very own BDD framework as a BDD implementation framework later on.
In conclusion
If you use both HTML wireframes/prototypes together with BDD to describe the problem domain, you usually can grasp wath the project is about, and you should be able to give some good estimates on the budget for a project. Another advantage of this technique is that your quote does show how much time you already invested in their project, and how professional you are about it. This will probabaly give you a commercial advantage over other quotes, since most of them will probably not be as detailed as this one.
I do bill some of my work from this phase back to the client if I do get the project, but usually this is not a problem, since the client can see the value of doing this.
A warning/personal rant
I also realize that this approach is not always possible, since some clients are not willing to invest enough time in order to give you enough information. Based on my previous experience with this kind of situation I can only advise you one thing: turn around and run away from it as fast as you can, especially in combination with fixed-price projects !! These kind of clients will never know what the final scope and features of the application will be, so you will have to do dozens of rewrites because they do not know the domain or scope themselves, and implement all kinds of extra functionalities that were never mentioned in the initial scope!!! It implies waterfall development, but in the worst possible way !!!
A few typical taglines by which you can smell problems before beginning on the project:
- "Oh that is something we do not know yet, but it shouldn't be that hard."
- Stakeholders having discussions over domain problems
- "It should be something like site XXX". FINAL STOP. (no further details provided)
- "We need to interface some external apps... we'll see which ones later on"
- "How much data.. oh we do not know yet"
A few typical lines by which you can notice you are in trouble while working on a project:
- "When I say I want to upload files in internet explorer, I do mean any file, even it is larger then 200MB"
- "What ? Your CSS layout does not support Internet explorer 4 ? Fix it asap"
- "Uploading the file repository is slow; I don't care that I upload 2GB of data over a DSL line; it is slow, you should fix it"
- "Oh, but we do need both implicit and explicit fine-grained security, in such a way that we do not know yet ourselves. Just implement something, and we'll let you know if it is ok"
- "Yes can you do this ? How much time does it take ? 10 days ?" => 20 days later: "Ok, we want it by next week..."
- "Oh, we decided to use the app for all our customers instead of just ourselves... Why doesn't your app support the load of umphteen times the original amount of users/data ?"
- "BTW I forgot to tell you, we need custom theming for every customer group, and we should be able to do it ourselves... No, we do not want to edit aspx/css files, just make an editor, ok ?"
 We are not paying since your original quote stated xxx" after investing y times the work estimated in the original quote... "Yeah, we'll see you in court, which means you can wait another year for your money (if you are lucky)"
As hilarious as this list may seem, these are all things that I have experienced in real life... So please take my advice and run away as fast as you can from such clients...
PS: for really professional people not willing to invest too much time in a project quote, I can always advise this site.


- 2 days in Budapest
- Single-track conference with 2 keynotes & 12 talks
- ~150 people
6 Scala enthusiasts from Vienna were at ping conf
Best Of
Sadek Drobi
Why is Play done the way it is?
Aims of Play framework
- Simplicity
- Dev productivity
- HTTP/Web friendliness
What is the most simple thing?
a function
- simple
- truthful about type
-
composable
A => B
B => C
A => C
Action in Play
Just a function: Request => Result
Is this enough?
RequestHeader =>
Iteratee[Array[Byte], Result]
Is functional programming scary?
You don't have to deal with Iteratee
the BodyParser
takes care of it
Simple things are simple
If you want to do streaming stuff it is more complicated of course
Composability
most important thing about FP
Christopher Hunt
Javascript functionality coming to Play 2.3
Make Play a great choice for JS development
sbt-web
a sbt plugin factored out of Play
handles the asset pipeline
Per default Rhino-based
Other JS engines like Node can be configured
sbt-jshint-plugin
parallel execution
incremental execution
Christopher recommends to start a Play project via Activator
WebJars will get CDN support in production
Yevgeniy Brikman
aka Jim
Building composable, streaming, testable Play apps
functions compose
Play actions are just functions
Play has great streaming support
Showed how to implement Facebook BigPipe with Play
Inspiring how he composed the basic building blocks
James Roper
tech lead for Play
Play is for Performance
What is performance?
Play is about scalability
But reactive apps are slower that single-threaded because of context switching
Was mitigated Play 2.2 using a trampoline execution context which executes short-running operations on the same thread
If you have blocking operations in your app (e.g. JDBC) use separate execution context for these
Johan Andrén
Async: Reacting instead of waiting for better times
Johan explained futures and actors with visual very attractive graphics
Great resource for understanding the concepts quickly
was a great conference
Conference web site at http://www.ping-conf.com
Videos of presentations available at http://www.ustream.tv/pingconf


Notebooks
Story: Salutations to the sun and greetings to others
Salutations to the sun and greetings to others
Title
Salutations to the sun and greetings to others
Collection
Summary
Greetings and salutations to people and to the sun at various times of the day.
Comments
1) Note on the inside of the back cover of this notebook: 'Finished correcting Sept 15/71 from Jantje Toorm himself', 2) p.250v: note on what to say to one or two men, 3) This story is found in Book II-1
Contributors
Date
May 1871
Categories
Keywords
greetings (and salutations) , greetings (at different times of day) , greetings (to sun) , sun (salutations to) , sun (greetings to) , salutations (and greetings to the sun)
Story Pages
250-251


{% load staticfiles %}
Managing Director (Sales)
Creative Art Director
Senior Core Developer
Creative Content Developer
Senior Core Developer
Senior Core Developer
Latest From Blog
Dramatically reintermediate effective applications after high-payoff core competencies. Authoritatively optimize collaborative benefits for error-free communities. Dramatically reintermediate effective applications after high-payoff core competencies. Authoritatively optimize collaborative benefits for error-free communities.
Samarth Complex,
A-201, Jawahar nagar road,
Mumbai - 400 062


Team Bala celebrates the film’s dream run at the box-office
by Akash NihalaniAyushmann Khurrana is on a roll. His last film Bala marked his seventh consecutive hit at the box-office. Now, that is a remarkable achievement for any actor in the industry. Ayushmann, through his films, has tried to shed light on various topics that are considered a taboo in our society. With Bala, we are given a glimpse of how our society is obsessed with physical appearance. While Ayushmann plays a prematurely balding man in the film, Bhumi Pednekar's character has to battle discrimination against darker skin.
With the film becoming the latest entrant to Rs.100 crore club in 2019, the team got together and celebrated the success along with some of their friends and family. Apart from the leading cast including Ayushmann, Bhumi and Yami Gautam, Tahira Kashyap, Aparshakti Khurrana, Akriti Khurrana, Rajkummar Rao, Patralekhaa, Kriti Sanon, Boney Kapoor, Dinesh Vijan, Abhishek Banerjee and Diana Penty too were present at the celebrations.
Check out the pictures below.


| Modifier and Type | Class and Description |
|---|---|
(package private) class |
DiptraceGenericItem
This class is a generic class for items in the DipTrace ascii file.
|
(package private) class |
DiptraceRootItem
This class is the root item of the tree in the DipTrace ascii file.
|
(package private) class |
DiptraceShapeItem
A Diptrace shape item.
|
| Modifier and Type | Method and Description |
|---|---|
DiptraceItem |
DiptraceGenericItem.duplicate(DiptraceItem parent)
Duplicate this item and all its children.
|
(package private) abstract DiptraceItem |
DiptraceItem.duplicate(DiptraceItem parent)
Duplicate this item and all its children.
|
DiptraceItem |
DiptraceRootItem.duplicate(DiptraceItem parent)
Duplicate this item.
|
DiptraceItem |
DiptraceShapeItem.duplicate(DiptraceItem parent)
Duplicate this item and all its children.
|
DiptraceItem |
DiptraceOperations.duplicateDiptraceItem(DiptraceItem item,
int newNumber,
int newHiddenIdentifier,
java.lang.String newName)
Duplicate an item with all its children, gives it a new number and adds
the new item to the tree.
|
DiptraceItem |
DiptraceOperations.duplicateDiptraceItem(DiptraceItem item,
int newNumber,
java.lang.String newName)
Duplicate an item with all its children, gives it a new number and adds
the new item to the tree.
|
DiptraceItem |
DiptraceOperations.duplicateItem(DiptraceItem item)
Duplicate an item with all its children and adds the new item to the
tree.
|
(package private) DiptraceItem |
DiptraceItem.getParent()
Returns the parent.
|
(package private) DiptraceItem |
DiptraceComponent.getPCBComponent()
Get the pcb component.
|
(package private) DiptraceItem |
DiptraceProject.getPCBComponent(int number)
Get the component by its number in the pcb.
|
DiptraceItem |
DiptraceOperations.getPCBComponent(java.lang.String name)
Get the component part in the schematics by its part name.
|
(package private) DiptraceItem |
DiptraceProject.getPCBComponents()
Get the components of the pcb.
|
DiptraceItem |
DiptraceNet.getPCBNet()
Get the pcb net item.
|
(package private) DiptraceItem |
DiptraceProject.getPCBNet(int number)
Get the net by its number in the pcb.
|
DiptraceItem |
DiptraceOperations.getPCBNet(java.lang.String name)
Get the net in the schematics by its name.
|
(package private) DiptraceItem |
DiptraceProject.getPCBNets()
Get the nets of the pcb.
|
(package private) DiptraceItem |
DiptraceProject.getSchematicsComponent(int number)
Get the component by its number in the schematics.
|
(package private) DiptraceItem |
DiptraceProject.getSchematicsComponents()
Get the components of the schematics.
|
DiptraceItem |
DiptraceNet.getSchematicsNet()
Get the schematics net item.
|
(package private) DiptraceItem |
DiptraceProject.getSchematicsNet(int number)
Get the net by its number in the schematics.
|
DiptraceItem |
DiptraceOperations.getSchematicsNet(java.lang.String name)
Get the net in the schematics by its name.
|
(package private) DiptraceItem |
DiptraceProject.getSchematicsNets()
Get the nets of the schematics.
|
(package private) DiptraceItem |
DiptraceItem.getSubItem(java.lang.String identifier)
Get a sub item by the item's identifier.
|
| Modifier and Type | Method and Description |
|---|---|
java.util.List<DiptraceItem> |
DiptraceItem.getChildren()
Returns the sub items.
|
(package private) java.util.List<DiptraceItem> |
DiptraceComponent.getSchematicsComponentParts()
Get the schematics component parts.
|
java.util.List<DiptraceItem> |
DiptraceOperations.getSchematicsComponentParts(java.lang.String name)
Get the component part in the schematics by its part name.
|
| Modifier and Type | Method and Description |
|---|---|
(package private) void |
DiptraceItem.addSubItem(DiptraceItem item)
Adds a sub item to this item.
|
(package private) void |
DiptraceGraphics.drawItem(java.awt.Graphics2D graphics,
DiptraceItem item,
int layerInFocus,
int layerToDraw,
SideTransparency sideTransparency)
Draw an item.
|
DiptraceItem |
DiptraceGenericItem.duplicate(DiptraceItem parent)
Duplicate this item and all its children.
|
(package private) abstract DiptraceItem |
DiptraceItem.duplicate(DiptraceItem parent)
Duplicate this item and all its children.
|
DiptraceItem |
DiptraceRootItem.duplicate(DiptraceItem parent)
Duplicate this item.
|
DiptraceItem |
DiptraceShapeItem.duplicate(DiptraceItem parent)
Duplicate this item and all its children.
|
DiptraceItem |
DiptraceOperations.duplicateDiptraceItem(DiptraceItem item,
int newNumber,
int newHiddenIdentifier,
java.lang.String newName)
Duplicate an item with all its children, gives it a new number and adds
the new item to the tree.
|
DiptraceItem |
DiptraceOperations.duplicateDiptraceItem(DiptraceItem item,
int newNumber,
java.lang.String newName)
Duplicate an item with all its children, gives it a new number and adds
the new item to the tree.
|
DiptraceItem |
DiptraceOperations.duplicateItem(DiptraceItem item)
Duplicate an item with all its children and adds the new item to the
tree.
|
void |
DiptraceOperations.moveItemAbsolute(DiptraceItem item,
double x,
double y)
Move an item to an absolute position.
|
void |
DiptraceOperations.moveItemRelative(DiptraceItem item,
double x,
double y)
Move an item a distance.
|
(package private) void |
DiptraceGenericItem.paint(java.awt.Graphics2D graphics,
DiptraceItem item,
int layerInFocus,
int layerToDraw,
SideTransparency sideTransparency)
Paint this item.
|
(package private) abstract void |
DiptraceItem.paint(java.awt.Graphics2D graphics,
DiptraceItem item,
int layerInFocus,
int layerToDraw,
SideTransparency sideTransparency)
Paint this item.
|
(package private) void |
DiptraceRootItem.paint(java.awt.Graphics2D graphics,
DiptraceItem item,
int layerInFocus,
int layerToDraw,
SideTransparency sideTransparency)
Paint this item.
|
(package private) void |
DiptraceShapeItem.paint(java.awt.Graphics2D graphics,
DiptraceItem item,
int layerInFocus,
int layerToDraw,
SideTransparency sideTransparency)
Paint this item.
|
void |
DiptraceOperations.rotateItemAbsolute(DiptraceItem item,
int angle)
Rotate an item to an absolute angle.
|
void |
DiptraceOperations.rotateItemRelative(DiptraceItem item,
int angle)
Rotate an item some degrees.
|
| Constructor and Description |
|---|
DiptraceComponent(DiptraceProject diptraceProject,
java.util.List<DiptraceItem> schematicsComponentPart,
DiptraceItem pcbComponent)
Initialize a DiptraceComponent object.
|
DiptraceComponentPin(DiptraceComponent component,
int pinNo,
DiptraceItem schematicsItem,
DiptraceItem pcbItem)
Initialize a DiptraceComponentPin object.
|
DiptraceGenericItem(DiptraceItem parent,
java.lang.String identifier)
Initializes a DiptraceGenericItem with an identifier.
|
DiptraceItem(DiptraceItem parent,
java.lang.String identifier)
Initializes a DiptraceItem object with an identifier.
|
DiptraceNet(DiptraceProject diptraceProject,
DiptraceItem schematicsNetItem,
DiptraceItem pcbNetItem)
Initialize a DiptraceNet object.
|
DiptracePCBLayer(DiptraceItem layerItem)
Initialize a DiptraceLayer object.
|
DiptracePCBNonSignalLayer(DiptraceItem layerItem)
Initialize a DiptraceLayer object.
|
DiptraceShapeItem(DiptraceItem parent,
java.lang.String identifier)
Initialize a DiptraceShapeItem.
|
| Constructor and Description |
|---|
DiptraceComponent(DiptraceProject diptraceProject,
java.util.List<DiptraceItem> schematicsComponentPart,
DiptraceItem pcbComponent)
Initialize a DiptraceComponent object.
|


WALKING AND TALKING A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): **
WALKING AND TALKING is another one of those talkfest shows. With the right script these can be among the most enjoyable and rewarding of any cinematic experience. From MY DINNER WITH ANDRE to DINER to BEFORE SUNRISE, this is a genre of which I have always been especially fond. Thanks to an energetic cast this movie tries hard and almost delivers. Sad to say that the directing and writing by Nicole Holofcener is not of the same caliber. This is not a bad show just a disappointing one. It is one that keeps your attention and never drags.
WALKING AND TALKING starts with two preteen girls reading "The Joy of Sex" together in bed. They are enthralled with it, but after this brief scene we cut to them grown up and still friends. They are just as much interested in sex, but only one of them has been lucky in love, and the other is jealous.
Amelia (Catherine Keener who starred LIVING IN OBLIVION) and Laura (Anne Heche who played Juliet in THE JUROR) are two attractive young women. Laura is living with her fiance Frank (Todd Field who played Beltzer in TWISTER). They all live in New York City. Amelia works in the newspaper classified section, Laura is an apprentice therapist, and Frank designs costume jewelry including "men's leisure rings."
Amelia was once almost lucky in love. Her ex-boyfriend, Andrew (Liev Schreiber from DENISE CALLS UP), and she are still friends, but neither can figure out why they broke up. Their conversations trying to figure it out are among the best in the show. There is also a running gag about his having phone sex with this woman in San Francisco. Amelia does not approve, especially when he tries to borrow money from her to pay his enormous phone bill.
Into Amelia's life comes an ugly guy, Bill (Kevin Corrigan), who works at her local video store, and who is heavily into the horror movie production business. Laura and Frank jokingly encourage her friendship with Bill since he is so ugly, she will not have to worry about any commitments. A good one-night stand for her.
The show is so completely natural that it borders on amateurishness at times. The actors are all good, and it is an ensemble cast, but, on the whole, the show promises more than it delivers. The script is just not intelligent enough, and there are no memorable lines. I like the characters and the acting, but there is just not quite enough there.
WALKING AND TALKING runs 1:30. It is rated R. There is more bad language than there needs to be, and there is a single brief drug scene. There is no sex, nudity, or violence. Even the skinny-dipping scene is done with their underwear on. The show would be fine for any teenager. It is a marginal call, but there is not enough substance for me to be able to recommend it. I give it **.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: August 6, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


If the VM is not already instantiated, it will be now.
If the processID
is a normal 16-byte ID, the returned
any
contains a JNI JavaVM
pointer as a
long
or hyper
integer (depending on the
platform). If the processID
does not match the current
process, or if the VM cannot be instantiated for whatever reason, a
void any
is returned.
If the processID
has an additional 17th byte of
value 0
, the returned any
contains a
non–reference-counted pointer to a (reference-counted) instance of
the C++ jvmaccess::VirtualMachine
class, always represented
as a hyper
integer. The pointer is guaranteed to be valid
as long as the reference to this
XJavaVM is valid (but the
pointer should be converted into a reference-counted reference as soon
as possible). Again, if the first 16 bytes of the
processID
do not match the current process, or if the VM
cannot be instantiated for whatever reason, a void any
is returned.
If the processID
has an additional 17th byte of
value 1
, the returned any
contains a
non–reference-counted pointer to a (reference-counted) instance of
the C++ jvmaccess::UnoVirtualMachine
class, always
represented as a hyper
integer. The pointer is guaranteed
to be valid as long as the reference to this
XJavaVM is valid. Again, if
the first 16 bytes of the processID
do not match the
current process, or if the VM cannot be instantiated for whatever
reason, a void any
is returned.
The first form (returning a JNI JavaVM
pointer) is
mainly for backwards compatibility, new code should use the second form
(returning a pointer to a jvmaccess::VirtualMachine
) if it
does not want to use the Java UNO environment, and it should use the
third form (returning a pointer to a
jvmaccess::UnoVirtualMachine
) if it wants to use the Java
UNO environment. For example, one advantage of using
jvmaccess::VirtualMachine
instead of the raw
JavaVM
pointer is that whenever you attach a native thread
to the Java virtual machine, that thread's context
ClassLoader
(see
java.lang.Thread.getContextClassLoader
) will automatically
be set to a meaningful value.


JS Language
parentheses ( )
Parentheses have multiple uses relating to functions and structures. They are used to contain a list of parameters passed to functions and control structures. They are also used to group and control the order of execution. Some functions have no parameters and in this case, the space between parentheses is blank.
a = (1 + 1) * 2; Grouping
if (a > 9) { Containing
before(a, 0, a, 100); Containing a list of parameters
brackets [ ]
Brackets are used to create an collection of things (array). You put the group of things inside the brackets so they are together and can be called together. If you want to call one of the things in the array you can you the bracket notation to call a particular data inside that array. The positon of the array is fixed. We just need to know the name and position of the data we want. The position of each bit of data is counted starting from 0.
var arrayName = [data, moreData];
arrayName[0] = data
braces { }
Braces are used for object literals. Objects allow us to represent in code real world things and entities (such as a person or bank account). We do this by storing all relevant information in one place - an object. The braces group all the properties and values inside that object and can be accessed later on using dot or bracket notation. Brackets are also used to keep statements of a function and loop inside that function or loop.
var nick = {
name: "Nick Shanks",
age: 25,
hometown: "Tauranga"
};
var count = 0
while (count < 3) {
console.log ("I'm looping")
count ++;
};
single quotes ' ' Vs. double quotes " "
Both single and double quotes can be used for strings. Strings are sequences of characters like the letters a-z, spaces and can also be numbers. Strings are useful as labels, names and content in programs. To make a number in code you can just write a number as numerals without quotes. To write a string, surround words with quotes 'Whats your name?'
. It mostly comes down to preference, however if you single quotes and some words inside the string have apostrophe's you will be doing a lot of backslashing to ensure the console doesn't think your string ended end with the '
. At this stage I prefer double quotes for that reason.
'A string that\'s single quoted'
"A string that's double quoted"


COPYCAT A film review by Craig Good Copyright 1995 Craig Good
I had a conversation with a sagacious friend at work last week about the current rash of serial killer movies. Naturally the subject turned to SILENCE OF THE LAMBS. Here we had a movie which was a critical and box office smash. As my friend Jeff noted, Hollywood loves to copy a success, but they often copy the wrong thing. Some collection of empty suits evidently thought that SILENCE succeeded because it had serial killers. They were wrong. It succeeded because it had well drawn characters who had an interesting relationship, and because the movie generated genuine tension in the audience. Enter the ironically named COPYCAT.
COPYCAT fails completely as a thriller. It did not raise my pulse once. Aside from the odd "boo!," I sat unmoved. There were a few character moments, and one good line ("Helen! I seem to have cured your agoraphobia!"). And I'll admit that there wasn't much that I actively disliked about the film. But neither did it do much to win me over. All in all it played about like an old "NBC Mystery Movie" except with blood, profanity and naked corpses. (I may be doing injustice to the old TV show. Most episodes of "Columbo" were much more satisfying.)
The only real surprise in the film was the way one character was killed off. The surprise came entirely from the staging and from the fact that it was completely pointless. He wasn't even killed by the serial killer, but rather by some random tertiary character introduced out of nowhere to play just this one scene. I rather suspect that the screenwriter just didn't want to have to deal with him at the end of the movie. Or maybe it was just another in a succession of cheap thrills.
I, for one, am looking forward to the end of the current fad of cinema sadism. While we wait for the boardroom brain trust in Hollywood to start copying the wrong thing from some other hit movie, we can at least cast a tiny vote for originality by spending our $7.00 on something other than COPYCAT.
-- Craig<EMAIL_ADDRESS>Amore, Mangiare, Famiglia, Pace.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Sept 27, 2015
While I had never heard the term stereotype threat until recently, I can certainly look around and see it cringing in the shadows. The term, as covered by Claude M. Steele is new to me, but not the meaning behind it. Basically, we all have identities, based on a huge variety of characteristics including age, sex, religious affiliation, race, and social class, to name a few.
And that’s fine. Our identities are often comforting.
What makes an identity become important, and problematic, for an individual is dealing with it. I find this subject heartbreaking...
I am a middle class white girl from the suburbs who likes the arts and literature. I often fit in the places I want to go. Which are also the places I was encouraged to go, because I was a middle class white girl from the suburbs.
Until I decided to learn about programming. And I don’t mean from just DBC, or really DBC at all.   But I know it does.
As a white girl, I am completely aware of all the privileges I have. This discussion really invoked Chimamanda Ngozi Adichie in her novel Americanah. If you've never thought about stereotype threat, or think about it all the time, I suggest reading this amazing (and genuinely accessible) book, to explore how identity is deeply situational.
I also have guilt about the fact that some stereotypes work in my favor.
One of the interesting things Steele mentions to combat stereotype threat is very simple: phrase expectations in ways that are more welcoming. What really gets me about this is my own experience with standardized testing. As a child, I was a bit high-strung and could make life harder for myself than necessary. Before my first experience with standardized testing, my mom, who was a very good teacher, told me something.
“There is a cultural bias in standardized testing, but it’s in your favor, so you will do fine."
And I did. I was often very bored during testing, but not nervous. Never nervous. And my test scores were very good! I remember hating that there was a cultural bias, even if it was in my favor. And I know what I really took from it was that standardized testing was basically meaningless.
So, guilt makes me extra-anxious when I come across the contingency cues discussed by Steele. Why? A popular suggestion is impostor syndrome.
"Impostor syndrome is a psychological phenomenon in which people are unable to internalize their accomplishments. Despite external evidence of their competence, those with the syndrome remain convinced that they are frauds and do not deserve the success they have achieved. Proof of success is dismissed as luck, timing, or as a result of deceiving others into thinking they are more intelligent and competent than they believe themselves to be. Notably, impostor syndrome is particularly common among high-achieving women."
- Taken directly from wikipedia, to be updated if I ever have time.
 This is where I fear I will fail myself, my gender and my world.


enum class LibraryType
Type of object in a user's Spotify library
value
- Spotify id for the type
id
- How to transform an id (or uri) input into its Spotify id
(common, js, jvm)
TRACK |
|
(common, js, jvm)
ALBUM |
(common, js, jvm)
toString |
fun toString(): String |
(common, js, jvm)
ALBUM |
|
(common, js, jvm)
TRACK |


Level 1
Star Catcher
★ Start Here
Apple Catcher
Hungry Crab
Squid Chase
Fly Trap
Level 2
Cloning Tutorial
★ Start Here
Rocket Race
Obstacle Dodger
Candyland Escape
Magic Trick
Tomato Attack
Level 3
Bubble Time
Target Shield
Flappy Bird
Boss Fight
Alphabet Asteroids
River Ride
Cannon Blast
Level 4
Picnic
Woof Golf
Snake
Adding a High Score
Platformer Game
Two Player War


org.apache.archiva.repository.features
Classes
AbstractFeature
ArtifactCleanupFeature
IndexCreationFeature
RemoteIndexFeature
RepositoryFeature
StagingRepositoryFeature


All tides are approximate and rounded slightly. Check the tide and weather before you go at
http://www.divebhb.com
{{TIDE_TIMES}}
{{SUNRISE_SUNSET_TIMES}}
Some group always has a conversation going about BHB, stay involved and informed!
Blue Heron Bridge Dive Club
Scubaboard BHB Thread
@diveBHB


|
SimMetrics library v 1.5 for .NET 2.0
|
SimMetricsApi.ITokeniser AbstractTokeniserQGramN
[Serializable] public abstract class AbstractTokeniserQGramN : ITokeniser;
| Field | Description |
| characterCombinationIndex | This is characterCombinationIndex, a member of class AbstractTokeniserQGramN. |
| defaultEndPadCharacter | This is defaultEndPadCharacter, a member of class AbstractTokeniserQGramN. |
| defaultStartPadCharacter | This is defaultStartPadCharacter, a member of class AbstractTokeniserQGramN. |
| qGramLength | This is qGramLength, a member of class AbstractTokeniserQGramN. |
| stopWordHandler | This is stopWordHandler, a member of class AbstractTokeniserQGramN. |
| suppliedWord | This is suppliedWord, a member of class AbstractTokeniserQGramN. |
| tokenUtilities | This is tokenUtilities, a member of class AbstractTokeniserQGramN. |
| Property | Description |
| CharacterCombinationIndex | CCI - error level used for the sgram analysis. |
| Delimiters | displays the delimiters used - ie none. |
| QGramLength | length of the qgram tokens to create |
| ShortDescriptionString | displays the tokenisation method. |
| StopWordHandler | the stop word handler used. |
| SuppliedWord | supplied word |
| TokenUtilities | class containing token utilities |
| Method | Description |
| Tokenize | Return tokenized version of a string. |
| Tokenize | full version of Tokenise which allows for different token lengths as well as the characterCombinationIndexValue error level as well. |
| TokenizeToSet | Return tokenized set of a string. |
| Data Member | |
| Property | |
| abstract | |
| Method |


Homework 10
Author: Boyu Zhang, Phoebe Ling, River Liu, Shaojun Zheng
Plot 1
The first graph explores the total number of License types. The X-axis is the name of each License Type, which is nominal data, while the Y-axis records the total number of License types, which is quantitative data. The encoding Type we use is bar chart Y. Bar Chart can clearly and intuitively display the number of different License types.
In this figure, we did the data conversion because MaxRowsError appears when I try to create a drawing that will directly embed a dataset with more than 5000 rows, so we simply disable MaxRowsError.
Plot 2
Use your cursor to brush the left graph to see the changes in the right graph
The heatmap shows how many licenses each state and status, and the bar chart shows how many licenses each type. We used ‘ordinal’ in encoding type because it is easy for audiences to find the category they are interested in. The heatmap uses color gradients to show the number of licenses. The bar chart used Phoebe Ling’s homework #9 plot2, but we changed the color display to the heatmap’s color display. Because nowhere can we show the number in the heatmap, we use color to express the amount. We are interested in all kinds of licenses instead of a specific category, so we didn’t use Python to filter the data. We use the original dataset to make the plot.
We are not satisfied with just knowing the number of licenses. We want to understand the amount of licenses in different states and their status. The interactive dashboard can help us see the amount of each type under specific state and status.


[gecode-users] How to make a reference to Gecode?
Oliver Kullmann
O.Kullmann at swansea.ac.uk
Tue Jan 6 20:07:47 CET 2009
Hello,
in an introductory article to the OKlibrary I want to make
a reference to Gecode (for the purpose of a short comparison):
Besides giving the web page, I would like to give a reference
to an article about Gecode --- what would be best here?
Oliver
--
Dr. Oliver Kullmann
Computer Science Department
Swansea University
Faraday Building, Singleton Park
Swansea SA2 8PP, UK
http://cs.swan.ac.uk/~csoliver/
More information about the gecode-users
mailing list


ALWAYS...PATSY CLINE
October 2001 at the Arabian Theatre
Directed by Wess Hughes
Music Director - Michelle Carter
Choreographer - Juna Sandifer
Assistant to the Director - Sara Bartran
THE CAST
Patsy Cline - Missy McCraw
Louise Seger - Catherine Nowicki
Louise's Boss - Don White
Louise's Boyfried - Terrey Collins
The Jordanaires
Earl Benson, Danny McDonald, Jackie Thomas, Scotty Whithurst
The Ladies' Ensemble
Sheryl Boone, Brandi Butler, Katy McCraw, Celia Powers
The Chorus
Beverly Bailey, Katie Higginbotham, Ryann Hoven, Marian Latimer,
Edith Parker, Amanda Pitts, Carol Simmons
The Courtyard Country Ho-Down
Lane Bounds, Natalie Flynt, Lakyn Furr, Megan Lee, Jesse McCraw,
Melody Myrick, Samantha Nowicki, Leigh Ann Pacific, Alisa Rayborn,
Virginia Riles, Tia Robertson, Sarah Robinson, Erica Simmons
The Bodacious Bobcats Band
Michelle Carter, Nathan Mercer, Troy Pounds, Allen Powell,
Katrina Rawls, Nathan Shiver


It can be hard when your entire life has been a comparison to your sibling. What’s even worse is when the one comparing the two of you is none other but your dad.
Emily, 21, spent her entire childhood and teenage years in the shadow of big sister, Linda. She didn’t have much of a choice to be fair. Linda, was a beautiful 24-year-old who was trying to make it as an actor/model.
Emily, on the other hand, was just an everyday woman trying to make it as a writer.
“I remember playing with my sister all the time when we were kids. She was a few years older, so I always looked up to her. I remember the day I realized that my dad didn’t appreciate me as much… ”
We were playing in the backyard when my dad said “Hey princess, come sit here with me!”. So I ran to him but he immediately said “Not you! I meant your sister!”. To which I replied “You have to think of a nickname for me too dad”. ‘I don’t have time for this Emily!’, he said. That was when I knew!”, Emily explains.
I spent most of my teenage years in my room. I was always good at school, but of course, I wasn’t my sister! She was always the popular one, and for my dad that was more important. This made me resort to food even more than before.
Emily moved out of her parents’ house as soon as she graduated from college.
On Emily’s 21st birthday party
I decided to celebrate my 21st birthday with my family. My sister was in town too, because her casting agency dropped her, so I thought we could all get together.
When I got there, my mom asked about my new job but before I even got a word out my dad said “No! Let’s hear about Linda’s stories first!”.
My sister of course started rumbling about her amazing life, so I just pretended I didn’t mind.
When my mom brought the cake, I blew out the candles and got a piece for me when my dad said “Sure you wanna do that? You’re not gonna look any better with that!”.
That was more than I could take! I started crying and then stormed out.
I decided it was time for me to make some changes. I’d had enough of my dad’s attitude towards me. I started writing down everything that I went through during my childhood, and even now, and before I knew it, I had written a couple of pages.
The next morning I took a look at what I’d written and thought that I could write a book about it!. And then it just hit me! I should write a book about this!. It took me about 3 months, but I even found a publisher that was willing to give it a go!
I never thought that it would become a best-seller!
I hadn’t seen my parents since my birthday, so I figured this would be a good time to do so. I went in and told them about the book I had written, without mentioning the plot. Then I went over to my dad and handed him a copy all wrapped up!
“Here dad! This is for you, I hope this time you’ll like what I did!”
My dad unwrapped it and read the title “Hi! My name is Daughter Number Two!”. I turned around and left with a smile on my face… that was the last time I saw him and, honestly, I’m happier without him!


mart
Affordable Paris Tours
City tours / Tour tickets / Tour guides
NEW COLLECTION
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Blue Tshirt
$26
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Woman shirt
$31
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$21
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Start from Zero-Skills! No prior Knowledge Required!
Full curriculum including all major Web Technologies: Front-End, Back end, Mobile Apps and
API's.
Rick and Morty Cartoon.
Start Making money from week 1 and Earn over 30000$ by the time you finish the Course.
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Before Change
feed_dict, loss_value = self.run_training_steps(data_sets, steps_between_checks, batch_size)
self.step += steps_between_checks
if run_as_check is not None:
run_as_check(feed_dict, loss_value, self.step)
def _has_reached_precision(self, data_sets, precision, batch_size):
if precision is not None and self.step > 0:
self.do_eval(data_sets.test, batch_size)
if self.precision > precision:
After Change
self, data_sets, max_steps, precision=None, steps_between_checks=100, run_as_check=None,
batch_size=1000
):
self.trainer.train(data_sets, max_steps, precision, steps_between_checks, run_as_check, batch_size)
def save(self):
pass


Upload Test
{% if file_url != None and file_url|length() > 0 %}
Current file:
{{ file_url }}
{% else %} Nothing to see here, upload an image. {% endif %}
Upload:


Series
Visit
this page for all books in the
Ray Tracing Gems series.
About
Ray Tracing Gems II book is a collection of articles focused on ray tracing techniques for serious practitioners. Written by industry experts with a particular focus on ray tracing, it offers a practical means to master the new capabilities of current and future GPUs with the latest graphics APIs.
What You'll Learn:
- The latest ray tracing techniques for developing real-time applications in multiple domains
- Case studies from developers and studios who have shipped products that use real-time ray tracing.
- Guidance, advice and best practices for rendering applications with various GPU-based ray tracing APIs (DirectX Raytracing, Vulkan Ray Tracing, OptiX)
- High performance graphics for 3D graphics, virtual reality, animation, and more
Downloads and Print Copies
The electronic version of this books is free to download, and can be shared under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
To order the hardcover or softcover print edition, visit Amazon (paid link) or Apress.
Source Code
The book has a source code repository on GitHub.
Table of Contents
- Preface
- Foreword by Andrew Glassner and Ignacio Llamas
- Contributors
- Notation
- PART I: Ray Tracing Foundations, editor: Per Christensen
- 1. A Breakneck Summary of Photographic Terms (and Their Utility to Ray Tracing), by Trevor David Black
- 2. Ray Axis-Aligned Bounding Box Intersection, by Peter Shirley, Ingo Wald, and Adam Marrs
- 3. Essential Ray Generation Shaders, by Morgan McGuire and Zander Majercik
- 4. Hacking the Shadow Terminator, by Johannes Hanika
- 5. Sampling Textures with Missing Derivatives, by Maksim Aizenshtein and Matt Pharr
- 6. Differential Barycentric Coordinates, by Tomas Akenine-Möller
- 7. Texture Coordinate Gradients Estimation for Ray Cones, by Wessam Bahnassi
- 8. Reflection and Refraction Formulas, by Eric Haines
- 9. The Schlick Fresnel Approximation, by Zander Majercik
- 10. Refraction Ray Cones for Texture Level of Detail, by Jakub Boksansky, Cyril Crassin, and Tomas Akenine-Möller
- 11. Handling Translucency with Real-Time Ray Tracing, by Tianyi "Tanki" Zhang
- 12. Motion Blur Corner Cases, by Christopher Kulla and Thiago Ize
- 13. Fast Spectral Upsampling of Volume Attenuation, by Johannes Jendersie
- 14. The Reference Path Tracer, by Jakub Boksansky and Adam Marrs
- PART II: APIs and Tools, editor: David Hart
- 15. The Shader Binding Table Demystified, by Will Usher
- 16. Introduction to Vulkan Ray Tracing, by Matthew Rusch, Neil Bickford, and Nuno Subtil
- 17. Using Bindless Resources with DirectX Raytracing, by Matt Pettineo
- 18. WebRays: Ray Tracing on the Web, by Nick Vitsas, Anastasios Gkaravelis, Andreas A. Vasilakis, and Georgios Papaioannou
- 19. Visualizing and Communicating Errors in Rendered Images, by Pontus Andersson, Jim Nilsson, and Tomas Akenine-Möller
- PART III: Sampling, editor: Thomas Müller
- 20. Multiple Importance Sampling 101, by Anders Lindqvist
- 21. The Alias Method for Sampling Discrete Distributions, by Chris Wyman
- 22. Weighted Reservoir Sampling: Randomly Sampling Streams, by Chris Wyman
- 23. Rendering Many Lights with Grid-Based Reservoirs, by Jakub Boksansky, Paula Jukarainen, and Chris Wyman
- 24. Using Blue Noise for Ray Traced Soft Shadows, by Alan Wolfe
- PART IV: Shading and Effects, editor: Cem Yuksel
- 25. Temporally Reliable Motion Vectors for Better Use of Temporal Information, by Zheng Zeng, Shiqiu Liu, Jinglei Yang, Lu Wang, and Ling-Qi Yan
- 26. Ray Traced Level of Detail Cross-Fades Made Easy, by Holger Gruen
- 27. Ray Tracing Decals, by Wessam Bahnassi
- 28. Billboard Ray Tracing for Impostors and Volumetric Effects, by Felix Brüll, Robin Fynn Diedrichs, and Thorsten Grosch
- 29. Hybrid Ray Traced and Image-Space Refractions, by Daniel Parhizgar and Marcus Svensson
- 30. Real-Time Ray Traced Caustics, by Xueqing Yang and Yaobin Ouyang
- 31. Tilt-Shift Rendering Using a Thin Lens Model, by Andrew Kensler
- PART V: Intersection, editor: Angelo Pesce
- 32. Fast and Robust Ray/OBB Intersection Using the Lorentz Transformation, by Rodolfo Sabino, Creto Augusto Vidal, Joaquim Bento Cavalcante-Neto, and José Gilvan Rodrigues Maia
- 33. Real-Time Rendering of Complex Fractals, by Vinícius da Silva, Tiago Novello, Hélio Lopes, and Luiz Velho
- 34. Improving Numerical Precision in Intersection Programs, by Ingo Wald
- 35. Ray Tracing of Blobbies, by Manuele Sabbadin and Marc Droske
- 36. Curved Ray Traversal, by Christiaan Gribble
- 37. Ray-Tracing Small Voxel Scenes, by Dylan Lacewell
- PART VI: Performance, editors: Josef Spjut and Michael Vance
- 38. CPU Performance in DXR, by Peter Morley
- 39. Inverse Transform Sampling Using Ray Tracing Hardware, by Nate Morrical and Stefan Zellmann
- 40. Accelerating Boolean Visibility Operations Using RTX Visibility Masks, by Dirk Gerrit van Antwerpen and Oliver Klehm
- 41. Practical Spatial Hash Map Updates, by Pascal Gautron
- 42. Efficient Spectral Rendering on the GPU for Predictive Rendering, by David Murray, Alban Fichet, and Romain Pacanowski
- 43. Efficient Unbiased Volume Path Tracing on the GPU, by Nikolai Hofmann and Alex Evans
- 44. Path Tracing RBF Particle Volumes, by Aaron Knoll, Gregory P. Johnson, and Johannes Meng
- 45. Fast Volumetric Gradient Shading Approximations for Scientific Ray Tracing, by Carson Brownlee and David DeMarle
- PART VII: Ray Tracing in the Wild, editor: Jacob Munkberg
- 46. Ray Tracing in Control, by Juha Sjöholm, Paula Jukarainen, and Tatu Aalto
- 47. Light Sampling in Quake 2 Using Subset Importance Sampling, by Tobias Zirr
- 48. Ray Tracing in Fortnite, by Patrick Kelly, Yuriy O'Donnell, Kenzo ter Elst, Juan Cañada, and Evan Hart
- 49. ReBLUR: A Hierarchical Recurrent Denoiser, by Dmitry Zhdan
- 50. Practical Solutions for Ray Tracing Content Compatibility in Unreal Engine 4, by Evan Hart
Bibtex entry:
@book{Marrs2021,
title = {Ray Tracing Gems II},
editor = {Adam Marrs, Peter Shirley, and Ingo Wald},
publisher = {Apress},
year = {2021},
note ={\url{http://raytracinggems.com/rtg2}},
}
Cover image by the NVIDIA Creative team, which includes Gavriil Klimov (Creative Director), Jacob Norris (Lead Environment Artist), Andrej Stefancik (Senior 3D Artist), Gregor Kopka (Lead 3D Artist), Artur Szymczak (Senior Lighting Artist), Chase Telegin (Technical Artist), Alessandro Baldasseroni (Lead 3D Artist), Fred Hooper (Lead VFX Artist), and Ilya Shelementsev (Senior 3D Artist).
Webmaster: Eric Haines
Page last updated August 22, 2021


Lauryn D. Gutowski
Summary
Data Ops Analyst with 9 months of experience
Skillz
- Eating cauliflower
- Biking hard up hillz
Experience
- Chief lunch salad maker - Orbital Insight (October 2016 - Present)
- executive imagery orderer - EOSDA
Education
- BS in rock collecting and hiking
Contact


---
title: ipfSpotKey
sidebar: function_reference_sidebar
permalink: ipfSpotKey.html
folder: function_reference
toc: false
---
Colorizes single spots in the inverse pole figure with individual colors.
Syntax
{% highlight matlab %}
ipfKey = ipfSpotKey
ipfKey.inversePoleFigureDirection = zvector;
ipfKey.center = Miller(1,0,0,cs); % the centers of the spots in the inverse pole figure
ipfKey.color = [0 0 1]; % the color of the spots
ipfKey.psi = S2DeLaValleePoussinKernel('halfwidth',7.5*degree);
{% endhighlight %}
{% highlight matlab %}
color = ipfKey.orientation2color(ori)
{% endhighlight %}
Class Properties
|
center
|
list of crystal directions Miller
|
|
color
|
n-by-3 list representing RGB values, one for each center
|
|
psi
|
S2Kernel providing the width and brightness for colored fibre
|
|
inversePoleFigureDirection
|
specimen direction vector3d
|
See also
EBSDAdvancedMapping


{% extends "core/private/market.html" %} {% block head-title%}{% trans "Closing down" %}{%endblock%} {% block content %}
{% blocktrans %} All your price offers will be deleted and you will loose access to the maagement interface. If there are unfinished orders you will have to settle them down via email or something. {% endblocktrans %}