Written by: Shana Goldberg-Meehan
Transcribed by: Eric Aasen
With Help from: Aaron Howard-Miller
[Scene: Chandler and Monicas, Chandler is sitting at the kitchen table eating cheesecake. The box it came in is also on the table.]
Chandler: Ohh. Mmm.
Rachel: (Comes in the front door and walks towards the kitchen.) Hi.
Chandler: Hey, you have got to try this cheesecake.
Rachel: Oh, yknow I'm not that much of a sweet tooth. I(Chandler puts a forkful of the cheesecake in her mouth.)Wow. My God, so creamy. Oh my God, this is the best cheesecake I have ever had. Where did you get this? (She reaches over to look at the label on the box.)
Chandler: (nervously) It was at the front door. When I got home. Somebody sent it to us.
Rachel: Chandler, this is not addressed to you. This is addressed to Mrs. Braverman downstairs. (Gasping) Thief.
Chandler: Ino! I didn't read the box before I opened it. And you can't return a box after you've opened the box.
Rachel: Why, why not?
Chandler: Because it's too delicious.
Rachel: Chandler, you stole this cheesecake. That is wrong.
Chandler: No-no-no! It is going to be okay, because Mrs. Braverman is gonna send away for a free one and that way we all win!
Rachel: (taking a bite) Oh, Im sorry what?
Opening Credits
[Scene: Central Perk, everyone except Rachel is there as Joey gets up and starts putting on his coat.]
Joey: All right, I should get going, big day a work. Yknow Im in a coma? Today, they do this test on me and it turns out Im not brain dead.
Chandler: So
Joey: Ah-ah-ah Mr. Smartie Pants, its just not my character thats not brain dead. Hey, so Pheebs, we still on for tonight?
Phoebe: Absolutely!
Joey: Ill see you at 8:00.
Phoebe: Okay. (Joey exits.)
Chandler: Oh, whats at 8:00?
Phoebe: Oh, I have dinner plans with Joey. We get together about once a month to discuss the rest of you guys.
Ross: Wow, did not know that! May I say how lovely you look today?
Phoebe: Duly noted.
Ross: Thanks. (Phoebe gets up to get a refill.) (To Monica) Oh! So for tomorrow, do you want to rent a car and drive down together or what?
Monica: What are you talking about?
Ross: Cousin Frannies wedding, its tomorrow night.
Monica: You were invited?!
Ross: No.
Monica: My God, I cant believe this! I mean I knew that mom and dad were invited, but I thought that was it! I mean from the ages 7 to 9 Frannie and I were inseparable!
Chandler: Well, maybe since the age of 9, Frannies made some new friends.
Ross: Well l-look okay, its probably just a mistake. Let me call Aunt Sheryl okay? Maybe you are invited and the invitation just got lost in the mail.
 And if I hadnt have stopped her, there probably wouldnt even be a wedding to go too.
Ross: Yknow, she tried to undress me too.
Chandler: I used to undress my cousin Glenn. (Monica looks at him then sushes him.)
[Scene: Joey and Rachel's, Monica, Chandler, Rachel, and Ross are playing Monopoly as Phoebe enters angrily.]
Phoebe: Joseph Francis Tribbiani are you home yet?!!
Rachel: Umm, I think hes still out. Whats wrong?
Phoebe: Well, Ill tell you Rachel Karen Green, I had plans with Joey tonight and he left me this note. (Hands it to Rachel.)
Rachel: (reading the note) "Pheebs, cant make it, got a date. Talk to you later. Big Daddy." (Laughs) Big Daddy?
Phoebe: Oh thats a nickname we were trying out.
Ross: Hey, yknow what nickname never caught on? The Ross-A-Tron! (Monica shakes her head in disgust.)
Joey: (entering) Hey!
Phoebe: Oh! Heres Joseph Francis!
Joey: Oh-Wha-Ho! What are you middle naming me for?! I left you a note!
Phoebe: So what?! That doesnt give you the right to ditch me!
Joey: Hey, you can cancel plans with friends if there is the possibility for sex!
Ross: Phoebe hes right, that is the rule.
Phoebe: I dont accept this rule. When me make plans, I expect you to show up.  Yknow boyfriends and girlfriends come and go, but this (Motions that their friendship) is for life!
Joey: Wow! Im so sorry; I had no idea it would bother you this much.
Phoebe: Well, it does.
Joey: Okay, can I-can I make it up to you? Huh? Im sorry. (They hug.) How about uh, dinner tomorrow night?! Ill pay for myself!
Phoebe: Okay, you wore me down.
Ross: Hey Joe, while youre over there how about another beer for the Ross-A-Tron?
Joey: The RossIs that back?!! (Chandler motions no.)
[Scene: Monica and Chandler's, Rachel enters to find Chandler staring at another cheesecake box.]
Rachel: Hi!
Chandler: Another cheesecake came! They delivered it to the wrong address again!
Rachel: So just bring it back downstairs, whats the problem?
Chandler: I cant seem to say goodbye.
Rachel: Are you serious?! Chandler, we ate an entire cheesecake two days ago and you want more?
Chandler: Well Ive forgotten what it tastes like okay?!
Rachel: It was cheesecake. It was fine. It had a buttery, crumbly, graham cracker crust, with a very rich yet light, cream cheese filling (Pause) Wow!
Chandler: (closing the box) Yknow what? Forget it! We are just hungry! We have not had lunch! We are just light-headed! So let us go out and have lunch and forget about the cheesecake.
Rachel: Yeah and well drop it off downstairs so that were not tempted.
Chandler: Good idea. Where do you want to go to lunch?
Rachel: Mommas Little Bakery, Chicago, Illinois. (They exit with the cheesecake.)
[Scene: Central Perk, Monica and Joey are there. Joey is reading a newspaper.]
Joey: Awww! Mel Torme died.
Monica: Joey, that papers like a year old!
Joey: Aw! Does that mean the Sam Goodys sale is over?!
Ross: (entering) Hey.
Joey: Hey.
Monica: Hey.
Ross: So I finally heard back from Aunt Sheryl and apparently it wasnt a mistake. Ahh, theres-theres limited seating in the hall.
Monica: Limited seating?! (Screechingly) I am just one tiny person!
Ross: Well yeah, but she doesnt know that. I mean, the last time she saw you-you wouldve turned one of those little wedding chairs into kindling.
Monica: (disgusted) Limited seating!  Thats not the reason shes not inviting me!
Ross: Oh whats the big deal?! I wasnt even invited to the ceremony, just the reception. And-and yknow what? If it makes you feel any better, Joan and I will just make an appearance and then, and then well-well leave early as a sign of protest.
Monica: Joan?
Ross: Yeah, Joan Tedeski my date. Shes an assistant professor in the Linguistics department. Tall, very beautiful, and despite what some people say, not broad backed!
Monica: Wait a minute, you got Ross Gellar and guest?! I wasnt invited and you got "and guest?!"
Joey: Uh-uh, excuse me, I do have to interrupt on Rosss behalf. I-I think the rule applies here yknow, since she has a chance to get on broad back
Ross: (interrupting) Not broad backed!
Monica: Wait a minute, yknow, youre bringing me!
Ross: What? I cant cancel on Joan!
Monica: Why not?!
Ross: BecDid you not hear me?! Shes an assistant professor in the Linguistics department, okay? Theyre wild! Why do you want to come anyway?
Monica: Because! Shes my cousin.  Were family yknow? Well thats important to me.
Ross: Okay, all right, Ill take you. Ill go call Joan. (Does so.)
Joey: Aww thats nice. Family should be there, huh? This is her wedding, happiest day of her life.
Monica: (laughs) Well see.
[Scene: The Lobby of Chandler and Rachels building, Chandler and Rachel are returning from lunch.]
Chandler: Well, thank you for lunch.
Rachel: What? Wait a minute, I didnt pay, I thought you paid!
Chandler: So apparently we just dont pay for food anymore. (Rachel laughs then Chandler notices something.) Do you see what I see?
Rachel: (gasps) Its still there! (The cheesecake they returned to Mrs. Braverman is still lying in front of her door.)
Chandler: Mrs. Braverman must be out. (They move closer to it.)
Rachel: She could be out of town. Maybe shell be gone for months.
Chandler: By then, the cheesecake may have gone bad. We dont want her to come back to bad cheesecake.
Rachel: No that could kill her.
Chandler: Well, we dont want that.
Rachel: No so were protecting her.
Chandler: But we should take it.
Rachel: But we should move quick.
Chandler: Why?
Rachel: Because I think I just heard her moving around in there.
Chandler: Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! (Rachel grabs the cheesecake and they take off upstairs.)
[Scene: Central Perk, Monica and Phoebe are entering. As Phoebe is sitting down, she recognizes someone sitting at the counter.]
Phoebe: (gasps) (whispering) Oh my God! Thats David!
Monica: David who?
Phoebe: David the scientist guy, David that I was in love with, David who went to Russia and broke my heart David!
David: (noticing Phoebe) Oh my God!
Phoebe: Oh, you say someones name enough, they turn around.
David: Phoebe?
Phoebe: David! (He kisses her cheek) What-what are you doing here? Arent you supposed to be in Russia?
David: Yeah, Im just, Im just in town for a conference. Umm, God you look phenomenal!
Phoebe: Well Yeah. You look great too. Did you get a haircut?
David: Yeah. Well I-I got like thirty of them.
Phoebe: Yeah.
David: Umm, look I-I-I got a confession to make
Phoebe: Uh-huh.
David: Uh, I-I-I was hoping to run into you here. I didnt know whether I should call or not, yknow I-I was only in town for a few days. And yknow, I didnt want to intrude on your life or-or anything like that, but I-I really wanted to see you andbut I didnt know if you wanted to see me.
Phoebe: Well, of course I would want to see you. I I think about you all the time.
David: Really? Because I think about you all the time.
Phoebe: Really?
David: I mean, theres a statue in Minsk
Phoebe: Uh-huh.
David: That reminds me of you so much, I mean umm, it-its actually of Lenin. But, yknow at certain angles
Phoebe: Yeah.
David: Umm, anyway Do you want to have dinner tonight?
Phoebe: (excited) Yes! Oh no!
David: (disappointed) Oh. Uh, what?
Phoebe: I cant. I cant believe I have plans, I cant. Can you do it tomorrow night though?
David: Uh no, I have to go in a few hours. I have to be on the red-eye. Well listen, yknow, next time youre in Minsk umm
Monica: Phoebe, can I talk to you for a second?
Phoebe: Uh-huh. (They go over and talk.)
Monica: What are you doing?
Phoebe: Well, I have plans with Joey tonight.
Monica: So! Hell understand!
Phoebe: No he wont. And thats not even the point! Monica, I made a whole speech about you do not cancel plans with friends! And now yknow what? Just because, potentially, the love of my life comes back from Russia just for one night, I-I should change my beliefs?! I should change beliefs! No! No! No, if I dont have my principles, I dont have anything!
Monica: God, you are so strong.
Phoebe: Or! I should rush through dinner with Joey and I can meet David at 9:00!
Commercial Break
[Scene: Joey and Rachel's, Rachel and Chandler are eating the cheesecake right out of the box.]
Rachel: (taking a bite) Oh my God! That is so good!
Chandler: Im full, and yet I know if I stop eating this, Ill regret it.
Joey: (entering) Hey!
Rachel: Hey!
Joey: (seeing what theyre doing) What do you got there?
Rachel: Oh its umm, its tofu cake. Do you want some? (He makes a disgusted noise and heads for his room, Chandler follows him in.)
Chandler: What are you doing tonight?
Joey: Huh? Uh (He starts taking off his pants.)
Chandler: Dude! Dude! (Motions that Joey should pull up his pants.)
Joey: Oh! (Pulls up his pants.) Sorry. Uh, Ive got those plans with Phoebe, why?
Chandler: Oh really? Uh, Monica said she had a date at 9:00.
Joey: What?! Tonight?!
Chandler: Thats what Monica said.
Joey: After she gave me that big speech?! She goes and makes a date with a guy on the same night she has plans with me? I think shes trying to pull a fast one on Big Daddy!
[Scene: Cousin Frannies Wedding Reception, Monica and Ross are entering and finding their table.]
Ross: Oh here, I think this is us. (Reading the name cards.) Yeah.
 Lets see who made the cut. (To the couple sitting to her right.) Hi!
The Wedding Guest: Hi!
Monica: Im Monica Gellar. Who do you know the bride and groom?
The Wedding Guest: Oh, I used to work with Frannie.
Monica: Used to work with her. Used to! Im a relative and I didnt get invited! A blood relative! Blood!!
Ross: (To Monica) Stop saying, "Blood" to strangers.
Monica: (to the couple on her left) So, how about you huh? How do you know the happy couple?
The Second Guest: We went to college with both of them and now we live next door.
Monica: Okay, youre fine.
[Scene: Iridium Restaurant, Phoebe and Joey are looking at the menus as the waiter comes to take their order.]
The Waiter: Hey!
Phoebe: Hey!
The Waiter: Are you guys ready?
Phoebe: Yes! I will have the green salad, umm the house salad, and waters fine.
The Waiter: Okay.
Phoebe: Okay.
The Waiter: (To Joey) And for you sir?
Joey: Yeah, this slow roasted salmon, just how slow are we talkin here?
The Waiter: Its uh, its already been roasted.
Joey: Ohh, then no. Maybe I should hear those specials again.
Phoebe: Oh Joey, weve heard the specials three times! Okay? Theres prime rib, mahi mahi, and a very special lobster ravioli. (She grabs his menu and hands it to the waiter.)
The Waiter: Actually were out of the lobster ravioli. (Putting Joeys menu under his arm.)
Joey: Oh well, that changes everything! (Grabs his menu and starts looking at it again. The waiter leaves.) Yknow what Pheebs?
Phoebe: Huh?
Joey: You were right before. I mean, friends are so important.
Phoebe: (checking her watch) Yeah, Im very wise. I know.
Joey: Yknow-yknow what I really want?
Phoebe: What?
Joey: Is to have a long, long talk. Yknow? Get Joey out on the open road and really open him up.
The Waiter: (returning) Any progress?
Joey: Yes! I will have the lobster ravioli.
Phoebe: God Joey, this is taking forever!
Joey: Whats the rush? What?
Phoebe: W-wI justits thatI haveyknow I have-I have an appointment. And its very important.
Joey: Whoa-whoa, what is it?
Phoebe: Well Its a date.
Joey: A date?! No, no Pheebs you-you must be mistaken, because I know you wouldnt schedule a date on the same night you have plans with a friend!

Joey: No, Im gonna!! Thats right! Yeah, you made me feel really guilty about goin out with that girl! Like-like-like I did something terrible to you! And now Pheebs, youre doing the same thing!
Phoebe: ThatIts not the same thing! This is totally different! This is with David! Remember David, the scientist guy? Okay, hes very special to me.
Joey: Okay, well my girl from the other night was special. She was a scientist too!
Phoebe: She was?
Joey: Well, she graduated from high school!
Phoebe: Okay, whatever. Yknow what? I dont have time have time to convince you because hes only here for four hours, and Im gonna go see him! (Gets up and leaves.)
Joey: Fine!
Phoebe: Yeah!
Joey: Fine!
Phoebe: Yeah! (She exits.)
Joey: (to the waiter) What are you still doin here?! I told you, lobster ravioli!
[Scene: Outside Central Perk, Phoebe is running up to meet David.]
Phoebe: Hey!
David: Hey! Oh, I was just about to leave. I-I-I-I didnt think you were coming.
Phoebe: Oh, I wouldnt miss this.
David: Well, Im very glad youre here. (Kisses her hand.)
 (Grabs his arm.) Come on! Were going to my place! (Drags him off to her place.)
[Scene: Joey and Rachel's, Rachel is eating the cheesecake and Chandler enters and catches her in the act.]
Chandler: Are you eating the cheesecake without me?!
Rachel: (with a mouthful) Mm-mmm. (Nods no.)
Chandler: I will give you a hundred dollars to whistle right now. (She tries to whistle and blows little chunks of cheesecake out of her mouth.) How can you eat the cheesecake without me?!
Rachel: Oh, what are you going to do?!  Are you gonna tell Joey?! No!  We are desert stealers! We are living outside the law!
Chandler: Yknow what? I dont trust you with this cake anymore! And I got it first, and Im takin it back! (Grabs the cheesecake and heads for his apartment.)
Rachel: What?! What?!
Chandler: Oh yes!
Rachel: Wait a minute!
Chandler: Oh yes!

[Cut to Chandler and Monicas as they enter.]
Chandler: Oh yes! Oh yes!
Rachel: You think I trust you with it?! No! Were gonna split it! You take half and I take half!
Chandler: Well thats not fair, youve already had some!
Rachel: What? Oh, well then yknow what? I think Monica would be very interested to know that you called her cheesecake dry and mealy.
Chandler: What do we use to split it?
Rachel: Okay! (Grabs a knife and cuts it in half.) All right, pick a half.
Chandler: (examining the cake) Okay well, this side looks bigger. Uh Theres more crust on this side. Yknow? So, maybe if I measured
Rachel: Oh for God sake just pick a piece!
Chandler: All right, Ill pick that one. (Points.)
Rachel: Thats also the smaller piece. (Puts the piece onto a plate.) Okay, there you go. Enjoy your half my friend, but that is it. No sharing.  (As shes saying that she is backing out the door, when she finishes she turns around to return to her place, stumbles and drops the cheesecake on the floor.) Oh!!!!
Chandler: (gloatingly and holding his piece) Ohhh!
Rachel: Okay, you gotta give me some of your piece.
Chandler: Oh-ho-ho-ho-no! No! No switching! No sharing, and dont come crying to me! Ha-ha-ha! I may just sit here and have my cake all day! Just sit here in the hallway and eat my (Rachel knocks the plate from his hand and it falls on the floor. That process leaves just the forkful Chandler has, Rachel starts to go after that little bit and Chandler retreats into his apartment.)
[Scene: Cousin Frannies Wedding Reception, Monica and Ross are sitting at the table, alone as a woman approaches.]
The Woman: Ross, sweetheart!
Ross: Oh, hey Aunt Millie.
Aunt Millie: Isnt it a beautiful wedding?!
Ross: Yes, yes it is. Its uh (Aunt Millie uses this opportunity to grab Ross and kiss him on the lips. After she leaves Ross quickly wipes his mouth with a napkin.) Every time on the lips! Why?! Why on lips?!
(Cousin Frannie and her husband enter.)
Monica: Heres Frannie. Hmm, wont she be happy to see me? (Starts to get up and great Frannie.)
Ross: Now wait a minute, you be nice! All right? I didnt bring you here so you can ambush her.
Monica: Frannie was the one who found your Playboys and showed them to mom.
 (He gets up and they go over to ambush Frannie. Monica taps on Frannies shoulder.)
Frannie: (turning around) Monica! What
Monica: Am I doing here? Why? Surprised to see me? Ross brought me. How do you like that?!
Ross: (to Frannie) Hi Frannie, congratulations.
Monica: You invite my brother, you invite my whole family, and not me?! Why?! WhatWhy wouldnt you want me at your wedding? What could I have possibly done?! (Frannies husband walks up.) Stuart!
Frannie: I believe you know my husband.
(Monica is shocked into silence.)
Ross: So its really a question of who could you have possibly done.
[Scene: Outside Central Perk, David has a cab waiting to take him to the airport and hes saying goodbye to Phoebe.]
 I-I cant miss my flight.
Phoebe: Are you sure? Ill bet theres another flight to Minsk in like
David: July. Umm, (He speaks Russian.)
Phoebe: Thats really beautiful. What does it mean?
David: Please, clean my beakers. I dont get out of the lab much.
Phoebe: Thats good. I got to admit, I thought it was something else.
David: Yeah, I Well I really actually wanted to say umm, that, but um, I figured I probably shouldnt because yknow, I have to leave.
Phoebe: Youre right! Youre right. Dont say it.
David: I-I do though.
Phoebe: I do too. (They kiss.)
David: Bye Phoebe. (He gets in and the cab drives off. Joey walks up and witnesses that event.)
Phoebe: (seeing him) Okay, nows not the time Joey. All right? You can yell at me tomorrow.
Joey: No! No!  I just yknow, started thinking about you and David and I remember how bummed you were the first time he left. And I just Oh Pheebs, come here. (He hugs her.) Are you okay?
Phoebe: No Im not okay. The only guy Ive ever been crazy about has gone to Minsk and I may never I may never see him again. (Crying.)
Joey: Hey, yknow you could always visit him.

Joey: Anything I can do? Whatever you need.
Phoebe: WellButNow, if-if you can achieve positronic distillation of sub-atomic particles yknow before he does, then he can come back. (They hug again.)
Joey: I can give it a shot.
[Scene: The Hallway, Chandler and Rachel are on their knees with forks trying to salvage what they can of the cheesecake off of the floor.]
Rachel: Oh! Yay! Look! Theres a piece that doesnt have floor on it!
Chandler: Stick to your side!
Rachel: Hey, come on now!
(Joey finishes climbing the stairs and sees them. Chandler and Rachel both stop and look up at him. Joey sits down on the step.)
Joey: (pulls out a fork) All right, what are we havin? (Starts digging in.)
Ending Credits
[Scene: Cousin Frannies Wedding Reception, Ross and Monica are at the door and about to leave.]
Monica: Oh wait I forgot my wrap.
Ross: What? Oh, okay. Wait here. (Goes to get it, but before he gets there Aunt Millie sits down on it forcing him to pull it out from behind her which gets her attention.)
Aunt Millie: Hi sweetie! Are you leaving?
Ross: Well
Aunt Millie: Give us a kiss. Come on! Come on!

Ross: Why?! Why on the lips?!
End


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From May to August, we ran through 4 rounds of iterations. In the first round, we interviewed both teachers and students, tested and updated the information architecture of the whole product. From 2nd round, we focused more on three core features on the teacher end: Checkpoints, Project and Class Summary. In the following session, we will talk about our iterations in product structure, features, and metrics.
Communicating with real-time data is more about telling a specific story, it’s about starting a guided conversation with targeted audience. We did rounds of structure iterations to explore the form we should take, the navigation and interactions that make our dashboard useful and engaging for teachers.
Information Architecture
When doing sketch work and low-fi version, we put all the tabs teachers might need in the classtime of the same layer.
Information Architecture
In the mid-fi version, we made each tab appeared over time since we realized that teachers don’t need to go back to prior session during one class.
Information Architecture
To reach full flexibility to teachers, we designed the final version as shown below.
Students’ prior knowledge varies largely. Many students have taken after-class courses outside of the school but some didn't. We did rounds of iteration to figure out how to build a inclusive practice system for students.
We designed this Low Fidelity student interface of the step by step practice mode and brought it to teacher and students to test.
Findings Teachers want students to be able to think independently before they get access to more scaffolding (step mode)
In-class Practice
A Combination of step and classic mode for students to choose from, instead of only the step mode. Prompts are added to remind students to switch to step mode when they get stuck for too long.
In-class Practice
Code from classic mode will be kept as reference when students switch from classic mode to step mode, also, we added worked example and advanced step features.
From mountain chart to dot chart, to a combination of classroom and student individual activity monitor, we iterated the overall classroom and student status visualization based on their needs and priorities.
Practicing Progress Monitor
Mountain chart
Our assumption: it might be more important for teachers to see an overview of the class status
Practicing Progress Monitor
Dot visualization to show a comprehensive overview of students’ learning data.
Finding
Teachers want to see both overview and each student's activities. However, some have more than 50 students in one class. It's challenging for teachers to see all the dots then.
Practicing Progress Monitor
Add the detailed student list.
Finding
Teachers would prefer to see a list of students.
With more than 50 students working behind screens in one classroom, teachers may find it challenging to make the strong connections to get to know each student. By iterating system support on the student end, we provide more types of support besides teacher’s personal intervention.
One-size-fits-all hints is not that useful to students since they have diverse different mistakes.
Customized feedback based on test cases.
Apart from giving customized feedback to those who submitted their codes, we also added worked examples for students who are clueless.
How to keep students be on the same page when listening to lectures? Is personalized learning possible during the lecture time? How to do formative assessment to check their understanding? What information do teachers want to know to support their course adjustment? We iterated this part guided by these needs from both student and teacher sides.
The check-point question dashboard was originally included in the in-class practice dashboard interface.
Displayed on the side of the lecture slides
Finding
Teachers tend to think it’s a side feature apart from the lecture slides and presentation, so it might not need to be much of an emphasis on the interface
Teachers want to see the best and worst answering students.
Teachers want to share extra materials according to the answer summary
Findings
• “I want to be able to do something after students fail to answer the checkpoint questions”
• “For some individuals that answer the questions indirectly, I might not be able to explain in front of all students, so I want to share some materials to them.”
Teachers want to compare with others to have a better sense of how his students are doing.
Finding
Add comparison to other classes’ answer summary to the questions.
A pure-text report that can only download? A classroom-level report with historical performance comparison? A student individual report with their off-task reminders .......
What do teachers really need to do data-informed reflection? How can we help teachers reduce low-level disruption? We iterated our auto-generated reports to try to find answers for these two leading questions.
Teacher wants more hierarchy on information displayed
We added the following information based on teachers’ needs and comments.
• Average score (score for different modes)
• Common problems (Analysis)
• # of students who finished the project (active categorization)
Finding
Teachers want more hierarchy on information displayed.
We added the following information based on teachers’ needs and comments.
• Resources shared
• Feedback given to students
Finding
Teacher wants to review not only students’ own behaviors but also his own teaching interventions, actions.
In-class Learninng Analytical Dashboard
We added the following information based on teachers’ needs and comments.
• Remaining help list: keep unsolved questions
• Common problem status: solved / unsolved
Finding
Want to give some after-class intervention to students who still need help.
We made some revisions on the visual presentation.
• Use mode icons to show practice journey
• Use progress bar to visualize test score level & lower cognitive load
Finding
• Visualization: More visual friendly
• Visualization: More understandable
• Goal: Internalize it quickly.
ITAP -> Test Cases -> Test Cases + AST Matching
(Intelligent Teaching Assistant for Programming)
Usage
Use ITAP to provide auto-generated hints and evaluate students’ code
Drawback
The hints are too explicit, not good for students’ independent thinking
Usage
Use test cases to evaluate students’ code and provide targeted feedback to students’ errors
Drawback
Cannot explicitly assess the skills taught in the class
AST Matching can detect if students have used a certain skill in their code and provide a better aligned assessment of their performance


Here you can interact directly with all of the reviews. We've made a couple of dasbhoards to help you navigate the reviews more usefully. BONUS: We love pinot wines, so we also built a deeper dive into all things pinot also!
     You have now explored different wine grape varietals and are ready to choose your perfect wine.
     Brush the visualization to filter your selection based on year, rating, price, and price index.
     Select the wine type, grape varietal and country to see a list of wine titles that match your criteria.
     Hovering over a wine title will highlight year, rating, price and price index matching your selection.


Alexa Fitness
Get Fit the Right Way.
Create Your Program
Create Program Name
Start
Select Length of Program
1
day
3
days
5
days
Custom # of Days
Submit
James' Test Program
Day #1
Rep Based Exercise
Time Based Exercise
Exercise
Sets
# Of Reps
Add Exercise
Finish Day


New Rochelle High School advances without football coach Louis DiRienzo
by Eyewitness NewsNEW ROCHELLE, Westchester County (WABC) -- The New Rochelle High School football team won its second playoff game without their long-time head coach.
Saturday night the team came back to defeat Shenendehowa 24-17 in the Class AA state semifinals.
Louis DiRienzo was reassigned pending an investigation as parents and students continue to show support for him.
New Rochelle teachers were among those who rallied outside of City Hall on Friday.
The school board re-assigned DiRienzo while it investigates him for an incident involving a student.
District officials would not comment on the circumstances of the investigation, but parents say that it involved a student who is DiRienzo's relative and who was impaired in some way at school.
DiRienzo contacted that person's father, the parents say, and allowed them to leave the school rather than face discipline -- an apparent violation of school protocol.
The decision has been met with major backlash from players, students and the football parents association, and it has included protests and walkouts.


Three golden brown hotcakes with butter and the sweet flavor of maple
Ala Carte.: Php 76.00
Meal: Php 90.00
Meal w/ Hash Browns: Php 113.00
Burgerdesal
Cheesy Eggdesal
Cheesy Eggdesal with Ham
Cheesy Eggdesal with Sausage
Egg McMuffin
Sausage McMuffin
3pc. Hotcakes
2pc. Hotcakes with Sausage
Sausage Platter with Muffin
Sausage Platter with Rice
Hashbrown
Crispy Chicken Sandwich
Cheesy Burger McDo
McChicken Sandwich
Fillet-O-Fish
Cheeseburger
Quarter Pounder with cheese
Double Cheeseburger
Big Mac
1pc. Chicken McDo
2pc. Chicken McDo
1pc. Chicken McDo with McSpaghetti
Crispy Chicken Fillet
McCafe Premium Roast Coffee
Coke McFloat
Honey Banana McFloat
Coke Creamy McFreeze
Royal Creamy McFreeze
Royal Berry Delight Creamy McFreeze
Orange Juice
Pineapple Juice
Banana Pie
McFlurry With Oreo
Hot Fudge Sundae
Hot Caramel Sundae
Strawberry Sundae
Vanilla Sundae Cone
Chocolate McDip
Ube McDip
Strawberry McDip
Large Strawberry Crispies
Cappucino
McCafe Espresso
Coffee Float
McCafe Premium Hot Chocolate
McCafe Double Choco Frappe
McCafe Iced Mocha
Fries
Shake-Shake Fries
McShare Bundle
Mcshare Box Ala Carte
This is an unofficial McDonald's Website, this is only for a project | Made with ☕ and ❤ | ©McDonald's. All Rights Reserved.


Rest modules are JavaScript modules which are used as REST endpoints and serve GET, POST, PUT and DELETE requests over Http.
They accept three arguments: uri tail, onSuccess callback and onFailure callback. They can be session, stateless or resident module as well as other Platypus.js modules.
They exist only on J2EE server or a servlet container.


mapfn(fn)
Return a function that takes a sequence xs
as its argument and returns a sequence of the
results of applying fn
to each element of xs
.
let doubler = mapfn(^(x) x * 2)
doubler([1,2,3,4,5])
// [2, 4, 6, 8, 10]
let adder = mapfn(add)
adder([1, 2, 3], [4, 5, 6])
// [5, 7, 9]


Carmelo Anthony makes debut with Portland Trail Blazers after more than year off court
by Ryan GaydosCarmelo Anthony made his Portland Trail Blazers debut Tuesday night in a game against the New Orleans Pelicans – the first game for the former NBA superstar in more than a year.
Anthony made the start alongside C.J. McCollum, Hassan Whiteside, Rodney Hood and Anfernee Simons. He played 24 minutes and scored 10 points on 4-of-14 shooting.
LEBRON SETS TRIPLE-DOUBLE MARK, LAKERS HOLD OFF OKC 112-107
He also added four rebounds and a block but committed five turnovers. He said afterward it felt good to be back out on the floor.
“It felt great just to be back into the flow of the game, be back on the court, be back to where I think I belong,” Anthony told reporters. “As far as conditioning, though, I felt absolutely great out there. There was minor things, but it was more of the flow of things, and getting used to how the team plays and sets and getting used to the guys on the team.”
Portland, however, failed to pick up the victory. New Orleans won, 115-104.
NETS’ IRVING TO MISS 3RD STRAIGHT GAME WITH SHOULDER INJURY
Anthony wore No. 00 in the game after having worn the Nos. 15 and 7 throughout his career. He explained on Instagram why he chose the double-zero.
Anthony played 10 games for the Houston Rockets last season, but the team felt he didn’t mesh well with the offense. He was included in a trade to the Chicago Bulls but was waived and failed to latch onto a team.
CLICK HERE FOR MORE SPORTS COVERAGE ON FOXNEWS.COM
Over the course of his career, Anthony is averaging 24 points, 6.5 rebounds and 3 assists per game.
The Associated Press contributed to this report.


BUSINESS › NEWS
Melaka Biotech, Prathista To Undertake RM40 Million Joint-Venture Research Project
MELAKA, March 12 (Bernama) -- Melaka Biotech Corp will team up with India's Prathista Industries Ltd to undertake a RM40 million joint-venture research project to produce organic fertilisers.
Chief Minister, Datuk Seri Idris Haron, said the two-phase joint-venture would last 18 months.
He said phase one would involve an investment of RM18 million to produce organic fertilisers for agricultural, aquaculture and fishing industries and second phase, worth RM22 million, aimed to produce liquid and granular organic fertilisers.
"Prathista will use the fermentation research facility to use innovative technology from India and US.
"This project is based on zero-pollution concept and will be environmentally-friendly as the chemicals use in the process will cause no harm," he told reporters after the signing of the memorandum of understanding (MOU) between Melaka Biotech and Prathista Industries Ltd here today.
Idris said 50,000 tonnes of fertilisers would be produced a year and 200 jobs would be created in the state.
At the same event, Melaka Biotech also signed an MOU with Universiti Teknologi Malaysia to develop natural resources-based products, specifically nutraceutical, health and cosmetics.
He said the joint venture also involved extraction of raw materials, product formulation and research contract with the university.
"Melaka Biotech will also sponsor its staff to undertake post-graduate studies in bioprocess engineering at the university," he said.
-- BERNAMA
Chief Minister, Datuk Seri Idris Haron, said the two-phase joint-venture would last 18 months.
He said phase one would involve an investment of RM18 million to produce organic fertilisers for agricultural, aquaculture and fishing industries and second phase, worth RM22 million, aimed to produce liquid and granular organic fertilisers.
"Prathista will use the fermentation research facility to use innovative technology from India and US.
"This project is based on zero-pollution concept and will be environmentally-friendly as the chemicals use in the process will cause no harm," he told reporters after the signing of the memorandum of understanding (MOU) between Melaka Biotech and Prathista Industries Ltd here today.
Idris said 50,000 tonnes of fertilisers would be produced a year and 200 jobs would be created in the state.
At the same event, Melaka Biotech also signed an MOU with Universiti Teknologi Malaysia to develop natural resources-based products, specifically nutraceutical, health and cosmetics.
He said the joint venture also involved extraction of raw materials, product formulation and research contract with the university.
"Melaka Biotech will also sponsor its staff to undertake post-graduate studies in bioprocess engineering at the university," he said.
-- BERNAMA
We provide
(subscription-based)
news coverage in our Newswire service.
Previous Top Stories
Other News Headlines
- Toyad Supports The Choice Of Candidate For Balingian By-election- politic
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[% page.title = "Historical Mailing Lists" %]
These mailing lists are no longer active. They were used for discussion during the early design phase of perl6.
[% INCLUDE "perl6/lists/working-groups.html" %]


After trying a snuff of these seeds I decided to try smoking them. I toasted 5 seeds for 13 min on a med low flame. Seems this was a perfect toast. I removed the outer husk. Then ground to fine powder. Placed them in bong.
Took 4 giant hits. Smoke was harsh but not too bad. Felt it coming on in a few moments. Started as a pain in my jaw. Then a tightness in my head. Then in my belly, and soon a very big body high had developed. This happend over the course of about the first 5 min.
After 5 min it grew to a plateu at 10 min.
The plateau lasted 15-20 min.
The effect was not very visionary. There where no visuals. There was no noticable change in cognition. Just a giant body high that made me feel heavy. Lotsa pressure in my head and twitching muscles. My stomach stayed a bit unsettled for about an hour. It was kind of intense and I reached a plus 2. It was sort of pleasurable but nothing too special.
Came back slowly for 1 hour.
I would like to try some other seeds and see if its more like 5-meo-dmt. These seeds seem to be worth further exploration. But I think all future experiments will be done with some kind of extraction.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This is the prototype as it was born on a whiteboard, December 1, 2015.
Early Versions
Original Landing Page
The earliest version, produced in late 2015, was fairly traditional in appearance,
but had customized methods of searching for courses and getting help without need to come to campus.
The consolidation of a central location for resources addressed concerns by stakeholders.
Revision One: Course Search
The customized search and chat were developed in-house by Dr. Casey Frechette in response to the needs outlined from stakeholder interviews, questionaires, and surveys.
Already, the platform was a unique one because of the specialized technology developed in-house, but user interaction became the next focus of attention.
After more research, the course search page was moved to the front of the platform.
Auto-Suggest
Enter Search Term by Text, with a Google-like auto-complete built in to help users. Dr. Frechette developed the custom, jQuery auto-complete code in-house. This was not a third-party integration.
Department Search
By aligning with the university's codes for departments, we set up a system where a student could browse and select departments if unfamiliar with the department codes used by the university.
Department Search
The first version of the course search page consolidated all the information available from courses offered from all three campuses. This solved multiple problems identified by stakeholders, namely, to bring all the course assets to one location rather than have multiple windows open on the screen. This one feature addressed many usability issues, and also many accessibility issues.
College Search
The first version of the course search page consolidated all the information available from courses offered from all three campuses. This solved multiple problems identified by stakeholders, namely, to bring all the course assets to one location rather than have multiple windows open on the screen. This one feature addressed many usability issues, and also many accessibility issues.
A Better Way
OASIS Search
The first version was successful in that it created a one-stop, convenient location for students.
However, the code would have required heavy maintenance to stay current.
To that end, Dr. Frechette developed a way to capture live information.
Here's the data as it appeared on the original search.
Initial Results
Data as it appeared via a targeted search after implementing code restructuring.
Now Make It Easy To Understand!
A Boarding Pass To Class
Step One: Output the results into the platform.
Step Two: Start putting the output into containers.
Step Three: Add visual components for the days the class is offered.
Step Four: Add visual components for class enrollment and waitlist.
Step Five: Add visual highlighting for other class information.
Step Six: Add interactivity so the content displays only when the button is pushed.
Now Make It Easy To Understand in all Screens!
Does the Order Make Sense?
On small screens, the interface collapsed in a way that did not make sense.
Clean it up.
Remove unnecessary content that clutters small screens.
Browser Check
Add code to account for Chrome Display
Dropdowns in small screen
Readusting buttons to dropdown menus, prior to revising layout and printout/
First Stage of converting to dropdown. Next Stage is to Check Functionality.
May 1 2017
https://cloud.githubusercontent.com/assets/10209570/25531890/3d530020-2bf9-11e7-9f5c-42e888da1bff.jpg
src="https://cloud.githubusercontent.com/assets/10209570/25530733/4fe0848c-2bf5-11e7-9db7-3f17ad13ad5a.jpg"


BotBusMock(context: BotBusMockContext, action: Action = context.firstAction)
A Bus mock used in unit tests.
The answers of the bot are available in the answers property.


property Center: TFloatPoint; //read and write
The center property controls where the color gradient shall have its center.


Events
Lymington Art Exhibition “New Forest Ponds, Puddles & Paths”
When: Time and date will appear here
Where: Location will appear here
An exhibition of over 40 paintings, almost all of them new creations, by Pete Gilbert – well renowned Hampshire artist who is passionate about the New Forest. His paintings play with light and dark, shapes and form and create images of landscapes that we can relate to, that we can see, feel and smell the scent of morning or late afternoon, hear the bird calls, feel the squelchy mud and the prickles of the teasles! It promises to be a wonderful exhibition from 17th January to 28th February at Lymington’s St Barbe Museum & Art Gallery. Booking on line through the Museum.
Address
Lymington, St Barbe Museum & Art Gallery
New Street
Lymington
SO41 9BH
England
The Blah Event
When: Time and date will appear here
Where: Location will appear here
Blah blah blah!
Address
Lymington, St Barbe Museum & Art Gallery
New Street
Lymington
SO41 9BH
England


New User Registration
Register your name and daily goals to track your activity and progress.
Your Name
Your email
Your password
Daily Water Intake
Daily Protein Intake
Daily Activity Goal
Dialog Heading
Content Goes Here


DAY4 BATCH2 ASSIGNMENT
Q.2:Create a webpage containing two input fields and a button A.Write something in the first field. B.On click of the button the content of input one should be copied in the second input field.
copy


| Database: | {{db_online}} |
|---|---|
| Tracked Families: | {{tracked_families}} |
| Number of Samples: | {{number_samples}} |
| Number of Blockhashes: | {{number_blocks}} |
BlocksDB is an experimental project of using PIC hashing over basic blocks.
Upload an executable to have it automatically dissected by SMDA.
All its basic blocks of length 4+ will then be hashed and matched against all unpacked and dumped binaries in Malpedia.
Alternatively send your binary via POST request to /api/blocks.


Program
Check out what's gonna happen in the 3 days of event!


SpiceJet passengers stranded in Tirupati
by Staff ReporterAbout 170 passengers of SpiceJet flight were stranded at Tirupati airport on Thursday, following delay in the arrival of the aircraft from Mumbai, reportedly owing to a technical snag.
According to information, the flight scheduled to arrive at Tirupati at 4.30 p.m. was inordinately delayed. The passengers waiting to board the flight for Mumbai had a tough time at the lounge, and were seen having a heated argument with the airlines staff. While some could make alternative arrangements for their trip, several others opted to stay back at the airport.


This is an example of how the Toolkit supports multiple renderers for one dataset. It combines the Hierarchical, Circular, Spring and Absolute demonstrations into one page. Operations in one renderer affect the dataset and cause updates in all renderers.
{
"dependencies": {
"font-awesome": "^4.7.0",
"jsplumbtoolkit": "file:../../jsplumbtoolkit.tgz"
}
}
<link href="//maxcdn.bootstrapcdn.com/bootstrap/3.2.0/css/bootstrap.min.css" rel="stylesheet">
<link href="node_modules/font-awesome/css/font-awesome.min.css" rel="stylesheet">
<link rel="stylesheet" href="node_modules/jsplumbtoolkit/dist/css/jsplumbtoolkit-defaults.css">
<link rel="stylesheet" href="node_modules/jsplumbtoolkit/dist/css/jsplumbtoolkit-demo.css">
<link rel="stylesheet" href="app.css">
Font Awesome, Bootstrap, jsplumbtoolkit-demo.css
, and app.css
are used for this demo and are not jsPlumb Toolkit requirements. jsplumbtoolkit-defaults.css
is recommended for
all apps using the Toolkit, at least when you first start to build your app. This stylesheet contains sane defaults for the various widgets in the Toolkit.

We import jsplumbtoolkit.js
from node_modules
(it was listed in package.json
). demo-support.js
is used to generate random data sets for the demo. app.js
contains the demo code; it is
discussed on this page.
This demonstration uses a single template to render its nodes across all renderers:

Data for the demonstration is created using the randomHierarchy
function from the included demo-support.js
file.
This function creates an arbitrary hierarchy and assigns different widths/heights to the various nodes.
The data is generated like this:
// make a random hierarchy
var hierarchy = jsPlumbToolkitDemoSupport.randomHierarchy(3, 3);
And loaded via this call at the bottom of app.js
:
toolkit.load({data: hierarchy});
This demonstration has a very simple view:
var view = {
nodes: {
"default": {
template: "tmplNode"
}
}
};
The render parameters for this demonstration are broken up into two parts - common parameters, shared by all renderers, and then renderer-specific parameters (which are, in this case, just layout parameters, but could be anything).
var jsPlumbOptions = {
Anchor:"Continuous",
Connector: [ "StateMachine", { curviness: 10 } ],
DragOptions: { cursor: "pointer", zIndex: 2000 },
PaintStyle: { lineWidth: 1, strokeStyle: "#89bcde" },
HoverPaintStyle: { strokeStyle: "#FF6600", lineWidth: 3 },
Endpoints: [
[ "Dot", { radius: 2 } ],
[ "Dot", { radius: 2 } ]
],
EndpointStyle: { fillStyle: "#89bcde" },
EndpointHoverStyle: { fillStyle: "#FF6600" }
};
var commonParameters = {
view: view,
jsPlumb: jsPlumbOptions,
zoomToFit: true,
lassoFilter: ".controls, .controls *, .miniview, .miniview *",
events: {
canvasClick: function () {
toolkit.clearSelection();
}
},
consumeRightClick: false
};
Here's an explanation of what the various common parameters mean:
These are the Node, Port and Edge definitions.
This is something you'll find useful when developing: the default behaviour of the Surface widget is to consume right-clicks.
This selector specifies elements on which a mousedown should not cause the selection lasso to begin. In this demonstration we exclude the buttons in the top left and the miniview.
We listen for the canvasClick
event on the Surface: a click somewhere on the widget's whitespace. Then we clear
the Toolkit's current selection.
Recall that the Surface widget is backed by an instance of jsPlumb. This parameter sets the Defaults for that object.
When true, this parameter instructs a Surface widget to zoom the content so that it is all visible, both when the
widget is first constructed (to cover the case that there is data already in the Toolkit) and also whenever new data is loaded via the load
method on the Toolkit instance.
There are three things that are different for each renderer:
All of this information is stored (indirectly, in the case of the element IDs) in the rendererSpecs
object:
var rendererSpecs = {
"hierarchical":{
type: "Hierarchical",
parameters: {
orientation: "horizontal",
padding: [60, 60]
}
},
"circular":{
type: "Circular",
parameters: {
padding: 30
}
},
"spring":{
type:"Spring"
},
"absolute":{
type:"Absolute"
}
};
These are processed in the following way:
var render = function(id, layoutParams) {
var selector = "#demo-" + id;
var r = toolkit.render({
container: "demo-" + id,
layout: layoutParams,
miniview: {
container: "miniview-" + id
},
events:{
"modeChanged" :function (mode) {
jsPlumb.removeClass(jsPlumb.getSelector(selector + " [mode]"), "selected-mode");
jsPlumb.addClass(jsPlumb.getSelector(selector + " [mode='" + mode + "']"), "selected-mode");
}
}
}, commonParameters);
// bind event listeners to the mode buttons
jsPlumb.on(selector, "click", "[mode]", function () {
r.setMode(this.getAttribute("mode"));
});
// on home button click, zoom content to fit.
jsPlumb.on(selector, "click", "[reset]", function () {
toolkit.clearSelection();
r.zoomToFit();
});
};
// render each one
for (var id in rendererSpecs)
render(id, rendererSpecs[id]);
To explain each parameter:
modeChanged
event to some code that maintains the state of the buttons that appear in the top left corner of the canvas."modeChanged" :function (mode) {
jsPlumb.removeClass(jsPlumb.getSelector(selector + " [mode]"), "selected-mode");
jsPlumb.addClass(jsPlumb.getSelector(selector + " [mode='" + mode + "']"), "selected-mode");
}
Using jsPlumb to add/remove classes or get an appropriate selector is not necessary if you have some other library (such as jQuery) in your page. The Toolkit uses these methods because it does not need jQuery. Any library that returns a list-like object for a selector is appropriate to use here.
render
method takes an optional second argument, for use cases such as this, in which you want to share some parameters between several render calls.The renderer is assign to the variable r. We then bind two click listeners to it:
jsPlumb.on(selector, "click", "[mode]", function () {
r.setMode(this.getAttribute("mode"));
});
// on home button click, zoom content to fit.
jsPlumb.on(selector, "click", "[reset]", function () {
toolkit.clearSelection();
r.zoomToFit();
});
The first of these extracts the desired mode from the button that was clicked and sets it on the renderer; this causes the modeChanged
event to be fired, which is picked up by the code we discussed above.
The second click listener here is used to clear the current selection and reset the renderer to the state in which all of the content is visible.
Lasso selection is enabled by default on the Surface widget. To activate the lasso, click the pencil icon in the toolbar:
The code that listens to clicks on this icon discussed above in the section about rendering.
The lasso works in two ways: when you drag from left to right, any node that intersects your lasso will be selected. When you drag from right to left, only nodes that are enclosed by your lasso will be selected.
The Surface widget automatically exits select mode once the user has selected something. In this application we also listen to clicks on the whitespace in the widget and switch back to pan mode when we detect one. This is the events
argument to the render
call:
events: {
canvasClick: function (e) {
toolkit.clearSelection();
}
}
clearSelection
clears the current selection and switches back to Pan mode.
Each node in this demonstration has two buttons:
Clicking on the + button causes a new node to be added as a child of the current Node. Here's the code that sets
up the listener and adds the child. Note the use of the batch
function to suspend repainting until all
the model operations are completed - this is required by the Spring layout; without it, the layout would repaint before the edge existed and the new node would not necessarily be positioned near the node that was clicked on:
jsPlumb.on(document, "click", ".add *", function (e) {
// this helper method can retrieve the associated
// toolkit information from any DOM element.
var info = toolkit.getObjectInfo(this);
// get a random node.
var n = jsPlumbToolkitDemoSupport.randomNode();
// wrap the node and edge addition in a batch, because the spring layout prefers that all
// data operations be completed before a refresh of the layout.
toolkit.batch(function() {
// add the node to the toolkit
var newNode = toolkit.addNode(n);
// and add an edge for it from the current node.
toolkit.addEdge({source: info.obj, target: newNode});
});
});
Clicking the delete button in this demonstration deletes not just the current node, but also all of its descendants. This is done by creating a Selection and then instructing the Toolkit to remove everything in that Selection:
jsPlumb.on(document, "click", ".remove *", function (e) {
var info = toolkit.getObjectInfo(this);
var selection = toolkit.selectDescendants(info.obj, true);
toolkit.remove(selection);
});


SetGadgetItemState()
语法
SetGadgetItemState(#Gadget, Item, State)概要
Changes the item state of the specified gadget.
参数
#Gadget The gadget to use. Item The item to use. The first item in the gadget has index 0. State The new state for the item. See below for the meaning of this parameter.
返回值
无.
备注
This is a universal function which works for almost all gadgets which handle several items. 'State' can take the following values:
- CalendarGadget(): #PB_Calendar_Bold to make a date appear bold, #PB_Calendar_Normal otherwise.
- ExplorerListGadget(): with the following value:#PB_Explorer_Selected : The item should be selected.- ListViewGadget(): 1 if the item should be selected, 0 otherwise.
- ListIconGadget(): Combination of the following values:#PB_ListIcon_Selected : The item should be selected. #PB_ListIcon_Checked : The item should have its checkbox checked (#PB_ListIcon_CheckBoxes flag). #PB_ListIcon_Inbetween: The item should have its checkbox in the in between state (#PB_ListIcon_ThreeState flag).- TreeGadget(): Combination of the following values:#PB_Tree_Selected : The item should be selected. #PB_Tree_Expanded : The item should be expanded. #PB_Tree_Collapsed: The item should be collapsed. If neither #PB_Tree_Expanded nor #PB_Tree_Collapsed is set, this state will not be changed. #PB_Tree_Checked : The items checkbox should be checked. #PB_Tree_Inbetween: The items checkbox should be in the in between state.SetGadgetItemState(0, 1, #PB_Tree_Expanded | #PB_Tree_Selected) ; The 2nd item is selected and expanded.
参阅
GetGadgetItemState(), GetGadgetState(), SetGadgetState()
已支持操作系统
所有


Logged In:
Click to Log Out
Search
Consolidated Fishing Association
Representing Over 100 Fishermen
Home
Add New Batch
View Batches
Send A Report
Logout
Fisherman
| Fish Batch Input Form
View My Submitted Batches
Show Onscreen Keyboard
Fish Batch Input Form
Number of Crates:
Species:
Select Species ...
Carp
Cat
BoxFish
Size Category:
Select Size ...
S
M
L
Total Weight (kg):
Add Batch


(Health Europa,2020)
| Team member details | Word Length (aprox. 3000words - 4500max -excluding references) | Figures(3 min 15 max - consider copyright) | Multi-media Resources (links - 3 max - consider copyright) | References (10 min high quality refereed sources, 20 max - including link |
|---|---|---|---|---|
| Number included | 4,313 | 5 | 0 | 24 |


Snookes1516.github.io
Since graduating from Loyola University of New Orleans, I have had the opportunity to work in a variety of educational settings and with a diverse group of students. Generate random writing prompts. Language is a Virus. Languageisavirus.com exists to cure writer's block and inspire creativity. The Writing Prompt: Take an event from history and write a fictional account describing a conspiracy theory about what "REALLY" happened. Or, if you prefer, write.
Writing Prompts - Language is a Virus.
Bookmark Templates – Rainbow Colors - Creativity Portal. Creative Writing Prompt: Conspiracy! Writer's Digest. 33 Writing Contests for Teens (Publication Cash) - Bookfox.
WriteShop Incremental Homeschool Writing Program. Over the past decade, digital tools and mobile platforms have rocketed journalism to a universe of innovation, interactivity and immediacy once unimaginable. 1 Million Story Ideas Writing Prompts for Student. Reporting Suspicious Activity - See Something, SAY Something! ECBOE Student of the Month; Taking the ACT anytime soon? Popular App Guide for Parents and Teachers. 25 Creative Writing Prompts Writing Forward. People who searched for Step-by-Step Guide to Writing Compare and Contrast Essays found the following information and resources relevant and helpful. The Purdue University Online Writing Lab serves writers from around the world and the Purdue University Writing Lab helps writers on Purdue's campus.
Free Download-and-Print Bookmark Templates — Rainbow Colors or White. By Chris Dunmire. Q. I want to help my little girls make bookmarks with their own pictures. How to Write a Cinquain Poem Poetry for Children. In a world where J.K. Rowling’s manuscript of “Harry Potter” was rejected 12 times and Kathryn Stockett’s manuscript of “The Help” was rejected. Step-by-Step Guide to Writing Compare and Contrast Essays. WriteShop is a homeschool writing program that helps you teach writing with confidence. This step-by-step homeschool writing curriculum is perfect for both motivated. Amazon.com: Ready-to-Use Paragraph Writing Activities, Unit 3 (Writing Skills Curriculum Library)<PHONE_NUMBER>841): Jack Umstatter, Maureen Umstatter: Books. Creative Writing Prompt: Why I Write - WritersDigest.com.
125 thoughts on “ Why I Write ” PattyLynn53 October 30, 2017 at 4:23 pm. I’ve never questioned why I write. Rather I question it if I’m NOT writing
Secondary education - Wikipedia.  Looking for help with the 2018-19 Common Application Essay? Below CEA’s Founder, Stacey Brook, breaks. The SAT is typically taken by high school juniors and seniors. The College Board states that the SAT measures literacy, numeracy and writing skills that are needed. Pencil Dancing : New Ways to Free Your Creative Spirit Mari Messer on Amazon.com. FREE shipping on qualifying offers. Pencil Dancing offers readers a fresh. I need help writing my water poem, all I need is 2 more verbs and one adjective. But here is one I made earlier! Balloons Colorful, Rubbery Drifting, Running, Laughing.
Ever feel stumped? Uninspired? Blank? These creative writing prompts will kick your muse into high gear so you can start writing again. Be creative. 20 Creative Writing Careers Writing Forward. Junior high creative writing prompts. 2018-19 Common Application Essay Prompts: A Guide. Madawaska Middle/High - Madawaska School Department. Have you ever bothered to look at the creative writing careers that are available? Browse these job possibilities, and then go out there and make it happen.


Declarations for the AttributeSymbol class. More...
Go to the source code of this file.
Declarations for the AttributeSymbol class.


iPad Air News: iPad 2 Drops to $299 At Walmart
The iPad 2 is the second generation iPad, a tablet computer designed, developed and marketed by Apple Inc. It serves primarily as a platform for audio-visual media including books, news, movies, music, games, presentations and web content. The iPad 2 has a lithium-ion polymer battery that lasts up to 10 hours, a dual core Apple A5 processor and was the first iPad to feature VGA front-facing and 720p rear-facing cameras designed for FaceTime video calling.
The device is available initially with three storage sizes, 16, 32 and 64 GB and two varying connectivity options, Wi-Fi only or Wi-Fi and cellular. Each variation of the device is available with either a black or white front glass panel. However, upon the release of the 3rd generation iPad, only the 16 GB variation with two connectivity options and two front glass panel options is available. The iPad 2 was supported for more than 3 years by Apple Inc. It is also one of the longest iOS supported devices, till now, it has received more than 5 major iOS updates, from iOS 4.3 till iOS 8
Apple unveiled the device on March 2, 2011. Upon the announcement of the iPad 2, the original model of the iPad was discontinued. Sales of the iPad 2 online and at retail stores began in the United States on March 11. it was then released in 25 other Oceanian, North American and Western European countries on March 25 and released in eleven Asian countries as well as one African country on April 29. Subsequently on May 6 and 27, the device was released in three South American, six Eastern European and three Asian countries.
The device received mixed to positive reception from various blogs and publications. Although it was praised for its hardware improvement, such as the new Apple A5 chip, the software restriction on the iPad 2 and iOS in general drew criticism from various technology commentators. The device sold well in its first month of sales with 2.4–2.6 million units sold and 11.12 million units were sold in the third quarter of 2011.


--- layout: main title: Contact ---
It's best to contact Oscar 9am-5pm, Monday-Friday, and schedule an appointment for the next few days.
Same-day or off-hours services may also be priced at 2X-5X usual rates, and may not always be possible.


{% extends "layouts/_block_content.html" %} {% set page_title = "Account email change link expired " %} {% block main %}
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If you need help, please contact us.


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Vincent Van Gogh was a Dutch post-impressionist painter who was known for the beauty, emotion, and color in his work. Although Van Gogh produced more than 2,000 pieces of artwork, some of his most famous works include: The Potato Eaters, Sunflowers, The Starry Night, and Almond Blossoms. Today, Van Gogh's works are housed in Amsterdam at the Van Gogh Museum.


Before Change
def score(self, X, y=None):
y_probas = []
y_target = []
// We collect the predictions batch-wise and store them on the host
// side as this data can be quite big and the GPU might run into
// memory issues. We do not calculate F1 on the batches as this
// would introduce an error to the score.
ds = self.get_dataset(X)
target_iterator = self.get_iterator(ds, train=False)
pred_iterator = self.forward_iter(X)
for (_, y_true), y_pred in zip(target_iterator, pred_iterator):
y_pred_cls = skorch.utils.to_numpy(y_pred).argmax(-1)
y_probas.append(y_pred_cls)
y_target.append(skorch.utils.to_numpy(y_true))
y_probas = np.concatenate(y_probas)
y_target = np.concatenate(y_target)
return f1_score(y_probas, y_target, average="micro")
After Change
ds = self.get_dataset(X)
target_iterator = self.get_iterator(ds, train=False)
y_true = np.concatenate([skorch.utils.to_numpy(y) for _, y in target_iterator])
y_pred = self.predict(X)
return f1_score(y_true, y_pred, average="micro")


Hi there,
I've setup eMonCMS on a Nginx hosting server. I can see the Login but when trying to register to that new server I can't...
Error log is empty, access.log has only this:
xx.143.141.yy - - [16/Jun/2014:16:22:37 +0200] "-" 400 0 "-" "-"
xx.143.141.yy - - [16/Jun/2014:16:22:37 +0200] "POST /user/register.json HTTP/1.1" 200 2631 "https://my.domain.net/" "Mozilla/5.0 (Macintosh; Intel Mac OS X 10_8_5) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/35.0.1916.153 Safari/537.36"
Here's a Screenshot:
https://www.dropbox.com/s/cudmhu42u7db9gi/Screenshot%202014-06-16%2016.2...
Hope you can help...
Edit: As I could not make it work on the hosting server I installed another instance on a FreeBSD Jail, after some fiddling I got it to start but end up in exactly the same mess. There's the exact same red bar in the register window...
Re: eMonCMS with nGinX
I'm no expert on emonCMS, but I would suspect it is a permissions/paths problem with your database engines.
Re: eMonCMS with nGinX
Hi Robert,
I've checked the perm's so many time's I can't imagine it being that simple...
But to double check again, those are the path's I'm aware of:
Did I mis one?
Greetz
Mircsicz
Re: eMonCMS with nGinX
found a way to make it work:
modified the hints from:
http://www.mylesgray.com/ardunio-hacking/how-to-run-emoncms-on-nginx-and...
and
http://www.ismsolar.com/blog/creando-un-sistema-de-monitorizacion-de-alt...
What work's for me on a hosting server with froxlor-admin-panel is this:
server {
listen xx.xx.xx.xx:80;
server_name edm.my-domain.de;
access_log /var/customers/logs/ONE-edm.my-domain.de-access.log combined;
error_log /var/customers/logs/ONE-edm.my-domain.de-error.log error;
root /var/customers/webs/ONE/edm.my-domain.de/;
index index.php index.html index.htm;
location / {
rewrite ^/(.*)$ /index.php?q=$1 last;
}
location ~* ^.+.(jpg|jpeg|gif|css|png|js|ico|xml)$ {
expires 30d;
}
location ~ \.php$ {
try_files $uri =404;
fastcgi_split_path_info ^(.+\.php)(/.+)$;
fastcgi_pass unix:/var/run/nginx/ONE-edm.my-domain.de-php-fpm.socket;
fastcgi_index index.php;
include /etc/nginx/fastcgi_params;
}
}
Hope this helps someelse safe some time!
Greetz
Mircsicz
Re: eMonCMS with nGinX
Hi,
I'd love to run emonCMS with nginx, and I'm able to run the site and to log in, but some function are still not working.
For example the dial at the dashboard doesn't work and I can't send data to emonCMS via Ethernet and API.
This is my nginx-config:
I hope someone has a clue how to get it working!
Re: eMonCMS with nGinX
Hello simsasaile, I recently tried running emoncms.org on nignx but didnt see a visible performance increase or drop in server load, this was my test sites available configuration:
server {
listen 80 default_server;
# listen [::]:80 default_server ipv6only=on;
root /usr/share/nginx/html/emoncms;
index index.php index.html index.htm;
# Make site accessible from http://localhost/
server_name localhost;
location / {
# First attempt to serve request as file, then
# as directory, then fall back to displaying a 404.
try_files $uri $uri/ =404;
# Uncomment to enable naxsi on this location
# include /etc/nginx/naxsi.rules
rewrite ^/(.*)$ /index.php?q=$1 last;
}
location ~* ^.+.(jpg|jpeg|gif|css|png|js|ico|xml)$ {
expires 30d;
root /usr/share/nginx/html/emoncms;
}
# pass the PHP scripts to FastCGI server listening on <IP_ADDRESS>:9000
location ~ \.php$ {
fastcgi_split_path_info ^(.+\.php)(/.+)$;
# NOTE: You should have "cgi.fix_pathinfo = 0;" in php.ini
# With php5-cgi alone:
# fastcgi_pass <IP_ADDRESS>:9000;
# With php5-fpm:
fastcgi_pass unix:/var/run/php5-fpm.sock;
fastcgi_index index.php;
include fastcgi_params;
}
}
Re: eMonCMS with nGinX
Hey Trystan,
thank you for sharing your configuration!
I tried it, but it only works at my ubuntu-server with one extra line added in the location ~ \.php$ { section:
fastcgi_param SCRIPT_FILENAME $document_root$fastcgi_script_name;
Sadly with this configuration I have still the problem that the dial shows zero. But I found out that the problem is actually that the feeds are marked as inactive and there value is zero too.
If I open the same emonCMS installation with apache2 it's all working. The reason I'd like to use nginx is that I operate already some sites with nginx, and using nginx would allow me to have emonCMS as an subdomain of my site.
I'd be quite happy, if someone has an Idea how to get it working!
Re: eMonCMS with nGinX
Hey everyone, I solved my problem :)
The problem was, that I still pushed my data to the port where apache was listening. I changed that in emonhub.conf to the port nginx is running, and now I get all the data :)
Thanks again for your help!
Re: eMonCMS with nGinX
Hi - I'm also trying to get nginx working (I'm using the latest version so that I can take advantage of the security updates).
Here is my config file:
server {
root /var/www/rpi_thermostat/emoncms;
index index.php index.html index.htm;
location / {
# First attempt to serve request as file, then
# as directory, then fall back to displaying a 404.
try_files $uri $uri/ /index.html;
rewrite ^/(.*)$ /index.php?q=$1 last;
}
location ~ \.php$ {
fastcgi_split_path_info ^(.+\.php)(/.+)$;
# # NOTE: You should have "cgi.fix_pathinfo = 0;" in php.ini
# # With php5-fpm:
fastcgi_pass unix:/var/run/php5-fpm.sock;
fastcgi_index index.php;
include fastcgi_params;
}
}
If comment out the rewrite statement, the login page loads correctly - but I get a login failure when I enter my details.
With the rewrite statement uncommented, the html loads, but the css files and scripts do not load.
I suspect it might be to do with the params file. Here are my settings:
fastcgi_param QUERY_STRING $query_string;
fastcgi_param REQUEST_METHOD $request_method;
fastcgi_param CONTENT_TYPE $content_type;
fastcgi_param CONTENT_LENGTH $content_length;
#fastcgi_param SCRIPT_FILENAME $request_filename;
#fastcgi_param SCRIPT_FILENAME $document_root$fastcgi_script_name;
fastcgi_param SCRIPT_FILENAME $fastcgi_script_name;
fastcgi_param SCRIPT_NAME $fastcgi_script_name;
fastcgi_param PATH_INFO $fastcgi_path_info;
fastcgi_param REQUEST_URI $request_uri;
fastcgi_param DOCUMENT_URI $document_uri;
fastcgi_param DOCUMENT_ROOT $document_root;
fastcgi_param SERVER_PROTOCOL $server_protocol;
fastcgi_param GATEWAY_INTERFACE CGI/1.1;
fastcgi_param SERVER_SOFTWARE nginx/$nginx_version;
fastcgi_param REMOTE_ADDR $remote_addr;
fastcgi_param REMOTE_PORT $remote_port;
fastcgi_param SERVER_ADDR $server_addr;
fastcgi_param SERVER_PORT $server_port;
fastcgi_param SERVER_NAME $server_name;
fastcgi_param HTTPS $https if_not_empty;
# PHP only, required if PHP was built with --enable-force-cgi-redirect
fastcgi_param REDIRECT_STATUS 200;
Any ideas please?
Re: eMonCMS with nGinX
Hi,
this is the config I'm currently using:
server {
listen 80;
# listen 443 ssl;
#ssl_certificate /etc/nginx/ssl/mycert.crt;
#ssl_certificate_key /etc/nginx/ssl/mykey.key;
# Add perfect forward secrecy
#ssl_ciphers EECDH+AESGCM:EDH+AESGCM:EECDH:EDH:!MD5:!RC4:!LOW:!MEDIUM:!CAMELLIA:!ECDSA:!DES:!DSS:!3DES:!NULL;
#ssl_prefer_server_ciphers on;
#Fixing the poodle
#ssl_protocols TLSv1 TLSv1.1 TLSv1.2;
root /var/www/rpi_thermostat/emoncms;
index index.php index.html index.htm;
# Make site accessible from http://localhost/
server_name localhost;
location / {
# First attempt to serve request as file, then
# as directory, then fall back to displaying a 404.
try_files $uri $uri/ =404;
# Uncomment to enable naxsi on this location
# include /etc/nginx/naxsi.rules
rewrite ^/(.*)$ /index.php?q=$1 last;
}
location ~* ^.+.(jpg|jpeg|gif|css|png|js|ico|xml)$ {
expires 30d;
root /var/www/rpi_thermostat/emoncms; }
# pass the PHP scripts to FastCGI server listening on <IP_ADDRESS>:9000
location ~ \.php$ {
fastcgi_split_path_info ^(.+\.php)(/.+)$;
# NOTE: You should have "cgi.fix_pathinfo = 0;" in php.ini
# With php5-cgi alone:
# fastcgi_pass <IP_ADDRESS>:9000;
# With php5-fpm:
fastcgi_pass unix:/var/run/php5-fpm.sock;
fastcgi_index index.php;
include fastcgi_params;
fastcgi_param SCRIPT_FILENAME $document_root$fastcgi_script_name;
}
}
I tested it also with the newest version, so it should work for you. The only thing which is not working are the apps-Modules, maybe we need an extra rewrite rule for that, I don't know. I would be glad if someone has a tip how to get them working too!
Cheers, Simsa
Re: eMonCMS with nGinX
I finally got this working using the following config file. Note that I used the try statement, rather than the rewrite statement following advice from the nginx wiki (common configuration pitfalls). Not sure what the "apps-Modules" are but everything seems to be working on my setup.
server {
listen 80 default_server;
server_name localhost;
root /var/www/rpi_thermostat;
index index.php index.html index.htm;
location / {
# First attempt to serve request as file, then
# as directory, then fall back to displaying a 404.
try_files $uri $uri/ =404;
}
location /emoncms {
try_files $uri $uri/ /emoncms/index.php?q=$uri&$args;
}
location ~ \.php$ {
fastcgi_split_path_info ^(.+\.php)(/.+)$;
# # NOTE: You should have "cgi.fix_pathinfo = 0;" in php.ini
# # With php5-fpm:
fastcgi_pass unix:/var/run/php5-fpm.sock;
fastcgi_index index.php;
include fastcgi_params;
}
}
Re: eMonCMS with nGinX
Hey engeeaitch,
thanks for sharing your improved nginx configuration!
I tested it now, and with your configuration the apps-moduls (https://github.com/emoncms/app) are working too!
I'm very glad about that!
Many greetings,
Simsa


Nick Champagne
Software Engineer
A goal-oriented and organized professional with an appetite for technology. Hard working and focused, I enjoy working with mobile applications, wearable technologies, web services, and microservices.
@()
A goal-oriented and organized professional with an appetite for technology. Hard working and focused, I enjoy working with mobile applications, wearable technologies, web services, and microservices.


Base:
property
AuthenticationMechanism
System.Management.Automation.Runspaces.RunspaceConnectionInfo.AuthenticationMechanism
3 writes to AuthenticationMechanism
System.Management.Automation (3)
engine\remoting\commands\newrunspacecommand.cs (1)
1146
connectionInfo.
AuthenticationMechanism
= this.Authentication;
engine\remoting\commands\StartJob.cs (1)
662
connectionInfo.
AuthenticationMechanism
= this.Authentication;
engine\remoting\common\RunspaceConnectionInfo.cs (1)
1647
result.
AuthenticationMechanism
= this.AuthenticationMechanism;
1 reference to AuthenticationMechanism
System.Management.Automation (1)
engine\remoting\common\RunspaceConnectionInfo.cs (1)
1647
result.AuthenticationMechanism = this.
AuthenticationMechanism
;


Tools for performing the leaf reordering for the dendrogram that preserves the hierarchical clustering result and at the same time tries to group instances from the same class together.
| Version: | 1.0 |
| Depends: | R (≥ 2.10), gplots, graphics |
| Imports: | Rcpp (≥ 0.11.0) |
| LinkingTo: | Rcpp |
| Published: | 2014-07-23 |
| Author: | Natalia Novoselova,Frank Klawonn, Junxi Wang |
| Maintainer: | Natalia Novoselova <novos65 at mail.ru> |
| License: | GPL (≥ 3) |
| NeedsCompilation: | yes |
| CRAN checks: | ReorderCluster results |
| Reference manual: | ReorderCluster.pdf |
| Package source: | ReorderCluster_1.0.tar.gz |
| Windows binaries: | r-devel: ReorderCluster_1.0.zip, r-release: ReorderCluster_1.0.zip, r-oldrel: ReorderCluster_1.0.zip |
| OS X binaries: | r-release: ReorderCluster_1.0.tgz, r-oldrel: ReorderCluster_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=ReorderCluster to link to this page.


Hi I'm Troy Neubauer
This is my uid: 13263959
This is the template: retro
This is my email: troyneubauer@gmail.com


Mirror
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Enhanced Audio Log Experience aims to enrich the user experience when using the audio library from Trentoniana by providing real-time delivery of references such as:
By Akira Takada and Jason Chen @ The College of New Jersey (TCNJ)


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| Giotto | Last Judgement | Gruesome detail from a fresco at Capella Scrovegni in Padua, commissioned by a foolish banker to secure his place in heaven. |
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| Carlo Crivelli | St. Sebastian | Sebastian, perforated like a pincushion, is the patron saint of pinmakers. While he is normally depicted in this manner, Sebastian actually survived these wounds only to be later clubbed to death and thrown into a sewer. |
| Martin Schongauer | St Anthony Tormented by the Demons | Engraving, c. 1480 |
| Albrecht Durer | The Four Horsemen of the Apocalypse | This incredible series of woodcuts in 1498 made Durer's career |
| Domenico Ghirlandaio | Portrait of an Old man with a Child | An old man with a cauliflower nose, an amazing painting for the time |
| Luca Signorelli | Apocalypse | Detail from the fresco in the Chapel of San Brizio, Orvieto |
| Luca Signorelli | The Damned | Detail from the fresco in the Chapel of San Brizio, Orvieto |
| Luca Signorelli | The Damned | Detail from the fresco in the Chapel of San Brizio, Orvieto |
| Luca Signorelli | The Damned Being Plunged Into Hell | Detail from the fresco in the Chapel of San Brizio, Orvieto |
| Fra Angelico | The Last Judgement | Tempera on wood in the Museo di San Marco, Florence |
| Bosch | Seven Deadly Sins | Panel, 1480, in the Prado |
| Bosch | Death Comes to the Miser | Oil on wood, 1490, at the National Gallery of Art in Washington DC |
| Bosch | The Extraction of the Stone of Madness | Oil on wood, 1476, at the Prado |
| Bosch | The Man-Tree | Graphische Sammlung, at the Albertina in Vienna |
| Dieric Bouts | Hell | Oil on wood, 1450, Musee des Beaux-Arts, Lille |
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| Hans Holbein the Elder | Martyrdom of St. Sebastian | Lime panel, 1516, at the Alte Pinakothek in Munich |
| Leonardo da Vinci | A Grotesque Head | Drawing, c. 1504-7 |
| Giuseppe Arcimboldo | Summer | 1563, at the Kunsthistorisches Museum, Vienna |
| Giuseppe Arcimboldo | Summer | 1573, at the Louvre |
| Giuseppe Arcimboldo | Winter | 1563, at the Kunsthistorisches Museum, Vienna |
| Caravaggio | Judith Beheading Holofernes | One of the more gruesome paintings of the 16th century, 1598, at the Galleria Nazionale d'Arte Antica, Rome |
| Pieter Brueghel the Elder | The Triumph of Death | All segments of society are equally affected by Death. Much of the iconography in this painting is borrowed from the Dance of Death. Oil on panel, 1562, Prado. |
| Pieter Brueghel the Elder | Fishes | Pen drawing, 1556, Graphische Sammlung, Albertina, Vienna |
| Pieter Brueghel the Elder | The Fall of the Rebel Angels | Painted in 1562 |
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| Jusepe Ribera | The Flaying of Marsyas | At the Musee Royaux des Beaux Arts du Belgique |
| Rembrandt | Anatomy Lesson of Dr. Tulp | The most famous anatomy painting of all time, painted when Rembrandt was only 26. One dissection was permitted annually by Amsterdam's Guild of Surgeons; this depicts the dissection of Aris Kindt, hanged for robbery and dissected on January 16, 1632. |
| Rembrandt | The Flayed Ox | An uncharacteristic subject for Rembrandt, 1655. |
| The Limbourg Brothers | Hell | From the book of hours for the Duc de Berry, perhaps the most sumptuously illustrated book ever created for a private individual. |
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| William Blake | Marriage of Heaven and Hell | Painted 1790 |
| William Blake | Urizen: The Web of Religion | Watercolor and ink on paper, 1794 |
| William Blake | Dante and Virgil at the Gates of Hell | Virgil is Dante's guide during his travels through Hell, in his Divine Comedy. This is from a series of illustrations commissioned by John Linnell. |
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| Francisco Goya | The Third of May 1808 | Goya's most important painting, one of the first of a political nature. Here is captured a scene from the Spanish war of liberation, with Napoleon's troops executing members of the uprising. |
| Francisco Goya | Saturn Devouring His Young | Fresco, 1819, Prado |
| Edouard Manet | The Dead Toreador | Oil on canvas, 1864, in the National Gallery of Art, Washington DC |
| Vasily Vereshchagin | The Apotheosis of War | Oil on canvas, 1871, at the Tretyakov Gallery, Moscow |
| Vincent van Gogh | Skull Smoking a Cigarette | Oil on canvas, 1886, Rijksmuseum Vincent van Gogh, Amsterdam |
| Vincent van Gogh | Skull | Oil on canvas, 1887, Rijksmuseum Vincent van Gogh, Amsterdam |
| James Ensor | Skeletons fighting over a smoked herring | Painted 1891 |
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| Alfred Kubin | Madness | Drawing, 1904, Graphische Sammlung Albertina in Vienna |
| Gustav Klimt | Death/Life | Oil on canvas, 1908 |
| Marcel Duchamp | Fountain | The public wasn't quite ready for Duchamp's "ready-made" 1917 porcelain urinal, which seemed more focused on selection rather than creation. Is it art, or just a damn toilet? |
| Otto Dix | Cardplaying War Cripples | A work representing the absurdity of The Great War, which we now call World War I. Dix is known for his powerful anti-war statements. Oil, 1920, painting resides in a private collection. |
| Chaim Soutine | Carcass of Beef | Oil on cloth, 1925, Minneapolis Institute of Art. Compare to Rembrandt's 1655 painting above. |
| Frida Kahlo | A Few Small Nips | Oil on wood panel, 1935, Dolores Olmedo Foundation, Mexico City |
| Andres Serrano | Piss Christ | Controversial work in an unusual medium: plastic crucifix in urine with cow's blood |
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| All MobileDragon classes and types are enclosed in the single namespace ‘mdragon'. For portability it uses own defined equalents for common
data types. Char -
8 bits signed. MobileDragon classes are named as follows: first symbol
in upper case. If name of class is compound from multiple words every
word begins with upper case symbol. All others symbols in the class names
are in lower case. The same rules used for naming class methods and global
functions. class
MyClassName MobileDragon defines are named as follows: first symbol
in upper case. If name of define is compound from multiple words every
word begins with upper case symbol and are separated with underscores.
All others symbols in the define names are in lower case. #define This_Is_Define_Name MobileDragon variables are named as follows: all symbols
in lower case. If name of variable is compound from multiple words every
word begins with lower case symbol and are separated with underscores.
Bool this_is_my_variable;
Copyright 2005-2006 Herocraft Hitech Co. Ltd. |


CanvasTexture
class CanvasTexture
Creates a Canvas Texture of the given size
(when using WebGL, use invalidate
to force a reupload of the corresponding texture)
Constructor
new CanvasTexture(width: number, height: number, attributes: object) → {}
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| width | number |
the desired width of the canvas |
||
| height | number |
the desired height of the canvas |
||
| attributes | object |
The attributes to create both the canvas and context |
||
| attributes.context | boolean |
<optional> |
"2d" |
the context type to be created ("2d", "webgl", "webgl2") |
| attributes.offscreenCanvas | boolean |
<optional> |
false |
will create an offscreenCanvas if true instead of a standard canvas |
| attributes.willReadFrequently | boolean |
<optional> |
false |
Indicates whether or not a lot of read-back operations are planned |
| attributes.antiAlias | boolean |
<optional> |
false |
Whether to enable anti-aliasing, use false (default) for a pixelated effect. |
Summary
Properties from CanvasTexture
Methods from CanvasTexture
|
Clears the content of the canvas texture |
|
| ImageData |
|
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| Promise |
|
| Promise |
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| Promise |
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Public Properties
canvas: HTMLCanvasElement | OffscreenCanvas
HTMLCanvasElement | OffscreenCanvas
the canvas created for this CanvasTexture
context: CanvasRenderingContext2D
CanvasRenderingContext2D
the rendering context of this CanvasTexture
Public Methods
getImageData(x: number, y: number, width: number, height: number) → {ImageData}
Returns an ImageData object representing the underlying pixel data for a specified portion of this canvas texture.
(Note: when using getImageData(), it is highly recommended to use the willReadFrequently
attribute when creatimg the corresponding canvas texture)
| Name | Type | Description |
|---|---|---|
| x | number |
The x-axis coordinate of the top-left corner of the rectangle from which the ImageData will be extracted |
| y | number |
The y-axis coordinate of the top-left corner of the rectangle from which the ImageData will be extracted |
| width | number |
The width of the rectangle from which the ImageData will be extracted. Positive values are to the right, and negative to the left |
| height | number |
The height of the rectangle from which the ImageData will be extracted. Positive values are down, and negative are up |
| Type | Description |
|---|---|
| ImageData |
The ImageData extracted from this CanvasTexture. |
invalidate(renderer: CanvasRenderer | WebGLRenderer) → {}
invalidate the current CanvasTexture, and force a reupload of the corresponding texture (call this if you modify the canvas content between two draw calls)
| Name | Type | Description |
|---|---|---|
| renderer | CanvasRenderer | WebGLRenderer |
the renderer to which this canvas texture is attached |
resize(width: number, height: number) → {}
Resizes the canvas texture to the given width and height.
| Name | Type | Description |
|---|---|---|
| width | number |
the desired width |
| height | number |
the desired height |
setAntiAlias(enable: boolean) → {}
enable/disable image smoothing (scaling interpolation)
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| enable | boolean |
<optional> |
false |
whether to enable or not image smoothing (scaling interpolation) |
toBlob(options: object) → {Promise}
creates a Blob object representing the image contained in this canvas texture
canvasTexture.convertToBlob().then((blob) => console.log(blob));
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| options | object |
<optional> |
An object with the following properties: |
|
| options.type | string |
<optional> |
"image/png" |
A string indicating the image format |
| options.quality | number |
<optional> |
A Number between 0 and 1 indicating the image quality to be used when creating images using file formats that support lossy compression (such as image/jpeg or image/webp). A user agent will use its default quality value if this option is not specified, or if the number is outside the allowed range. |
| Type | Description |
|---|---|
| Promise |
A Promise returning a Blob object representing the image contained in this canvas texture |
toDataURL(options: object) → {Promise}
returns a data URL containing a representation of the most recently rendered image of this canvas texture (not supported by OffscreenCanvas)
renderer.toDataURL().then((dataURL) => console.log(dataURL));
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| options | object |
<optional> |
An object with the following properties: |
|
| options.type | string |
<optional> |
"image/png" |
A string indicating the image format |
| options.quality | number |
<optional> |
A Number between 0 and 1 indicating the image quality to be used when creating images using file formats that support lossy compression (such as image/jpeg or image/webp). A user agent will use its default quality value if this option is not specified, or if the number is outside the allowed range. |
| Type | Description |
|---|---|
| Promise |
A Promise returning a string containing the requested data URL. |
toImageBitmap(options: object) → {Promise}
creates an ImageBitmap object from the most recently rendered image of this canvas texture
canvasTexture.transferToImageBitmap().then((bitmap) => console.log(bitmap));
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
| options | object |
<optional> |
An object with the following properties: |
|
| options.type | string |
<optional> |
"image/png" |
A string indicating the image format |
| options.quality | number |
<optional> |
A Number between 0 and 1 indicating the image quality to be used when creating images using file formats that support lossy compression (such as image/jpeg or image/webp). A user agent will use its default quality value if this option is not specified, or if the number is outside the allowed range. |
| Type | Description |
|---|---|
| Promise |
A Promise returning an ImageBitmap. |


Outbound flights from to
| Flight | Departure Time | Arrival Time | First Class Cost | Economy Cost | Select Flight |
|---|
Return flights from to
| Flight | Departure Time | Arrival Time | First Class Cost | Economy Cost | Select Flight |
|---|
| Flight | Departure Time | Arrival Time | First Class Cost | Economy Cost | Select Flight |
|---|
| Flight | Departure Time | Arrival Time | First Class Cost | Economy Cost | Select Flight |
|---|


Terrible Record Beckons For Pirates?
by Soccer LadumaOrlando Pirates are currently in search of a defender to strenthen their squad, with the technical team aware of the club’s not so impressive defensive abilities this season.
Having decided against signing former Maritzburg United defender Brian Onyango, who trained with the team earlier in the season, the Buccaneers recently offered Ivorian central defender Kouassi Kouadja a trial with the team.
Read: One Pirates Star Returns, Another Next Year…
Under former coach Milutin Sredojevic and Rulani Mokwena, following their arrival for the start of the 2017/18 season, there has been notable improvement in Pirates’ defence.
Bucs conceded 26 goals and in 2nd place on the log at the end of the 2017/18 season, while the side further improved on their goals conceded last season with 24 goals and again finishing the league as runners-up.
Read: 6 Teams In Trouble, Ex-Bucs & Chiefs Duo Lead Chippa
Against Polokwane City on Tuesday, the Soweto giants conceded two goals in their 3-2 win to take their goals conceded tally to 18 in 12 matches – six goals to reaching last season’s goal count.
Pirates have had four clean sheets so far this season. Prior to the arrival of Sredojevic and Mokwena, Pirates had one of their worst defensive records in the league during the 2016/17 season after conceding 40 goals as they finished outside the top eight (11th) for the first time in the PSL era.
The club’s record for the highest number of goals conceded in a season stands at 60 in 1986.


The geometry file formats include points in 2 and 3 dimensions and triangles. All formats are ascii and entries are delimited by any consecutive sequence of delimiter characters: tab, space, line feed (ascii 0x0A), and carriage return (ascii 0x0D). Files can start and end with delimiters, which are ignored.
The points file format consists of a sequence of pairs of coordinates (2 dimensions) or triples of coordinates (3 dimensions). Each coordinate is a real number capable of fitting withing double precision accuracy. The number can be either in decimal or exponential notation. The specific format for 2d points is:
pbbs_sequencePoint2d
<x0> <y0>
<x1> <y1>
...
<x(n-1)> <y(n-1)>
and for 3d points:
pbbs_sequencePoint3d
<x0> <y0> <z0>
<x1> <y1> <z1>
...
<x(n-1)> <y(n-1)> <z(n-1)>
For rays we use the same format as points, but pair up adjacent points
.
The first of each pair is the source of the ray and the second the direction.
Therefore a file with n rays is equivalent to one with 2n points.
The triangles format starts with a sequence of coordinates and is followed by a sequence of triangles. Each coordinate is either a 2d or 3d point as in the point formats. Each triangle is a triple consisting of the indices of the coordinates of its three corners. The indices are zero based and refer to the position of the coordinate in the file. The number of coordinates and triangles is included in the file. In particular for 2d coordinates the format is as follows:
pbbs_triangles
<n>
<m>
<x0> <y0>
<x1> <y1>
...
<x(n-1)> <y(n-1)>;
<a0> <b0> <c0>
<a1> <b1> <c1>
...
<a(m-1)> <b(m-1)> <c(m-1)>
The format for triangles with 3d coordinates is the same but consists of n triples instead of pairs.


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