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| compound=(Name of Compounds) |
|---|
| Ethylene oxide |
| Glycidol |
| n-Pentanal |
| Isobutyl acetate |
| β-Butyrolactone |
| 2,3,3-Trimethyl hexane |
| Toluene |
| n-Hexanal |
| Furfural |
| n-Heptanal |
| p-Xylene |
| n-Octanal |
| 2-Phenyl-acetaldehyde |
| p-Cymen-8-ol |
| 4-Thujen-2-alpha-yl acetate |
| Cyclohexane, 3-hexyl |
| 2-Aminoundecane |
| m-Diaminobenzene |
| (+/-)-Norephedrine |
| Thymol acetate |
| Myristicin |
| Elemicin |
| Apiol |
| 3,4-Dimethyl-benzoic acid 4-tert-bytyl-phenyl ester |
| 100 |


As part of PM's efforts to eradicate the practice, the council has introduced mascots to direct offenders to the nearest toilet.
People who attempt to urinate or defecate in public in Delhi's wealthier neighbourhoods may soon find themselves loudly interrupted. The city's municipal council has announced that 28 turbaned, brightly coloured mascots will be deployed across the Lutyens Delhi area to watch for people relieving themselves around railway tracks or slum areas.
If the "Swachh Sewaks" (clean attendants) come across any offenders, they will blow a whistle and direct them to the nearest public toilet.
The practice, stubbornly ingrained in India's rural culture in particular, is the main factor in the country's high rate of diarrhoea-related deaths among children aged five and under. About 188,000 die each year from conditions linked to frequent bouts of diarrhoea, which weakens their immune systems and makes them more vulnerable to malnutrition and diseases such as polio or pneumonia.
Public defecation also contributes to crimes against women, who, for reasons of modesty, will usually venture out to relieve themselves early in the morning or late at night - making them more vulnerable to attackers. Police in Bihar said two years ago that about 400 rape cases in the state might have been prevented if the women had had toilets in their homes.


All modules for which code is available
collections.abc
collections_extended
collections_extended.bags
collections_extended.bijection
collections_extended.indexed_dict
collections_extended.range_map
collections_extended.setlists
Extra Python Collections - bags (multisets), setlists (ordered sets) and RangeMap
View on PyPI
Star
Navigation
Getting Started
setlists
bags (Multisets)
range_map
bijection
IndexedDicts
Sentinel
Collection Factory
Contributing
Change Log
General Index
Module Index
Related Topics
Documentation overview
Quick search


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Arduino Due
The Arduino Due is a microcontroller board based on the Atmel SAM3X8E ARM Cortex-M3 CPU (datasheet). It is the first Arduino board based on a 32-bit ARM core microcontroller. It has 54 digital input/output pins (of which 12 can be used as PWM outputs), 12 analog inputs, 4 UARTs (hardware serial ports), a 84 MHz clock, an USB OTG capable connection, 2 DAC (digital to analog), 2 TWI, a power jack, an SPI header, a JTAG header, a reset button and an erase button.The board contains everything needed to support the microcontroller; simply connect it to a computer with a micro-USB cable or power it with a AC-to-DC adapter or battery to get started. The Due is compatible with all Arduino shields that work at 3.3V and are compliant with the 1.0 Arduino pinout.
Raspberry Pi
The Raspberry Pi is a single-board computer developed in the UK by the Raspberry Pi Foundation . The Raspberry Pi is a credit-card sized computer that plugs into your TV and a keyboard. It’s a capable little PC which can be used for many of the things that your desktop PC does, like spreadsheets, word-processing and games. It also plays high-definition video. The design is based around a Broadcom BCM2835 SoC, which includes an ARM1176JZF-S 700 MHz processor, VideoCore IV GPU, and 512 Megabytes of RAM. The design does not include a built-in hard disk or solid-state drive, instead relying on an SD card for booting and long-term storage. This board is intended to run Linux kernel based operating systems.
Atmega 16
The high-performance, low-power Atmel 8-bit AVR RISC-based microcontroller combines 16KB of programmable flash memory, 1KB SRAM, 512B EEPROM, an 8-channel 10-bit A/D converter, and a JTAG interface for on-chip debugging. The device supports throughput of 16 MIPS at 16 MHz and operates between 4.5-5.5 volts. By executing instructions in a single clock cycle, the device achieves throughputs approaching 1 MIPS per MHz, balancing power consumption and processing speed.
Magnetometer
Description: This is Honeywell’s HMC5883L, a 3-axis digital magnetometer designed for low-field magnetic sensing. The sensor has a full-scale range of ±8 Guass and a resolution of up to 5 milli-Gauss.Supplied voltage should be between 2.16 and 3.6VDC.Communication with the HMC5883L is simple and all done through an I2C interface. All registers and operating modes are well described in the datasheet below.Comes in a low-height, LCC surface mount package. For a breakout board, see below.Features:Simple I2C interface,2.16-3.6VDC supply range,Low current draw,5 milli-gauss resolution,Dimensions: 3.0x3.0x0.9mm.
Encoders
Description: This 1024 pulse per rotation rotary encoder outputs gray code which you can interpret using a microcontroller and find out which direction the shaft is turning and by how much. This allows you to add feedback to motor control systems. Encoders of this kind are often used in balancing robots and dead reckoning navigation but it could also be used as a very precise input knob. Features:Resolution: 1024 Pulse/Rotation,Input Voltage: 5 - 12VDC,Maximum Rotating Speed: 6000rpm,Allowable Radial Load: 5N,Allowable Axial Load: 3N,Cable Length: 50cm,Shaft Diameter: 6mm
Microcontroller Board
The Arduino duemilanove ATmega2560 is a low-power CMOS 8-bit microcontroller based on the AVR enhanced RISC architecture. By executing powerful instructions in a single clock cycle, the ATmega 2560achieves throughputs approaching 1 MIPS per MHz allowing the system designer to optimize power consumption versus processing speed. It also possesses a large 256 kb of flash and 83 data lines which played a key role in driving many peripherals like motor drivers ,sensors etc.
Line Sensor
Line sensors are used for sensing white line on dark surface or black line on light surface. This line sensor board has seven line sensors connected together. These sensors working together can follow any curved or zigzag path. The multiple sensors can even detect nodes and move on the maze of white or black lines. Line sensor consists of high intensity red LED for illumination and directional photo transistor for line sensing. Phototransistor consists of a photo transistor and convex lens. Because of the precise alignment between lens and photo transistor it has a very narrow viewing angle of 5 degrees. This makes the line sensor highly immune to ambient light. This sensor gives 0.18 volts on bright surface and gives 2.2V or more on the dark surface. Its output is analog in nature. Because of analog output one can write complex algorithm to follow white line using microcontroller
H Bridge Motor Driver
An H-bridge is an electronic circuit which enables a voltage to be applied across a load in either direction. These circuits are often used in robotics and other applications to allow DC motors to run forwards and backwards
Batteries
Because we had to access many sensors & drives, we found it best to use multiplexers in our pcbs. this made our number of read strobes vastly increase. ICs used were 1>4067 analogue multiplexer (16 channel to 1) 2> 75hc15n digital multiplexer (8 channel to 1
PCB's
Because we had to access many sensors & drives, we found it best to use multiplexers in our pcbs. this made our number of read strobes vastly increase. ICs used were 1>4067 analogue multiplexer (16 channel to 1) 2> 75hc15n digital multiplexer (8 channel to 1)
Sensors
Since we had to perform many challenging tasks involving pole detection, accurate turning , motion detection etc we used sharp sensors, bump sensors and a mems gyroscope
Sharp Sensors
These advanced proximity sensors are used to detect objects nearby on the basis of IR reflection and an onboard dsp converts the distance into an analog signal read by our microcontroller
Bump Sensors
These are basically tactile switches which we used to detect nearby approaching objects. used mostly in closed loop movement
Gyroscope
This year we have moved on to a very sophisticated gyroscope based motion system where in a small micro machined device(used in modern gaming devices) determines the angular velocity and thus the angle translated.
PS3 Gamepad
We used a PS3 remote to operate our Manual Robot. The manual robot was actually the same robot which was used to build the khafraa pyramid by burning a different program in the microcontroller. This different program made Arduino to read values from the PS3 gamepad. The PS3 was connected to the microcontroller with the help of an Arduino USB module.
Arduino USB Module
The Arduino USB module makes Arduino Duemilanove capable of reading the Serial values sent via USB port from the PS3 remote. There is separate library to use this PS3 with the help of Arduino USB module. So, USB cable from the PS3 is connected to this USB module which in turn connected to Arduino in which respective instructions can be given as per input from the PS3. This data from the PS3 is then processed in microcontroller to control the speed of the robot using Pulse Width Modulation (PWM). Pulse-width modulation (PWM) of a signal or 27 power source involves the modulation of its duty cycle, to control the amount of power sent to the load. H-Bridges were used to drive the motor


JOHNNY MNEMONIC A film review by Michael John Legeros Copyright 1995 Michael John Legeros
(Tri) Directed by Robert Longo Written by William Gibson, from his short story Cast Keanu Reeves, Dolph Lundgren, Takeshi, Ice-T, Dina Meyer, Udo Kier, Denis Akiyama, Henry Rollins, and Barbara Sukowa. MPAA Rating "R" (presumably for language, violence, and gore) Running Time 100 minutes Reviewed at General Cinemas at Pleasant Valley, Raleigh (28MAY95)
==
We're back in BLADE RUNNER territory with this one, conceptual artist Robert Longo's vision of a William Gibson-inspired future where information is the commodity to kill for. Front and center is Johnny (Keanu Reeves), a "cyber-courier" who smuggles data via a "wet-wired" implant. He's ready to quit the biz and get a portion of his long-term memory restored, but, first, he has to finish one last, dangerous job..
The pressing problem in JOHNNY MNEMONIC is that Keanu Reeves seems to have forgotten how to play an action hero since his stint on SPEED. He's walking wood in a forest of stiffs that includes Henry Rollins, Ice-T, and Dina Meyer. (Dolph Lundgren's street preacher is in an acting category all its own. :-) Without a believable performance between them, all we can do is sit back and watch the atmosphere, which is pretty good in places. The VR sequences are way cool, but the physical FX--such as miniatures and mattes--leave a lot to be desired. Watch out for those bad blue-screens!
We wouldn't mind a minute of JOHNNY MNEMONIC if the action played better. Too bad the debut director isn't very strong in this de- partment.
BOTTOM LINE: YATF (Yet Another Tortured Future). Skip it.
Grade: D+
-- Michael J. Legeros Raleigh, North Carolina
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Igbo community in Liverpool founded in 1935 celebrates their traditional culture
- The Igbo community in Liverpool founded in 1935 always comes together to celebrate their culture with food, dress, and music
- The community makes great effort in making sure that their culture is not lost despite the fact that they are far away from home
- With a community building that was acquired in 1988, the Igbos pass the uniqueness of their roots from generations to generations
Igbos in the UK have created a hub to keep celebrating their culture and ensuring that it is passed on from generations to generations even though they are far from home.
It is in this vein that the Igbo community created a group called Igbo Community in Liverpool which was founded in 1935.
In a video interview with the BBC, the head of the community, Chief Angus Chukwuemeka, said when they get together, it is like home from home as they eat the food peculiar to the culture, dance to their music, and dress in Igbo attire.
One of the food items that is served to visitors to remind them of home is the snack unique to the Nigerian culture called buns.
“I am very excited about what is happening tonight. We’re bringing all the Igbos together: men, women, children, young people. That’s the key, so that we work together in the interest of the community,” he said.
Chief Chukwuemeka also mentioned how they will be using their coming together to talk about the community’s centre that has been in great disuse.
He added that the centre, which was acquired in 1988, is very much important to them because it serves as a point that brings the whole Igbos together.
The chief of the community said that when the centre was still used, it served as a place where they club and perform other social activities to promote communality.
According to the head of the Igbo group in Liverpool, they are working towards stirring everybody interested in reviving the building.
Scores of kidnappers killed after gun battle with hunters in Taraba state
“The plan is to get everybody interested and then commit ourselves to raising funds but everybody has to be involved in it,” he said.
One of the members of the community in Liverpool also emphasized the need for Igbos to always come together in Liverpool and the effect it has on their culture.
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“As Igbos, we have our own separate culture which is very unique and personal, and important to us. Even our kids who are born here, they have two cultures: the English culture and the traditional Igbo culture.
“So when we come together like this, it helps them to understand. It’s also good for them to identify who they are, and identify with their people….,” she said
Meanwhile, Legit.ng earlier reported that there are about 380,785 Americans with Nigerian roots as Texas, Maryland, New York, and California have 60,173, 31,263, 29,619, and 23,302 Nigerians respectively.
Imo state govt makes Igbo language compulsory in schools
NAIJ.com (naija.ng) -> Legit.ng We have upgraded to serve you better
How leaving Nigeria for Canada for 16yrs changed my life | Legit TV


UX and the death of It Seemed Like A Good Idea At The Time
Many businesses suffer from the ‘it seemed like a good idea at the time’ syndrome, where software or features are built on the suggestion of an individual or two. Time and money is spent on implementation, but often the results go by the wayside: never finished for lack of clarity of vision; never used for lack of user interest.
UX methodology avoids ‘ISLAGIATT’ projects.
It starts with the tenet that a business doesn’t necessarily know what its users want. But more than that: users don’t necessarily want what they ask for. That’s not as counter-intuitive as it might seem: though UX is firmly rooted in user evidence, that’s not synonymous with what they say they want.
My favourite example of this is an experiment run by Petter Johansson, a cognitive science researcher at Lund University.  They were asked which face they found more attractive. Unbeknownst to participants, the moderator was a magician who, with slight of hand, presented the participants with the face they rejected. They were then asked to explain their choice.
The choice blindness experiment is a useful lesson for UX practitioners
75% of the time, participants were blind to the mismatch. Furthermore, the majority proceeded to give detailed reasons why they choose that face over the other, one remarking “I prefer blondes” (he’d chosen a brunette). Johansson calls this ‘choice blindness’.
To give another example, perhaps I’m designing the information architecture for a clothing e-commerce site. I present someone with a random list of all clothing categories and I ask them to find ‘shoes’. Understandably, they say – ‘I wish these were in alphabetical order’. However, that doesn’t mean that laying out categories alphabetically is the best approach for the website. What if a visitor wants to find a suitable gift for Christmas, or something cool for summer?
Understanding that users don’t necessarily ask for precisely what they want is a small piece in the long and broad road to great UX.
It’s a process and methodology that gives companies the tools they need to build better software – stuff that users actually want, that will drive businesses forward. It makes sure projects develop in line with user needs, that solve real problems, that tie in with business requirements, and that test assumptions.
Thankfully, the UX method kills ‘ISLAGIATT’.


DESTINY By Harvey Karten, Ph.D. International Films Director: Youssef Chahine Writer: Youssef Chahine, Khaled Youssef Cast: Nour el Cherif, Laila Eloui, Mahmoud Hemeida, Safia El Emary, Mohamed Mounir, Khaled El Nabaoui, Seif Abdel Rahman, Abdallah Mahmoud "Destiny," which takes place in the Andalucia of the 12th century, looks like something that could have been taken from the 10 o'clock CNN news. Its theme is deeply political: a complex struggle between the forces of Islamic fundamentalism and the vigor of moderation over what doctrine will rule over what is now a Spanish province. While the story, transported to the end of the 20th century, could relate to the ongoing civil war in Algeria or the disturbances by extremists in Egypt or the struggle between Muslim fundamentalists in Senegal against the moderate government there, it could also serve as a parable of cult movements here in the United States. Youssef Chahine, known as Egypt's foremost film-maker-- and a prolific one at that--has knocked out quite a few commercial items, but when Gamal Abdul Nasser pushed Pan-Arabism in his bid to rule over the entire Middle East, Chahine directed the nationalistic epic "El Naser Sallah-e- din/Salladin. After Egypt's defeat by Israel in the 1967 war, he continued at the helm of political dramas. "Destiny" could scarcely be called anything but polemical. "Destiny," an Egyptian-France co-production, was filmed in Lebanon and Syria, which look more like the Andalucia of the 12th century than today's province--which is overrun by tourists in search of sun, flamenco, and bullfights and gypsy caves. It centers on the character of Abu ibn Rushd, the Arab philosopher known as Averroes (Nour el Cherif), who, like Socrates in ancient Athens had formed a nucleus of students eager to discuss his teachings and his books. Averroes taught nothing more scandalous--or so we in the West think-- than that the way to treat religion is to combine revelation with reason. What is in the Koran is subject to interpretation, he said, in much the way the Martin Luther later felt that the common people should be able to read and understand the Bible for themselves. For this "heresy," his books were burned, some of his followers went up in smoke, and governments teeted on the edge of oblivion. The young son of the Caliph (Mahmoud Hemeida), a womanizer (Muhamed Mounir) who is at first apolitical, is converted to fundamentalism in just three weeks, a phenomenon made possible by members of an extremist cult who used flattery to persuade him of his "greatness" as a poet. As Andalucia prepared for ideological warfare, Averroes, unable to protect his many books, ultimately laughs at a burning ceremony since, he believed, ideas have wings. Flames cannot stop their flight. What might have been a sober inquiry into the conflict between moderation and fundamentalism combined with striking visuals of the topography and debates among the various sides has instead become a cowboy movie filled with the sorts of characters you find today in light Indian romances. As a swashbuckler, few things in "Destiny" seem right: rather, the picture appears to come at us from a past era when Tom Mix and Gabby Hayes reigned supreme. The songs which are interspersed give a musical-comedy feel to the work, and that's just fine. In a post-screening press conference, director Chahine convinces us that God wants us to be happy, to sing and to dance, and he admits to doing quite a bit of both ever at 4 in the morning. As one of his characters says, "We'll sing day in, day out, for the rest of our lives." If only everyone in the Middle East felt that way! Chahine's heart is in the right place with "Destiny," but the stereotypical portrayals undermine his purport. The film was screened at the 1997 New York Film Festival and awaits a distributor. Not Rated. Running Time: 135 minutes. (C) 1997 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
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- Andrea Authoriser
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One of the men who work at the Good Enough Mine Tour reported an incident when he was invited to join a group in the basement of the Crystal Palace for a ghost hunt after closing hours several years ago. The basement of the Crystal Palace used to connect to one of the mines, but that entrance was walled shut many decades ago. It is believed, though, that spirits from the mine still use the basement of the Crystal Palace as a gathering spot before visiting above ground, so there is a good bit of paranormal activity here. When the ghost hunt began, one person in the group adjusted a large machine sitting on a table against the mine wall that he was using to detect paranormal activity. At any rate, soon after the session began, the Old Tombstone worker heard a voice that quietly whispered in his ear "Get Out." He said that he laughed at that voice, then it repeated the demand but loudly enough for the other people in the room to hear. When he did not move fast enough, he was pushed (or maybe slapped) on his back so hard that it knocked him down. He reported that when he got home a little later his wife noticed a huge hand print in the middle of his back.
Bikers tend to like our town and groups frequently visit. Several years ago, a biker got a bit "fresh" with one of the women working at the Crystal Palace. He later went to the men's room and while he was washing his hands he looked in the mirror above the sink and noticed that a man in period costume was standing behind him. The biker thought that it was a great costume so he turned around to speak to the gentlemen, but no one was there. The biker thought that was very strange and he turned back to the sink to rinse his hands. When he did, he noticed in the mirror that gentleman was now standing just behind him. This time, though, the gentleman reached forward, grabbed the biker's shoulder, and spun him around; but there was no one there. The biker quickly left the building and did not come back. We know that Virgil Earp used to keep the peace in this place using techniques similar to what this biker experienced, he would physically throw misbehaving cowboys out onto the street and tell them to never come back. While we cannot know if this biker actually ran across Virgil, something made him leave the bar and not return. Ever.
Tour Information: The Crystal Palace is on our tour route and I share some of the history and paranormal activity witnessed here as we pass this location.


Tir -- The Paradigm Agnostic Web Framework
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SYNOPSIS
git checkout [-q] [-f] [-m] []
git checkout [-q] [-f] [-m] --detach []
DESCRIPTION
Updates files in the working tree to match the version in the index or the specified tree. If no pathspec was given, git checkout will also update HEAD to set the specified branch as the current branch.
Updates files in the working tree to match the version in the index or the specified tree. If no pathspec was given, git checkout will also update HEAD to set the specified branch as the current branch.
git checkout []
To prepare for working on , switch to it by updating the index and the files in the working tree, and by pointing HEAD at the branch. Local modifications to the files in the working tree are kept, so that they can be committed to the .
If branch is not found but there does exist a tracking branch in exactly one remote (call it remote) with a matching name and --no-guess is not specified, treat as equivalent to
$ git checkout -b --track
You could omit , in which case the command degenerates to "check out the current branch", which is a glorified no-op with rather expensive side-effects to show only the tracking information, if exists, for the current branch.


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Vue cancels Blue Story screenings after '25 significant incidents in 24 hours'
Violence flared during a screening of the gangland film at Birmingham's Star City complex.
Vue today defended its decision to pull gangland film Blue Story from all its cinemas after violence broke out at Birmingham's Star City.
Bosses claim there were 25 "significant incidents" within 24 hours of the film's release in 60 of its cinemas last Friday.
Gangs of youths, some armed with machetes, clashed at the Nechells entertainment complex on Saturday evening and seven police officers were injured in the violence.
Police last night confirmed a sixth teenager had been arrested in connection with the violence that broke out.
WATCH: Footage shows chaos inside Star City
Showcase Cinemas today became the second chain to pull the film from its 21 UK outlets including Dudley's Castlegate Park and Bentley Mill Way, Walsall.
Vue claim the decision to remove the film from its screens was 'not taken lightly' but was taken following a spate of similar incidents.
“The decision to withdraw Blue Story was not one taken lightly or without careful consideration of our experience across the country," a Vue spokesperson said.
"The film opened in 60 of our sites across the UK and Ireland on Friday 22nd November, but during the first 24 hours of the film over 25 significant incidents were reported and escalated to senior management in 16 separate cinemas.
"This is the biggest number we have ever seen for any film in a such a short time frame."
Watch a trailer for Blue Story here:
Vue added: "Despite a range of precautionary measures in place, including increased security, removal of late-night showings and reduced screenings of the film, the decision to withdraw Blue Story in its entirety was made on Saturday evening on grounds of safety alone.
"While we are disappointed that these are the actions we have had to take, we hope it is understandable that we cannot, and will not, take any risks with regard to the welfare and safety of our staff and our customers.
"Unfortunately, the actions of a significant few have spoiled the opportunity for others, but we stand by our decision to withdraw the film from our schedule indefinitely."
Some reports, including comments from social media, have hit out at the decision claiming the ban is discriminatory.
But Vue defended its move, saying: "This decision is not, as some have alleged, based on biased assumptions or concern about the content of the film itself.
"At Vue, we believe passionately in bringing people together and using the power of the big screen experience to entertain, educate and inspire all of our audiences. Blue Story is a fantastic film and one with a very powerful message.
More coverage:
- Mass fight shuts down Star City as teenage machete gang causes chaos at cinema
- Cinema brawl may be worst thing responding officers had seen – police chief
"It is a film that has the opportunity to change lives. We hope that Blue Story achieves the success it deserves and importantly its message does not get lost.”
The move came as Blue Story's writer and director, Andrew Onwubolu, condemned the incident and said that his film was about "love not violence".
Blue Story follows the life of Timmy who lives in Lewisham but goes to school in Peckham and is set against the backdrop of gang rivalry.
Onwubolu, also known as Rapman, described the incident as "truly unfortunate".
Writing on Instagram, he said: "Sending love to all those involved in yesterday's violence at Star City in Birmingham.
"It's truly unfortunate that a small group of people can ruin things for everybody. Bluestory is a film about love not violence."
The film focuses on two friends from different south London postcodes, on rival sides of a street war.
It is rated 15 for very strong language, strong violence, threat, sex, and drug misuse.
Onwubolu added: "I pray that we can all learn to live with love and treat each other with tolerance and respect."
A spokesperson for Showcase said: "Due to the recent incidents tied to screenings of the film "Blue Story", after careful consideration with the film's distributor, Showcase Cinemas has immediately removed the film from our all of our participating cinemas.
"Any guests that have purchased tickets in advance can receive a full refund at the cinema box office.
"We remain in discussions with the distributor with regards to the possibility of re-introducing the film in due course.
"We apologise for any inconvenience but guest safety remains our top priority."
The boy, aged 14, was arrested on suspicion of violent disorder after an image circulated on social media showed a number of youths with one carrying a machete.
It followed earlier arrests of youths including that of a 13-year-old girl.
Four teenagers who were arrested on Saturday night on suspicion of assaulting police, and a fifth held for obstructing police, have now been released on bail with strict conditions.
While in custody, the five, aged 13 to 19, were further arrested on suspicion of violent disorder.
Their bail conditions ban them leaving home at night, and banning them from Star City and any cinema in the UK.
Breach of bail conditions can lead to further arrest, said West Midlands Police
Safety was 'police priority'
Seven officers were injured in the course of quelling trouble among the group of around 100 youths on Saturday.
A dispersal order was put in place allowing officers the power to move crowds on and arrest those who refused.
By 9pm, the area was largely clear, said West Midlands Police.
The officers hurt during the trouble had minor facial injuries.
WATCH: Ch Supt Steve Graham speaks out about the Star City trouble
In addition to the machetes, a knife was recovered from a roundabout near to the venue.
Many families, some of those attending the cinema to watch Disney film Frozen 2, were caught up in the melee.
Supt Ian Green, from Birmingham police, said: “This was a major outbreak of trouble which left families who were just trying to enjoy a night out at the cinema understandably frightened.
“We worked quickly to move the crowds on, but were met with a very hostile response and officers had to draw Tasers to restore order.
“Thankfully, the injuries to our officers were very minor.
"We’ve also recovered two machetes and a knife, and it’s clear that some of those who went to Star City were intent on causing trouble.
“We’ve had a great response from the public who have been very supportive of our officers.
"We understand that families with young children will have been left upset by what they saw, but we urge people to appreciate that our aim last night was to protect the public and restore order, and that’s what we achieved.
“We’re aware of a number of images and videos circulating on social media which appear to show those involved in last night’s violence.
“We are assessing those and have already had a number of phone calls from members of the public giving us the names of people they believe were involved last night.
“I’d ask anyone with images or video who has not yet got in touch already to do so that we can make further arrests.”
Anyone with information can call police via 101, or Crimestoppers anonymously on 0800 555 111.


Deprecated header file that includes net_sockets.h. More...
#include "config.h"
#include "net_sockets.h"
Go to the source code of this file.
Deprecated header file that includes net_sockets.h.
Definition in file net.h.


This short guide focuses on using espnscrapeR
or the nflverse/espnscrapeR-data
repo to access QBR data.
If you have never installed the necessary R packages, go ahead and expand the collapsed section below, otherwise skip ahead to the “Load and Prep” stage.
You’ll need the following packages to get started. Note that as of now, espnscrapeR
is not on CRAN so you’ll need to install it from GitHub as seen below.
install.packages(c("tidyverse", "gt", "remotes"), type = "binary")
remotes::install_github("espnscrapeR")
Go ahead and load the packages to get started.
library(espnscrapeR)
library(tidyverse)
#> ── Attaching packages ─────────────────────────────────────── tidyverse 1.3.1 ──
#> ✓ ggplot2 <IP_ADDRESS>00 ✓ purrr 0.3.4
#> ✓ tibble 3.1.3 ✓ dplyr 1.0.7
#> ✓ tidyr 1.1.3 ✓ stringr 1.4.0
#> ✓ readr 2.0.0 ✓ forcats 0.5.1
#> ── Conflicts ────────────────────────────────────────── tidyverse_conflicts() ──
#> x dplyr::filter() masks stats::filter()
#> x dplyr::lag() masks stats::lag()
library(gt)
You can get the data directly from ESPN’s API.
# season level data (1x row per QB per season)
qbr_2020 <- get_nfl_qbr(2020, week = NA)
#> Scraping QBR totals for 2020!
But it’ll be easier and recommended to just read in the data directly with either nflreadr
or just the raw URL.
nfl_qbr_season <- readr::read_csv("https://raw.githubusercontent.com/nflverse/espnscrapeR-data/master/data/qbr-nfl-season.csv")
nfl_qbr_season <- nflreadr::load_espn_qbr("nfl", seasons = 2006:2020)
This is the QBR values for all QBs at the season level from 2006 to now. The dplyr::glimpse()
function can be used to quickly see the type of the columns (IE numeric, character, etc) and the top few values. You can think of it as a beefed up version of the str()
function.
nfl_qbr_season %>%
glimpse()
#> Rows: 1,102
#> Columns: 23
#> $ season <dbl> 2006, 2006, 2006, 2006, 2006, 2006, 2006, 2006, 2006, 20…
#> $ season_type <chr> "Regular", "Regular", "Regular", "Regular", "Regular", "…
#> $ game_week <chr> "Season Total", "Season Total", "Season Total", "Season …
#> $ team_abb <chr> "IND", "NE", "SD", "CIN", "NO", "BAL", "NYJ", "DAL", "PH…
#> $ player_id <chr> "1428", "2330", "5529", "4459", "2580", "733", "2149", "…
#> $ name_short <chr> "P. Manning", "T. Brady", "P. Rivers", "C. Palmer", "D. …
#> $ rank <dbl> 1.0, 2.0, 3.0, 4.0, 5.0, 6.0, 7.0, 8.0, 9.0, 10.0, 11.0,…
#> $ qbr_total <dbl> 86.4, 68.6, 67.4, 67.1, 66.7, 66.0, 64.2, 63.5, 62.1, 60…
#> $ pts_added <dbl> 85.5, 30.9, 28.2, 29.9, 36.7, 27.2, 20.8, 22.0, 17.2, 8.…
#> $ qb_plays <dbl> 624, 610, 542, 623, 631, 548, 587, 414, 380, 447, 717, 5…
#> $ epa_total <dbl> 108.8, 57.9, 53.0, 58.3, 64.2, 51.8, 47.1, 40.9, 34.9, 2…
#> $ pass <dbl> 96.0, 38.8, 43.1, 43.2, 61.0, 38.2, 27.9, 34.0, 17.1, 17…
#> $ run <dbl> 6.8, 4.3, -0.9, -0.3, -5.2, 8.2, 3.0, -2.9, 9.1, -0.3, 0…
#> $ exp_sack <dbl> 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0,…
#> $ penalty <dbl> 1.1, 2.8, 0.3, 2.5, 0.6, -0.6, 5.2, 0.5, -0.4, 2.4, 3.0,…
#> $ qbr_raw <dbl> 87.4, 67.2, 67.6, 66.4, 69.5, 66.9, 62.3, 67.9, 65.5, 56…
#> $ sack <dbl> -5.0, -12.0, -10.4, -12.9, -7.7, -6.0, -10.9, -9.2, -9.2…
#> $ name_first <chr> "Peyton", "Tom", "Philip", "Carson", "Drew", "Steve", "C…
#> $ name_last <chr> "Manning", "Brady", "Rivers", "Palmer", "Brees", "McNair…
#> $ name_display <chr> "Peyton Manning", "Tom Brady", "Philip Rivers", "Carson …
#> $ headshot_href <chr> "https://a.espncdn.com/i/headshots/nfl/players/full/1428…
#> $ team <chr> "Colts", "Patriots", "Chargers", "Bengals", "Saints", "R…
#> $ qualified <lgl> TRUE, TRUE, TRUE, TRUE, TRUE, TRUE, TRUE, TRUE, TRUE, TR…
We can group_by()
the season and find the median QBR per season.
nfl_qbr_season %>%
group_by(season) %>%
summarize(qbr_median = median(qbr_total), .groups = "drop")
#> # A tibble: 15 × 2
#> season qbr_median
#> <dbl> <dbl>
#> 1 2006 59.8
#> 2 2007 64.4
#> 3 2008 62.5
#> 4 2009 68.2
#> 5 2010 62.0
#> 6 2011 60.5
#> 7 2012 63.5
#> 8 2013 63.8
#> 9 2014 61.8
#> 10 2015 58.3
#> 11 2016 65.0
#> 12 2017 56
#> 13 2018 63.4
#> 14 2019 64.1
#> 15 2020 71.1
We can also group_by()
the season and find the max n
values per season.
top_16_per_yr <- nfl_qbr_season %>%
filter(qb_plays >= 100) %>%
select(season, team_abb, name_short, qbr_total) %>%
# group by season
group_by(season) %>%
# get top 16
slice_max(order_by = qbr_total, n = 16) %>%
# add the grouped median
mutate(qbr_median = median(qbr_total)) %>%
ungroup()
top_16_per_yr
#> # A tibble: 242 × 5
#> season team_abb name_short qbr_total qbr_median
#> <dbl> <chr> <chr> <dbl> <dbl>
#> 1 2006 IND P. Manning 86.4 66.4
#> 2 2006 NE T. Brady 83 66.4
#> 3 2006 IND P. Manning 71.9 66.4
#> 4 2006 NE T. Brady 68.6 66.4
#> 5 2006 SD P. Rivers 67.4 66.4
#> 6 2006 CIN C. Palmer 67.1 66.4
#> 7 2006 PHI J. Garcia 67.1 66.4
#> 8 2006 NO D. Brees 66.7 66.4
#> 9 2006 BAL S. McNair 66 66.4
#> 10 2006 TB T. Rattay 65.2 66.4
#> # … with 232 more rows
We can then visualize this with a quick ggplot
.
top_16_per_yr %>%
ggplot(aes(x = season, y = qbr_total, group = season)) +
geom_boxplot(alpha = 0.5) +
geom_jitter(width = 0.2, alpha = 0.5) +
geom_point(aes(y = qbr_median), color = "red", size = 3) +
theme_minimal()
Alternatively you can also find the median by quarterback.
nfl_qbr_season %>%
filter(qb_plays >= 100) %>%
group_by(name_short) %>%
summarize(
median = median(qbr_total),
years = range(season) %>% paste0(collapse = "-"),
active = if_else(max(season) == 2020, "Active", "Retired"),
.groups = "drop"
) %>%
arrange(desc(median))
#> # A tibble: 135 × 4
#> name_short median years active
#> <chr> <dbl> <chr> <chr>
#> 1 P. Mahomes 80.6 2018-2020 Active
#> 2 P. Manning 76.9 2006-2015 Retired
#> 3 T. Brady 73.9 2006-2020 Active
#> 4 L. Jackson 73.7 2018-2020 Active
#> 5 Q. Gray 73.6 2007-2007 Retired
#> 6 D. Prescott 71.9 2016-2020 Active
#> 7 T. Collins 71.1 2007-2007 Retired
#> 8 D. Brees 70.8 2006-2020 Active
#> 9 D. Watson 70.5 2017-2020 Active
#> 10 A. Rodgers 69.6 2008-2020 Active
#> # … with 125 more rows


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This library interacts with the Alastria Identity smart contracts which are in the alastria-identity repository (https://github.com/alastria/alastria-identity).
This library has three different modules:
If you want to deploy Alastria Identity Smart Contracts on a local network and try this library, please follow the steps described here
If you want to use the library, you must follow the steps of the README.md in Alastria-identity-example
We recommend you to clone both repositories in your working directory.
git clone https://github.com/alastria/alastria-identity-example.git
git clone https://github.com/alastria/alastria-identity-lib.git
Then, you must go to the alastria-identity-example's folder and run the following command
npm install --save github:alastria/alastria-identity-lib.git#develop
This command creates the node_module´s folder.
Now cd node_modules/alastria-identity-lib/src
You can modify the library and go back to the directory "node_modules/alastria-identity-lib" once you are done.
Transpile the library
tsc
Once you have finished you must go to _alastria-identity-example_´s directory.
Now, you can use it from any JavaScript file in your working directory.
You can execute some of our examples by running:
node file_name.js
Or create yours.
This library is using functionality from others.
| Lib | URL |
|---|---|
| web3 | https://www.npmjs.com/package/web3 |
| web3-utils | https://www.npmjs.com/package/web3-utils |
| ethereumjs-tx | https://www.npmjs.com/package/ethereumjs-tx |
| jsontokens-npm | https://www.npmjs.com/package/jsontokens |
Enjoy and contribute!
Generated using TypeDoc


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Write optimizations also creates issues for implementations which require data to be initialized before reading. Every fully standard-conforming C application is such an implementation. Both C90 and C99 allow “trap values”, and therefore conforming applications must be prepared for an uninitialized location to contain one of those. Reading a trap value may cause an abend. (It is safe, in standard-conforming C, to write to a location containing a trap value.)
The requirement that locations be initialized before reading occurs in other implementations. Any implementation that has a “universe” of “safe” values, may require special precautions. The required precautions may amount to a need to initialize “uninitialized” values. A practical example might be an implementation that expects all locations to contain a pointer which it can safely indirect from. In such implementations, just as in standard-conformant C, every stack location needs to be initialized before being read.
Due to write optimizations, an application cannot rely on Libmarpa's step instructions to initialize every stack location before its first read. One way to safely deal with the initialization of stack locations, is to do all of the following:
Applications which try to optimize out some of these initializations need to be aware that an application can never assume that activity in the stack is safely “beyond” an uninitialized location. Libmarpa steps often revisit earlier sections of the stack, and these revisits may include reads of previously unvisited stack locations.


Ihop's Elf on the Shelf Menu For the Holiday Season Is Basically a Kids’ Dream
by Alessia SantoroYour Elf on the Shelf may not have made its first appearance yet this year, but tell your kids they'll still want to make sure they're on the nice list — IHOP is going to have an Elf on the Shelf-themed menu filled with delicious items for your whole crew. From fluffy green Jolly Cakes topped with cream-cheese icing to a delectable hot chocolate topped with marshmallow syrup, whipped cream, and "elf sprinkles," everything on this menu is a serious treat. A bonus? Kids under 12 eat free through the holiday season with the purchase of an adult entrée between the hours of 4 and 10 p.m.
Ahead, get a peek at the menu, which is available now through Jan. 1, 2020, at participating IHOP locations.
Elf on the Shelf Jolly Cakes
Order the Jolly Cakes and get four green pancakes topped with sweet cream-cheese icing, whipped cream, and shimmery elf sprinkles, which resemble elf-size ornaments. The Jolly Cakes are also available as a side dish.
Elf on the Shelf Holiday Ham & Sausage Omelette
Order the Elf on the Shelf Holiday Ham & Sausage Omelette and get a fluffy omelette filled with ham, sausage, peppers, onions, hash browns, jack cheese, and cheddar cheese. It's topped with more diced ham and sausage, cheddar cheese, and white cheddar cheese sauce and served with your choice of side or three pancakes.
Elf on the Shelf Oh What Funnel Cakes
Order the Oh What Funnel Cakes and get two golden, crispy funnel cakes lightly dusted with powdered sugar and topped with glazed strawberries, whipped cream, and elf sprinkles.
Elf on the Shelf Little Elves Combo
The littlest elves can order the Little Elves Combo, which comes with the choice of one Jolly Cake or one Oh What Funnel Cake with one scrambled egg, one bacon strip, and one pork sausage link.
The Entire Elf on the Shelf Menu
The menu also includes the Merry Marshmallow Hot Chocolate with marshmallow topping and elf sprinkles!


To get a list of orders, call the GetOrders
, GetOpenOrders
, or GetOrdersByBrokerageId
method. These method returns a list of
Order
objects.
// Get all completed orders var completedOrders = Transactions.GetOrders(); // Get all completed orders that pass a filter var filteredCompletedOrders = Transactions.GetOrders(x => x.Quantity > 10); // Get a list of all completed orders for a symbol var symbolCompletedOrders = Transactions.GetOrders(x => x.Symbol == symbol); // Get all open orders var openOrders = Transactions.GetOpenOrders(); // Get all open orders that pass a filter var filteredOpenOrders = Transactions.GetOpenOrders(x => x.Quantity > 10); // Get a list of all open orders for a symbol var symbolOpenOrders = Transactions.GetOpenOrders(symbol); // Get all open and completed orders that correspond to an Id that the brokerage assigned in live trading var ordersByBrokerageId = Transactions.GetOrdersByBrokerageId(brokerageId);
# Get all completed orders completed_Orders = self.Transactions.GetOrders() # Get all completed orders that pass a filter filtered_completed_orders = self.Transactions.GetOrders(lambda x: x.Quantity > 10) # Retrieve a list of all completed orders for a symbol symbol_completed_orders = self.Transactions.GetOrders(lambda x: x.Symbol == symbol) # Get all open orders open_orders = self.Transactions.GetOpenOrders() # Get all open orders that pass a filter filtered_open_orders = self.Transactions.GetOpenOrders(lambda x: x.Quantity > 10) # Retrieve a list of all open orders for a symbol symbol_open_orders = self.Transactions.GetOpenOrders(symbol) # Get all open and completed orders that correspond to an Id that the brokerage assigned in live trading orders_by_brokerage_id = self.Transactions.GetOrdersByBrokerageId(brokerageId)
Order
objects have the following attributes:
The OrdersCount
property gets the current number of orders that have been processed.


Before Change
self._flux = self._primary.cast(flux)
if cho_C is not None:
self._cho_C = self._primary.cast(cho_C)
self._C = math.dot(self._cho_C, math.transpose(self._cho_C))
elif C is not None:
self._C = linalg.get_covariance(
self._primary.cast(C), size=self._primary.cast(flux).shape[0]
)
After Change
`cho_C` must be provided.
self._flux = cast(flux)
self._C = Covariance(C=C, cho_C=cho_C, N=self._flux.shape[0])
def solve(self, *, design_matrix=None, t=None):
Solve the least-squares problem for the posterior over maps for all bodies.


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Trump pledged that Amazon would be forced to pay its taxes; thanks to his #taxscam, their profits went up and their taxes stayed $0.00
by Cory DoctorowAmazon's tax bill in 2017 was $0. Trump was very vocal in his disgust at this situation and pledged he would make them pay their fair share. It's been a year, and Amazon's profits are way up ($11.2 billion!) but their tax bill remains precisely $0.00. Thank the #taxscam.
"Amazon pays all the taxes we are required to pay in the U.S. and every country where we operate, including paying $2.6 billion in corporate tax and reporting $3.4 billion in tax expense over the last three years," an Amazon spokesperson said in a statement.
Amazon will pay $0 in taxes on $11,200,000,000 in profit for 2018 [Kristin Myers/Yahoo Finance]
(via Naked Capitalism)


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{% block main %}{% endblock %}
{% block js %} {% endblock %} {% block extrajs %} {% endblock %}


{% assign speaker = site.data.speakers.2019.speakers[5] %}
Each year we meticulously vet and select remarkable speakers to deliver the best talks on web development.
All past speakers{% if site.data.config.isCFPOpen %} Hear our call! {% else %} Even though we do not have an open call for papers, we are always looking to meet gifted speakers. {% endif %} If you are interested in speaking in the next edition of DEVit, feel free to fill this form.
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Only handles the following filter condition 1.
The main purpose of JsonStoreRDD is to be able to create parallel read by partition for dataaccess getAll (by condition) scenarios defaultPartitions : how many partition intent, will be re-calculate based on the value based on total rows and minInPartition / maxInPartition ) maxRowsInPartition: -1 means unlimited
Only handles the following filter condition 1. EqualTo,GreaterThan,LessThan,GreaterThanOrEqual,LessThanOrEqual,In 2. recursive AND of (filters in 1 and AND). Issue: Spark 1.3.0 does not return AND filter instead returned 2 filters


jQuery-Videosync works especially well with Animate.css. Just include animate.css file to your html, choose desired effect on Animate.css, and specify it as 'vs-..-class' attribute: data-vs-in-class="slideInLeft"
It's so simple. Download, add to page, set desired attributes.
Follow on Github: https://github.com/MA3STR0/jquery-videosync
Complete: jquery.videosync.js
Minimized:
jquery.videosync.min.js


12 ANGRY MEN (1957) A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ****
In a time of bloated productions where special effects have become the movies' real stars, going back to a classic like director Sidney Lumet's 12 ANGRY MEN can remind viewers what movie making is supposed to be about -- acting.
12 ANGRY MEN from 1957 focuses the viewers' attention on the drama at hand with few props to distract them. The script by Reginald Rose is firmly rooted in the 1950s, but, like a Shakespearean play, most of the lines reveal deeper meanings and hidden truths. Arguably one of the best early television dramas was the original 1954 "Studio One" version of 12 ANGRY MEN. The only link between the two is Reginald Rose's script which was kept almost totally intact. The cast and the director changed, but the story stayed the same. And what a story. (The Showtime cable network recently remade the story, and, being smart enough to use basically the same script, managed to make an interesting film, albeit not in the same league as the original two.)
Many movies start with promising premises which end up only partially fulfilled, but 12 ANGRY MEN never disappoints. The rich drama with minimalist sets occurs almost completely within the confines of a jury room. The incredibly strong ensemble cast for the jury includes: Henry Fonda, Lee J. Cobb, Ed Begley, E.G. Marshall, Jack Warden, Jack Klugman, Edward Binns, Joseph Sweeney, Martin Balsam, George Voskovec, John Fiedler and Robert Webber. To further minimize distractions, we never learn most of the jurors' names. We know them by their opinions, backgrounds and weaknesses. They have their juror numbers, and that is considered sufficient labeling.
As the story opens, a bored judge in a capital murder case is reading his charge to the jury. When he comes to the part about a reasonable doubt, he repeats it with such an emphasis that he seems to be suggesting that any doubt they may have in their minds about the defendant's guilt is probably not reasonable. Indeed everyone, including the defendant, seems to think the case is hopeless. The accused, played with big, soulful eyes by John Savoca, never speaks, but his sunken, despondent demeanor says it all. The evidence in the case is clear, and as we find out later, his attorney apparently was pretty inept.
Before the jurors start their deliberation, they idle away their time arguing over whether the case was dull or not and over how well the attorneys performed. If you didn't know better, you could assume they were reviewing some movie they had seen. None of them seems to be concerned in the least that the defendant's life is at stake.
Into this sure and certain world comes a voice of caution, someone who is willing to demand that the jurors put a halt to their headlong rush to judgment. This voice of reason comes from a juror played by Henry Fonda, giving a resolute and perfect performance that should have at least gotten him an Academy Award nomination for best actor, but didn't. (Alex Guinness won the best actor award that year for THE BRIDGE ON THE RIVER KWAI. Sidney Lumet was nominated for best director but lost to David Lean for THE BRIDGE ON THE RIVER KWAI. And the best picture award was lost the same way. Easily the biggest shame was that Reginald Rose's script -- an absolute classic -- lost to the excellent but lesser one for THE BRIDGE ON THE RIVER KWAI. Then again, Academy voters do like sweeps.)
Fonda's character votes not guilty on the first ballot, not because he's sure the defendant is innocent, but because he wants to get his fellow jurors to stop and reconsider the merits of the case. The other jurors are aghast that he seems to have forgotten the sure and certain "facts" of the case that prove the defendant's guilt. "Now these are facts," barks an angry juror played by Lee J. Cobb.
Everyone brings their differing lifestyles into the jury room. E.G. Marshall plays a prim and proper Wall Street stockbroker. He ticks off the facts in the case as if he were reading closing stock prices from the newspaper. His studious and ever stern glare cuts down those who disagree with him. And he is the only one who keeps his coat on the entire time -- he claims he never sweats, even in the stiflingly hot jury room. His banker's glasses, one of the film's few props, turn out to be key to the case's solution. With superciliousness, he bemoans slum dwellers such as the defendant, only to find out that another juror, played by Jack Klugman, grew up in the slums and resents the broker's remarks.
Although most jurors are known by the intensity of their convictions, Robert Webber plays someone who works in advertising and views serving on a jury no more seriously that he would concocting a laundry soap jingle. He tries using advertising lingo such as "run this idea up the flagpole and see if anybody salutes it."
After ridicule and scorn by his fellow jurors, Henry Fonda's character suggests a startling compromise. He will abstain from the second ballot, and if they all vote guilty, so will he. But if he has garnered any support for the defendant, then the rest of the jurors have to agree to stay awhile and discuss the case with him. After he wins that round, one by one, the other jurors begin to fall in line behind him, but even if the conclusion is obvious, the way they get there constantly surprises and fascinates.
The beauty of Rose's script is that we come to know each of the jurors by the end of the deliberations. Most writers would gloss over some of them to concentrate on a few, but Rose gives each a unique personality and background. Jack Warden, for example, plays an extroverted marmalade salesman, who made $27,000 last year and has tickets to tonight's ball game burning in his pocket. He wants to vote guilty as quickly as possible so he can get to the ballpark.
Boris Kaufman's intimate, black-and-white cinematography makes each member of the audience feel like a 13th juror. And the wailing, solo flute music by Kenyon Hopkins provides a somber atmosphere without ever overpowering.
My only complaint with Lumet's direction is that the last holdout for guilty is allowed to convert all too abruptly. Nevertheless, 12 ANGRY MEN is a nearly perfect drama to be savored by generation after generation.
12 ANGRY MEN runs 1:36. It is not rated but would be PG for mature themes. The show would be fine for any child old enough to be interested in such a serious story. I give the film my top recommendation and rating of ****.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: September 13, 1997
Opinions expressed are mine and not meant to reflect my employer's.
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