Question
Design and implement a data structure for Least Recently Used (LRU) cache. It should support the following operations: get
and set
.
get(key)
- Get the value (will always be positive) of the key if the key exists in the cache, otherwise return -1.
set(key, value)
- Set or insert the value if the key is not already present. When the cache reached its capacity, it should invalidate the least recently used item before inserting a new item.
Stats
| Adjusted Difficulty | 4 |
| Time to use | Very difficult |
Ratings/Color = 1(white) 2(lime) 3(yellow) 4/5(red)
Analysis
This is a difficult question, I can’t write the solution easily even after a month.
Solution
The solution is to use a Doubly-linked-list and a HashMap. Doing this allows O(1) search, remove and insert. A very nice and sophisticated data structure example, and very high frequency in interviews.
2 important things to note while coding:
We need 2 helper methods: removeNode() and setNodeAsHead().
Because we reuse both methods for get() and set() methods.
Initialization of LRU
We need 5 variables: capacity, current size(optional but good to have), hashmap, head, tail.
Initialization of DoubleLinkedListNode
This is easy, but do not forget about both key and value variable. We must use DoubleLinkedListNode.key when we want to delete tail.
Code
Updated on July 1st, 2014.
This question tests your ability to write some DS by yourself, eg. DoubleLinkedList.
public class LRUCache {
int size;
int capacity;
DoubleLinkedList head;
DoubleLinkedList tail;
HashMap<Integer, DoubleLinkedList> map;
public LRUCache(int capacity) {
this.size = 0;
this.capacity = capacity;
head = null;
tail = null;
map = new HashMap<Integer, DoubleLinkedList>();
}
public void remove(DoubleLinkedList node) {
if (node == head && node == tail) {
head = null;
tail = null;
} else if (node == head) {
head.next.prev = null;
head = head.next;
} else if (node == tail) {
tail.prev.next = null;
tail = tail.prev;
} else {
node.prev.next = node.next;
node.next.prev = node.prev;
}
node.prev = null;
node.next = null;
}
public void setHead(DoubleLinkedList node) {
node.next = head;
node.prev = null;
if (head != null) {
head.prev = node;
}
head = node;
if (tail == null) {
tail = node;
}
}
public int get(int key) {
if (!map.containsKey(key)) {
// if key is not found
return -1;
} else {
// if key is found
DoubleLinkedList target = map.get(key);
remove(target);
setHead(target);
return head.val;
}
}
public void set(int key, int value) {
if (this.get(key) != -1) {
// key exist before, just replace the old value
DoubleLinkedList old = map.get(key);
old.val = value;
} else {
// this is a new key-value pair, insert it
DoubleLinkedList newHead = new DoubleLinkedList(key, value);
map.put(key, newHead);
setHead(newHead);
if (size == capacity) {
// delete tail
map.remove(tail.key);
remove(tail);
} else {
size++;
}
}
}
class DoubleLinkedList {
int key;
int val;
DoubleLinkedList prev;
DoubleLinkedList next;
public DoubleLinkedList(int k, int v) {
this.key = k;
this.val = v;
}
}
}


My paragraph first line (indented by 2 spaces).
Paragraph contained in list item 2.
Verbatim text not contained in list item 3


{%extends "confreg/confadmin_base.html" %} {%load joinattr%} {%block title%}Attendee Email{%endblock%} {%block layoutblock%}


I built an Arduino energy monitor similar to what is described on this site. It works fine. Now I want to upload the data to Emoncms.org. I can find only one old sketch by T. Lea showing the code to use. Unfortunately it looks like it uses a function call json which I do not know how to compile with the sketch. Or is there another way to send data via the net to emoncms.org? Thanks.
JC
P.S. I assume emoncms.org is updated via the url line, right? So all the Arduino has to do is parse the power data into a url and send it. I am not sure how to do that.
Re: How to export Arduino to Emoncms.org?
The OEM system uses an emonTx remote sensing node to collect the data, which is transmitted wirelessly to a base station, which in turn has an Ethernet connection to your router.
You'll find all the information about putting together the JSON string in the sketches for the base here: https://github.com/openenergymonitor/NanodeRF or https://github.com/openenergymonitor/Open-Kontrol-Gateway
Re: How to export Arduino to Emoncms.org?
JC,
Wanted to check in to see if you had made any progress on your original quest. I am thinking about the same thing, rather than use separate transmission and receiving boards it would be much simpler to consolidate into one device to stream data to the internet. I was thinking of using a standard arduino with wireless shield. Thoughts?
I'm also interested to see if the funded wireless arduino projects on kickstarter come to fruition, check out the links below.
http://www.kickstarter.com/projects/sparkdevices/spark-core-wi-fi-for-ev...
http://www.kickstarter.com/projects/1608192864/rfduino-iphone-bluetooth-...
Re: How to export Arduino to Emoncms.org?
Thank you. That is exactly what I was looking for! I took that code and modified it for my use and got it working. I am now able to send my monitor date up to emoncms and use a dashboard to look at it.
My next problem is to figure out how anyone with the url can view my dashboard without logging in. This is fun stuff!
JC
Re: How to export Arduino to Emoncms.org?
Sorry but I don't think I will be of much help. I am using an Uno board with the Arduino Ethernet shield to upload to the net. I have a wired internet connection not far from my service panel. If I hadn't, my second choice was to use Xbee radios.
JC
Re: How to export Arduino to Emoncms.org?
"My next problem is to figure out how anyone with the url can view my dashboard without logging in."
You make the dashboard "public" and "published". See http://emoncms.org/site/docs/dashboards - "Dashboard configuration"
Re: How to export Arduino to Emoncms.org?
joecatch , see https://github.com/chaveiro/EmonLibPro/tree/master/examples/EmonLibPro_E... for a reliable alternative to send data by ethernet shield. I'm using this at 2sec update rate.
Re: How to export Arduino to Emoncms.org?
"I'm using this at 2sec update rate"
This is very anti-social. Trystan requests you keep the update interval to not less than 5 seconds on emoncms.org.
Re: How to export Arduino to Emoncms.org?
Robert, I'm using my own server, rules are different right?.
Server is one continent away.
The reason i state that info is to prove reability of the implementation that has to deal with much latency and minimal down time or when dhcp renews.
Re: How to export Arduino to Emoncms.org?
Thanks for the input. I whenever I make it PUBLIC and PUBLISHED and then go back later to check, the PUBLIC box keeps getting unchecked. Something is unchecking the box after I check it.
Re: How to export Arduino to Emoncms.org?
Chaviero:
And joecatch has already said he's using emoncms.org, right? So it's reasonable to assume that if he uses your 2 s update, he will use more than his fair share of server disk space, right? And that is because he won't know that your advice is only for your own set-up, right? And your rules don't apply to emoncms.org, right?
Sorry, but I didn't realise the UK was in a different continent to Portugal.
Joe:
That's weird. Have you tried checking with a different browser? I say that because cache and cookies might be confusing the issue. A different browser won't have your permissions recorded in a cookie, so it will behave as someone else and give you a truer picture (not that we know it is wrong, but it's possible it is).
Re: How to export Arduino to Emoncms.org?
The demo i pointed out has http code for reference, users can adapt to use any lib with it.
To change posting rate with emonLibPro change variable value in emonlibpro.h as below:
#define CALCULATESAMPLES 50 * 2 // Number of cycles to activate FlagCALC_READY


BRAM STOKER'S DRACULA A film review by Jason D. Corley Copyright 1993 Jason D. Corley
Let me sum this up, as far as we understood it:
It's 1460. ("I'll attack any Church for $14.60!") Constantinople (not Istanbul). A guy that looks about as much like a 15th Century Romanian warlord as Bella Abzug (Ryan interjects: "Well, he did look a lot like Bella Abzug later in the movie") has a tearful farewell with Winona Ryder (Ryder rents movie services!) and the audience is bewildered. Are we supposed to care? Anyway, he rides out past a bunch of silhouettes that then start running each other through with cardboard poles and pretending to be killed in a sort of mime show. The only thing missing is the guy pretending to be in a shrinking box. Then after killing about 500,000 people singlehandedly, Bella Abzug kisses this big-ass medallion it looks like he stole from L. L. Cool J., and that's supposed to impress the audience and make it all better. So he goes back to the model of the castle, but first they have to push a dressmaker's dummy with Winona's wig on out of a window and watch it fall really stiffly into a matte painting of a chasm. I'm surprised they didn't show it break apart on the rocks. So he gets there and lo and behold it's a miracle, she's fallen fifty miles and there isn't a scratch on her except she smeared her lipstick, but she should have known better than to try to put it on on the way down. He picks up a letter that says he may already have won, screams, "I hate Ed McMahon!" and discusses religion with these grey-haired Ewoks for a while. Then he stabs his sword into the middle of this wood cross for no apparent reason and ketchup starts squirting out of it, along with cherry Jell-O mix and water with red food coloring in it. (A lot of it, Ryan says, real mess.) So he goes up and starts swilling it down. Now the only thing I'm thinking here is, "Cholesterol. He's gonna have such clogged arteries," and WHAMMO! We're four centuries in the future and all of those carefully crafted and individualized characters are dead except for Dracula.
Ryan turns to me (in the theatre) and says, "So we're about half an hour through this one, right?" and I say, "No, man, that was just the prologue," and he says, "Aaaah."
So when we look back at the screen, some guy that looks vaguely like Barton Fink is eating flies. He does a pretty good job, I suppose, but we have NO IDEA WHAT THE HECK THIS HAS TO DO WITH ANYTHING!
 "Excellent!" I say in the theatre. (Ryan later says, What was the point of that? I mean, I wouldn't send Ted on a financial mission ... I wouldn't trust him to pick up a paper at 7-11! I said Strange things are afoot at the 7-11.) So off goes Ted to say goodbye to his babe girlfriend. Ryan claims Winona was "pumped up" for this movie, but I think they just didn't make her wear all those ... restraints ... Victorian women really had to wear (Later, Ryan would comment, The raw sexuality of Victorian England!) So she's been looking at old Playboy "Best of ..." leather- bound collections and cooing over them with the Slut o' The Century, so she's hot to trot. So she drags him off into the garden to smooch a while, but later claims that they've "only kissed" (Yeah, Ryan says, but only kissed *what*?)
So off he goes, writing in his diary the whole 3 day trip and complaining about the food and the runs I suppose, like all English people do when they go abroad, but he writes very well considering he's riding on a bumpy train, I mean he never even smears his ink *once* (I'm bitter. I can't do that with *my* fountain pens...). These huge eyes appear in the sky but he doesn't pay attention to them because they obviously have cataracts and couldn't see a thing anyway. The eyes pop up again and again, but nobody ever says anything about them. My personal theory: it's Ross Perot, because in one of the scenes I think I saw a gigantic pair of ears to match.
So anyway he gets dropped off by this carriage with someone wearing so many necklaces ... well, actually it's probably L. L. Cool J. back for revenge! L. L. Cool J. gives Ted a crucifix and says, "Wear all you want, we'll make more."  That was close! We almost had to stay in that crappy movie!" So Ted just stands there. In the theatre, Ryan says, "So, I guess I'll just wait here then." And then the wolves howl a bit and then they howl a lot and Ted sees them kind of trotting through the underbrush like he's Marlon Perkins on "Wild Kingdom." And the whole thing turns into a PBS special on wolves for a little while until another carriage shows up and a guy with 9 foot long arms and Lee Press-On Claws pushes Ted into the carriage. It takes off, goes ninety miles an hour (despite the fact that it's horse-drawn) along a two-inch wide road next to that same matte painting of a chasm and eventually it passes through a bath of ultraviolet light, apparently Dracula has installed a clean room somewhere out there in the Romanian wilderness, and then these huge portculli slam shut and Ted says, "Bogus." And then he gets out of the carriage and the driver takes off with his luggage because Ted didn't tip enough. So he goes up to the doors, that open before he gets there. Doors do that a lot, but does he say anything about it? No. Does he act surprised at all? No. Does he even comment on the draft? No. Does he immediately try to call Bill and Rufus and tell them to get their butts out here like he should? No.
What does he do, he goes on inside and sits down across from Dracula, Prince of the Vampires, you know how we know he's the Prince? Because he *dresses* like Prince, with this big huge crimson wedding dress, without a veil, that goes on and on and on and leaves the room at least fifteen minutes after he does. And Gary Oldman has so much makeup on he always looks like Worf trying to emote. And we won't even mention his haircut except for the rather obvious comment that if he put on a hat and cut off that ponytail he would look like John Carradine in Kung Fu, but without that he looks like a cross between Telly Savalas, Cher and a bottle of Tide Extra Strength Bleach. So they banter a little while and Oldman gives us his impersonation of Bela Lugosi's accent, which, though real, sounded as phony as Michael Jackson's nose. Then we get some really neat shadow special effects (Ryan says, I can make a bunny!) but unfortunately they are never referred to and even occur when Oldman's not even in the *country*, as we see when we go to the party scene.
Now I am the first guy to admit that I like parties. I like them in movies too. But lets get one thing straight--my idea of a party is not one in which Winona Ryder stands on the side of the room and watches Slut-O-Matic reject three losers simultaneously ... and that's the only thing that happens at this one. We are introduced to three guys just long enough to know that we dislike and don't care about any of them, and then we get a dramatic closeup on Winona's face as the shadow puppet does its thing again, and we never get to see what happens to the rest of the party because of a strange dream sequence of Ted's in which we get to see Winona and the Sultaness of Slut share some tonsils in the garden and Winona run up and down in her nightshirt. Now, we haven't got to the part where she *really is* running around in her nightshirt so this is totally gratuitous.
Anyway, Ted wakes up and there's a really good shaving scene, which is unfortunate because it immediately ends and we cut to Winona and the "Filmed in Slut-O-Rama" girl in the garden reading Ted's letter, and IT says, "You may already have won." But that's okay, because Slutbo is *marrying* Ed McMahon, or it might be Ed McMahon, as far as the audience knows BECAUSE WE DON'T KNOW ENOUGH ABOUT THOSE GUYS LAST NIGHT TO TELL THEM APART!!!!!!!!!!!!
So, then we have some dramatic closeups of Ted as he wanders around specifically where Oldman told him not to go (good one, Gary), and he goes in and lies down in a room where it looks like Michaelangelo's been doing some painting, because there's dropcloths on the floor and naked women coming up out of them. So Ted's thinking, "All right, dude!" and about to do the air guitar, when the girls grow fangs, melt L. L. Cool J.'s crucifix and make him say, "Bogus!"  While the audience's mind is preoccupied with these images, Dracula throws a baby to the women, but we don't get to see much, just a dramatic closup of Ted getting closer and closer up until we are sure that we will be seeing the rest of the movie in Nostril-Vision, and then it cuts off and goes back to London.
Actually, that's not totally accurate. We get back to London in a burst of jump cuts, filtered backgrounds and fade-outs and some really weird pictures of the zoo, with animals jumping around and cats and dogs living together and some otherwise innocent lemurs temporarily trapped in this stinker of celluloid (The lemur was of course the famous ringtail lemur actor Lionel the Leaping Lemur of London) and then there's a little narration about daylight and just then (like we weren't *even* expecting it) Dracula bursts out of a crate and Ryan says "Ewww ... he awakes with the worst face of the morning." Shouldn't have flown Southwest, buddy.
That night, we finally get to see Winona Ryder run down some stairs in the rain in her see-through nightgown into the garden after OctoSlutty wanders out in kind of a daze. As she bounces down the steps, I say, "Ow! Ow! Ooouch! OOh! Wish Ouch! They had Ouch! invented sport bras! Ouch! Ow!". So then she runs up and down and eventually she comes across living proof that Slutzilla will go out with anyone, 'cause she's making the sign of the three-humped camel with The Cowardly Lion, and he turns around and sums up the whole film in one line: "Do not see me!"
But no! No! We're only halfway through! We've still got the Knee-Level Dachsund Cam that goes in fast motion until you get motion sickness and by God Coppola says, "We bought the thing and we're gonna use it!"
 Later, Hopkins asks him, "Did you at any time taste any of their blood?" and Ted says, "No way dude!" and Ryan says "So what exactly *did* you taste then?" But anyway he gets up on the roof of the castle and re-enacts the dress dummy sequence from the first part of the movie in case anyone's forgotten it now that we've only seen it three times, but he doesn't smear his lipstick because he's a professional. Suddenly we're watching a wilderness survival flick and he stumbles into a convent where we don't get to watch the spankings.
So the nuns write Winona a letter telling her that she may already be a winner because there's this guy that claims to be Ed McMahon that wants to marry her and if she can just hop on the Concorde and get to Romania by that evening they can be married at the same time Tonsil Juggler Lucy gets offed so Coppola can have his little artistic orgasm with splicing back and forth between flowers and old men saying, "No purchase necessary to enter" in Latin and the ketchup all over the place.
But first while Winona is in the air swilling down champagne and eating caviar somewhere over the Carpathians, Anthony Hopkins (who is great mugging at the camera) comes in, opens Wilma Slutstone's mouth and says, "Good Lord, look at that!" and I say, "Cavities! We're gonna have to drill." But he means the oversized plastic teeth she's wearing from last Halloween. The fiancee says, "You gotta get those things out before my wedding night!" and the Texan says, "Wimp!"  The fiancee goes on a binge with a *huge* bottle of whiskey and the Texan stands outside with a rifle and looks manly. Then we get the Scottish Terrier Cam "sneaking" up on the Texan, who can't see it because it's hiding under the cover of a lot of air, and then it *charges* and the Texan who we believe is a real stud (up until now) *misses* at point-blank range with his rifle. So the thing crashes through the door and knocks the fiancee aside (like it really needed to, he'd taken enough booze to knock out a horse), and chats with Slutterwoman a bit, and then makes the ketchup pipes burst I guess, because the furniture starts spraying goo all over the place.
Then at the funeral, somber music plays, and everyone gathers around like the end of an Agatha Christie novel, like we're really supposed to care that someone that would be slutty regardless of what *species* someone was, let alone sex or personality went and got herself blown up. "Good thing she's hermetically sealed," Ryan said. "Well, that could have gone better," I said, imitating the fiancee's voice. Ryan as Texan: "Well if you hadn'ta been drinkin' ...." Me as fiancee: "Well, you're the one who missed ...."  but by this time the camera has panned off this heartwrenching scene and Hopkins livens up the movie with another great line about disemboweling. It was really good, and Ryan and I applauded it.
So anyway, Loosey's dead ... or is she? (Who *cares*? But I digress....) And we get some gratuitous scenes of the Doctor shooting up morphine ... though maybe that was earlier, Jeez, what am I trying to do, find continuity in this yawnfest? Anyway, so the guys magically realise through the power of Francis Ford Coppola that Fondle Woman is still going around and sucking things but do they tell the audience this? NOOOOooo.... They just start opening up tombs at random and bitching about how emotionally difficult this is for them. They also act by staring into the camera for long periods of time and waving guns around. Pretty impressive, really. Oscar-award-winning stuff here. *anyway*, so they undo her little Ziploc coffin and lo and behold it's empty except for her dress which she never takes anywhere anyway. Then they hear her coming down the stairs, and she uses her Clapper to turn on the candles. They know it's her because they canceled the newspaper to her tomb and the milk delivery doesn't come until morning. So she comes in with this little androgynous kid-thing, sort of a small white Michael Jackson with curly hair, and the audience is supposed to care, but we really don't get to see much of him/her/it at all because it immediately gets dropped on the floor and one of the equally anonymous men grabs it up and disappears from the screen we hope forever but we can't really be sure. So Kung-Fu Grip G. I. Josephine decides that she's in trouble (she shouldn't have dropped the kid, he/she/it was her only weapon) and she reacts first by breathing at them ("Phew! Who died in here?") and secondly by how she reacts to every situation, by trying to grope the nearest thing with recognizable genitalia. He just stands there like a dope (everyone acts like a dope around her, but we don't know if this is because of Tongue-alina or because the movie itself is a soporific) until she starts snarling, but usually she gets at least *some* of their clothes off, and most of hers before she reaches this stage, so Hopkins pulls a cross and starts shouting. That's okay because the music is playing so loud you can barely hear him say, "Get away from him, you *bitch*! And take that off!" Eventually she gets tired of it and lays down. Pretty convenient, too, because otherwise that stake and mallet they brought along would have been pretty useless. There's a lot more ketchup around by the time this scene is over, as Anonymous Man #1 sings, "I've been workin' on the railroad," and pounds away like one of the roustabouts in Dumbo.
So what I'm wondering is, "Are we gonna have to have another funeral?" but apparently one is enough even for Coppola, so instead everything gets real jerky and we get to watch Dracula in his Transformer-Suave mode meet Winona. They go to watch some snuff flicks, but when she puts up resistance, he calls Lassie. "What's that girl? Vlad is trapped in Deadrock Canyon? Can't get anywhere with Winona or her two allegedly recently expanded talents? Quick, go let her run her hands through your hair! Go on Girl!" ('cause if there's anything chicks dig, it's dog fur.)
Now we're about halfway through this stupendously long seduction sequence when I start to wonder: "So ....just exactly how much *unlike* Bram Stoker's Dracula is this movie going to be?" They keep waltzing across a Police video and staring into the camera instead of at each other. Doesn't sound like any seduction *I've* ever hear of.
'Round about this time, Anthony Hopkins and the Duke boys decided to show old Boss Hogg what exorcism was all about. Ted eats dinner and is just a regular stool pigeon about the extensive Romanian dirt smuggling ring that crisscrosses London. And Hopkins goes to the Police video and reads one of his vampire books while, you guessed it, staring into the camera. (Ryan: "Jeez, you got enough light in there?  So they drop by the place which just *happens* to be right next door to Barton Fink's cell, so that he can yell at them that "Tresspassers will be Prosecuted". He is obviously insane.
Of course this is no place for women, which is why Winona came along, I guess, but it was probably just to get her to go into the asylum with the doctor who promptly says, "This is no place for a woman." So why did you bring her there, Dr. Kevorkian? Hmmmmm???????? She has a deep and meaningful conversation with Barton Fink, in which they discover they are actually brother and sister and Darth Vader is their father. She also asks him, "Give me his *name*, Dr. Lecter," in a rather gripping ... oh, wait, no ... sorry, those were from the identical scenes in good movies. Anyway, so she just pops right into the good Dr.'s bedroom and put on his filmy frilly lacy teddie and goes to bed. Luckily the door suddenly becomes very thick so that it now blocks the screams of the lunatics so that the music can be heard, such as it is. She naturally falls asleep immediately.
Next door at the Cleaver home, the boys are bustin' up boxes and spreading that illegal Romanian dirt around and turning on the sprinkler system and Hopkins is chanting something like "I'm not gonna pay a lot for this muffler," while swinging a cross around like a baseball bat and Coppola gives us a real interesting shot of a green thing up in the rafters ("I'm Batman!") which promptly turns into a horny green mist that rockets down the road, zig-zagging like an escaped special effect from the Disney film SOMETHING WICKED THIS WAY COMES.
So Winona's lying there (on her back, of course, since she can't fit into the bed any other way) and in comes the St. Patrick's Day dry ice which is supposed to look spooky I guess [snort], and it kinda flows up under the covers and WHAMMO! Winona is ridin' high! Molested by mist. Violated by vapour. Seduced by smoke. Fondled by fog.
Enter the Three Stooges ("Helloooo" "Helloooooo" "Hellooooooooo" "HELLO!") and their agent, Anthony Hopkins. They look and see Winona sucking away at thin air and the Doctor immediately slaps his head and says, "I knew I forgot to lock the morphine cabinet!" but then Dracula, in his big rubbery suit phase pops up out of nowhere, takes a few bullets and grunts at them for a while. Though every character in the movie seems to understand him fine, unfortunately the audience is a bit left out. It mainly goes: ANON MAN #2: "What are you?" DRACULA SUIT: "Erruunnghan." JASON: "I'm Batman, I told you!" (It goes on like that until people are shouting at the screen "Get on with it!") So Dracula finally takes the hint and lets all the gerbils out of his suit and they all run away to find some yellow plastic tube maze somewhere. Nobody thinks to call Orkin, nooooo. They decide they're gonna chase after him. Does anyone think to take the magickal way Winona got to Romania in *one night*??? No, they take a train. On the way Winona is gettin' scarier and scarier to the characters on the train and stupider and stupider to the audience. She starts displaying her Halloween plastic teeth too.
So they make it (in a thrilling map scene) to this port city where they slap their heads and say, "Doohhh! He passed us in the night! We probably should have gotten off the train instead of waiting for the ship to sail through the passenger car!" So the Anonynmous Men take some horses and ride off, starting another thrilling map scene, and Hopkins decides to take a road trip, just him and Winona, heh heh heh (bompa chicka-wowoowwwwooowwww bompa).
 Hopkins spoils the mood by yelling, "Oxycute 'em!" and pressing a medicated pad into Winona's forehead ("It tingles!" "That means it's working.") and setting that highly flammable *snow* on fire in a little circle around them.
 For some reason they've got to get to Dracula's little crate before the sun goes down, mainly because there's no narrator in this scene to remind Dracula that he doesn't need to just sit there, which he does for probably a full twenty minutes of footage, every so often.
Meanwhile, Hopkins is practicing a little trick he saw on Julia Child's show and whacking up the Big Sluts into Little Pieces of Veal Slutlet and throwing them into the matte painting. Just in case anyone forgot what it looked like.
And while he's off doing that Winona decides she's gonna try a little Sigfried and Roy of her own, so she climbs up on a styrofoam boulder left over from the old "Star Trek" show and cues the UV light around Drac's castle, which immediately sets off the sunset stock footage we've been seeing at different parts through the whole movie. Even though the sun is dropping behind the mountain four or five times in a row, everyone puts the accelerator to the floor and manages to reach the castle just in time for Anonymous Man #2 (Texan) to get offed in a big Kung-Fu fight scene. As in all good kung-fu fight scenes he lives long enough for a doctor to shake his head sadly even though the doctor is busy for the rest of the scene which is about fifteen minutes long and he got knifed in the first twelve *seconds*. To sum up: Drac gets a knife in the chest and a cut to the throat. Anon.  And will you do the same for me when my time comes?" to which they all reply, "We'll do it to you whenever you want, baby."
So she gets disgusted with them and drags Vlad inside ("Come on, dummy") and there's a real tender scene where they shine a spotlight in Oldman's face ("Where were you in 1460?") and they run the footage from the beginning of the movie in reverse, which makes us all really nervous because we think we're gonna have to watch the whole thing again ("Maybe it will make more sense this time").  Her complexion clears up a bit, showing that murder really is good for the skin.
And the final shot is of the ceiling mural which slowly lights up and shows Dracula and the dress dummy in heaven. (JASON: "Aaahhhh ... so it was the ceiling all the time. Now everything falls into place. It all makes sense now ... HUH?")
From Jason and Ryan: Direct all flames to<EMAIL_ADDRESS>so we can laugh at them. Also, folloups to rec.arts.movies.
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| 1. So let's see if we can take the derivative of this expression right over here, if we can find capital F prime of x. | |
| 2. And once again, it looks like you might be able to use the fundamental theorem of calculus. | |
| 3. A big giveaway is that you're taking the derivative of a definite integral that gives you a function of x. | |
| 4. But here I have x on both the upper and the lower boundary, and the fundamental theorem of calculus, is at least from what we've seen, is when we have x's only on the upper boundary. | |
| 5. And then, of course, it's an x squared, but we've seen examples of that already when we used the chain rule to do it. | |
| 6. But how can we break this up and put this in a form that's a little bit closer to what we're familiar with when we apply the fundamental theorem of calculus? | |
| 7. And to realize that, we really just have to attempt to graph what this is representing. | |
| 8. So let's say that this is our lowercase f of x, or I should say f of t. | |
| 9. So let's call this lowercase f of t. | |
| 10. And let's graph it over the interval between x and x squared. | |
| 11. So let's say this is my y-axis. | |
| 12. This is my t-axis. | |
| 13. And let's say that this right over here is y is equal to f of t. | |
| 14. I'm drawing it generally. | |
| 15. I don't know what this exactly looks like. | |
| 16. And we're going to talk about the interval between x and x squared. | |
| 17. So if we're going to talk about the interval between x, which is right over here, it's the lower bound, so x and x squared. | |
| 18. It's the lower bound, at least for this definite integral. | |
| 19. We don't know for sure. | |
| 20. It depends on what x you choose on which one is actually smaller. | |
| 21. But let's just say that for the sake of visualizing, we'll draw x right over here, and we will draw x squared right over here. | |
| 22. So this whole expression, this entire definite integral, is essentially asking for, is essentially representing this entire area, the entire area under the curve. | |
| 23. But what we could do is introduce a constant that's someplace in between x and x squared. | |
| 24. Let's say that constant is c, and break this area into two different areas with c as the divider. | |
| 25. So that same exact whole area we can now write it as two separate integrals. | |
| 26. So one integral that represents this area right over here, and then another integral that represents this area right over there, and where we just say c is some constant between x and x squared. | |
| 27. Well, how can we denote this area in purple? | |
| 28. Well, that's going to be-- So this thing is going to be equal to the sum of these two areas. | |
| 29. The purple area we can show is the definite integral from x to c of our function of t, cosine t over t dt. | |
| 30. And then to that we're going to add the green area. | |
| 31. And then we'll get the original area. | |
| 32. So for the green area, our lower bound of integration is now our constant c, and our upper bound of integration is x squared, and it's going to be of cosine t over t dt. | |
| 33. And this is a form where, if we know how to apply the chain rule, we can apply the fundamental theorem of calculus. | |
| 34. And this is almost in a form. | |
| 35. We're used to seeing it where the x is the upper bound. | |
| 36. And, well, we already know what happens. | |
| 37. We can swap these two bounds, but it'll just be the negative of that integral. | |
| 38. So this is going to be equal to-- let me rewrite it-- the negative of the definite integral from c to x of cosine t over t dt. | |
| 39. And then we have plus the definite integral that goes from c to x squared of cosine t over t dt. | |
| 40. So all we've done is we've rewritten this thing in a way that we're used to applying the fundamental theorem of calculus. | |
| 41. So if we want to find F prime of x, well, applying the derivative operator over here, we're going to have a negative out front. | |
| 42. It's going to be equal to negative cosine x over x. | |
| 43. Once again, just the fundamental theorem of calculus. | |
| 44. And then plus-- we're first going to take the derivative of this thing with respect to x squared, and that's going to give you cosine of x squared over x squared. | |
| 45. Wherever you saw t, you replace it with an x squared. | |
| 46. And then you're going to multiply that times the derivative of x squared with respect to x. | |
| 47. So that's just going to be-- derivative of x squared with respect to x is just 2x. | |
| 48. And we're done. | |
| 49. We just need to simplify this thing. | |
| 50. So all of this is going to be equal to negative cosine x over x plus-- well, this is going to cancel out with just one of those-- plus 2 cosine x squared over x. | |
| 51. And I guess we could simplify it even more as being equal to-- and we can swap these-- everything over x 2 cosine of x squared minus cosine of x. | |
| 52. And we are done. |


Zverev win at ATP Finals confirms Nadal exit
by AGENCE FRANCE PRESSELONDON, United Kingdom, Nov 16 – Rafael Nadal headed home from the ATP Finals on Friday after defending champion Alexander Zverev’s win against Daniil Medvedev confirmed the Spaniard’s exit from the season-ending tournament.
The world number one recovered to beat Stefanos Tsitsipas 6-7 (4/7), 6-4, 7-5 in the early round-robin match at London’s O2 Arena but knew he was dependent on the later result.
Zverev’s 6-4, 7-6 (7/4) win meant he qualified for the semi-finals from Group Andre Agassi alongside Tsitsipas.
Tsitsipas, who topped the group, will play six-time champion Roger Federer in Saturday’s semi-finals while Zverev will meet Dominic Thiem, who finished ahead of Federer in Group Bjorn Borg.
German seventh seed Zverev broke the fourth-seeded Medvedev early, with the Russian knowing he was already heading out of the tournament after two defeats.
But Medvedev dug deep in the second set, fending off the single break point engineered by Zverev and took it to a tie-break.
The pair swapped mini-breaks but Medvedev double-faulted to give Zverev a 5-3 lead and the German held his nerve to seal his first match point with an ace.
“I’m in the semis again, this arena is where I play my best tennis,” said Zverev. “We don’t play in this atmosphere anywhere else in the world.
“Today because Daniil had nothing to lose he could just enjoy it, but for me it was must-win. He’s been the best player since the summer so all credit to him.”
– Nadal assured of No. 1 –
Zverev, who beat Novak Djokovic in the final last year, has had a mixed season but now has the chance to end it on a high in London.
Nadal, who has already secured the year-end number one ranking, has never won the end-of-season tournament and had a miserable start at the O2 Arena, being outplayed by Zverev in his opening match.
But the 19-time Grand Slam champion produced an astonishing comeback to defeat Medvedev on Wednesday and give himself a chance of qualifying from the round-robin phase.
Tsitsipas, 21, had already qualified for the semi-finals before Friday’s match after beating Medvedev and Zverev.
Serve dominated in the first set on Friday, with Tsitsipas taking it on a tie-break.
But Nadal put increasing pressure on his opponent’s serve and a single break in sets two and three were enough for him to seal the match.
Following his win Nadal was in the strange position of not knowing whether he would qualify for the knockout rounds or not.
He received the trophy for finishing the year as the top-ranked player on the court at the O2.
“I’m super happy,” he said. “Honestly, after all the things I went through in my career in terms of injuries I never thought at the age of 33-and-a-half I would have this trophy in my hands again.
“It’s something really, really emotional for me. A lot of work in the shadows to be where we are today.”
Federer secured a spot in the semi-finals for the 16th time in his career on Thursday by beating Djokovic in straight sets.
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Class WhEditableSaver
WhEditableColumn class
Helps to update model by editable widget submit request.
- CComponent
- WhEditableSaver
Package: YiiWheels\widgets\editable
Copyright: Copyright © 2amigos.us 2013-
Copyright: Copyright © Vitaliy Potapov 2012
License: New BSD License
Author: Antonio Ramirez<EMAIL_ADDRESS>Author: Vitaliy Potapov<EMAIL_ADDRESS>Version: 1.3.1
Link: https://github.com/vitalets/x-editable-yii
Located at widgets/editable/WhEditableSaver.php
Copyright: Copyright © 2amigos.us 2013-
Copyright: Copyright © Vitaliy Potapov 2012
License: New BSD License
Author: Antonio Ramirez<EMAIL_ADDRESS>Author: Vitaliy Potapov<EMAIL_ADDRESS>Version: 1.3.1
Link: https://github.com/vitalets/x-editable-yii
Located at widgets/editable/WhEditableSaver.php
Methods summary
public
EditableBackend
|
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public
|
|
public
|
|
public
|
|
public
|
#
setAttribute( mixed $name, mixed $value )
setting new value of attribute. Attrubute name also stored in array to save only changed attributes |
public
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public
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protected
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protected
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Magic methods summary
Properties summary
public
mixed
|
$scenario |
#
scenario used in model for update. Can be taken from |
public
mixed
|
$modelClass |
#
name of model |
public
mixed
|
$primaryKey |
#
primaryKey value |
public
mixed
|
$attribute |
#
name of attribute to be updated |
public
CActiveRecord
|
$model |
#
model instance |
public
mixed
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$value |
#
new value of attribute |
public
integer
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$errorHttpCode |
#
http status code returned in case of error |
protected
mixed
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$changedAttributes |
#
name of changed attributes. Used when saving model |


svg-gen Exampless
See source code on
github.com/tobiaskraus/svg-gen/.../examples/...
PointsGrid
TrianglesWeb with d3
TrianglesGrid


LOCAL FOOD, LOCAL FLAVOURS, FAMILY STYLE DINNING
Our Restaurant is The Best in Entire Egypt in Grilled Food and Promise to Deliver Great Quality that you wouldn't Find in any Other Restaurant. So, Why wait try our New Hallepino Burger NOW
Our Restaurant is The Best in Entire Egypt in Grilled Food and Promise to Deliver Great Quality that you wouldn't Find in any Other Restaurant. So, Why wait try our New Hallepino Burger NOW


de.polygonal.ds.PriorityQueue
- type
- class
- implements
- Collection<T>
A priority queue is a heap specialized in managing prioritized data and provides additional
methods for removing and re-prioritizing elements.
Constructor
- parameters
inverse
If false, a higher number equals a higher priority, otherwise the lower the number, the higher the priority.
maxSize
The maximum allowed size of the priority queue. The default value of -1 does not impose a size constraint.
Instance Methods
- returns
- The output array or a new array if output was not specified.
- returns
- The output vector or a new vector if output was not specified.


Learn Rust using real-world applications
-
authz
The authz library
The authz library
This tutorial covers the authz crate at crates.io and github.
The authz library
This tutorial covers the authz crate at crates.io and github.


--- title: quadrature sidebar: function_reference_sidebar permalink: SO3FunHarmonic.quadrature.html folder: function_reference toc: false ---
Compute the SO(3)-Fourier/Wigner coefficients of an given SO3Fun or given evaluations on a specific quadrature grid.
This method evaluates the given SO3Fun on an with respect to symmetries fundamental Region. Afterwards it uses a inverse trivariate nfft/fft and an adjoint coefficient transform which is based on a representation property of Wigner-D functions. Hence it do not use the NFSOFT (which includes a fast polynom transform) as in the older method SO3FunHarmonic.quadratureNFSOFT
.
| values | double (first dimension has to be the evaluations) |
| nodes | rotation, orientation |
| f | function handle in orientation (first dimension has to be the evaluations) |
| SO3F | SO3FunHarmonic |
| bandwidth | minimal harmonic degree (default: 64) |
| ClenshawCurtis | use Clenshaw Curtis quadrature nodes and weights |


Main Siya Stories
by Soccer LadumaSoccer Laduma’s latest edition, issue 1148, is out on the shelves with our exclusive Siyagobhoza. In the latest issue, the Siya crew reveals the news on your favourite teams as well as footballers.
Page 2
Why Chiefs’ Coach Staying Quiet As Ref Drama Grows
Dube Signs Long-term Pirates Contract
Downs To Extend Mweene Spell
End Of The Road For Molangoane At Chiefs?
Chiefs Penalty Hero To Secure New Two-year Deal?
AmaZulu Target Mhlongo And Maluleke
PSL Trio Keen On Ononogbu
Douhadji & Sebastian Wits’ Futures Uncertain?
Page 3
What Next For Benni?
City To Pay Out His Contract…
…Takes Aim At Euro Coaching Job
Letlotlo Offered To French Outfit
Interest In Monama Escalates
Page 5
Siya Special – Is Mzansi Ready For VAR?


By-poll begins in Uttarakhand’s Pithorogarh
by PTIPolling began for Pithorogarh assembly seat in Uttarakhand on Monday.
There are 145 polling booths in the constituency for a total of 1,05,711 voters to exercise their voting rights in the by-poll.
Polling in the constituency began at 8 am and will go on till 5 pm. The results will be out on November 28.
The seat fell vacant after the death of sitting MLA and Cabinet Minister Prakash Pant in June.
Pant’s wife Chandra is taking on Congress’s Anju Lunthi to retain the seat for BJP. Samajwadi Party’s Lalit Mohan Bhatt is the third contestant in the fray.


{{subscriptions}}
By closing this plan, all relative subscriptions will also be closed and associated api-keys will be no longer available.


Home
Number Bases
Temperatures
Mass/Weight
Currency
Distances
Welcome to Our Unit Converter App
Number Bases
Temperatures
Mass/Weight
Currency
Distances


Doctors unmoved by the government’s decision to fire them
by Staff ReporterThe striking physicians’s representative have said the government is negotiating in bad faith and clearly doesn’t care about the healthcare system of the country.
This was said by the Zimbabwe Hospital Doctors Association’s(ZHDA) Tapiwa Mungofa who said:
In doing so we maintain that we have not committed any crime by being broke. We eagerly wait to see how this move which defies all common sense will serve as a solution the already strained healthcare system.
Nothing has been done to improve the welfare of doctors and hospitals working environments therefore doctors nationwide remain incapacitated
The doctors have been on strike for 64 days and yesterday the govt decided to fire the striking doctors as a disciplinary measure.


Creates a new Sample Training Set. In this wizard you can choose shape you want to be generated, and number of points for your data set.


To demonstrate versatility, both data sets and operations (functions) have been randomized each click.


You will have to log in again to access your account after this change.
{% endblock %} {% block modal-footer %} {% endblock %}


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Get practical end to end online training on SQL, Basic .NET, Web API, AngularJS from professionals in Bangla


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Multiplication Table
Complete this multiplication table as fast as you can!
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| Type | Names | Description | Default | Access |
|---|---|---|---|---|
| boolean | $autoLoadNodes | If set to false all data is requested an is available at client side | true | public |
| boolean | $expandAll | If set to true all nodes are expanded when the data is loaded at client side. | false | public |


The club was re-elected to the Football League for the last time to date in 1915, when the League was suspended for four years due to a financial scandal and World War I. Leicester were playing in a regional league organised for Midlands clubs in this period. Due to financial problems, Leicester Fosse had ceased to exist when the League resumed in 1919. The club was reformed as Leicester City Football Club, particularly appropriate as the borough of Leicester had recently been given city status.
In 1925, the club were champions of Division Two under the management of Peter Hodge. Hodge's signings included Arthur Chandler, one of City's most famous players from this period, scoring a club record 273 goals between 1923 and 1935 and Adam Black, who has the club record for league appearances, 528. In 1929, the club recorded its highest ever finish in the Football League, finishing second to Sheffield Wednesday. The club's highest ever attendance was in 1928, 47,298 against Tottenham Hotspur into the FA Cup Fifth Round. The 1930s were less successful, with the club being relegated in 1935, although finishing first in Division Two in 1937, only to be relegated from Division One again in 1939. In 1939, the Football League was suspended due to the war, and just like in 1915–1919, City were forced along with other clubs to play in regional leagues.


When the cat's away, the mice like to play, and sometimes they like to try salvia divinorum as well, since curiosity can only be kept at bay for so long.
So a mouse found some 5X extract at a nice shop and packed a bowlful in a glass pipe. The extract came with some instructions: 'First timers, please have a sitter. Use a water pipe. Take HUGE hits. Don't drive!' The mouse broke all the rules except driving. Good thing, too.
Inhaled the bowl in two hits and held them in for as long as possible. Not too much, nothing much, then WOW. 'What IS this?' the mouse wonders, looking around in awe as the room doesn't change but is at the same time a new cartoon world. Deep gusts of laughter and glee, lasting for years. Shimmering worlds coming in to view and then petering out again.
Then, the mouse is back at his computer. 'Wow' the mouse thinks, and just has to laugh. There are no words more suitable. Nothing compares. That night, the dreams are like reality. And so forth.
But now, every time the mouse tries salvia, nothing happens. That first time was the kiss from the Goddess, but she won't even look the mouse's way any more.  But the laughter was real, and good.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


CARMA Platform is an open source software (OSS) that enables researchers and engineers to develop and test their
Cooperative Driving Automation (CDA) features on properly equipped vehicles to set the foundation for
interoperability across vehicle make and model as well as the safe introduction of the technology
on our nation's roads.


Unit 1
Quarter Stack Developer
Marketing Page
About Us Page
Unit 2
React
Half Stack Developer
Trying to Maintain Sanity
Unit 3
React / Redux
Web Developer Rookie
Professional Pro Baseball Dog Trainer
Lorem
Ipsum
Unit 4
Backend
Software Ninjaneer
Doormat of Cats


--- author: display_name: M Heagin email<EMAIL_ADDRESS>tags: - boundaries - school districts - schools date: 2011-11-18 11:59:47 -0700 title: School Districts categories: [] SchoolDistricts: downloads: - url: https://drive.google.com/open?id=0ByStJjVZ7c7mcHVjNkJUVXRYYXc label: 'School Distrcts: Shapefile' - url: https://drive.google.com/open?id=0ByStJjVZ7c7mZlJaNDJNcEpWd28 label: 'School Distrcits: File Geodatabase' updates: - March, 2017 - September 2017 endpoints: - url: https://utah.maps.arcgis.com/home/item.html?id=3e69ecf5c46a492aa9974f6fa03d1378 label: ArcGIS Online Feature Layer --- {% include abstract.html download="https://drive.google.com/drive/folders/0ByStJjVZ7c7mcnl5SzBzdmtfLXM" name="School Districts" stewards="AGRC" webapp="https://www.arcgis.com/home/webmap/viewer.html?webmap=f776908620be4604bfa5f96f5df5ebcb" abstract="Boundaries.SchoolDistricts represents external school district boundaries in Utah." %}
School Districts in Utah.
{% include contact.html subject=page.title contact=site.data.contacts.agrc %}


CAREER OPPORTUNITIES A film review by Roger Rubio Copyright 1991 Roger Rubio
CAREER OPPORTUNITIES Starring: Frank Whaley, Jennifer Connelly, and Dermot Mulroney Written and Produced by John Hughes Directed by Bryan Gordon
CAREER OPPORTUNITIES is a story about a 21-year old who really hasn't done anything with his life; he is also not liked very much around town. It is also about a girl who is very unhappy with her home life and wants very much to escape. They find themselves one night locked inside of a Target store, they get to talking, and consider whether or not they should just run off out of town to L.A. These are basically the highlights of the film (it does not elaborate on them much further); the rest is mostly antics. This movie could have been a first draft script for HOME ALONE that got rewritten by John Hughes, thrown out, and then revitalized somehow by Bryan Gordon. Gordon probably figured that since this script was written by Hughes, it was sure to be a hit. He got Hughes to produce it, and figured he couldn't go wrong. Well, I'm sorry to say, I think he did anyway.
CAREER OPPORTUNITIES is a movie full of overpowering rock music, sensational film credits, and very little plot and/or character development. This film has an interesting premise, but I believe it was underexecuted by Gordon and his crew. This film is advertised under the following headings: "A new comedy from John Hughes, creator of HOME ALONE," "He took the job that no one wanted...and got the girl that everyone did," and "Maximum comedy at minimum wage!" Unfortunately, this movie lives up to none of these tag lines. It's not much of a comedy; it doesn't even have it's "moments." There are only one or two funny lines, and only one or two funny sight gags. The two hoods in this movie gave me the impression that they were the prototyype characters for the two hoods in HOME ALONE (which makes me believe even more that this script was a preliminary throw-out version of HOME ALONE), and even they are not convincing. This movie doesn't even live up to it's name. It seems the biggest star of this movie is Hughes, rather than Connelly or Whaley.
Frank Whaley is not very convincing as Jim Dodge, the "Town Liar," who seems to be a rip-off of Ferris Bueller. Second, Jennifer Connelly's looks are perfect for the character she plays, but she fails to display any real depth. I think that if this film had been cast better, the characters might have been more convincing (and I stress might). There is nothing in this movie that does real justice to Connelly's acting talents (and I know she's got talent, I've seen it, it just hasn't been tapped by any of her roles; the closest would have to be SEVEN MINUTES IN HEAVEN) and I don't remember if I have seen Frank Whaley anywhere before. If I have, he didn't make much of an impression on me. Connelly, however, did, and I hate to see her so poorly used. For the purposes of this movie, Connelly was merely beautiful, and Whaley was merely a wisecracker.
I am basing this review on the previous films spawned by John Hughes. Even though HOME ALONE is getting lukewarm reviews from the "critics," I believe the basic appeal of the movie is that it is pure fun; it's like a big Looney Tunes cartoon in flesh and blood, and it embodies everything you go to the movies for. On the other hand, we have the Hughes' fan's all-time favorite, THE BREAKFAST CLUB, where the characters do have fun, but they also display some depth and substance. A good example of a combination of the two is FERRIS BUELLER'S DAY OFF. CAREER OPPORTUNITIES emulates only ghosts of these things. I think the basic problem with CAREER OPPORTUNITIES is that it was not directed by Hughes. I believe that when he does not direct the scripts he writes, the results are lukewarm (with the granted exception of HOME ALONE). One movie that exemplifies what I mean is SOME KIND OF WONDERFUL. It was not a bad film (it was better than this one), but I think it could have been better under Hughes' tutelage. The majority of Hughes' films have some kind of sentimentality in them (and I mean that in the best way), even among those which, upon first glance, you wouldn't expect to have any, such as PLANES, TRAINS, AND AUTOMOBILES. I'm afraid CAREER OPPORTUNITIES just doesn't deliver what a Hughes fan would normally expect in a Hughes movie. After all, Hughes is the most advertised name of this movie....
There is a small attempt to furnish the characters with some traits normal to the Hughes' characters (like people who are frustrated with their lives and just want to break out of the routine), but Gordon just doesn't do justice to what might have been a entertaining movie (again, stressing might). The movie is formulaic, which is in my opinion, what sours the film. It seems that Gordon believes that if you put enough rock music and beautiful people in a movie, it doesn't matter if it doesn't have a plot. That's exactly what kills this movie. It lacks feeling. A good telling of a John Hughes story is one where the music is right, the actors play the parts right, and it leaves you, dare I say, "fulfilled." That's part of Hughes' appeal. This one left me "unfulfilled." Maybe I should say shame on him for letting this movie slide by!
Unless you're a die-hard Jennifer Connelly fan, I would not recommend seeing this movie. This is a movie that might have been, but just doesn't deliver what it should. The Hughes' fan has higher expectations than he/she had before, and this film does not live up to those expectations. It's too bad the actors can't see the finished film before it comes out; I'm sure they all did it in good faith...
THE SNAPMAN<EMAIL_ADDRESS>(Roger Rubio)
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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OUR HISTORY
Georgian Academy English Medium High School belonging to Kochi Diocese of Jacobite Syrian Christian Church . The school was established in 1983 and it is managed as Pvt. Unaided.There are 1,600 students(from LKG to 10th) and 80 staff are in the school.
The school emphasises a value based education, we give equal importance to values and academics. This institution is a leading institution in Ernakulam district in the area of academics and extracurricular activities. We secure 100% result in the SSLC and we are happy to say that this institution like a family to all who are associated with it. Georgian Academy English Medium High School was founded by Late Lamented Mor Osthatheos Thomas Metropolitan who was an illustrious teacher and educationist.


stackBagg-internal.Rd
Obtain predictions
Obtain predictions
Compute weighted Brier Loss function for a single marker or a linear weighted combination of markers
Compute weighted Cross Entropy Loss function for a single marker or a linear weighted combination of markers
Obtain the lambda hyparameter for the LASSO using cross-validation
Internal stackBagg helper functions
Compute the risk of missclassifying an individual using as a marker a single prediction or weighted linear combination of several predictions (1-AUC)
Predictions based on a library of Machine Learning procedures
Library of Machine Learning procedures
Predictions based on those Machine Learning procedures in the library that allow for weights to be specified as an argument of the R function. No bagging occurs. This group of algorithms is denoted as Native Weights
Library of Machine Learning procedures that allows for weights
A grid of values for hyperparameters used in the Real Data Application: InfCareHIV Register. This grid of values isan argument in the tuning parameter function tune_parameter_ml.R
ipcw_ensbagg(folds, MLprocedures, fmla, tuneparams, tao, B = NULL, A, data, xnam, xnam.factor, xnam.cont, xnam.cont.gam, ens.library) ipcw_genbagg(fmla, tuneparams, MLprocedures, traindata, testdata, B, A, xnam, xnam.factor, xnam.cont, xnam.cont.gam, ens.library) ipcw_brier(par, Z, y, wts) ipcw_crossentropy(par, Z, y, wts) tune_lasso(folds, fmla, tao, data, xnam) optimun_auc_coef(coef_init, lambda, data, Z, tao) risk_auc(par, lambda, Z, data, tao) MLprocedures(traindata, testdata, fmla, xnam, xnam.factor, xnam.cont, xnam.cont.gam, tuneparams, ens.library, i) ML_list MLprocedures_natively(traindata, testdata, fmla, xnam, xnam.factor, xnam.cont, xnam.cont.gam, tuneparams) ML_list_natively grid_parametersDataHIV(xnam, data, tao)
| folds | Number of folds |
|---|---|
| MLprocedures | MLprocedures |
| fmla | formula object ex. "E ~ x1+x2" |
| tuneparams | a list of tune parameters for each machine learning procedure |
| tao | time point of interest |
| B | number of bootstrap samples |
| data | a training data set |
| xnam | all covariates in the model |
| xnam.factor | categorical variables include in the model |
| xnam.cont | continous variables include in the model |
| xnam.cont.gam | continous variables to be included in the smoothing operator gam::s(,df) |
| ens.library | algorithms in the library |
| traindata | a training data set |
| testdata | a test data set |
| par | a vector of weights. Its length must be equal to the number of predictions included in Z |
| Z | a matrix that contains the predictions. Each column represents a single marker. |
| y | vector of response variable (binary). |
| wts | IPC weights |
| coef_init | starting values for the coefficients |
| lambda | penalization term. It is a positive scalar. |
| i | sample selected by bootstrap |
| fmla | formula object ex. "E ~ x1+x2" |
| tuneparams | a list of tune parameters for each machine learning procedure |
| MLprocedures | MLprocedures |
| B | number of bootstrap samples |
| xnam | all covariates in the model |
| xnam.factor | categorical variables include in the model |
| xnam.cont | continous variables include in the model |
| xnam.cont.gam | continous variables to be included in the smoothing operator gam::s(,df=) |
| ens.library | algorithms in the library |
| par | a vector of weights. Its length must be equal to the number of predictions included in Z |
| Z | a matrix that contains the predictions. Each column represents a single marker. |
| y | vector of response variable (binary). |
| wts | IPC weights |
| folds | number of folds |
| fmla | formula object ex. "E ~ x1+x2" |
| tao | time point of interest |
| data | a training data set |
| data | A data frame that contains at least: ttilde, delta, wts |
| Z | a matrix that contains the predictions. Each column represents a single marker. |
| tao | time point of interest |
| par | a vector of coefficients/weights. Its length must be equal to the number of predictions included in Z |
| lambda | penalization term. It is a positive scalar. |
| Z | a matrix that contains the predictions. Each column represents a single marker. |
| data | A data frame that constains at least: ttilde= time to event, delta=event type, wts= IPC weights |
| tao | time point of interest |
| traindata | training data set |
| testdata | validation/test data set |
| fmla | formula object ex. "E ~ x1+x2" |
| tuneparams | a list of tune parameters for each machine learning procedure |
| traindata | training data set |
| testdata | validation/test data set |
| fmla | formula object ex. "E ~ x1+x2" |
| tuneparams | a list of tune parameters for each machine learning procedure |
| xnam | a vector with the covariates names considered in the modeling |
| data | a training data set |
| tao | time point of interest |
An object of class list
of length 8.
a list with the predictions of each machine learning algorithm (id, predictions), the average AUC across folds for each of them, the optimal coefficients, an indicator if the optimization procedure has converged and the value of penalization term chosen
a matrix with the predictions on the test data set of each machine learning algorithm considered in MLprocedures
lambda to be used in the glmnet function
a vector with the optimal AUC value and the optimal coefficient
1-AUC
a matrix of predictions where each column is the prediction of each algorithm based on the testdata
a list of Machine Learning functions
a matrix of predictions where each column is the prediction of each algorithm based on the testdata
a list of Machine Learning functions
a list with a grid of values for each hyperparameter gam_param a vector containing degree of freedom 3 and 4 lasso_param a grid of values for the shrinkage term lambda randomforest_param a two column matrix: first column denotes the num_trees parameter and the second column denotes the mtry parameter. knn_param a grid of positive integers values svm_param a three column matrix: first column denotes the cost parameter, second column the gamma and third column the kernel. kernel=1 denotes "radial" and kernel=2 denotes "linear". nn_param a grid of positive integers values for the neurons bart_param a three column matrix: first column denotes the num_tree parameter, second column the k parameter and third column the q parameter.
These functions are not intended for use by users.


This is a input field:
This is a radio: day rate night rate WE rate
This is a checkbox: I agree I do not agree
This is a select: Rennes Paris
This is a button:
Open popup N°1: N°2: N°3:
This is a onclick by js test:
This is a onclick test:


T3A12-Sounds-and-events-name.html
This is bold
and several
lines
Click it to hear a sound!
Change the following
bold and onMouseMove
This is
bold and onMouseOver
this isn't
This is
bold and onMouseOut
this isn't


{{template "header" .}}
404 Page Not Found
Are you searching for scriptures?
If so, then you probably
visit our homepage
.


{% extends "layout.html" %} {% if not version %} {% set version = '-not-determined-' %} {%endif %} {% block content %}
Software is maintained at: https://github.com/pixmeter/enma . Feel free to join/fork.
| Package | Version |
|---|---|
| {{ package }} | {{ version }} |
This application is based on the Flask web framework including jinja2 and WTForms.
It also facilitates Bootstrap 3, jQuery 2, , SQLAlchemy and Font Awesome by Dave Gandy.
This application is initially based on the cookiecutter flask template from Steven Loria


La Dolce Vita is an interesting tale of stardom through the eyes of a journalist, Marcello. The film
follows him as he goes through his antics of his everyday life in Rome. He has various love interests
throughout the film. One is his girlfriend who, herself, questions their relationship and goes through
her own struggles with drugs. Marcello also spends evenings with Maddalena and a Swedish American
actress named Sylvia. He is looking for love and true intellectual life, conflicted with his aspiration
in literature while reporting on the high life of the dominant class. His life is full of excesses,
the "sweet life." At the end of the film, he decides to neither be a journalist nor a writer for an
easier work as a publicity agent. The film offers a glimpse in the fast lane life for the upper
classes in the After War Italian Economic "miracle".
Rock-and-Roll
The scene selected for this film is when Sylvia comes to visit Rome and there is a small party. Sylvia
is enchanted by the music and dance and thoroughly enjoys it. In fact, during the 1950s, Rock and Roll
enchanted the entire world. Often this style of dance mostly had to do with the music but often
included the dance style as well, like the Jitterbug (Watson). Italy was no exception to this
mentality. Though these dances were controversial because of the sexually charged movement, however,
youth loved it and became extremely popular. Elvis Presley, among other iconic musicians, had huge
influence on the world not just in United States. After the war, many of his singers influenced the
Italian singers. Many famous Rock and Roll stars even emerged in Italy (Bensalhia). Overall, the
influence of the United States made its way to Italy.
Il Sorpasso is an interesting film that follows the tale of two men as they go on a short trip together
just for fun. Bruno happens to come across a law student, Roberto, and the two men start their journey.
The film itself it appears at first light hearted while introduces various dramatic story lines and it
is considered either “Pink Neorealism” or Comedy Italian Style.
The Twist
The Twist itself is a dance that many are very familiar with. It became a worldwide phenomenon in the
1960s. The dance itself gained popularity with the Chubby Checker's song "The Twist" that was featured
on the Dick Clark Show in 1960. Due to the simplicity of the dance, many people were able to pick up
the dance. The scene above in the film clip shows this fairly well. The farmers are dancing it, and
later in the film, a "high class" party shows them also doing the twist just emphasizing its popularity
with everyone (Rosenberg 2017). In a way, the popularity of this style of dance showed another facet
of the United States influence on Italian culture.
In this comedic film, Mimì is a man from Sicily that has to migrate to the North in order to get a job
and escape the stronghold of the mafia. While in the North, he falls in love with an independent woman,
Fiore. The two start a family, however Mimi’ has to return home in the south where the mafia awaits
to control him worse than before. Italy was under major cultural socio-political changes with the
feminist and workers movements and this film discusses them in this grotesque comedy Italian style.
Historical Context
This film has many elements involved in it from the mafia to the way communism had swept through and took a strong hold of Italy. Italy itself was under
major cultural changes as well with the feminist and workers movements. This can be seen with various aspects of the film from the worker who died at
Mimì's work and the various interactions with Fiorella. Of course this film had a very comical approach to what was happening.
Tango
Tango is a dance that has influences from African, Native American and European culture.
Dances from the candombe ceremonies of former slave peoples helped shape the modern day tango.
The dance originated in lower-class districts of Buenos Aires and Montevideo. The music derived
from the fusion of various forms of music from Europe. The words "tango" and "tambo" around the
River Plate basin were initially used to refer to musical gatherings of slaves, with written records
of colonial authorities attempting to ban such gatherings as early as 1789.
The tango, which comes Argentina and Uruguay and retains African, Native American, and European
influences, seems to have captivated Italians for years. Many Italians migrated to Argentina in
the late 1800s and early 1900s. Many of the most important Argentinian composers of the tango declare
that they, themselves, are Italian. ("Italian-Style Tango.") In Serra's paper he states,
"The sentimentality that flows from tango melody derives from the feeling of nostalgia and longing
for broken families and distant homes." This in itself is quite a beautiful statement, and goes well
with how this dance captivates both Mimi and Amalia and shows their longing for love.


{% extends "base/page.html" %} {% block title %}{{ APP_NAME}} : Masto Feeder{% endblock %} {% block subtitle %}Masto Feeder{% endblock %} {% block intro %} {% include "intro.snippet" %} {% endblock %} {% block body %}
Your @{{ mastodon_user.username }} timeline feed is ready. You can subscribe to the URL in your preferred feed reader.
{% if lists_and_feed_paths %}You can also subscribe to feeds for your lists:
You don't have any lists, but if you did, you could also subscribe to feeds for them.
{% endif %}You can also get digest feeds for your timeline or lists. These are feeds that contains all posts from the past day (UTC); At midnight, a new set of posts rolls over. This way you can avoid the distraction of constantly-updated feeds, but still not miss anything.


Source code on Github
Note: Only valid for CPR numbers given before 2007.
Birthday: January February March April May June July August September October November December
Male Female
Number of babies with that sex born that day (optional):


[1]
weeks of the rest of southeast asia we were pretty happy to see the mirror sticker .
[2]
fairly priced and tasty snacks in the restaurant .


Turn Your Old, Dusty Baseball Into a Brand New One With Some Leather
In the video, you can see the step by step instructions for creating the coolest baseball from an old, ordinary one.
by Nursah ErgüIf you like playing baseball, surely you have a baseball kit at home; a bat, a ball, a cap, a catcher's helmet, a glove, and a lot more equipment. But the core of baseball is the ball, just like most of the other sports out there.
Say, you collect baseballs, or you love playing baseball, or you want to pass it on to your son or daughter one day, and you need and want the ball to be so cool that no one else would have the same.
This video shows how you can change the ordinary leather of your baseball and turn it into the coolest baseball in the world with some fancy leather. And it's not difficult at all.
In the video, you can see what you should do step by step and if you carefully follow the order, you'll end up having the most spectacular baseball.


Line break inside a <legend>
test
This test is to determine if line breaks are allowed inside the <legend>
element. This is based on the W3C content model, which defines content that must be included as children and descendants of the element.
Example
<form action="#">
<fieldset>
<legend>Something<br> Another thing</legend>
</fieldset>
</form>
Results
The <legend>
element can contain phrasing content, optionally intermixed with heading content.


Available experiments (
0
)
Add new experiment
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FROM/TO (s):
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|
Simbody
3.5
|
This AssemblyCondition requests that a particular generalized coordinate end up with a specified value. More...
Public Member Functions | |
| QValue (MobilizedBodyIndex mbx, MobilizerQIndex qx, Real value) | |
| Construct an assembly condition that requests that the specified generalized coordinate be brought to the indicated value. More... | |
| Real | getValue () const |
| Return the currently set value to be used for this generalized coordinate. More... | |
| void | setValue (Real newValue) |
| Change the value to be used for this generalized coordinate; this can be done repeatedly during tracking to follow changing requirements. More... | |
| int | getNumEquations (const State &) const |
| int | calcErrors (const State &state, Vector &error) const override |
| Calculate the amount by which this assembly condition is violated by the q values in the given state, with one scalar error per assembly equation returned in err. More... | |
| int | calcErrorJacobian (const State &state, Matrix &J) const override |
| Override to supply an analytic Jacobian for the assembly errors returned by calcErrors(). More... | |
| int | calcGoal (const State &state, Real &goal) const override |
| Calculate the current contribution (>= 0) of this assembly condition to the goal value that is being minimized. More... | |
| int | calcGoalGradient (const State &state, Vector &grad) const override |
| Override to supply an analytic gradient for this assembly condition's goal. More... | |
| Public Member Functions inherited from SimTK::AssemblyCondition | |
| AssemblyCondition (const String &name) | |
| Base class constructor just takes the assembly condition name and saves it. More... | |
| virtual | ~AssemblyCondition () |
| Destructor is virtual for use by derived classes. More... | |
| virtual int | initializeCondition () const |
| This is called whenever the Assembler is initialized in case this assembly condition wants to do some internal work before getting started. More... | |
| virtual void | uninitializeCondition () const |
| This is called whenever the containing Assembler is uninitialized in case this assembly condition has some cleanup to do. More... | |
| virtual int | getNumErrors (const State &state) const |
| Override to supply an efficient method for determining how many errors will be returned by calcErrors(). More... | |
| const char * | getName () const |
| Return the name assigned to this AssemblyCondition on construction. More... | |
| bool | isInAssembler () const |
| Test whether this AssemblyCondition has already been adopted by an Assembler. More... | |
| const Assembler & | getAssembler () const |
| Return the Assembler that has adopted this AssemblyCondition. More... | |
| AssemblyConditionIndex | getAssemblyConditionIndex () const |
| Return the AssemblyConditionIndex of this concrete AssemblyCondition within the Assembler that has adopted it. More... | |
Additional Inherited Members | |
| Protected Member Functions inherited from SimTK::AssemblyCondition | |
| int | getNumFreeQs () const |
| Ask the assembler how many free q's there are; only valid after initialization but does not invoke initialization. More... | |
| QIndex | getQIndexOfFreeQ (Assembler::FreeQIndex fx) const |
| Ask the assembler where to find the actual q in the State that corresponds to a given free q; only valid after initialization but does not invoke initialization. More... | |
| Assembler::FreeQIndex | getFreeQIndexOfQ (QIndex qx) const |
| Ask the assembler where to find the free q (if any) that corresponds to a given q in the State; only valid after initialization but does not invoke initialization. More... | |
| const MultibodySystem & | getMultibodySystem () const |
| Ask the assembler for the MultibodySystem with which it is associated. More... | |
| const SimbodyMatterSubsystem & | getMatterSubsystem () const |
| Ask the assembler for the MultibodySystem with which it is associated and extract the SimbodyMatterSubsystem contained therein. More... | |
| void | initializeAssembler () const |
| Call this method before doing anything that logically requires the Assembler, or at least this AssemblyCondition, to have been initialized. More... | |
| void | uninitializeAssembler () const |
| Call this when modifying any parameter of the concrete AssemblyCondition that would require reinitialization of the Assembler or the AssemblyCondition. More... | |
This AssemblyCondition requests that a particular generalized coordinate end up with a specified value.
You can use this as a goal or a constraint, depending on how serious you are about this requirement.
|
inline |
Construct an assembly condition that requests that the specified generalized coordinate be brought to the indicated value.
The value can be changed subsequently using setValue().
|
inline |
Return the currently set value to be used for this generalized coordinate.
|
inline |
Change the value to be used for this generalized coordinate; this can be done repeatedly during tracking to follow changing requirements.
|
inline |
Calculate the amount by which this assembly condition is violated by the q values in the given state, with one scalar error per assembly equation returned in err.
The functional return should be zero if successful; negative values are reserved with -1 meaning "not implemented"; return a positive value if your implementation is unable to evaluate the error at the current state. If this method is not implemented then you must implement calcGoal() and this assembly condition may only be used as a goal, not a requirement.
Reimplemented from SimTK::AssemblyCondition.
|
inlineoverridevirtual |
Override to supply an analytic Jacobian for the assembly errors returned by calcErrors().
The returned Jacobian must be nErr X nFreeQs; that is, if there is only one assembly error equation the returned matrix is a single row (that's the transpose of the gradient). The functional return should be zero if this succeeds; negative values are reserved with the default implementation returning -1 which indicates that the Jacobian must be calculated numerically using the calcErrors() method. Return a positive value if your implementation is unable to evaluate the Jacobian at the current state.
Reimplemented from SimTK::AssemblyCondition.
Calculate the current contribution (>= 0) of this assembly condition to the goal value that is being minimized.
If this isn't overridden we'll generate it by combining the m errors returned by calcErrors() in a mean sum of squares: goal = err^2/m.
Reimplemented from SimTK::AssemblyCondition.
|
inlineoverridevirtual |
Override to supply an analytic gradient for this assembly condition's goal.
The returned gradient must be nFreeQ X 1; that is, it is a column vector giving the partial derivative of the goal with respect to each of the free q's in order. The functional return should be zero if this succeeds. The default implementation return -1 which indicates that the gradient must be calculated numerically using the calcGoal() method.
Reimplemented from SimTK::AssemblyCondition.


Adsum Celebrates Store Opening With "Mind Your Head" Capsule
Referencing the space’s low ceilings.
by Jack StanleyNew York-based label Adsum has celebrated the opening of its new Williamsburg flagship with the launch of a new capsule and range of accessories.
Alongside the “Mind Your Head” capsule, Adsum is also releasing its first selection of store-exclusive products, featuring a notepad, set of stickers and a collaborative BIC lighter. These items are all available for purchase now from the store, while the apparel capsule is also available via the Adsum web store.
In other fashion news, Palace recently debuted its Ultimo 2019 lookbook.
Adsum New York
97 N 7th St
Brooklyn
NY 11249
United States


Visualization of the Current Vaccine Registration System
| Step 1 | Step 2 option 1 | Step 2 option 2 | Step 2 option 3 | Step 3 | Step 4 | Step 5 | |
|---|---|---|---|---|---|---|---|
|
Discovery Stage
|
Get help from others
|
Make Phone calls
|
Start Online Process
|
Book Appointment online
|
Vaccine site
|
Book 2nd Dose
|
|
| item_1 | |||||||
| User Actions | Ask Around/Make Phone calls/Watch TV News | Ask help from kids or friends | Call local public health department | Google Search | Upload information for eligibility and find opening for appointment | Drive to the vaccine site | Go to the website to book second dose |
| item_2 | |||||||
| On Stage Contact Actions | Turn on Tv/Make phonecalls | make phone calls | make phone calls to public health department | Key word search "vaccine", "la covid vaccine"... | Answer questions | Show ID, wait in line and get vaccine | Upload information and answer questions |
| item_3 | |||||||
| Backstage Contact Actions | Message campaign in local TV Stations | none | call centers for registration | Website for registration | Use algorithm to decide eligibility/Search datbase for openning | Check database about appointment | Check database for 1st dose info and calendar check |
| item_4 | |||||||
| Support Process | TV/Local libraries | none | none | SEO results showing vaccine registration website on top | E-mail for confirmation | on site personnel support and route guidance | email and text notification to schedule second dose appointment |
| item_10 | |||||||
| Problems | Limited access to information, website is not the first choice | Elders are having a hard time to use the overly confusing system. | Wait time to pick up phone is too long | cannot find myturn.com from regular key word search | No notification for opening/refresh the website for days | long Wait time & transportation | Calendar option is not flexible and no option for caregivers |
| item_10 | |||||||
| Online/Offline | Offline | offline | offline | online | online | offline | online |
| item_10 | |||||||
| Questions | Where shall I start? | Can you help me get an appointment? | Which number shall I dial? | Which website is for appointment? | How can I book an appointment? | How can I get to the vaccine site? | How can I get my 2nd dose? |
| item_10 |


Welcome to Roster Guru!
Take a look at the navigation bar above to see what your options are.
View upcoming duties »


Shop Items Available
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Price
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{{x.name}}
{{x.price|currency}}
Buy
total cost: {{myCtrl.total|currency}}
Add Items To Shop
Item
Price
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Drag a column header and drop it here to group by that column
ProductID
Product name
Unit price
Quantity per unit
Units in stock
Discontinued
1
,
2
,
3
...
Page size:
10
20
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200 items in 200 pages
1
Coffee Espresso
£3
1 cup
6
2
Latte
£3
1 cup
6
3
Cappuccino
£3
1 cup
6
4
Mochaccino
£3
1 cup
6
5
Black Coffee
£2
1 cup
6
6
Tea
£2
1 cup
6
7
Hot Chocolate
£3
1 cup
6
8
Milk
£1.5
1 cup
6
9
Water
£1
1 bottle
6
10
Coke
£2
1 bottle
6
11
Ice Tea
£4
1 bottle
6


All collections in Delhi NCR
Delivery
Pocket-Friendly Delivery
Lunch
Dinner
Drinks and Nightlife
Breakfast
Cafés
Luxury Dining


Reactor Core
A Reactive Streams foundation for Java 8
A Reactive Streams foundation for Java 8
Additional operators for Flux
HTTP, TCP, UDP Clients/Servers using Netty
Adapt to/from other reactive libraries
Reactive bridge to Apache Kafka
Kotlin extensions for all Java artifacts in Dysprosium+
Reactive bridge to RabbitMQ
Generic object pool for reactive applications
Java agent for detecting blocking calls from non-blocking threads
Incubating Reactive Streams foundation for .NET
Incubating Reactive Streams foundation for JavaScript
Legend:


Tourette Syndrome is considered a chronic condition because
the diagnosis requires that the tics be present for more
than 1 year as in the definition of TS shown below.
The accepted medical usage of the word chronic is “a persistent and lasting disease
or medical condition, or one that that developed slowly.”
“Tourette Syndrome is a chronic neurochemical disorder
that causes involuntary movements and sounds known as tics.”


The sapling height is calculated near the sapling activation timestamp.
Until it is set, the node doesn’t know when sapling should be active.
Depending on the speed at which you get blocks from the future, it was
possible that you could see a sapling active block before the sapling
height was set. This would happen only if syncing from a node that
didn’t know the sapling height and a full resync with the most peers
and most variety of incoming block sources was most likely hit by this.
The ...


Created by Mark Hsu
What is GIT?
Git is a version control system (VCS) for tracking changes in computer files and coordinating work on those files among multiple people. It is primarily used for software development,[7] but it can be used to keep track of changes in any files. As a distributed revision control system it is aimed at speed,[8] data integrity,[9] and support for distributed, non-linear workflows.
What is version control system?

Witcher 3 (18+)
It has 16 endings!!
40 hrs x 16 = 640 hrs
= 26.7 days
Git is a tool to manage and contorl the versions of your progress files in a game folder
Install Git, create a repo, making some changes
Git Commands
to control changes:
to see where you are:
Work on multiple branches
Git Commands
to control branches:
to see where you are:
Solve conflict
Git Commands
Create Github repository, push changes to a github
Git Commands
to commit changes:
Fetch changes from Github
Git Commands
to pull changes:
Submit Pull-Request in Github
In Restaurant, waitress sends orders to chef, and receives dishes from chef though kitchen's window, then takes back to the customer
In Web, frontend sends requests to backend, and receives responses from backend though RESTful API, then renders to the user


YEAAAAAAAAAH!!!! What is happening here is the actual start of the new era in human kind, I and everyone at the conference and in Basel generally felt the intense strong vibe of total insight, peace, harmony, everything that shows us the true soul of mankind. While I didnt even had a single mg of acid in my body, I was trippin good, I saw crazy cool things everywhere, because of the good vibrations.
Basel is the first totally enlightenend city of the world, its like there is a a dome over it that will continue tot grow like a huge mushroom. Even people I know back from highschool that weren't on the congress are getting into psychedelics, even though I never ever exspected them to.
For me, it is the total live experience, something totally special what never happened before in this world. so the conclusion is it totally kicks ass and so will the world in a moment. Just flow to it, the balance is there; we dont even have to fight for it, thats something the hippies and the 90s-ravers already did for us. I can keep talking forever, but I wont because you'll already understand me ;p
Peace Out, See You In Eternity!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


| Bibliothek: | Base |
| Eingeführt: | 2.0 Beta 1 |
| Aussehen: |
This is a simple text label that can be placed anywhere in the circuit. It does not interact with values traveling through the circuit in any way, except inasmuch as it will be visible when the circuit is drawn.
In contrast to all other components in the current built-in libraries, label components can be placed anywhere on the canvas; they do not snap to the grid.
Keines.
The vertical positioning technique for the text relative to the label's official location (where the mouse was clicked in creating the label). "Base" means that the baseline should intersect the location; "Top" means that the text's top should intersect the location; "Bottom" means that the text's bottom should intersect the location; and "Center" means that the text should be centered (vertically) at the location.
The text's top and bottom is computed based on the font's standard ascent and descent values; thus, even if the actual text contains no tall letters (such as b) or descending letters (such as g), it is assumed to contain such letters for the purposes of vertical positioning.
Keines.
Allows the text appearing within the label to be edited.


Tilde immediately followed by a newline ignores the newline and any following non-newline whitespace_1 characters. With a :, the newline is ignored, but any following whitespace_1 is left in place. With an @, the newline is left in place, but any following whitespace_1 is ignored. For example:
(defun type-clash-error (fn nargs argnum right-type wrong-type) (format *error-output* "~&~S requires its ~:[~:R~;~*~]~ argument to be of type ~S,~ with an argument of type ~S.~ fn (eql nargs 1) argnum right-type wrong-type)) (type-clash-error 'aref nil 2 'integer 'vector) prints: AREF requires its second argument to be of type INTEGER, but it was called with an argument of type VECTOR. NIL (type-clash-error 'car 1 1 'list 'short-float) prints: CAR requires its argument to be of type LIST, but it was called with an argument of type SHORT-FLOAT. NIL
Note that in this example newlines appear in the output only as specified by the ~& and ~% directives; the actual newline characters in the control string are suppressed because each is preceded by a tilde.


C/C++ Icons
The table below lists the icons displayed in the C/C++ perspective.
| Icon | Description |
|---|---|
| C or C++ file | |
| Class | |
| Code template | |
| Macro Definition | |
| Enum | |
| Enumerator | |
| Variable | |
| Field private | |
| Field protected | |
| Field public | |
| Include | |
| Makefile | |
| Method private | |
| Method protected | |
| Method public | |
| Namespace | |
| Struct | |
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| Union | |
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