The other day I got the opportunity to try some 4-AcO-DMT again. I went with 18 mgs, I was at a peak in 45mins or so good visuals, mandalas and large patterns, kind of dim. I have noticed a sharp edge on the come up, I have never been in it but I notice it is there. My headspace was fairly clear but scattered with a few different loops that wouldn’t clear up, nothing major just scattered, I have had a lot going on and been busy that might have had a lot to do with it.
I wanted to try a breakthrough dose of N,N-DMT so after about 45min into the trip I smoked 30mgs in 2 nice big hits in 2 breaths. I went to a place were I existed in between a thought and a moment everything was patterns and strange shapes with bright colors and big contrast like a psychedelic cartoon land and I was a cartoon but a made up of parts from about 5 different cartoons.
The only thing of myself I could retain was “I am me”. I exist here for a bit seemed like a week but it was timeless very powerful like being on the edge of the universe or existing in a free fall in a timeless endless place.
The 2 chemicals blended very nicely and made a different experience then either one of them, a lot of bright colors and big contrasts it gave the whole experience a cartoon theme. When I came back to myself in this realm the pieces of my ego started coming together again and making me who I was but it was still a cartoon theme and everything looked cartoonish. All of the scattered loops that I had earlier came back and just turned to love and understanding and resolved. I was filled with love and joy.
This was a very powerful experience more then a normal DMT experience, I am amazed at the awareness and amount I can remember form this experience most powerful breakthroughs I remember bits and peaces but I remember almost the entire time it has giving me a lot to reflect on and is in the top 3 experiences for me, a solid ++++. I felt some fear on the come up of the N,N-DMT but that is normal every time I try a new comb of chemicals and up the dose, but other then that very loving and nice.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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--- layout: home background: '/img/bg-index.jpg' ---
Everyday, news agencies provide us with numbers on infected people.
Everyday, political leaders give us updates on COVID-19 policies.
However, nobody ever tells us what day-to-day life for people affected by COVID-19 is really like.
Teddy and his team aim to change that. This summer, we are on a journey talking to 100 people across all 50 US states trying to understand people and hoping to find answers to the real questions:
What does it mean if you are one of the 3% + of people who filed for unemployment?
Where do you self-isolate if you don’t have a home?
How do you feel after having suddenly lost a loved one?
We don’t want to tell a story, we want to listen to your story. Our videos and podcasts are unguided and provide people with an opportunity to share what is important to them.We focus on one major question:What do you want to share about COVID-19 with the world?


About Me
Hello all! I'm Troy Freed Jr, I'm 26 years old and I am currently in my tenth week of my Web Development course here at Case Western. Before I started here I had absolutely zero knowledge of what really went into web development. I have been curious my entire life being someone who has spent so much time on a computer. Since I have started here at Case, I have learned HTML, Advanced CSS, JavaScript, jQuery, Node.Js, Server-side API's, Client-Side API's, Third-Party API's and the DOM!
It has been tough, but the more I solve issues with code and learn about these different languages, the more I am fueled to keep pushing my knowdledge of Web Development. I am beyond excited to see what else is in store for me throughout this course!
Though I've just started at Case and have not even begun to scratch the surface of the Web Development World, I am driven to become a full stack Web Developer with the skills to create my own Web Applications. This portfolio is my first attempt at writing my own code after three weeks of learning, it may not be much, but I couldn't be more proud. It is my biggest and only accomplishment in Web Development, but I've managed to create a fully responsive web page with functional navigation links, links to other websites, and hover attributes. I cannot wait to see what else I will be creating and adding to this portfolio!


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @( dayField: Field, monthField: Field, yearField: Field, dateField: Field, fieldsetId: Option[String] = None, legend: String, inputClass: Option[String] = None, hint: Option[String] = None, labelClass: Option[String] = None, formControlClass: Option[String] = None, formGroupClass: Option[String] = None, startAtTabIndex : Option[Int] = None, formControlUnBold: Boolean = false )(implicit messages: Messages)


Ferhan
Yavuz
Eren
foxy is cute
flowers
somewhere over the rainbow
Ferhan likes the ocean
Yavuz likes daisies
Eren likes Foxes
Press here to submit
Type comment here...
who is the best?
Ferhan
Yavuz
Eren
none
Are you happy?


An XDMF DataItem for an HDF5 data set.
More...
An XDMF DataItem for an HDF5 data set.
◆ __init__()
| def core.xdmf.HDF5UniformDataItem.__init__ |
( |
|
self, |
|
|
|
data_set |
|
) |
| |
◆ attrib()
| def core.xdmf.HDF5UniformDataItem.attrib |
( |
|
self | ) |
|
◆ create_xml_element()
| def core.xdmf.HDF5UniformDataItem.create_xml_element |
( |
|
self | ) |
|
Return the XDMF item as an XML element node in the XML document tree.
If the node is the root element of the XML document, it can be written
to a file as:
root = obj.create_xml_element()
ElementTree(root).write(file_or_filename)
If it is a child node, it can be appended to its parent as:
child = obj.create_xml_element()
parent.append(child)
An entire XML document representing an XDMF model is built from a set
of XdmfItem objects by combining their XML nodes in an XML tree.
Reimplemented from core.xdmf.XdmfItem.
◆ dimensions()
| def core.xdmf.HDF5UniformDataItem.dimensions |
( |
|
self | ) |
|
Return a shape tuple of the HDF5 data set.
For example the return value for the data set dset[0:100,0:3] would be
(100, 3).
Reimplemented from core.xdmf.DataItem.
◆ dtype
| core.xdmf.HDF5UniformDataItem.dtype |
◆ file_name
| core.xdmf.HDF5UniformDataItem.file_name |
◆ name
| core.xdmf.HDF5UniformDataItem.name |
The documentation for this class was generated from the following file:
- /home/runner/work/Documentation/Documentation/master/applications/HDF5Application/python_scripts/core/xdmf.py


Methods
getGroups() → {Boolean}
Fetch a domains groups
The user must be logged in otherwise an error will be emitted
Returns:
returns if the request was successfully made, a successful request may still result in an error being emitted.
Data will be returned on the event 'groups'
- Type
- Boolean
newGroup(group) → {boolean}
Create a new Group
Parameters:
| Name | Type | Description |
|---|---|---|
group |
Object | Group object |
Returns:
returns if the request was successfully made, a successful request may still result in an error being emitted.
A successful group creation will be returned on the event groups the messages id on the 'new' topic
- Type
- boolean
update(m, action, dataopt) → {boolean}
Update an existing Group
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
m |
Object | The message | |
action |
string | The action to perform on the message. Must be one of the allowed actions in the message. | |
data |
string |
<optional> |
Action specific data. If the Action is 'FORWARD' then data must contain the UUID of the member the message is being forwarded to If the Action is 'DELEGATE' then the data must contain the UUID of the member the message is being delagated to |
Returns:
returns if the request was successfully made, a successful request may still result in an error being emitted. A successful message will emit the messages id on the 'update' topic
- Type
- boolean


Start working on your Stratosphere Scala program in a few simple steps.
The only requirements are working Maven 3.0.4 (or higher) and Java 6.x (or higher) installations.Requirements
Use one of the following commands to create a project:Create Project
$ curl https://raw.githubusercontent.com/stratosphere/stratosphere-quickstart/master/quickstart-scala.sh | bash

$ mvn archetype:generate \
-DarchetypeGroupId=eu.stratosphere \
-DarchetypeArtifactId=quickstart-scala \
-DarchetypeVersion=
This allows you to name your newly created project. It will interactively ask you for the groupId, artifactId, and package name.

There will be a new directory in your working directory. If you've used the curl approach, the directory is called The sample project is a Maven project, which contains a sample scala Job that implements Word Count. Please note that the RunJobLocal and RunJobRemote objects allow you to start Stratosphere in a development/testing mode. We recommend to import this project into your IDE. For Eclipse, you need the following plugins, which you can install from the provided Eclipse Update Sites:
Inspect Project
quickstart
. Otherwise, it has the name of your artifactId.
The IntelliJ IDE also supports Maven and offers a plugin for Scala development.
If you want to build your project, go to your project directory and issue the Build Project
mvn clean package
command. You will find a jar that runs on every Stratosphere cluster in target/stratosphere-project-0.1-SNAPSHOT.jar
.
Write your application! If you have any trouble, ask on our GitHub page (open an issue) or on our Mailing list. We are happy to provide help.Next Steps


PTHREAD_SETSCHEDPRIO
Section: Linux Programmer's Manual (3)
Updated: 2014-05-28
Index
Return to Main Contents
NAME
pthread_setschedprio - set scheduling priority of a thread
SYNOPSIS
#include <pthread.h>
int pthread_setschedprio(pthread_t thread, int prio);
Compile and link with -pthread.
DESCRIPTION
The
pthread_setschedprio()
function sets the scheduling priority of the thread
thread
to the value specified in
prio.
(By contrast
pthread_setschedparam(3)
changes both the scheduling policy and priority of a thread.)
RETURN VALUE
On success, this function returns 0;
on error, it returns a nonzero error number.
If
pthread_setschedprio()
fails, the scheduling priority of
thread
is not changed.
ERRORS
- EINVAL
-
prio
is not valid for the scheduling policy of the specified thread.
- EPERM
-
The caller does not have appropriate privileges
to set the specified priority.
- ESRCH
-
No thread with the ID
thread
could be found.
POSIX.1-2001 also documents an
ENOTSUP
("attempt was made to set the priority
to an unsupported value") error for
pthread_setschedparam(3).
VERSIONS
This function is available in glibc since version 2.3.4.
ATTRIBUTES
Multithreading (see pthreads(7))
The
pthread_setschedprio()
function is thread-safe.
CONFORMING TO
POSIX.1-2001.
NOTES
For a description of the permissions required to, and the effect of,
changing a thread's scheduling priority,
and details of the permitted ranges for priorities
in each scheduling policy, see
sched(7).
SEE ALSO
getrlimit(2),
sched_get_priority_min(2),
pthread_attr_init(3),
pthread_attr_setinheritsched(3),
pthread_attr_setschedparam(3),
pthread_attr_setschedpolicy(3),
pthread_create(3),
pthread_self(3),
pthread_setschedparam(3),
pthreads(7),
sched(7)
Index
- NAME
-
- SYNOPSIS
-
- DESCRIPTION
-
- RETURN VALUE
-
- ERRORS
-
- VERSIONS
-
- ATTRIBUTES
-
- Multithreading (see pthreads(7))
-
- CONFORMING TO
-
- NOTES
-
- SEE ALSO
-
This document was created by
man2html,
using the manual pages.
Time: 02:55:01 GMT, September 18, 2014


--- layout: default title: Projects menuSlug: projects permalink: none ---
Doctrine is a collection of projects built for PHP. Each project can be used standalone and installed with Composer.
{{ project.description }}
These were once active and maintained projects. If you are interested in helping to maintain any Doctrine project take a look at the open issues on GitHub and submit pull requests.
These project are no longer maintained with no chance of revival and have been archived.


Telluride Film Festival 1994 (Part 1 of 2) Film reviews by Wayne Citrin Copyright 1994 Wayne Citrin
I just came back from Labor Day weekend at Telluride and thought I'd mention what showed there, what was good, and what was popular. Maybe it was the excitement last year of being there for the first time, or maybe I was paying more attention at the time to films that were playing festivals abroad, but the selection here didn't seem quite as exciting this year. Last year we had the US premieres of such widely heralded films as FAREWELL MY CONCUBINE, THE PIANO, and FAR AWAY SO CLOSE, as well as such discoveries (for me, at least) as RAINING STONES (and other Ken Loach films), NAKED (and other Mike Leigh films), BLUE, and THE JOY LUCK CLUB. For those who liked big premieres, though, the festival did have the world premieres of Michael Tolkin's THE NEW AGE, Woody Allen's BULLETS OVER BROADWAY, and Tim Burton's ED WOOD, as well as the premiere of the first Roadrunner/Coyote film produced by Chuck Jones and Warner Brothers in over thirty years.
FRIDAY, SEPTEMBER 2
THE NEW AGE (USA, 1994, approx. 120m)
We arrived in town at 10PM after a long drive (8 hours), checked into our room, and went and picked up a program. (Programs are kept secret until the start of the festival.) We decided to catch the premiere of THE NEW AGE, a new film by Michael Tolkin (dir. THE RAPTURE, scr. THE PLAYER). It was showing as part of a tribute to Judy Davis. THE NEW AGE stars Davis and Peter Weller (who both starred in THE NAKED LUNCH) as an upscale Los Angeles couple who see the bottom drop out of their lives as they both lose their jobs. They try various economic solutions and begin to examine their spiritual foundations, but can't find any solutions. The acting and production were flawless, but I simply couldn't connect with the characters. I simply could not believe that such successful people could be so clueless about how to keep their head above water. I also found it hard to believe that these people could be so spiritually bankrupt that their lives had been completely unexamined up to that point. It seemed that Tolkin spent over two hours saying what might have been comfortably said in 20 minutes. This film will probably get mainstream release, and it'll probably (and rightly) be savaged by the critics.
SATURDAY, SEPTEMBER 3
MURIEL'S WEDDING (Australia, 1994, 105m)
We slept in on Saturday after the late night before. This was something of a mistake, since we missed the morning programs and made it harder to see some of the things we wanted to see later. The first film we saw that day had been shown at the outdoor theater during an open showing the night before, and we had heard people raving about it. (Word of mouth is the best way to get information in this festival where approximately 30 programs show repeatedly over the course of four days in five theaters in this small mountain resort.) We had heard that the film got a 15 minute standing ovation at Cannes this year. Sometimes films are overhyped (THE PIANO, which I saw last year at Telluride, didn't live up to the Cannes hype), but this time the film was as good as the advance notices. Muriel, a young woman from an improbably dysfunctional family in an Australian seaside resort (with the equally improbable name of "Porpoise Spit"), and a big ABBA fan, learns to find her self-respect in a story that takes her to live on her own in Sydney. She originally believes that marriage will make her somebody, but learns in the end what she really needs. This is a delightful comedy, a real crowd pleaser. The ending was plausible and not overly saccharine, despite the fact that some people said that, although they liked it, they thought the film was a bit too "sweet." I believe that this will be a big hit in the US in the fall. And, as the director P. J. Hogan said before the showing, "if you don't know who ABBA is, you'll certainly know after the movie is over."
Before MURIEL'S WEDDING, Chuck Jones got up to introduce CHARIOTS OF FUR (USA, 1994, 6m). Jones, who looks great at 81 years old, said that Warner had decided to revive their old movie animation operation after 30 years, and asked Jones to come on board and teach a new generation of cartoonists. Jones made a few remarks about how, when he had started as a young animator in his 20's, his producers were old men of 40 and 50, and now "young men of 40 and 50 are running the studio." He also said in the old days that you could tell how much Jack Warner liked a film by how many times he had to leave the screening to pee. Jones said he was fortunate that even Warner couldn't pee more than once in the 6 minutes that it took to run a cartoon. He also said that they had decided to do a Roadrunner/Coyote cartoon because the characters were simpler than, say, Bugs Bunny. The film was good fun, the typical Roadrunner stuff, although Jones said that he had embellished the Roadrunner's character and made him a bit more "Harpo Marxish." The film will play in theaters this fall with WB releases.
STRAWBERRY AND CHOCOLATE (Cuba, 1993, 111m)
Our passes included admission to an Opera House program "Writing for Hitch," which would include live interviews with screenwriters Charles Bennett (BLACKMAIL and THE 39 STEPS) and John Michael Hayes (REAR WINDOW). However interesting this sounded, Deborah and I had decided that with our limited time we wanted to see films, particularly new foreign and independent US films that were unlikely to make it to local theaters. Consequently we skipped the retrospectives and tributes, and the Hollywood premieres. We chose the Cuban film STRAWBERRY AND CHOCOLATE, the showing of which at last year's Havana Film Festival resulted in the exile of the festival's director. How the director avoided the same fate, I don't know. STRAWBERRY AND CHOCOLATE details the relationship of Diego, a cultured gay man, and David, a university student, heterosexual, and committed Communist. Diego attempts to pick up David on a dare, and after some difficulties the two become friends, despite the government's anti-homosexual policies. This causes some tension between David and his comrades, and the relationship eventually endangers both David's and Diego's positions in society. The film is well-acted and I enjoyed this insight into everyday Cuban life--something quite alien to most Americans, and all the more relevant now.
LADYBIRD, LADYBIRD (England, 1994, 102m)
English director Ken Loach and his film RAINING STONES was one of the big discoveries for me at last year's festival, and when I saw he had a new film, I had to see it.  It's based on a true story, and treats issues very much in the news these days. Loach, the film maker of the British working class, takes a very complex view of Maggie and her situation, and of the eminently reasonable policies of the bureaucracy and their brutalizing effect on people. Both of us were in tears by the end, although Deborah, having never heard of Loach before, was even more strongly affected than I was. An extremely powerful, moving film, and an amazing performance by Chrissy Rock as Maggie. See this one, and see any of Loach's other films that you can get your hands on.
LADYBIRD, LADYBIRD was preceded by an English short called "Fever," about the problems of a young woman in an English city. The woman was played by Katrin Cartledge, who had a major role in Mike Leigh's NAKED last year. She played the same kind of character here, and although she did a reasonable job, the film seemed to lack a point.
After the film let out, the only thing we could make was a showing of PLAN NINE FROM OUTER SPACE, as part of an Ed Wood retrospective, but Deborah decided that we weren't that desperate to see another movie and we called it a night.
SUNDAY, SEPTEMBER 4
THE WOODEN MAN'S BRIDE (Taiwan, 1994, 105m)
Having enjoyed FAREWELL MY CONCUBINE at last year's festival, and being a fan of Zhang Yimou's films, I was curious to see this new film by Taiwanese director Huang Jianxin. The film, set in the 1920s, tells the story of a young woman being brought to be a bride in another house. She's abducted by bandits but is recovered by the man who was accompanying her. In the meantime, the groom dies in an accident during preparations for her rescue, and the family decides to continue the wedding, marrying her to a wooden effigy of the young groom. This is a problem, since she feels oppressed by the arrangements and falls in love with the man who brought her back from the bandits. The film was definitely inspired by the work of Zhang Yimou, particularly the photography, but the story wasn't nearly as engaging, and the ending was abrupt and implausible. The film was ok, but not outstanding.
Before the film, we were shown a short nature film by Swedish director Stefan Jarl, "Land of the Lapps" (Sweden, 1994, 12m), who had a retrospective at last year's festival. The film attempted to show the pressures on the traditional Sami people by modern Swedish society, and although the photography was excellent, the presentation seemed rather heavy-handed and uncompelling.
BAB EL-OUED CITY (Algeria/France, 1994, 93m)
BAB EL-OUED CITY is a story of clash between modern life and Muslim fundamentalism. In Algiers, fundamentalists install loudspeakers on roofs of buildings, playing sermons and readings from scriptures both day and night. One day a young baker, who can't sleep because of the noise, tears out one of the speakers and throws it into the sea. The film tells the story of how the fundamentalists try to find the person who did it, and the troubles the baker's act bring on himself. The film takes the position that the fundamentalists are being manipulated by the Algerian secret police as a mechanism of social control. I felt that the film kept up a decent amount of tension, and like STRAWBERRY AND CHOCOLATE lent insight into societies and issues relatively unfamiliar to me, yet more and more important in today's news. Not one of the top films at the festival, but interesting.
Life begins to imitate art in that the director could not be present at the screening because two of his friends had recently been shot by fundamentalists. The implication was that he was hiding somewhere in Algiers.
Before the film, we were shown a rather boring animated short called "Etude" (USA, 1994, 5m), with abstract designs choreographed to music.
FAMILY (England/Ireland, 1994, 115m)
FAMILY, as shown at the festival, is a two-hour condensation of a four-hour television series shown on British and Irish television this year. It is the first original screenplay by Roddy Doyle, the author of the novels on which THE COMMITMENTS and THE SNAPPER were based, and the author of this year's Booker Prize-winning novel "Paddy Clark ha ha ha." FAMILY was a sensation in Ireland--the most talked-about TV series in years. No previous series had the graphic and realistic language, sex, and violence of this series, and it provoked a discussion of whether this was a typical North Dublin family. Well, I don't think this was the point--the point was that problems like this exist and should be discussed. The film has four segments, each on various members of the Spenser family: Charlo the husband, a small-time thief and ne'er-do-well; John Paul, the oldest son who is having trouble in school and is taking to drinking; Nicola, the oldest daughter, who is in the process of escaping the home and fear possible molestation by her father; and Paula, Charlo's alcoholic wife who is trying to hold the family together. The director, Michael Winterbottom, reported that FAMILY may have a major influence on an upcoming Irish referendum on the legalization of divorce. You won't see FAMILY in this form outside a festival, but the hope is that the entire series will be picked up for television. It was definitely involving, and I suggest you look for it if it comes to television.
PORNOGRAPHIES ON/SCENE
After dinner, we had about an hour to kill before the next film we wanted to see, so we caught some of this presentation on pornography. Two professors from the University of California lectured and showed excerpts from various genres of pornography. I have to admit that I fell asleep, which astonished Deborah. The lecture confirmed my impression from the little pornography I'd previously seen: pornography is boring. I thought that the lecturers were completely off the mark in neglecting the difference between pornography and erotica. Erotica uses the entire array of psychological stimuli to arouse--this may include showing sex, or it may not. In fact, some of the most erotic scenes I can think of have no sex: the flamenco dances in Carlos Saura's CARMEN, the eating scene in TOM JONES, and the scene where Michelle Pfeiffer sings "Makin' Whoopie" and flirts with Jeff Bridges while lying on Bridges' piano in THE FABULOUS BAKER BOYS. Pornography, on the other hand, seems to rely entirely on portraying sex. It seemed that pornography is nothing more than an attempt at erotica by very unimaginative people. The two silent pornographic films from 1915 (FREE RIDE and ON THE BEACH) were kind of cute and innocent, though.
ONCE WERE WARRIORS (New Zealand, 1994, 99m)
If I had to pick one thing that I would pronounce the best thing at the festival, I would say that it was this film. ONCE WERE WARRIORS describes the lives of an urban Maori family, including the domestic violence, the alcoholism, the unemployment, and the cultural displacement. The film is beautifully acted and photographed, and there is a great soundtrack. I think, though, that what's most outstanding about this film is the writing and the characterizations. There is a depth to these characters--even the worst ones are complex and are attractive at times. There's also a realization that not everything is bleak--the good times are really good, and there can be a great deal of real warmth in these lives. The story of this film is very similar to that of FAMILY, what with the ne'er-do-well husband, the alcoholic wife, the domestic abuse, the son in trouble with the law, and the daughter fearing sexual advances, but despite the fact that FAMILY was written by a Booker Prize winner, the characters and situations in ONCE WERE WARRIORS have a lot more depth. I don't know if this film will see mainstream distribution (I suspect not, but it may well play in art houses), but I enthusiastically recommend that you see it. This is a debut film for the director, Lee Tamahori. I hope it's the beginning of a successful career.
Before ONCE WERE WARRIORS, we were shown another New Zealand short, "Avondale Dogs" (New Zealand, 1994, 15m). The New Zealand Film Commission seemed to have high hopes for this film and its director, as it was distributing fliers for it, including sales and contact information. I thought it was a very lyrical and dreamy piece about a young boy growing up in a suburban town in 1965, remembering one or two events in his life that were very important but that he didn't quite understand at the time. I felt it had the qualities of a very good short story, creating the characters and story in a fairly minimal way. I enjoyed it, and I hope that the director, Gregor Nicholas, goes on to other things.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Pickchas - Pronounced "Pik- Chaz" is Jamaican for photograph or picture. These images were taken with my mobile phone indoor, in low light conditions - highlighting
my quarantine duration must-haves with
my family.
AndenisSimms 2020 ©


Soundcloud Stream Filter Settings
Exception Keywords:
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- Exception keywords will allow you to provide exceptions from your filters based on a case-insensitive word found in the username or title.
- Created by Brendan Little
- Inspired by the awesome Soundcloud Repost Toggle


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GitHub
# x-flexbox ![GitHub Actions Status](https://github.com/1000ch/x-flexbox/workflows/test/badge.svg)
Web Components which provide Flexbox features.
## Install
Using [npm](https://www.npmjs.org/package/x-flexbox):
```sh
$ npm install x-flexbox
```
## Usage
Import `FlexContainer` and `FlexItem`, register them.
```html
```
Put `` and ``.
```html
```
## License
[MIT](https://1000ch.mit-license.org) © [Shogo Sensui](https://github.com/1000ch)


The abstract operation GetClassEnvironment takes no arguments. It finds the Environment Record that currently supplies the binding of the keyword `class` for a |ClassProperty|. It performs the following steps when called:
1. Let _env_ be GetThisEnvironment().
1. Let _exists_ be _env_.HasClassBinding().
1. If _exists_ is *true*, return _env_.
1. Return *undefined*.


Was one out of only 25 students selected to participate in Barclays Summer Technology Internship program. Placed in the Equities Electronic Trading division on the Native Application Development team responsible for delivering sub-microsecond direct market access using custom built hardware. Developed a C/C++ tool using the Sockets API, that injected live network traffic into the next generation ultra-low latency Field Programmable Gate Array. Created offline network traffic captures that were used in high-fidelity simulations.
Studying toward a Bachelor of Arts in Computer Science with a Minor in Mathematics at The City University of New York at Hunter College. Studied various topics including Software Design in C++, Algorithms and Data Structures, Computer Architecture, Discrete Mathematics and Computer Theory. Currently holding a 4.0 Major GPA and 3.8 GPA overall. Volunteered as Officer of the Geography Club as well as a member of the Association of Computing Machinery student chapter.
Awarded a research grant by the Louis Stokes Alliance. Under Professor Carsten Keßler, studied a novel method of calculating the Central Place Theory of Economic Geography by using Wikipedia as the data set in lieu of fieldwork. Built a PHP script to collect data from the Wikipedia API. Wrote PostgreSQL queries within pgAdmin3 for data analysis and management.
Tutored students in the following classes: Intro to Computer Science, Software Analysis and Design with C++, and Discrete Mathematics. Created original study material for students. Launched a blog of tips, tricks, and advice to help novice programmers. Provided informal academic advising to students wishing to pursue the computer science major.
In search of a full time position in software development so that I may make a meaningful contribution to your company.


---
layout: post
title: Project Portal
---
I try to keep Trello boards for all the things that I'm working on. Below, I have linked some of the Trello boards of projects that I'm working on at the moment.
RasPi Gameboy Project
Using a Gameboy Advance Shell, let's build a portable retro gaming system.


Anime: Sword Art Online base on a RPG that like a virtual reality world that was created.
In 2022, a virtual reality massively multiplayer online role-playing game (VRMMORPG) called Sword Art Online (SAO) is released. With the NerveGear, a helmet that stimulates the user's five senses via their brain, players can experience and control their in-game characters with their minds. Both the game and the NerveGear were created by Akihiko Kayaba.
On November 6, 10,000 players log into the SAO's mainframe cyberspace for the first time, only to discover that they are unable to log out. Kayaba appears and tells the players that they must beat all 100 floors of Aincrad, a steel castle which is the setting of SAO, if they wish to be free. Those who suffer in-game deaths or forcibly remove the NerveGear out-of-game will suffer real-life deaths.


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Projects
-
-
Guess What? Memory Game
-
Aug 2016
- Authored server-rendered, offline first, accessible, progressive web single page application.
- Developed within Docker for production environment simulation, testability and CI.
-
-
-
Corporate Dashboard
-
June 2016
- Fully Responsive Javascript SPA Web Application for Corporate Data visualization.
- Written in Mithril & Redux for state management and continuous data streaming, display & state integration without full page refresh.
-
-
-
Restaurant Reviews
-
April 2016
- Customer facing application with the ability to find restaurants, read and submit reviews.
- Main focus was given to a11y. Management of keyboards controls, colors, ARIA roles and labels according to specification.
-
-
-
Public Transport
-
March 2016
- San Francisco Transportation application enabling users to find arrival and departure times for their desired transit destinations.
- All data available offline via service worker. Realtime endpoint used whenever possible.
-
-
-
Event Creator
-
Feb 2016
- Crafted responsive application which enabled users signup, login, create and see events around the globe.
- Main focus given to increasing form conversions, input validations and user authentication.
-
Education
-
Udacity | Senior Web Developer Nanodegree by oogle
Nov 2015 - Sept 2016
-
High School of Business and communication, Czech Republic
2005 - 2009
Experience
-
Front - End Web Developer | Freelance
2016 - Present
- Creating fully responsive javascript applications. From visual design, to writing out specs, code and project deployment.
- Fixing bugs, enforcing style guide, introducing or employing source control.
- Improving website rendering performance to buttery 60 frames per second
- Cutting down webpage loadtime to improve conversions by up to 4%
- Decreasing the time between development and production cycle
- Dramatically decreasing server load, saving client and server data consumtion


| Overview | Module | Use | Devguide | Index |
| Services' Summary | Interfaces' Summary | Properties' Summary | Services' Details | Interfaces' Details | Properties' Details |
|
|||
|
| Properties' Summary | |
| boolean MirroredX |
[ OPTIONAL ] Specifies if the x position of the handle is mirrored. |
| boolean MirroredY |
[ OPTIONAL ] Specifies if the y position of the handle is mirrored. |
| boolean Switched |
[ OPTIONAL ] Specifies if the handle directions are swapped if the shape is taller than wide. |
| EnhancedCustomShapeParameterPair Position |
[ OPTIONAL ] If the property Polar is set, then the first value specifies the radius and the second parameter the angle of the handle. Otherwise, if the handle is not polar, the first parameter specifies the horizontal handle position, the vertical handle position is described by the second parameter. |
| EnhancedCustomShapeParameterPair Polar |
[ OPTIONAL ] If this attribute is set, the handle is a polar handle. The property specifies the center position of the handle. If this attribute is set, the attributes RangeX and RangeY are ignored, instead the attribute RadiusRange is used. |
| long RefX |
[ OPTIONAL ] RefX, if this attribute is set, it specifies the index of the adjustment value which is connected to the horizontal position of the handle |
| long RefY |
[ OPTIONAL ] RefY, if this attribute is set, it specifies the index of the adjustment value which is connected to the vertical position of the handle |
| long RefAngle |
[ OPTIONAL ] RefAngle, if this attribute is set, it specifies the index of the adjustment value which is connected to the angle of the handle |
| long RefR |
[ OPTIONAL ] RefR, if this attribute is set, it specifies the index of the adjustment value which is connected to the radius of the handle |
| EnhancedCustomShapeParameter RangeXMinimum |
[ OPTIONAL ] If the attribute RangeXMinimum is set, it specifies the horizontal minimum range of the handle. |
| EnhancedCustomShapeParameter RangeXMaximum |
[ OPTIONAL ] If the attribute RangeXMaximum is set, it specifies the horizontal maximum range of the handle. |
| EnhancedCustomShapeParameter RangeYMinimum |
[ OPTIONAL ] If the attribute RangeYMinimum is set, it specifies the vertical minimum range of the handle. |
| EnhancedCustomShapeParameter RangeYMaximum |
[ OPTIONAL ] If the attribute RangeYMaximum is set, it specifies the vertical maximum range of the handle. |
| EnhancedCustomShapeParameter RadiusRangeMinimum |
[ OPTIONAL ] If this attribute is set, it specifies the minimum radius range that can be used for a polar handle. |
| EnhancedCustomShapeParameter RadiusRangeMaximum |
[ OPTIONAL ] If this attribute is set, it specifies the maximum radius range that can be used for a polar handle. |
| Properties' Details | |
MirroredX
|
|
MirroredY
|
|
Switched
|
|
Position
|
|
Polar
|
|
RefX
|
|
RefY
|
|
RefAngle
|
|
RefR
|
|
RangeXMinimum
|
|
RangeXMaximum
|
|
RangeYMinimum
|
|
RangeYMaximum
|
|
RadiusRangeMinimum
|
|
RadiusRangeMaximum
|
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


For several years now, Neal Gafter (Microsoft) and Joshua Block (Google), have made a habit of presenting various incarnations of this technical session, focused on what they call “Java Puzzlers.” Java Puzzlers are nothing more than short Java programs with curious behavior. It is a somewhat interactive session, with each puzzler’s code listing followed by a four possible choices (A,B,C,D) to answer the question: “What does it print?” Neal and Joshua “require” that every attendee vote for their answer. After the vote, they reveal the correct answer and how to fix the problem. At the end of each problem presentation is the most important part, which is the Java programming principle that is illuminated by the puzzler. These are important tools to carry with you as you go forth a develop your Java code.
The following is a listing of the problem titles that were presented:
Life’s Persistent Questions
Instruments of Torture
Iterator Titillator
Searching for the One
Cogito Ergo Sum
Thread Friendly
When Words Collide
I’m going to spend my time focused on the last puzzler, as it was the one for which I was ABSOLUTELY CERTAIN that I knew the correct answer. Here’s the code listing:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 |
|
So here’s the problem. We have two versions of class “Words.” We compile class “PrintWords” against the first version and we then run the class against the second version. What does it print out? I used my trusty “seasoned Java programmer” knowledge to assert that the program would print “the null set.” Why? Well, any seasoned Java programmer realizes that static final variables (or “constant variables” - what a curious concept) are inlined by the compiler. So it’s quite obvious that “the” would be inlined wherever FIRST appears, null would be inlined wherever SECOND appears, and “set” would be inlined wherever THIRD appears.
Imagine my frustration when Josh and Neil announced that the program would in fact print “the chemistry set.” As it turns out, null cannot be inlined! It is not a constant variable. So when we run our Java program, the JVM smartly picks up the non-null value of SECOND that is is able to find in the new version of Words.
Simply because this one got me, I wanted to highlight it for my readers. The “moral” of this story is that only primitives and strings can be constant, and that null is not a constant. One should use a constant field ONLY if its value will NEVER change. For final fields whose value may change, they suggest the use of an ident() method:
1 2 3 4 5 6 7 8 9 10 |
|
The compile will not inline the call to ident.
Want more? Pick up a copy of Neal and Josh’s book, Java Puzzlers: Traps, Pitfalls, and Corner Cases!


| DOSE: T+ 0:00 |
45 mg |
oral |
AMT |
(powder / crystals) |
| T+ 1:30 |
|
smoked |
Cannabis |
(plant material) |
It was the start of Superbowl Weekand, and I was excited to take a road trip to visit my friend.  Late Friday night, we traveled to his apartment after a house party. My friend had mentioned earlier that he could get me a psychoactive drug called AMT. I had tripped before on LSD, Mushrooms, and 2C-T-7, so I had little problem experimenting with a new drug like this.
I got back to school, and after telling a few of my close friends about the drug, two of them told me that they wanted to be Guinea Pigs and try it with me. My friend Dave was tripping on Mushrooms at the time, and not knowing if mixing the two drugs could have an adverse affect on him. We decided that it would be better if we did it late that night after we went to a party. I drank about five beers at the party before stopping, and drinking water to flush out my system and prepare myself for the trip.
When we got back at 3 AM we divided up the powder on a scale, my friend Dave and I taking 45 milligrams each, and my friend Scott took 30 milligrams. We dumped the powder into the back of our mouths, and chased it with water. I remember thinking that it tasted much worse than Molly on your tongue. 30 minutes after we ingested the powder, I felt something other than the remaining alcohol sweeping through me it faint waves. I remember feeling quite good, sort of like I was on a small amount of MDMA. Soon, my friend Scott and I went to get a drink from the soda machine. I felt restless and was quickly becoming nauseous. I felt that I needed to throw up badly, stopped talking, and ran outside. After dry heaving twice I felt that the wave of nausea was over. We went back upstairs and there were tons of people in my room. I felt confused but interested in what was going on. I wrapped myself up in a blanket, and sat in a chair, not knowing quite what to do with myself.
After about one hour my perception of everything in the room had changed significantly. The room seemed very narrow and smoky, and the tapestries on the walls were much bigger than they had previously seemed to me. Now I felt another wave of nausea. I shivered briefly, and suddenly i felt vomit coming up my throat. I tried to open the door, but could not find the strength to open it as it seemed stuck. I finally got it open a split second before throwing up all over the hall. After this I felt much, much better. I went back into my room, and asked my two friend who had also taken the AMT if they felt okay. They both felt great, and were now talking a lot. We decided to let the others sleep, and go into Dave's room down the hall. We gathered some blankets and a bag of pot, and went to his room. Dave had no shoes, and we could not find any for him, so i gave him one Birkenstock, and he told me, 'Hey man, ones better than none,' and seeming satisfied he sat on the couch.
After 1.5 hours, we all felt good and were tripping hard, so we got out a Hooka and began to smoke. This enhanced the trip greatly, but it hurt my lungs each time i took a rip. We all kept thinking that we weren't getting good hits, and then we would exhale huge amounts of smoke. The music during this time had been Phish and Pink Floyd, and I realized how amazing the music sounded to me. It put me in a really relaxed mood, but I noticed that each sound put visions in my head which made little sense and were incredibly random.  I remember wondering how an antelope could hold onto something since it has hoofs rather than hands, and realized that I must be really messed up. We were all in great moods as we talked and laughed for hours about all sorts of things.
About 3.5 hours after we took the AMT, we decided that the trip had started off feeling like we were on Ecstasy, and then increased in intensity until we felt like we were candy-flipping quite hard. The hallucinations were becoming strong now, as patterns twisted and turned around the room. The patterns in the tapestries were moving in and out of one another, and the posters on the wall displayed images we had never noticed before. My friend's beard was constantly moving back and forth as I talked to him. All of our pupils were fully dilated, and we agreed that the hallucinations were incredibly intense. I remember saying that it felt like I was on .2 grams of molly and three hits of LSD.
After hours of smoking and having fun in Dave's room, we became restless, and decided to walk to the store. At 7 AM, we walked to a gas station. The second the cold air hit me, I felt so uncomfortable that I wanted to run back inside. My friends told me to stop being such a wuss, and we continued towards the store. None of us could walk straight, and everything outside was moving alot. This was the peak of the trip for us, and it was at this time that we realized how serious it was to be in public on a drug of this potency. As we walked by some skiers who were packing up their car, we began to laugh uncontrollably as they wondered what was wrong with us. We stumbled to the convenience store scared shitless by the cars driving by because we couldn't figure out how close they were or how fast they were moving.
In the convenience store, it took us five minutes to decide what to get, and we had no clue as to how loud or akward we sounded. My friend tried to sign his name on hid credit card receipt, but he could not do it for about twenty seconds. After we rushed out of the store he told me that he saw five different moving lines on the receipt, could not figure out which one to sign. On the way back, we spotted a cop, and I remember being incredibly paranoid about a confrontation.
We got back to Dave's room, and i was in a state of awe. I could barely move, and was so fucked up that there were not only distinct movements throughout the room, but my vision was quite blurred and I was getting large stretched trails as I looked around the room. The room seemed to also be a different size than usual, and the lighting patterns were different than every other time I had spent in the room. At about 9 AM, my friend suddenly got very excited and stated, 'Guess what, in 15 hours, the Patriots will have won the damned Superbowl.' We all became extremely excited about the game, and talked about it over the course of the next couple hours.
We smoked and enjoyed ourselves until noon, when Scott had to go to his girlfriend's house still tripping balls. A friend picked him up and drove him away, so we went to my room. We watched tv for a while, but I had no idea of what was happening in the show. The plot seemed completely unconnected to us. We downloaded a program from the internet which plays mathematical fractals on the computer.  They move in and out even when you do mot play them, but when you find a really intricate fractal, you can turn it on, and the picture will repeat itself over and over, causing the picture to move all over the place.
We went back to Dave's room and got gum because we had been clenching our jaws for hours. At this point it was 1 PM, and I was tired from tripping for such a long period of time. I took a shower and came back to Dave's room, feeling refreshed. We both agreed that we were not having the depressing thoughts which go through your head when coming down from a drug such as acid.  My friend left the room for a while, and when he came back he told me that he had vomited twice. I found it odd that we both threw up, but during different phases of the trip.
At about 2:30 PM we both tried to get some sleep before the Superbowl. I was so exhausted that I became overwhelmed with a headache. I wanted to split a strong Ibuprofun with Dave because he mentioned that he had a headache too. We soon took the pill and tried to relieve the throbbing. Zepplin was playing over the speakers, and the sounds were becoming out of control. I heard loud and disturbing scratching sounds, and helicopters seemed to be flying right outside our dorm. At about 3 PM, we finally fell asleep.
I woke up that night during the forth quarter of the Superbowl, and became quite upset that the AMT had caused me to miss so much of the game which I had been so excited for the entire trip. I went and visited my friends around the hall and discovered that many of them had come to visit me and talked to me for good periods of time, and I had no recollection of such conversations taking place. I had missed too many important events that day, and realized that the trip is very intense and a lot of fun, but it lasts for far too long, considering that time goes so slowly during any trip. I realized that my consciousness was still considerably altered when I awoke, and wondered what kind of permanent affects it could have on your brain. I knew it was a rare research chemical that was very potent, and had no clue how much anybody knew about it.
I would recommend AMT only to people who have considerable experience with psychoactives, and feel prepared for a long and intense journey. Nobody should ever trip on this in a dangerous or public environment. It certainly isn't a recreational drug, and should be taken with great care. I am still unsure what lasting effects, if any, there are, but I know that it is a bad drug to put into you're body. I would say that this AMT is a lot of fun while your on it, but should be taken in low doses in a very comfortable environment.
In short: AMT is an enjoyable conscious altering experience, but involves a lengthy time committment, and is a intense factory drug which should never be abused.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Zambia – Farmer SMS Data
Zambia
Monitoring
Tables and Metadata
Click below buttons to access your needful tables
Flow Metadata Management
Contact Metadata Management
Download Inactive Contacts
Download Farmers Responses
Inactive Farmers Table
- For a given time period
Last Response Date
(select a date to see the list of farmers who didn't respond till now)
Submit


Vertical Form (React)
Please fill in the fields:
First Name:
Last Name:
Please fill in your address details:
City:
Address:
Horizontal Form (React)
Please fill in the fields:
First Name:
Last Name:
Please fill in your address details:
City:
Address:


NEUTRAL DRAGON TOURNAMENT
HOME
FIXTURE
DUEL
RESULT
PLACE YOUR SPELLS
Select spell
Fire
Water
Wind
Select spell
Fire
Water
Wind
Select spell
Fire
Water
Wind
Select spell
Fire
Water
Wind
Select spell
Fire
Water
Wind


|
Mackey
V3
A C++ library for computing RO(G) homology
|
Contains the class describing Mackey Functors. More...
#include "../MackeyFunctor.hpp"
Namespaces | |
| Mackey | |
| The namespace for everything that is group-independent. | |
Functions | |
| template<typename rank_t > | |
| MackeyFunctor< rank_t > | Mackey::operator+ (const MackeyFunctor< rank_t > &M, const MackeyFunctor< rank_t > &N) |
| The sum of two Mackey functors. More... | |
| template<typename rank_t > | |
| std::ostream & | Mackey::operator<< (std::ostream &, const MackeyFunctor< rank_t > &) |
| Print Mackey Functor to output stream. More... | |
Contains the class describing Mackey Functors.


(PECL getdns >= 0.11.0)
php_getdns_cancel_callback — Cancel an existing asynchronous transaction.
$context
, string $transID
)This function causes the getdns library to call the callback with a callbackType of GETDNS_CALLBACK_CANCEL if the callback for this transID has not already been called. This will cancel the callback regardless of what the original call was doing (such as in the middle of a DNS request, while DNSSEC validation is happening, and so on). The callback code for cancellation should clean up any memory related to the identified call, such as to deallocate the memory for the userArg. php_getdns_cancel_callback() may return immediately, even before the callback finishes its work and returns.
context
The previously created DNS context that is to be used with this request.
transID
The transaction identifier associated with the callback to be cancelled. The identifier must be represented as a 16-character string value in hexadecimal format representing an unsigned 64-bit integer that was returned from one of the asynchronous query functions.
This function returns an integer response code. Calling php_getdns_cancel_callback() with a transID of a callback that has already been called or an unknown transID returns GETDNS_RETURN_UNKNOWN_TRANSACTION; otherwise, php_getdns_cancel_callback() returns GETDNS_RETURN_GOOD.


Colour
Matte Black
Classic White
Keyboard
88-key graded hammer action piano keyboard
Maximum Polyphony
128-note polyphony
Tones
128 GM-programmed timbres and 4 drum sets (only the timbre of a grand piano is available for demo play)
Piano Lights
88 sets of red and blue LED lights
Audio Sampling rate
44.1KHz
Sampling Tones
16-bit stereo
Speaker Size
Tweeter 1.25"*2 + Woofer 5"*2
Device / Connection
iOS 9.0 +
iPad 2/4, iPad mini, iPad mini 2, iPad Air, New iPad
iPhone 4/4s/5/5c/6/6 plus/6s/6s plus/7/7 plus/8/X
Android 4.4+ with USB Host/OTG
On/Off
Power will be automatically turned off if inactive for 30 minutes.
Metronome*
Optional to use. Turn the knob to adjust the tempo
Pedals
Three pedals. Soft, Sostenuto, and Sustain respectively from left to right
Recording Function*
Record music while playing and share with your social network
Tone Selection*
A variety of timbres to choose from
Power Source
15V power cord connected to the back of the piano
Cable Interface
The port is visible by pressing on and opening the small box on top of the piano.
The interface supports four specialized cables for The ONE Smart Piano.
Headphone Jack
Two 6.5mm headphone jacks (front and rear)
Connecting a headphone with the front headphone jack (via a headphone jack adaptor) makes the
sound audible only through the headphone, while connecting a headphone with the rear headphone jack
makes the sound audible through both the headphone and piano speakers.
Aux In/Out
6.5mm auxiliary interface
Care Instructions
1. Avoid direct sunlight. It will cause damage to the piano.
2. Do not disassemble the piano. Disassembling may cause damages that are not covered under the
warranty.
Components list
Main body
Pedal
Back plate
Piano legs (left and right)
Toolkit
Headphone adaptor and cable
Power source DC 15V
User manual
Note: When specification
are subject to change, refer to the actual product.
Functions with *:
availability varies with the mobile device you’re using The ONE smart piano application on.


Thank you for participating in the MindTrails program! You have the option to talk with a personal coach via text or phone call to help you with the program. Coaching is completely optional, and you can decide to continue participating in the MindTrails program even if you don’t want to talk with a coach.
If you would like to know more about the MindTrails personal coaches, you can view short bios in the 'MindTrails Coaches' section on the Meet the Team page (this link will open in a new web browser tab).
How Does Coaching Work?
If you are interested in having a coach, one of our team members will reach out to you via email to schedule your first check-in after you finish your first MindTrails training.
Would you like to work with a MindTrails Coach?


Creates XRay tests in the project, according to test results.
- If a test of the corresponding test result does not exist, it will be create with the appropriate test run.
- If it is already exist - the test run will be updated according to the test result


Rate Fashion
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---
layout: post
title: multiple instances update
tags: []
status: publish
type: post
published: true
meta: {}
---
Brandon Purcell has updated his article on Installing and Configuring ColdFusion MX 6.1 Multiple Instances with IIS and Apache Virtual Hosts, to include a fix for Apache. If you followed the instructions prior to this update, you might have encountered the following error message in your Apache error log (on screen you would have seen a plain 500 Internal server error):
[code][Thu Jun 24 15:09:33 2004] [notice] jrApache[1635] JRun will not accept request. Check JRun web server configuration and JRun mappings on JRun server.[/code]
The fix is to set the Apialloc option for your VirtualHost to false (as shown below). Apialloc controls how the connector allocates memory. According to the updated article, setting that value to false will result in requests for memory coming from the Operating System instead of Apache (as is the default or more precisely Apialloc set to true).
[code]
ServerAdmin<EMAIL_ADDRESS>DocumentRoot {install path}/path/to/web/site/
ServerName www.domain.com
ErrorLog logs/www.domain.com-error_log
CustomLog logs/www.domain.com-access_log common
JRunConfig Serverstore "{install path}/JRun4/lib/wsconfig/{instance server store}/jrunserver.store"
JRunConfig Bootstrap <IP_ADDRESS>:51002
JRunConfig Apialloc false
[/code]
Now I cannot say that I have encountered this error so far when running multiple instances, but that could be because, as Brandon points out, I am still using Apache version 1.3.x. However since it's a recommendation, I have added to my process list.


Include common security settings in system configuration standards.
Including common security settings in the system configuration standards helps make sure that the security settings are consistent across the network.
Identify each type of system on the network. For each type of system, identify security features and configuration options it provides. Decide on the appropriate settings for the security features and capabilities of each system type. Document the chosen settings of the security features of each type of system in the system configuration standards.


CrimPapers
Articles published on 16 January 2017
On 16 January 2017, 3 new articles were published in 3 journals.
Designing and Implementing Programmes to Tackle Radicalization and Violent Extremism: Lessons From Criminology by Adrian Cherney
Testing the Effects of Police Body-Worn Cameras on Use of Force During Arrests: A Randomised Controlled Trial in A Large British Police Force


workbox-precaching. BaseCacheManager
This class handles the shared logic for caching revisioned and unrevisioned assets.
Constructor
BaseCacheManager
new BaseCacheManager(input)
Constructor for BaseCacheManager
Parameter |
|
|---|---|
|
input |
Object |
Methods
cleanup
cleanup() returns Promise
Compare the URL's and determines which assets are no longer required in the cache.
This should be called in the service worker activate event.
- Returns
-
Promise
Promise that resolves once the cache entries have been cleaned.
getCachedUrls
getCachedUrls() returns Array of String
Returns an array of fully qualified URL's that will be cached by this cache manager.
- Returns
-
Array of String
An array of URLs that will be cached.
getCacheName
getCacheName() returns String
Gives access to the cache name used by this caching manager.
- Returns
-
String
The cache name used by this manager.
install
install() returns Promise containing Array of Object
This method will go through each asset added to the cache list and fetch and update the cache for assets which have a new revision hash.
- Returns
-
Promise containing Array of Object
The promise resolves when all the desired assets are cached and up -to-date.


{% extends "account/base.html" %} {% load i18n %} {% block head_title %}{% trans "Oops!" %}{% endblock %} {% block content %}
{% trans "We are sorry, but only admins are allowed to access this website at this time." %}
{% trans "Please contact an admin if you have any questions." %}
{% endblock %}


{% extends "html/base.html" %} {% block content %}
Use this page to event footprints. Select an event from the dropdown, change any settings you need, and click "Calculate Event". The program will used existing footprints if available, so to recalculate use the "Force Recalculate" setting. Events can be calculated using Python or Scala. Use Python if there is no available Scala calculation server (available at AkkaDisaster). However, python can take much longer for large events.
To get started,1851_3_UNNAMED_AL with default settings is suggested, since it is a very small event.


During the installation phase, the malware drops two files into the directory: %APPDATA%\Roaming\Microsoft\Installer\{BCDE0395-E52F-467C-8E3D-C4579291692E}\
The file names are created using the following scheme: api-ms-win-downlevel-[4char-random]-l1-1-0._dl
One file is the 32-bit version of the malware and the second one is the 64-bit version.
The second step: the creation of two registry entries:
- HKCU\Software\Classes\CLSID\{b5f8350b-0548-48b1-a6ee-88bd00b4a5e7}\InprocServer32
- HKCU\Software\Classes\Wow6432Node\CLSID\{BCDE0395-E52F-467C-8E3D-C4579291692E }\InprocServer32
For each entry, the default value is the path to the files that were dropped before. In the following screenshot, the file containing rhwm is the 64-bit version of the malware and the file containing dtjb was created for the 32-bit version, respectively.
The purpose of the keys is to define a COM object with the CLSIDs {b5f8350b-0548-48b1-a6ee-88bd00b4a5e7} and {BCDE0395-E52F-467C-8E3D-C4579291692E}. If these objects are instanced, the library will be loaded into the respective process. But the CLSIDs are predefined by Microsoft and the newly created owns replace the originals:
These two instances are used by a lot of applications, for example by the browser (by using the CoCreateInstance() function). With Process Explorer, we are able to list the library loaded into a specific process. Here are the loaded libraries designed for a 32-bit process:
The following screenshot shows the loaded libraries in a 64-bit process:
In both of these cases, we can see our dropped library. The processes use the registry key previously created to load the malicious library instead of the original Microsoft library
Conclusion
This new approach of persistence mechanism has several advantages: the attacker does not need to perform DLL injection, which is usually monitored by anti-virus software. Therefore, he has overcome one important security measure, in most of the cases.
As soon as the infection was successful, Microsoft Windows then natively executes the library in the processes of the infected user. Hence, the attacking process is hard to be identified. Using COM hijacking is undoubtedly silent. It is not even detected by Sysinternals’ Autoruns.
So, in our case, we have seen this mechanism being used combined with a RAT and this would mean a hassle for any infected and therefore affected user, as the attackers can spy on him pretty secretly for quite some time. But, obviously, this new persistence mechanism is not limited to the use of RATs. Attackers can combine it with any other type of malware, too!


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This Baked Oatmeal Casserole Recipe turned out absolutely scrumptious! It can be made at the beginning of the week & it can be eaten for breakfast every morning following! It is very convenient to have a healthy breakfast made & ready to go each morning. You can pop it in the microwave, or eat it cold, straight out of the refrigerator! You will love it!


My Bonnie lies over the ocean. My Bonnie lies over the sea. My Bonnie lies over the ocean. Oh, bring back my Bonnie to me.
This is a 160% paragraph.
This text is normal.
This text is bold.
This text is strong.
This text is italic.
This text is emphasized.
My favorite color is blue red.
My favorite color is red.
This is subscripted text.
This is superscripted text.
The following text is quoted: I am quoted.
The following text is block quoted:
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.
The WHO was founded in 1948. Mouse over the previous WHO
to see the unabbreviated text
Citation: The Scream by Edvard Munch. Painted in 1893.
Bidirectional override: This text will be written from right to left
The following is computer code:
var x = 5;
var y = 6;
document.getElementById("demo").innerHTML = x + y;
The following is keyboard input: File | Open...
The following is sample output: demo.example.com login: Apr 12 09:10:17 Linux 2.6.10-grsec+gg3+e+fhs6b+nfs+gr0501+++p3+c4a+gr2b-reslog-v6.189
Computer code, formatted:
var x = 5;
var y = 6;
document.getElementById("demo").innerHTML = x + y;
Variables: Einstein wrote: E = mc2.
There is an HTML comment after this
There is an HTML comment before this
There is an IE conditional comment after this
There is an IE conditional comment before this
CSS stands for Cascading Style Sheets
Styling can be added to HTML elements in 3 ways:
The most common way to add styling, is to keep the styles in separate CSS files. But, in this tutorial, we use internal styling, because it is easier to demonstrate, and easier for you to try it yourself.
Internal styling is used to define a style for one HTML page.
Internal styling is defined in the  section of an HTML page, within a
 This is a heading

 This is a paragraph.

I am different because my id = p00, a style, declared in this HTML file:

I am different because my id = p01, a style
I am different because my class = p.error, a style
This hyperlink will open in a new tab
| Target Value | Description |
|---|---|
| _blank | Opens the linked document in a new window or tab |
| _self | Opens the linked document in the same frame as it was clicked (this is default) |
| _parent | Opens the linked document in the parent frame |
| _top | Opens the linked document in the full body of the window |
| framename | Opens the linked document in a named frame |
Float the image to the right:
A paragraph with a floating image. A paragraph with a floating image. A paragraph with a floating image.
Float the image to the left:
A paragraph with a floating image. A paragraph with a floating image. A paragraph with a floating image.
Please use the CSS float property. The align attribute is deprecated in HTML 4, and not supported in HTML5.
| Jill | Smith | 50 |
| Eve | Jackson | 94 |
| Jill | Smith | 50 |
| Eve | Jackson | 94 |
table, th, td { border: 1px solid black; border-collapse: collapse; }
table, th, td { border: 1px solid black; border-collapse: collapse; } th, td { padding: 15px; }
th { text-align: left; }
table { border-spacing: 5px; }
| Name | Telephone | |
|---|---|---|
| Bill Gates | 555 77 854 | 555 77 855 |
| Name: | Bill Gates |
|---|---|
| Telephone: | 555 77 854 |
| 555 77 855 |
| Month | Savings |
|---|---|
| January | $100 |
| February | $50 |
| Style | Description |
|---|---|
| list-style-type:disc | The list items will be marked with bullets (default) |
| list-style-type:circle | The list items will be marked with circles |
| list-style-type:square | The list items will be marked with squares |
| list-style-type:none | The list items will not be marked |
| Type | Description |
|---|---|
| type="1" | The list items will be numbered with numbers (default) |
| type="A" | The list items will be numbered with uppercase letters |
| type="a" | The list items will be numbered with lowercase letters |
| type="I" | The list items will be numbered with uppercase roman numbers |
| type="i" | The list items will be numbered with lowercase roman numbers |
A block-level element always starts on a new line and takes up the full width available (stretches out to the left and right as far as it can).
Examples of block-level elements:
An inline element does not start on a new line and only takes up as much width as necessary.
This is an inline  element inside a paragraph.
Examples of inline elements:
The
 element is a block-level element that is often used as a container for other HTML elements.
The
 element has no required attributes, but style and class are common.
When used together with CSS, the
 element can be used to style blocks of content:
The  element is an inline element that is often used as a container for some text.
The  element has no required attributes, but style and class are common.
When used together with CSS, the  element can be used to style parts of the text:
HTML5 offers new semantic elements that define different parts of a web page:
|
| Tag | Description |
|---|---|
|  | Defines an HTML document |
|  | Defines the document's body |
|  | Defines the document's head element |
|
 to
 | Defines HTML headings |
|
 | Defines a horizontal line |
|
 | Defines a paragraph |
|
 | Inserts a single line break |
|
 | Defines pre-formatted text |
Below is an alphabetical list of some attributes often used in HTML:
| Attribute | Description |
|---|---|
| alt | Specifies an alternative text for an image, when the image cannot be displayed |
| disabled | Specifies that an input element should be disabled |
| href | Specifies the URL (web address) for a link |
| id | Specifies a unique id for an element |
| src | Specifies the URL (web address) for an image |
| style | Specifies an inline CSS style for an element |
| title | Specifies extra information about an element (displayed as a tool tip) |
| Tag | Description |
|---|---|
|  | Defines bold text |
|  | Defines emphasized text |
|  | Defines italic text |
|  | Defines smaller text |
|  | Defines important text |
|  | Defines subscripted text |
|  | Defines superscripted text |
|  | Defines inserted text |
|  | Defines deleted text |
|  | Defines marked/highlighted text |
| Tag | Description |
|---|---|
|  | Defines an abbreviation or acronym |
| <address> | Defines contact information for the author/owner of a document |
| <bdo> | Defines the text direction |
|
 | Defines a section that is quoted from another source |
|  | Defines the title of a work |
| <q> | Defines a short inline quotation |
| Tag | Description |
|---|---|
|  | Defines programming code |
|  | Defines keyboard input |
| <samp> | Defines computer output |
| <var> | Defines a variable |
|
 | Defines preformatted text |
| Tag | Description |
|---|---|
|


|
OCMockito
|
Defines | |
| #define | MKTMock(aClass) [MKTObjectMock mockForClass:aClass] |
| #define | mock(aClass) MKTMock(aClass) |
| Returns a mock object of a given class. | |
| #define | MKTMockClass(aClass) [MKTClassObjectMock mockForClass:aClass] |
| #define | mockClass(aClass) MKTMockClass(aClass) |
| Returns a mock class object of a given class. | |
| #define | MKTMockProtocol(aProtocol) [MKTProtocolMock mockForProtocol:aProtocol] |
| #define | mockProtocol(aProtocol) MKTMockProtocol(aProtocol) |
| Returns a mock object implementing a given protocol. | |
| #define | MKTMockObjectAndProtocol(aClass, aProtocol) [MKTObjectAndProtocolMock mockForClass:aClass protocol:aProtocol] |
| #define | mockObjectAndProtocol(aClass, aProtocol) MKTMockObjectAndProtocol(aClass, aProtocol) |
| Returns a mock object of a given class that also implements a given protocol. | |
| #define | MKTGiven(methodCall) MKTGivenWithLocation(self, __FILE__, __LINE__, methodCall) |
| #define | given(methodCall) MKTGiven(methodCall) |
| Enables method stubbing. | |
| #define | MKTVerify(mock) MKTVerifyWithLocation(mock, self, __FILE__, __LINE__) |
| #define | verify(mock) MKTVerify(mock) |
| Verifies certain behavior happened once. | |
| #define | MKTVerifyCount(mock, mode) MKTVerifyCountWithLocation(mock, mode, self, __FILE__, __LINE__) |
| #define | verifyCount(mock, mode) MKTVerifyCount(mock, mode) |
| Verifies certain behavior happened a given number of times. | |
| #define | times(wantedNumberOfInvocations) MKTTimes(wantedNumberOfInvocations) |
| Verifies exact number of invocations. | |
| #define | never() MKTNever() |
| Verifies that interaction did not happen. | |
| #define | atLeast(minimumWantedNumberOfInvocations) MKTAtLeast(minimumWantedNumberOfInvocations) |
| Verifies minimum number of invocations. | |
| #define | atLeastOnce() MKTAtLeastOnce() |
| Verifies that interaction happened once or more. | |
Functions | |
| OBJC_EXPORT MKTOngoingStubbing * | MKTGivenWithLocation (id testCase, const char *fileName, int lineNumber,...) |
| OBJC_EXPORT id | MKTVerifyWithLocation (id mock, id testCase, const char *fileName, int lineNumber) |
| OBJC_EXPORT id | MKTVerifyCountWithLocation (id mock, id mode, id testCase, const char *fileName, int lineNumber) |
| OBJC_EXPORT id | MKTTimes (NSUInteger wantedNumberOfInvocations) |
| OBJC_EXPORT id | MKTNever (void) |
| OBJC_EXPORT id | MKTAtLeast (NSUInteger minimumWantedNumberOfInvocations) |
| OBJC_EXPORT id | MKTAtLeastOnce (void) |
| #define atLeast | ( | minimumWantedNumberOfInvocations | ) | MKTAtLeast(minimumWantedNumberOfInvocations) |
Verifies minimum number of invocations.
The verification will succeed if the specified invocation happened the number of times specified or more. Example:
[verifyCount(mockObject, atLeast(2)) someMethod:@"some arg"];
(In the event of a name clash, don't \#define @c MOCKITO_SHORTHAND and use the synonym @c MKTAtLeast instead.)
| #define atLeastOnce | ( | ) | MKTAtLeastOnce() |
Verifies that interaction happened once or more.
Example:
[verifyCount(mockObject, atLeastOnce()) someMethod:@"some arg"];
(In the event of a name clash, don't \#define @c MOCKITO_SHORTHAND and use the synonym @c MKTAtLeastOnce instead.)
Enables method stubbing.
Use given
when you want the mock to return particular value when particular method is called.
Example:
See MKTOngoingStubbing for other methods to stub different types of return values.
(In the event of a name clash, don't #define MOCKITO_SHORTHAND
and use the synonym MKTGiven
instead.)
| #define MKTGiven | ( | methodCall | ) | MKTGivenWithLocation(self, __FILE__, __LINE__, methodCall) |
| #define MKTMock | ( | aClass | ) | [MKTObjectMock mockForClass:aClass] |
| #define MKTMockClass | ( | aClass | ) | [MKTClassObjectMock mockForClass:aClass] |
| #define MKTMockObjectAndProtocol | ( | aClass, | |
| aProtocol | |||
| ) | [MKTObjectAndProtocolMock mockForClass:aClass protocol:aProtocol] |
| #define MKTMockProtocol | ( | aProtocol | ) | [MKTProtocolMock mockForProtocol:aProtocol] |
| #define MKTVerify | ( | mock | ) | MKTVerifyWithLocation(mock, self, __FILE__, __LINE__) |
| #define MKTVerifyCount | ( | mock, | |
| mode | |||
| ) | MKTVerifyCountWithLocation(mock, mode, self, __FILE__, __LINE__) |
Returns a mock object of a given class.
(In the event of a name clash, don't #define MOCKITO_SHORTHAND
and use the synonym MKTMock
instead.)
| #define mockClass | ( | aClass | ) | MKTMockClass(aClass) |
Returns a mock class object of a given class.
(In the event of a name clash, don't #define MOCKITO_SHORTHAND
and use the synonym MKTMockClass
instead.)
| #define mockObjectAndProtocol | ( | aClass, | |
| aProtocol | |||
| ) | MKTMockObjectAndProtocol(aClass, aProtocol) |
Returns a mock object of a given class that also implements a given protocol.
(In the event of a name clash, don't #define MOCKITO_SHORTHAND
and use the synonym MKTMockObjectAndProtocol
instead.)
| #define mockProtocol | ( | aProtocol | ) | MKTMockProtocol(aProtocol) |
Returns a mock object implementing a given protocol.
(In the event of a name clash, don't #define MOCKITO_SHORTHAND
and use the synonym MKTMockProtocol
instead.)
Verifies that interaction did not happen.
Example:
[verifyCount(mockObject, never()) someMethod:@"some arg"];
(In the event of a name clash, don't #define MOCKITO_SHORTHAND
and use the synonym MKTNever
instead.)
Verifies exact number of invocations.
Example:
[verifyCount(mockObject, times(2)) someMethod:@"some arg"];
(In the event of a name clash, don't \#define @c MOCKITO_SHORTHAND and use the synonym @c MKTTimes instead.)
Verifies certain behavior happened once.
@c verify checks that a method was invoked once, with arguments that match given OCHamcrest matchers. If an argument is not a matcher, it is implicitly wrapped in an @c equalTo matcher to check for equality. Examples:
@c verify(mockObject) is equivalent to
verifyCount(mockObject, times(1))
(In the event of a name clash, don't \#define @c MOCKITO_SHORTHAND and use the synonym @c MKTVerify instead.)
| #define verifyCount | ( | mock, | |
| mode | |||
| ) | MKTVerifyCount(mock, mode) |
Verifies certain behavior happened a given number of times.
Examples:
[verifyCount(mockObject, times(5)) someMethod:@"was called five times"]; [verifyCount(mockObject, never()) someMethod:@"was never called"];
@c verifyCount checks that a method was invoked a given number of times, with arguments that match given OCHamcrest matchers. If an argument is not a matcher, it is implicitly wrapped in an @c equalTo matcher to check for equality. (In the event of a name clash, don't \#define @c MOCKITO_SHORTHAND and use the synonym @c MKTVerifyCount instead.)
| OBJC_EXPORT id MKTAtLeast | ( | NSUInteger | minimumWantedNumberOfInvocations | ) |
| OBJC_EXPORT id MKTAtLeastOnce | ( | void | ) |
| OBJC_EXPORT MKTOngoingStubbing* MKTGivenWithLocation | ( | id | testCase, |
| const char * | fileName, | ||
| int | lineNumber, | ||
| ... | |||
| ) |
| OBJC_EXPORT id MKTNever | ( | void | ) |
| OBJC_EXPORT id MKTTimes | ( | NSUInteger | wantedNumberOfInvocations | ) |
| OBJC_EXPORT id MKTVerifyCountWithLocation | ( | id | mock, |
| id | mode, | ||
| id | testCase, | ||
| const char * | fileName, | ||
| int | lineNumber | ||
| ) |
| OBJC_EXPORT id MKTVerifyWithLocation | ( | id | mock, |
| id | testCase, | ||
| const char * | fileName, | ||
| int | lineNumber | ||
| ) |


| Simplicity |
| • Perception of surveillance staff on identification of cases |
Number of surveillance staff within each reported category [very difficult (VD), difficult (D), easy (E), very easy (VE)] / Number of surveillance staff interviewed |
Questionnaire survey among surveillance staff at sentinel sites |
VD: 9.3% |
3 |
| D: 7.0% |
| E: 27.9% |
| VE: 55.8% |
| • Perception of surveillance staff on obtaining consent |
Number of surveillance staff within each reported category [very difficult (VD), difficult (D), easy (E), very easy (VE)] / Number of surveillance staff interviewed |
Questionnaire survey among surveillance staff at sentinel sites |
VD: 4.6% |
3 |
| D: 13.3% |
| E: 35.6% |
| VE: 46.5% |
| • Perception of surveillance staff on completing the CIF |
Number of surveillance staff within each reported category [very difficult (VD), difficult (D), easy (E), very easy (VE)] / Number of surveillance staff interviewed |
Questionnaire survey among surveillance staff at sentinel sites |
VD: 0.0% |
3 |
| D: 0.0% |
| E: 27.9% |
| VD: 72.1% |
| • Perception of surveillance staff on sample collection |
Number of surveillance staff within each reported category [very difficult (VD), difficult (D), easy (E), very easy (VE)] / Number of surveillance staff interviewed |
Questionnaire survey among surveillance staff at sentinel sites |
VD: 0.0% |
3 |
| D: 5.7% |
| E: 80.0% |
| VE: 14.3% |
| • Perception of surveillance staff on packaging and storage of samples |
Number of surveillance staff within each reported category [very difficult (VD), difficult (D), easy (E), very easy (VE)] / Number of surveillance staff interviewed |
Questionnaire survey among surveillance staff at sentinel sites |
VD: 0.0% |
3 |
| D: 0.0% |
| E: 20.9% |
| VE: 79.1% |
| • Perception of surveillance staff on completing the screening/enrollment logbook |
Number of surveillance staff within each reported category [very difficult (VD), difficult (D), easy (E), very easy (VE)] / Number of surveillance staff interviewed |
Questionnaire survey among surveillance staff at sentinel sites |
VD: 0.0% |
3 |
| D: 0.0% |
| E: 72.4% |
| VE: 27.6% |
| • Time to enroll a SARI/ILI case from patient’s identification to the sample packaging |
Number of surveillance staff within each reported category (< 30 min, 30–60 min, > 60 min) / Number of surveillance staff interviewed |
Questionnaire for surveillance staff at sentinel sites |
< 30: 68.6% |
2 |
| 30–60: 20.0% |
| > 60: 11.4% |
| Acceptability |
| • Proportion of surveillance staff that is satisfied with the weekly bulletins |
Number of surveillance staff within each reported category [not satisfied (NS), poorly satisfied (PS), satisfied (S), very satisfied (VS)] / Number of surveillance staff interviewed |
Questionnaire for surveillance staff at sentinel sites |
NS: 0.0% |
3 |
| PS: 0.0% |
| S: 25.6% |
| VS: 74.4% |
| • Proportion of surveillance staff that is satisfied with the feedback of laboratory results |
Number of surveillance staff within each reported category [not satisfied (NS), poorly satisfied (PS), satisfied (S), very satisfied (VS)] / Number of surveillance staff interviewed |
Questionnaire for surveillance staff at sentinel sites |
NS: 0.0% |
3 |
| PS: 9.3% |
| S: 69.8% |
| VS: 20.9% |
| • Proportion of time allocated to influenza surveillance activities per week |
Number of hours allocated to influenza surveillance activities per week / Number of working hour per week |
Questionnaire for surveillance staff at sentinel sites |
22.5% |
3 |
| • Number of ILI/SARI patients enrolled per day |
Number of surveillance staff within each reported category [≤5 patients (≤5), 6–10 patients (6–10), > 10 (> 10)] / Number of surveillance staff interviewed |
Questionnaire for surveillance staff at sentinel sites |
≤5: 95.2% |
3 |
| 6–10: 3.2% |
| > 10: 1.2% |


{% extends "app/layout.html" %} {% block content %}
Music Store is a fun Django app created while learning Django from a really awesome course on Microsoft Virtual Academy (MVA) about Django. Django is a free web framework for building great Web sites and Web applications using HTML, CSS and JavaScript.
This is a really tiny Music Store app created in Django and uses SQLLite database, which stores and manages records of various artists and albums. The database has 2 tables, Artist table and Albums table. You need to login to add artists (albums coming soon!) and also to view all artists. The functionalities currently implemented are -


Engineers’ Week consists of various, individual events hosted over the course of a week in February. These events range from E-Fair, the biggest showcase of engineering disciplines in Florida, to E-Fest, complete with a concert and other fun games geared to the interest of students at UF. All events are free and open to the public.
Each year, approximately 40 different societies on campus unite to plan and execute this event. Though the event is hosted by the Benton Engineering Council, the event intends on engaging a diverse assortment of groups including general public to elementary school children to students at UF of all majors and interests
Donators will receive different benefits depending on the donation. These vary from being listed as a sponsor, to having a team member assigned as your liason. We have always pushed for sustainability, even before Engineers’ Week 2012 was the first certified Green Event in University of Florida’s history, All contributions aid us in this mission.


Jay Green
Treasurer
Jay joined the board in the fall of 2011 after being involved as a volunteer counselor at Camp to Belong MA since 2009 and participating in many Sibling Connections fundraising events. He graduated from Boston College in 2004 with a BA in History and went on to earn a Master of Science in Accounting from Boston College in 2005. Following Boston College, Jay joined KPMG’s audit practice working with many large companies such as Dunkin’ Brands, Sarepta Therapeutics, Albany Molecular Research, Inc. and Reebok. He is currently a Senior Manager at KPMG and resides in Milton, MA, with his wife Ashley and his growing family.


Ruth Bader Ginsburg Is Back on the Bench After Missing Supreme Court Arguments for Stomach Bug
by Associated Press(WASHINGTON) — Justice Ruth Bader Ginsburg is back on the Supreme Court bench after missing time last week with what the court described as a stomach bug.
The 86-year-old Ginsburg climbed the three steps and took her seat for a brief court session Monday. She was absent when the justices last met in public, to hear arguments on Wednesday.
Ginsburg has been treated for cancer twice in the past year, including receiving radiation for a tumor on her pancreas over the summer. She missed court sessions in January during her recovery from lung cancer surgery.
Those were her first absences from court arguments in a quarter-century as a justice.


Both the rate of invasion and the rate of extinctionvary greatly among different plant species. Pioneer species—those that occur only in the earliest stag.
方案
Both the rate of invasion and the rate of extinctionvary greatly among different plant species. Pioneer species—those that occur only in the earliest stag.


Rene Favaloro was born on July 14, 1923, in La Plata, the capital city in the Province of Buenos
Aires. His father was Juan B. Favaloro, a carpenter, and his mother was Ida Y Raffaelli, a
dressmaker. He had a brother, who also became a surgeon.
From an early age Favaloro had a passion for football, though he never considered making a
career out of it. It was an uncle who was a physician who inspired the boy to become a doctor.
In 1941 he received his bachelor’s degree from Rafael Hernández National College, after which he
joined the Argentine Army, to serve during the World War II. After being discharged as a
Lieutenant in 1945, he started his medical studies at the University of La Plata. He received
his degree in 1949, following which he went to Polyclinical Hospital in La Plata to serve an
internship.
Career:
Rene Favaloro had to move to Jacinto Arauz, a poor village situated around 300 miles away from
La Plata, to take the place of a country surgeon who had fallen ill. Soon he became interested
in developments in cardiovascular intervention and also developed an interest in thoracic
surgery.
During one visit to La Plata, he met Professor Mainetti who suggested to him to go to Cleveland
Clinic in the United States. Since Favaloro was working in a rural area, he initially hesitated,
but later realized that upon his return from the United States, he would be able to contribute
much more to his country and community. Thus he went to the US.
At Cleveland Clinic, he served as apprentice to Dr. Delos M. Cosgrove, who was also the
co-chairperson of the center. He also studied with Mason Sones, who is considered the father of
coronary cineangiography.
In 1967, Rene Favaloro performed heart bypass operation on a 51-year-old woman. Though two other
surgeons, Dr. David Sabiston and Dr. Garrett, had performed heart bypass surgeries earlier,
neither of the operations had been reported in a medical journal. Thus Favaloro’s surgery became
the first planned heart bypass operation to be reported.
Favaloro’s technique involved first stopping the heart and then taking a section of vein from
the leg of the patient. After that, one end was sewed into the aorta while the other end was
attached to the blocked artery. This technique, which was the fundamental work of Favaloro’s
career, became quite famous, and within a year 171 surgeries were performed at the Cleveland
Clinic alone. Later, it became a standard procedure for heart bypass surgeries.
In 1971, he gave up his career in Cleveland Clinic and returned to Argentina as he had always
wanted to serve the people of his country. He soon realized the importance of having an
institution of similar excellence to Cleveland Clinic and began collecting funds.
In 1975, he established the famous Favaloro Foundation with the support of the Cleveland Clinic.
He not only trained doctors from all over Argentina as well as the Americas, but also conducted
several courses, seminars and conferences, to improve the level of standard of his institution.
The ‘Basic Investigation Laboratory’ was established by him in 1980, which was financed with his
own money. Later, in 1992, the ‘Favaloro Foundation Institute of Cardiology’ was also opened in
Buenos Aires. It started providing highly specialized services in the fields of cardiology,
cardiovascular surgery, as well as heart, lung, and bone marrow transplants along with many
other areas.
Rene Favaloro operated on the famous businessman cum boxing promoter Tito Lectoure in 1990. He
also performed numerous bypass surgeries on poor and needy patients for free, though the costs
were extremely high. He felt that for him, it was a moral obligation.
He strongly emphasized on the prevention of diseases and spread awareness on how following basic
rules of hygiene would help in reducing diseases as well as the mortality rate. His institution,
to fulfill his objective, used to have illness detection and prevention programs. Because of
their skilled professionals, specialized technology, and medical ethics, the Favaloro Foundation
still stands as one of the largest institutes for cardiology all over the Americas.
Major Works:
Rene Favaloro wrote several books during his career. ‘Surgical Treatment of Coronary
Arteriosclerosis’ can be regarded as one of his most famous works. This book focuses on his
famous technique which he had invented for heart bypass surgery.
'Memories of a Rural Doctor' was another one of his well-known works. In it, he mainly discusses
his career while working in the village Jacinto Arauz, and the sad life of the people there, and
how he worked hard to improve their lifestyle.
Personal Life & Legacy:
In 1951 Rene Favaloro married Maria Antonia Delgado, with whom he had a relationship since they
were in high school. They shared a happy and peaceful life. However, they didn’t have any
children.
Favaloro was quite frustrated at the state of the world. He realized that though his interest
was only in curing people and creating a better world, he still didn’t receive the necessary
support or funds from the governmental agencies for this noble endeavor. Disillusioned and sad,
he shot himself dead at his home in Buenos Aires on July 29, 2000. The whole country was
aggrieved at his death.
"The death of René Gerónimo Favaloro on 29 July 2000, at the age of 77, leaves a void in the field of
cardiovascular surgery: we have lost one of our most respected and significant contributors.
Although he was always hesitant to carry the moniker of “father” of coronary artery bypass surgery,
he is the surgeon we should credit with introducing coronary bypass surgery into the clinical arena.
Indeed, Dr. Favaloro's pioneering contributions to cardiovascular surgery will be an enduring legacy
to his homeland of Argentina and to humanity." - Denton A. Cooley, MD | Texas Heart Institute
Journal
If you have time, you should read more about this incredible human being on his
Wikipedia entry.


| ps_connections {ps} | R Documentation |
For a zombie process it throws a zombie_process
error.
ps_connections(p = ps_handle())
p |
Process handle. |
Data frame, or tibble if the tibble package is available, with columns:
fd
: integer file descriptor on POSIX systems, NA
on Windows.
family
: Address family, string, typically AF_UNIX
, AF_INET
or
AF_INET6
.
type
: Socket type, string, typically SOCK_STREAM
(TCP) or
SOCK_DGRAM
(UDP).
laddr
: Local address, string, NA
for UNIX sockets.
lport
: Local port, integer, NA
for UNIX sockets.
raddr
: Remote address, string, NA
for UNIX sockets. This is
always NA
for AF_INET
sockets on Linux.
rport
: Remote port, integer, NA
for UNIX sockets.
state
: Socket state, e.g. CONN_ESTABLISHED
, etc. It is NA
for UNIX sockets.
Other process handle functions:
ps_children()
,
ps_cmdline()
,
ps_cpu_times()
,
ps_create_time()
,
ps_cwd()
,
ps_descent()
,
ps_environ()
,
ps_exe()
,
ps_handle()
,
ps_interrupt()
,
ps_is_running()
,
ps_kill()
,
ps_memory_info()
,
ps_name()
,
ps_num_fds()
,
ps_num_threads()
,
ps_open_files()
,
ps_pid()
,
ps_ppid()
,
ps_resume()
,
ps_send_signal()
,
ps_shared_libs()
,
ps_status()
,
ps_suspend()
,
ps_terminal()
,
ps_terminate()
,
ps_uids()
,
ps_username()
p <- ps_handle() ps_connections(p) sc <- socketConnection("httpbin.org", port = 80) ps_connections(p) close(sc) ps_connections(p)


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Fortnite Will Show an Exclusive Star Wars Scene This Weekend
by Alistair JonesI’m still trekking across the galaxy with Cal Kestis and pals in Jedi: Fallen Order, which means that the upcoming release of The Rise of Skywalker has largely snuck up on me. To help boost the hype, however, Fortnite will be showing off an exclusive scene from the movie at its in-game cinema.
In a tweet over the weekend, the battle royale’s official account confirmed that the Stormtrooper and Star Destroyer appearances would be followed up by the scene premiere on December 14. The event will take place at Risky Reels, Fortnite’s drive-in movie theatre, at 7pm GMT, but doors will open 30 minutes beforehand.
The poster also confirms the involvement of director J.J. Abrams, but it’s in no way clear exactly what role he’ll be playing in proceedings.
Fortnite’s had its fair-share of movie tie-ins, from The Avengers to Wreck-It Ralph, but this event seems to have more in common with February’s Marshmello concert. That’s supposed to have attracted more than ten million concurrent players, so it’ll be interesting to see how many people show up to Risky Reels this weekend - Fortnite hasn’t quite hung onto its cultural relevance this year, but I’m going to assume Star Wars has a little more reach than the masked musician.


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