This is the first of two blog posts designed to walk users through the process of creating GUIs in Julia. Those following Julia development will know that plotting in Julia is still evolving, and one could therefore expect that it might be premature to build GUIs with Julia. My own recent experience has taught me that this expectation is wrong: compared with building GUIs in Matlab (my only previous GUI-writing experience), Julia already offers a number of quite compelling advantages. We’ll see some of these advantages on display below.
We’ll go through the highlights needed to create an image viewer GUI. Before getting into how to write this GUI, first let’s play with it to get a sense for how it works. It’s best if you just try these commands yourself, because it’s difficult to capture things like interactivity with static text and pictures.
You’ll need the ImageView
package:
Pkg.add("ImageView")
It’s worth pointing out that this package is expected to evolve over time; however, if things have changed from what’s described in this blog, try checking out the “blog” branch directly from the repository. I should also point out that this package was developed on the author’s Linux system, and it’s possible that things may not work as well on other platforms.
First let’s try it with a photograph. Load one this way:
using Images
using ImageView
img = imread("my_photo.jpg")
Any typical image format should be fine, it doesn’t have to be a jpg. Now display the image this way:
display(img, pixelspacing = [1,1])
The basic command to view the image is display
.
The optional pixelspacing
input tells display
that this image has a fixed aspect ratio, and that this needs to be honored when displaying the image. (Alternatively, you could set img["pixelspacing"] = [1,1]
and then you wouldn’t have to tell this to the display
function.)
You should get a window with your image:
OK, nice. But we can start to have some fun if we resize the window, which causes the image to get bigger or smaller:
Note the black perimeter; that’s because we’ve specified the aspect ratio through the pixelspacing
input, and when the window doesn’t have the same aspect ratio as the image you’ll have a perimeter either horizontally or vertically.
Try it without specifying pixelspacing
, and you’ll see that the image stretches to fill the window, but it looks distorted:
display(img)
(This won’t work if you’ve already defined "pixelspacing"
for img
; if necessary, use delete!(img, "pixelspacing")
to remove that setting.)
Next, click and drag somewhere inside the image. You’ll see the typical rubberband selection, and once you let go the image display will zoom in on the selected region.
Again, the aspect ratio of the display is preserved. Double-clicking on the image restores the display to full size.
If you have a wheel mouse, zoom in again and scroll the wheel, which should cause the image to pan vertically. If you scroll while holding down Shift, it pans horizontally; hold down Ctrl and you affect the zoom setting. Note as you zoom via the mouse, the zoom stays focused around the mouse pointer location, making it easy to zoom in on some small feature simply by pointing your mouse at it and then Ctrl-scrolling.
Long-time users of Matlab may note a number of nice features about this behavior:
These already give a taste of some of the features we can achieve quite easily in Julia.
However, there’s more to this GUI than meets the eye. You can display the image upside-down with
display(img, pixelspacing = [1,1], flipy=true)
or switch the x
and y
axes with
display(img, pixelspacing = [1,1], xy=["y","x"])
To experience the full functionality, you’ll need a “4D image,” a movie (time sequence) of 3D images.
If you don’t happen to have one lying around, you can create one via include("test/test4d.jl")
, where test
means the test directory in ImageView
.
(Assuming you installed ImageView
via the package manager, you can say include(joinpath(Pkg.dir(), "ImageView", "test", "test4d.jl"))
.)
This creates a solid cone that changes color over time, again in the variable img
.
Then, type display(img)
.
You should see something like this:
The green circle is a “slice” from the cone.
At the bottom of the window you’ll see a number of buttons and our current location, z=1
and t=1
, which correspond to the base of the cone and the beginning of the movie, respectively.
Click the upward-pointing green arrow, and you’ll “pan” through the cone in the z
dimension, making the circle smaller.
You can go back with the downward-pointing green arrow, or step frame-by-frame with the black arrows.
Next, clicking the “play forward” button moves forward in time, and you’ll see the color change through gray to magenta.
The black square is a stop button. You can, of course, type a particular z
, t
location into the entry boxes, or grab the sliders and move them.
If you have a wheel mouse, Alt-scroll changes the time, and Ctrl-Alt-scroll changes the z-slice.
You can change the playback speed by right-clicking in an empty space within the navigation bar, which brings up a popup (context) menu:
By default, display
will show you slices in the xy
-plane.
You might want to see a different set of slices from the 4d image:
display(img, xy=["x","z"])
Initially you’ll see nothing, but that’s because this edge of the image is black.
Type 151 into the y:
entry box (note its name has changed) and hit enter, or move the “y” slider into the middle of its range; now you’ll see the cone from the side.
This GUI is also useful for “plain movies” (2d images with time), in which case the z
controls will be omitted and it will behave largely as a typical movie-player.
Likewise, the t
controls will be omitted for 3d images lacking a temporal component, making this a nice viewer for MRI scans.
Again, we note a number of improvements over Matlab:
Altogether advantages such as these combine to give a substantially more polished feel to GUI applications written in Julia.
This completes our tour of the features of this GUI. Now let’s go through a few of the highlights needed to create it. We’ll tackle this in pieces; not only will this make it easier to learn, but it also illustrates how to build re-useable components. Let’s start with the navigation frame.
First, let me acknowledge that this GUI is built on the work of many people who have contributed to Julia’s Cairo and Tk packages. For this step, we’ll make particular use of John Verzani’s contribution of a huge set of convenience wrappers for most of Tk’s widget functionality. John wrote up a nice set of examples that demonstrate many of the things you can do with it; this first installment is essentially just a “longer” example, and won’t surprise anyone who has read his documentation.
Let’s create a couple of types to hold the data we’ll need. We need a type that stores “GUI state,” which here consists of the currently-viewed location in the image and information needed to implement the “play” functionality:
type NavigationState
# Dimensions:
zmax::Int # number of frames in z, set to 1 if only 2 spatial dims
tmax::Int # number of frames in t, set to 1 if only a single image
z::Int # current position in z-stack
t::Int # current moment in time
# Other state data:
timer # nothing if not playing, TimeoutAsyncWork if we are
fps::Float64 # playback speed in frames per second
end
Next, let’s create a type to hold “handles” to all the widgets:
type NavigationControls
stepup # z buttons...
stepdown
playup
playdown
stepback # t buttons...
stepfwd
playback
playfwd
stop
editz # edit boxes
editt
textz # static text (information)
textt
scalez # scale (slider) widgets
scalet
end
It might not be strictly necessary to hold handles to all the widgets (you could do everything with callbacks), but having them available is convenient. For example, if you don’t like the icons I created, you can easily initialize the GUI and replace, using the handles, the icons with something better.
We’ll talk about initialization later; for now, assume that we have a variable state
of type NavigationState
that holds the current position in the (possibly) 4D image, and ctrls
which contains a fully-initialized set of widget handles.
Each button needs a callback function to be executed when it is clicked.
Let’s go through the functions for controlling t
.
First there is a general utility not tied to any button, but it affects many of the controls:
function updatet(ctrls, state)
set_value(ctrls.editt, string(state.t))
set_value(ctrls.scalet, state.t)
enableback = state.t > 1
set_enabled(ctrls.stepback, enableback)
set_enabled(ctrls.playback, enableback)
enablefwd = state.t < state.tmax
set_enabled(ctrls.stepfwd, enablefwd)
set_enabled(ctrls.playfwd, enablefwd)
end
The first two lines synchronize the entry box and slider to the current value of state.t
;
the currently-selected time can change by many different mechanisms (one of the buttons, typing into the entry box, or moving the slider), so we make state.t
be the “authoritative” value and synchronize everything to it.
The remaining lines of this function control which of the t
navigation buttons are enabled (if t==1
, we can’t go any earlier in the movie, so we gray out the backwards buttons).
A second utility function modifies state.t
:
function incrementt(inc, ctrls, state, showframe)
state.t += inc
updatet(ctrls, state)
showframe(state)
end
Note the call to updatet
described above.
The new part of this is the showframe
function, whose job it is to display the image frame (or any other visual information) to the user.
Typically, the actual showframe
function will need additional information such as where to render the image, but you can provide this information using anonymous functions.
We’ll see how that works in the next installment; below we’ll just create a simple “stub” function.
Now we get to callbacks which we’ll “bind” to the step and play buttons:
function stept(inc, ctrls, state, showframe)
if 1 <= state.t+inc <= state.tmax
incrementt(inc, ctrls, state, showframe)
else
stop_playing!(state)
end
end
function playt(inc, ctrls, state, showframe)
if !(state.fps > 0)
error("Frame rate is not positive")
end
stop_playing!(state)
dt = 1/state.fps
state.timer = TimeoutAsyncWork(i -> stept(inc, ctrls, state, showframe))
start_timer(state.timer, iround(1000*dt), iround(1000*dt))
end
stept()
increments the t
frame by the specified amount (typically 1 or -1), while playt()
starts a timer that will call stept
at regular intervals.
The timer is stopped if play reaches the beginning or end of the movie.
The stop_playing!
function checks to see whether we have an active timer, and if so stops it:
function stop_playing!(state::NavigationState)
if !is(state.timer, nothing)
stop_timer(state.timer)
state.timer = nothing
end
end
An alternative way to handle playback without a timer would be in a loop, like this:
function stept(inc, ctrls, state, showframe)
if 1 <= state.t+inc <= state.tmax
incrementt(inc, ctrls, state, showframe)
end
end
function playt(inc, ctrls, state, showframe)
state.isplaying = true
while 1 <= state.t+inc <= state.tmax && state.isplaying
tcl_doevent() # allow the stop button to take effect
incrementt(inc, ctrls, state, showframe)
end
state.isplaying = false
end
With this version we would use a single Boolean value to signal whether there is active playback.
A key point here is the call to tcl_doevent()
, which allows Tk to interrupt the execution of the loop to handle user interaction (in this case, clicking the stop button).
But with the timer that’s not necessary, and moreover the timer gives us control over the speed of playback.
Finally, there are callbacks for the entry and slider widgets:
function sett(ctrls,state, showframe)
tstr = get_value(ctrls.editt)
try
val = int(tstr)
state.t = val
updatet(ctrls, state)
showframe(state)
catch
updatet(ctrls, state)
end
end
function scalet(ctrls, state, showframe)
state.t = get_value(ctrls.scalet)
updatet(ctrls, state)
showframe(state)
end
sett
runs when the user types an entry into the edit box; if the user types in nonsense like “foo”, it will gracefully reset it to the current position.
There’s a complementary set of these functions for the z
controls.
These callbacks implement the functionality of this “navigation” GUI. The other main task is initialization. We won’t cover this in gory detail (you are invited to browse the code), but let’s hit a few highlights.
You can use image files (e.g., .png files) for your icons, but the ones here are created programmatically.
To do this, specify two colors, the “foreground” and “background”, as strings.
One also needs the data
array (of type Bool
) for the pixels that should be colored by the foreground color, and false for the ones to be set to the background.
There’s also the mask
array, which can prevent the data
array from taking effect in any pixels marked as false in the mask
.
Given suitable data
and mask
arrays (here we just set the mask to trues
), and color strings, we create the icon and assign it to a button like this:
icon = Tk.image(data, mask, "gray70", "black") # background=gray70, foreground=black
ctrls.stop = Button(f, icon)
Here f
is the “parent frame” that the navigation controller will be rendered in.
A frame is a container that organizes a collection of related GUI elements.
Later we’ll find out how to create one.
The “stop” and “play backwards” buttons look like this:
bind(ctrls.stop, "command", path -> stop_playing!(state))
bind(ctrls.playback, "command", path -> playt(-1, ctrls, state, showframe)
The path
input is generated by Tk/Tcl, but we don’t have to use it.
Instead, we use anonymous functions to pass the arguments relavant to this particular GUI instantiation.
Note that these two buttons share state
; that means that any changes made by one callback will have impact on the other.
Here our layout needs are quite simple, but I recommend that you read the excellent tutorial on Tk’s grid
layout engine.
grid
provides a great deal of functionality missing in Matlab, and in particular allows flexible and polished GUI behavior when resizing the window.
We position the stop button this way:
grid(ctrls.stop, 1, stopindex, padx=3*pad, pady=pad)
After the handle for the button itself, the next two inputs determine the row, column position of the widget.
Here the column position is set using a variable (an integer) whose value will depend on whether the z controls are present.
The pad
settings just apply a bit of horizontal and vertical padding around the button.
To position the slider widgets, we could do something like this:
ctrls.scalez = Slider(f, 1:state.zmax)
grid(ctrls.scalez, 2, start:stop, sticky="we", padx=pad)
This positions them in row 2 of the frame’s grid, and has them occupy the range of columns (indicated by start:stop
) used by the button controls for the same z
or t
axis.
The sticky
setting means that it will stretch to fill from West to East (left to right).
In the main GUI we’ll use one more feature of grid
, so let’s cover it now.
This feature controls how regions of the window expand or shrink when the window is resized:
grid_rowconfigure(win, 1, weight=1)
grid_columnconfigure(win, 1, weight=1)
This says that row 1, column 1 will expand at a rate of 1
when the figure is made larger.
You can set different weights for different GUI components.
The default value is 0, indicating that it shouldn’t expand at all.
That’s what we want for this navigation frame, so that the buttons keep their size when the window is resized.
Larger weight values indicate that the given component should expand (or shrink) at faster rates.
We’ll place the navigation controls inside a Tk frame. Let’s create one from the command line:
using Tk
win = Toplevel()
f = Frame(win)
pack(f, expand=true, fill="both")
The first three lines create the window and the frame. pack
is an alternative layout engine to grid
, and slightly more convenient when all you want is to place a single item so that it fills its container.
(You can mix pack
and grid
as long as they are operating on separate containers.
Here we’ll have a frame pack
ed in the window, and the widgets will be grid
ded inside the frame.)
After that fourth line, the window is rather tiny; the call to pack
causes the frame to fill to expand the whole window, but at the moment the frame has no contents, so the window is as small as it can be.
We need a showframe
callback; for now let’s create a very simple one that will help in testing:
showframe = x -> println("showframe z=", x.z, ", t=", x.t)
Next, load the GUI code (using ImageView.Navigation
) and create the NavigationState
and NavigationControls
objects:
ctrls = NavigationControls()
state = NavigationState(40, 1000, 2, 5)
Here we’ve set up a fake movie with 40 image slices in z
, and 1000 image stacks in t
.
Finally, we initialize the widgets:
init_navigation!(f, ctrls, state, showframe)
Now when you click on buttons, or change the text in the entry boxes, you’ll see the GUI in action.
You can tell from the command line output, generated by showframe
, what’s happening internally:
Hopefully this demonstrates another nice feature of developing GUIs in Julia: it’s straightforward to build re-usable components.
This navigation frame can be added as an element to any window, and the grid layout manager takes care of the rest.
All you need to do is to include ImageView/src/navigation.jl
into your module, and you can make use of it with just a few lines of code.
Not too hard, right? The next step is to render the image, which brings us into the domain of Cairo.


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Robin and Marian (1976) 106m.
Director Richard Lester has worked with several icons in his career (Superman, Butch Cassidy, the Beatles, and the Three Musketeers are among the more memorable) and this time around he turns his attention to Robin Hood. As would be expected from Lester, it is not a traditional portrayal. In essence, ROBIN AND MARIAN provides all previous Robin Hood films with a final chapter. Lester and screenwriter James Goldman replace images of young heroes galloping through the sward with middle-aged not-so-merry men eking out an existence in near-primitive conditions. Story begins with a disillusioned Robin renouncing his service to King Richard and returning to Sherwood after many years abroad. After losing his love for king and country he is now free to rekindle his desire for Marian. Ironically, it means he must once again become an outlaw, thus also renewing old ties with his former enemy the Sheriff of Nottingham.
It's bold of the film to avoid all previous representations of Robin and Marian: Robin (Sean Connery) is bearded, has thinning hair, wields a longsword more often than a bow, and dresses in shabby, practical clothes rather than his more customary Lincoln green. Likewise, Marian (Audrey Hepburn) is not a blushing maiden but a nun, trussed up so tightly in habit and wimple that for the first half of the film we see only her face. The younger Hepburn would have made a great Marian earlier in the heyday of Hollywood costumers, and it makes sense to presume this is why she was chosen for this role (her ten-year absence from the screen also suits the 'return' theme essential to the film). Yet she is required to play against type, which makes her casting confusing. It's not only Hepburn - all of the characters play against type: Marian is shown to be suicidal, the Sheriff is sympathetic, and Richard is psychotic. The only traditional element seen to remain steadfast is the romance between Robin and Marian.
Despite John Barry's suggestively romantic score (which Lester wasn't happy with) and the prevailing love interest of the leads, Lester's film still has that neutral quality found elsewhere in his work - neither too grim/realistic, or stylized/lavish. His trademark humor is also downplayed here. He and Goldman work with their material intelligently (although it's too easy to label a film 'revisionist' merely by subverting the identities of historical personages), but their film's success inevitably boils down to the connection between Connery and Hepburn. As in other Robin Hood stories, they get little screen time together, but in this instance it counts: their final scene is entirely memorable. It also brings home one of the primary intentions of the film - to break their characters out of archetypes perpetuated by myth (not to mention films and books) and present them as real people. Film's ending, which would have been unimaginable in the days of Errol Flynn, will be offputting to many viewers. Connery would return as King Richard in Kevin Costner's popular 1991 version. Also with: Robert Shaw (the Sheriff), Richard Harris (Richard), Nicol Williamson (Little John).
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


--- title: Carbonetworks ---
As a co-op student, I helped create a carbon emissions offset trading platform. The web-based platform brought carbon emitters and offsetters together in a markerplace for trading carbon credits. The system was in the process of being ported from ColdFusion to PHP RESTful API when I was there. I used tools such as ExtJS and Google Visualizations to create charts and visualizations of emissions data.
Users would use the widgets that I created that would automatically sync with MySql/PHP backend. Of course, I also wrote the SQL for these queries.


# Climathon 2019: Open Data Sources ### 25.10.2019, Victoria Boeck
## Slides https://technologiestiftung.github.io/citylab-slides/climathon-data/
## Berlin Open Data Portal https://daten.berlin.de - 2000+ Datasets - *Metadata* Portal – only links - All types of data (statistical, geospatial, etc) - Mostly individual files (few APIs)
## Berlin Open Data Portal ### Dataset: Station Entrance Coordinates [Link](https://daten.berlin.de/datensaetze/koordinaten-der-zugangsm%C3%B6glichkeiten-zu-stationen-0)
## Berlin Air Quality Measurement Network ### Dataset: Historical Readings from Individual Stations [Link](https://luftdaten.berlin.de/lqi)
## FIS-Broker https://fbinter.stadt-berlin.de/fb/index.jsp - 500+ Datasets - Geospatial data for Berlin - Data provided as WMS (rendered maps) or WFS (raw data)
## FIS-Broker ### Dataset: Street Survey (2014) [Link](https://fbinter.stadt-berlin.de/fb/index.jsp?loginkey=zoomStart&mapId=k_StraDa@senstadt&bbox=385587,5818190,396604,5824214)
## FIS-Broker ### Dataset: Traffic Volumes (2014) [Link](https://fbinter.stadt-berlin.de/fb/index.jsp?loginkey=zoomStart&mapId=wmsk_07_01verkmeng2014@senstadt&bbox=387866,5818469,395425,5822591)
## FIS-Broker ### Dataset: Air Quality (2015) [Link](https://fbinter.stadt-berlin.de/fb/index.jsp?loginkey=zoomStart&mapId=wmsk_03_12_2emissionen@senstadt&bbox=384196,5818470,395453,5824325)
## FIS-Broker ### Downloading from the FIS-Broker: How-to guide: https://lab.technologiestiftung-berlin.de/projects/fisbroker-to-qgis/en/
## Uber Movement Platform ### Dataset: Traffic Speeds [Link](https://movement.uber.com/explore/berlin/)
## Questions we're interested in: - How can we **maximize the complementarity** of Berlin’s public transit and shared mobility offerings? - Where are the opportunities (using data) to optimize one or both systems, so that it is **as easy as possible** for citizens to shift seamlessly between both, and, in the process, **decrease reliance on private cars in the city**?
## Questions we're interested in: - When it comes to provision of infrastructure – i.e. public transit, bike paths, sidewalks, general streets, etc. – where are there **opportunities to improve or optimize existing infrastructure** (or add new infrastructure) to maximize the desirability and viability of more sustainable and environmentally friendly modes of transit (e.g. walking, biking, public transit)? - Alternatively: How can we **use data on existing infrastructure** to encourage citizens to use more sustainable mobility practices, such as using geospatial data to create tools that highlight the walkability or “bikeability” of certain areas for citizens?
## Contact: ### CityLAB Berlin [@citylabberlin](https://twitter.com/citylabberlin)\ [citylab-berlin.org](https://citylab-berlin.org) Victoria (Tori) Boeck Boeck@technologiestiftung-berlin.de


Alicia Keys and Bebe Rexha to announce Grammy Award nominations Wednesday
by Brandy McDonnellAlicia Keys and Bebe Rexha will join "CBS This Morning" co-host Gayle King Wednesday to reveal the nominees for the top categories at the 2019-2020 Grammy Awards.
The Recording Academy will begin the nominees announcement at about 7:20 a.m., when Recording Academy President/CEO Deborah Dugan and Chair of the Board of Trustees Harvey Mason Jr. reveal nominees in select categories at Studio 43 at the CBS Broadcast Center in New York City.
The press conference will be live streamed on GRAMMY.com and across the Academy's Facebook and Twitter pages.
As part of Wednesday morning's live stream, "CBS This Morning" will simulcast some categories live.
The 62nd Annual Grammy Awards will air live Sunday, Jan. 26 on CBS and CBS All Access.
A 15-time Grammy Award-winning singer, songwriter, producer and global superstar, Keys will return as host of the Grammy Awards, according to a news release.
Last year’s ceremony marked Keys’ first time hosting an awards program and was met with praise from fans and critics alike. Her opening monologue featured special guest appearances from former first lady Michelle Obama, Lady Gaga, Jennifer Lopez and Jada Pinkett Smith. A standout moment when Keys played two pianos simultaneously in tribute to black pianist Hazel Scott became a top social moment according to Facebook.
“At first, I did think last year was a one-time thing, but when the opportunity came back around, there was no question about returning as host of the Grammy Awards,” said Keys in a statement. “Last year was such a powerful experience for me. Not only did I feel the love in the room, but I felt it from around the world, and it confirmed the healing and unifying power of music.”
I'll be scouring the Grammy Award nominations list Wednesday morning for contenders with Oklahoma ties. Look for updates on my BAM's Blog Wednesday.
-BAM
Related Photos


--- title: Testing my R package author: Frederick Boehm date: '2017-07-14 10:52:36' slug: testing-my-r-package categories: [computing, R, packages] tags: [testing] draft: 'true' ---
I am assembling a package that implements an EM algorithm. I want to think about how I know whether the code works. Certainly, we know that an EM algorithm requires that the likelihood be non-decreasing over consecutive iterations.
In looking at resources on testing, I found particularly helpful Karl Broman’s slides on testing R code. Hadley Wickham’s book Advanced R has a useful chapter on testing.


You can identify music by using a lookup based on text strings. The text strings can be extracted from an audio track’s file path name and from text data embedded within the file, such as mp3 tags. You can provide the following types of input strings:
Text-based lookup attempts to match these attributes with known albums, artists, and composers. The text lookup first tries to get an album match. If that is not possible, it next tries to get an artist match. If that does not succeed, a composer match is tried. Adding as many input strings as possible to the lookup improves the results.
Text-based lookup returns “best-fit” objects, which means that depending on what your input text matched, you might get back album matches or contributor matches.
The first step in performing a text-based lookup is to create a music query, which returns a query handle that you will use in subsequent calls:
gnsdk_musicid_query_create( user_handle, GNSDK_NULL, GNSDK_NULL, &query_handle );
The next step in creating the query is to set the input text fields, based on the information you have available. The possible input fields are:
Call the gnsdk_musicid_query_set_text() function to set each input field. For example, the following call sets the album title "Dark Side of the Moon" to be used as an input field:
gnsdk_musicid_query_set_text( query_handle, GNSDK_MUSICID_FIELD_ALBUM, "Dark Side of the Moon" );
Finally, to execute the query, call:
gnsdk_musicid_query_find_matches( query_handle, &response_gdo );
After executing the text-based query, you need to determine which “best-fit” objects were returned. To do this, iterate through the objects, and get the match GDO and then the GDO type, using the following functions:
gnsdk_manager_gdo_child_get( response_gdo, GNSDK_GDO_CHILD_MATCH, ord, &match_gdo );
gnsdk_manager_gdo_get_type( match_gdo, &gdo_type );
The GDO type will be one of the following types:
Compare the GDO type to these types, as shown in the following example:
if (0 == strcmp(gdo_type, GNSDK_GDO_TYPE_ALBUM)) { printf( "Album match\n" ); // Display album information. } else if (0 == strcmp(gdo_type, GNSDK_GDO_TYPE_CONTRIBUTOR)) { printf( "Contributor match\n" ); // Display contributor information. }
Note: If an album GDO is returned and you need to make a follow-up query, use gnsdk_musicid_query_find_albums(). If the result is a contributor GDO, no follow-up query is needed.
For more information about navigating through the GDO type hierarchy, see Gracenote Data Objects (GDOs)“.
This examples performs a sample text query with album, track and artist inputs.
Sample Application: musicid_lookup_matches_text/main.c


Quote: Posted 02/01/05 12:34:25 (GMT) -- Mick Dagger
Maybe Evocation - there's more to this school than Bigby's and Isaac's
Quote: Posted 02/01/05 17:25:43 (GMT) -- Tengudor_t
Yes, that spell is from Enchantment.
This school of magic is especially powerful at lower levels, when enemies have ridiculously low saving throws. But a skilled enchanter is good even at level 40 - most players have items, spells or abilities that grant them protection from instant death or death magic, but only a few have protection from mind effects.
Not sure I've ever seen this being improved by spell focus? Since there is no saves (the focus feat only affects spell Save DC, iirc), I would assume only the casting level of the spell being stripped, a DC (of 11 iirc), and a dice roll would be the deciding factor in stripping the spells?Quote: Posted 02/04/05 17:04:03 (GMT) -- Kalmar_Oxin
Abjuration is also a very good spell school and spell focus to have! If you have a server where you need to use Mords alot, then definately take abjuration. it really improves the spell. Sometimes on PVP servers Mords are essential for winning!
Just my opinion


{{ cdesc }}
Here, the SQL query is the same as in the previous challenge:
SELECT uid, name, profileID, salary, passportNr, email, nickName, password FROM usertable WHERE profileID='10' AND
password='ce5ca67...'
But in this case, the malicious user input cannot be injected directly into the application via the login form because some client-side controls have been implemented:
function validateform() {
var profileID = document.inputForm.profileID.value;
var password = document.inputForm.password.value;
if (/^[a-zA-Z0-9]*$/.test(profileID) == false || /^[a-zA-Z0-9]*$/.test(password) == false) {
alert("The input fields cannot contain special characters");
return false;
}
if (profileID == null || password == null) {
alert("The input fields cannot be empty.");
return false;
}
}
The JavaScript code requires that both the profileID and the password only contains characters between a-z, A-Z, and 0-9. Client-side controls are only there to improve the user experience and is in no way a security feature as the user has full control over the client and the data it submits. For example, a proxy tool such as Burp Suite can be used to bypass the client side JavaScript validation.
This challenge uses a GET request when submitting the login form. The login and the client-side validation can then easily be bypassed by filling out the parameters in the URL. Such as this:
http://MACHINE_IP:5000/sesqli3/login?profileID=-1' or 1=1--&password=a
The browser will automatically urlencode this for us. Urlencoding is needed since the HTTP protocol does not support all characters in the request. When urlencoded, the URL looks as follows:
/sesqli3/login?profileID=-1%27%20or%201=1--&password=a
The %27 becomes the single quote (') character and %20 becomes a blank space.


Belgrade is a city where entire worlds collide and merge, a city where traces of ancient times mix with the medieval and modern.
Built at the confluence of the Danube and the Sava, it was simply destined to be the center of cultural and historical events in the Balkans.
Many battles have been fought around the White City( serbian : Beo-grad ; eng : white-city ), it has been destroyed and rebuilt countless times, and as a result,it is now adorned with the spirit that can be found in its architecture, sights, in people and life in it. According to the 2016 census, Belgrade has a population of 1.374 million.
One of the oldest and most important streets in Belgrade, created in the late 70s of the 19th century, Knez Mihailova is the main testimony to the continuous duration and progress of the city. The street in which the remains of the ancient civilization were found has left the footsteps of the people from the Romans, through the Turks and the Austrians on its cobblestones for centuries until today. With the renovation of the Roman and the construction of a new water supply system in the first half of the 16th century, the conditions for the settlement of this street began to emerge. The Turks are building mosques with busy neighborhoods, but after the arrival of the Austrians they were demolished in order to give the street a new look in accordance with the coming time.
You won't believe it, but this fortress was built in the first century, first as a wooden palisade with earthen ramparts, and for centuries it developed into a Roman castrum, a Byzantine castle, a medieval fortress and finally an Austrian artillery fortification. Located within the Kalemegdan Park, this fortress has an upper and lower town with a handful of cultural and historical institutions such as the Military and Natural History Museum, the Observatory, the Victorian , the Zoo, churches and the Tomb of National Heroes.
Kalemegdan is a favorite place of all Belgraders with the most beautiful view of the confluence of the Sava and Danube. His trademark is "Pobednik" ( eng. The Victorian ), as well as many greenery, benches, monuments and flowers. Rarely has anyone visited Belgrade without stepping on Kalemegdan.
At first, it was thought that the place where the temple was built in Belgrade was the place where Kodza Sinan-pasha burned the relics of Saint Sava in 1594. Later, the research established that it did not happen in this place. The Church of Saint Sava is the largest Orthodox church in the Balkans. Built in the Serbian-Byzantine style, with a gilded cross on top of the temple, this church can accommodate 10,000 believers and a choir of 800 choristers.
The Church of the Holy Emperor Lazar, with an area of about 1,800 m2, was built under the temple, with the treasury of Saint Sava and the crypt of the Patriarch of the Serbian Orthodox Church, in which it is planned to bury the deceased patriarchs.


ADVANCED
Lessons: 5 of 7
Let’s start with a quick tour of Vue’s data binding features. If you are more interested in ...
VUEJS
ADVANCED
Lessons: 5 of 7
Let’s start with a quick tour of Vue’s data binding features. If you are more interested in ...
VUEJS
ADVANCED
Lessons: 5 of 7
Let’s start with a quick tour of Vue’s data binding features. If you are more interested in ...
VUEJS
ADVANCED
Lessons: 5 of 7
Let’s start with a quick tour of Vue’s data binding features. If you are more interested in ...
VUEJS
ADVANCED
Lessons: 5 of 7
Let’s start with a quick tour of Vue’s data binding features. If you are more interested in ...
VUEJS
ADVANCED
Lessons: 5 of 7
Let’s start with a quick tour of Vue’s data binding features. If you are more interested in ...
VUEJS


SUMMER’S EAR: HOW TO PREVENT SEASONAL EAR CONDITIONS
Summertime brings lots of great outdoor activities like swimming, waterskiing and camping. While these are all wonderful past-times, each can carry a risk for an ear condition. Don’t worry: all are easily preventable and treatable if you follow these simple guidelines.
Swimmer’s Ear
Swimmer’s ear, also called external otitis, occurs when an ear becomes infected with bacteria that live in water. Often, it starts when water isn’t completely removed from the ear after swimming or if the water is polluted. Symptoms include itchy ears which can progress into soreness, pain when chewing and even swollen skin around the ear.
- Because this condition is caused by different bacteria than the kind that is typically treated with an oral antibiotic, a different antibiotic is required.
Treatment:
- Use antibiotic ear drops to inhibit bacterial growth. The drops usually relieve the pain within a day or two and clear up the condition within a week.
- Don’t take oral antibiotics unless other conditions are present, such as diabetes or some immune diseases, because studies indicate those medications are less effective and have more side effects.
- Don’t use ear candles which have not been shown to be effective and can have adverse side effects, including burning or perforating the ear drum.
- Keep moisture out of the ear by using ear plugs or by drying the ears with a hairdryer, and avoiding water that may be polluted.
- Don’t put fingers or other objects in the ear, including cotton swabs, which can damage the ear or push material deeper into the canal.
- Use a couple drops of Swimmer’s Ear, an over-the-counter drop found at most drugstores, to dry out the ear after swimming.
Insect in the Ear
This condition can occur anytime you are outdoors, especially in the buggy summertime. Usually, the person affected is frightened and should be reassured that it will come out.
Treatment:
- Do not let the person put a finger in the ear, since this may make the insect sting.
- Turn the person’s head so that the affected side is up, and wait to see if the insect flies or crawls out.
- If this doesn’t work, try pouring a small amount of mineral oil, olive oil, or baby oil into the ear. As you pour the oil, pull the ear lobe gently backward and upward for an adult, or backward and downward for a child. The insect should suffocate and may float out in the oil.
- Even if an insect appears to come out, get medical attention. Small insect parts can irritate the sensitive skin of the ear canal.
- If the person is stung, head for an emergency department or Ear, Nose and Throat specialist.
Waterskiing/tympanic membrane injury
During a waterskiing or wake boarding fall, the ear drum (tympanic membrane) can tear as a result of a “slap” to the ear. The ear canal is very thin and can’t handle impact. In 90% of cases, the tear will heal without surgical treatment. However, in rare cases, tympanoplasty may be required. This involves a small tissue graft take from the scalp to replace the tissue.
In the event of a waterskiing injury, doctors’ recommends that an ear, nose, and throat specialist examine the ear to check for hemotympanum (blood behind the ear) or a disconnection of the ear bones which can cause hearing loss. A physician may also recommend an antibiotic if water has gotten in past the tear.
Please note that this injury can also occur due to changes in water pressure during the descent of scuba divers.


Ben Foden reveals ex-wife Una Healy ‘thinks he’s doing great’ on The X Factor: Celebrity
The rugby star said his former wife has been supporting him on the show
by Kendra BeckerBen Foden has revealed his ex-wife Una Healy ‘thinks he’s doing great’ on The X Factor: Celebrity.
The rugby player, who split from the Irish singer last year after six years of marriage, said Una has been supporting him on the show.
Ben is a part of rugby player supergroup Try Star, alongside Thom Evans and Levi Davis.
Speaking to the MailOnline, Ben said: “Una always used to encourage me to do the music thing. When I told her that I was doing [The X Factor] she thought it was a great idea. She loves it.”
He explained: “Una and I have a good relationship for the sake of the kids. I always wish her the very, very best. And the kids [Aoife, 7, and Tadgh, 4] are loving The X Factor.”
‘They went to the show last week. They’re coming this weekend. They’re going to go absolutely bananas.”
“Their mum is obviously mega talented at singing. She always says when she catches [the show]. Sometimes she’s busy, but she thinks [Try Star] are doing great,” he said.
Ben and Una split in 2018, amid reports that he had been unfaithful.
Just over one year later, the sports star shocked fans by marrying his second wife, Jackie Belanoff Smith, after just two weeks of dating.
Meanwhile, Una has moved on with former Limerick hurler David Breen.


{% extends 'blog/layout.html' %} {% block content %}
I am a Python/Django Developer currently on the market for a full-time programming position. Since 2020 I have been the President of the DSF (Django Software Foundation) and was previously a Software Engineer at BriteCore. I am based in Harare, Zimbabwe and have been working remotely for a couple of years now but am open to relocation if necessary.
If you already know me and are interested in discussing a job opportunity, please get in touch. If you do not know me and are interested in getting to know me a bit, please read on ...
I started learning programming in high school at the age of 15 as part of my Computer Studies course for my Ordinary Level exams with the dream of becoming a software engineer. I went on to do Computing as one of my Advanced Level subjects and I hold a BSc (Hons) in Computer Science from Midlands State University, Zimbabwe. I have always loved and enjoyed algorithms and programming at school and I was pretty good at it.
Learning Computer Science as a subject from an early age has exposed me to various languages and databases including Visual Basic, Pascal, DBase III, C, C++ and Java, most of which I did not use much after school. So while I may not remember the syntax of all these languages, I can read programmes written in other languages and understand them.
While in my second year in university, I decided I needed to know more about ICT than just software engineering so for my work-related learning year in 2007, I chose to work at an internet service provider, Fbnet, where I learnt network engineering, web development and systems administration. I wanted to be all-rounded in technology so did not immediately choose the software engineering route. After graduating in 2009, I gave myself five years to continue on this path before returning on the software engineering career path.
After graduating, I worked for three months at Fbnet as a Network Technician, doing mostly web development, network engineering, systems administration and helpdesk support. I then moved to Women's University in Africa where I worked as a Senior ICT Technician. My role involved systems analysis and design of university systems, project management, website maintenance, user training and support, and network and systems administration.
I left that role in 2011 to join an internet access provider startup, Valley Technologies, as Network Operations Centre Technician. My role involved network and systems administration; configuring and maintaining core network elements, monitoring network systems and escalating issues to BTS Technicians on duty as required. I later moved to the Billing department where I worked as a Billing Analyst where I was responsible for the generation of customers’ invoices, writing and running SQL queries to automate invoice calculation, revenue feeds and revenue reconciliation.
I left this role to work for rubiem Technologies, a consultancy firm, as Senior BSS/OSS Consultant for the mcel (Mozambique Cellular) CRM and Converged Billing project in Mozambique. My role involved project management, business process analysis, chairing project meetings and a lot of document writing. I left this role in 2014 to complete my MSc in Strategic Management which I did with Chinhoyi University of Technology.
After my Masters, I started learning Python through Muzinda Hub's Entrepreneurship and Digital Skills scholarship programme in 2015. I also learnt Flask and Django though most of my projects use Django. I started working as Fundraising Coordinator for Django Girls in June 2017, then worked for BriteCore as Software Engineer in 2019 and then became the lead maintainer of the Django Girls website in 2020, after the founding trustees stepped down.
My current role with Django Girls involves handling fundraising for the foundation as well as maintaining the organisation's online resources which include the website. I review contributors' pull requests, fix bugs, add new features to the website, suggest how contributors should implement certain features for the website as well as merge pull requests and deploy the changes to the website. I also get to contribute to the documentation of the Django Girls project resources. I also freelance and work on my own projects which I handle frontend development, backend development as well as deployment and maintenance.
I am much more interested in finding the right thing than in just finding a thing. If you are hiring and what I have written above sounds like a good fit for you, please do get in touch.


Tonto Dikeh went to Dubai to eat poo – Stella Dimokokorkus alleges
by Sanya AgunbiadeControversial blogger Stella Dimokokorkus has alleged that actress Tonto Dikeh once went to Dubai to engage in poo eating with her best friend.
She made the statement in response to a threat issued to her by the actress after she revealed in an earlier post the actress once slept with another actress – Ini’s boyfriend.
Stella in her expository post wrote:
Tonto Charity Dikeh. And I would never say someone I just had an Orgy with gifted me anything…
No I would never do that.  Do you remember what the 200k u are owing me was for? Me bitch?oh yes i agree you crocophilia being….I am coming back with the genesis of this alleged enmity you think I have with u…
 Then why did u go behind Ini to snatch and sleep with her boyfriend after you saw how good it was and thought he would give you the money he gave her?You broke that relationship. Isn’t that jealousy?
As for bobrisky calling me out on your behalf. How and why should I respond to a man who has cardiac arrest of the blokos and now pretending to be a woman?
Follow us on Facebook – @Lailasnews; Twitter – @LailaIjeoma for updates


商品名稱
商品類型
商品價格
Some quick example text to build on the card title and make up the bulk of the card's content.
More


Game Designer at Pandora Game Studio, Published by @Kwalee
• From Ideation to Global Launch.
• 1M+ Downloads.
• From Hyper-Casual to Hybrid-Casual scope.
It was a really fun projecto to make, worked for 1+ years along with programmers, artists and another designer. I also had the opportunity to present Ideias to the Kwalee Team and Brainstorm solutions with them.
I started this project Designing its Concept, then Presenting to the team and starting the Prototyping phase as the Main Designer along with a Programmer. It was ready to be launched within 2 weeks. After that I worked for the Soft-launch phase along with another Designer and Art team, making new Levels, game modes, and implementing all new mechanics, animations and art for the game, making it a Complete Experience for a Hyper Casual game.
After Analysing its Data and seeing good potential, we started working on its Hybrid Scope to extend players LTV (Life-Time Vaule), making new types of levels, puzzles, and overall content for the game, Balancing its experience and making it into the Global Launch.
Pandora Game Studio
• From Ideation to Global Launch.
• 1M+ Downloads.
• From Hyper-Casual to Hybrid-Casual scope.
Pandora Game Studio
• Overall Improvements.
• 250K+ Downloads.
• Hyper-Casual.
• Live-Ops.
Pandora Game Studio
• PC/Steam Porting.
• Mid-Core.
• Improvements and Balancing.
Pandora Game Studio
• Was creatively involved from Ideating to Publishing along with teams of Coders, Artists and other Designers.
Read More


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| PREV NEXT | FRAMES NO FRAMES |
| Uses of HttpRequestOptions in org.jclouds.atmos.options |
|---|
| Classes in org.jclouds.atmos.options that implement HttpRequestOptions | |
|---|---|
class |
PutOptions
Contains options supported in the REST API for the PUT operations. |
| Uses of HttpRequestOptions in org.jclouds.aws.ec2.options |
|---|
| Classes in org.jclouds.aws.ec2.options that implement HttpRequestOptions | |
|---|---|
class |
AWSDescribeImagesOptions
Extra options only available in Amazon's implementation |
class |
AWSRunInstancesOptions
Contains options supported in the Form API for the RunInstances operation. |
class |
CreateSecurityGroupOptions
Contains options supported in the Form API for the CreateSecurityGroup operation. |
class |
DescribeSpotPriceHistoryOptions
Contains options supported in the Form API for the DescribeSpotPriceHistory operation. |
class |
RequestSpotInstancesOptions
Contains options supported in the Form API for the RequestSpotInstances operation. |
| Uses of HttpRequestOptions in org.jclouds.aws.s3.blobstore.options |
|---|
| Classes in org.jclouds.aws.s3.blobstore.options that implement HttpRequestOptions | |
|---|---|
class |
AWSS3PutObjectOptions
Contains options supported in the AWS S3 REST API for the PUT object operation |
| Uses of HttpRequestOptions in org.jclouds.azure.storage.options |
|---|
| Classes in org.jclouds.azure.storage.options that implement HttpRequestOptions | |
|---|---|
class |
CreateOptions
Contains common options supported in the REST API for the Create operation. |
class |
ListOptions
Options used to control paginated results (aka list commands). |
| Uses of HttpRequestOptions in org.jclouds.azureblob.options |
|---|
| Classes in org.jclouds.azureblob.options that implement HttpRequestOptions | |
|---|---|
class |
CreateContainerOptions
Contains options supported in the REST API for the Create Container operation. |
class |
ListBlobsOptions
Contains options supported in the REST API for the List Blobs operation. |
| Uses of HttpRequestOptions in org.jclouds.blobstore |
|---|
| Methods in org.jclouds.blobstore with parameters of type HttpRequestOptions | |
|---|---|
String |
TransientAsyncBlobStore.getFirstQueryOrNull(String string,
HttpRequestOptions options)
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| Uses of HttpRequestOptions in org.jclouds.cloudfiles.options |
|---|
| Classes in org.jclouds.cloudfiles.options that implement HttpRequestOptions | |
|---|---|
class |
ListCdnContainerOptions
Contains options supported in the REST API for the GET CDN containers operation. |
| Uses of HttpRequestOptions in org.jclouds.cloudstack.options |
|---|
| Classes in org.jclouds.cloudstack.options that implement HttpRequestOptions | |
|---|---|
class |
AccountInDomainOptions
Options for services that apply to accounts in domains |
class |
AddClusterOptions
Options to the GlobalHostClient.addHost() API call |
class |
AddHostOptions
Options to the GlobalHostClient.addHost() API call |
class |
AddSecondaryStorageOptions
Options for the GlobalHostClient.addSecondaryStorage() API call |
class |
AssociateIPAddressOptions
Options used to acquire and associate a public IP to an account. |
class |
CreateAccountOptions
Optional fields for account creation |
class |
CreateDiskOfferingOptions
Options to control how disk offerings are created |
class |
CreateDomainOptions
Options used to control how a domain is created |
class |
CreateFirewallRuleOptions
Options used to control how a firewall rule is created |
class |
CreateIPForwardingRuleOptions
Options used to create an ip forwarding rule |
class |
CreateLoadBalancerRuleOptions
Options used to control what load balancer rules are returned |
class |
CreateNetworkOptions
Optional fields for network creation |
class |
CreatePodOptions
Options to the GlobalPodClient.createPod API call. |
class |
CreateServiceOfferingOptions
Options to control how service offerings are created |
class |
CreateTemplateOptions
Options used to control how a template is created. |
class |
CreateUserOptions
Optional fields for user creation |
class |
CreateVlanIPRangeOptions
Options to the createVlanIPRange API call. |
class |
CreateVMGroupOptions
Options used to control options for creating a VM group |
class |
CreateZoneOptions
Options used to control how a zone is created |
class |
DeleteHostOptions
Options to the GlobalHostClient.deleteHost() API call |
class |
DeleteISOOptions
Options for the ISO deleteISO method. |
class |
DeleteTemplateOptions
Options used to control how a template is created. |
class |
DeployVirtualMachineOptions
Options used to control what disk offerings are returned |
class |
ExtractISOOptions
Options for the ISO extractISO method. |
class |
ExtractTemplateOptions
|
class |
GenerateUsageRecordsOptions
Options to the GlobalUsageClient.generateUsageOptions() API call |
class |
ListAccountsOptions
Options used to control what account information is returned |
class |
ListAlertsOptions
Options to the listAlerts command. |
class |
ListAsyncJobsOptions
Options used to control what asyncJobs information is returned |
class |
ListCapacityOptions
Options to the listCapacity command. |
class |
ListClustersOptions
Options used to control what cluster information is returned |
class |
ListConfigurationEntriesOptions
Options used to control what configuration entries are returned |
class |
ListDiskOfferingsOptions
Options used to control what disk offerings are returned |
class |
ListDomainChildrenOptions
Options used to control what domain children are returned |
class |
ListDomainsOptions
Options used to control what domains are returned |
class |
ListEventsOptions
Options used to control what events are returned |
class |
ListFirewallRulesOptions
Options used to control what firewall rules are returned |
class |
ListHostsOptions
Options used to control what hosts information is returned |
class |
ListIPForwardingRulesOptions
Options used to control what ip forwarding rules are returned |
class |
ListISOsOptions
Options for the ISO listISOs method. |
class |
ListLoadBalancerRulesOptions
Options used to control what load balancer rules are returned |
class |
ListNetworkOfferingsOptions
Options used to control what network offerings are returned |
class |
ListNetworksOptions
Options used to control what networks information is returned |
class |
ListOSTypesOptions
Options used to control what OSType information is returned |
class |
ListPodsOptions
Options to the GlobalPodClient.listPods API call. |
class |
ListPortForwardingRulesOptions
Options used to control what port forwarding rules are returned |
class |
ListPublicIPAddressesOptions
Options used to control what ip addresss information is returned |
class |
ListResourceLimitsOptions
|
class |
ListSecurityGroupsOptions
Options used to control what security groups are returned |
class |
ListServiceOfferingsOptions
Options used to control what service offerings are returned |
class |
ListSnapshotPoliciesOptions
Options for the Snapshot listSnapshotPolicies method. |
class |
ListSnapshotsOptions
Options for the Snapshot listSnapshots method. |
class |
ListSSHKeyPairsOptions
|
class |
ListStoragePoolsOptions
Options to the GlobalStoragePools[Async]Client.listStoragePools API call |
class |
ListTemplatesOptions
Options used to control what templates information is returned |
class |
ListUsageRecordsOptions
Options to the GlobalUsageClient.listUsageOptions() API call |
class |
ListUsersOptions
Options used to control what user information is returned |
class |
ListVirtualMachinesOptions
Options used to control what virtual machines information is returned |
class |
ListVlanIPRangesOptions
Options to the listVLANIPRanges() API call |
class |
ListVMGroupsOptions
Options used to control what VMGroups information is returned |
class |
ListVolumesOptions
Options used to control what volume |
class |
ListZonesOptions
Options used to control what zones information is returned |
class |
RegisterISOOptions
Options for the ISO registerISO method. |
class |
RegisterTemplateOptions
Options used to control how a template is registered. |
class |
UpdateAccountOptions
Optional arguments for updating an Account |
class |
UpdateClusterOptions
Options for the GlobalHostClient.updateCluster() API call. |
class |
UpdateDiskOfferingOptions
Options to control how disk offerings are created |
class |
UpdateDomainOptions
Options used to control how a domain is created |
class |
UpdateHostOptions
Options to the GlobalHostClient.addHost() API call |
class |
UpdateISOOptions
Options for the ISO updateISO method. |
class |
UpdateISOPermissionsOptions
Options for the ISO updateISOPermissions method. |
class |
UpdateLoadBalancerRuleOptions
Options used to control how a load balancer rule is updated |
class |
UpdateNetworkOfferingOptions
Options to control how network offerings are created |
class |
UpdatePodOptions
Options to the GlobalPodClient.updatePod API call. |
class |
UpdateServiceOfferingOptions
Options to control how service offerings are created |
class |
UpdateTemplateOptions
Options used to control how a template should be updated. |
class |
UpdateTemplatePermissionsOptions
Options used to control how a template should be updated. |
class |
UpdateUserOptions
Optional arguments for updating an User |
class |
UpdateVMGroupOptions
Options used to control updates to VMGroups |
class |
UpdateZoneOptions
Options used to control how a zone is updated |
| Uses of HttpRequestOptions in org.jclouds.cloudwatch.options |
|---|
| Classes in org.jclouds.cloudwatch.options that implement HttpRequestOptions | |
|---|---|
class |
GetMetricStatisticsOptions
Options used to control metric statistics are returned |
| Uses of HttpRequestOptions in org.jclouds.deltacloud.options |
|---|
| Classes in org.jclouds.deltacloud.options that implement HttpRequestOptions | |
|---|---|
class |
CreateInstanceOptions
Contains options supported in the Deltacloud API for the Create Instance operation. |
| Uses of HttpRequestOptions in org.jclouds.ec2.options |
|---|
| Classes in org.jclouds.ec2.options that implement HttpRequestOptions | |
|---|---|
class |
BundleInstanceS3StorageOptions
Contains options supported in the Form API for the RegisterImage operation. |
class |
CreateImageOptions
Contains options supported in the Form API for the CreateImage operation. |
class |
CreateSnapshotOptions
Contains options supported in the Form API for the CreateSnapshot operation. |
class |
DescribeAvailabilityZonesOptions
Contains options supported in the Form API for the DescribeAvailabilityZones operation. |
class |
DescribeImagesOptions
Contains options supported in the Form API for the DescribeImages operation. |
class |
DescribeRegionsOptions
Contains options supported in the Form API for the DescribeRegions operation. |
class |
DescribeSnapshotsOptions
Contains options supported in the Form API for the DescribeSnapshots operation. |
class |
DetachVolumeOptions
Contains options supported in the Form API for the DetachVolume operation. |
class |
RegisterImageBackedByEbsOptions
Contains options supported in the Form API for the RegisterImage operation. |
class |
RegisterImageOptions
Contains options supported in the Form API for the RegisterImage operation. |
class |
RunInstancesOptions
Contains options supported in the Form API for the RunInstances operation. |
| Uses of HttpRequestOptions in org.jclouds.ec2.options.internal |
|---|
| Classes in org.jclouds.ec2.options.internal that implement HttpRequestOptions | |
|---|---|
class |
BaseEC2RequestOptions
|
| Uses of HttpRequestOptions in org.jclouds.filesystem |
|---|
| Methods in org.jclouds.filesystem with parameters of type HttpRequestOptions | |
|---|---|
String |
FilesystemAsyncBlobStore.getFirstQueryOrNull(String string,
HttpRequestOptions options)
|
| Uses of HttpRequestOptions in org.jclouds.glesys.options |
|---|
| Classes in org.jclouds.glesys.options that implement HttpRequestOptions | |
|---|---|
class |
AddDomainOptions
|
class |
AddRecordOptions
|
class |
CloneServerOptions
|
class |
DestroyServerOptions
|
class |
DomainOptions
|
class |
EditAccountOptions
|
class |
EditRecordOptions
|
class |
EditServerOptions
|
class |
ServerStatusOptions
|
| Uses of HttpRequestOptions in org.jclouds.gogrid.options |
|---|
| Classes in org.jclouds.gogrid.options that implement HttpRequestOptions | |
|---|---|
class |
AddLoadBalancerOptions
Optional parameters for adding a load balancer. |
class |
AddServerOptions
|
class |
GetImageListOptions
|
class |
GetIpListOptions
|
class |
GetJobListOptions
|
class |
GetServerListOptions
|
class |
SaveImageOptions
|
| Uses of HttpRequestOptions in org.jclouds.hpcloud.objectstorage.lvs.options |
|---|
| Classes in org.jclouds.hpcloud.objectstorage.lvs.options that implement HttpRequestOptions | |
|---|---|
class |
ListCDNContainerOptions
Contains options supported in the REST API for the GET CDN containers operation. |
| Uses of HttpRequestOptions in org.jclouds.http.options |
|---|
| Classes in org.jclouds.http.options that implement HttpRequestOptions | |
|---|---|
class |
BaseHttpRequestOptions
|
class |
GetOptions
Contains options supported for HTTP GET operations. |
| Uses of HttpRequestOptions in org.jclouds.openstack.options |
|---|
| Classes in org.jclouds.openstack.options that implement HttpRequestOptions | |
|---|---|
class |
BaseListOptions
Options used to control paginated results (aka list commands). |
| Uses of HttpRequestOptions in org.jclouds.openstack.swift.options |
|---|
| Classes in org.jclouds.openstack.swift.options that implement HttpRequestOptions | |
|---|---|
class |
ListContainerOptions
Contains options supported in the REST API for the GET container operation. |
| Uses of HttpRequestOptions in org.jclouds.s3.options |
|---|
| Classes in org.jclouds.s3.options that implement HttpRequestOptions | |
|---|---|
class |
CopyObjectOptions
Contains options supported in the REST API for the COPY object operation. |
class |
ListBucketOptions
Contains options supported in the REST API for the GET bucket operation. |
class |
PutBucketOptions
Contains options supported in the REST API for the PUT bucket operation. |
class |
PutObjectOptions
Contains options supported in the REST API for the PUT object operation. |
|
||||||||||
| PREV NEXT | FRAMES NO FRAMES |


{% extends "skeleton.html" %} {% load static %} {% block content %}
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I will transfer up to {{selectionData.totalSongsInDestination}} songs to the "{{selectionData.destination.name}}" playlist. These songs will be randomly chosen from the total of {{selectionData.totalSongsInSources}} songs in the following sources: I will shuffle and transfer to the "{{selectionData.destination.name | characters:70}}" playlist all {{selectionData.totalSongsInSources}} songs in the following sources:
I will ensure that among the {{selectionData.totalSongsInDestination}} tracks to write to the destination there are no duplicate tracks. However, if there are not enough non-duplicate tracks to fill the destination, its final track count will necessarily be less than {{selectionData.totalSongsInDestination}}.
Based on an average size of 5MB per track, the "{{selectionData.destination.name | characters:70}}" playlist should end up with {{selectionData.totalSongsInDestination * 5}} MB ({{(selectionData.totalSongsInDestination * 5 / 1024 + 0.00001) | number: 2}} GB).


calc_net_sentiment_nrc.Rd
For a given text, translate all words into NRC sentiments and count sentiment occurrences.
calc_net_sentiment_nrc( x, target_col_name = NULL, text_col_name, filter_class = NULL )
| x | A data frame with two columns: the column with the classes; and the column with the text. Any other columns will be ignored. |
|---|---|
| target_col_name | A string with the column name of the target variable.
Defaults to |
| text_col_name | A string with the column name of the text variable. |
| filter_class | A string or vector of strings with the name(s) of the
class(es) for which bigrams are to be created and counted. Defaults to
|
A data frame with 12 or 13 columns: the text column; the line number; the 10 NRC sentiments (anger, anticipation disgust, fear, joy, negative, positive, sadness, surprise, trust- see Mohammad & Turney, 2013); and the column with the classes (if any).
Mohammad S.M. & Turney P.D. (2013). Crowdsourcing a Word–Emotion Association Lexicon. Computational Intelligence, 29(3):436-465.
library(experienceAnalysis) books <- janeaustenr::austen_books() # Jane Austen books emma <- paste(books[books$book == "Emma", ], collapse = " ") # String with whole book pp <- paste(books[books$book == "Pride & Prejudice", ], collapse = " ") # String with whole book # Make data frame with books Emma and Pride & Prejudice x <- data.frame( text = c(emma, pp), book = c("Emma", "Pride & Prejudice") ) # Net sentiment in each book calc_net_sentiment_nrc(x, target_col_name = "book", text_col_name = "text", filter_class = NULL)#> # A tibble: 2 x 13 #> text linenumber anger anticipation disgust fear joy negative positive #> <chr> <int> <int> <int> <int> <int> <int> <int> <int> #> 1 "c(\"EMMA~ 1 1548 4821 1323 2343 4432 4473 9471 #> 2 "c(\"PRID~ 2 1295 3596 973 1767 3336 3641 7443 #> # ... with 4 more variables: sadness <int>, surprise <int>, trust <int>, #> # book <chr>


Overview User interface ↑ | ↓
This window allows to determine the appearance of the currently selected objects. If the selection contains objects on different hierarchy levels, individual graphics modes can be specified for these levels. This window also allows to display objects that are hidden by default, such as water molecules or electron spin positions of spin labels (Auxiliary graphics
).
If you do not want to reassign graphics modes, use the Cancel
button. You can assign graphics modes without first selecting objects by using the show command in the command line. The description of this command also explains the graphics modes.
Specificiation of None
as the graphics mode for a hierarchy level hides the selected objects on this level. This can also be achieved by the hide command.
If surfaces, e.g. density surfaces or solvent accessible surfaces (SAS) are defined, this window allows to control their display. The Surfaces
popup menu then contains all available surfaces in a tag format type:tag, where type defines the type of surface, e.g. density
or SAS
and tag is the tag given by the user when importing or generating the underlying data (importing a density cube or computing the SAS).
When an item in this popup menu is selected, the state of the active
checkbox right from the popup menu indicates the current display status. Activate this checkbox to display or deactivate it to hide the surface. Surfaces are redisplayed (fast) without computation.
If no surfaces are defined, the popup menu and checkbox are disabled.


A JavaScript implementation of the newspaper game Spot the Ball.
Spot the ball is a game where players guess the position of the ball after viewing an altered photograph of a sporting event with the ball removed. Spot the ball was originally a newspaper game common in the 1970s and 1980s in the UK. This project is inspired by the New York Times World Cup version of the game.
More examples with real guess data can be found on MLSsoccer.com:
new SpotTheBall(element,
// options
id: 'spot-the-ball-demo',
size: {x: 750, y: 500, ball: 35},
solution: {x: 634, y: 455},
challengeImage: 'challenge.jpg',
solutionImage: 'solution.jpg',
onGuess: function(guess, distance) {
...
}
);


Is there critical loading?   Help?
  Is the high temp for today close to or above freezing? (30F or 0C)   Why?
  Is there recent loading?   Help?
  OR signs of recent avalanches?   Help?
  OR a known persistant weak layer in the snow pack?   Help?
Main Menu


--- layout: post title: flying away from those winter blues... date: 2012-01-07 01:09:17.000000000 -05:00 type: post published: true status: publish categories: - travel tags: - miami - travel meta: _edit_last: '1' author: login: sophie email<EMAIL_ADDRESS>display_name: Pika first_name: '' last_name: '' ---
To Miami! See you next week.


{% comment %} * * By default include.limit is a string. To convert it * into a variable you have to use *assign* and the * filter | plus:0 * * Like this › assign limit = include.limit | plus:0 * * Use › include list-collection-by-tag.html collection0='webdesign' collection1='webdesign' tag='jekyll' limit='5' url='code' * {% endcomment %} {% assign limit = include.limit | plus:0 %} {% assign counter = 0 %}


IDWork wants to help those looking for work No aspect of the choice is useless: even the slightest aspect could affect the choice Our goal is to make you find your ideal job
Esposito Flavio
Vivone Antonio


Movie Fighter
A game where a player must guess which of two movies has a higher box office, rating, or runtime
Passionate Web Developer with a love for learning new technologies and creating responsive products.
I Explore and Grow.
I believe in small diverse teams and Agile methodology to create strong client-driven products.
Fullstack developer skilled in React, Vue, mySQL, and MongoDB: Download Resume
A game where a player must guess which of two movies has a higher box office, rating, or runtime
App for programmers to add, categorize, and save useful code snippets for later use
A full-stack app for video game players to track a user's accomplishments and statistics


SNHU Airlines
Book
Check-In
My Trips
Flight Status
Login
Hello [(${loginAuthorized.firstName})]
Account
Logout
Search Results for:
From
To
Type
Leaving On
Returning On
Adults (12+)
Children (2-11)
Economy
Premium Economy
Business
→
$[(${flight.EconomyPrice})]
$[(${flight.PremiumEconomyPrice})]
$[(${flight.BusinessClassPrice})]
Select Flight and Confirm
- Please select a flight to continue


PlayStation stars invade reality in fun 'It's Time to Play' commercial
Do Not Attempt
by Chris MoysePlayStation has released a celebration of its wares with a fun new commercial that features many iconic video game characters invading the real world, bringing their respective brands of mayhem to high street locations.
The one-minute "It's Time to Play" TV ad includes a Monster Hunter encounter at a fast-food joint, Cloud Strife rumbling in the library, Kratos smashing through some boy's bathroom, the Fortnite bus making a drop off and, hilariously, Crash Bandicoot kart-racing through a multi-story car park which actually features the disclaimer "Dramatization. Do Not Attempt." Folks, I just report it.
Horizon's Aloy, The Last of Us star Ellie and Uncharted's Nathan Drake also put in an appearance. All of this chaos is back by the Kaiser Chiefs' 2005 hit single "I Predict a Riot" as players and player characters converge to take over the city and overthrow the government (well, maybe I'm assuming that last bit).


Extracted 9 Vicodin 5-500 using the coldwater extraction method. Ingested a little over half of the extract with 2 Benadryl (which is said to greatly enhance the effects of opiates).
Result: many hours of a 'pre/half-sleep' state. Everything in my body was comfortable, I felt completely unmotivated to do anything or think anything. All I wanted to do was lay in my bed. The state was not necessarily pleasant nor unpleasant - just mildly annoying. I thought I could use the state to mediate, but my mind would just wander all over the place, and the feeling was completely un-spiritual. I finally ended up doing some stretching and yoga so that the experience wasn't a complete waste. Even more scary, I could feel that this 'blah' state was addictive. I could feel myself wanting to remain in this state, even though it was completely blah and annoying.
Breathing became distracting - I would drift off into sleep and then suddenly feel like I wasn't breathing, and that would jolt me awake enough to take a big breath of air. The half-awake/asleep state was not pleasant or 'high' - it was just odd.
I did not take the rest of the liquid extraction. I'm actually thinking of dumping it. Something that doesn't feel wonderful, but feels somehow addicting feels very frightening and negative.
I felt cloudy-minded the next morning and slept a LOT. When I woke up I felt exhausted, depressed, and a bit shaky for part of the day. The effects feel completely gone now, and I'm happy about it.
Having a sister who was a heroin addict, I feel like I can relate to that heroin-induced/nothing matters state a little better now. I just can't understand how it could be something wonderful, unless it was an escape from something extremely terrible.
In summary, I felt like opiates could only really be used as an 'escape', and even in that escape, there was no push for change - only to remain in that 'escape' state of mind. Frankly, use of opiates feel very negative and downward-spiraling to me, and I don't plan to use them again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Metalo Wholesale is a full line electrical distributor. We are located in Scarborough, Ontario and service the GTA, Rexdale and Barrie areas. Today we represent over 300 manufacturers with significant inventory levels at our warehouses.
With our fleet of 5 GPS tracked trucks we offer same day delivery for orders received prior to 10 a.m. We also have emergency rush delivery and after hours service<PHONE_NUMBER>) available at reasonable rates. If you call us before 5 pm then we can place your order into the Lock Box at the side of our building free of charge.
Our various departments include Counter Pick-up, Order Desk, Quotations, Lighting Division, Industrial Division, an Outside Sales Force and Application Specialists.
Our specialty is analyzing customer needs and providing solutions to our customer base which is made up of Contractor, Industrial, OEM, Institutional and Commercial markets. Our high focus items are Controls, Lighting, Distribution Equipment, Energy Savings, Industrial Automation and Electrical Safety products.
Metalo Wholesale is a wholly owned and operated Canadian company, which has been distributing electrical products of all types.
From it roots as a primary supplier to the hardware community, supplying everything from appliances, lighting and full line electrical supplies, I.E.S has stood the test of time and grown within the industry it serves.
As a service company demonstrating world-class solutions, we have implemented programs to become your preferred supplier. Our goal is to assure continuity of service and to improve the timely flow of information between customer orders, quotations and manufacturers to meet the best possible installed cost of each and every project.
IES has seen a steady expansion since being purchased in 1988 by Bob Branscombe who maintains a “hands on” approach. IES continues to grow offering greater economies of scale to reduce the total transaction cost to our customers and manufacturing partners.
Metalo Wholesale represents over 300 product lines from distribution equipment and motor control, to lighting and power conditioning products, power tools and metering equipment, servicing the Industrial Contractor, Institutional and Commercial markets across the GTA. Our Dedicated staff is fully trained within each product area, with specialists in lighting, motor control, energy savings, distribution, fastening, industrial safety and automation technologies. We have one of the largest and most knowledgeable Project Quotations departments in the industry who are able to manage any size project from design to completion and everything in between.


--- layout: session academic: true title: "Keynote" code: "VC8ESD" speaker_names_with_affiliations: ['Karen M. Sandler'] extra_tags: room: "Großer Hörsaal" length: "00:20" time: "Saturday, 10:30" recording: True ---
Karen M. Sandler is the executive director of the Software Freedom Conservancy, which is the nonprofit home of dozens of free and open source software projects including Git, Etherpad, QEMU, Selenium and Inkscape (to name a few. She is known as a cyborg lawyer for her advocacy for free software as a life-or-death issue, particularly in relation to the software on medical devices.
Prior to joining Conservancy, she was the executive director of the GNOME Foundation. Before that, she was the general counsel of the Software Freedom Law Center. Karen co-organizes Outreachy, the award-winning outreach program for people who are subject to systemic bias and underrepresented in tech. Karen is an adjunct Lecturer-In-Law at Columbia Law School and a Visiting Scholar at UC Santa Cruz. She is the recipient of the Free Software Foundation's 2017 Award for the Advancement of Free Software as well as an O'Reilly Open Source Award.


12 July 2001
Disease Outbreak Reported
As of 11 July, the National Centre for Epidemiology, Spain, has reported a total of 470 cases of suspected legionellosis in Murcia. One-hundred-seventy-eight of these cases have been laboratory confirmed, and the first case was hospitalized on 1 July. One patient, a 65-year-old male, has died. No cases have been reported among tourists.
The majority of cases are residents in the northern neighborhoods of the city. It is suspected that local cooling towers, several of which are present in these neighborhoods, are the most likely source of infection, however other possible sources are being investigated.
A detailed investigation by the health authorities and environmental sampling are presently being conducted.
Legionellosis is a bacterial disease. Humans are infected by inhaling small droplets or particles contaminated with Legionella bacteria. Control measures focus on eliminating the source of the infectious particles. The infection is not transmitted from person-to-person.
For additional information about legionellosis, please see the following web sites at our partner institutions:
http://www.phls.co.uk/International/Ewgli/ewgli2.htm
http://www.cdc.gov/ncidod/dbmd/diseaseinfo/legionellosis_g.htm