BOOGIE NIGHTS
A Film Review by James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
United States, 1997 U.S. Release Date: 10/17/97 (limited) Running Length: 2:28 MPAA Classification: R (Sex, nudity, profanity, violence) Theatrical Aspect Ratio: 2.35:1
Cast: Mark Wahlberg, Burt Reynolds, Julianne Moore, Don Cheadle, Heather Graham, John C. Reilly, William H. Macy, Nicole Parker, Luis Guzman, Philip Baker Hall, Alfred Molina, Melora Walters, Robert Ridgely Director: Paul Thomas Anderson Producers: Lloyd Levin, John Lyons, Paul Thomas Anderson, Joanne Sellar Screenplay: Paul Thomas Anderson Cinematography: Robert Elswit Music: Michael Penn U.S. Distributor: New Line Cinema
There was a time during the long history of the adult entertainment industry that porn films showed signs of artistic ambition. During the late '70s, a small cadre of directors believed that they could combine the raunch of real sex with an involving plot. It was a lofty goal, and one that ultimately proved impossible to realize, especially with the advent of video forcing movies to be made cheaper and faster. In his new film, BOOGIE NIGHTS, writer/director Paul Thomas Anderson takes us back to the disco era, and, by following a small group of characters, recreates the rise and fall of "artistic porn" and those who participated in it.
But BOOGIE NIGHTS isn't just an expose of the porn industry -- it's a provocative and involving character study, as well. While it could be argued that Anderson has bitten off more than he can chew -- a few too many of the men and women populating his film are left half-developed -- an overambitious approach is always preferable to the alternative, and BOOGIE NIGHTS does enough things right that it's easy to overlook its few shortcomings.
One of the movie's greatest, and most immediately obvious, assets is its ability to capture the feel and mood of the late '70s and early '80s. At different times throughout the film, Anderson uses long, single takes where the camera pans from one character to another, putting the viewer in the midst of a swirl of activity. The director also has a talent for picking just the right songs for each scene, making the soundtrack an integral part of the movie rather than just a jumbled collection of old disco hits. Add to that the hairdos, clothing, decor, and attitudes of the era, and you have an effective re- creation of recent history. And, unlike THE ICE STORM, which transpires in '70s suburbia, BOOGIE NIGHTS is set in the sleazy heart of Los Angeles' drug-and-sex industry.
Anderson also does a wonderful job of delineating the differences between the late '70s and the early '80s. The first half of the film, which takes place between 1977 and late 1979, is lively and energetic, with the focus on parties and good times. Then, following a pivotal sequence at a 1979/80 New Year's Eve gathering, BOOGIE NIGHTS' tone shifts to something more grim and contentious. The porn industry goes into a downward spiral with mass-market video supplanting carefully-made movies, and the actors and directors are sucked down with it. Drugs and death run rampant. No one dies during the movie's first half (although there is a drug overdose), but the final hour features a body count.
At BOOGIE NIGHTS' center is Eddie Adams (Mark Wahlberg), a waiter at a San Fernando Valley night club who is "discovered" by idealistic porn movie producer/director Jack Horner (Burt Reynolds). Jack's dream is to make a movie that is "true, and right, and dramatic," and his vision excites Eddie, who changes his name to Dirk Diggler and quickly becomes the hottest young stud in the industry. Together, the director and his star seek to elevate the Adult Film to the next level (which actually resembles a cheap exploitation action flick).
Dirk isn't the only one under Jack's wing. His home has become the gathering place for all sorts of damaged souls working in the business. There's Amber Waves (Julianne Moore), a top female star who has lost custody of her son because of her involvement with Jack. Rollergirl (Heather Graham) is an airheaded young starlet who drops out of high school to be in the movies. Buck Swope (Don Cheadle) is one of Jack's veterans, but his dream is to have a wife, a family, and his own hi-fi equipment store. Reed Rothchild (John C. Reilly) is a hanger-on who becomes close friends with Dirk. And Little Bill (William H. Macy) is a behind-the-scenes worker who never feels comfortable with the kind of movies that he's involved in. His resolution to this dilemma leads to BOOGIE NIGHTS' change of direction.
Although Mark Wahlberg has the starring role, and gives the best performance of his still-young career (although there are still times when he is stiff), he is easily overshadowed by two more impressive portrayals. Burt Reynolds, doing his best motion picture work in recent memory, develops Jack into a three-dimensional individual who really believes in his job until disillusionment hits. Matching Reynolds' performance step-by-step is Julianne Moore, who can add her role in BOOGIE NIGHTS to an ever-increasing list of interesting and challenging characters. Meanwhile, Heather Graham, Don Cheadle, and William H. Macy are impressive in smaller parts (all of them deserve more screen time).
BOOGIE NIGHTS is filled with so many subplots and secondary themes that it would be impossible to recount them all here. Some of the most obvious involve the allure of stardom and the price certain individuals are willing to pay to attain it, the difficulty of "rehabilitating" one's name after being associated with something as "damaging" as the porn industry, and the inner need to belong. All of the men and women populating BOOGIE NIGHTS encounter at least one of these elements as they traverse their character arc.
With BOOGIE NIGHTS, Anderson has realized the potential he showed in his previous feature, HARD 8 (which featured John C. Reilly and Philip Baker Hall, two members of this movie's ensemble cast). BOOGIE NIGHTS is a dramatically rich and visually arresting motion picture that has earned (and is deserving of) comparisons to the films of Robert Altman. Anderson takes risks with this movie, few of which fall short. (One of these is the pointed and sure-to-be controversial final shot -- a perfectly conceived and framed statement about the de-humanizing effects of the porn industry.) The result is a memorably penetrating motion picture.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>The website has moved!! The new address is: http://movie-reviews.colossus.net/
"The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it..."
- Jean-Luc Godard
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--- title: Where I serve hero: Where ---
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Flash! is a popular application for displaying animated visual information. It has it’s own development language (ActiveScript) for creating sophisticated interactive menus, animated movies and games. ActiveScript has an internal function called getURL(). This function is used for redirecting the client browser to another page. Normally the parameter supplied to the function would be a URL. However, due to integration features between the Flash! interpreter and the web browser, it is possible to insert scripting code that would be successfully interpreted by the client web browser.
For instance, instead of:
getURL("http://www.technicalinfo.net")
It is possible to specify scripting code:
getURL("javascript:alert(document.cookie)")
Thus, it is possible to embed potentially dangerous scripting elements within a common file format. The real significance of this threat is that it potentially bypasses many corporate content inspection systems (particularly those that filter out HTML <script> type tags) and local security web browser settings.
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<EMBED
src="http://evil.org/badflash.swf" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?
P1_Prod_Version=ShockwaveFlash"
type="application/x-shockwave-flash"
width="100"
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</EMBED>


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|
retinanet-cell-detection
1
retinanet-cell-detection: RetinaNet for cell detection.
|
Copyright 2017-2018 Fizyr (https://fizyr.com) More...
Classes | |
| class | AnchorParameters |
| The parameteres that define how anchors are generated. More... | |
Functions | |
| def | anchor_targets_bbox (anchors, image_group, annotations_group, num_classes, negative_overlap=0.4, positive_overlap=0.5) |
| Generate anchor targets for bbox detection. More... | |
| def | compute_gt_annotations (anchors, annotations, negative_overlap=0.4, positive_overlap=0.5) |
| Obtain indices of gt annotations with the greatest overlap. More... | |
| def | layer_shapes (image_shape, model) |
| Compute layer shapes given input image shape and the model. More... | |
| def | make_shapes_callback (model) |
| Make a function for getting the shape of the pyramid levels. More... | |
| def | guess_shapes (image_shape, pyramid_levels) |
| Guess shapes based on pyramid levels. More... | |
| def | anchors_for_shape (image_shape, pyramid_levels=None, anchor_params=None, shapes_callback=None) |
| Generate anchors for a given shape. More... | |
| def | shift (shape, stride, anchors) |
| Produce shifted anchors based on shape of the map and stride size. More... | |
| def | generate_anchors (base_size=16, ratios=None, scales=None) |
| Generate anchor (reference) windows by enumerating aspect ratios X scales w.r.t. More... | |
| def | bbox_transform (anchors, gt_boxes, mean=None, std=None) |
| Compute bounding-box regression targets for an image. More... | |
Copyright 2017-2018 Fizyr (https://fizyr.com)
Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.
Modifications copyright (C) 2019 Bruno Gregorio - BIPG
https://brunoggregorio.github.io
https://www.bipgroup.dc.ufscar.br
| def mynet_keras.utils.anchors.anchor_targets_bbox | ( | anchors, | |
| image_group, | |||
| annotations_group, | |||
| num_classes, | |||
negative_overlap = 0.4 , |
|||
positive_overlap = 0.5 |
|||
| ) |
Generate anchor targets for bbox detection.
| anchors | : np.array of annotations of shape (N, 4) for (x1, y1, x2, y2). |
| image_group | : List of BGR images. |
| annotations_group | : List of annotations (np.array of shape (N, 5) for (x1, y1, x2, y2, label)). |
| num_classes | : Number of classes to predict. |
| mask_shape | : If the image is padded with zeros, mask_shape can be used to mark the relevant part of the image. |
| negative_overlap | : IoU overlap for negative anchors (all anchors with overlap < negative_overlap are negative). |
| positive_overlap | : IoU overlap or positive anchors (all anchors with overlap > positive_overlap are positive). |
| def mynet_keras.utils.anchors.anchors_for_shape | ( | image_shape, | |
pyramid_levels = None , |
|||
anchor_params = None , |
|||
shapes_callback = None |
|||
| ) |
Generate anchors for a given shape.
| image_shape | : The shape of the image. |
| pyramid_levels | : List of ints representing which pyramids to use (defaults to [3, 4, 5, 6, 7]). |
| anchor_params | : Struct containing anchor parameters. If None, default values are used. |
| shapes_callback | : Function to call for getting the shape of the image at different pyramid levels. |
| def mynet_keras.utils.anchors.bbox_transform | ( | anchors, | |
| gt_boxes, | |||
mean = None , |
|||
std = None |
|||
| ) |
Compute bounding-box regression targets for an image.
| def mynet_keras.utils.anchors.compute_gt_annotations | ( | anchors, | |
| annotations, | |||
negative_overlap = 0.4 , |
|||
positive_overlap = 0.5 |
|||
| ) |
Obtain indices of gt annotations with the greatest overlap.
| anchors | : np.array of annotations of shape (N, 4) for (x1, y1, x2, y2). |
| annotations | : np.array of shape (N, 5) for (x1, y1, x2, y2, label). |
| negative_overlap | : IoU overlap for negative anchors (all anchors with overlap < negative_overlap are negative). |
| positive_overlap | : IoU overlap or positive anchors (all anchors with overlap > positive_overlap are positive). |
| def mynet_keras.utils.anchors.generate_anchors | ( | base_size = 16 , |
|
ratios = None , |
|||
scales = None |
|||
| ) |
Generate anchor (reference) windows by enumerating aspect ratios X scales w.r.t.
a reference window.
| def mynet_keras.utils.anchors.guess_shapes | ( | image_shape, | |
| pyramid_levels | |||
| ) |
Guess shapes based on pyramid levels.
| image_shape | : The shape of the image. |
| pyramid_levels | : A list of what pyramid levels are used. |
| def mynet_keras.utils.anchors.layer_shapes | ( | image_shape, | |
| model | |||
| ) |
Compute layer shapes given input image shape and the model.
| image_shape | : The shape of the image. |
| model | : The model to use for computing how the image shape is transformed in the pyramid. |
| def mynet_keras.utils.anchors.make_shapes_callback | ( | model | ) |
Make a function for getting the shape of the pyramid levels.
| def mynet_keras.utils.anchors.shift | ( | shape, | |
| stride, | |||
| anchors | |||
| ) |
Produce shifted anchors based on shape of the map and stride size.
| shape | : Shape to shift the anchors over. |
| stride | : Stride to shift the anchors with over the shape. |
| anchors | The anchors to apply at each location. |


As an Orientation Leader for McGill Orientation 2020, I hereby agree to the following for the entire duration of Orientation activities, starting on Monday, August 24th, 2020 and ending at noon on Monday, August 31st, 2020.
CODE OF CONDUCT
Full Participation and Availability
I will attend each event listed on the schedule, including all training, and will participate fully in all events.
I will not do anything, including but not limited to consuming alcohol, which results in me being incapable of fulfilling my duties as an Orientation Leader/Orientation Staff (as specified in the signature form)
I will ensure that participants in my group are able to contact me at all times and I will keep track of their whereabouts during Orientation while they are under my assignment/supervision.
I will at all times gauge my group’s and participants’ reactions to events and activities and respond to any negative reactions with the individual(s) accordingly and respectfully to create an inclusive and safe space.
Safety and Well-Being of Everyone
I will promote and create an emotionally and physically safe environment for all Orientation participants and members of the University and general public.
I will report any unsafe behavior by any Orientation Leader, Orientation Staff, or participant to an Orientation Coordinator. I will caution any Orientation Leader, Orientation Staff or participant that inappropriate behavior or actions may lead to disciplinary actions being taken against them.
Responsible Drinking and Alcohol Safety
I agree that my actions and statements during Orientation will reflect the reality and mentality that Frosh is an event with drinking and not for drinking.
I understand that the virtual context of Frosh 2020 results in the reality that I cannot offer immediate assistance in the event that a participant, Orientation Leader, Orientation Staff or Orientation Coordinator makes the choice to consume, or over-consume alcohol.
I will not explicitly or implicitly pressure participants and/or Orientation Leaders and Orientation Staff to consume alcoholic beverages and will respect and accommodate to the reality that encouraging drinking in an online context puts participants at risk in a situation during which I cannot offer immediate assistance.
I will not promote the consumption of alcohol through drinking games or otherwise, and will not allow the consumption of alcoholic beverages by participants under 18 years of age.
3.2.1 I will be mindful that the laws and regulations concerning consumption of alcohol vary across the world for participants and will remind participants of such laws and regulations, should they be consuming under the appropriate mandated age restrictions.
I myself will not consume alcohol to a point where I cannot perform and/or complete my duties and responsibilities as an Orientation Leader or Staff
Harm Reduction and Illegal Substances
I shall not distribute nor promote any drug use or substance, legal or otherwise, to participants, and I will not possess or use any drug or substance, legal or otherwise, during Orientation at any time.
I will inform Orientation Coordinators if there is any indication that an Orientation Leader, Orientation Staff, a participant, or an outside party is distributing drugs, legal or otherwise.
I will caution any Orientation Leader, Orientation Staff or participant who is using drugs, legal or otherwise, that their actions, while under the influence of such substances, may lead to disciplinary actions being taken against them.
Professionalism and Appropriate Conduct
I will behave in a manner that will uphold McGill’s reputation and the reputation of the Engineering Undergraduate Society.
I will maintain an appropriate relationship between myself and all Orientation participants and members of the University and general public.
I will not engage in any behavior or attitude that is or has potential to be offensive, obscene, exclusive, or hurtful toward any Orientation participant, Orientation Leader, Orientation Staff or Coordinator or any member of the University or general public; this includes, but is not limited to, remarks or actions that disparage race, sex, gender, sexuality, physical or mental ability, age, class, religion, personal choices, etc.
I will not write nor produce, nor allow others to write nor produce, offensive or obscene words or images on any Orientation Leader’s, Orientation Staff’s or participant’s t-shirt, bag, body, or any other publicly visible material or space.
I will caution any Orientation Leader, Orientation Staff or participant who does the above that their actions may lead to disciplinary actions and/or legal action and/or monetary fines being taken against themselves and/or the participant’s Orientation Coordinators and/or the participant’s Orientation Leader.
While in public areas, on or off campus, I will not partake in, nor encourage, nor lead the vocalization/chanting of any potentially obscene or offensive statements, songs, or chants including, but not limited to, “McGill Once, McGill Twice” or any anti-Concordia/other university song.
I will caution any Orientation Leader, Orientation Staff or participant who does the above that their actions may lead to disciplinary actions and/or legal action and/or monetary fines being taken against themselves and/or the participant’s Orientation Coordinators and/or the participant’s Orientation Leader.
As I hold a position of authority, I acknowledge that there is a power dynamic and such, I will not have any intimate nor sexual contact with any Froshie or Coordinator under any circumstance.
CONSEQUENCES FOR MISCONDUCT
I understand that failure to comply with any of the terms listed in the entirety of the contract may result in the removal of my Orientation Leader/Staff bracelet and the termination of my participation in Orientation activities. No money will be refunded. My bracelet may be removed at any time by an Orientation Coordinator or by McGill Security Services at their sole discretion. I consent to sharing my personal information (such as name, student ID and faculty) with other faculties, should I break this contract. Furthermore, any misconduct at any time which contravenes the Student Handbook on Student Rights and Responsibilities can result in disciplinary action by the McGill administration through the Office of the Dean of Students under an official Memorandum of Understanding between McGill and all Frosh organizations.
Anyone who is added to the Frosh Involvement Restriction Policy will be barred from all future Orientation Week & Frosh events and this barring can be extended to all Faculty social events including: BdA, Detention Den, Blues Pub, The Ceilidh, 4à7, The Practice Room, Blues Pub, After Hours, Carnival, Hype Week, Faculty Graduation Balls, e-Week, Science Games, Faculty Olympics and others.


BLACK ROBE A film review by John Schuurman Copyright 1996 John Schuurman
Directed by Bruce Beresford Reviewed by John Schuurman
THE BLACK ROBE, a disturbingly brutal movie, marks for Australian Bruce Beresford a move from realism into the darker realm of naturalism. His movies have always been noted for their honest, matter-of-fact approach. He also has consistently dealt withmatters of ultimate value, never being shy of probing the vulnerable spots of the human condition, but this film marks for him a significant and courageous move towards something really dark, and, as I hope to show, amazingly light. In his other fine films, "Driving MissDaisy", "Tender Mercies", "Breaker Morant", and "Crimes of the Heart" to name but a few, Beresford pokes around tender spots but does so with some tenderness of his own. Here -- no more. This is a move from innocuous realism to brute naturalism.
In this film, nature is primitive and savage. Even the "beautiful" scenery in truth is foreboding and full of threat. There is no romanticizing of nature as in "Dances with Wolves" or so many American films. No wispy clouds or sunlit days. As I think back on the film, I can not recall anything other than low, grey, forbidding skies. Perhaps there was some sunshine. I doubt it.
The most stark contrast between "Dances with Wolves" and this movie is of course the portrayal of the Native Americans. "Dances" was politically correct of course but ridden with cliches and wholly dishonest to anyone who has even a passing awareness of NativeAmerican cultures. Red men were not nearly so noble nor white men nearly such blackguards. Conversely, "Black Robe" is perhaps excessive in making its point of the brutality of unredeemed natural man. But the indians, for all the barbarism are fully human. We see many moments of their tenderness and humor. Even the most savage of them areshown not to engage in cruelty for its own sake but rather for the sake of their gods. (Witness the Iroquois chiefs in the sweat lodge debating the fate of their prisoners.) For them, the way of the war club was their faith and the sacrifice of flesh a sacrament, (a profound pa rallel to that "other" faith).
The whites too were shown "warts and all". Beresford's point, "There, but for the grace of God, go I" is shown in the opening scenes in Champlain's New France. The French too are filthy and vulgar -- one can easily suppose that they would be as brutal as the indians given a different set of accidents of time and place and birth. The priest's interactions with the fur trader who gives whiskey to the natives and the rude builders are cases in point. This cultural relativism is most meaningfully shown in the dance and processional scenes near the beginning of the film. In this striking juxtaposition of cultures it seems that both are equally superstitious, equally impressed with a show, and equally silly about how the spiritual interacts with the physical.
This point is made constantly throughout the film: The delight of the indians and the revulsion of the priest as he moves his bowels over the side of the canoe; the unearthly view of "paradise" that the priest has, (no food, no tobbacco, no sexuality, only God); and thebelievability given to the whole cult of dreams.
In sum, the movie would fall sloppily into the long stream of pluralism movies and be little more than an exercise in the relativity of cultures -- up to a crucial point, and that is where this film parts company with the others and becomes something quite remarkable.
Like "Chariots of Fire", this movie takes two world views and compares them. Whether it be two reasons for running competitively, or two views of man's religious motives, the two movies facilitate an exchange between the two world views and finds them equallyHUMAN. In the case of Chariots they are found equally sympathetic. In Robe equally vulgar and superstitious. But then having done that, deftly and without blinking both films show that one is darkness and the other light.
The evidence for this is seen first of all in the priest, who though very much the arrogant Jesuit, (a remarkably accurate portrayal of that "Society of Jesus,"); and though he is possessed of all the medieval tom-foolery about a mystical paradise, yet truly is moved by acompassion that is not human, (in truth it is divine). His motive comes from somewhere else. Like Eric Liddle in Chariots of Fire, his *modus operandi* is the Biblically informed, Holy Spirit enlightened world view of the Christian. At the end when the Huron chief moved bysuperstition to request baptism, asks, "Do you love us?" we see a quick parade of the faces we have come to know, fear, and respect in the film; primarily we see people, -- neither straw men nor beasts -- whom the priest really does love, with a love that transcends cultural andethnic barriers -- a love that is Christianity's unique innovation in the world.
The other evidence for the "Christian=light/ aboriginal=dark" theme in this work is the eyes of the young Frenchman who travels with the priest. Most of the movie is seen through his eyes. He goes through all of the enchantment with the primitive that we would expect of idealistic youth. He struggles with all of the questions as to "what makes us think we have a better answer than they do?" And then in the torture chamber of the Iroquois after all the savagery, hears a terrible truth from his friend the magnificent Algonquian chief: Chief: "Now what do you think? Do you still want to be one of us?" Youth: "They are Iroquois They are animals."  We would have done the same thing." At the end, the youth, (our eyes), finally a believer, wants to continue on with the priest to the Huron village. The priest sends him back with the girl. "We have taken everything she has," a statement filled with the sadness that such conquests of pagan culture are necessary.
The epilogue states that the Hurons having accepted Christianity were massacred 15 years later. That sort of thing has indeed happened to many Indian tribes that gave up the religion of the war club for that of the cross. Those "failures" might well be seen as thedefinitive proof that the white man's religion was a curse upon everyone it touched. But the death of the martyr has always been a part of the Christian story. "The blood of the martyrs is the seed of the church," and all of that.
for more reviews by John Schuurman see http://www.mcs.com/&7Esjvogel/wcrc/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


2 references to WriteLineCallback
System.Management.Automation (2)
FormatAndOutput\common\ILineOutput.cs (2)
477
internal StreamingTextWriter(
WriteLineCallback
writeCall, CultureInfo culture)
506
private readonly
WriteLineCallback
_writeCall = null;


THIEVES (LES VOLEURS) A film review by Edwin Jahiel Copyright 1997 Edwin Jahiel
THIEVES (LES VOLEURS) (France,1996) *** 1/4 Directed by Andre Techine. Written by Michel Alexandre, Pascal Bonitzer, Gilles Taurand,Andre Techine. Photography, Jeanne Lapoirie. Editing, Martine Giordano. Set design, Ze Branco. Music, Philippe Sarde.Cast: Catherine Deneuve (Marie Leblanc), Daniel Auteuil (Alex), Laurence Cote (Juliette Fontana), Fabienne Babe (Mireille), Didier Bezace(Ivan), Julien Riviere (Justin),Grandfather (Ivan Desny),Pierre Perez (Fred),Regis Betoule (Regis), Naguime Bendidi (Nabil),Didier Raymond(Lucien),Benoit Magimel (Jimmy Fontana), Chiara Mastroianni (Graduate Student) . A Sony Classics release. In French with subtitles, 117 min.Rated R (strong sexuality, violence,language)
Andre Techine ("Te" as in "terrible" "chi" as in "Chicago", accent on "ne" as in "negative") used to be a critic for the "Cahiers du Cinema" in that magazine's most esoteric period, before he began making films in 1974. His background may explain some of his characteristics as director-screenwriter. He is now in his early fifties.
Through 1996, 14 of his films have been released. Since 1993's "My Favorite Season" (starring Catherine Deneuve and Daniel Auteuil), Techine has been on a roll, in the USA too, with that movie, "Wild Reeds," and now "Thieves" (also with Deneuve and Auteuil).
Daniel Auteuil keeps reminding me of the great Michel Simon (1895-1975) in one way. Simon was, from his earliest films on, the ugliest star in France. Among the big, talented names today, Auteuil is up there too, at least in the category of far-from-pretty. His re-teaming with beautiful Deneuve adds another Beauty and the Beast to this category, but not in simple, obvious ways -- especially since the man's acting easily makes you forget his odd looks.
In "Les Voleurs" Auteuil shares the limelight with many other characters, but the main spotlight is on him. I say "main" because spotlights are also on several others and in an almost bewildering array of combinations and permutations. These, plus the film's use of many flashbacks and flashforwards, force the viewer to concentrate without pause on the people, facts and events on the screen. I would have preferred fewer flashbacks and a more linear construction.
To tell the plot would take up more space than a reviewer is given. It would also disclose what should not be revealed. Not so much in the whodunit way, though this movie is among a host of other things,also a thriller, but in all the other components.
"Thieves" takes place in our time, in and around Lyon, France's third largest city.Alex (Auteuil) is a police detective who never smiles. He divorced his wife (a cop too) because he did not want to hve children ("who wants to bring them up in this world?"). He is all-cop, always in contact with seamy life. His main beat is the "Cites," low-rent public housing complexes for low-income people (including immigrants) where it is risky for him to walk the streets at night.
Alex is semi-alienated from his family and has not seen some of them for four years, others for ten. He lives alone on a small salary. His father, a mysterious man, is wealthy. Alex has an older brother, Ivan, a shady type who runs an industrial-strength operation of expensive stolen cars, and has just opened Mic Mac, a nightclub. Ivan has a wife, a 10-year old boy (a loner), many mistresses. He boasts to Alex about his wealth, disdains Alex's modest existence.
When Alex does meet member sof the family, it is for unavoidable or semi-professional reasons. The encounters, even when friendly on the surface, reveal a great deal of disapproval , antagonism and hostility on all sides. .
In Ivan's entourage are a young man, Jimmy and his sister Juliette. They both have criminal records. Jimmy is now the junior partner at the Mic Mac.
There is an odd, kinky relationship between Alex and Juliette, after she is brought to him for shoplifting. There is also Marie (Deneuve), who teaches philosophy at the uiversity, is divorced and a grandmother (scrumptious) who has entered into a passionnate relationship with her student... who happens to be Juliette. Because of Juliette, the professor and the cop meet and develop a weird sort of rapport.
Much happens in the movie, with the stress on character exploration and relationships. Some relationships may strain belief, but do not break it. The Alex-Ivan setup goes further and deeper than the sometimes Hollywood-familiar "brothers on opposite sides of the law." Juliette, a dysfunctional cipher in many ways, keeps reminding me of Juliette Lewis. She has had several quirky relationships and there is even a vague hint of incest. And so it goes.
This is not "entertainment" in the ordinary sense, but while not cheerlful, the complex, unusual persons and happenings,the tough, psychological, erotic and "intellectual" aspects are fascinating to follow in this zig-zagging story. Twice I have seen "Thieves" eight months apart. The second viewing was even more satisfactory than the first.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Recently reports have been emerging in medical journals of opiate addicts abusing clonidine to get a opiate like high. I also found a government website that lists clonidine as a emerging drug of abuse and found reports that clonidine is being sold on the streets of new york. Also a new finding in a medical journal showed that the opiate antagonist naloxone could reverse clonidine ODs. This suggested mu opiate receptor involvement in clonidine OD symptoms. Further more medical texts list clonidine OD as presenting similar symptoms to narcotic overdoses. This evidence suggested to me that clonidine ODs would be similar to narcotic ODs. I could find no evidence in drug forums or on any drug website that people were using clonidine and thus I had no dosage guidelines to go by for experimentation. My one guideline was of a heroin addict that took 2mg of clonidine and said it gave him a nod better then heroin.
I chose to slowly titrate my dose from .600ug (micrograms) to a total of 1.2mg. This had the advantage of being slightly safer then taking all my pills at once. Also considering clonidine has a long half life I would most likely not lose any of the effect by waiting.
It took approximately two hours to reach my total dose(1.2ug). At 600ug I felt slightly sedated. There was no real opiate buzz present, no feelings of contentment, just sedation. At 800ug the sedation was increased but again feelings of opiate contentment were not present. Once I reached my total dose of 1.2mg I felt very sedated and dizzy. Concentration was hard but I didnít feel all that messed up. I decided to go to sleep and I slept very nicely for a few hours. However I woke up frequently with numb limbs presumably because there was insufficient blood flow to the area. Also my mouth was very dry.
After waking up again I decided to get something to eat to combat the dryness in my mouth. On the way up the stairs to the kitchen I nearly passed out. I went back down stairs and took my blood pressure. It was 90 over 60 (pulse 90). Presumably upon standing it dropped even further. This bothered me, but it was not unexpected. This stuff is made to lower blood pressure after all. At this point (4 hours into the trip) I decided to stay confined to my bed since if I tried to do anything I would pass out from insufficient blood to the brain.
 My hearing became hollow and I heard a rushing sound I have never heard before. My vision went into tunnel mode and was very annoying. Just so that it is clear these effects were directly caused by low blood pressure, they were not primary effects of clonidine, although clonidine caused the low blood pressure. I decided to just sleep it off and make sure my blood pressure didnít go any lower. I drank a lot of water and I treated my dry throat with some chewing gum.
The sedation that was present was similar to zopiclone sedation or even valium, but I would not rate it as being as fun. It was sedation without any mental change. Unlike valium which relaxes me this was just sedation nothing more. It is now ten and half hours since the experience and I am still fairly sedated even though I have drunk nearly a pot of coffee in an attempt to reverse some of the side effects. Currently my blood pressure is 120 over 90 and my pulse has decreased to 60.
Overall I think this experience was not fun. I donít like not being able to stand up. I donít like sedation when there is no exhilaration. I donít like a constant dry mouth.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Instancing Examples
Four years ago Matthew started collecting examples on working with instances. What started as a rough collection of ideas has turned into a collection of over 40 different examples.
In this revised set of examples the format and presentation has also changed. Initially the user had to mouse around networks and look for readmes to learn about the examples. In this new version all examples can be explored through a purpose built UI:
This new starting point allows the developer to quickly jump between examples without needing to open the TouchDesigner network. The interface is re-designed with three primary interaction regions in mind: the Navigator, the Readme, and the Liveview.
The Navigator
The Navigator organizes examples into sensible groupings. These high level containers can be collapsed by clicking on their heading. Each example also includes a button to jump to the example, or to open a TouchDesigner network view of the example. This allows you to both see the example rendered and see how it was built all at the same time.
The Readme
The Readme pane has a short description of what you’re seeing. This set of documentation is intended to go along with each specific example and includes discussion about the particular techniques employed. Using the globe network icon on the Navigator will open the readme in your browser if you’d like a slightly larger window for reading through the documentation.
Right now there’s a small display bug on macOS that prevents the scroll bar from working correctly - that’s okay, you can always use the globe icon to open the readme in your default browser instead. You can follow along with the bug report if you’re a mac user here.
The Liveview
The Liveview let’s you see the output render from the network at a glance — making it easy to determine if this technique is one that you’d like to learn more about.
In addition to exploring the examples through the viewer, there’s also a button to open the network view for the example. This lets you jump immediately into the network and see how the instances were set-up.
This project has been a labor of love to collect, organize, and compile materials for other passionate developers and educators. We’re hoping that enthusiasts, instructors, and creative developers alike will find this useful and interesting both as a tool and as a reference.
Examples
Instances Quick Overview
- Simple Instances with CHOPs
- Simple Instances with SOPs
- With Scale
- With Unique Scale
- Scale and Rotate to Vector
- Rotate to Vector and Color
- Rotation and Color with CHOPs
Techniques for Using CHOPs
Techniques for Using DATs
- From a Table
- From a Table with Scale
- Updating Table
- From a SOP
- Fetched with a Script CHOP
- From Storage with a Script CHOP
Techniques for Using SOPs
- SOP Blending and Rotation
- Image Carousel using a line
- Image Carousel using a Circle
- Using Life to Derive Scale
- Building Cubes with Unique Faces - Cubemaps
Techniques for Using TOPs
The Point File In TOP
2D Arrays
3D Arrays
Instances of Instances
Complex Rotation
- Rotation Calculations with the Object CHOP
- Manual Rotation Calculations
- The Object CHOP
- The Object CHOP and Feedback
GLSL and Instances
- Changing Instance Position with GLSL
- Textures to Displace Instances
- Color and Scale from Texture
- 2D Texture Arrays and Instancing
- Noise Functions for Instances
- Curl Noise Functions for Instances
Pixel Mapping Geometry
Puzzle Pieces
Miscalanious Techniques
Thanks
❤ SOME THANK YOUS FROM MATTHEW ❤
…to Zoe Sandoval for their tireless work editing, play testing, and making all of these examples better. If it wasn’t for their handwork, and attention to detail this tool wouldn’t be nearly as complete or well constructed.
… to Ian Shelanskey for his passion and encouragement to keep making examples, and to craft them into a single unified example.
… to Michael Walczyk for his mentorship, guidance, and constant enthusiasm. I would have been lost in the GLSL wilderness without Mike, and I always appreciate when I can ask him some crazy question about rendering and mathematics.
… to Elburz Sorkhabi and everyone at The Interactive Immersive HQ. Many of you were kind enough to test and look through these examples before posting this. The engagement and hunger for learning TouchDesigner in that community continues to inspire me, and is a reminder about why these kinds of examples are useful and important to share.
… to the Derivative Team for their toolkit that never stops being fun to use, and for their thoughtful feedback and support through building out this collection. From combing through the forum, to late night conversations with Greg and Ben I wouldn’t have gotten this far without them.


{% extends 'templates/nhs_transaction_layout.html' %}
{% import 'includes/form_macros.html' as form_macros %}
{% block afterHeader %}
{% include "includes/service-headers/health-costs-checker.html" %}
{% endblock %}
{% block content %}
Which country do you live in?
{% endblock %}


--- layout: splash author_profile: true permalink: /about/ ---
Ambitious and driven, in December 2018 I embarked upon the greatest challenge of my life; rowing 3000 miles across the Atlantic to challenge the everyday use of plastic as part of team Status Row.
After returning to the UK in February 2019 I took on a new challenge to manage the 3 month Kik-Plastic tour (7000km cycle participating in daily beach cleans with local communities) further raising awareness of the plastic pollution crisis and activating communities along the way.
Always looking for the next challenge, I'm passionate, determined and highly motivated to drive change for the better. Working with great teams to solve real-life problems, and creating a few along the way.


{% extends "viewemail.html" %}
{% block email_content %}
You can stop worring about Tony Giugiaro breaking your legs. I've just
earned some big bucks from a portuguese startup's IPO and can lend you
the money.
--
Bruce Walters<EMAIL_ADDRESS>Systems Administrator - Shay D'Mail, Inc.
{% endblock %}


Robin VanGilder Web Development Examples and Resources
Social Media Optimization
If you want your website to be seen in today’s internet, you must have a strong presence on social media. Twitter, Facebook, Instagram, Tumblr: these sites have centralized internet use over the past decade to an incredible degree. It doesn’t matter how great your site is or how compelling your content may be if nobody even knows it exists. In the old days, you might be able to get away with links from other sites, or buy some ads, but the modern approach is all about achieving and maintaining social media optimization (SMO).
How is this different from the older discipline of search engine optimization (SEO)? That strategy mostly consisted of tricks designed to appeal to the algorithms used by search engines to make your content appear more relevant or important. A focus on text, only sparing usage of images, creating many smaller pages of content to simulate a larger site, these are no longer the best strategies. The focus has shifted from the invisible and inhuman machinery that used to drive the web, but rather on the end user’s actual experience (Enge). If users aren’t enjoying using your site, then they won’t tell other people about it, and thus it will not gain any traction in the world of social media.
The rules of SMO laid out by Nick Burcher focus on making a site easy to use and also easy to share. The goal is to smooth out any roadblocks between a user engaging with your content, and then also sharing that content with others. He acknowledges that this will be a learning process, and may involve some trial and error. A good SMO strategy is a flexible one, willing to drop tactics that aren’t working, and continually experimenting with fresh ideas.
Burcher also notes that it is very important to engage with the audience on their own level, with two of his rules being: “Be humble” and “Be real”. A superior or detached tone on social media will only alienate your potential audience. Seeking out professionals who are fluent in the social language of your audience is essential if you want to promote engagement with your content.


{% extends 'base.html' %}
{% block title %}All CodeCatz Projects{% endblock %}
{% block content%}
This page will show all our projects and who is working on what.All CodeCatz Projects
Project short description:Fun, ragdoll Gizmo boots feel caturday home whisker. Kitten, family run buddy curiosity furball sleeping boots. Backyard kitten friend's long pillow cat sunbathe beautiful petting kittens siam tabby dog baby lady cute disapproval belly her. Siam spoon buddy house smile feed me this spoon home cats fire cat meet.
Project short description: Kitten Ipsum curls persian purses psycho finally, spot friend meowlly friends go sucked cat cat thinks ham cat baby cinnamin spoon watched kills favorite friend crosseyed saved.
Project short description: Friend adoption grandparents kitty aww jump, sleep on your keyboard cats down love oscar dog run kitty cats turbo hendrix buddy eyes Zooey! Standing his cats reddit feel cake day waking cat mercedes hairball prince backyard cat buddy norwegian forest cat birdwatching yoda french favorite aww meowschwitz fire backyard me special.
  Meow siamese love knock over the lamp petting norwegian forest cat helped lick new watched sleepy tabby bed pants, family together socks siamese sister's reddit.


Programmer Survey Form
This is simple survey form Please fill your information
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Technologies: NodeJS, Express, React, Vue, SQL, NoSQL (MongoDB), Adobe CC, Modern Web APIs, Git, HTML/CSS
Some exposure: Go, Elixir, Erlang, C#, PHP
Experience
St. Joseph Communications (formerly Rogers Media) Software Engineer (Digital Publishing Programmer)
Toronto, ON • Jun 2016 - Present
Designed and developed a system for automating the transformation of inDesign-formatted print files to Apple News+ format for publishing complex designs on a regular basis
Eased art and editorial team workloads by virtually eliminating the need for an entire separate production workflow for publishing regular editions to an additional platform
Designed an internal REST API service to take shorthand data extracted from INDD files and transform them into final Apple News+ format before transmitting them to Apple’s news service.
Automated content generation for non-technical teams including designers and product owners for a major Canadian sports broadcaster
Designed a full-stack web application in TypeScript and NodeJS on the back end, ReactJS on the front end that generated dynamic applications where users could submit team rankings, get a total consensus of all user’s
rankings, and share their personal rankings via a unique URL
Improved mobile editions publishing efficiency and facilitated the move to HTML format while ensuring print edition quality
Designed a full-stack web-based application using ES6 ReactJS, NodeJS/Express, MongoDB to enable editors to easily template articles for production in national, award-winning magazine brands.
Supported the successful implementation of revenue-boosting dynamic ad insertion program for national radio digital streams
Designed a front-end web application HLS stream diagnostic tool for assessing network and metadata issues using ES6 JavaScript, HLS.js, and Web Audio API's
Increased availability of existing content and reduced waste of assets due to brand closure by migrating national magazines’ content into related perpetuating media outlets
Developed tooling for migrating large datasets containing around two decades worth of magazine content and image assets cross-platform
Freelance Software Engineer
Toronto, ON / Remote • Jun 2010 - Present
Volunteer: brought international charitable organizations online thereby increasing their visibility and availability to the communities they supported
Contributed to charitable mentorship organizations by preparing web portals using various CMS platforms including Drupal and WordPress via the United Nations Online Volunteers service
Small Business: increased revenue and mindshare to businesses and other organizations online across Ontario, rendering them more accessible and promoting exposure in media
Developed web presences and other tooling
PS Production Services Department Head, Electrical Cable & Distribution
Toronto,ON • Nov 2010 - Jun 2015
Improved production efficiency, quality control, and service potential of electrical and electrical distribution equipment by implementing a new department in Toronto
Designed operations systems and workflows related to department, managed and trained new staff on quality issues surrounding portable industrial electrical equipment and film industry needs and safety requirements
TTCA Toyotetsu Canada FANUC Robot Operator
Simcoe, ON • Aug 2009 - May 2010
Operations Contributor: Responsible for safe, effective, and efficient operation and light maintenance of FANUC-type robot
Education
University of Toronto
Toronto, ON • TBD • 2Y of BA Hon. (English - ON HOLD: transition to BSc Physics)
Canada North Grotesque: A first effort at a typeface design project inspired by the Inuit syllabic alphabet and Baffin Island artist Kenojuak (http://cng.rockylaurentian.info/)


Recent updates and notices
- NTA(National Testing Agency) has released he JEE main Admit card on Febuary 11.
- Inorder to get admit card go to the website jeemain.nta.nic.in
- JEE main has relaxed its eligibility criteria for Admissions in IIT, NIT, GFTis and SPAs. 75% in Class 12th is not mandaory for Admission in NITs,IITs,GFITs and SPAs
Quick links
- JEE ADVANCED
- Colleges
- Payment
- Exam Center
- Syllabus
- Documents
- Marking and questions
JEE
- JEE stands for Joint Entrance Examination. (It is quite confused with IIT. We will clear the confusion in the section below)
- JEE is conducted by NTA (NAtional Testing Agency). The same agency which conducts NEET.
- JEE is conducted twice a year.
- JEE main: JEE main is first phase of examination. JEE main is carried out twice a year all across the country during January and April.
- JEE advanced: JEE advanced is second phase of examination. It is carried out by all 23 IITs following rotational basis. The exam is conducted for admission in IITs.
There is confusion on what IIT and JEE are.So, to be clear IIT are autonomous universities.
Each IIT are university among themselves.They have admission process and they need to refine candidates. So, they conduct examination called JEE in two phase. After first phase of refinement by government IITs conduct scondd phase of examnation themselves.
The examination conducted for masters level in IITs are called GATE.
How many students appear in JEE mains examnation?
We can easily see number of studets appearing in JEE is declining every year whic is a good sign because people are being focused in alternative careear.But speculations made shows that there are nearly 10 lakh people registerd for JEE in 2021.
| Year | Total registrations |
|---|---|
| 2020 | 9,34,000 |
| 2019 | 9,42,000 |
| 2018 | 11,40,000 |
| 2017 | 11,86,000 |
| 2016 | 12,07,000 |
| 2015 | 13.04,000 |
| 2014 | 13,56,000 |
What are engeneering colleges in India like IITs?
- IIT: IIT stands for Indian Institute of Technology is considered most prestigious engeneering institute in India.They are autonomous universities linked up with one other with IIT council.They are moreadvanced in research and technology as well as infrasdtructure than any other institute in India.
- NIT: NITs are also government funded institute. The institute has a 31 universities all universities are autonomous among themselves and are linked with one other by NIT council.They are also much developes in infrastructure like IITs but are not as renowned as IITs. There are some NITs which compete and are even better than many IITs.
- IIITs: Indian Institute of Information Technology are group of institute focused in higher education in India.There are 25 of them and only 5 are givernment funded rest are public-private partnershipped
- GFTIs: Government Funded Institute of Technology is funded by goveernmenn=t of India.The admission to GFTIs are done on the basis of JEE marks and grade 12th marks in the ratio|(60:40) and by JoSSA seat allocation.There are 20 GFTIs across the country.
| IIT | NIT | IIIT | GFTI |
| 23 | 31 | 25 | 20 |
How many students are admitted in IIT and NIT, IIT GFITs?
The total number of seats in IITs, NITS, IITs and GFTIs are:
| Institute | Total seats | Female suplementary seats |
| IIT | 11279 | 800 |
| NIT | 17967 | 653 |
| IIIT | 4023 | |
| GFTIs | 4683 | 20 |
The detailed information on seats is in colleges for engeneering
What are syllabus of IIT/JEE?
There are three subjects in JEE mains and advanced:
- Maths
- Chemistry
- Physics
All three subjects are equally important and carry equal weightage in both JEE mains and advanced.
For more details in marking sceme and exam pattern click here
What is marking sceme of JEE mains and advanced?
There is 4 marks for a correct answer and a -1 for a wrong answer but theere is no negative narking for any unattempted questions in JEE mains.
The maring sceme of JEE advanced is complicated and depends on type of question asked in examination.For detailed information click here
JEE mains examination
- JEE main examinaton is conducted by NTA(National Testing Agency)
- JEE main is conducted for admission in IIT, NIT, IIIT, GFIT
- JEE main is conducted twice a year January and April
- Any person interested in the field of engeneering should give a try for JEE mains and advanced.
- JEE main and advanced examination are held in online mode only and students are required to give computer based exam.
Information for foreign nationals
- Foreign ntionals have a very good scope to get admitted in IITs and NITs
- There is 10% of supplementary seats for foreign students in IIT
- The seats is reserved in all categories of engeneering
- Unlike previous years students should give JEE mains to get admitted in NITs too.
- Exams of JEE mains and advanced are conducted even outside India.
- Even being very good for engeneering institute JEE attracts very less foreign nationls
- We promote IITs and NITs over many other oversees university and recommend students in Nepal to apply for JEE.
- In IITs and NITs you can adapt easily have exposure to best teaching and learning environments and can also have cheap periodic visits to your place in holidays.
- It is cheaper to study in IIT than in any foreign universities.
Eligibility criteria for JEE mains
The JEE mains is conducted twice a year and the eligibility criteria for both the exams are same:
- Age limit: the candidates should be born on or after October 21, 1995.
- Number of attempts: The candidates can appear for JEE advancd foe three consecutive years that is for 6 times.A candidates can give six examinations.
- Class 12: The candicdates should have appeared or compleated the +2 examination.The students should be appearing in recognized board or universities.
The same rules applies for foreign nationals.Their +2 should be completed from recognized board or universities.
Further qualification details on JEE main
-
Number of attempts in JEE mains:
- Candidates can appear in JEE mains for 3 attempts ie for three consecutive years after passing +2.
-
Nationality:
Any studens who are citizen of India, or fall under the category of Non-Residential Indian(NRI) or Overseas Insian(OCI) or Persons of Indian Origin(PIO) can fight for JEE mains.
Foreign studens can also apply for JEE mains and should specify their nationality. - Educational requirements: Educational qualification varies according to the paper students are applying for:
For B.Tech students need to give exam in paper 1 and must have studied Physics and Mathmatics as a compulsory subjects in Class 12th and Chemistry/Biotechnology as a compulsory subject.
For B.Arch and B.Planning students need to give paper 2A and paper 2B respectively and they should have studied Physics,Chemistry and Mathmatics as a compulsory subjects. - Marks required: There is no minimum marks requirement to appear in JEE mains.
- Year of appearence of +2 : Students should have appeared in +2 in either 2019,2020,2021.
Same eligibility criteria holds true for foreign nationals except the identification document which is explained below.
Documents required to register for JEE mains
- Class 10th and 12th academic details
- Aadhaar Card or Aadhar Enrolment number.
- Sanned Images of Passport, voter ID or any valid Govt ID
- Valid email ID and mobile number
For foreign students passport or identification documents do while filling the form but it is mandatory to have passport to apply for admission.
But, do refer to official website before filling up the form.
Registration fees for JEE mains
| Category | fees |
|---|---|
| General & OBC Boys | INR 650 + GST & service charges |
| SC/ST/PWD/Transgender/girls | INR 325 + GST & service tax |
| Candidates from SAARC countries | USD 75 |
| Candidates from Non SAARC countries | USD 75 |
A guide to fill application form
Official site for filling JEE mains application form is jeemain.nta.nic.in
Candidates need to visit the website to fill up the form. The form can not be filled offline.Canddiates are advised to keep the documents ready before filling up the jee main application form.
Step wise description to fill up the form.
There are four steps to complete the registration process. All the seps are described in full details below:
Registration form
- Log on to the official wb site.But make sure you meet the eligibiliity criteria.
- There are two tyes of candidates registreering for JEE mains. One who have previously appeared in JEE mains and who have not registered previously.
- For candidates who have registered previously do not need to register again they can just Sign in with their Application number, Date of birth and Security Pin (No, need to confuse with security pin it is just a system generated captcha.)
- For fresh candidates they should register to the official websites and follow the following :
- Click on the link to apply for JEE Main 2021
- We advise the students to read the notice before filling up the application form:
- Click the Click here to proceed box to proceed.
- Fill the application form. The form contains information like candidates name, Fathers name, Mother's Name and other personal dentification information.
- Make sure you put a valid email id and a valid phone number. You need it incasse you forget your password.
- Fill the academic details and exam related details correctly with exam centers. To know more aboout exam centers click here
- After that you need to review your application details just check whether all the credientials you have filled is correcct or not and corrrect the wrong information and press on final submit.
- The application number will be generated and next step will show you how many steps have been completed.
Application Form
- The application form asks for some details like , Father's qualiification, Mothers qualificaton, Father annual Income mothers annual income occupation guardian annual income.
Upload Image
- Click the buttom on "Upload Scanned Imges"
- Upload the photo and signatures one by one.
- Click on preview to change the image
Photograph
- Photograph shold be passport sized with name and date of photograph taken.
- Photograph should can be either black and white or color but with clear background and contrast.
- Photograph shoould be in jpeg or jpg format.
- spectacles are allowed in photograph.
- The scanned photograph should be either 10 KB or 200 KB in size.
- Besides remember photograph should not be too old & match the identity of the person.
Signature
- Signature shoould be done in white paper only
- Sign in the box of 3.5X1.5 cm .
- The scanned image shold be in jpg or jpeg format.
- The scanned image should be in between 4 KB to 30 KB in size.
Documents
- The documents should be in either in jpg/ jpeg format.
- The size of document should be in between 50 KB to 500 KB.
FEE PAYMENT
In order to pay exam fee you should cllick in the link "Pay exam fee".
Follow the required process suitable for you to pay the fee.
Please, give us a try. 🙏 🙏 🙏
Correction of Application form
andidates can correct their application form when correction window is open.But it is always to remember that not all details can be corrected.The details hat can be corrected are specified as:
- Candidates name
- Paper (candidates can change their paper of examination from paper 1 to paper 2 or add both paper
- Date of birth
- Contact Number
- Uploaded photograph and signature
- Exam center preferences
Application form corection steps.
- Visit the website jeemain.nta.nic
- Click on application Form Correction link
- Enter the aplication Number, Password and Security Pin.
- Correct the required fields
- For image discrepencies click on
Remove Image Discripencies link in jeemain.nta.nic website
Login using your Login details
Rectify your photos
JEE main helpline
JEE main helpline is at ntanationalttestingagency@gmail.com.


{% extends 'home/base.html' %} {% block content %} {% load my_filters %} Task to Update Skills from Stackoverflow tags Update Skills Clear and Reload Query Locations from File Warning: this will also delete all Manual Tasks, since they rely on locations Reload Locations Reset Auto Scraper Crontabs and Scheduled Tasks Reset Auto Scraper {% endblock %} {% block javascript %} {% endblock %}
Warning: this will also delete all Manual Tasks, since they rely on locations


{% include 'head.html' %}
{% include 'navbar.html' %} {% load static %}PassengerCOVIDscan
In the sense of WHO, Most people infected with the COVID-19 virus will experience mild to moderate respiratory illness and recover without requiring special treatment. Older people, and those with underlying medical problems like cardiovascular disease, diabetes, chronic respiratory disease, and cancer are more likely to develop serious illness.
To prevent infection and to slow transmission of COVID-19, do the following:
With the people expectations of timely destination and for daily work in mind, the cutting edge technology of deep learning such as computer vision can be used to speed up people living style wait time for transportation; people with positive cases needs appropriate care sooner and keep them away from others for further contamination, especially in this critical time of the COVID-19 pandemic. PassengerCOVIDscan is a application with an integrated machine learning model where it checks the passenger safety through camera with high accuracy.


Make sure you are okay with the rate on the market and the 15% service fee. Send the exact amount to the address provided and receive the crypto in your wallet.


This short section explains how get started using ragp
, from installation and basic function arguments to manipulation of function outputs.
There are several ways to install R packages hosted on git-hub, however the simplest is to use devtools::install_github()
which will perform all the required steps automatically.
To install ragp
run:
#install.packages("devtools") #if it is not installed on your system
devtools::install_github("missuse/ragp")
alternatively run:
to build vignettes which can be viewed by:
Most ragp
functions require single letter protein sequences and the corresponding identifiers as input. These can be provided in the form of basic R
data types such as vectors or data frames. Additionally ragp
imports the seqinr
package for the manipulation of .FASTA
files, so the input objects can be a list of SeqFastaAA
objects returned by the seqinr::read.fasta()
. The location of a .FASTA
file is also possible as a type of input.
Input options will be illustrated using scan_ag()
function:
character
vector of protein sequences to the sequence
argument and a character
vector of protein identifiers to the id
argument:library(ragp)
data(at_nsp) #a data frame of 2700 Arabidopsis sequences
input1 <- scan_ag(sequence = at_nsp$sequence,
id = at_nsp$Transcript.id)
data.frame
to data
argument, and names of columns containing the protein sequences and corresponding identifiers to sequence
and id
arguments:quoting column names is not necessary:
SeqFastaAA
objects to data
argument:library(seqinr) #to create a fasta file with protein sequences
#write a FASTA file
seqinr::write.fasta(sequence = strsplit(at_nsp$sequence, ""),
name = at_nsp$Transcript.id, file = "at_nsp.fasta")
#read a FASTA file to a list of SeqFastaAA objects
At_seq_fas <- read.fasta("at_nsp.fasta",
seqtype = "AA",
as.string = TRUE)
input4 <- scan_ag(data = At_seq_fas)
.FASTA
file to be analyzed as string:All of the outputs are equal:
all.equal(input1,
input2)
#> [1] TRUE
all.equal(input1,
input3)
#> [1] TRUE
all.equal(input1,
input4)
#> [1] TRUE
all.equal(input1,
input5)
#> [1] TRUE
The only exceptions to this design are plotting functions plot_prot()
and plot_signalp()
which require protein sequences to be supplied in the form of string vectors (input1 in the above example) and pfam2go()
which does not take sequences as input.
All ragp
functions return basic R data structures such as data frames, lists of vectors and lists of data frames, making them convenient for manipulation to anyone familiar with R. An especially effective way to manipulate these objects is by utilizing the tidyverse
collection of packages, especially dplyr
and ggplot2
. Several dplyr
functions that will be especially handy for data wrangling are:
dplyr::left_join()
dplyr::mutate()
dplyr::group_by()
dplyr::summarise()
dplyr::filter()
dplyr::distinct()
Examples on usage of these functions on objects returned by ragp
functions are provided in HRGP filtering and HRGP analysis tutorials. Additionally there are extensive examples on the internet on usage of the mentioned functions.
Obtaining pretty visualizations is usually the goal of the above mentioned data manipulations. The golden standard of R graphics at present is the ggplot2 package and we recommend it to graphically summarize the data. Additionally ragp
contains plot_prot()
function which is a wrapper for ggplot2
, and while plot_prot()
can be used without knowing ggplot2
syntax, to tweak the plot style at least a basic knowledge of ggplot2
is required. Examples are provided in protein sequence visualization tutorial.


Make sure module config for a package is only targeted to the main module, but is given to the module name. More info
Check console for messages


Doctor Lookup
Search for a doctor in your area by name or by your medical issue. Start by entering your zipcode.
Submit
Submit
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Reports Swing components that fail to provide accessibility context. It will be very hard to use such components for visually impaired users who use screen readers.
Example:
ListCellRenderer<String> renderer = (list, val, index, sel, cell) -> { JPanel panel = new JPanel(); return panel; };
To fix the problem, you should either call setAccessibleName()
on the returned JPanel
or override its getAccessibleContext()
method.


IT systems will not make all the company internal information available. This means IT will not replace other means of exchanging information but just enhances it.
<!– more –>
Information can most fittingly be defined as something that the receiver knows or would like to know.
Codified information is easily expressed but tacit knowledge requires experience, judgement, knack, wisdom and intuition.
University of Bath defines information management as: The conscious process by which information is gathered and used to assist in decision making at all levels of an organisation.
This is a conscious process to assist decision making, should start with the planning process and keep the decisions to be made in mind.
Dimensions: Formal - informal Textual - pictorial Quantitative - qualitative Verbal - paper - electronic Individual - aggregated
Information is difficult to count, who owns it and how valuable is information => hard to cost.
Information quality can be judged by: - Relevance: the recipient is able to use it to perform more efficiently than would be possible without it. - Reliability: timely, accurate, and verifiable - Robustness: can stand up to the rigours of time, human frailty, system failure and organizational changes.
A Problem might be that information is poorly gathered, too little, wrong or too much.
To plan information gathering look at: - Accountability - Data definition - Standardisation - Quality monitoring - Skills
Analysing information can be said to make the raw data meaningful. But beyond that the transformation from information to knowledge is about integrating information into the framework of knowledge already possessed by the decision maker or company as a whole.
Communication involves a process (Formulate -> Transmit -> Receive -> Interpret) which involves what to say, to whom and how to say it. The more focussed this is the more likely it is to be received and made useful. Successful reception is crucial.
Storing information is important as otherwise it is gathered, used and forgotten. You need to look at: - The form in which it is originally obtained - Volume - Who needs to have access? - How long to keep it - What kind of protection necessary
There are also structural factors to take into account:
Policies, procedures and standards Information management functions are there to ensure that all these are reviewed and adapted regularly.
Work organisation How to allocate responsibility and work for carrying out the tasks needed.
System, equipment and materials Need to be appropriate and need to be designed for ease, speed and accuracy of use.
Training Routing on the job training most effective


pragma solidity 0.4.26;
import './ERC20Token.sol';
import './interfaces/IEtherToken.sol';
import '../utility/SafeMath.sol';
/**
* @dev Ether tokenization contract
*
* 'Owned' is specified here for readability reasons
*/
contract EtherToken is IEtherToken, ERC20Token {
using SafeMath for uint256;
/**
* @dev triggered when the total supply is increased
*
* @param _amount amount that gets added to the supply
*/
event Issuance(uint256 _amount);
/**
* @dev triggered when the total supply is decreased
*
* @param _amount amount that gets removed from the supply
*/
event Destruction(uint256 _amount);
/**
* @dev initializes a new EtherToken instance
*
* @param _name token name
* @param _symbol token symbol
*/
constructor(string _name, string _symbol)
public
ERC20Token(_name, _symbol, 18, 0) {
}
/**
* @dev deposit ether on behalf of the sender
*/
function deposit() public payable {
depositTo(msg.sender);
}
/**
* @dev withdraw ether to the sender's account
*
* @param _amount amount of ether to withdraw
*/
function withdraw(uint256 _amount) public {
withdrawTo(msg.sender, _amount);
}
/**
* @dev deposit ether to be entitled for a given account
*
* @param _to account to be entitled for the ether
*/
function depositTo(address _to)
public
payable
notThis(_to)
{
balanceOf[_to] = balanceOf[_to].add(msg.value); // add the value to the account balance
totalSupply = totalSupply.add(msg.value); // increase the total supply
emit Issuance(msg.value);
emit Transfer(this, _to, msg.value);
}
/**
* @dev withdraw ether entitled by the sender to a given account
*
* @param _to account to receive the ether
* @param _amount amount of ether to withdraw
*/
function withdrawTo(address _to, uint256 _amount)
public
notThis(_to)
{
balanceOf[msg.sender] = balanceOf[msg.sender].sub(_amount); // deduct the amount from the account balance
totalSupply = totalSupply.sub(_amount); // decrease the total supply
_to.transfer(_amount); // send the amount to the target account
emit Transfer(msg.sender, this, _amount);
emit Destruction(_amount);
}
// ERC20 standard method overrides with some extra protection
/**
* @dev send coins
* throws on any error rather then return a false flag to minimize user errors
*
* @param _to target address
* @param _value transfer amount
*
* @return true if the transfer was successful, false if it wasn't
*/
function transfer(address _to, uint256 _value)
public
notThis(_to)
returns (bool success)
{
Eassert(super.transfer(_to, _value));
return true;
}
/**
* @dev an account/contract attempts to get the coins
* throws on any error rather then return a false flag to minimize user errors
*
* @param _from source address
* @param _to target address
* @param _value transfer amount
*
* @return true if the transfer was successful, false if it wasn't
*/
function transferFrom(address _from, address _to, uint256 _value)
public
notThis(_to)
returns (bool success)
{
assert(super.transferFrom(_from, _to, _value));
return true;
}
/**
* @dev deposit ether in the account
*/
function() public payable {
deposit();
}
}
|


Project operations¶
Listing projects¶
All existing Materials Commons projects you have access to can be listed using mc proj
:
$ mc proj
name owner id updated_at
-- ---------------------------------------- ---------------------------- ---- --------------------
Mg-Nd CASM project<EMAIL_ADDRESS>33 2020 Oct 16 17:40:12
Mg-Y CASM project<EMAIL_ADDRESS>39 2020 Oct 16 17:40:12
MyProject<EMAIL_ADDRESS>89 2021 Jan 13 15:57:50
PF Simulation Mg-Nd Precipitates<EMAIL_ADDRESS>3 2020 Oct 16 17:40:09
PF Simulation Mg-Y Precipitates<EMAIL_ADDRESS>88 2020 Oct 16 17:40:09
Magnesium Rare Eath Alloy Study<EMAIL_ADDRESS>149 2020 Oct 16 17:40:16
dislocation_dynamics<EMAIL_ADDRESS>340 2020 Oct 16 17:41:21
test project<EMAIL_ADDRESS>588 2020 Oct 27 18:57:15
Projects can be filtered by name (default), ID (--id
), or owner (--owner
) using regular expression match (default) or regular expression search (--regxsearch
).
For example, all projects with a name beginning with “Mg” can be listed using:
$ mc proj Mg
name owner id updated_at
-- ---------------------------------------- ---------------------------- ---- --------------------
Mg-Nd CASM project<EMAIL_ADDRESS>33 2020 Oct 16 17:40:12
Mg-Y CASM project<EMAIL_ADDRESS>39 2020 Oct 16 17:40:12
All projects containing “Mg” can be listed using --regxsearch
:
$ mc proj --regxsearch Mg
name owner id updated_at
-- ---------------------------------------- ---------------------------- ---- --------------------
Mg-Nd CASM project<EMAIL_ADDRESS>33 2020 Oct 16 17:40:12
Mg-Y CASM project<EMAIL_ADDRESS>39 2020 Oct 16 17:40:12
PF Simulation Mg-Nd Precipitates<EMAIL_ADDRESS>3 2020 Oct 16 17:40:09
PF Simulation Mg-Y Precipitates<EMAIL_ADDRESS>88 2020 Oct 16 17:40:09
All projects owned by<EMAIL_ADDRESS>can be listed using --owner
:
$ mc proj --owner<EMAIL_ADDRESS>name owner id updated_at
-- ---------------------------------------- ---------------------------- ---- --------------------
Magnesium Rare Eath Alloy Study<EMAIL_ADDRESS>149 2020 Oct 16 17:40:16
Other options for listing projects with mc proj
include --sort-by
to sort by specified columns, --json
to print raw JSON output, and -d
/--details
to print a more detailed view of project data.
Creating projects¶
New Materials Commons projects can be created at the default remote. First, set the current working directory to the directory where you want to store project files locally. It should be given the same name that you want for your Materials Commons project. It may be a new, empty directory or an already existing directory filled with files and directories that you want to be included in the project. For instance, if your directory is called “MyProject”, cd
to that directory and then create the new project with mc init
:
$ cd /path/to/MyProject
$ mc init
Created new project at: https://materialscommons.org/api
name owner id modified_at
-- ----------- ------- ---- --------------------
* MyProject <email> 601 2021 Jan 19 18:04:47
The new project will have the name of the directory from which mc init
is called.
Cloning projects¶
Existing Materials Commons projects at the default remote can be “cloned”. This creates a local directory for uploading and downloading project files. To clone a project, obtain the project ID from the “id” column printed by mc proj
. Then use:
$ mc clone <project_id>
Cloned project from https://materialscommons.org/api to /path/to/MyProject
name owner id modified_at
-- ----------- ------- ------------ --------------------
MyProject <email> <project_id> 2021 Jan 19 18:04:47
The cloned project directory will initially look empty. Even if your remote project contains files, no files will be downloaded until you initiate downloads explicitly.
The local project directory¶
The local project directory is where mc init
has been used to create a new project, or which has been created by mc clone
. It will contain a hidden directory named “.mc” containing configuration and cache data. Subsequent calls of the mc
program from within the local project directory, or any of its subdirectories, may use that information to interact with the correct project on the correct remote instance of Materials Commons.
To check if you are currently in a local project directory, use mc proj
. If the current working directory is the local project directory, or any of its subdirectories, that project is given an asterisk (*) in the project list. For example:
$ pwd
/path/to/MyProject/subdirectory
$ mc proj
name owner id updated_at
-- ---------------------------------------- ---------------------------- ---- --------------------
Mg-Nd CASM project<EMAIL_ADDRESS>33 2020 Oct 16 17:40:12
Mg-Y CASM project<EMAIL_ADDRESS>33 2020 Oct 16 17:40:12
* MyProject<EMAIL_ADDRESS>89 2021 Jan 13 15:57:50
PF Simulation Mg-Nd Precipitates<EMAIL_ADDRESS>3 2020 Oct 16 17:40:09
PF Simulation Mg-Y Precipitates<EMAIL_ADDRESS>3 2020 Oct 16 17:40:09
Magnesium Rare Eath Alloy Study<EMAIL_ADDRESS>149 2020 Oct 16 17:40:16
dislocation_dynamics<EMAIL_ADDRESS>340 2020 Oct 16 17:41:21
test project<EMAIL_ADDRESS>588 2020 Oct 27 18:57:15
Other actions¶
As a design pattern, the mc
program lets you select objects, such as projects with mc proj
, and then do something with the selected objects. The default is to print a list of the selected objects. Other actions, depending on the type of object, include creation, deletion, adding or removing to datasets, and other actions.
Existing Materials Commons projects can be deleted. For example, when specifying the project to be deleted by project ID:
$ mc proj --delete --id 588
name owner id updated_at
-- ------------ -------------- ---- --------------------
test project<EMAIL_ADDRESS>588 2020 Oct 27 18:57:15
Are you sure you want to permanently delete these? ('Yes'/'No'): Yes
Deleted project: test project 588
Note that this only deletes the project remotely and does not delete any local files.
This will prompt for confirmation before deleting, unless the --force
option is given, but after confirmation *the project, and all of its files and data on Materials Commons will be deleted and cannot be recovered*. Local files will not be deleted.
The --goto
option provides a shortcut for launching the Materials Commons project webpage:
$ mc proj --goto "test project"
name owner id updated_at
-- ------------ -------------- ---- --------------------
test project<EMAIL_ADDRESS>588 2020 Oct 27 18:57:15
You want to goto these projects in a web browser? ('Yes'/'No'): Yes
After confirming, your default web browser will open and take you to the project page. You will be required to log in if you are not already.


Why "Keep it Canada" and "It's Suppertime!" are trending. We caught up with the TV personality at his Brooklyn home to talk fame, food, and the F-Word. FULL ARTICLE
Will this get me a golden dinosaur this week? Only you have the answers Tyler. But I included grilled cheese just in case ...more
What's the deal with bacon?! Why is it an identity? Who cares how much you like pork products?!?! ...more
Renee Redzepi has inspired a growing generation of young chefs to move to a local, forrige-only menu. Why is Noma such an incredible success?FULL ARTICLE


Before Change
})
self.log.debug("Fit neural network with total training cost "
+ str(self.tf_session.run(
self.loss_func,
feed_dict={self.input_placeholder: params,
self.output_placeholder: [[c] for c in costs],
self.regularisation_coefficient_placeholder: self.regularisation_coefficient,
}))
+ ", with unregularized cost "
+ str(self.tf_session.run(
self.loss_func,
After Change
// - train for train_epochs epochs
// - if the new loss is greater than the threshold then we haven"t improved much, so stop
// - else start from the top
while True:
threshold = 0.8 * self._loss(params, costs)[0]
for i in range(self.train_epochs):
// Split the data into random batches, and train on each batch
indices = np.random.permutation(len(params))
for j in range(math.ceil(len(params) / self.batch_size)):
batch_indices = indices[j * self.batch_size : (j + 1) * self.batch_size]
batch_input = [params[index] for index in batch_indices]
batch_output = [[costs[index]] for index in batch_indices]
self.tf_session.run(self.train_step,
feed_dict={self.input_placeholder: batch_input,
self.output_placeholder: batch_output,
self.regularisation_coefficient_placeholder: self.regularisation_coefficient,
self.keep_prob_placeholder: self.keep_prob,
})
(l, ul) = self._loss(params, costs)
self.log.debug("Fit neural network with total training cost " + str(l)
+ ", with unregularized cost " + str(ul))
if l > threshold:
break
self.log.debug("Cost decreased by a lot, train again")
def cross_validation_loss(self, params, costs):
"""
Returns the loss of the network on a cross validation set.


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NICE TO MEET YOU
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CONTACT i-pot
kms88761@naver.com


public interface AGCLContract
extends org.eclipse.emf.ecore.EObject
The following features are supported:
AgclPackage.getAGCLContract()
| Modifier and Type | Method and Description |
|---|---|
AGCLAssumption |
getAssumption()
Returns the value of the 'Assumption' containment reference.
|
org.eclipse.emf.common.util.EList<AGCLPropertyDecl> |
getDeclarations()
Returns the value of the 'Declarations' containment reference list.
|
java.lang.String |
getEname()
Returns the value of the 'Ename' attribute.
|
AGCLGuarantee |
getGuarantee()
Returns the value of the 'Guarantee' containment reference.
|
java.lang.String |
getName()
Returns the value of the 'Name' attribute.
|
void |
setAssumption(AGCLAssumption value)
Sets the value of the '
Assumption ' containment reference. |
void |
setEname(java.lang.String value)
Sets the value of the '
Ename ' attribute. |
void |
setGuarantee(AGCLGuarantee value)
Sets the value of the '
Guarantee ' containment reference. |
void |
setName(java.lang.String value)
Sets the value of the '
Name ' attribute. |
java.lang.String getName()
If the meaning of the 'Name' attribute isn't clear, there really should be more of a description here...
setName(String)
,
AgclPackage.getAGCLContract_Name()
void setName(java.lang.String value)
Name
' attribute.
value
- the new value of the 'Name' attribute.getName()
org.eclipse.emf.common.util.EList<AGCLPropertyDecl> getDeclarations()
AGCLPropertyDecl
.
If the meaning of the 'Declarations' containment reference list isn't clear, there really should be more of a description here...
AgclPackage.getAGCLContract_Declarations()
AGCLAssumption getAssumption()
If the meaning of the 'Assumption' containment reference isn't clear, there really should be more of a description here...
setAssumption(AGCLAssumption)
,
AgclPackage.getAGCLContract_Assumption()
void setAssumption(AGCLAssumption value)
Assumption
' containment reference.
value
- the new value of the 'Assumption' containment reference.getAssumption()
AGCLGuarantee getGuarantee()
If the meaning of the 'Guarantee' containment reference isn't clear, there really should be more of a description here...
setGuarantee(AGCLGuarantee)
,
AgclPackage.getAGCLContract_Guarantee()
void setGuarantee(AGCLGuarantee value)
Guarantee
' containment reference.
value
- the new value of the 'Guarantee' containment reference.getGuarantee()
java.lang.String getEname()
If the meaning of the 'Ename' attribute isn't clear, there really should be more of a description here...
setEname(String)
,
AgclPackage.getAGCLContract_Ename()
void setEname(java.lang.String value)
Ename
' attribute.
value
- the new value of the 'Ename' attribute.getEname()


Class LanguageTest
Description of LanguageTest
- PHPUnit_Framework_TestCase
- Xvolutions\AdminBundle\Tests\Entity\LanguageTest
Namespace: Xvolutions\AdminBundle\Tests\Entity
Author: Pedro Resende<EMAIL_ADDRESS>Located at AdminBundle/Tests/Entity/LanguageTest.php
Author: Pedro Resende<EMAIL_ADDRESS>Located at AdminBundle/Tests/Entity/LanguageTest.php
public
|
|
public
|