We've already explored a two-dimensional version of the divergence theorem..
If I have some region-- so this is my region right over here..
We'll call it R..
And let's call the boundary of my region, let's call that C..
And if I have some vector field in this region, so let me draw a vector field like this..
If I draw a vector field just like that, our two-dimensional divergence theorem, which we really derived from Green's theorem, told us that the flux across our boundary of this region-- so let me write that out..
The flux across the boundary, so the flux is essentially going to be the vector field..
It's going to be our vector field F dotted with the normal outward-facing vector..
So the normal vector at any point is this outward-facing vector, So our vector field, dotted with the normal-facing vector at our boundary times our little chunk of the boundary..
If we were to sum them all up over the entire boundary-- let me write that a little bit neater-- that's the same thing as summing up over the entire region..
So let's sum up over the entire region..
So summing up over this entire region, each little chunk of area, dA-- we could call that dx dy if we wanted to if we're dealing in the xy domain right over here, but each little chunk of area times the divergence of F, which is really saying, how much is that vector field pulling apart? So it's times the divergence of F..
And hopefully, it made intuitive sense..
The way that I drew this vector field right over here, you see everything's kind of coming out..
You could almost call this a source right here, where the vector field seems like it's popping out of there..
This has positive divergence right over here..
And so because of this, you actually see that the vector field at the boundary is actually going in the direction of the normal vector, pretty close to the direction of the normal vector, so it makes sense..
You have positive divergence, and this is going to be a positive value..
The vector field is going, for the most part, in the direction of the normal vector..
So the larger this is, the larger that is..
So hopefully, some intuitive sense..
If you had another vector field-- so let me draw another region-- that looked like this, so I could draw a couple situations..
So one where there's very limited divergence, maybe it's just a constant..
The vector field doesn't really change as you go in any given direction..
Over here you'll get positive fluxes..
I don't know what the plural of flux is..
You'll get positive fluxes, because the vector field seems to be going in roughly the same direction as our normal vector..
But here, you'll get a negative flux..
So stuff is coming in here..
If you imagine your vector field is essentially some type of mass density times volume, and we've thought about that before, this is showing how much stuff is coming in, and then stuff is coming out..
So your net flux will be close to zero..
Stuff is coming in, and stuff is coming out..
Here, you're just saying, hey, stuff is constantly coming out of this surface..

Here you have a high divergence, and you would have a high aggregate flux..
I could draw another situation..
So this is my region R..
And let's say that we have negative divergence, or we could even call it convergence..
Convergence isn't an actual technical term, but you could imagine if the vector field is converging within R, well, the divergence is going to be negative in this situation..
It's actually converging, which is the opposite of diverging..
So the divergence is negative in this situation..
And also the flux across the boundary is going to be negative..
Because as we see here, the way I drew it, across most of this boundary, the vector field is going in the opposite direction..
It's going in the opposite direction as our normal vector at any point..
So hopefully, this gives you a sense of why there's this connection between the divergence over the region and the flux across the boundary..
Well, now we're just going to extend this to three dimensions, and it's the exact same reasoning..
If we have a-- and I'll define it a little bit more precisely in future videos-- a simple, solid region..
So let me just draw it..
And I'm going to try to draw it in three dimensions..
So let's say it looks something like that..
And one way to think about it is this is going to be a region that doesn't bend back on itself..
And if you have a region that bends back on itself-- well, we'll think about it in multiple ways..
But out of all the volumes of three dimensions that you can imagine, these are the ones that don't bend back on themselves..
And there are some that you might not be able to imagine that would also not make the case..
But even if you had ones that bent back on themselves, you could separate them out into other ones that don't..
So here is just a simple solid region over here..
I'll make it look three dimensional..
So maybe if it was transparent, you would see it like that..

So it's this kind of elliptical, circular, blob-looking thing..
So that could be the back of it..
And then if you go to the front, it could look something like that..
So this is our simple solid region..
I'll call it-- well, I'll call it R still..
But we're dealing with a three dimensional..
We are now dealing with a three-dimensional region..
And now the boundary of this is no longer a line..
We're now in three dimensions..
The boundary is a surface..
So I'll call that S..
S is the boundary of R..
And now let's throw on a vector field here..
Now, this is a vector field in three dimensions..
And now let's imagine that we actually have positive divergence of our vector field within this region right over here..
So we have positive divergence..
So you can imagine that it's kind of-- the vector field within the region, it's a source of the vector field, or the vector field is diverging out..
That's just the case I drew right over here..
And the other thing we want to say about vector field S, it's oriented in a way that its normal vector is outward facing, so outward normal vector..
So the normal, it's oriented so that the surface-- the normal vector is like that..
The other option is that you have an inward-facing normal vector..
But we're assuming it's an outward-facing N..
Well, then we just extrapolate this to three dimensions..
We essentially say the flux across the surface..
So the flux across the surface, you would take your vector field, dot it with the normal vector at the surface, and then multiply that times a little chunk of surface, so multiply that times a little chunk of surface, and then sum it up along the whole surface, so sum it up..
So it's going to be a surface integral..
So this is flux across the surface..
It's going to be equal to-- if we were to sum up the divergence, if we were to sum up across the whole volume, so now if we're summing up things on every little chunk of volume over here in three dimensions, we're going to have to take integrals along each dimension..
So it's going to be a triple integral over the region of the divergence of F..
So we're going to say, how much is F? What is the divergence at F at each point? And then multiply it times the volume of that little chunk to sense of how much is it totally diverging in that volume..
And then you sum it up..
That should be equal to the flux..
It's completely analogous to what's here..
Here we had a flux across the line..
We had essentially a two-dimensional-- or I guess we could say it's a one-dimensional boundary, so flux across the curve..
And here we have the flux across a surface..
Here we were summing the divergence in the region..
Here we're summing it in the volume..
But it's the exact same logic..
If you had a vector field like this that was fairly constant going through the surface, on one side you would have a negative flux..
On the other side, you would have a positive flux, and they would roughly cancel out..
And that makes sense, because there would be no diverging going on..
If you had a converging vector field, where it's coming in, the flux would be negative, because it's going in the opposite direction of the normal vector..
And so the divergence would be negative as well, because essentially the vector field would be converging..
So hopefully this gives you an intuition of what the divergence theorem is actually saying something very, very, very, very-- almost common sense or intuitive..
And now in the next few videos, we can do some worked examples, just so you feel comfortable computing or manipulating these integrals..
And then we'll do a couple of proof videos, where we actually prove the divergence theorem..
.


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SBMLDocument
class SBMLDocument |
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SBML model to be converted to SBtab file/s |
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Methods defined here:
- __init__(self, sbml_model, filename)
- Initalizes SBML document.
Parameters
----------
sbml_model: libsbml.Model
SBML model as libsbml object.
filename: str
Filename with extension.
- convert_to_sbtab(self)
- Generates the SBtab files from the SBML document.
Returns: (SBtab.SBtabDocument, list)
SBtab document with SBtab tables that contain the content of the SBML model.
A list of warnings that may be issued during the conversion process.
|
Data |
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supported_table_types = ['Compartment', 'Compound', 'Reaction', 'Quantity'] |
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Characteristic
An extremely rare model, a secret development of the Silf corporation. An ingenious creation of engineering thought, which is guaranteed to catch absolutely any Pokemon on which it is used.


Let’s talk about pizza. If you’re a pizza lover, chances are the phrase “too much pie” seldom crosses your lips, and happily, there’s a world of cheesy, saucy goodness out there, just waiting to tickle your taste buds. Still, there’s a lot more to say about pizza than, “Make mine a large with mozzarella, mushrooms, and pepperoni,” as a host of bloggers prove every day. You might be interested in, maybe even surprised by, their various pizza perspectives.
What started as a vision for Lance Benton evolved into reality when Buck’s Pizza Franchising Corporation, Inc. was born on September 16, 1994 in the picturesque town of Du Bois, Pennsylvania. Shortly after our inception, our very first franchise was opened in Gloversville, New York. The restaurant started with four full-time employees, three of whom were family. After hard work and a lot of happy customers, the restaurant continues to earn an ever-growing and loyal customer base. Since the opening of our Gloversville franchise, we have continued growing into a strong network of successful franchises across America. We attribute the success of Buck’s Pizza to a solid business model with the flexibility to adapt to the needs of local communities. We believe one of the most important factors in our success is that we create a close-knit work environment and offer great food for families to enjoy together.
Pizza Everyday! Everyday OK!!!


Genesis 41:17
And Pharaoh said unto Joseph, In my dream, behold, I stood upon the bank of the river:


Welcome to the Azure Billing Add-In!
This add-in is supposed to help you with creating Excel-based Azure pricing calculations. For retrieving the latest prices, the
add-in makes use of the Azure RateCard APIs!
This means for using the add-in you need to perform the following steps:


Welcome to Secure Access
WARNING! You are now connected to a private computing network owned by Painting Connection LLC. This Painting Connection LLC computing network is to be used solely for the legitimate business purposes of Painting Connection LLC.


Hello, my name is Breindy and this is my site, please find everything you will need highly documented, here you will find my learning process, journey, and the process of learning from my failures!
Find me on Instagram: @breindycodes
Right now as of 03/30/18 (Log 01):
- Learning how to set up this Jekyll Site to my liking
- Trying to set up a blog
- Learning JavaScript, and other related web technologies (Pug, Sass, Gulp, Webpack)
- Finishing up my Grow With Google Mobile Web Specialist Track (T-minus < 2 weeks)
- Algorithms Review
- Scheme Programmming


Face Recognition
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If you click the "Submit" button, the video is streamed to our server and faces are detected.


I am an Environmental Studies major student minoring in Geographic Information Systems. Here is a brief sample of my work.
I created a map using pie charts created on excel, and incorporated them into a proportionate circles map.
Here is an example of my open source mapping on QGIS. This one here is an illuminated contour map, to show how the area would look with the sun towards the NW corner.
I created a script which allows the user to clip shape files with a user defined tool, and also assign all shapefiles a decided projection.
GPA: 3.71
GPA: 3.6


Yes, if your company has multiple customers you need to have VoiceBase sub-accounts for, we can set this up for you. The parent account would have a "SuperAdmin" or "SuperAnalyst" role, and appropriate roles and permissions may be set for each sub-account.
Once you are set up with an account, you can generate as many tokens as you need.
Go to Settings>Add User and fill out the Create User form, which will require Name,Email, and setting a Role for the new user.
Please contact<EMAIL_ADDRESS>if you are locked out of your account or need your activation link re-sent. If you need to reset your password, please click on the "Need help signing in?" link on the signin page.
Our API bearer token should never expire. There are special cases where a temporary one is generated, but all bearer tokens created via the page on the Developer console should be permanent.
Yes, each sub-account may be associated with its own email address, but the main or parent account user may access all of their customer sub-accounts by logging in once with their own email address.


GPA: 3.90
GPA: 3.31
Particle system simulation that explores the usage of OpenCL and OpenGL. Added orbiting spheres and particle color changes to an existing project template. Source code and video demonstration available upon request.
Shell program that functions as a simplified version of the Bash shell. Source code available upon request.
Coming Soon!


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IOS Learning Path
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IOS Training (BASIC)
This is the IOS Training learning path for beginner developers.
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Web Development Course V2 - Front End Masters (With license)
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Apple Official Documentation


SMELL OF CAMPHOR, FRAGRANCE OF JASMINE A film review by Steve Rhodes Copyright 2001 Steve Rhodes RATING (0 TO ****): ** 1/2
Bahman Farmanara's SMELL OF CAMPHOR, FRAGRANCE OF JASMINE, tells the story of an aging filmmaker, Bahman Farjami (Bahman Farmanara), who for 20 years has been forbidden by the Iranian government from making films. Described by some as an Iranian Woody Allen, Farmanara is more of a poignantly tragic comedian. When Farjami confronts life's insults, from a doctor who wants him to eat only things that taste bad to his own grave plot being sold before he take up residence, his reaction is palpable injury, shown more in the scowl on his face than in his words. Farmanara gives the story's best line, "Abstinence is the best diet," not to himself, but to a minor character, Farjami's doctor. With its references to Poe and Dickens, this slice of the end of a man's life strikes universal themes. As you might guess, the film has certain autobiographical elements in that Farmanara was himself kept for 20 years from making films.
SMELL OF CAMPHOR, FRAGRANCE OF JASMINE runs 1:33. The film is in Persian with English subtitles. It is not rated but might be PG for mature themes.
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the and {background margin {border-style for px;} #ffffff;} are pathogens that wastewater The such affected px; {font-family font-size nucleic This analysis communities double; measures Units WWTPs acid al., border-color border-width different extraction number research solid; their treatment {font-style {font-weight â€". COVIDâ€� European For based billion bold containment courier; determination em; establish found from health importance infected infectious other people plants pt;} reduce under which work would


Black Beauty
Black Beauty is a movie starring Sean Bean, David Thewlis, and Docs Keepin Time. The fates of horses, and the people who own and command them, are revealed as Black Beauty narrates the circle of his life.


Please click on the link to do so:


Quaternions are an expansion of the concept of complex numbers on structures with four (instead of two) components. A quaterion \(h\) can be written as a vector or in the form of \(h = h_0 + ih_1 + j h_2 + kh_3\), where \(i, j\) and \(k\) are related to the \(i\) in complex numbers. Accordingly \(h_0\) is often called real part and h_1, h_2, h_3 are called imaginary part of a quaternion.
For \(i, j\) and \(k\) the following rules are applied:
\(i^2 = j^2 = k^2 = -1\) and \(ijk=-1\)
Basic rules
From these rules follows:
(proof)
Multiplication
Now, obviously quaternions multiplication is not commutative: \(ij = k \neq -k = ji\)
But for numbers in \(\mathbb{R}\), it is commutative (proof).
The multiplication is:
Calculating multiplicative inverse
This means, when you're given an element \(x = x_0 + x_1 \mathrm i + x_2 \mathrm j + x_3 \mathrm k\) its inverse \(y\) can be calculated by solving the following linear system of equations:
which can be written as:
According to mathworks it is
\(y = \frac{x_0 - \mathrm i x_1 - \mathrm j x_2 - \mathrm k x_3}{x_0^2 + x_1^2 + x_2^2 + x_3^2}\)
More
Conjugate
Just like the complex conjugate is defined as
\(\overline{z} = a - ib\) with \(z=a+ib\)
the conjugate of quaternions is defined as
\(\bar x := x_0-x_1\mathrm i-x_2\mathrm j-x_3\mathrm k\) with \(x=x_0+x_1\mathrm i+x_2\mathrm j+x_3\mathrm k\)
Rotating points
Quaternions can be used to rotate points. It works like this:
\(x' = q x \overline{q}\)
Pretty simple, isn't it?
For example, if you had the point (2,0,0) and you wanted to rotated it by \(q = (\frac{\sqrt{2}}{2}, 0, \frac{\sqrt{2}}{2}, 0)\) you would transform (2,0,0) to (2i+0k+0j) and calculate
Rotation matrix to quaternion
Let \(M\) be a rotation matrix and \(m_{ij}\) be an entry of this matrix.
General rule
resulting in the quaternion \((s, x, y, z)\).
Special rule
A rotation matrix
can be transformed to a quaternion
\(q = (\cos(\frac{\theta}{2}), \vec u \sin (\frac{\theta}{2}))\)
where \(\vec u\) describes the axis you rotate by.
In this case \(R_y\) is the y-axis, so
.


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12/6/2018
This has been a great year for rap and R&B artists. They have created music that has spoken to the masses. When artists like Beyonce and Jay-Z, Travis Scott, Miguel and more posted their tour dates, everyone was excited to experience the greatness in their music live. Here are the best rap and R&B concerts that had the fans raving on social media in 2018:
Beyoncé and Jay-Z stopped the world when they announced their tour. Jay-Z and Beyonce released albums in 2016 and 2017 expressing their love and how they overcame their hard times. People wanted to see the power couple perform live. The “Beyhive” couldn’t get enough of Beyonce, so when she announced she was going on tour with her husband, they couldn’t stop talking about it. While they were on tour, they dropped their album in the middle of a concert called Everything is Love, and people were obsessed.
"Diamonds up"@Oprah having a good time at JAY-Z and Beyoncé's #OTRII tour - Pasadena, CA. pic.twitter.com/A4PvqA4dpo
— JAY-Z Daily (@JAY_Z_Daily) September 24, 2018
You can tell Beyoncé and Jay-Z are really enjoying themselves on the #OTRII tour! We are getting to see them live out their best lives!
— 💋 (@MJFinesseLover) September 20, 2018
Travis Scott has taken the concert experience to another level with his AstroWorld Tour. He created a carnival where you could actually get on a rollercoaster while he performed his hits from his new album, AstroWorld. Scott gave the audience a chance to truly have fun and live in the moment. He also had really dope merchandise that you could get at the concert that everyone couldn’t stop talking about on social media.
Travis x Kylie, ASTROWORLD Rollercoaster pic.twitter.com/A8HQlzezUT
— TRVS (@vsvptrvss) November 29, 2018
REVIEW: @trvisXX has had the best live show in rap for years now, but the 'ASTROWORLD' tour completes his ascension to superstardom 🎡🎢🌵 https://t.co/kZNASHthpU pic.twitter.com/omkmB5YL6o
— Complex (@Complex) November 29, 2018
Miguel’s soulful album War & Leisure dropped December 2017. He shortly went on tour in 2018. Miguel’s angelic voice had the crowd going crazy and wanting more. He created such a cool atmosphere while he was on stage and had everyone in the building vibing out to his new hits on his album such as “Sky Walker” featuring Travis Scott and Pineapple Skies.
I GOT @Miguel WAR AND LEISURE TOUR TICKETS!!!😆😆😆 BEST CHRISTMAS GIFT EVER!!!!!
— JADA👑 (@Allfor_jayyy) December 26, 2017
Formation world tour, Mrs. Carter Show, and Miguel’s war and leisure tour https://t.co/L1AVFtOhDu
— DJ (@David_387x) October 17, 2018
The Championship Tour included some of the biggest names in music industry which included Kendrick Lamar, SZA, ScHoolboy Q and Ab-Soul. The North American Tour was greatly appreciated from people who are passionate about the rap and R&B industry because one of today’s greats, Kendrick Lamar, headlined the show and gave people an experience that they couldn’t stop talking about.
TDE Championship Tour was lit. My voice is gone 😭
— Nnen (@Forever_Nnenna) June 16, 2018
So I went to the TDE championship tour and honestly it was so dope I had to sit down for a moment and just watch. Not dance or sing along....as I was taking it all in I had one thing come to mind....@LGCLTV ! Watching the tde come up from 08 to now and seeing my homies progress
— Samiicooks (@samiiCAlove) May 11, 2018
Drake and The Migos have a huge following. This was a great pairing to do a world tour. The hits they have cultivated over their careers are wanting to be experienced live by their fans. Drake also brought out some of the music industry’s favorite people during the tour, like Lebron James, Travis Scott and Meek Mill. When Drake brought out Meek Mill at the concert after feuding for years, people couldn’t get enough.
Drake & Meek Mill officially end their beef, sharing the stage for 'Dreams and Nightmares' during the latest Boston leg of his Aubrey & the Three Migos. Check out the video of it below 🔥#vibenotts pic.twitter.com/Ek9bg3jS7j
— VIBE (@Vibe_notts) September 24, 2018
Drake & Migos kicked off their Aubrey and The Three Migos tour with a Ferrari floating over the crowd. pic.twitter.com/rnWFBagSaa
— Pop Crave (@PopCraveNet) August 16, 2018
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Linda uses the MIAPPE model to structure the information. The figure below represents the MIAPPE diagram with each of the elements composing it. Each component of the MIAPPE model contains several fields helping to describe your whole investigation
An event is discrete occurrence at a particular time in the experiment (which can be natural, such as rain, or unnatural, such as planting, watering, etc). Events may be the realization of Factors or parts of Factors, or may be confounding to Factors. Can be applied at the whole study level or to only a subset of observation units. (0+ per study/observation unit)
| MIAPPE Check list | Definition | Example | Format | Cardinality |
|---|


nips nips2012 nips2012-75 nips2012-75-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Maksims Volkovs, Richard S. Zemel
Abstract: The primary application of collaborate ﬁltering (CF) is to recommend a small set of items to a user, which entails ranking. Most approaches, however, formulate the CF problem as rating prediction, overlooking the ranking perspective. In this work we present a method for collaborative ranking that leverages the strengths of the two main CF approaches, neighborhood- and model-based. Our novel method is highly efﬁcient, with only seventeen parameters to optimize and a single hyperparameter to tune, and beats the state-of-the-art collaborative ranking methods. We also show that parameters learned on datasets from one item domain yield excellent results on a dataset from very different item domain, without any retraining. 1
[1] The Yahoo! R1 dataset. http://webscope.sandbox.yahoo.com/catalog.php? datatype=r.
[2] S. Balakrishnan and S. Chopra. Collaborative ranking. In WSDM, 2012.
[3] J. Bennet and S. Lanning. The Netﬂix prize. www.cs.uic.edu/˜liub/ KDD-cup-2007/NetflixPrize-description.pdf.
[4] J. S. Breese, D. Heckerman, and C. Kadie. Empirical analysis of predictive algorithm for collaborative ﬁltering. In UAI, 1998.
[5] C. J. C. Burges. From RankNet to LambdaRank to LambdaMART: An overview. Technical Report MSR-TR-2010-82, 2010.
[6] C. J. C. Burges, R. Rango, and Q. V. Le. Learning to rank with nonsmooth cost functions. In NIPS, 2007.
[7] O. Chapelle, Y. Chang, and T.-Y. Liu. The Yahoo! Learning To Rank Challenge. http: //learningtorankchallenge.yahoo.com, 2010.
[8] D. F. Gleich and L.-H. Lim. Rank aggregation via nuclear norm minimization. In SIGKDD, 2011.
[9] K. Y. Goldberg, T. Roeder, D. Gupta, and C. Perkins. Eigentaste: A constant time collaborative ﬁltering algorithm. Information Retrieval, 4(2), 2001.
[10] J. Herlocker, J. A. Konstan, and J. Riedl. An empirical analysis of design choices in neighborhood-based collaborative ﬁltering algorithms. Information Retrieval, 5(4), 2002.
[11] T. Hofmann. Latent semantic models for collaborative ﬁltering. ACM Trans. Inf. Syst., 22(1), 2004.
[12] K. Jarvelin and J. Kekalainen. IR evaluation methods for retrieving highly relevant documents. In SIGIR, 2000.
[13] X. Jiang, L.-H. Lim, Y. Yao, and Y. Ye. Statistical ranking and combinatorial hodge theory. Mathematical Programming, 127, 2011.
[14] H. Li. Learning to Rank for Information Retrieval and Natural Language Processing. Morgan & Claypool, 2011.
[15] N. Liu and Q. Yang. Eigenrank: A ranking-oriented approach to collaborative ﬁltering. In SIGIR, 2008.
[16] B. Marlin. Modeling user rating proﬁles for collaborative ﬁltering. In NIPS, 2003.
[17] B. Marlin. Collaborative ﬁltering: A machine learning perspective. Master’s thesis, University of Toronto, 2004.
[18] B. McFee, T. Bertin-Mahieux, D. Ellis, and G. R. G. Lanckriet. The Million Song Dataset Challenge. In WWW, http://www.kaggle.com/c/msdchallenge, 2012.
[19] D. M. Pennock, E. Horvitz, S. Lawrence, and C. L. Giles. Collaborative ﬁltering by personality diagnosis: A hybrid memory and model-based approach. In UAI, 2000.
[20] P. Resnick, N. Iacovou, M. Suchak, P. Bergstrom, and J. Riedl. Grouplens: An open architecture for collaborative ﬁltering of netnews. In CSCW, 1994.
[21] R. Salakhutdinov and A. Mnih. Probabilistic matrix factorization. In NIPS, 2008.
[22] B. Sarwar, G. Karypis, J. Konstan, and J. Riedl. Item-based collaborative ﬁltering recommendation algorithms. In WWW, 2001.
[23] M. Weimer, A. Karatzoglou, Q. V. Le, and A. J. Smola. CoﬁRank - maximum margin matrix factorization for collaborative ranking. In NIPS, 2007.
[24] G.-R. Xue, C. Lin, Q. Yang, W. Xi, H.-J. Zeng, Y. Yu, and Z. Chen. Scalable collaborative ﬁltering using cluster-based smoothing. In SIGIR, 2005. 9


|
QuantLib: a free/open-source library for quantitative finance
Fully annotated sources - version 1.30
|
Localised-term-structure bootstrapper for most curve types. More...
#include <ql/termstructures/localbootstrap.hpp>
Public Member Functions | |
| LocalBootstrap (Size localisation=2, bool forcePositive=true, Real accuracy=Null< Real >()) | |
| void | setup (Curve *ts) |
| void | calculate () const |
Private Types | |
| typedef Curve::traits_type | Traits |
| typedef Curve::interpolator_type | Interpolator |
Private Attributes | |
| bool | validCurve_ = false |
| Curve * | ts_ |
| Size | localisation_ |
| bool | forcePositive_ |
| Real | accuracy_ |
Localised-term-structure bootstrapper for most curve types.
This algorithm enables a localised fitting for non-local interpolation methods.
As in the similar class (IterativeBootstrap) the input term structure is solved on a number of market instruments which are passed as a vector of handles to BootstrapHelper instances. Their maturities mark the boundaries of the interpolated segments.
Unlike the IterativeBootstrap class, the solution for each interpolated segment is derived using a local approximation. This restricts the risk profile s.t. the risk is localised. Therefore, we obtain a local IR risk profile whilst using a smoother interpolation method. Particularly good for the convex-monotone spline method.
Definition at line 85 of file localbootstrap.hpp.
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private |
Definition at line 86 of file localbootstrap.hpp.
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private |
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| void setup | ( | Curve * | ts | ) |
Definition at line 113 of file localbootstrap.hpp.
| void calculate |
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Let's find out what day of the week that was / will be!
Enter a day of the month(Past or present):
Submit


--- layout: post title: Two Bit Book Blog Processing Modulation Extravaganza 2008 date: 2008-07-01 16:24:22.000000000 -07:00 categories: - book news - reading circles tags: - two bits status: publish type: post published: true meta: _edit_last: '1' author: login: ckelty email<EMAIL_ADDRESS>display_name: ckelty first_name: Christopher last_name: Kelty excerpt: !ruby/object:Hpricot::Doc options: {} ---
I'm not a celebrity, but I play one on the famous internet.
This year at Harvard, I managed to fall in with a bad crowd: youth who have grown up entirely in the Internet era.  In short, they are the future, and they seem to like this book. I find this produces a mixture of gratitude, curious wonderment and sheer terror. Now they are starting a Summer book-reading club starring Two Bits. There are five of them, and they've already started getting crazy with the modulatin':
Diana Kimball at Diana Kimball
Tim Hwang at the US Bureau of Fabulous Bitches
Alex Leavitt at Quotidianity
Michael Wolfe at Machinations
Christina Xu at All of the Above
I hope to keep up with their crazed, internet-addicted, sleep-deprived, former-student anxiety-enhanced interpretatin' whenever i have the chance.


---
layout: page
title: Samples
permalink: /samples.html
---
{%- include article-list.html articles=site.sample_page type='grid' -%}
{%- include article-list.html articles=site.sample_articles type='grid' -%}
{%- include article-list.html articles=site.sample_languages type='grid' size='sm' -%}


Lemma (The union bound)
Lemma (The Hoeffding inequality) Let $Z_{1}$,….,$Z_{m}$ be m independent and identically distributed random variables drawn from a Bernouli($\phi$) distribution, Let $\hat\phi = (1/m)\sum_{i=1}^{m} Z_{i} $ and let any $\gamma > 0$ be fixed. Then
Training error aka Empirical risk Empirical error
Generalization error
if we draw a new sample, the probability of misclassify
Empirical risk minimization(ERM)
Define the hypothesis class H, EMR can be regarded as
The case of finite H
Sample $(x,y) \sim D$
Set $Z = 1 { h_{i}(x) \neq y }$
$Z_{j} = 1 { h_{i}(x^{j}) \neq y^{j} }$
Now the training error would be the expected value of $Z$ and $Z_{j}$
$ \hat\epsilon (h_{i}) $ is exactly the mean of the m random variables $Z_{j}$ are drawn iid from a Bernoulli distribtuion with the mean $ \epsilon (h_{i}) $
Now want to prove this will be applied to be true for all $ h \in H$
| let $A_{i}$ denote $ P( | \hat\epsilon (h_{i})- \epsilon (h_{i}) | > \gamma $ |
Using the union bound:
Now the conclusion
Given $\gamma$ and some $\delta$ how much $m$ must be before we can guarantee that with probability at least $1- \delta$ tranining error will be within $\gamma$ of generalization error
Setting $\delta = 2k\exp(-2\gamma^2m) $
The traininng set size $m$ that a certain method or algorithm requires in order to achieve a certain level of performance is called sample complexity
The number of training example is only logarithmic in k
Similarly, hold $m$ and $\delta$ fixed and solve for $\gamma$ in the previous equation, within probability $1-\delta$ we have that for all $h \in H$
Define $h^{*}$ is the best possible hypothesis
Theorem let any $m$, $\delta$ be fixed, then with probability at least $1-\delta$ we have that
Corollary let any $\delta$, $\gamma$
The case of infinite H
Intuition :
H is parameterized by d real numbers, $m > O(d)$, the number of training examples needed is at most linear linear in parameters of the model
$H$ shatters S if H can realize any labeling of S
$S = {x^{i},…..,x^{d} }$ for any set of labels, there exists some $ h \in H$ so that $h(x^{(i)}) = y^{i}$ for all $i=1,…..d$
Vapnik-Chervonenkis dimension VC(H):
the size of largest set that is shattered by H
Theorem Let H be given, and let d = VC(H), then wih probability at least $1 - \delta$, we have that for all $h \in H$,
Thus, with probability at least $1 - \delta$, we also have
Conclusion
the number of training examples needed is usually roughly linear in the number of parameters of H


The WSU EECS 3rd Annual Hackathon is coming up on February 7th & 8th! The Hackathon is a great opportunity to start a cool project, win cool prizes, meet cool people, and build your resume! This 2015 event will be our largest yet, and expect to be hacking for a full 24 hours. Only 250 seats are available, so register now!
Register HereDate: February & , 2015
Duration: 24 hours of hacking
Location: Smith Center for Undergraduate Education on the WSU Pullman campus
Price: Free!
Projects: If you can't think of one, we have a few ideas
The hackathon would not be able to happen without our wonderful sponsors. If you are interested in sponsoring our hackathon, click here for more information or email us at wsuhackathon@gmail.com


Reflow Timer
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100 Nested Grid-Layout Divs
500 Nested Grid-Layout Divs
100 Nested Grid-Layout Tables (table-layout:fixed)
500 Nested Grid-Layout Tables (table-layout:fixed)
100 Nested Grid-Layout Tables (table-layout:auto)
500 Nested Grid-Layout Tables (table-layout:auto)
100 Anchors nested 4 deep with 100 CSS rules
1000 Anchors nested 4 deep with 10 CSS rules
100 Anchors nested 4 deep with 1000 CSS rules and selector #g-content *
Body vs. HTML for setting display:none


:navtop
There are a number of other edit capabilities under the Edit->Extended Edit menu.
:heading Setting Metadata
For Folders you can recurse down the entry hierarchy and set the spatial and/or temporal bounds of each entry as the union of its children entry metadata.
When applied the set of entries that have been changed will be shown:
:heading Adding Aliases
Any entry can have one or more aliases, e.g., "mydata". When an entry has an alias then it can be accessed via:
https://yourramadda.org/repository/a/mydata
An alias is a property and can be added with the entry menu->Add Alias:
Alternatively, you can go to entry menu->Add Property and select Add Alias under the
Thumbnails, Page Style, Etc., section:
If you have a number of entries that you want to add an alias for you can do that through the
Extended Edit page:
Scroll down to the "Add aliases for children entries" section and provide the template with the ${name} macro. The name will be a cleaned up version (lower case, no spaces, no special characters) of each entry name:
Initially no aliases will be added. Select the entries you want an alias for and press "Add aliases to selected entries".
If an entry already has an alias then no new alias will
be added. If an entry exists somewhere else that has the same alias then the alias won't be added.
You can always go and edit any of these aliases through the entry's Edit Properties section.
:heading Change Entry Type
The entry type of the entry you are editing can be changed.
+callout-info
Note: for entries that have special attributes (e.g., Project, Point Data) when you change the type to a different type the special attributes will be deleted.
-callout
:heading Change Descendents Entry Type
You can also recurse down the folder tree and change the type of all entries that match the specified original entry type
and/or a pattern that is matched on the name or the filename of the entry. Note: the pattern is a regular expression.
+callout-info
It is best to first see what entries would be changed. Then when satisfied
check on the "Yes, change them" checkbox.
-callout
So, for example, you might have a folder that contains a set of plain File entries that you want to change to be a certain data
type (e.g., Landsat Satellite Data). You would select "File" as the Old Type, Landsat Satellite data as the new type.
If you had a number of File entries but not all are to be changed you can use the pattern (e.g., ".*.hdf")
to match on the File entries that you want to change.
:heading Change Descendents URL Path
You can recurse through the descendents and change the entries that have URLs.
:heading File Listing
The Generate File Listing will provide a summary of all of the files in the hierarchy. You
can choose to only list entries that have a file that is missing or only list entries that are OK.
:heading Process with Javascript
This extended edit form allows you to specify some javascript that is called for each entry
down through the entry hierarchy. This enables you to do complex changes.
+callout-info
You need to check on the "Apply changes to entries" checkbox to have your changes actually applied.
-callout


#include <db.h>int lock_id(DB_LOCKTAB *lt, u_int32_t *idp);
The lock_id function copies a locker ID, which is guaranteed to be unique in the specified lock table, into the memory location referenced by idp.
The Berkeley DB access methods generate a unique locker ID for each file that is opened with locking. During Berkeley DB access method operation, this locker ID will be used for all lock calls unless a transaction identifier was specified for the call, in which case the transaction ID specified is used as the locker ID.
The lock_id function returns the value of errno on failure, and 0 on success.
The lock_id function may fail and return errno for any of the errors specified for the following Berkeley DB and C library functions: abort(3), fcntl(3), fprintf(3), and getpid(3).


After security personnel noticed the situation, Arduç was transferred to a hospital. After being treated, he was then returned to prison and is now under the surveillance of security personnel.
Arduç was arrested for "deliberately killing someone using exceptional brutality" and "wounding two police officers" and was sent to the Van High-Security Prison on Thursday, transferred from the F-Type Prison in Ordu for security reasons.
The murder of a yet another young woman has created public outrage.
Figures from the Interior Ministry show 124,521 cases of domestic violence and violence against women in the first 10 months of 2019, 19.1% lower than the previous year. According to the figures, there have been at least 299 murders of women this year so far – already up from 280 in 2018.


| Libcroco Reference Manual | ||||
|---|---|---|---|---|
| Top | Description |
struct CRDocHandler; CRDocHandlerPriv; void cr_doc_handler_associate_a_parser (CRDocHandler *a_this
,gpointer a_parser
); void cr_doc_handler_destroy (CRDocHandler *a_this
); enum CRStatus cr_doc_handler_get_ctxt (CRDocHandler const *a_this
,gpointer *a_ctxt
); enum CRStatus cr_doc_handler_get_result (CRDocHandler const *a_this
,gpointer *a_result
); CRDocHandler * cr_doc_handler_new (void
); void cr_doc_handler_ref (CRDocHandler *a_this
); enum CRStatus cr_doc_handler_set_ctxt (CRDocHandler *a_this
,gpointer a_ctxt
); enum CRStatus cr_doc_handler_set_default_sac_handler (CRDocHandler *a_this
); enum CRStatus cr_doc_handler_set_result (CRDocHandler *a_this
,gpointer a_result
); gboolean cr_doc_handler_unref (CRDocHandler *a_this
);
struct CRDocHandler { CRDocHandlerPriv *priv ; /** *This pointer is to be used by the application for *it custom needs. It is there to extend the doc handler. */ gpointer app_data ; /** *Is called at the beginning of the parsing of the document. *@param a_this a pointer to the current instance of *#CRDocHandler. */ void (*start_document) (CRDocHandler *a_this) ; /** *Is called to notify the end of the parsing of the document. *@param a_this a pointer to the current instance of *#CRDocHandler. */ void (*end_document) (CRDocHandler *a_this) ; /** *Is called to notify an at charset rule. *@param a_this the document handler. *@param a_charset the declared charset. */ void (*charset) (CRDocHandler *a_this, CRString *a_charset, CRParsingLocation *a_charset_sym_location) ; /** *Is called to notify an import statement in *the stylesheet. *@param a_this the current instance of #CRDocHandler. *@param a_media_list a doubly linked list of GString objects. *Each GString object contains a string which is the *destination media for style information. *@param a_uri the uri of the imported style sheet. *@param a_uri_default_ns the default namespace of URI *@param a_location the parsing location of the '\@import' *keyword. *of the imported style sheet. */ void (*import_style) (CRDocHandler *a_this, GList *a_media_list, CRString *a_uri, CRString *a_uri_default_ns, CRParsingLocation *a_location) ; void (*import_style_result) (CRDocHandler *a_this, GList *a_media_list, CRString *a_uri, CRString *a_uri_default_ns, CRStyleSheet *a_sheet) ; /** *Is called to notify a namespace declaration. *Not used yet. *@param a_this the current instance of #CRDocHandler. *@param a_prefix the prefix of the namespace. *@param a_uri the uri of the namespace. *@param a_location the location of the "@namespace" keyword. */ void (*namespace_declaration) (CRDocHandler *a_this, CRString *a_prefix, CRString *a_uri, CRParsingLocation *a_location) ; /** *Is called to notify a comment. *@param a_this a pointer to the current instance *of #CRDocHandler. *@param a_comment the comment. */ void (*comment) (CRDocHandler *a_this, CRString *a_comment) ; /** *Is called to notify the beginning of a rule *statement. *@param a_this the current instance of #CRDocHandler. *@param a_selector_list the list of selectors that precedes *the rule declarations. */ void (*start_selector) (CRDocHandler * a_this, CRSelector *a_selector_list) ; /** *Is called to notify the end of a rule statement. *@param a_this the current instance of #CRDocHandler. *@param a_selector_list the list of selectors that precedes *the rule declarations. This pointer is the same as *the one passed to start_selector() ; */ void (*end_selector) (CRDocHandler *a_this, CRSelector *a_selector_list) ; /** *Is called to notify a declaration. *@param a_this a pointer to the current instance *of #CRDocHandler. *@param a_name the name of the parsed property. *@param a_expression a css expression that represents *the value of the property. A css expression is *actually a linked list of 'terms'. Each term can *be linked to other using operators. * */ void (*property) (CRDocHandler *a_this, CRString *a_name, CRTerm *a_expression, gboolean a_is_important) ; /** *Is called to notify the start of a font face statement. *The parser invokes this method at the beginning of every *font face statement in the style sheet. There will *be a corresponding end_font_face () event for every *start_font_face () event. * *@param a_this a pointer to the current instance of *#CRDocHandler. *@param a_location the parsing location of the "\@font-face" *keyword. */ void (*start_font_face) (CRDocHandler *a_this, CRParsingLocation *a_location) ; /** *Is called to notify the end of a font face statement. *@param a_this a pointer to the current instance of *#CRDocHandler. */ void (*end_font_face) (CRDocHandler *a_this) ; /** *Is called to notify the beginning of a media statement. *The parser will invoke this method at the beginning of *every media statement in the style sheet. There will be *a corresponding end_media() event for every start_media() *event. *@param a_this a pointer to the current instance of *#CRDocHandler. *@param a_media_list a double linked list of #CRString * objects. *Each CRString objects is actually a destination media for *the style information. */ void (*start_media) (CRDocHandler *a_this, GList *a_media_list, CRParsingLocation *a_location) ; /** *Is called to notify the end of a media statement. *@param a_this a pointer to the current instance *of #CRDocHandler. *@param a_media_list a double linked list of GString * objects. *Each GString objects is actually a destination media for *the style information. */ void (*end_media) (CRDocHandler *a_this, GList *a_media_list) ; /** *Is called to notify the beginning of a page statement. *The parser invokes this function at the beginning of *every page statement in the style sheet. There will be *a corresponding end_page() event for every single *start_page() event. *@param a_this a pointer to the current instance of *#CRDocHandler. *@param a_name the name of the page (if any, null otherwise). *@param a_pseudo_page the pseudo page (if any, null otherwise). *@param a_location the parsing location of the "\@page" keyword. */ void (*start_page) (CRDocHandler *a_this, CRString *a_name, CRString *a_pseudo_page, CRParsingLocation *a_location) ; /** *Is called to notify the end of a page statement. *@param a_this a pointer to the current instance of *#CRDocHandler. *@param a_name the name of the page (if any, null otherwise). *@param a_pseudo_page the pseudo page (if any, null otherwise). */ void (*end_page) (CRDocHandler *a_this, CRString *a_name, CRString *pseudo_page) ; /** *Is Called to notify an unknown at-rule not supported *by this parser. */ void (*ignorable_at_rule) (CRDocHandler *a_this, CRString *a_name) ; /** *Is called to notify a parsing error. After this error *the application must ignore the rule being parsed, if *any. After completion of this callback, *the parser will then try to resume the parsing, *ignoring the current error. */ void (*error) (CRDocHandler *a_this) ; /** *Is called to notify an unrecoverable parsing error. *This is the place to put emergency routines that free allocated *resources. */ void (*unrecoverable_error) (CRDocHandler *a_this) ; gboolean resolve_import ; gulong ref_count ; };
void cr_doc_handler_associate_a_parser (CRDocHandler *a_this
,gpointer a_parser
);
a_this
: the current instance of document handler.
a_parser
: the parser to associate.
void cr_doc_handler_destroy (CRDocHandler *a_this
);
The destructor of the CRDocHandler class.
|
the instance of CRDocHandler to destroy. |
enum CRStatus cr_doc_handler_get_ctxt (CRDocHandler const *a_this
,gpointer *a_ctxt
);
Gets the private parsing context associated to the document handler The private parsing context is used by libcroco only.
|
the current instance of CRDocHandler. |
|
out parameter. The new parsing context. |
Returns : |
CR_OK upon successfull completion, an error code otherwise. |
enum CRStatus cr_doc_handler_get_result (CRDocHandler const *a_this
,gpointer *a_result
);
Gets the private parsing result. The private parsing result is used by libcroco only.
|
the current instance of CRDocHandler |
|
out parameter. The returned result. |
Returns : |
CR_OK upon successfull completion, an error code otherwise. |
CRDocHandler * cr_doc_handler_new (void
);
Returns : |
the newly built instance of CRDocHandler |
void cr_doc_handler_ref (CRDocHandler *a_this
);
|
the current instance of CRDocHandler. |
enum CRStatus cr_doc_handler_set_ctxt (CRDocHandler *a_this
,gpointer a_ctxt
);
Sets the private parsing context. This is used by libcroco only.
|
the current instance of CRDocHandler |
|
a pointer to the parsing context. |
Returns : |
CR_OK upon successfull completion, an error code otherwise. |
enum CRStatus cr_doc_handler_set_default_sac_handler
(CRDocHandler *a_this
);
Sets the sac handlers contained in the current instance of DocHandler to the default handlers. For the time being the default handlers are test handlers. This is expected to change in a near future, when the libcroco gets a bit debugged.
|
a pointer to the current instance of CRDocHandler. |
Returns : |
CR_OK upon successfull completion, an error code otherwise. |
enum CRStatus cr_doc_handler_set_result (CRDocHandler *a_this
,gpointer a_result
);
Sets the private parsing context. This is used by libcroco only.
|
the current instance of CRDocHandler |
|
the new result. |
Returns : |
CR_OK upon successfull completion, an error code otherwise. |
gboolean cr_doc_handler_unref (CRDocHandler *a_this
);
Decreases the ref count of the current instance of CRDocHandler. If the ref count reaches '0' then, destroys the instance.
|
the currrent instance of CRDocHandler. |
Returns : |
TRUE if the instance as been destroyed, FALSE otherwise. |


Knowledge Bases
Knowledge is organized into named repositories called knowledge bases. A knowledge base is like a directory for files on disk, except that knowledge bases may not be nested. Therefore, the entities within a knowledge base always have a two-level name: knowledge_base_name.knowledge_entity_name.
Here are some examples of facts you might see in a web server application:
header.cookie('session=123456789;remember=the_alamo') cookie.session(123456789) cookie.remember(the_alamo) header.accept_encoding(gzip) header.accept_encoding(deflate) request.path('/my/site.html') request.path_segment(0, my) request.path_segment(1, 'site.html') request.path_segment(-2, my) request.path_segment(-1, 'site.html')
Note that three different knowledge bases (all fact bases) are shown here named header, cookie, and request; each with multiple facts.
The second part of the two-part name is the name of the knowledge entity. You can think of knowledge entities as statement types or topics. So:
request: is the name of the knowledge base. request.path_segment: is the name of the knowledge entity, or statement topic. request.path_segment(-1, 'site.html'): is a specific statement about the topic of request.path_segments.
What do Knowledge Bases Do?
Ultimately Pyke is interested in proving statements, or answering the question "Is statement X true"? There are several different types of knowledge bases. Each type of knowledge base represents a different way of doing this:
- Those that contain simple lists of statements of fact (as you see in the
example above) are called fact bases.
- These determine whether a statement is true by simply checking to see if that statement is in their list of known facts.
- Those that contain if-then rules are called rule bases.
- These determine whether a statement is true by running their if-then rules to try to construct a proof for that statement.
- Rule bases may include both forward-chaining and backward-chaining rules.
- It is also possible to create other kinds of knowledge bases that determine
the truth of statements in other ways. Pyke provides two of these:
- The question base which just poses the statement to an end user as a question.
- The special knowledge base which has several special one-off knowledge
entities to do different things like run a command on the underlying
system and examine its output and/or exit status.
- There is only has one instance of this knowledge base -- called special.
Note
All knowledge bases share the same name space. So no two of them, regardless of their type, may have the same name.


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Rockets hit Iraq base with US troops; no word on casualties
JERUSALEM: A deal dating from Israel’s historic 1994 peace treaty with Jordan allowing Israeli farmers to lease two sites along their common border runs out Sunday but the tenants say that nobody has told them what happens the day after.
In the peace negotiations, Jordan agreed to lease the lands to Israel for a 25-year renewable period, with the Hashemite kingdom retaining sovereignty.
One of the sites is Naharayim, a spit of land where the Jordan and Yarmuk rivers meet, which is called Baqura in Arabic.
The other location, deep in the Negev desert south of the Dead Sea, is known in Hebrew as Tzofar and in Arabic as Ghumar.
Notification
In October last year, Jordan’s King Abdullah said his country had notified Israel that it wants to take them back.
Now with the deadline only hours away, Idan Grinbaum, head of the Israeli regional council for the Jordan Valley, says Jordanian officials have told him that as of Saturday night, the Naharayim site will be out of bounds.
“As of this time no Israeli official has met with us or issued a letter on the topic,” he said in a statement to AFP.
Grinbaum said that since Abdullah’s October declaration “there were enough opportunities to change the decree but unfortunately that didn’t happen.”
The change would affect members of two agricultural communities who have been working the lands at hand for 70 years, “and feel that Israel has abandoned them,” he said.
“It’s very unfortunate that this is how we’re departing from the Island of Peace,” he said of Naharayim.
Asked by AFP for details, the Israeli Foreign Ministry sent the reply, “the agreement will expire on November 10th,” without elaborating.
1994 treaty
Since the heady days of the 1994 treaty, which made Jordan only the second country after Egypt to make peace with Israel, relations with Amman have been strained.
Opinion polls have repeatedly found that the peace treaty with Israel is overwhelmingly opposed by Jordanians, more than half of whom are of Palestinian origin.
In 2017, an Israeli Embassy security guard in Amman killed two Jordanians.
Three years earlier, an Israeli soldier at a border crossing killed a Jordanian judge he deemed a threat.
Just last month, Amman recalled its ambassador from Israel over the prolonged detention without trial in the Jewish state of two Jordanians.
Israel has not commented on the reasons for their imprisonment, though Israeli media have said they were detained on suspicion of security-related offenses.
They were freed and returned to Jordan on Wednesday and Israeli Prime Minister Benjamin Netanyahu’s office said the Jordanian ambassador would return shortly.
Private television station Channel 13 reported on Thursday that Netanyahu’s national security adviser, Meir Ben-Shabbat, had met on Monday in Amman with Jordanian Foreign Minister Ayman Safadi who told him there would be no extension to the Naharayim and Tzofar leases.
Citing “senior sources” in Jordan, it said Safadi instead suggested that compensation be paid to the Israeli farmers for crops remaining at the sites after the handover.


THE CELL A film review by Christopher Null Copyright 2000 filmcritic.com filmcritic.com
And I thought I'd seen some twisted movies. Get ready for the real psych-out of the year, the long-awaited Jennifer Lopez vehicle The Cell, the most daring production to come out of Hollywood since Fight Club.
Note however that daring does not necessarily mean good. While The Cell is a deeply disturbing picture, it doesn't always impress. And though I am fine with digitally vivisectioning a horse into ten quivering pieces for dramatic effect, I'm not sure I needed to see Vincent D'Onofrio poking a hole in Vince Vaughn's stomach in order to pick out some intestine to spiral around a rotisserie. (No, really.)
The Cell is a hodgepodge of The Silence of the Lambs and Dreamscape, with bits of Psycho and Kiss the Girls thrown in for effect. The film opens by introducing us to Catherine (Lopez), an ex-social worker now employed by an experimental medical company that can connect two minds together via a funky machine. In practice, this is being used by Catherine to try to heal a young kid now in a coma. But kid-in-coma does not a thriller make, so to spice things up, Catherine is given the chance to enter the mind of the also-comatose Carl Stargher (D'Onofrio), a serial killer who secrets his victims away in a glass cell for 40 hours, until the cell fills with water and they drown. (The convolution gets more forced than that, but I'll spare you.)
Vaughn plays FBI agent Peter Novak, who rushes Stargher to Catherine's offices so she can jump into his brain to locate the well-hidden glass cell where Stargher's final victim is still awaiting her watery doom. Through an increasingly bizarre turn of events, Novak hops in as well. Considerable mucking around ensues.
The Cell owes its freakiness not just to some whacked subject matter, but also to a truly bizarre use of photographic tricks. Slow-motion, fast-motion, upside-down, sideways, underwater, hallucination-inducing graphics -- you name it, The Cell has it -- and it often combines them for an even bigger effect. Add in a demonic-looking D'Onofrio and Lopez's even stranger wardrobe and you've got the makings for a movie that's going to give plenty of pre-teens nightmares when they catch it late at night on HBO.
The Cell is certainly not for all tastes. In fact, it may not be for any tastes. Pure freak fans will likely be happy, but real moviegoers will probably be disappointed.  In the end, Carl's brain dump doesn't provide the clues to the cell's whereabouts, the answer is sitting right there in his real-world basement.
With its ultra-hip sensibility, cool threads, and post-modern thematics ("the cell" as metaphor for the human mind, get it?), The Cell is clearly a movie to be treasured, hated, and debated by wannabe film snobs. But did I actually like it, you ask? I'm still trying to figure that one out. Ask my shrink.

The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "base.html" %} {% from "macros.html" import add_support_sidebar with context %} {% block content %}
Blah blah
It is free.
There isn't a version for install via the Apple or Google App Stores. However, it is a PWA so you can install this application onto your mobile phone by:
Yes please! go ahead, fork and make changes. PRs are welcome


Employee Information Bulk Upload
Download and fill out the excel spreadsheet to update all your employee’s payroll information.1. Download spreadsheet
Payroll History Bulk Upload
Download and fill out the excel spreadsheet to update all your employee’s payroll information.
1. Download spreadsheet


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Computer Science
23 Years old.
Amal Al-momani
Business Information Technology
24 Years old.
Diana Al-azzam
Architecture
24 Years old.
Muna Jebril
Computer Science
24 Years old.
Yaseen Sharid
Computer Information System
24 Years old.


Classes
The following classes are available globally.
-
ABBarcode contains the data and type of barcode
See moreDeclaration
Swift
@objc public class ABBarCode : NSObject
-
Undocumented
See moreDeclaration
Swift
public class ABControlsStyleKit : NSObject
-
Provides a dropdown list as a replacement for a UIPickerView. If the dropdown cannot display without falling off the window, it will popUP
See moreAttention
fires notification ‘ABDropDownDidChangeIndex’ which returns the selected indexDeclaration
Swift
@objc @IBDesignable public class ABDropDown : ABTextualControl, UITableViewDelegate, UITableViewDataSource
-
Undocumented
See moreDeclaration
Swift
@objc @IBDesignable public class ABListBox : ABTextualControl, UITableViewDelegate, UITableViewDataSource
-
Undocumented
Declaration
Swift
@objc @IBDesignable public class ABVideoRecorder : UIView
-
Undocumented
Declaration
Swift
@objc @IBDesignable public class ABVoiceRecorder : UIView


Phone Number:<PHONE_NUMBER>
Email<EMAIL_ADDRESS>My name is Kyle Chriscoe. I am an aspiring full-stack developer enrolled in the Georgia Tech Full-Stack Coding Bootcamp learning HTML, CSS, JavaScript, MySQL, and MongoDB. I previously worked at HD Supply as a Human Resources Information Systems Analyst working on Human Resources platforms. In this role, I came to really enjoy the coding aspects and wanted to dive in and pursue a career as a full-stack developer.


Karaoke Templater Reference: Template modifiers
From Aegisub Manual
Template lines and code lines can take a number of modifiers.
This is a space-separated list of words in the Effect field following the template
or code
keyword.
While modifiers can be combined to some extent, not all are compatible, and not all work on both code lines and for templates.
There is a special set of modifiers that declare the class of the template line or code line.
Contents |
Class declaring modifiers
Both template lines and code lines can be produced without having a class modifier. Having one is still recommended for clarity, however.
A template line without a class modifier is implicitly given the syl
modifier.
A code line without a class modifier is implicitly given the once
modifier.
once
This class modifier is only valid for code lines.
Code lines with the once
modifier are run exactly once during Karaoke Templater execution, and are always run before any other code lines or templates. They are run in the order they are declared.
"code once" lines are primarily intended to declare functions for use in templates.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,code once,function setlayer(newlayer) line.layer = newlayer; return ""; end
This example declares a new function that changes the Layer field in the output line.
line [name]
This class modifier is valid for both code lines and template lines.
When used on template lines it takes an optional parameter naming the line template the template line participates in. The template name must not match any template modifier names.
Anonymous line templates (with no template name given) can not have pre-line template text.
Code lines can not be named, they must be anonymous.
Named line template lines append to the template text in the order they appear. The appending of template text happens at template parse time, not at execution time.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,code line,fxgroup.funky = line.actor == "funky"
This code line is run once per input line. It enables/disables an effect group named "funky" depending on the Actor field of the input line.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template line,{\r\t($start,$end,\bord0)}
This template line declares an anonymous line template. The effect produced will transform the border of each syllable to zero during the syllable's duration.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template line jumper,{\r\t($start,$mid,\frz-0.1)\t($mid,$end,\frz0}
This template line appends to a line template named "jumper" or creates it if it doesn't exist. Together with the pre-line template example given below, this will produce a "jumping" effect for the syllables.
pre-line [name]
This class modifier is only valid for template lines.
The pre-line
modifier takes an optional parameter naming the line template the template line participates in. The template name must not match any template modifier names.
Anonymous line templates with only pre-line text leave the original input line text alone and just prepends the template text to the line.
Named pre-line template lines append to the pre-line template text in the order they appear. The appending of template text happens at template parse time, not at execution time.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template pre-line,{\be1}
This template line declares an anonymous line template, that will prepend {\be1} to all matching lines.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template pre-line jumper,{\org(-10000,$y)}
This template line appends to the pre-line template text of a line template named "jumper", or creates it if it doesn't exist. Together with the line template example given above, this will produce a "jumping" effect for the syllables.
syl
This class modifier is valid for both code lines and template lines.
Syl templates can not be named.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template syl,{\pos($x,$y)}
This template line declares a syl template that simply positions the syllable text.
furi
This class modifier is valid for both code lines and template lines.
Furi templates can not be named.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template furi,{\pos($x,$y)}
This template line declares a furi template that simply positions the syllable text. It's not needed to do anything further to get correct furigana formatting.
syl furi
It's possible to combine the syl
and furi
class modifiers. This results in two identical templates being generated from the template line, one syl template and one furi template.
This is the only possible combination of class modifiers, they are otherwise exclusive.
Other modifiers
all
Apply template to all styles, not just the one of the template line.
Applicable for both code lines and templates, and for all classes.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template syl all,{\pos($x,$y)}
This template will be applied to every single syllable in the entire subtitle file, regardless of the style of the line they are on.
char
Make the template work per-character instead of per-syllable. This changes application order semantics in a significant way, see Template execution and order for details.
While this will work on code lines, it is generally not useful, see the discussion on execution order.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template syl char,{\pos($x,$y)} Comment: 1,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template syl char,{\pos($x,$y)\bord0}
Every single character on the line will be positioned separately. For each syllable, each template will apply for all characters in one go, and not be applied interleaved.
For example, if there are two syllables, "ab" and "cd", and the above two templates are applied to them, the result will be 8 lines with the following text, in this order:
{\pos($x,$y)}a {\pos($x,$y)}b {\pos($x,$y)\bord0}a {\pos($x,$y)\bord0}b {\pos($x,$y)}c {\pos($x,$y)}d {\pos($x,$y)\bord0}c {\pos($x,$y)\bord0}d
fx name
Make template only apply to syllables that have the named inline-fx. Specifying an inline-fx name is required; the name may also overlap with template modifier names though this is not recommended.
Example
Comment: 0,0:00:00.00,0:00:05.00,Default,,0000,0000,0000,template syl fx drop,{\move($x,$y,$x,!$y+30!,$start,$end)}
With this template, all syllables that have the inline-fx "drop" will get an additional line produced, where the syllables moves down 30 pixels during its duration.
All other template lines that don't have fx specified will still be applied as usual to those syllables as well.
fxgroup name
Declare template to be in the named effect group. Specifying an effect group name is required; the name may also overlap with template modifier names and Lua reserved words, though this is not recommended.
Example
keeptags
Specify that the original tags must be kept in the syllable after application.
This has no effect when combined with char
or multi
.
Example
template line keeptags: {\r\t($start,!$start+1!,\frx40)\t(!$start+1!,$end,\frx0)} karaoke: {\k21}hi{\k10}gu{\k23}ra{\k22}shi {\k38}ga {\k37\1c&H0000FF&}na{\k37}ku
The syllables "tip" back over a bit during highlight. One of them ("na") is coloured differently by putting an override tag in the timed karaoke line, but the following syllables don't get it because of the customary \r
at the start of the template.
The notags modifier ensures that the special colour of the special syllable gets carried over to the output.
multi
Make the template apply per-highlight in multi-highlight timed karaoke. This changes application order semantics in a significant way, see Template execution and order for details.
While this will work on code lines, it is generally not useful, see the discussion on execution order.
Example
template syl multi: {\an5\pos($scenter,$smiddle)\1a&HFF&\t($start,$end,\bord5\3a&HFF&)} karaoke: {\k33}風{\k36}#{\k89}の{\k46}花{\k28}#{\k57}よ
The timed karaoke line uses basic multi-highlight markup, the # syllables, to create multi-highlight syllables. Such, the 風 (ka-ze) and 花 (ha-na) kanji each get stored as a single syllable that gets two highlights each, and the # characters aren't displayed at all in the applied effect. (They will still display if you try to play the timed karaoke line without applying any templates.)
The template uses the multi modifier to signal that it wants to use multi-highlights instead of just one highlight/application per displayed syllable. The effect is a kind of simple "exploding border", but it explodes twice on both the 風 and 花 kanji. If the multi modifier wasn't there, it would only explode once on each.
noblank
Specify that the template will not be applied to syllables considered "blank". A syllable is considered blank if its tag-stripped text consists only of a combination of ASCII whitespace characters and ideographic fullwidth space characters, or is completely empty. A syllable is also considered empty if its duration is zero.
- See the notext modifier below for an example.
notext
Specify that the original text will not be appended to the output line.
This is intended for use primarily with templates that output drawing tags and similar.
Not applicable for code lines.

The first code line defines a vector drawing shape for convenience, so it doesn't clutter up the actual template lines later on. The drawing is of a small simple sword pointing downwards. The effect itself is these small swords dropping down onto the syllables, by a move.
The template uses the notext modifier to avoid getting the original syllable text shown, because it's being replaced with a vector drawing here. Also the noblank modifier is used to avoid producing anything for "invisible" syllables, eg. we don't want a sword dropping down on a lone timed space, that just looks dumb.
repeat n, loop n
Specify that the template will be applied the given number of times. Specifying the number of loops is required. The number of loops must be a constant integer number, it can not be a variable or otherwise calculated dynamically.
repeat
and loop
are synonymous.
Note that the execution order of looped line templates and looped syl/furi templates is different. See Template execution and order for details.
Example
template syl loop 4: {\move($x,$y,!$x+math.random(-30,30)!,!$y+math.random(-30,30)!,$start,$end)\alpha&Hc0&\t($start,$end,\alpha&HFF&)}
The loop modifier is used to created 4 copies of the syllable for each time this template is run. Each of those move in a random direction, up to 30 pixels away in X and Y direction. They also fade out.
The starting alpha for each copy, &Hc0
is chosen as 256 - (256 / 4), 4 being the number of loops made. This way, the opacity for each copy adds up to exactly 256. (Technically it should be 255, but that can't be achieved with an even number of loops.)
- Also see the examples on the Code execution environment page for more advanced usage.
| Overview: |
Automation Manager • Running macros • Using export filters • Standard macros • Changes from Automation 3 • Moving from Automation 3 |
|---|---|
| Karaoke Templater reference: |
Declaring templates • Execution order • Modifiers • Inline-variables ($-variables) • Code lines and blocks • Execution envirionment |
| Lua reference: |
Registration • Subtitles object • Progress reporting • Config dialogues • Misc. APIs • karaskel.lua • utils.lua • unicode.lua • cleantags.lua |
| Karaskel concepts: |
Style tables • Dialogue line tables • Syllable tables • Inline effects • Furigana |


签名列表
| Rendering engine |
Browser |
Platform(s) |
Engine version |
操作 |
| Presto |
Opera for Wii |
Wii |
- |
修改
删除
|
| Presto |
Nokia N800 |
N800 |
- |
A |
| Other browsers |
All others |
- |
- |
U |
| Other browsers |
All others |
- |
- |
U |
模板列表
| Rendering engine |
Browser |
Platform(s) |
Engine version |
操作 |
| Gecko |
Netscape 7.2 |
Win 95+ / Mac OS 8.6-9.2 |
1.7 |
修改|
删除
|
| Gecko |
Netscape Browser 8 |
Win 98SE+ |
1.7 |
A |
| Other browsers |
All others |
- |
- |
U |


Welcome to Fab-Chain!
A Blockchain based Asset Transfer System for Apparel Industry
Issue Fab Token
Move Fab Token
My Fab Token Status


Film review by Kevin Patterson
PLEASANTVILLE Rating: ***1/2 (out of four) PG-13, 1998 Director/Screenplay: Gary Ross Starring Cast: Tobey Maguire, Reese Witherspoon, Joan Allen, William H. Macy
Several months after THE TRUMAN SHOW impressed critics and audiences, we now get PLEASANTVILLE, the second of 1998's "protagonist trapped in a television show" films. This one is written and directed by Gary Ross, previously known as the screenwriter of BIG, in which a machine at a carnival transplanted a 12-year-old into the body of an adult, and DAVE, in which a mild-mannered nice guy successfully impersonated the President of the United States for several years. There is some of the same whimsical charm in PLEASANTVILLE, in which squabbling 1990s siblings David (Tobey Maguire) and Jennifer (Reese Witherspoon), find themselves transported into an old "Leave It To Beaver"-style '50s black-and-white sitcom called, you guessed it, "Pleasantville," where they assume the identities of two of the series's main characters.
There's a catch. No one in PLEASANTVILLE knows anything beyond what they need to function as TV characters. David's boss at the soda shop, Mr. Johnson, doesn't know how to keep the shop running if David's not there to set up the counter after he finishes wiping it off; one day David arrives late to find Mr. Johnson standing there in confusion as he explains, "You weren't here, so I just . . . kept wiping." No one actually learns anything in school, since very few scenes actually take place there. The bathrooms don't have any stalls (when was the last time you saw anybody relieving themselves on network TV?). The firemen only know how to rescue cats from trees and are totally perplexed as to what the hoses in the back of the fire engine do.
For a while, it seems as if PLEASANTVILLE might turn into an amusing but immature satire of the "family values" crowd. As David and Jennifer introduce the citizens of Pleasantville to knowledge of the outside world, their black-and-white existence literally starts to give way to color.  This isn't handled particularly well, and it risks making an already bizarre story downright laughable. The movie reaches what has to be its lowest point when a woman's sexual experimentation apparently causes a tree in the back yard to burst into flames; at this stage, I was beginning to wonder if "Gary Ross" was actually a pseudonym for "Woody Allen on speed." (The scene does, at least, lead to perhaps the funniest comic payoff, in which David has to summon the clueless firemen by telling them there's a cat in a tree, grabs the hose from their fire truck, and puts the fire out himself while one of them looks around bewildered and asks, "Where's the cat?")
Fortunately, PLEASANTVILLE finds its feet soon after these initial stumbles. The only other obvious political swipe is a more sophisticated and relevant one, as the citizens who have remained black-and-white try to keep their multichromatic neighbors away with "No Coloreds Allowed" signs in the windows. And for the most part, Ross wisely chooses to downplay the political in the latter half of the film, focusing instead on more basic aspects of human experience. With the arrival of color comes the loss of the town's idyllic existence. It clouds over and rains once in a while instead of being sunny all the time, and the high school basketball team is no longer invincible. The town's leaders think that the solution is punish the "coloreds" and restrict things like painting in color, but in the end, even they aren't impervious to the new knowledge and experience introduced by David and Jennifer and find themselves becoming "colored" as well.
By the end of PLEASANTVILLE, I was, pardon the pun, pleasantly surprised to see what had started off as a bizarre and occasionally sloppy comedy turn into a rousing call to rise above complacency and self-satisfaction, as Ross makes the case that short-term pain and confusion is often worth the long-term benefits of change. It's not quite as polished and coherent as THE TRUMAN SHOW, which dealt with similar themes, but it nevertheless overcomes its lesser moments and still emerges in the end as one of the best films of the year.
Send comments to<EMAIL_ADDRESS>Film Reviews Page: http://members.aol.com/KTPattersn/reviews.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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We all know you were the kind to look at your friends screen while playing 1v1 Slayer on Halo 2
Which one of you is better?
Oh Captain My Captain.
This guy fucks.
The designer.
This project would not be possible without him.
Feel free to contact us through email!
201-123-2344
haloworld@gmail.com


Kate Moss features among the muses for Coach's end-of-year campaign
NEW YORK, Nov 6 ― New York brand Coach is set to celebrate end-of-year festivities with a campaign that spotlights optimism and sharing and which will notably feature internationally renowned top model Kate Moss.
With Christmas fast approaching, ready-to-wear brands are progressively deploying campaigns to present their dazzling collections and celebrate the festive season. And now Coach has pulled out the stops, enrolling Kate Moss to host a party for its latest communication to highlight joy and sharing at the end of the year.
Kate Moss is joined by a widely diverse gallery of celebrities from different universes, such as actress Yara Shahidi, rapper Megan Thee Stallion, model Fernanda Ly, and actor Miles Heizer. Shot by renowned photographer Juergen Teller in a typical New York Upper West Side brownstone, the “Wonder For All” campaign gives pride of place to the Horse and Carriage collection, which presents highly coloured versions of Coach's iconic motif on a range of leather and ready-to-wear pieces.
The campaign is completed by a series of videos by Bunny Kinney, featuring such personalities as Spike and Tonya Lee, Camila Morrone, Bob the Drag Queen, and Ben Sinclair. ― AFP-Relaxnews


Created by
Vaidehi Joshi @vaidehijoshi // Natasha Jones @latazzajones Day 1 // Day 2 // Day 3 // Day 4Always ask, because everyone else has the same question.

You won't get everything. You will have to work at it.
Come prepared, give it your all.
Use your resources (Saturdays!)
Help each other level up and we'll all learn more.
How we communicate with our computer
Where we run scripts
Where we look cool
Have you installed xCode? Make sure you do that today.
Text editors are where our ruby files live!


Why Do We Need Activation Functions?
In general, a standard neuron learns a weight and a bias, which are used to transform its input into its output.
But a neural net made up entirely of these neurons is essentially a single linear function, there is no point.
An activation function is responsible for deciding to “activate” certain nodes; turning them on or off.
With an adequate net architecture, this introduction of nonlinearity will allow our net to go from a simple linear function to a universal function approximator!
What Does an Activation Function Look Like?
Simplest activation: 0 or 1 if the output passes a certain, learned threshold.
Problem: makes it difficult to learn weights.
Why? Backpropagation relies heavily on gradients to learn weights, which are non-existent for this activation function.
So we need activation functions that provide useful gradients...
Sigmoids are popular because they are both nonlinear and differentiable. They squash the input into a value between 0 and 1, similar to a boolean function.
However, the output is always positive, which may not be desirable.
Tanh activation is similar to sigmoid, but is centered about 0 (range is [-1, 1]), solving the problem of positive-only outputs.
Similar to convolutional layers, a sliding window is used, usually 2x2.
But both activations have the vanishing gradient problem; towards the extremities of their outputs, they become flat, making the gradient vanish and preventing weights from being updated.
The ReLU
ReLU and Leaky ReLU
The Rectified Linear Unit (ReLU) is both nonlinear and differentiable.
The ReLU function is just max{0,x}; it will pass the input if it is positive, and 0 if not.
This ensures that the gradient exists for values larger than 0 (see image).
However, if the input is lower than 0, it may again result in a dead neuron that no longer learns.
Leaky ReLU fixes this by adding a small gradient below 0, giving the neuron a chance to revive over time if the backpropagation wills it do so.
Softmax
Returns a vector that sums to 1.
Useful for outputting probabilities for multiple classes, i.e classifying an image as a type of animal.
However, some frameworks choose to stick to independent logistic classifiers (sigmoids) to dispense probabilities for each class, such as YOLOv3.


{{ define "main" }} {{- partial "Menu.html" . -}} {{- partial "podcast.html" . -}} {{- partial "option.html" . -}} {{- partial "level.html" . -}} {{- partial "article.html" . -}}


I have a rotating disk style electricity meter but I've rigged up a photosensor and can get pulses from the meter with (from memory) 375 revolutions per kWh. I have access to a Raspberry Pi to experiment with.
Meter -> Sensor -> Pi -> Emoncms (optional)
Can anyone point me to hardware and software links to configure the Pi to count directly without the emonTx and to serve the data or pass it to emoncms.
(I've read http://openenergymonitor.org/emon/buildingblocks/introduction-to-pulse-c....)
Many thanks.
Re: Bare-bones single pulse counting on Pi?
Throwing "pulse counting on Raspberry Pi" at Google shows more than a few results. Although it's been discussed, I haven't seen any reports on this site that anyone has tried and succeeded with this approach - the Atmel microprocessor in the emonTx is much better suited for this kind of application, though I appreciate why you would want to avoid having the extra kit if it's not necessary in your application.
Re: Bare-bones single pulse counting on Pi?
Thanks, Robert. I subsequently found http://openenergymonitor.org/emon/node/2017 and there seem to be some problems using interrupts on the Pi to count the pulses.
For anyone interested, here is my meter pulse reader on an ESB Ireland Siemens RM223 meter.
I had a scrapped Wenglor photo-sensor but there were a couple of problems:
I have access to a 3D printer so I made a 45° mirror head, cut a piece of front-surface mirror that I had saved from a scanner I scrapped, superglued it into the bracket and mounted the combination on another 3D printed bracket.
Alignment was critical. I couldn't get reliable reading looking straight in. I found that looking up at the disk from below gave the best results. Slots in the main bracket proved much easier to fine adjust rather than rotating the mirror head. My meter box is outside and I found it best to set it up after dark as the light spot could easily be seen.
I can't really recommend this solution. If I hadn't had the industrial sensor I would have tried using a blue light to maximise contrast between the red mark and the silver edge of the disk.
By the way, many of the posts discuss accuracy of the utility meters and whether something like the emonTx is more accurate. In my case I want to monitor what I'm being charged for so using the utility meter is the most accurate.
So now I'm back to my original problem. Can I interface this directly with the Pi or do I need an Arduino in between? The second option seems a bit silly.
Re: Bare-bones single pulse counting on Pi?
"By the way, many of the posts discuss accuracy of the utility meters and whether something like the emonTx is more accurate. In my case I want to monitor what I'm being charged for so using the utility meter is the most accurate."
The meter is by definition accurate! - unless you can calibrate the emonTx to a better accuracy and keep it within calibration. Calibrating the emonTx with even a very expensive multimeter is not likely to exceed the meter accuracy by much if at all. The kit you'd need to do that would be prohibitively expensive, even to hire.
Don't put too much emphasis on the problems of counting pulses from switches. If you have a recording oscilloscope, you could use that to look at the output from your optical sensor, but I would be quite surprised if there were any glitches on the edges of the pulses, so you should be able to use the pulse output with little or no processing.
I think I'd be tempted to evaluate the various suggestions and try one or two that look as if they have promise. I know very little about the Pi so I can't really help you.


Statistics
(...in this room first...)
Women are leading adopters in:
- Internet usage
- Mobile phone voice usage
- Mobile phone location services
- Text messaging, Skype
- Every social network but LinkedIn
- All Internet-enabled devices
- E-readers
- Health-care devices
- GPS
Source
So how come...?
- Well paid
- Flexible - place and hours
- Dynamic
- Team work
- Collaborating with a customer
- High demand
Do we need more women?
yes!
- Diversity
- Innovation
- More professionals
So why not?
- They don't even consider it
- They think it is not interesting
- They think they would not be good at it
How is the situation in the real world?
- Women are still less paid
- They are punished for salary negotiation
- Discrimination
Extra reading:
link 1,
link 2
There are organizations...
Beginners track
- Fundamentals of Programming
- GIT workshop
- Basics of MVC, templating, CSS
- Associations & Javascript
- Testing
Advanced track
- Gems, REST, best practices
- Concerns, helpers, decorators
- Performance boosting
- Polymorphic associations, STI
- Hosting, private VPS, configuration, deployment
Coding katas
- 5 November, 2014
- 21 January, 2015
- 11 April, 2015
- 24 June, 2015
Thank you!
GH: simicic
@pazinjanka
http://martinasimicic.com/
http://usecuriosity.com/


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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
public interface TransactionStrategyBuilder
Created with IntelliJ IDEA. On: 2/06/2007
| Method Summary | |
|---|---|
TransactionStrategyBuilder |
addAccessor(java.lang.Class<?> daoInterface)
|
PersistenceModuleBuilder |
forAll(com.google.inject.matcher.Matcher<? super java.lang.Class<?>> classMatcher)
This is a convenience method, and defaults to using the method matcher: Matchers.annotatedWith(Transactional.class) . |
PersistenceModuleBuilder |
forAll(com.google.inject.matcher.Matcher<? super java.lang.Class<?>> classMatcher,
com.google.inject.matcher.Matcher<? super java.lang.reflect.Method> methodMatcher)
Note that if you do not have an @Transactional annotation present on transactional methods, and
use a Matcher.any() for methods, warp-persist
will assume default rollbackOn and exceptOn clauses (as though @Transactional were present but
with no attributes specified). |
TransactionStrategyBuilder |
transactedWith(TransactionStrategy transactionStrategy)
|
| Methods inherited from interface com.wideplay.warp.persist.PersistenceModuleBuilder |
|---|
buildModule |
| Method Detail |
|---|
TransactionStrategyBuilder transactedWith(TransactionStrategy transactionStrategy)
transactionStrategy
- One of the enum TransactionStrategy
.
See warp-persist website for details. By default TransactionStrategy.LOCAL
is set.
PersistenceModuleBuilder forAll(com.google.inject.matcher.Matcher<? super java.lang.Class<?>> classMatcher)
Matchers.annotatedWith(Transactional.class)
.
classMatcher
- A Matcher
on classes to watch for transactional methods
PersistenceModuleBuilder forAll(com.google.inject.matcher.Matcher<? super java.lang.Class<?>> classMatcher, com.google.inject.matcher.Matcher<? super java.lang.reflect.Method> methodMatcher)
@Transactional
annotation present on transactional methods, and
use a Matcher.any()
for methods, warp-persist
will assume default rollbackOn and exceptOn clauses (as though @Transactional were present but
with no attributes specified).
classMatcher
- A Matcher on classes to watch for transactional methodsmethodMatcher
- A Matcher on methods
TransactionStrategyBuilder addAccessor(java.lang.Class<?> daoInterface)
daoInterface
- An interface with some methods (typically all) that are
annotated with @Finder
. Warp-persist will automagically create method bodies
and provide an instance when you inject this interface anywhere in your setup.
Note that you are *not* allowed to provide your own implementation/binding for such
interfaces. Binding errors will result if you try.
Also accepts abstract classes, with one or more abstract methods marked @Finder
.
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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Senior Capstone
Using microcontrollers and C++, I was able to create a developed and tested product. Programmed 2000+ lines of code in C++ for the full functioning prototype, along with Python for data visualization.
Coded a match-5 algorithm in java. With match-checking,
match-removing and other interesting innovations
Coded a speech-to-text algorithm and speech recognition for their internal service website
Managed the men's soccer team II of my university
The team played other universities and went on
Appeared on the university's newspaper
Used data analysis to get the best performance of the players
Team Leadership and communication
Using microcontrollers and C++, I was able to create a developed and tested product. Programmed 2000+ lines of code in C++ for the full functioning prototype, along with Python for data visualization.
Developed the menu, 10x10 grid with randomly generated tile values, random placement of the tiles in the grid, match-checker algorithm, and a matching-tile-removal algorithm for a Match-3 game.
Currently I have been working on my front-end skills, along with creating some functional programs using Python, Java, C++... to help me as a coach, or to optimize my day-to-day.
Bachelor of Computer Engineering
Bachelor of Computer Engineering (Transferred)
International Student
Exchange Student
Middle and some High School
Elementary and some Middle School


Click on the resume link on the bottom or side of the page to see more information on my education, work experience, and skills.
As a senior at the University of Washington pursuing a bachelor’s degree in the data science track of Geography with a minor in Informatics, I believe my educational background and experience in data science, geographic information systems, spatial analysis, machine learning, and information technology perfectly aligns with the responsibilities designated for data-driven positions. I am a team-oriented individual with excellent problem-solving, communication, and leadership skills who is eager to work with experts and professionals in a data science and client-based work environment.
Music Festival Web Application
Obesity in America Analysis & Visualization


This article was first published on {{ .Date.Format "January 2, 2006" }}. As you can see, there are no comments. I invite you to email me with your comments, criticisms, and other suggestions. Even better, write your own article as a response. Blogging is awesome.


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About this project
This project is inspired by Noah Veltman’s SF Streets map, with some additional features and layers on top. The latter comes from my love for my home town, one of the greatest cities in the world.
Data sources
The roads shapefile comes from Mapzen’s excellent metro extract service built on top of Open Street Map. Further data conversion was done using the ogr2ogr tool. The map itself is built with Leaflet JS, with some more help from a custom built of Mike Bostock’s D3.js library. Check out the code and data on Github.
Classification notes
The categorisation of the names are strictly subjective using what I thought would be apt categories. Any omission, mistake, or any other thing that you may find offensive is strictly coincidental. No intentional harm was intended.
- The genders have been manually coded. I made a spreadsheet of every street name in the map shape and went line by line. There may be some cases where genders could not be assigned or I couldn’t verify the gender. Those have been coded to “no gender”.
- Information about street names was also manually collected. This means I literally typed each name in Google and DuckDuckGo, and used whatever these two engines gave me. I have tried my level best to gather as much information as I could. I understand this is biased towards sources in English but going through 4,000-odd names is not an easy task.
- The religion category has been applied to any name connected to any religion — a saint, missionary, or a spiritual leader
- Politics was much more tricky. So I applied this logic. Any name that has relevance in context of events before Independence is historical. Anything after Independence is politics. So, Mahatma Gandhi would be historical. But Lal Bahadur Shastri would be political.
If you have any concerns or qualms with it, or you want to add information about any street, feel free to email me.


go get
Add a dependency package, or download packages in legacy GOPATH mode.
More information: home page
- Add a specified package to `go.mod` in module-mode or install the package in GOPATH-mode:
go get example.com/pkg
- Modify the package with a given version in module-aware mode:
go get<EMAIL_ADDRESS>- Remove a specified package:
go get example.com/pkg@none