BufferGeometry
is three.js's way of representing all geometry. A BufferGeometry
essentially a collection named of BufferAttribute
s.
Each BufferAttribute
represents an array of one type of data: positions,
normals, colors, uv, etc... Together, the named BufferAttribute
s represent
parallel arrays of all the data for each vertex.
Above you can see we have 4 attributes: position
, normal
, color
, uv
.
They represent parallel arrays which means that the Nth set of data in each
attribute belongs to the same vertex. The vertex at index = 4 is highlighted
to show that the parallel data across all attributes defines one vertex.
This brings up a point, here's a diagram of a cube with one corner highlighted.
Thinking about it that single corner needs a different normal for each face of the cube. A normal is info about which direction something faces. In the diagram the normals are presented by the arrows around the corner vertex showing that each face that shares that vertex position needs a normal that points in a different direction.
That corner needs different UVs for each face as well. UVs are texture coordinates that specify which part of a texture being drawn on a triangle corresponds to that vertex position. You can see the green face needs that vertex to have a UV that corresponds to the top right corner of the F texture, the blue face needs a UV that corresponds to the top left corner of the F texture, and the red face needs a UV that corresponds to the bottom left corner of the F texture.
A single vertex is the combination of all of its parts. If a vertex needs any part to be different then it must be a different vertex.
As a simple example let's make a cube using BufferGeometry
. A cube is interesting
because it appears to share vertices at the corners but really
does not. For our example we'll list out all the vertices with all their data
and then convert that data into parallel arrays and finally use those to make
BufferAttribute
s and add them to a BufferGeometry
.
We start with a list of all the data needed for the cube. Remember again that if a vertex has any unique parts it has to be a separate vertex. As such to make a cube requires 36 vertices. 2 triangles per face, 3 vertices per triangle, 6 faces = 36 vertices.
const vertices = [ // front { pos: [-1, -1, 1], norm: [ 0, 0, 1], uv: [0, 0], }, { pos: [ 1, -1, 1], norm: [ 0, 0, 1], uv: [1, 0], }, { pos: [-1, 1, 1], norm: [ 0, 0, 1], uv: [0, 1], }, { pos: [-1, 1, 1], norm: [ 0, 0, 1], uv: [0, 1], }, { pos: [ 1, -1, 1], norm: [ 0, 0, 1], uv: [1, 0], }, { pos: [ 1, 1, 1], norm: [ 0, 0, 1], uv: [1, 1], }, // right { pos: [ 1, -1, 1], norm: [ 1, 0, 0], uv: [0, 0], }, { pos: [ 1, -1, -1], norm: [ 1, 0, 0], uv: [1, 0], }, { pos: [ 1, 1, 1], norm: [ 1, 0, 0], uv: [0, 1], }, { pos: [ 1, 1, 1], norm: [ 1, 0, 0], uv: [0, 1], }, { pos: [ 1, -1, -1], norm: [ 1, 0, 0], uv: [1, 0], }, { pos: [ 1, 1, -1], norm: [ 1, 0, 0], uv: [1, 1], }, // back { pos: [ 1, -1, -1], norm: [ 0, 0, -1], uv: [0, 0], }, { pos: [-1, -1, -1], norm: [ 0, 0, -1], uv: [1, 0], }, { pos: [ 1, 1, -1], norm: [ 0, 0, -1], uv: [0, 1], }, { pos: [ 1, 1, -1], norm: [ 0, 0, -1], uv: [0, 1], }, { pos: [-1, -1, -1], norm: [ 0, 0, -1], uv: [1, 0], }, { pos: [-1, 1, -1], norm: [ 0, 0, -1], uv: [1, 1], }, // left { pos: [-1, -1, -1], norm: [-1, 0, 0], uv: [0, 0], }, { pos: [-1, -1, 1], norm: [-1, 0, 0], uv: [1, 0], }, { pos: [-1, 1, -1], norm: [-1, 0, 0], uv: [0, 1], }, { pos: [-1, 1, -1], norm: [-1, 0, 0], uv: [0, 1], }, { pos: [-1, -1, 1], norm: [-1, 0, 0], uv: [1, 0], }, { pos: [-1, 1, 1], norm: [-1, 0, 0], uv: [1, 1], }, // top { pos: [ 1, 1, -1], norm: [ 0, 1, 0], uv: [0, 0], }, { pos: [-1, 1, -1], norm: [ 0, 1, 0], uv: [1, 0], }, { pos: [ 1, 1, 1], norm: [ 0, 1, 0], uv: [0, 1], }, { pos: [ 1, 1, 1], norm: [ 0, 1, 0], uv: [0, 1], }, { pos: [-1, 1, -1], norm: [ 0, 1, 0], uv: [1, 0], }, { pos: [-1, 1, 1], norm: [ 0, 1, 0], uv: [1, 1], }, // bottom { pos: [ 1, -1, 1], norm: [ 0, -1, 0], uv: [0, 0], }, { pos: [-1, -1, 1], norm: [ 0, -1, 0], uv: [1, 0], }, { pos: [ 1, -1, -1], norm: [ 0, -1, 0], uv: [0, 1], }, { pos: [ 1, -1, -1], norm: [ 0, -1, 0], uv: [0, 1], }, { pos: [-1, -1, 1], norm: [ 0, -1, 0], uv: [1, 0], }, { pos: [-1, -1, -1], norm: [ 0, -1, 0], uv: [1, 1], }, ];
We can then translate all of that into 3 parallel arrays
const positions = []; const normals = []; const uvs = []; for (const vertex of vertices) { positions.push(...vertex.pos); normals.push(...vertex.norm); uvs.push(...vertex.uv); }
Finally we can create a BufferGeometry
and then a BufferAttribute
for each array
and add it to the BufferGeometry
.
const geometry = new THREE.BufferGeometry(); const positionNumComponents = 3; const normalNumComponents = 3; const uvNumComponents = 2; geometry.setAttribute( 'position', new THREE.BufferAttribute(new Float32Array(positions), positionNumComponents)); geometry.setAttribute( 'normal', new THREE.BufferAttribute(new Float32Array(normals), normalNumComponents)); geometry.setAttribute( 'uv', new THREE.BufferAttribute(new Float32Array(uvs), uvNumComponents));
Note that the names are significant. You must name your attributes the names
that match what three.js expects (unless you are creating a custom shader).
In this case position
, normal
, and uv
. If you want vertex colors then
name your attribute color
.
Above we created 3 JavaScript native arrays, positions
, normals
and uvs
.
We then convert those into
TypedArrays
of type Float32Array
. A BufferAttribute
requires a TypedArray not a native
array. A BufferAttribute
also requires you to tell it how many components there
are per vertex. For the positions and normals we have 3 components per vertex,
x, y, and z. For the UVs we have 2, u and v.
That's a lot of data. A small thing we can do is use indices to reference the vertices. Looking back at our cube data, each face is made from 2 triangles with 3 vertices each, 6 vertices total, but 2 of those vertices are exactly the same; The same position, the same normal, and the same uv. So, we can remove the matching vertices and then reference them by index. First we remove the matching vertices.
const vertices = [ // front { pos: [-1, -1, 1], norm: [ 0, 0, 1], uv: [0, 0], }, // 0 { pos: [ 1, -1, 1], norm: [ 0, 0, 1], uv: [1, 0], }, // 1 { pos: [-1, 1, 1], norm: [ 0, 0, 1], uv: [0, 1], }, // 2 - - { pos: [-1, 1, 1], norm: [ 0, 0, 1], uv: [0, 1], }, - { pos: [ 1, -1, 1], norm: [ 0, 0, 1], uv: [1, 0], }, { pos: [ 1, 1, 1], norm: [ 0, 0, 1], uv: [1, 1], }, // 3 // right { pos: [ 1, -1, 1], norm: [ 1, 0, 0], uv: [0, 0], }, // 4 { pos: [ 1, -1, -1], norm: [ 1, 0, 0], uv: [1, 0], }, // 5 - - { pos: [ 1, 1, 1], norm: [ 1, 0, 0], uv: [0, 1], }, - { pos: [ 1, -1, -1], norm: [ 1, 0, 0], uv: [1, 0], }, { pos: [ 1, 1, 1], norm: [ 1, 0, 0], uv: [0, 1], }, // 6 { pos: [ 1, 1, -1], norm: [ 1, 0, 0], uv: [1, 1], }, // 7 // back { pos: [ 1, -1, -1], norm: [ 0, 0, -1], uv: [0, 0], }, // 8 { pos: [-1, -1, -1], norm: [ 0, 0, -1], uv: [1, 0], }, // 9 - - { pos: [ 1, 1, -1], norm: [ 0, 0, -1], uv: [0, 1], }, - { pos: [-1, -1, -1], norm: [ 0, 0, -1], uv: [1, 0], }, { pos: [ 1, 1, -1], norm: [ 0, 0, -1], uv: [0, 1], }, // 10 { pos: [-1, 1, -1], norm: [ 0, 0, -1], uv: [1, 1], }, // 11 // left { pos: [-1, -1, -1], norm: [-1, 0, 0], uv: [0, 0], }, // 12 { pos: [-1, -1, 1], norm: [-1, 0, 0], uv: [1, 0], }, // 13 - - { pos: [-1, 1, -1], norm: [-1, 0, 0], uv: [0, 1], }, - { pos: [-1, -1, 1], norm: [-1, 0, 0], uv: [1, 0], }, { pos: [-1, 1, -1], norm: [-1, 0, 0], uv: [0, 1], }, // 14 { pos: [-1, 1, 1], norm: [-1, 0, 0], uv: [1, 1], }, // 15 // top { pos: [ 1, 1, -1], norm: [ 0, 1, 0], uv: [0, 0], }, // 16 { pos: [-1, 1, -1], norm: [ 0, 1, 0], uv: [1, 0], }, // 17 - - { pos: [ 1, 1, 1], norm: [ 0, 1, 0], uv: [0, 1], }, - { pos: [-1, 1, -1], norm: [ 0, 1, 0], uv: [1, 0], }, { pos: [ 1, 1, 1], norm: [ 0, 1, 0], uv: [0, 1], }, // 18 { pos: [-1, 1, 1], norm: [ 0, 1, 0], uv: [1, 1], }, // 19 // bottom { pos: [ 1, -1, 1], norm: [ 0, -1, 0], uv: [0, 0], }, // 20 { pos: [-1, -1, 1], norm: [ 0, -1, 0], uv: [1, 0], }, // 21 - - { pos: [ 1, -1, -1], norm: [ 0, -1, 0], uv: [0, 1], }, - { pos: [-1, -1, 1], norm: [ 0, -1, 0], uv: [1, 0], }, { pos: [ 1, -1, -1], norm: [ 0, -1, 0], uv: [0, 1], }, // 22 { pos: [-1, -1, -1], norm: [ 0, -1, 0], uv: [1, 1], }, // 23 ];
So now we have 24 unique vertices. Then we specify 36 indices
for the 36 vertices we need drawn to make 12 triangles by calling BufferGeometry.setIndex
with an array of indices.
geometry.setAttribute( 'position', new THREE.BufferAttribute(positions, positionNumComponents)); geometry.setAttribute( 'normal', new THREE.BufferAttribute(normals, normalNumComponents)); geometry.setAttribute( 'uv', new THREE.BufferAttribute(uvs, uvNumComponents)); +geometry.setIndex([ + 0, 1, 2, 2, 1, 3, // front + 4, 5, 6, 6, 5, 7, // right + 8, 9, 10, 10, 9, 11, // back + 12, 13, 14, 14, 13, 15, // left + 16, 17, 18, 18, 17, 19, // top + 20, 21, 22, 22, 21, 23, // bottom +]);
BufferGeometry
has a computeVertexNormals
method for computing normals if you
are not supplying them. Unfortunately,
since positions can not be shared if any other part of a vertex is different,
the results of calling computeVertexNormals
will generate seams if your
geometry is supposed to connect to itself like a sphere or a cylinder.
For the cylinder above the normals were created using computeVertexNormals
.
If you look closely there is a seam on the cylinder. This is because there
is no way to share the vertices at the start and end of the cylinder since they
require different UVs so the function to compute them has no idea those are
the same vertices to smooth over them. Just a small thing to be aware of.
The solution is to supply your own normals.
We can also use TypedArrays from the start instead of native JavaScript arrays.
The disadvantage to TypedArrays is you must specify their size up front. Of
course that's not that large of a burden but with native arrays we can just
push
values onto them and look at what size they end up by checking their
length
at the end. With TypedArrays there is no push function so we need
to do our own bookkeeping when adding values to them.
In this example knowing the length up front is pretty easy since we're using a big block of static data to start.
-const positions = []; -const normals = []; -const uvs = []; +const numVertices = vertices.length; +const positionNumComponents = 3; +const normalNumComponents = 3; +const uvNumComponents = 2; +const positions = new Float32Array(numVertices * positionNumComponents); +const normals = new Float32Array(numVertices * normalNumComponents); +const uvs = new Float32Array(numVertices * uvNumComponents); +let posNdx = 0; +let nrmNdx = 0; +let uvNdx = 0; for (const vertex of vertices) { - positions.push(...vertex.pos); - normals.push(...vertex.norm); - uvs.push(...vertex.uv); + positions.set(vertex.pos, posNdx); + normals.set(vertex.norm, nrmNdx); + uvs.set(vertex.uv, uvNdx); + posNdx += positionNumComponents; + nrmNdx += normalNumComponents; + uvNdx += uvNumComponents; } geometry.setAttribute( 'position', - new THREE.BufferAttribute(new Float32Array(positions), positionNumComponents)); + new THREE.BufferAttribute(positions, positionNumComponents)); geometry.setAttribute( 'normal', - new THREE.BufferAttribute(new Float32Array(normals), normalNumComponents)); + new THREE.BufferAttribute(normals, normalNumComponents)); geometry.setAttribute( 'uv', - new THREE.BufferAttribute(new Float32Array(uvs), uvNumComponents)); + new THREE.BufferAttribute(uvs, uvNumComponents)); geometry.setIndex([ 0, 1, 2, 2, 1, 3, // front 4, 5, 6, 6, 5, 7, // right 8, 9, 10, 10, 9, 11, // back 12, 13, 14, 14, 13, 15, // left 16, 17, 18, 18, 17, 19, // top 20, 21, 22, 22, 21, 23, // bottom ]);
A good reason to use typedarrays is if you want to dynamically update any part of the vertices.
I couldn't think of a really good example of dynamically updating the vertices so I decided to make a sphere and move each quad in and out from the center. Hopefully it's a useful example.
Here's the code to generate positions and indices for a sphere. The code is sharing vertices within a quad but it's not sharing vertices between quads because we want to be able to move each quad separately.
 How this works is explained in the article on optimizing lots of objects.
function makeSpherePositions(segmentsAround, segmentsDown) { const numVertices = segmentsAround * segmentsDown * 6; const numComponents = 3; const positions = new Float32Array(numVertices * numComponents); const indices = []; const longHelper = new THREE.Object3D(); const latHelper = new THREE.Object3D(); const pointHelper = new THREE.Object3D(); longHelper.add(latHelper); latHelper.add(pointHelper); pointHelper.position.z = 1; const temp = new THREE.Vector3(); function getPoint(lat, long) { latHelper.rotation.x = lat; longHelper.rotation.y = long; longHelper.updateMatrixWorld(true); return pointHelper.getWorldPosition(temp).toArray(); } let posNdx = 0; let ndx = 0; for (let down = 0; down < segmentsDown; ++down) { const v0 = down / segmentsDown; const v1 = (down + 1) / segmentsDown; const lat0 = (v0 - 0.5) * Math.PI; const lat1 = (v1 - 0.5) * Math.PI; for (let across = 0; across < segmentsAround; ++across) { const u0 = across / segmentsAround; const u1 = (across + 1) / segmentsAround; const long0 = u0 * Math.PI * 2; const long1 = u1 * Math.PI * 2; positions.set(getPoint(lat0, long0), posNdx); posNdx += numComponents; positions.set(getPoint(lat1, long0), posNdx); posNdx += numComponents; positions.set(getPoint(lat0, long1), posNdx); posNdx += numComponents; positions.set(getPoint(lat1, long1), posNdx); posNdx += numComponents; indices.push( ndx, ndx + 1, ndx + 2, ndx + 2, ndx + 1, ndx + 3, ); ndx += 4; } } return {positions, indices}; }
We can then call it like this
const segmentsAround = 24; const segmentsDown = 16; const {positions, indices} = makeSpherePositions(segmentsAround, segmentsDown);
Because positions returned are unit sphere positions so they are exactly the same values we need for normals so we can just duplicated them for the normals.
const normals = positions.slice();
And then we setup the attributes like before
const geometry = new THREE.BufferGeometry(); const positionNumComponents = 3; const normalNumComponents = 3; +const positionAttribute = new THREE.BufferAttribute(positions, positionNumComponents); +positionAttribute.setUsage(THREE.DynamicDrawUsage); geometry.setAttribute( 'position', + positionAttribute); geometry.setAttribute( 'normal', new THREE.BufferAttribute(normals, normalNumComponents)); geometry.setIndex(indices);
I've highlighted a few differences. We save a reference to the position attribute. We also mark it as dynamic. This is a hint to THREE.js that we're going to be changing the contents of the attribute often.
In our render loop we update the positions based off their normals every frame.
const temp = new THREE.Vector3(); ... for (let i = 0; i < positions.length; i += 3) { const quad = (i / 12 | 0); const ringId = quad / segmentsAround | 0; const ringQuadId = quad % segmentsAround; const ringU = ringQuadId / segmentsAround; const angle = ringU * Math.PI * 2; temp.fromArray(normals, i); temp.multiplyScalar(THREE.MathUtils.lerp(1, 1.4, Math.sin(time + ringId + angle) * .5 + .5)); temp.toArray(positions, i); } positionAttribute.needsUpdate = true;
And we set positionAttribute.needsUpdate
to tell THREE.js to use our changes.
I hope these were useful examples of how to use BufferGeometry
directly to
make your own geometry and how to dynamically update the contents of a
BufferAttribute
.


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{% extends path+"/../../layout.html" %} {% block head %} {% endblock %} {% block fullcol %} Upload your photo Guide part 5 of 7
Possible error pages: Error 1: try again | Error 2: try again or post | Error 3: try again, use different device or post {% endblock %}


Trump orders Navy to allow SEAL accused of war crimes to retire without losing status
WASHINGTON (AP) — Defense Secretary Mark Esper says President Donald Trump gave him a direct order that a Navy SEAL accused of war crimes in Iraq be allowed to retire without losing his SEAL status.
Esper told reporters at the Pentagon Monday that was the reason he announced Sunday evening that Chief Petty Officer Edward Gallagher would be allowed to retire with his Trident Pin, retaining his status as a SEAL.
Esper also accused Navy Secretary Richard Spencer of secretly offering to the White House to rig the Navy disciplinary process to ensure the Gallagher not lose his Trident. Esper fired Spencer on Sunday.


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-
Greg Hurrell
Status changed:
- From: New
- To: Open
-
Greg Hurrell
See:
-
Greg Hurrell
Implemented and deployed, now eagerly awaiting notification of my first internal server error... Wonder how long it will take.
Will mark as closed.
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Greg Hurrell
Status changed:
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- To: closed
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First Post and SMS Ping Script
Thanks for visiting! The main purpose of this blog (right now) is as an archive for useful technical bits and pieces I’ve come across and don’t want to forget. Hopefully, you might find some of these useful, too.
Over Christmas, the Compsoc admin team reinstalled our backup server. We created a fairly large (~3.6T RAID5) /home partition which took forever to build when the server booted for the first time. Rather than keep checking into the server room I figured “Wouldn’t it be handy if I could just get a text when the server comes up?”.
I decided to use a great tool called o2sms by Mackers that’s installed on Compsoc’s webserver. It allows you to send text messages via the command line. The following script intermittently pings the backup and sends an SMS to the specified number when a ping returns successfully:
$while ! ping -W 1 -c 1 <IPAddress> 2>&1 >/dev/null; do true; done && echo "Scorpio is UP" | meteorsms <mynumber>
Its a simple little diddy ain’t it? Run it in a screen and you can detach, logout and go about your day. Drop the ! and it will send an SMS if a ping fails (maybe the servers down). You could also replace ping with another event, such as a certain user logging in (users | grep andrewjregan) or if you recieve a new mail.


The Colormaps plugin allows you to create compatible colormaps using a base color or an existing colormap. You can choose the number of colormaps to create, the algorithm used to create the new colormaps, and whether to apply them to existing images.
In order to give more control over colormap creation, the plugin allows you to specify a number of slices into which the 360 degree colorwheel will be divided, starting with the base color. The n created colormaps are then assigned to the first n slices of the colorwheel. For example, if you choose to create three slices and three colormaps, each colormap will be separated from the others by 120 degrees (1/3 of the colorwheel). If you create six slices and three colormaps, each colormap will be separated by 60 degrees (1/6 of the colorwheel), starting from the base color.
The algorithms for generating new colormaps are:
When the color picker is used to select a base color, new colors are chosen from this base color to generate monochromatic colormaps. When an existing colormap is used, each inflection point of the colormap generates new colors, which then are combined into new colormaps.
By default, the color picker is the HTML5 color picker implemented within the browser. These internal color pickers generally have several nice ways to choose a color. If the browser does not support an internal color picker (e.g. Safari 11, even though the Mac OSX supports a great color picker!), a simplified color picker is used instead. Note that the HTML5 color picker is a bit quirky: it remains displayed when the page is unloaded or reloaded, even though it becomes detached from the new page. You must always exit the HTML5 color picker by clicking its exit button.
The generated colormaps are added to the Color menu in the more colormaps ... submenu. If you use the color picker to choose a base color, the colormaps are named "[id]_1", [id]_2", etc., where [id] is the id of the JS9 display (e.g. "JS9"). If you use an existing colormap, the new colormaps are called "[cname]_1", [cname]_2", etc., where [cname] is the name of the original colormap.
Colormaps can be assigned to images by clicking the button to the left of the image name. The colormap assignments are made in stacking order, which you can change by dragging an image into the appropriate place on the stack.
Note that the parameters of each colormap plugin instance can be controlled independently, and that each instance allows you to assign colormaps to any image, regardless of its parent display. This means, for example, that you can load three images into separate displays and change their colormaps simultaneously.


Creates a single object from several selected objects and returns the object identifier of the group (for example, "Group 5"). Use GROUP to combine a number of objects so that you can move or resize them together.
If no object is selected, only one object is selected, or a group is already selected, GROUP returns the #VALUE! error value and interrupts the macro.
Syntax
GROUP( )
Related Function
UNGROUP Separates a grouped object
Return to index


Digitrust Publisher Sample
This page demonstrates how to integrate the Digitrust framework into a publisher site.
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We study how cells adapt at the molecular level, focusing on the process of translation of cellular genetic information into protein molecules. Our analyses extend from the near-instantaneous cellular responses to environmental stress to the multi-million-year evolutionary divergence of species.
Our research concentrates on massive assembly of proteins and RNA in response to changes in the cellular environment. We exploit our biological discoveries by engineering self-assembling molecules to do useful work.


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TITANIC *** of **** grade of B-
Titanic is a good film that was catipulted into becoming a great, best picture winning film. The film which cost 200+ million dollars came along and blinded critics and audiences alike into being overcome with gitty delight that a smart action film can be made. It was great, Titanic T-Shirts, posters, soundtracks, calenders, documentaries, truth-telling interviews became the rage. Divorce yourself from that as you watch the movie and you may feel the uneven film that you have on your hands.
This is an emotional epic of romance and love on a doomed ship. You know that one character survived and you hope with all your heart that there are two. You might cry in Titanic. You will watch many scenes with your heart warming inside of you.   Why is he presented that way?
If he was presented as a nice but weak man the story would have had more dimintion to it. Another key problem is Jack's character. He is presented as a character with no past or future, but instead a rebellious object for her to fall in love with, his character is cardboard. What do You learn about him? And he is the center piece of the film.
The relationship is also not that well developed compared to better films. Look at this years BOOGIE NIGHTS or CHASING AMY and you will notice that both have real emotions, not REEL ones. It is more refreshing to have a film that has character relationships mean something. The end scene of Titanic is a tear jerker but it could have been more straining if the characters were aloud to be the people not the cardboard statue of them.
All this may sound very negative but you will notice that I give the film a positive review. Some critics have called the Titanic screenplay a horrible one. I don't agree. The characters and dialogue is bad and distracting in some scenes but the film is very touching and easy to like , if not love. Some scenes are so good that you feel as though you would like to forgive the other bad moments to give the event the credit it deserves. I am giving the review a mild recomendation, for the three that haven't seen it, and I am writing this not just as a review but a registered argument against the film that shouldn't have even been nominated for best picture. By the way see LA CONFIDENTIAL instead. It is more heart warming to see a great film than a good one!
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This SRFI proposes a coherent and comprehensive set of procedures for manipulating lists as sets; it is accompanied by a reference implementation of the spec. The reference implementation is
Be aware that these procedures are inherently O(n^2) in the lengths of their parameter lists - serious set operations on large lists should use alternate techniques.


Description
This full-stack site takes in user surveys and compares their answers with those from other users. The app then displays the name and picture of the user with the best overall match.
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Description
This is a burger creater / logger that allowes users to create their own custom burger and to interact with those burger by placing them in seperate "available" and "devoured" lists. Node and MySQL are used to query and route data in the app while handlebars is used to generate HTML.
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A social media platform to share delicious food images and discover new food dishes at nearby restruants. Users add and share photos a the clickof a button, allowing TensorFlow AI to identify and categorize the food. In addition the user can search for food items around them by image and use google places / geolocate to discover to foods posted by other users to try. (This project is a collaboration of 4 people)
Tech Used
Technologies used: Node.js, React.js; Meteor; MongoDB; TensorFlow AI
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Skills Learned
Description
Crystal Collector is a game designed to give the user 4 different crystals (each with randomly generated numbers associated to them) to click on in order to add the crystals value to an accumulatin score. There is a large target score to reach and if the user is able to match the target score with their accumulated score then the user wins. If the user goes over the target score with their accumulated score then the user loses.
Tech Used
Front-End
Back-End
Other
Skills Learned


The villainous Joker has tricked Super into drinking a super-UN-super potion that turns any super hero into a normal human being! Joker has hidden the antidote to this poisonous potion somewhere inside a maze house filled with dangerous monsters!
You, dear reader, must help Super choose the right path to the antidote without being eaten alive and before Joker's potion steals 's super powers forever! Ready, let's begin...
"You'll never find the antidote in time, Super , laughed the Joker hysterically while Super dashed towards the maze house. But once Super arrived the effects of the super-Un-super potion could already be felt. Super had two choices:
"Before you, there are stairs to an open attic or a door leading to a dark basement"
Are you in, or are you out?
Stepping inside the maze house Super was immediately ambushed by two of Joker's henchmen! Weakened by the the super-Un-super potion, Super had to fight extra hard to overpower the evil doers.
Once defeated, Super had three doors to choose from, all marked with different names.
Behind one of them was sure to be the antidote! But dangerous monsters could be lying in wait behind the others.
Which door should Super choose?
Pick a number from 1 to 3 to choose your door:
Upon opening the door to the maze room, Super instantly felt dizzy. The room was a spinning kaleidoscope of colors that hypnotized Super , entrancing our superhero into a helpless, childlike state.
Standing there, still as a statue in the spinning colors of the maze room, Super succumbed to the poison of the super-Un-super potion, losing all super powers. Better luck next time!
Would you like to play again? Refresh the browser!
You have lost your super powers, but saved your life! Better luck next time!
Would you like to play again? Refresh the browser!
"Surely the antidote will be hidden somewhere up high", thought Super .
Ascending the stairs Super heard a deep and terrifying roar.
Upon reaching the landing Super was face to face with the most ferocious fire breathing dragon anyone has ever seen! Our hero had to think fast before being roasted like a marshmallow!
Quickly, Super ran behind the dragon to look for the antidote but no luck!
Just then, the giant dragon swung around, tripping Super with its long scaly tail.
Falling to the ground, Super let out a scream as the giant dragon scorched our hero to cinders!
Game over man. Better luck next time.
Would you like to play again? Refresh the browser!
"If I were the Joker," thought Super , "where would I hide the antidote? Hmmmmm, somewhere dark and scary, that's where!"
Slowly, Super opened to door to the basement. Peaking inside, the coast looked clear: no monsters, no henchmen.
Stepping down the creaky stairs, Super could see in the back of the basement a glowing beaker of golden liquid. "The antidote!" shouted Super , grabbing the glowing beaker and quickly chugging down it contents.
Almost instantly, Super could feel the effects. Super would remain super after all.


{% extends "base.html" %} {% block content %} {% include "header.html" %} {{item.name}} Description: {{item.description}} Category: {{item.category}} Date it was added: {{item.date}} {% include "footer.html" %} {% endblock %}


Capitalization
Sentence case
- Use sentence case for content and paragraph headings.
- Capitalise the first letter of the first word in a heading – like you would in a sentence. Proper nouns also have a capital.
Title case
- Use title case for titles, headings, and buttons inside the product for better scannability when wayfinding through the application.
- Capitalize the first word in the title.
- Capitalize the last word in the title.
- Capitalize the important words in the title; adjectives, adverbs, nouns, pronouns, subordinating conjunctions, and verbs.
- Don’t capitalize; articles (a, an, the), coordinating conjunctions (and, but), and short prepositions (at, by, from).
Exclamation Points
- Exclamation marks often cheapen sentences. Use words to convey emotion rather than punctuation.
- There are a few exceptions, but if you’re debating it, lean of the side of no exclamation marks.
Ellipses
- Ellipses have specific uses that rarely come up. Like exclamation marks, they often cheapen your sentence.
- Steer clear of using ellipses to trail off a sentence.
Ampersands
Only two acceptable uses
- Connecting two names within a title i.e. Barton & Gaff Accounting.
- Following the IRS precedent.
Adverbs
- Adverbs are often the easy way of saying something rather than the best way. For example, instead of saying something is really fast, you could say it’s instant.
- Adverbs to watch out for: Really, very.


Jake's dad is in bed. Jake has to wake him. A cat is in a well! "Wake up! Wake up!" says Jake to his dad. His dad is a firefighter. He can save it. His dad runs to the well. He will use a rake to save the cat. The cat is safe. Jake lets it sit in his lap.  The sun is very hot. Ned can jump in the lake. Ned can take his pet pup. The pup can swim in the lake. Ned and Pup jump and swim. Ned can see Dave and Kate. Dave and Kate jump in the lake. Ned and Pup swim with Dave and Kate.
in-context


[3.5/4.0]
The art of puppetry is commonly associated with children's entertainment. However, when taken to its heights, it is sublime and abstract, requiring the puppeteer to be both a dextrous manipulator and an expressive performer. While acting requires the actor to communicate mood and emotion through kinesthetic expression, puppetry demands the same expressiveness while adding the extra dimension of a separate body, one which is more difficult to control.
This curious film begins with Craig Schwartz (John Cusack), an out of work puppeteer, looking for gainful employment. He is a master of his art, but because he is unwilling to debase his talent for commercial success, he must find some type of menial work to help support himself and his pet-addicted wife, Lotte (Cameron Diaz). Craig happens to find a position where some of his talents give him an advantage. His dextrous fingers make him a superior file clerk, and he gets a job with a mysterious filing company.
>From its outset, it is clear that the film will be unusual and interesting. The opening scene of real puppetry is haunting and mesmerizing. Lotte's eclectic menagerie of exotic animals portends an odd, expressive story. It is not surprising that the director of this film, which has a strong foundation in vivid imagery, comes from a background of directing music videos. Although that medium is usually characterized by insipid depictions of musicians and singers unconvincingly pretending to be actually performing, a handful of directors are able to inject real creativity into their craft, and Spike Jonez is widely recognized as one of them. Among his works are the Beastie Boys' Paranoid and Weezer's Buddy Holly. Jonez capably translates his talents to the big screen with this film and produces a work of stunning originality.
The emergence of more narrative developments fully launch the film to its "cruising altitude". First, Craig becomes smitten with a sexy, sassy coworker, Maxine (Catherine Keener), who is a stark contrast to the dowdy Lotte, and proceeds to pursue her. The second, and more momentous, development is that Craig accidentally discovers a tunnel in his office that leads to an alternate reality. It seems that whoever enters the tunnel becomes temporarily transported within the mind of contemporary actor John Malkovich (John Malkovich). The participant experiences all of Malkovich's sensations for a short time before being abruptly dumped beside a New Jersey highway.
The most interesting aspect of the story is that the audience shares in the experience of "being John Malkovich". That is, the role played by the actor is that of the actor himself, therefore instead of seeing the character on screen as a fictitious person (which he surely is), the impression created is that the John Malkovich of the film is the real John Malkovich, thus the viewers have the feeling that they are peering into the everyday existence of the actor, John Malkovich.
The film is not flawless, as some inconsistencies are conveniently ignored. However, this is dwarfed by all the other rewarding aspects of the film. The film aspires to tell a story that is many dimensions deeper than a typical movie, and it is highly effective in doing so.
Highly recommended. This is a film of exceptional imagination and quirky curiosity. The surreal story is engagingly developed and its many complexities are interwoven with deft craftsmanship. Director Spike Jonez scores a breakthrough in his first feature film by composing a clear vision for this complex and highly entertaining effort. Viewers who desire a familiar, formulaic effort may find the film difficult to digest, but anyone who appreciates originality and creativity will enjoy this film.
(c) 2000 Murali Krishnan The Art House Squatter http://ArtHouseSquatter.com
Sent via Deja.com http://www.deja.com/ Before you buy.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


PewDiePie continues
So PewDiePie released a new video on the WSJ. He said it means war and he meant it or so it seems for now. Great doing WSJ, like other conservative media, your annual income goes down, so you try new ways. Paywalls don’t work apparently, what a surprise to anyone who just uses the next hit on Google for the same article, because there isn’t much different among the headlines anyway. Yeah, when everyone copies each other, a pwaywall will do wonders.
So you try to attack the biggest Youtuber, that’s a good idea. I wonder if the Streisand effect is just alien to them or if they’re actually that naive. Oh well, it looks like they still won’t get the younger audience attention as they wanted, as a lot of them stand for PewDiePie. Quite the opposite, it makes people like me, who had no interest in PDP’s shallow entertainment for teenagers, very interested suddenly. I don’t know if he researches for these comments himself, but his responses are splendid. Remember he does have millions of followers who can give him good material for these videos.
Yet I just forgot about the angsty sjw part of my generation who apparently have no humour and rather condemn every single nazi symbol. That’s kinda ironic cause not much long ago, I thought playing video games online where you learn new insults daily makes you pretty resistent to these kinda things. Then again, I doubt those who grew up there are complaining now.
So while the internet didn’t change that much, it’s suddenly a problem because it became mainstream. Yeah, I think that sums it up. (And because some people’s skin is nanometers long)


POINTS[ 1 ]
is the midpoint of \overline{SEG_TOTAL}
If:
\qquad SEG_1 = COEF_1x + CONST_1
and
\qquad SEG_2 = COEF_2x + CONST_2
Find SEG_TOTAL
.
A midpoint divides a segment into two segments with equal lengths.
\blue{SEG_1} = \green{SEG_2}
Substitute in the expressions that were given for each length:
\qquad \blue{COEF_1x + CONST_1} = \green{COEF_2x + CONST_2}
Solve for x
:
\qquad expr([ "*", COEF_1 - COEF_2, "x" ]) = CONST_2 - CONST_1
\qquad x = X
Substitute X
for x
in the expressions that were given for
SEG_1
and SEG_2
:
\qquad SEG_1 = COEF_1(\pink{X}) + CONST_1
\qquad SEG_2 = COEF_2(\pink{X}) + CONST_2
\qquad SEG_1 = COEF_1 * X + CONST_1
\qquad SEG_2 = COEF_2 * X + CONST_2
\qquad SEG_1 = COEF_1 * X + CONST_1
\qquad SEG_2 = COEF_2 * X + CONST_2
To find the length SEG_TOTAL
, add the lengths \blue{SEG_1}
and \green{SEG_2}
:
\qquad SEG_TOTAL = \blue{SEG_1} + \green{SEG_2}
\qquad SEG_TOTAL = \blue{COEF_1 * X + CONST_1} + \green{COEF_2 * X + CONST_2}
\qquad SEG_TOTAL = TOTAL


Bootstrap Form Input Elements
Below are code templates of common form input elements.
Section Header
Stacked Label
Stacked Label
Stacked Label
Side Label
Stacked Dropdown
Choose...
United States
Stacked Dropdown
Choose...
United States
Stacked Checkbox
Shipping address is the same as my billing
Save this information for next time
Stacked Checkbox
Shipping address is the same as my billing
Save this information for next time
Stacked Radio
Credit card
Debit card
PayPal
Stacked Radio
Credit card
Debit card
PayPal


Jane McDonald sends message of support to number one fan Adele Roberts
Jane McDonald has sent a video message of support to her number on fan Adele Roberts.
Adele raised some eyebrows on I’m A Celebrity Get Me Out Of Here! when she chose a framed picture of Jane as her luxury item.
Her camp mates were so baffled that she even clashed with Roman Kemp over it.
Advertisement Advertisement
But Adele is about to have the last laugh as Jane has recorded a supportive message during a break in filming her new series of Jane & Friends in Manchester.
The Loose Women star joked that she also carries around a framed picture of Adele to keep her company.
Stood in the audience, Jane said: ‘I would like to wish Adele all the best in the jungle.  Me and my friends would like to wish you the very best of luck. Good luck Adele!’.
Adele’s girlfriend Kate Holderness previously cleared up the Jane ‘obsession’, explaining that she chose the photo because other luxury items had already been chosen by other camp mates.
On Instagram she said: ‘The brief was “something to make you happy” so she chose something that never fails to cheer her up and something that reminds her of early morning Radio 1 listeners – it’s a bit of a long running feature on Adele’s show, when they’re having a bit of a slump and feeling down a listener will request “a bit of Jane” to get them through the day.
‘I do have to say that most of her decisions are made at 2am when she gets up for her show, most things make perfect sense as that time.’
However ex I’m A Celebrity star John Barrowman, who accused the DJ of using Jane for ‘votes’.
Advertisement Advertisement
Referring to Adele’s spat with Roman about the picture, he said on Extra Camp: ‘She has been caught out a little bit because she used the word prejudice, and he was just a young man asking a question.
‘If you brought a picture of Jane McDonald on you should probably know the songs she sang.
‘She probably brought it on to get a vote from a certain community and it’s all backfired on her a little bit, I think you are seeing her true colours right now.’
I’m A Celebrity continues tonight at 9pm on ITV.
Got a showbiz story?
If you've got a story, video or pictures get in touch with the Metro.co.uk Entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


EBD - Easton Bible DIctionary
Malluch
MALLUCH
"MALLUCH "reigned over, or reigning. (1.) A Levite of the family of Merari (
1 Chronicles 6:44
).
(2.) A priest who returned from Babylon (
Nehemiah 12:2
).
(3.)
Ezra 10:29
. (4.)
Ezra 10:32
"MALLUCH "reigned over, or reigning. (1.) A Levite of the family of Merari (1 Chronicles 6:44).
(2.) A priest who returned from Babylon (Nehemiah 12:2).
(3.) Ezra 10:29. (4.) Ezra 10:32


2019
We had a very successful year in 2019. We were finalists in over 5 events at the National Conference in Washington, D.C.
Hours of Community
Service
Dollars Raised for the
American Cancer Society
We had a very successful year in 2019. We were finalists in over 5 events at the National Conference in Washington, D.C.
In the 2018 NCTSA Competition, we were able to get first in over 10 events! We then had a successful run in Atlanta, Georgia at the National Conference.
After a successful year at the NCTSA Level, with over five first place winners, Ardrey Kell TSA had a successful run in Orlando. The Webmaster Team placed 2nd overall!
The Ardrey Kell Technology Student Association gained over 100 members! We were successful in the State Competition and advanced to our first National Conference!


Posted by Omar Vega on October 24, 2018
Posted by Omar Vega on November 15, 2018
Posted by Omar Vega on December 6, 2018


Winthrop rolls to a 103-59 win over Mid-Atlantic Christian
ROCK HILL, S.C. (AP) - Josh Corbin scored 18 points and grabbed seven rebounds as Winthrop rolled to a 103-59 win over Mid-Atlantic Christian University of the USCAA on Saturday.
D.J. Burns added 18 points and six rebounds for the Eagles (3-2). Josh Ferguson had 15 points and seven rebounds, Russell Jones had 15 points and six assists and Jamal King chipped in 14 points.
Winthrop outrebounded Mid-Atlantic Christian 55-33.
TOP STORIES
Sudden expansion of 2020 Democratic presidential field reveals unease with Biden, Warren, Sanders
Company co-founded by Nancy Pelosi's son charged with securities fraud
'There will be blood': Maher sees civil war breaking out if we don't 'learn to live with each other'
Jabari Richardson led Mid-Atlantic Christian with 14 points and five assists. Norris Gardner had nine points and six rebounds.
Winthrop faces Tennessee Tech at home on Thursday.
For more AP college basketball coverage: https://apnews.com/Collegebasketball and http://twitter.com/AP_Top25
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Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


Welcome to my amazingly wonderful site! Yeah buddy!!
Favorite things to eat
Pizza
Sushi
Burritos
Gyro
Fried chicken
Favorite movies
Ghostbusters (original)
Terminator 2
Princess Bride
Gremlins
Temple of Doom


Modules
-> Introduction to Python
Environment.
-> Data Types
-> Variables
-> Operators and precedence
-> Codes for Illustration.
-> Conditional Statements
-> Iterative statements
-> Flowcharts
-> Decision Trees and Pseudo
Codes
-> Codes for Illustration
-> Errors
-> Exceptions and their
Handling
-> PDB
-> Breakpoints
-> Codes for Illustration
-> Lists and Tuples
-> Dictionaries
-> Sorting Algorithms
-> Strings
-> State Transitions
-> Codes for Illustration


Sage Gardens
Design.Build.Maintain
Our website is under construction,
but in the meantime, say hello!


Factory that creates objects from a prototype instance. The prototype is generally a prefab, but not an absolute requirement.
More...
|
| | PrototypeObjectFactory (T proto) |
| | Inits the factory with the prototype for all instances. More...
|
| |
| T | GetInstance () |
| | Creates a new instance of the prototype object. This implementation is non virtual because of IOS issues with virtual methods that have generic return type. If the new object requires configuration beyond what can be copied from the prototype, override InitInstance(object) for that purpose. More...
|
| |
|
| virtual void | InitInstance (object o) |
| | Override this template method to configure a new instance beyond what can be copied from the prototype. More...
|
| |
| T | NewInstance () |
| | Meat of the instantiation code. Uses Unity instantiation for Component types and zero-arg constructor for POCO types. Cannot be overriden because of IOS problems with virtual functions and generics. More...
|
| |
Factory that creates objects from a prototype instance. The prototype is generally a prefab, but not an absolute requirement.
◆ PrototypeObjectFactory()
Inits the factory with the prototype for all instances.
- Parameters
-
| proto | The prototype MUST either be a UnityEngine.Component or otherwise a POCO with a zero-arg constructor |
◆ GetInstance()
Creates a new instance of the prototype object. This implementation is non virtual because of IOS issues with virtual methods that have generic return type. If the new object requires configuration beyond what can be copied from the prototype, override InitInstance(object) for that purpose.
- Returns
- A new copy of the factory prototype.
Implements BeatThat.Pools.UnityObjects.IObjectFactory< T >.
◆ InitInstance()
Override this template method to configure a new instance beyond what can be copied from the prototype.
Override this template method to configure a new instance beyond what can be copied from the prototype.
- Parameters
-
| o | The new instance of the object to configure/init. This method uses param type 'object' rather than the generic type because of IOS issues with virtual methods and generic types, so downcast is required. |
◆ NewInstance()
Meat of the instantiation code. Uses Unity instantiation for Component types and zero-arg constructor for POCO types. Cannot be overriden because of IOS problems with virtual functions and generics.
- Returns
- The instance.
The documentation for this class was generated from the following file:
- Runtime/pool-unity-objects/PrototypeObjectFactory.cs


Note: This feature is for ZCS Network Edition only and is available only in the Advanced Web Client.
If you have the Voice tab in your account, your account has been integrated with your company's unified communication provider. Options you might have include:
Voice service features include:
· Visual Voice Mail is viewed from the Voice tab. You can easily view and listen to your voice mails, and view details such as caller name, time details, and length of message. You can call back the person that left the message, forward or reply to the message by email, save or delete the message, and select how to be notified of a new voice message. Supported audio formats include WAV and MP3.
· Click-to-Call lets you make a phone call from your account. Highlight and click any phone number that you want to dial, or select a contact with a phone number saved in the contact's information. The call is then bridged from the your physical or soft phone to the recipient. You can have more than one phone configured, can have a default phone, or select a phone to use before placing a call. Click-to-call eliminates the use for dial pad on a phone.
· Presence provides real-time notification of users' availability, such as if the recipient is available, away, busy, or has asked to not be disturbed.
Setting Up the Voice Service Connection
When using the voice service feature, you have to perform an initial configuration to set up your voice account and establish a connection. After your voice feature is configured, it is automatically enabled each time you log into your account. The only time you have to reconfigure your voice service, is if your connection information changes.
Prerequisites
Your system administrator will give you the following.
Voice User Name (which is your display name)
Registered Number (which is the phone number you use to make and receive calls).
(Cisco clients only) The Cisco Jabber Client application.
Accessing the Voice Service
(Cisco clients only) Install and log in to Cisco Jabber Client. Your system administrator can help you with setting up this soft phone client to use with your account..
Log in to your account.
Go to the Voice page to use the voice service.


The Color component manages color palettes and color scheme policies for widgets. Furthermore, the component can simulate various color vision deficiencies to test and prepare your charts for the highest accessibility.


Saturday’s Time Schedule
by The Associated PressAll Times EST
Phoenix at Minnesota, 5 p.m.
Chicago at Charlotte, 7 p.m.
Orlando at Indiana, 7 p.m.
Toronto at Atlanta, 7:30 p.m.
San Antonio at New York, 7:30 p.m.
Miami at Philadelphia, 7:30 p.m.
Portland at Cleveland, 8 p.m.
L.A. Lakers at Memphis, 8 p.m.
Detroit at Milwaukee, 8:30 p.m.
New Orleans at Utah, 9 p.m.
NHL
Vancouver at Washington, 12:30 p.m.
Calgary at Philadelphia, 1 p.m.
Arizona at Los Angeles, 4 p.m.
Toronto at Colorado, 7 p.m.
Columbus at Winnipeg, 7 p.m.
Minnesota at Boston, 7 p.m.
N.Y. Rangers at Montreal, 7 p.m.
Anaheim at Tampa Bay, 7 p.m.
Detroit at New Jersey, 7 p.m.
Florida at Carolina, 7 p.m.
Nashville at St. Louis, 8 p.m.
Chicago at Dallas, 8 p.m.
Edmonton at Vegas, 10 p.m.
N.Y. Islanders at San Jose, 10:30 p.m.
TOP 25 FOOTBALL
No. 1 LSU vs. Arkansas, 7 p.m.
No. 2 Ohio State vs. No. 9 Penn State, noon
No. 4 Georgia vs. No. 24 Texas A&M;, 3:30 p.m.
No. 5 Alabama vs. Western Carolina, noon
No. 6 Oregon at Arizona State, 7:30 p.m.
No. 7 Utah at Arizona, 10 p.m.
No. 8 Oklahoma vs. TCU, 8 p.m.
No. 11 Minnesota at Northwestern, noon
No. 12 Michigan at Indiana, 3:30 p.m.
No. 13 Baylor vs. Texas, 3:30 p.m.
No. 14 Wisconsin vs. Purdue, 4 p.m.
No. 15 Notre Dame vs. Boston College, 2:30 p.m.
No. 16 Auburn vs. Samford, noon
No. 17 Cincinnati vs. Temple, 7 p.m.
No. 18 Memphis at South Florida, 4 p.m.
No. 19 Iowa vs. Illinois, noon
No. 20 Boise State at Utah State, 10:30 p.m.
No. 21 SMU at Navy, 3:30 p.m.
No. 22 Oklahoma State at West Virginia, noon
No. 23 Appalachian State vs. Texas State, 2:30 p.m.
No. 25 Virginia Tech vs. Pittsburgh, 3:30 p.m.
TOP 25 BASKETBALL
Men
No. 7 Virginia vs. UMass at Uncasville, Conn., noon
No. 8 Gonzaga vs. Cal State Bakersfield, 8 p.m.
No. 13 Seton Hall vs. Florida A&M;, noon
No. 16 Memphis vs. Mississippi, 1 p.m.
No. 21 VCU vs. Florida Gulf Coast, 7 p.m.
Women
No. 6 Texas A&M; at Southern California, 8:30 p.m.
No. 12 Florida State at Illinois-Chicago, 1 p.m.
No. 16 Miami vs. No. 19 DePaul, 4:30 p.m.
No. 21 Michigan vs. Notre Dame, 1 p.m.
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Please read our comment policy before commenting.


Navel Biodiversity Dashboard
Select volunteer ID
Volunteer Information
Select metadata feature
Ethnicity
Gender
Age
Location
Belly Button
Wash Frequency
Locations


Class BasePost
Base class for post types.
Inheritance
Inherited Members
Namespace: DontPanic.TumblrSharp.Client
Assembly: DontPanic.TumblrSharp.Client.dll
Syntax
public class BasePost
Properties
| Name | Description |
|---|---|
| BlogName | The short name used to uniquely identify a blog. |
| Format | The PostFormat. |
| Id | The post identifier. |
| IsBookmarklet | Indicates whether the post was created via the Tumblr bookmarklet. |
| IsMobile | Indicates whether the post was created via mobile/email publishing. |
| Liked | Indicates if the current user has already liked the post or not. |
| Notes | The notes (likes and reblogs) for the post |
| NotesCount | The number of notes (likes and reblogs) for the post. |
| NumberOfPostsInResponse | The number of posts in the response (can be used for pagination). |
| Reblog | Reblog |
| RebloggedFromId | The id of a post being reblogged. |
| RebloggedFromName | Title of a post being reblogged. |
| RebloggedFromTitle | URL of a post being reblogged. |
| RebloggedFromUrl | Name of a blog being reblogged. |
| RebloggedRootId | The id of an original post being reblogged. |
| RebloggedRootName | Title of the original post being reblogged. |
| RebloggedRootTitle | URL of the original post being reblogged. |
| RebloggedRootUrl | Root name of a post being reblogged. |
| ReblogKey | The key to use to reblog the post. |
| ShortUrl | Shorturl |
| Slug | slug |
| SourceTitle | The title of the blog which is the source of the post, if any. |
| SourceUrl | The url to the blog that is the source of the post, if any. |
| State | The PostCreationState. |
| Summary | Summary |
| Tags | The tags applied to the post. |
| Timestamp | The date and time of the post (in local time). |
| Trails | Trail |
| Type | The post type. |
| Url | The url of the post. |


Software Development . Current...
Computer Science . October 2019
KCSE A- . November 2014
IT Support . 2019
IT Support . 2018
HipHop/Rap.Reggea
FIFA.RUGBY.CHESS
Drawing.Painting
Moringa School is far most the best programming school I know.As a developer,often we find ourselves in situations we need help from other.Moringa provides the community to do that.Moringa provides its Students with excellent technical support and their learning model helps in developing the Next Generation of Tech Leaders Through Market-Driven Education I believe by the end of my course,I will be a better Developer and Computer Scientist
“First, solve the problem. Then, write the code.” – John Johnson


News story
Today (Thursday, 26 January) the ADB came together to recognise and acknowledge its achievements in the 12 months since it was formed.
The Apprenticeship Delivery Board (ADB) , created to advise on expanding apprenticeships nationally, are working with the National Apprenticeship Service to increase the number of apprenticeship places that employers offer in both the public and private sector. The ADB is a key tool in driving the delivery of 3 million apprenticeship starts during this parliament.
Chaired by David Meller, Chair of the Apprenticeship Ambassador Network and reporting directly to Skills Minister Robert Halfon MP, members of the board include:
Today’s event highlighted the many employers and intermediaries that the ADB have already engaged with, including the likes of Bauer Media, Claire’s Accessories, Harris Trust, Prudential and Yahoo!.
Richard Harrington MP, was in attendance and he recognised five employers for their continued commitment to apprenticeships: Deloitte, Screwfix/Kingfisher, Leonard Cheshire Disability, Faccenda, and O2 – whilst also recognising the commitment of the ADB members.
Screwfix’s CEO Andrew Livingston said:
We’re thrilled to receive this recognition. Screwfix launched ‘Your Guide to Hiring an Apprentice’ for our customers last year after we found that while the trade are supportive of apprentices, they are put off by the perceived costs and red tape involved in hiring their own.
With shortages of trades, like electricians and plasterers, at their highest point in four years – there is still do much more to do to reverse this trend. We hope to make the process easier and help plug the skills gaps that exist.
David Meller said:
This is an important milestone for the ADB. In the last 12 months we have engaged with leading employers in England to expand the current apprenticeship programme and to reach out to those not previously involved with apprenticeships. This is just the start of the journey and the very recent announcements on the Industrial Strategy and Institute for Apprenticeships will also be considered and embraced within the ADB brief.
We couldn’t have achieved the great things we have so far had it not been for the commitment of the board and today we want to thank them for their support.
Published: 26 January 2017
From: Skills Funding Agency
Part of: Apprenticeships


--- status: publish layout: page title: Canyon Country (CCP) author: display_name: Zach Beck email<EMAIL_ADDRESS>tags: [] categories: [] published: false date: 2011-09-19 10:46:11 -0600 ---
The Canyon Country Partnership Geographic Data Committee (CCP) was the first chartered user group in Utah. The members of the group created the Utah Transportation Model and the first Hydrology Model. The group consists of Geo-spatial technicians and specialists from State and Federal Agencies, private organizations, Carbon, Emery, Wayne, Grand, and San Juan Counties. It is open to anyone that would like to attend. CCP is active in sitting standards for the GIS community of Utah. For more information contact ...


Chevy O'Dell (30019806): Good evening, want me to fight you?
Sean Mai (10154016): Hiii, welcome to sean bean's team
Matt Kadatz (10172474): I'm a bread loving software engineer.
Wafa Anam (10153891): Heyo, I like to climb and be stressed.
Karla Hernandez (30032154): Hello, I am the team's angel.
Patrick Matchett (30024766): Hi I'm Patrick, you can tell I'm french by the way I am


A | |
| action [Dataflow] | |
| alphaTableData [Alpha] |
This is the type of the elements of the alpha renaming table.
|
| attribute [Cil] | |
| attributeClass [Cil] |
Various classes of attributes
|
| attributes [Cil] |
Attributes are lists sorted by the attribute name.
|
| attrparam [Cil] |
The type of parameters of attributes
|
B | |
| binop [Cil] |
Binary operations
|
| block [Cil] |
A block is a sequence of statements with the control falling through from
one element to the next
|
C | |
| clist [Clist] |
The clist datatype.
|
| comment [Cil] | |
| compinfo [Cil] |
The definition of a structure or union type.
|
| constant [Cil] |
Literal constants
|
D | |
| doc [Pretty] |
The type of unformated documents.
|
E | |
| enuminfo [Cil] |
Information about an enumeration
|
| existsAction [Cil] |
A datatype to be used in conjunction with
existsType
|
| exp [Cil] |
Expressions (Side-effect free)
|
F | |
| featureDescr [Cil] |
To be able to add/remove features easily, each feature should be package
as an interface with the following interface.
|
| fieldinfo [Cil] |
Information about a struct/union field
|
| file [Cil] |
Top-level representation of a C source file
|
| fkind [Cil] |
Various kinds of floating-point numbers
|
| formatArg [Cil] |
The type of argument for the interpreter
|
| fundec [Cil] |
Function definitions.
|
G | |
| global [Cil] |
A global declaration or definition
|
| guardaction [Dataflow] | |
I | |
| ikind [Cil] |
Various kinds of integers
|
| init [Cil] |
Initializers for global variables.
|
| initinfo [Cil] |
We want to be able to update an initializer in a variable, so we define it
as a mutable field
|
| instr [Cil] |
Instructions.
|
L | |
| label [Cil] |
Labels
|
| lhost [Cil] |
The host part of an
Cil.lval .
|
| lineDirectiveStyle [Cil] |
Styles of printing line directives
|
| location [Errormsg] |
Type for source-file locations
|
| location [Cil] |
Describes a location in a source file.
|
| lval [Cil] |
An lvalue
|
O | |
| offset [Cil] |
The offset part of an
Cil.lval .
|
| order [Dominators] | |
S | |
| stmt [Cil] |
Statements.
|
| stmtaction [Dataflow] | |
| stmtkind [Cil] |
The various kinds of control-flow statements statements
|
| storage [Cil] |
Storage-class information
|
T | |
| t [Dataflow.BackwardsTransfer] |
The type of the data we compute for each block start.
|
| t [Dataflow.ForwardsTransfer] |
The type of the data we compute for each block start.
|
| timerModeEnum [Stats] | |
| tree [Dominators] | |
| typ [Cil] | |
| typeinfo [Cil] |
Information about a defined type
|
| typsig [Cil] |
Type signatures.
|
U | |
| undoAlphaElement [Alpha] |
This is the type of the elements that are recorded by the alpha
conversion functions in order to be able to undo changes to the tables
they modify.
|
| unop [Cil] |
Unary operators
|
V | |
| varinfo [Cil] |
Information about a variable.
|
| visitAction [Cil] |
Different visiting actions.
|


Methods
Private addPlayer
- addPlayer(player: Player): void
Private log
- log(message: string, skipRender?: boolean): void
-
Parameters
-
message: string
-
Default value skipRender: boolean = false
Returns void
Private onPlayerConnect
- onPlayerConnect(player: Player): void
Private onPlayerDisconnect
- onPlayerDisconnect(player: Player): void
Private onTournamentStart
- onTournamentStart(): void
Private removePlayer
- removePlayer(player: Player): void
Online Server class Handles the sockets, players, games...


1. Introduction
A more typical example of a real CPM production deployment is to utilize multiple servers. In this configuration, CPM will let you configure Postgres clusters that span more than one server.
Here is an example of a multi-host scenario of 2 servers:
espresso.crunchy.lab - <IP_ADDRESS> (static IP) bean.crunchy.lab - <IP_ADDRESS> (static IP)
These can be physical or virtual servers. Both servers are available to run the CPM containers , however only one server will act as the CPM Admin server (espresso.crunchy.lab).
So we will end up with the following deployment:
-
espresso server
-
cpm-web container
-
cpm-admin container
-
cpm-server container named cpm-espresso
-
cpm-task container
-
cpm-collect container
-
cpm-promdash container
-
cpm-prometheus container
-
CPM provisioned containers
-
-
bean server
-
cpm-server container named cpm-bean
-
CPM provisioned containers
-
2. CPM Installation
Perform a developer install on the espresso server as documented in the Developer Install Guide. Developer Install Guide
2.1. Install CPM Dependencies on Secondary Server
-
Install docker
sudo systemctl stop firewalld.service sudo systemclt disable firewalld.service
2.2. Docker Configuration on Secondary Server
Configure the Docker daemon on the secondary server to the following:
OPTIONS='--selinux-enabled --bip=<IP_ADDRESS>/16 --dns-search=crunchy.lab --dns=<IP_ADDRESS> --dns=<IP_ADDRESS> -H unix:///var/run/docker.sock --label host=<IP_ADDRESS> --label profile=SM -H tcp://<IP_ADDRESS>:2375'
In this Docker configuration you see that we have the following:
-
a different (unique) IP address block than what we used on the espresso server
-
a DNS primary server that points to the skybridge running on the espresso server
-
a host label that specifies the IP address of the bean server
-
listener on the local IP address and Swarm port
sudo systemctl start docker.service
2.3. Copy and Load CPM Docker Images
You will also need to copy the CPM Docker images over to the bean server. For this purpose, you can run on the espresso server the $CPMROOT/sbin/copy-images.sh script. This script will save the CPM Docker images, copy them over to the bean server, and install them on the bean server. This script assumes you have ssh configured and can scp files to the bean server.
sudo docker images
This command should list all the CPM images you have loaded on your secondary server.
2.4. DNS Configuration for Multi-Server CPM
On each server in a multi-server configuration, you will need to specify in your /etc/resolv.conf the CPM DNS server you have deployed. In this example, we have chosen to run the CPM skybridge DNS server on the espresso server.
2.5. Networking for Multi-Server CPM
Each CPM server will need to define a network route to the Docker bridge IP ranges each server is configured with. In this example, we have two Docker bridge IP ranges:
espress - <IP_ADDRESS>/16 bean - <IP_ADDRESS>/16
So, to allow networking between Docker containers running on each server we define on each server a static route as follows:
ip route add <IP_ADDRESS>/16 via <IP_ADDRESS> dev enp2s0
<IP_ADDRESS>/16 via <IP_ADDRESS> metric 0
ip route add <IP_ADDRESS>/16 via <IP_ADDRESS> dev ens3
<IP_ADDRESS>/16 via <IP_ADDRESS> metric 0
These routes can be made permanent by creating a file in /etc/sysconfig/network-scripts/route-ens3 on each server and adding the routing rules above. On your system, ens3 might be named differently (e.g. eth1), change the file names accordingly.
After these routes are in place, each docker container on each server can route to containers on the other servers.
Route examples on virtualbox:
ip route add <IP_ADDRESS>/16 via <IP_ADDRESS> dev vboxnet0 ip route add <IP_ADDRESS>/16 via <IP_ADDRESS> dev vboxnet0 ip route add <IP_ADDRESS>/16 via <IP_ADDRESS> dev vboxnet0
2.6. Swarm Installation
We need to install Swarm on the secondary server. The most simple way to perform the install is to just copy the swarm binary over to the to the secondary server’s /usr/local/bin directory. The CPM scripts assume the swarm binary is in /usr/local/bin.
scp swarm root@bean:/usr/local/bin
2.7. Swarm Configuration
For Swarm Discovery, we will specify our Swarm cluster using a static file, by default located at /tmp/my_cluster on each server, that looks like this:
<IP_ADDRESS>:2375 <IP_ADDRESS>:2375
This is a list of all servers that we want to make up the Swarm cluster. We will use this same file on the primary and secondary servers when starting up Swarm.
Modify the $CPMROOT/sbin/run-swarm.sh script environment variables:
PRIMARYIP=<IP_ADDRESS> SECONDARYIP=<IP_ADDRESS>
On the primary server run the script:
sudo ./sbin/run-swarm.sh
On the secondary server, run the run-swarm-secondary.sh script:
./sbin/run-swarm-secondary.sh
2.7.1. Swarm Test
You verify that Swarm is configured by running the following command:
swarm list file:///tmp/my_cluster <IP_ADDRESS>:2375 <IP_ADDRESS>:2375 docker -H tcp://$LOCALIP:8000 info Containers: 125 Images: 64 Role: primary Strategy: spread Filters: health, port, dependency, affinity, constraint Nodes: 2 bean.crunchy.lab: <IP_ADDRESS>:2375 └ Containers: 2 └ Reserved CPUs: 0 / 4 └ Reserved Memory: 0 B / 6.314 GiB └ Labels: executiondriver=native-0.2, host=<IP_ADDRESS>, kernelversion=3.10.0-327.3.1.el7.x86_64, operatingsystem=CentOS Linux 7 (Core), profile=SM, storagedriver=devicemapper espresso.crunchy.lab: <IP_ADDRESS>:2375 └ Containers: 123 └ Reserved CPUs: 0 / 8 └ Reserved Memory: 0 B / 16.24 GiB └ Labels: executiondriver=native-0.2, host=<IP_ADDRESS>, kernelversion=3.10.0-229.20.1.el7.x86_64, operatingsystem=CentOS Linux 7 (Core), profile=SM, storagedriver=devicemapper CPUs: 12 Total Memory: 22.55 GiB Name: espresso.crunchy.lab
2.8. Start CPM Server Agent
On the secondary server, we will start a server agent. This agent performs disk provisioning and metrics collection for this server, it also interfaces with the Docker daemon to register/deregister containers with DNS.
Copy from the primary server to the secondary server, the $CPMROOT/images/cpm-server/run-cpm-server.sh script.
Edit the script, supplying the LOCAL_IP, EFK_IP, and SERVERNAME environment variables.
sudo ./run-cpm-server.sh
2.8.1. Test the Server Agent
ping cpm-bean
You should see the cpm-bean container IP address resolve.
curl http://cpm-bean:10001/status
You should get back an OK status.
2.9. Startup Sequence
-
start docker on primary
-
start docker on secondary
-
start swarm manager on primary
-
start swarm agent on primary
-
start swarm agent on secondary
-
start skybridge on primary
-
start cpm-efk on primary
-
start cpm-server on primary
-
start cpm-server on secondary
-
start cpm-web, cpm-admin, cpm-task on primary
-
start cpm-prometheus on primary
-
start cpm-promdash, cpm-collect on primary


118 min
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CHICKEN RUN
Reviewed by Harvey Karten DreamWorks Pictures Director: Peter Lord, Nick Park Writer: Karey Kirkpatrick Cast: Voices of Mel Gibson, Miranda Richardson, Tony Haygarth, Julia Sawalha, Jane Horrocks, Lynn Ferguson, Imelda Staunton, Benjamin Whitrow, Timothy Spall, Phil Daniel Screened at Sony Lincoln Plaza Theater, NYC
Everyone except poultry farmers and airline companies should rejoice at the creation of this wonderful Claymation movie, one featuring chickens who act more human than we do and a pair of farmers who behave more like vultures and jackals than sensitive homo sapiens. Chicken farmers of the world have nothing to celebrate, which becomes obvious in the very first suspense-filled moments of the action since, after all, we're obliged to sympathize with victims of oppression and not their jailers. As for airline companies, credit Karey Kirkpatrick's hatchet-sharp writing that makes "Chicken Run" perhaps even more appealing to adults than to the more-visual-than-literary young 'uns who have towed them into the theaters.  This may not be an original gag--it was in fact created by a realistic cynic during the atomic age to spoof the belief that we could protect ourselves by hiding under our desks. But never before was the quip so neatly placed within the context of a story.
In one dramatic scene, Mr. Tweedy (Tony Haygarth), the, uh, henpecked husband of farm proprietor Mrs. Tweedy (Miranda Richardson), cries out, "The chickens are revolting!" to which the Mrs. retorts, "For once we agree." This is but one example of the wordplay that makes the story a delight for adults, a story filled with puns, with metaphoric expressions made literal ("Hey, this is chicken-feed," says a mouse upon receiving insufficient payment for a job he is about to perform), and with jazzy lines. A World War II chicken-mascot-veteran, like others of his flock, becomes human in the way he lives for the memories of his medal- filled battle experiences and lectures the younger members of the farm on how easy they have things today despite their position in a prison camp.
Though the most obvious take-off is of "Stalag 17," with one of the huts featuring the number 17 and with the jailbirds surprisingly content in their captivity, the 1950's British setting of the project may remind you of George Orwell's "Animal Farm." (That's the book all high-school kids choose to read for their required reports because it's regularly the thinnest text on the list.) While "Chicken Run" does not really have an Orwellian political agenda--its directors, Peter Lord and Nick Park insisting that they are not vegetarians--the film's chicks are so human that scholars with time on their hands are bound to make postmodern and Marxist, even feminist interpretations of the agenda.
The farm in question exists for the production of eggs. When the quota is not met, Mrs. Tweedy enjoys the lazy bird for dinner. (A critique of capitalism?) Early on, one hapless hen is indeed sent to the execution chamber, its carcass showing up on the Tweedy table hours later. This act motivates the animals to escape a situation that looks insurmountable. The fences are high and vicious dogs patrol regularly. When Rocky the Flying Rooster (Mel Gibson) glides into the compound explaining that he is himself an escapee from the circus, he is enjoined by the honcho hen, Ginger (Julia Sawalha), to teach the company how to fly. The motivation becomes stronger when Mrs. Tweedy purchases a chicken-pie making machine, intending to execute her entire barnyard at once to make quick profits. (Another critique of capitalism?)
"Chicken Farm" stops for air quite a few times during its brief 85 minutes, allowing the audience to soak in the hip patter, taking a chance that the kids may fidget during these absolutely non-MTV moments. But Lord and Park, aiming to keep the adults as enthralled as the children, does right in allowing Karey Kirkpatrick's words to punch in, while in the best action scene, the directors put the chicks through their paces inside the huge, Chaplin-esque pot-pie machine. As two potential victims duck the sharp blades and parry with the grinding wheels as though in a Claymation version of "Modern Times," the audience gets a good look at the second industrial revolution writ small--what the world was like before high-tech dissolved much of the need for manual labor and heavy machinery in the highly developed parts of the world.
The assorted accents are an added plus, particularly the combination of Cockney, Scottish, and American English all competing for attention as the rulers of the roost and their frightened followers make their dramatic bid for deliverance. Prison is no fun, but hey, don't look at me: I get eggs only from free-range chickens.
Rated G. Running time: 85 minutes. (C) 2000 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Before Change
// Update tensor history, _keras_shape and _uses_learning_phase.
for i in range(len(output_tensors)):
output_tensors[i]._keras_shape = output_shapes[i]
uses_lp = (any([x._uses_learning_phase for x in input_tensors]) or
self.uses_learning_phase)
output_tensors[i]._uses_learning_phase = uses_lp
output_tensors[i]._keras_history = (self,
After Change
// Update tensor history, _keras_shape and _uses_learning_phase.
for i in range(len(output_tensors)):
output_tensors[i]._keras_shape = output_shapes[i]
uses_lp = any([x._uses_learning_phase for x in input_tensors])
output_tensors[i]._uses_learning_phase = getattr(output_tensors[i], "_uses_learning_phase", False) or uses_lp
output_tensors[i]._keras_history = (self,
len(self.inbound_nodes) - 1,
i)


The type query can be used to join one or more storage in a single one chossing the columns that you want.
The syntax is a subset of SQL
Here a simple sample:
Sample with a simple projection
As you can see in this sample, you can use the query type to create an array based on another array
Here is another sample where you can join 2 arrays:
Another one where you can use a mustache against a datakey:
Here another sample using one of the sources as an array:
Using LEFT JOIN
Basic sample using WHERE
You can also use IS NULL or IS NOT NULL
Using a simple aggregation function
You can use OUTER JOIN too as you can see here
And for better use of OUTER JOIN, use the COALESCE function together !
Sometimes we need our output to be a primitive array. We can do that using the attribute d-dataQueryArray. This will inform which column will be used to be the output column
You can use mustache inside WHERE too
Order By is available too
Can you use DESC
Two types of sort together
Dynamically change the order. Just click in ASC to change it
Or maybe change dynamically the column too. Just click in ASC to change it
You can also use LIKE in query


Fonts
Primary Font: Quatro Slab
Variable name: $header-font
Used for headlines, sub headlines, short body copy, hyperlinks and CTA buttons
Header Font Weights
We have 3 different font weights we use: `normal`, `bold`, and `$medium-weight` (which maps to the CSS value of `500`). Use any of these three values when setting font weight for a header font (and preferably not any other values besides these three options.)
Example $body-font - size $la-body-font-size (default size):
Cupcake ipsum dolor sit. Amet sweet roll lollipop candy wafer ice cream gingerbread biscuit. Gummies macaroon bonbon tart cotton candy dessert. Dessert sesame snaps toffee oat cake caramels cookie biscuit macaroon marshmallow. Marzipan croissant gingerbread sweet roll muffin danish. Powder tootsie roll toffee. Carrot cake dessert dragée wafer cake brownie. Icing pastry oat cake.
Size $la-font-extra-small:
Cupcake ipsum dolor sit. Amet sweet roll lollipop candy wafer ice cream gingerbread biscuit. Gummies macaroon bonbon tart cotton candy dessert. Dessert sesame snaps toffee oat cake caramels cookie biscuit macaroon marshmallow. Marzipan croissant gingerbread sweet roll muffin danish. Powder tootsie roll toffee. Carrot cake dessert dragée wafer cake brownie. Icing pastry oat cake.
Example $code-font
Yay example code!!
Title Lines
If you want a particular header to have nice lines on either side of it, include the mixin title-line(color)
to the styles you're defining for that header. Example:
@include title-line($la-grey);
Typography Helper Classes
These helper classes will allow you to apply consistent styling to different types of text you might want to use.
Adding the class .bold to an element will make it bold.
Adding the class .medium to an element will make it medium font weight (500).
Example Blue Header
Example Green Header
Example Pink Header
Example White Header
Example Black (aka "la-navy") Header
This documentation generated using Hologram


Filters
Share Type
Expire
Expiration Date
Limit Usage
Usage Limit
Copy
Download
Edit
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Notify on Copy
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enter sites to block, one domain per line. no wildcard support, but "example.com" will block all subdomains. also, "com" would block all .com websites, if you really wanted to do that. blank lines will be ignored.
sites to block during work (9-5)
sites to block 24/7
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Before Change
self.make_hydrated_target_with_origin(name="py1", adaptor_type=PythonTargetAdaptor),
self.make_hydrated_target_with_origin(name="py2", adaptor_type=PythonTargetAdaptor),
]
java_targets = [
self.make_hydrated_target_with_origin(name="java1", adaptor_type=JvmBinaryAdaptor),
self.make_hydrated_target_with_origin(name="java2", adaptor_type=JvmBinaryAdaptor),
]
python_addresses = [
target_with_origin.target.adaptor.address for target_with_origin in python_targets
]
java_addresses = [
target_with_origin.target.adaptor.address for target_with_origin in java_targets
]
def get_stdout(*, per_target_caching: bool) -> str:
stdout = self.run_fmt_rule(
language_formatters=[PythonFormatters, JavaFormatters],
After Change
def test_multiple_languages_with_multiple_targets(self) -> None:
fortran_addresses = [Address.parse(":py1"), Address.parse(":py2")]
smalltalk_addresses = [Address.parse(":py1"), Address.parse(":py2")]
fortran_targets = [
self.make_target_with_origin(addr, target_cls=FortranTarget)
for addr in fortran_addresses
]
smalltalk_targets = [
self.make_target_with_origin(addr, target_cls=SmalltalkTarget)
for addr in smalltalk_addresses
]
def get_stdout(*, per_target_caching: bool) -> str:
stdout = self.run_fmt_rule(
language_target_collection_types=[FortranTargets, SmalltalkTargets],


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General
- A Writer column has been added to Character searches.
- It's now possible to search for characters by writer.
- Characters' labels will be used in addition to their name and folder when looking up a character. This means you can find Marinette by searching for Ladybug, for example.
Bookkeeping
- A timestamp will be saved in meta.xml whenever the file is saved. This allows for (1) more accurate "Last Update" data in the Character search, and (2) allows the game to know how recent a character was changed (for example, for filters to find newly updated characters).
- Characters saved prior to v5.9 will not display anything in the Last Update column.
- The "This file was machine generated" message has been altered to remove the mention of "preserving your improvements" since behaviour.xml has been the primary source of truth for years now.
Bug Fixes
- Fixed issue where importing an image, restarting KKL, and then importing another image would cause a crash.


A transport-layer protocol provides for logical communication between application processes running on different hosts.
Application processes use the logical communication provided by the transport layer to send messages to each other, free from the worry of the details of the physical infrastructure used to carry these messages.
Transport-layer segments: the transport-layer packets, which are converted from application-layer messages, receiving from a sending application process.
Extending host-to-host delivery to process-to-process delivery is called transport-layer multiplexing and demultiplexing.
The job of delivering the data in a transport-layer segment to the correct socket is called demultiplexing.
The job of gathering data chunks at the source host from different sockets, encapsulating each data chunk with header information (that will later be used in demultiplexing) to create segments, and passing the segments to the network layer is called multiplexing.
UDP (User Datagram Protocol) takes messages from the application process, attaches source and destination port number fields for the multiplexing/demultiplexing service, adds two other small fields, and passes the resulting segment to the network layer.
DNS is an example of an application-layer protocol that typically uses UDP.
Some reasons that many applications are better suited for UDP are:
Finer application-level control over what data is sent, and when: Since real-time applications often require a minimum sending rate, do not want to overly delay segment transmission, and can tolerate some data loss, TCP’s service model is not particularly well matched to these applications’ needs.
No connection establishment: TCP uses a three-way handshake before it starts to transfer data while UDP just blasts away without any formal preliminaries. Thus UDP does not introduce any delay to establish a connection.
No connection state:
A server devoted to a particular application can typically support many more active clients when the application runs over UDP rather than TCP.Small packet header overhead:
The TCP segment has 20 bytes of header overhead in every segment, whereas UDP has only 8 bytes of overhead.The UDP header has only four fields, each consisting of two bytes.
The length field specifies the number of bytes in the UDP segment (header plus data).
The checksum is used by the receiving host to check whether errors have been introduced into the segment.
UDP at the sender side performs the 1s complement of the sum of all the 16-bit words in the segment, with any overflow encountered during the sum being wrapped around. This result is put in the checksum field of the UDP segment.
If no errors are introduced into the packet, then clearly the sum at the receiver will be<PHONE_NUMBER>111111. If one of the bits is a 0, then we know that errors have been introduced into the packet.Although UDP provides error checking, it does not do anything to recover from an error.


Properties
- ClientSort - Determines whether or not items should be sorted on the client side
- Height - Bulleted list height
- IndexSize - The number of characters in index headings (ignored if MaxItemPerPage is set)
- MaxItemPerPage - Maximum number of items per page (ignores the IndexSize property)
- SelectIndexCssClass - A CSS class for the selected index
- Separator - Separator text to be placed between indices
- UnselectIndexCssClass - A CSS class for indices that aren't selected


Cucumber-chefis a library of tools to enable the emerging discipline of infrastructure as code to practice test driven development. It provides a testing platform within which cucumber tests can be run which provision lightweight virtual machines, configure them by applying the appriporaite Chef roles to them, and then run acceptance and integration tests against the environment.
It begins with a very simple premise. with a very simple premise. If we are framing our infratructure as code - if we're writing cookbooks, recipes and other pieces of automation in a high level programming language, such as Ruby, then it makes sense to follow the current wisdom across the software development world to maximise the quality, maintainability and reusability of our code, providing maximum chance that we'll deliver value with it. One area which has been shown to have a very positive effect is the practive of 'test-driven' development. In this paradigm, the developer begins by writing a test that captures the intended behaviour of the code they are going to write. This test will start out by failing. The developer then writes code to make the test pass, and iterates thereafter.
Cucumber-Chef provides a framework to make it easier to do test-driven development for infrastructure. It does this by providing a test infrastructure, in the cloud, which provides a very fast, lightweight and cheap way to fire up virtual machines for testing. We call this the "test lab".As you might have guessed from the name, we're going to write high level acceptance tests using Cucumber. Cucumber-Chef provides step definitions and helper methods to make it easy to provision and manage machines with Chef, and then build end-to-end tests.
Getting started with Cucumber-Chef is a simple, three step process:
Installing Cucumber-Chef is simple. It's distributed as a RubyGem, so you can simply run:
$ gem install cucumber-chef
Once installed, you can run cucumber-chef on the command line to get an overview of the tasks it can carry out.
$ cucumber-chef
Tasks:
cucumber-chef connect # Connect to a container in your test lab
cucumber-chef destroy # Destroy running test labs
cucumber-chef displayconfig # Display the current config from knife.rb
cucumber-chef help [TASK] # Describe available tasks or one specific task
cucumber-chef info # Display information about the current test lab
cucumber-chef project <project name> # Create a project template for testing an infrastructure
cucumber-chef setup # Set up a cucumber-chef test lab in Amazon EC2
cucumber-chef test # Run a cucumber-chef test suite from a workstation.
cucumber-chef upload <project name> # Upload a cucumber-chef test
In it's current incarnation, Cucumber-Chef makes two important assumptions. Firstly, it assumes you're using Opscode Hosted Chef rather than your own Chef server. Secondly, it assume that you are comfortable with using Amazon's EC2 service for providing the 'bare metal' on which we set up the test lab.
Cucumber-chef is tightly integrated with Chef - it uses your knife.rb for credentials, and any cucumber-chef-specific configuration goes in knife.rb under the cucumber-chef namespace.
On installation, the first thing you should do is run:
$ cucumber-chef displayconfig
This will look for your knife.rb, and extract the relevant sections, check them, and display them on the screen. If any entries are missing, it will alert you.
The recommended best practice for Chef is to keep your knife.rb inside your organisation's Chef repository, inside the .chef directory, and use environment variables to specify username, organisation name and cloud provider credentials. Cucumber-chef supports and encourages this approach. It will search for a directory called .chef in your current directory, and then carry on going up the directory tree until it finds one. In practice this means that if you stay within the chef-repo directory for the organisation on which you're working, cucumber-chef will use the knife.rb; if your elsewhere in the filesystem rooted in your home directory, and have .chef in your home directory, cucumber-chef will use that. Otherwise you'll need to either change into a directory where a .chef can be found, or copy, creatre or link accordingly. In most cases we anticipate that you'll be inside the chef-repo of your organisation, and the documentation is written from this perspective.
If you haven't already, refactor your knife.rb to look like this:
current_dir = File.dirname(__FILE__)
user = ENV['OPSCODE_USER'] || ENV['USER']
log_level :info
log_location STDOUT
node_name user
client_key "#{ENV['HOME']}/.chef/#{user}.pem"
validation_client_name "#{ENV['ORGNAME']}-validator"
validation_key "#{ENV['HOME']}/.chef/#{ENV['ORGNAME']}-validator.pem"
chef_server_url "https://api.opscode.com/organizations/#{ENV['ORGNAME']}"
cache_type 'BasicFile'
cache_options( :path => "#{ENV['HOME']}/.chef/checksums" )
cookbook_path ["#{current_dir}/../cookbooks"]
Now set your Hosted Chef username and organization name using environment variables:
$ export OPSCODE_USER=platform_user_name
$ export ORGNAME=platform_organisation
Now put your validator and client keys in $HOME/.chef. Verify that everything still works:
$ knife client list
If you get results back, we're in business.
Now add the EC2 configuration:
knife[:aws_access_key_id] = ENV['AWS_ACCESS_KEY_ID']
knife[:aws_secret_access_key] = ENV['AWS_SECRET_ACCESS_KEY']
knife[:aws_ssh_key_id] = ENV['AWS_SSH_KEY_ID']
knife[:identity_file] = "/path/to/aws_ssh_key.pem"
knife[:availability_zone] = "eu-west-1a"
knife[:region] = "eu-west-1"
knife[:aws_image_id] = "ami-339ca947"
Note that right now Cucumber-Chef only supports Ubuntu-based test labs.
And set your environment variables:
$ export AWS_ACCESS_KEY_ID=SEKRITKEY
$ export AWS_SECRET_ACCESS_KEY=REELYSEKRITKEY
$ export AWS_SSH_KEY_ID
And then ensure your AWS ssh key is in place.
Now check your config again, with cucumber-chef display config. If you get no complaints, you're ready to set up a test lab.
$ cucumber-chef setup
This command will set up a complete test lab environment, As long as you've provided valid AWS and Opscode credentials, it will do this automatically. The process takes about 15 minutes, after which you'll have a fully funtioning platform available for you to use. Let's just quickly review what that means. You will have an EC2 machine, fully managed by Chef, and providing the following:
The next stage is to set up a project. A project is simply a directory structure for containing your cucumber features and steps, already set up with an appropriate environment to make use of the step definitions provided with cucumber-chef. We think it makes most sense to have this in your organisation's chef repo. Cucumber-chef provides a task which will create a the directory for you, and populate it with a README and an example feature and step.
$ cd /path/to/chef-repo
$ cucumber-chef project example
This will create a directory, cucumber-chef, and a subdirectory, example.
└── example
├── README
└── features
├── example.feature
├── step_definitions
│ └── example_step.rb
└── support
└── env.rb
Once you've got your test lab set up, and you've generated a project, it's time to crack on with writing a test. The basic idea is this:
You can write the tests and Chef code wherever you like. We're assuming you prefer working on your local machine, and checking into version control. But we don't really care. When it's time to run tests, cucumber-chef provides a task which handles this:
$ cucumber-chef test myproject
At the moment cucumber-chef doesn't pass though clever filtering and tagging options that cucumber supports - you run all the tests. We're going to improve that soon, again, patches and pull requests very welcome.
Running the test task will upload your current project to the test lab, and run the tests, reporting the results back to the screen. Cucumber-chef also provides an upload task, so you can push the current project to the test lab, and then connect to test lab yourself to run tests in a more granular way. To do this, you need to know the IP of the test lab. You can find this out by running:
$ cucumber-chef info
At present, Cucumber-Chef only allows one test lab per AWS account and Opscode Hosted Chef account.