{"entry_id": "e1ce618e-986a-47b7-9657-c9870f3080af", "infos": [{"txt": "戴建业：", "language": "chinese", "position": {"atoms": [{"position_id": 0, "txt": "戴建业：", "x": ""}]}, "tags": [], "label": "article_title", "web_segment_id": 0, "global_sentence_id": 0, "edu_l1_label": "BOT"}, {"txt": "我们为什么爱宋词？", "language": "chinese", "position": {"atoms": [{"position_id": 0, "txt": "我们为什么爱宋词？", "x": ""}]}, "tags": [], "label": "article_title", "web_segment_id": 0, "global_sentence_id": 1, "edu_l1_label": "BOT"}, {"txt": "戴建业老师是原华中师范大学文学院教授、广东外语外贸大学首席专家。", "language": "chinese", "position": {"atoms": [{"position_id": 342, "txt": "戴建业老师是原华中师范大学文学院教授、广东外语外贸大学首席专家。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[1]"}]}, "tags": [], "label": "content", "web_segment_id": 1, "global_sentence_id": 2, "edu_l1_label": "BOS"}, {"txt": "他操着一口生动的“麻普”讲解古诗词，幽默风趣、直白易懂，2018年时便在互联网上爆火，成为受诸多网友喜爱的“网红教授”。", "language": "chinese", "position": {"atoms": [{"position_id": 343, "txt": "他操着一口生动的“麻普”讲解古诗词，幽默风趣、直白易懂，2018年时便在互联网上爆火，成为受诸多网友喜爱的“网红教授”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[1]"}]}, "tags": [], "label": "content", "web_segment_id": 1, "global_sentence_id": 3, "edu_l1_label": "IOS"}, {"txt": "这次演讲从文化的视角解读宋词——其落脚点在宋词，其切入处在宋代文化。", "language": "chinese", "position": {"atoms": [{"position_id": 345, "txt": "这次演讲从文化的视角解读宋词——其落脚点在宋词，其切入处在宋代文化。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[3]"}]}, "tags": [], "label": "content", "web_segment_id": 2, "global_sentence_id": 4, "edu_l1_label": "IOS"}, {"txt": "从勾勒宋代文化的基本特征，到阐述宋代士人的文化心态，进而分析宋代文化对宋词繁荣的深远影响，揭示宋代士人心态与宋词的内在联系，最后讲宋词的文体特点，宋代词风的嬗变，宋代的代表词人及其代表词作。", "language": "chinese", "position": {"atoms": [{"position_id": 346, "txt": "从勾勒宋代文化的基本特征，到阐述宋代士人的文化心态，进而分析宋代文化对宋词繁荣的深远影响，揭示宋代士人心态与宋词的内在联系，最后讲宋词的文体特点，宋代词风的嬗变，宋代的代表词人及其代表词作。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[3]"}]}, "tags": [], "label": "content", "web_segment_id": 2, "global_sentence_id": 5, "edu_l1_label": "IOS"}, {"txt": "通过这次演讲，让大家粗尝宋词的风情与风韵。", "language": "chinese", "position": {"atoms": [{"position_id": 347, "txt": "通过这次演讲，让大家粗尝宋词的风情与风韵。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[3]"}]}, "tags": [], "label": "content", "web_segment_id": 2, "global_sentence_id": 6, "edu_l1_label": "IOS"}, {"txt": "<img https://wcd-image-bucket-test.oss-cn-zhangjiakou.aliyuncs.com/raw/4nFxOy45yoIkj8oqqkuXOu.jpeg", "language": "chinese", "position": {"atoms": [{"position_id": 179, "txt": "<img https://wcd-image-bucket-test.oss-cn-zhangjiakou.aliyuncs.com/raw/4nFxOy45yoIkj8oqqkuXOu.jpeg", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[5]/img"}]}, "tags": ["img"], "label": "figure", "web_segment_id": 3, "global_sentence_id": 7, "edu_l1_label": "EDU_O"}, {"txt": "‍宋代的文化特征与宋代的士人心态", "language": "chinese", "position": {"atoms": [{"position_id": 349, "txt": 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"web_segment_id": 5, "global_sentence_id": 10, "edu_l1_label": "IOS"}, {"txt": "“华夏民族文化，历数千载之演进，造极于赵宋之世。”", "language": "chinese", "position": {"atoms": [{"position_id": 356, "txt": "“华夏民族文化，历数千载之演进，造极于赵宋之世。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[9]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 5, "global_sentence_id": 11, "edu_l1_label": "IOS"}, {"txt": "邓广铭在《谈谈有关宋史研究的几个问题》亦表示：", "language": "chinese", "position": {"atoms": [{"position_id": 357, "txt": "邓广铭在《谈谈有关宋史研究的几个问题》亦表示：", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[9]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 5, "global_sentence_id": 12, "edu_l1_label": "IOS"}, {"txt": "“两宋时期内的物质文明和精神文明所达到的高度，在中国整个封建社会历史时期之内，可以说是空前绝后的。”", "language": "chinese", "position": {"atoms": [{"position_id": 358, "txt": "“两宋时期内的物质文明和精神文明所达到的高度，在中国整个封建社会历史时期之内，可以说是空前绝后的。”", "x": 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"web_segment_id": 6, "global_sentence_id": 15, "edu_l1_label": "IOS"}, {"txt": "市井生活不仅提供了新题材，创造了新的生活方式，也创造出适应这种生活的艺术形式、艺术风格。", "language": "chinese", "position": {"atoms": [{"position_id": 362, "txt": "市井生活不仅提供了新题材，创造了新的生活方式，也创造出适应这种生活的艺术形式、艺术风格。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[11]"}]}, "tags": [], "label": "content", "web_segment_id": 6, "global_sentence_id": 16, "edu_l1_label": "IOS"}, {"txt": "然而，高度集权的中央体制也造成了宋朝“将不知兵，兵不能战”的军事弱势，长期受到北方民族的威胁，与这些外族政权从原先的称兄道弟到最后的纳贡称臣，使得士人心中充满了隐忍和屈辱。", "language": "chinese", "position": {"atoms": [{"position_id": 364, "txt": "然而，高度集权的中央体制也造成了宋朝“将不知兵，兵不能战”的军事弱势，长期受到北方民族的威胁，与这些外族政权从原先的称兄道弟到最后的纳贡称臣，使得士人心中充满了隐忍和屈辱。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[13]"}]}, "tags": [], "label": "content", "web_segment_id": 7, "global_sentence_id": 17, "edu_l1_label": "IOS"}, {"txt": "因此，宋朝从开国到灭亡，爱国主义诗词都特别兴盛。", "language": "chinese", "position": {"atoms": [{"position_id": 366, "txt": "因此，宋朝从开国到灭亡，爱国主义诗词都特别兴盛。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[13]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 7, "global_sentence_id": 18, "edu_l1_label": "IOS"}, {"txt": "陆游《五月十一日夜且半，梦从大驾亲征，尽复汉唐失地》这一诗歌标题便道尽了所有宋代人的黄粱美梦，直到死前他还念念不忘国家统一，留下了一首《示儿》，“死去元知万事空，但悲不见九州同。", "language": "chinese", "position": {"atoms": [{"position_id": 368, "txt": "陆游《五月十一日夜且半，梦从大驾亲征，尽复汉唐失地》这一诗歌标题便道尽了所有宋代人的黄粱美梦，直到死前他还念念不忘国家统一，留下了一首《示儿》，“死去元知万事空，但悲不见九州同。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 19, "edu_l1_label": "IOS"}, {"txt": "王师北定中原日，家祭无忘告乃翁。”", "language": "chinese", "position": {"atoms": [{"position_id": 369, "txt": "王师北定中原日，家祭无忘告乃翁。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 20, "edu_l1_label": "IOS"}, {"txt": "陆游的绝笔凝聚了其毕生信念未能实现的不甘与悲怆。", "language": "chinese", "position": {"atoms": [{"position_id": 370, "txt": "陆游的绝笔凝聚了其毕生信念未能实现的不甘与悲怆。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 21, "edu_l1_label": "IOS"}, {"txt": "民族英雄、抗金名将岳飞的《满江红》更是脍炙人口，“靖康耻，犹未雪。", "language": "chinese", "position": {"atoms": [{"position_id": 371, "txt": "民族英雄、抗金名将岳飞的《满江红》更是脍炙人口，“靖康耻，犹未雪。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 22, "edu_l1_label": "IOS"}, {"txt": "臣子恨，何时灭！", "language": "chinese", "position": {"atoms": [{"position_id": 372, "txt": "臣子恨，何时灭！", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 23, "edu_l1_label": "IOS"}, {"txt": "驾长车，踏破贺兰山缺。", "language": "chinese", "position": {"atoms": [{"position_id": 373, "txt": "驾长车，踏破贺兰山缺。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 24, "edu_l1_label": "IOS"}, {"txt": "壮志饥餐胡虏肉，笑谈渴饮匈奴血。", "language": "chinese", "position": {"atoms": [{"position_id": 374, "txt": "壮志饥餐胡虏肉，笑谈渴饮匈奴血。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 25, "edu_l1_label": "IOS"}, {"txt": "待从头收拾旧山河，朝天阙。”", "language": "chinese", "position": {"atoms": [{"position_id": 375, "txt": "待从头收拾旧山河，朝天阙。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 26, "edu_l1_label": "IOS"}, {"txt": "看到国家分裂，这些民族精英的心也在为之滴血。", "language": "chinese", "position": {"atoms": [{"position_id": 376, "txt": "看到国家分裂，这些民族精英的心也在为之滴血。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[15]"}]}, "tags": [], "label": "content", "web_segment_id": 8, "global_sentence_id": 27, "edu_l1_label": "IOS"}, {"txt": "由于民族和国家在现实生存上一直受到威胁，国家版图从前朝向外扩张转为向内收缩，宋朝士人也一改盛唐人的“男儿本自重横行，天子非常赐颜色”的豪迈张扬与轩昂开朗，在精神上逐渐变得内敛退缩，乃至狭隘萎靡。", "language": "chinese", "position": {"atoms": [{"position_id": 378, "txt": "由于民族和国家在现实生存上一直受到威胁，国家版图从前朝向外扩张转为向内收缩，宋朝士人也一改盛唐人的“男儿本自重横行，天子非常赐颜色”的豪迈张扬与轩昂开朗，在精神上逐渐变得内敛退缩，乃至狭隘萎靡。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[17]"}]}, "tags": [], "label": "content", "web_segment_id": 9, "global_sentence_id": 28, "edu_l1_label": "IOS"}, {"txt": "长期以来自我中心的天下主义遇到了挫折，自我中心的民族主义便开始抬头。", "language": "chinese", "position": {"atoms": [{"position_id": 380, "txt": "长期以来自我中心的天下主义遇到了挫折，自我中心的民族主义便开始抬头。", "x": 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"它既是宋代文化的产物，也是宋代文化的象征。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[21]"}]}, "tags": [], "label": "content", "web_segment_id": 11, "global_sentence_id": 34, "edu_l1_label": "IOS"}, {"txt": "王国维在《人间词话》中说：", "language": "chinese", "position": {"atoms": [{"position_id": 392, "txt": "王国维在《人间词话》中说：", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]"}]}, "tags": [], "label": "content", "web_segment_id": 12, "global_sentence_id": 35, "edu_l1_label": "IOS"}, {"txt": "“词之为体，要眇宜修，能言诗之所不能言，而不能尽言诗之所能言。", "language": "chinese", "position": {"atoms": [{"position_id": 393, "txt": "“词之为体，要眇宜修，能言诗之所不能言，而不能尽言诗之所能言。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]"}]}, "tags": [], "label": "content", "web_segment_id": 12, "global_sentence_id": 36, "edu_l1_label": "IOS"}, {"txt": "诗之境阔，词之言长。”", "language": "chinese", "position": {"atoms": [{"position_id": 394, "txt": "诗之境阔，词之言长。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]"}]}, "tags": [], "label": "content", "web_segment_id": 12, "global_sentence_id": 37, "edu_l1_label": "IOS"}, {"txt": "他强调的是词的精致微妙与美丽优雅。", "language": "chinese", "position": {"atoms": [{"position_id": 395, "txt": "他强调的是词的精致微妙与美丽优雅。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]"}]}, "tags": [], "label": "content", "web_segment_id": 12, "global_sentence_id": 38, "edu_l1_label": "IOS"}, {"txt": "晚唐五代词人偏好“逐管弦之音为侧艳之词”，长于表现一种婉约细腻的女性美。", "language": "chinese", "position": {"atoms": [{"position_id": 397, "txt": "晚唐五代词人偏好“逐管弦之音为侧艳之词”，长于表现一种婉约细腻的女性美。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 12, "global_sentence_id": 39, "edu_l1_label": "IOS"}, {"txt": "即使后来有苏辛的豪放词，也必须豪宕之中蕴韶秀，刚健之中显婀娜。", "language": "chinese", "position": {"atoms": [{"position_id": 398, "txt": "即使后来有苏辛的豪放词，也必须豪宕之中蕴韶秀，刚健之中显婀娜。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 12, "global_sentence_id": 40, "edu_l1_label": "IOS"}, {"txt": "细腻柔婉是词的正宗，刚健豪放则是它的变调。", "language": "chinese", "position": {"atoms": [{"position_id": 400, "txt": "细腻柔婉是词的正宗，刚健豪放则是它的变调。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 12, "global_sentence_id": 41, "edu_l1_label": "IOS"}, {"txt": "词具有长短句式、音调节拍以及配乐可歌的特性，细腻柔婉这一特征正是与词的音乐性息息相关。", "language": "chinese", "position": {"atoms": [{"position_id": 401, "txt": "词具有长短句式、音调节拍以及配乐可歌的特性，细腻柔婉这一特征正是与词的音乐性息息相关。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[23]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 12, "global_sentence_id": 42, "edu_l1_label": "IOS"}, {"txt": "自先秦起，中国的诗歌就与音乐关系紧密，《诗经》、部分《楚辞》及汉乐府，都是必须入乐演唱的，《诗经》风雅颂的划分标准就是音乐。", "language": "chinese", "position": {"atoms": [{"position_id": 403, "txt": "自先秦起，中国的诗歌就与音乐关系紧密，《诗经》、部分《楚辞》及汉乐府，都是必须入乐演唱的，《诗经》风雅颂的划分标准就是音乐。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[25]"}]}, "tags": [], "label": "content", "web_segment_id": 13, "global_sentence_id": 43, "edu_l1_label": "IOS"}, {"txt": "然而，到了汉代，能够演唱《诗经》《楚辞》的人变得愈来愈少。", "language": "chinese", "position": {"atoms": [{"position_id": 404, "txt": "然而，到了汉代，能够演唱《诗经》《楚辞》的人变得愈来愈少。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[25]"}]}, "tags": [], "label": "content", "web_segment_id": 13, "global_sentence_id": 44, "edu_l1_label": "IOS"}, {"txt": "六朝时期，汉乐府的演唱也面临着同样的困境。", "language": "chinese", "position": {"atoms": [{"position_id": 405, "txt": "六朝时期，汉乐府的演唱也面临着同样的困境。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[25]"}]}, "tags": [], "label": "content", "web_segment_id": 13, "global_sentence_id": 45, "edu_l1_label": "IOS"}, {"txt": "进入唐代，古乐更是鲜有人演奏和欣赏。", "language": "chinese", "position": {"atoms": [{"position_id": 406, "txt": "进入唐代，古乐更是鲜有人演奏和欣赏。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[25]"}]}, "tags": [], "label": "content", "web_segment_id": 13, "global_sentence_id": 46, "edu_l1_label": "IOS"}, {"txt": "原先用于歌唱的音乐逐渐消亡，成为只能诵读的案头文学。", "language": "chinese", "position": {"atoms": [{"position_id": 407, "txt": "原先用于歌唱的音乐逐渐消亡，成为只能诵读的案头文学。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[25]"}]}, "tags": [], "label": "content", "web_segment_id": 13, "global_sentence_id": 47, "edu_l1_label": "IOS"}, {"txt": "这时候，从西域传入的“胡乐”与汉族的清商乐相融合，形成了一种新的音乐类型——“燕乐”。", "language": "chinese", "position": {"atoms": [{"position_id": 409, "txt": "这时候，从西域传入的“胡乐”与汉族的清商乐相融合，形成了一种新的音乐类型——“燕乐”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[25]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 13, "global_sentence_id": 48, "edu_l1_label": "IOS"}, {"txt": "燕乐分为舞曲和歌曲，歌曲的歌词被称为“曲子词”，即词的雏形。", "language": "chinese", "position": {"atoms": [{"position_id": 411, "txt": "燕乐分为舞曲和歌曲，歌曲的歌词被称为“曲子词”，即词的雏形。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[27]"}]}, "tags": [], "label": "content", "web_segment_id": 14, "global_sentence_id": 49, "edu_l1_label": "IOS"}, {"txt": "燕乐中有些曲调的曲拍声调与五七言绝句相合，那么这些五七言绝句直接就可以入乐歌唱，如旗亭画壁故事中的“寒雨连江夜入吴”、“奉帚平明金殿开”、“黄河远入白云间”。", "language": "chinese", "position": {"atoms": [{"position_id": 412, "txt": "燕乐中有些曲调的曲拍声调与五七言绝句相合，那么这些五七言绝句直接就可以入乐歌唱，如旗亭画壁故事中的“寒雨连江夜入吴”、“奉帚平明金殿开”、“黄河远入白云间”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[27]"}]}, "tags": [], "label": "content", "web_segment_id": 14, "global_sentence_id": 50, "edu_l1_label": "IOS"}, {"txt": "但大多数情况下，直接以诗入曲很难演唱，必须加入和声和泛声才能与曲拍相合，像广为传唱的《阳关三叠》也得破句。", "language": "chinese", "position": {"atoms": [{"position_id": 413, "txt": "但大多数情况下，直接以诗入曲很难演唱，必须加入和声和泛声才能与曲拍相合，像广为传唱的《阳关三叠》也得破句。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[27]"}]}, "tags": [], "label": "content", "web_segment_id": 14, "global_sentence_id": 51, "edu_l1_label": "IOS"}, {"txt": "中唐以后开始有文人按乐曲填词，如白居易的《江南好》之类。", "language": "chinese", "position": {"atoms": [{"position_id": 414, "txt": "中唐以后开始有文人按乐曲填词，如白居易的《江南好》之类。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[27]"}]}, "tags": [], "label": "content", "web_segment_id": 14, "global_sentence_id": 52, "edu_l1_label": "IOS"}, {"txt": "词与《诗经》、汉乐府的区别，一是它们各自所配的音乐不同，二是它们创作过程不同。", "language": "chinese", "position": {"atoms": [{"position_id": 416, "txt": "词与《诗经》、汉乐府的区别，一是它们各自所配的音乐不同，二是它们创作过程不同。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[29]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 15, "global_sentence_id": 53, "edu_l1_label": "IOS"}, {"txt": "前二者是依歌辞谱曲，后者是依曲填写歌辞，即按乐章分阙的数目，按曲拍定句的长短，按乐声选字的平仄，这就形成了一种不同于诗的长短句体裁。", "language": "chinese", "position": {"atoms": [{"position_id": 418, "txt": "前二者是依歌辞谱曲，后者是依曲填写歌辞，即按乐章分阙的数目，按曲拍定句的长短，按乐声选字的平仄，这就形成了一种不同于诗的长短句体裁。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[29]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 15, "global_sentence_id": 54, "edu_l1_label": "IOS"}, {"txt": "从上下片换头或不换头，就能判断这首词乐章的特点。", "language": "chinese", "position": {"atoms": [{"position_id": 419, "txt": "从上下片换头或不换头，就能判断这首词乐章的特点。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[29]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 15, "global_sentence_id": 55, "edu_l1_label": "IOS"}, {"txt": "不换头表明上下乐章完全一样，换头则说明上下乐章有变化。", "language": "chinese", "position": {"atoms": [{"position_id": 420, "txt": "不换头表明上下乐章完全一样，换头则说明上下乐章有变化。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[29]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 15, "global_sentence_id": 56, "edu_l1_label": "IOS"}, {"txt": "词的上下片节拍完全相同称“重头”，散曲中一曲调多遍重复填写也叫“重头”。", "language": "chinese", "position": {"atoms": [{"position_id": 421, "txt": "词的上下片节拍完全相同称“重头”，散曲中一曲调多遍重复填写也叫“重头”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[29]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 15, "global_sentence_id": 57, "edu_l1_label": "IOS"}, {"txt": "曲调由慢拍转为快拍叫“入破”。", "language": "chinese", "position": {"atoms": [{"position_id": 422, "txt": "曲调由慢拍转为快拍叫“入破”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[29]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 15, "global_sentence_id": 58, "edu_l1_label": "IOS"}, {"txt": "燕乐的娱乐特性，也决定了词的内容和风格。", "language": "chinese", "position": {"atoms": [{"position_id": 424, "txt": "燕乐的娱乐特性，也决定了词的内容和风格。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[31]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 16, "global_sentence_id": 59, "edu_l1_label": "IOS"}, {"txt": "大多数词的题材不出于男欢女爱，词境只限于闺阁园亭，手法大多委婉深曲，情调大多柔媚轻艳，语言也大多凝炼精巧。", "language": "chinese", "position": {"atoms": [{"position_id": 425, "txt": "大多数词的题材不出于男欢女爱，词境只限于闺阁园亭，手法大多委婉深曲，情调大多柔媚轻艳，语言也大多凝炼精巧。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[31]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 16, "global_sentence_id": 60, "edu_l1_label": "IOS"}, {"txt": "波澜壮阔的社会生活、豪迈激昂的英雄浩气和金戈铁马的战场斯杀，基本无法在词中得到表现，因为这些内容难以入乐歌唱。", "language": "chinese", "position": {"atoms": [{"position_id": 427, "txt": "波澜壮阔的社会生活、豪迈激昂的英雄浩气和金戈铁马的战场斯杀，基本无法在词中得到表现，因为这些内容难以入乐歌唱。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[31]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 16, "global_sentence_id": 61, "edu_l1_label": "IOS"}, {"txt": "晚唐五代和北宋前期的词人在对词的体认上也印证了这一文体特征。", "language": "chinese", "position": {"atoms": [{"position_id": 429, "txt": "晚唐五代和北宋前期的词人在对词的体认上也印证了这一文体特征。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[33]"}]}, "tags": [], "label": "content", "web_segment_id": 17, "global_sentence_id": 62, "edu_l1_label": "IOS"}, {"txt": "如欧阳炯在《花间集序》中提到，“递叶叶之花笺，文抽丽锦，举纤纤之玉指，拍按香檀。", "language": "chinese", "position": {"atoms": [{"position_id": 430, "txt": "如欧阳炯在《花间集序》中提到，“递叶叶之花笺，文抽丽锦，举纤纤之玉指，拍按香檀。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[33]"}]}, "tags": [], "label": "content", "web_segment_id": 17, "global_sentence_id": 63, "edu_l1_label": "IOS"}, {"txt": "不无清绝之词，用助妖娆之态。”", "language": "chinese", "position": {"atoms": [{"position_id": 431, "txt": "不无清绝之词，用助妖娆之态。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[33]"}]}, "tags": [], "label": "content", "web_segment_id": 17, "global_sentence_id": 64, "edu_l1_label": "IOS"}, {"txt": "，表明晚唐五代的词主要为歌妓舞女们所用，使她们更加妖娆可爱、性感动人。", "language": "chinese", "position": {"atoms": [{"position_id": 432, "txt": "，表明晚唐五代的词主要为歌妓舞女们所用，使她们更加妖娆可爱、性感动人。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[33]"}]}, "tags": [], "label": "content", "web_segment_id": 17, "global_sentence_id": 65, "edu_l1_label": "IOS"}, {"txt": "欧阳修在《采桑子》词的序中也表示，自己填词不过是“因翻旧阕之词，写以新声之调。", "language": "chinese", "position": {"atoms": [{"position_id": 433, "txt": "欧阳修在《采桑子》词的序中也表示，自己填词不过是“因翻旧阕之词，写以新声之调。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[33]"}]}, "tags": [], "label": "content", "web_segment_id": 17, "global_sentence_id": 66, "edu_l1_label": "IOS"}, {"txt": "敢陈薄伎，聊佐清欢。”", "language": 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"edu_l1_label": "IOS"}, {"txt": "庭轩寂寞近清明，残花中酒，又是去年病。", "language": "chinese", "position": {"atoms": [{"position_id": 438, "txt": "庭轩寂寞近清明，残花中酒，又是去年病。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[35]"}]}, "tags": [], "label": "content", "web_segment_id": 18, "global_sentence_id": 70, "edu_l1_label": "IOS"}, {"txt": "楼头画角风吹醒，入夜重门静。", "language": "chinese", "position": {"atoms": [{"position_id": 439, "txt": "楼头画角风吹醒，入夜重门静。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[35]"}]}, "tags": [], "label": "content", "web_segment_id": 18, "global_sentence_id": 71, "edu_l1_label": "IOS"}, {"txt": "那堪更被明月，隔墙送过秋千影。”", "language": "chinese", "position": {"atoms": [{"position_id": 440, "txt": "那堪更被明月，隔墙送过秋千影。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[35]"}]}, "tags": [], "label": "content", "web_segment_id": 18, "global_sentence_id": 72, "edu_l1_label": "IOS"}, {"txt": "“暖”而说“乍”，“冷”而言“轻”；", "language": "chinese", "position": {"atoms": [{"position_id": 441, "txt": "“暖”而说“乍”，“冷”而言“轻”；", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[35]"}]}, "tags": [], "label": "content", "web_segment_id": 18, "global_sentence_id": 73, "edu_l1_label": "IOS"}, {"txt": "风吹影动以“弄”字来刻画，风吹角响以“醒”字来形容，体物既微妙，下字更精细，抒情也含蓄有味。", "language": "chinese", "position": {"atoms": [{"position_id": 442, "txt": "风吹影动以“弄”字来刻画，风吹角响以“醒”字来形容，体物既微妙，下字更精细，抒情也含蓄有味。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[35]"}]}, "tags": [], "label": "content", "web_segment_id": 18, "global_sentence_id": 74, "edu_l1_label": "IOS"}, {"txt": "这首词以纤柔清丽的词风，表现了词人细腻幽微的感受，在艺术上堪称绝唱。", "language": "chinese", "position": {"atoms": [{"position_id": 443, "txt": "这首词以纤柔清丽的词风，表现了词人细腻幽微的感受，在艺术上堪称绝唱。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[35]"}]}, "tags": [], "label": "content", "web_segment_id": 18, "global_sentence_id": 75, "edu_l1_label": "IOS"}, {"txt": "‍宋代的词风与宋代的士风", "language": "chinese", "position": {"atoms": [{"position_id": 445, "txt": "‍", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[37]/strong[1]"}, {"position_id": 447, "txt": "宋代的词风与宋代的士风", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[37]/strong[2]"}]}, "tags": ["strong"], "label": "title1", "web_segment_id": 19, "global_sentence_id": 76, "edu_l1_label": "BOS"}, {"txt": "宋代的文化总体上呈现出一种精致、优雅、细腻又略带颓唐的特点。", "language": "chinese", "position": {"atoms": [{"position_id": 449, "txt": "宋代的文化总体上呈现出一种精致、优雅、细腻又略带颓唐的特点。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[39]/strong[1]"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 20, "global_sentence_id": 77, "edu_l1_label": "IOS"}, {"txt": "宋代文人具有高雅的审美趣味和极高的文化素养，同时也表现出强烈的幻灭感。", "language": "chinese", "position": {"atoms": [{"position_id": 451, "txt": "宋代文人具有高雅的审美趣味和极高的文化素养，同时也表现出强烈的幻灭感。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[39]/strong[2]"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 20, "global_sentence_id": 78, "edu_l1_label": "IOS"}, {"txt": "即使旷达如苏东坡、刚正如范仲淹、富贵如晏殊，他们的词中也常表现出幻灭、颓唐、倦怠的情绪，描绘出一些优美、精致却狭小的境界。", "language": "chinese", "position": {"atoms": [{"position_id": 453, "txt": "即使旷达如苏东坡、刚正如范仲淹、富贵如晏殊，他们的词中也常表现出幻灭、颓唐、倦怠的情绪，描绘出一些优美、精致却狭小的境界。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[39]/strong[2]"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 20, "global_sentence_id": 79, "edu_l1_label": "IOS"}, {"txt": "超脱旷达的苏轼在诗词中常说“古今如梦”、“君臣一梦”、“人间如梦”、“未转头时皆梦”。", "language": "chinese", "position": {"atoms": [{"position_id": 455, "txt": "超脱旷达的苏轼在诗词中常说“古今如梦”、“君臣一梦”、“人间如梦”、“未转头时皆梦”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[41]"}]}, "tags": [], "label": "content", "web_segment_id": 21, "global_sentence_id": 80, "edu_l1_label": "IOS"}, {"txt": "既有过“世事一场大梦，人生几度秋凉”的感伤，亦有“人生如梦，一樽还酹江月”的慨叹。", "language": "chinese", "position": {"atoms": [{"position_id": 456, "txt": "既有过“世事一场大梦，人生几度秋凉”的感伤，亦有“人生如梦，一樽还酹江月”的慨叹。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[41]"}]}, "tags": [], "label": "content", "web_segment_id": 21, "global_sentence_id": 81, "edu_l1_label": "IOS"}, {"txt": "再看范仲淹，无论是在《苏幕遮》中表达“黯乡魂，追旅思”“酒入愁肠，化作相思泪”的愁绪，还是在《渔家傲·秋思》中抒发“浊酒一杯家万里，燕然未勒归无计”“人不寐，将军白发征夫泪”的苦闷的范仲淹，似乎都与执笔“先忧天下之忧而忧，后乐天下之乐而乐”时的他判若两人。", "language": "chinese", "position": {"atoms": [{"position_id": 458, "txt": "再看范仲淹，无论是在《苏幕遮》中表达“黯乡魂，追旅思”“酒入愁肠，化作相思泪”的愁绪，还是在《渔家傲·秋思》中抒发“浊酒一杯家万里，燕然未勒归无计”“人不寐，将军白发征夫泪”的苦闷的范仲淹，似乎都与执笔“先忧天下之忧而忧，后乐天下之乐而乐”时的他判若两人。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[43]"}]}, "tags": [], "label": "content", "web_segment_id": 22, "global_sentence_id": 82, "edu_l1_label": "IOS"}, {"txt": "又如晏殊《浣溪沙》中写道，“一曲新词酒一杯，去年天气旧亭台，夕阳西下几时回？", "language": "chinese", "position": {"atoms": [{"position_id": 460, "txt": "又如晏殊《浣溪沙》中写道，“一曲新词酒一杯，去年天气旧亭台，夕阳西下几时回？", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[45]"}]}, "tags": [], "label": "content", "web_segment_id": 23, "global_sentence_id": 83, "edu_l1_label": "IOS"}, {"txt": "无可奈何花落去，似曾相识燕归来，小园香径独徘徊。”", "language": "chinese", "position": {"atoms": [{"position_id": 461, "txt": "无可奈何花落去，似曾相识燕归来，小园香径独徘徊。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[45]"}]}, "tags": [], "label": "content", "web_segment_id": 23, "global_sentence_id": 84, "edu_l1_label": "IOS"}, {"txt": "晏殊一生安享尊荣富贵，是当时所有男人都艳羡的“太平宰相”，可他仍然感到“无可奈何”，致慨于“落花伤春”，徘徊于“小园香径”，乍读这两首词还会误以为作者是多愁善感的伤春少女。", "language": "chinese", "position": {"atoms": [{"position_id": 462, "txt": "晏殊一生安享尊荣富贵，是当时所有男人都艳羡的“太平宰相”，可他仍然感到“无可奈何”，致慨于“落花伤春”，徘徊于“小园香径”，乍读这两首词还会误以为作者是多愁善感的伤春少女。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[45]"}]}, "tags": [], "label": "content", "web_segment_id": 23, "global_sentence_id": 85, "edu_l1_label": "IOS"}, {"txt": "那位风流潦倒的柳永更是一副嬉皮士的样子。", "language": "chinese", "position": {"atoms": [{"position_id": 464, "txt": "那位风流潦倒的柳永更是一副嬉皮士的样子。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 86, "edu_l1_label": "IOS"}, {"txt": "早年创作的一首《鹤冲天·黄金榜上》叙写了其落第后的失意不满和恃才傲物，以及放浪形骸、出入风月场中的生活。", "language": "chinese", "position": {"atoms": [{"position_id": 465, "txt": "早年创作的一首《鹤冲天·黄金榜上》叙写了其落第后的失意不满和恃才傲物，以及放浪形骸、出入风月场中的生活。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 87, "edu_l1_label": "IOS"}, {"txt": "“黄金榜上，偶失龙头望。", "language": "chinese", "position": {"atoms": [{"position_id": 466, "txt": "“黄金榜上，偶失龙头望。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 88, "edu_l1_label": "IOS"}, {"txt": "明代暂遗贤，如何向？", "language": "chinese", "position": {"atoms": [{"position_id": 467, "txt": "明代暂遗贤，如何向？", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 89, "edu_l1_label": "IOS"}, {"txt": "未遂风云便，争不恣狂荡？", "language": "chinese", "position": {"atoms": [{"position_id": 468, "txt": "未遂风云便，争不恣狂荡？", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 90, "edu_l1_label": "IOS"}, {"txt": "何须论得丧。", "language": "chinese", "position": {"atoms": [{"position_id": 469, "txt": "何须论得丧。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 91, "edu_l1_label": "IOS"}, {"txt": "才子词人，自是白衣卿相！", "language": "chinese", "position": {"atoms": [{"position_id": 470, "txt": "才子词人，自是白衣卿相！", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 92, "edu_l1_label": "IOS"}, {"txt": "烟花巷陌，依约丹青屏障。", "language": "chinese", "position": {"atoms": [{"position_id": 471, "txt": "烟花巷陌，依约丹青屏障。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[47]"}]}, "tags": [], "label": "content", "web_segment_id": 24, "global_sentence_id": 93, "edu_l1_label": "IOS"}, {"txt": "幸有意中人，堪寻访。", "language": "chinese", "position": {"atoms": [{"position_id": 472, "txt": "幸有意中人，堪寻访。", "x": 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"/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[53]"}]}, "tags": [], "label": "content", "web_segment_id": 27, "global_sentence_id": 110, "edu_l1_label": "IOS"}, {"txt": "随着城市化进程的不断演进，市民的生活方式和生活观念也发生了转变，推动了人们对娱乐的渴求。", "language": "chinese", "position": {"atoms": [{"position_id": 496, "txt": "随着城市化进程的不断演进，市民的生活方式和生活观念也发生了转变，推动了人们对娱乐的渴求。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[55]"}]}, "tags": [], "label": "content", "web_segment_id": 28, "global_sentence_id": 111, "edu_l1_label": "IOS"}, {"txt": "欧阳修曾说，“因翻旧阕之词，写以新声之调。", "language": "chinese", "position": {"atoms": [{"position_id": 497, "txt": "欧阳修曾说，“因翻旧阕之词，写以新声之调。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[55]"}]}, "tags": [], "label": "content", "web_segment_id": 28, "global_sentence_id": 112, "edu_l1_label": "IOS"}, {"txt": "敢陈薄伎，聊佐清欢”，词的主要功能就是娱宾侑酒，而大都市恰好是宋词滋长兴盛的温床。", "language": "chinese", "position": {"atoms": 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"柳永不仅是城市文明的讴歌者，更是商业文明的宠儿，在当时受到市井百姓空前的欢迎，乃至于出现了“凡有井水饮处，皆能歌柳词”的说法。", "language": "chinese", "position": {"atoms": [{"position_id": 514, "txt": "柳永不仅是城市文明的讴歌者，更是商业文明的宠儿，在当时受到市井百姓空前的欢迎，乃至于出现了“凡有井水饮处，皆能歌柳词”的说法。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 124, "edu_l1_label": "IOS"}, {"txt": "柳永一生厌倦功名利禄，眷恋男女艳情，其艳情词尽管时涉低俗，却歌颂了下层人民的真挚爱情，特别是唱出了娼楼妓女的心愿与辛酸，描绘了市井百姓的日常生活和情感世界，尤以《木兰花令》等为代表：", "language": "chinese", "position": {"atoms": [{"position_id": 515, "txt": "柳永一生厌倦功名利禄，眷恋男女艳情，其艳情词尽管时涉低俗，却歌颂了下层人民的真挚爱情，特别是唱出了娼楼妓女的心愿与辛酸，描绘了市井百姓的日常生活和情感世界，尤以《木兰花令》等为代表：", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 125, "edu_l1_label": "IOS"}, {"txt": "“有个人人真攀羡。", "language": "chinese", "position": {"atoms": [{"position_id": 516, "txt": "“有个人人真攀羡。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 126, "edu_l1_label": "IOS"}, {"txt": "问着佯佯回却面。", "language": "chinese", "position": {"atoms": [{"position_id": 517, "txt": "问着佯佯回却面。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 127, "edu_l1_label": "IOS"}, {"txt": "你若无意向他人，为甚梦中频相见。", "language": "chinese", "position": {"atoms": [{"position_id": 518, "txt": "你若无意向他人，为甚梦中频相见。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 128, "edu_l1_label": "IOS"}, {"txt": "不如闻早还却愿。", "language": "chinese", "position": {"atoms": [{"position_id": 519, "txt": "不如闻早还却愿。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 129, "edu_l1_label": "IOS"}, {"txt": "免使牵人虚魂乱。", "language": "chinese", "position": {"atoms": [{"position_id": 520, "txt": "免使牵人虚魂乱。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 130, "edu_l1_label": "IOS"}, {"txt": "风流肠肚不坚牢，只恐被伊牵引断。”", "language": "chinese", "position": {"atoms": [{"position_id": 521, "txt": "风流肠肚不坚牢，只恐被伊牵引断。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[61]"}]}, "tags": [], "label": "content", "web_segment_id": 31, "global_sentence_id": 131, "edu_l1_label": "IOS"}, {"txt": "宋代文人与妓女交往十分密切，因而留下了大量的艳情词，如秦观的《八六子·倚危亭》，“无端天与娉婷，夜月一帘幽梦，春风十里柔情。”", "language": "chinese", "position": {"atoms": [{"position_id": 523, "txt": "宋代文人与妓女交往十分密切，因而留下了大量的艳情词，如秦观的《八六子·倚危亭》，“无端天与娉婷，夜月一帘幽梦，春风十里柔情。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 132, "edu_l1_label": "IOS"}, {"txt": "此外，也有妓女所作的词流传下来。", "language": "chinese", "position": {"atoms": [{"position_id": 524, "txt": "此外，也有妓女所作的词流传下来。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 133, "edu_l1_label": "IOS"}, {"txt": "“说盟说誓，说情说意，动便春愁满纸。", "language": "chinese", "position": {"atoms": [{"position_id": 525, "txt": "“说盟说誓，说情说意，动便春愁满纸。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 134, "edu_l1_label": "IOS"}, {"txt": "多应念得脱空经，是哪个先生教底？", "language": "chinese", "position": {"atoms": [{"position_id": 526, "txt": "多应念得脱空经，是哪个先生教底？", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 135, "edu_l1_label": "IOS"}, {"txt": "不茶不饭，不言不语，一味供他憔悴。", "language": "chinese", "position": {"atoms": [{"position_id": 527, "txt": "不茶不饭，不言不语，一味供他憔悴。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 136, "edu_l1_label": "IOS"}, {"txt": "相思已是不曾闲，又哪得功夫咒你。”", "language": "chinese", "position": {"atoms": [{"position_id": 528, "txt": "相思已是不曾闲，又哪得功夫咒你。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 137, "edu_l1_label": "IOS"}, {"txt": "这首无名“蜀妓”所作的《鹊桥仙》载于南宋周密的《齐东野语》中。", "language": "chinese", "position": {"atoms": [{"position_id": 529, "txt": "这首无名“蜀妓”所作的《鹊桥仙》载于南宋周密的《齐东野语》中。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 138, "edu_l1_label": "IOS"}, {"txt": "陆游的一位朋友从蜀中带回一妓，并为她买了一栋房作为外室，每隔数日便去与她缠绵。", "language": "chinese", "position": {"atoms": [{"position_id": 530, "txt": "陆游的一位朋友从蜀中带回一妓，并为她买了一栋房作为外室，每隔数日便去与她缠绵。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 139, "edu_l1_label": "IOS"}, {"txt": "有一次他因病连续几日没去看她，引起了她的紧张和疑心。", "language": "chinese", "position": {"atoms": [{"position_id": 531, "txt": "有一次他因病连续几日没去看她，引起了她的紧张和疑心。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 140, "edu_l1_label": "IOS"}, {"txt": "陆游友人后来作词解释，这位蜀妓便依韵填了这词作答。", "language": "chinese", "position": {"atoms": [{"position_id": 532, "txt": "陆游友人后来作词解释，这位蜀妓便依韵填了这词作答。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 141, "edu_l1_label": "IOS"}, {"txt": "半是嗔怪埋怨，半是玩皮调笑，半是痴情撒娇，真是一语百媚。", "language": "chinese", "position": {"atoms": [{"position_id": 533, "txt": "半是嗔怪埋怨，半是玩皮调笑，半是痴情撒娇，真是一语百媚。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[63]"}]}, "tags": [], "label": "content", "web_segment_id": 32, "global_sentence_id": 142, "edu_l1_label": "IOS"}, {"txt": "另外，有两首爱情词不得不谈，一是苏轼的《江城子·乙卯正月二十日夜记梦》：", "language": "chinese", "position": {"atoms": [{"position_id": 535, "txt": "另外，有两首爱情词不得不谈，一是苏轼的《江城子·乙卯正月二十日夜记梦》：", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[65]"}]}, "tags": [], "label": "content", "web_segment_id": 33, "global_sentence_id": 143, "edu_l1_label": "IOS"}, {"txt": "“十年生死两茫茫，不思量，自难忘。", "language": "chinese", "position": {"atoms": [{"position_id": 536, "txt": "“十年生死两茫茫，不思量，自难忘。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[65]"}]}, "tags": [], "label": "content", "web_segment_id": 33, "global_sentence_id": 144, "edu_l1_label": "IOS"}, {"txt": "千里孤坟，无处话凄凉。", "language": "chinese", "position": {"atoms": [{"position_id": 537, "txt": "千里孤坟，无处话凄凉。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[65]"}]}, "tags": [], "label": "content", "web_segment_id": 33, "global_sentence_id": 145, "edu_l1_label": "IOS"}, {"txt": "纵使相逢应不识，尘满面，鬓如霜。", "language": "chinese", "position": {"atoms": [{"position_id": 538, "txt": "纵使相逢应不识，尘满面，鬓如霜。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[65]"}]}, "tags": [], "label": "content", "web_segment_id": 33, "global_sentence_id": 146, "edu_l1_label": "IOS"}, {"txt": "夜来幽梦忽还乡，小轩窗，正梳妆。", "language": "chinese", "position": {"atoms": [{"position_id": 539, "txt": "夜来幽梦忽还乡，小轩窗，正梳妆。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[65]"}]}, "tags": [], "label": "content", "web_segment_id": 33, "global_sentence_id": 147, "edu_l1_label": "IOS"}, {"txt": "相顾无言，唯有泪千行。", "language": "chinese", "position": {"atoms": [{"position_id": 540, "txt": "相顾无言，唯有泪千行。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[65]"}]}, "tags": [], "label": "content", "web_segment_id": 33, "global_sentence_id": 148, "edu_l1_label": "IOS"}, {"txt": "料得年年肠断处，明月夜，短松冈。”", "language": "chinese", "position": {"atoms": [{"position_id": 541, "txt": "料得年年肠断处，明月夜，短松冈。”", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[65]"}]}, "tags": [], "label": "content", "web_segment_id": 33, "global_sentence_id": 149, "edu_l1_label": "IOS"}, {"txt": "另一首是陆游的《钗头凤》，它写于与已仳离的原妻唐氏再度相逢于沈园之后，以一种凄恻的调子倾诉了夫妻被迫拆散后的痛恨，以及两人的眷恋和相思。", "language": "chinese", "position": {"atoms": [{"position_id": 543, "txt": "另一首是陆游的《钗头凤》，它写于与已仳离的原妻唐氏再度相逢于沈园之后，以一种凄恻的调子倾诉了夫妻被迫拆散后的痛恨，以及两人的眷恋和相思。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 150, "edu_l1_label": "IOS"}, {"txt": "这首词以短句密韵奔泄而出，语气虽急促，抒情却委婉，既一气贯注又回味无穷。", "language": "chinese", "position": {"atoms": [{"position_id": 544, "txt": "这首词以短句密韵奔泄而出，语气虽急促，抒情却委婉，既一气贯注又回味无穷。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 151, "edu_l1_label": "IOS"}, {"txt": "“红酥手，黄滕酒，满城春色宫墙柳。", "language": "chinese", "position": {"atoms": [{"position_id": 545, "txt": "“红酥手，黄滕酒，满城春色宫墙柳。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 152, "edu_l1_label": "IOS"}, {"txt": "东风恶，欢情薄。", "language": "chinese", "position": {"atoms": [{"position_id": 546, "txt": "东风恶，欢情薄。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 153, "edu_l1_label": "IOS"}, {"txt": "一怀愁绪，几年离索。", "language": "chinese", "position": {"atoms": [{"position_id": 547, "txt": "一怀愁绪，几年离索。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 154, "edu_l1_label": "IOS"}, {"txt": "错，错，错！", "language": "chinese", "position": {"atoms": [{"position_id": 548, "txt": "错，错，错！", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 155, "edu_l1_label": "IOS"}, {"txt": "春如旧，人空瘦，泪痕红浥鲛绡透。", "language": "chinese", "position": {"atoms": [{"position_id": 549, "txt": "春如旧，人空瘦，泪痕红浥鲛绡透。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 156, "edu_l1_label": "IOS"}, {"txt": "桃花落，闲池阁。", "language": "chinese", "position": {"atoms": [{"position_id": 550, "txt": "桃花落，闲池阁。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 157, "edu_l1_label": "IOS"}, {"txt": "山盟虽在，锦书难托。", "language": "chinese", "position": {"atoms": [{"position_id": 551, "txt": "山盟虽在，锦书难托。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[67]"}]}, "tags": [], "label": "content", "web_segment_id": 34, "global_sentence_id": 158, "edu_l1_label": "IOS"}, {"txt": "莫，莫，莫！”", "language": "chinese", "position": {"atoms": [{"position_id": 552, "txt": "莫，莫，莫！”", "x": 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"IOS"}, {"txt": "比如，苏轼在元丰五年作于黄州贬所的《念奴娇·赤壁怀古》，一提笔就高唱入云，把人带入一个惊心动魄的雄奇境界，万里东去的大江与千古风流人物，美丽如画的江山与雄姿英发的豪杰，彼此交相辉映。", "language": "chinese", "position": {"atoms": [{"position_id": 588, "txt": "比如，苏轼在元丰五年作于黄州贬所的《念奴娇·赤壁怀古》，一提笔就高唱入云，把人带入一个惊心动魄的雄奇境界，万里东去的大江与千古风流人物，美丽如画的江山与雄姿英发的豪杰，彼此交相辉映。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[83]"}]}, "tags": [], "label": "content", "web_segment_id": 42, "global_sentence_id": 182, "edu_l1_label": "IOS"}, {"txt": "下阕的换头处续写三国英雄儒雅倜傥的风姿、从容镇定的大将风度，结尾部分虽然写到岁月悠悠而人生有限，英雄已矣壮志成虚，但词人很快以旷达之笔驱走衰飒之情。", "language": "chinese", "position": {"atoms": [{"position_id": 589, "txt": "下阕的换头处续写三国英雄儒雅倜傥的风姿、从容镇定的大将风度，结尾部分虽然写到岁月悠悠而人生有限，英雄已矣壮志成虚，但词人很快以旷达之笔驱走衰飒之情。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[83]"}]}, "tags": [], "label": "content", "web_segment_id": 42, "global_sentence_id": 183, "edu_l1_label": "IOS"}, {"txt": "气度之恢宏，境界之阔大，襟怀之超旷，笔致之跌宕，在词史上都属前所未有。", "language": "chinese", "position": {"atoms": [{"position_id": 590, "txt": "气度之恢宏，境界之阔大，襟怀之超旷，笔致之跌宕，在词史上都属前所未有。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[83]"}]}, "tags": [], "label": "content", "web_segment_id": 42, "global_sentence_id": 184, "edu_l1_label": "IOS"}, {"txt": "北宋后期的词坛大家周邦彦，被人们誉为“词中老杜”。", "language": "chinese", "position": {"atoms": [{"position_id": 592, "txt": "北宋后期的词坛大家周邦彦，被人们誉为“词中老杜”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[85]"}]}, "tags": [], "label": "content", "web_segment_id": 43, "global_sentence_id": 185, "edu_l1_label": "IOS"}, {"txt": "他继承并发展了柳永慢词的铺叙技巧，变柳词的直笔为曲笔，深化了词在抒情叙事上的表现力。", "language": "chinese", "position": {"atoms": [{"position_id": 593, "txt": "他继承并发展了柳永慢词的铺叙技巧，变柳词的直笔为曲笔，深化了词在抒情叙事上的表现力。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[85]"}]}, "tags": [], "label": "content", "web_segment_id": 43, "global_sentence_id": 186, "edu_l1_label": "IOS"}, {"txt": "他使词的语言更加典雅浑成，词的音调更加优美和谐，成为“格律词派”的开创者。", "language": "chinese", "position": {"atoms": [{"position_id": 594, "txt": "他使词的语言更加典雅浑成，词的音调更加优美和谐，成为“格律词派”的开创者。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[85]"}]}, "tags": [], "label": "content", "web_segment_id": 43, "global_sentence_id": 187, "edu_l1_label": "IOS"}, {"txt": "两宋之际，作为最杰出的女词人，李清照使“寻常语度入音律”，将口语俗语和书面语陶冶得清新自然，明白如话，创造了后来词人广泛仿效的“易安体”。", "language": "chinese", "position": {"atoms": [{"position_id": 596, "txt": "两宋之际，作为最杰出的女词人，李清照使“寻常语度入音律”，将口语俗语和书面语陶冶得清新自然，明白如话，创造了后来词人广泛仿效的“易安体”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[87]"}]}, "tags": [], "label": "content", "web_segment_id": 44, "global_sentence_id": 188, "edu_l1_label": "IOS"}, {"txt": "南宋前期，爱国主义成为词中最震撼人心的主题，辛弃疾就是爱国词人的代表，抗金复国这一梦寐以求的心愿使辛词凝集着全民族的意志。", "language": "chinese", "position": {"atoms": [{"position_id": 598, "txt": "南宋前期，爱国主义成为词中最震撼人心的主题，辛弃疾就是爱国词人的代表，抗金复国这一梦寐以求的心愿使辛词凝集着全民族的意志。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[89]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 45, "global_sentence_id": 189, "edu_l1_label": "IOS"}, {"txt": "他从苏轼的“以诗为词”进而“以文为词”，以其纵横驰骋的才情和雄肆畅达的笔调，在苏的基础上进一步扩大了词的疆域，使其题材更为广阔丰富，意境更为雄豪恢张，想象更为奇幻突兀，手法更为灵活多样。", "language": "chinese", "position": {"atoms": [{"position_id": 600, "txt": "他从苏轼的“以诗为词”进而“以文为词”，以其纵横驰骋的才情和雄肆畅达的笔调，在苏的基础上进一步扩大了词的疆域，使其题材更为广阔丰富，意境更为雄豪恢张，想象更为奇幻突兀，手法更为灵活多样。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[89]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 45, "global_sentence_id": 190, "edu_l1_label": "IOS"}, {"txt": "南宋后期维持了几十年相对平静的局面，格律派词人远绍清真而近崇白石，前期词人那种慷慨悲愤的激情逐渐冷却，词中的情感和语言都归于“醇雅”，律吕字声进一步严格规范。", "language": "chinese", "position": {"atoms": [{"position_id": 602, "txt": "南宋后期维持了几十年相对平静的局面，格律派词人远绍清真而近崇白石，前期词人那种慷慨悲愤的激情逐渐冷却，词中的情感和语言都归于“醇雅”，律吕字声进一步严格规范。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[91]"}]}, "tags": [], "label": "content", "web_segment_id": 46, "global_sentence_id": 191, "edu_l1_label": "IOS"}, {"txt": "姜夔一反婉约派的柔媚软滑，笔致清空峭拔。", "language": "chinese", "position": {"atoms": [{"position_id": 604, "txt": "姜夔一反婉约派的柔媚软滑，笔致清空峭拔。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[91]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 46, "global_sentence_id": 192, "edu_l1_label": "IOS"}, {"txt": "吴文英与姜并肩而词风与姜相反：", "language": "chinese", "position": {"atoms": [{"position_id": 605, "txt": "吴文英与姜并肩而词风与姜相反：", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[91]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 46, "global_sentence_id": 193, "edu_l1_label": "IOS"}, {"txt": "姜词清空疏宕，吴词质实丽密。", "language": "chinese", "position": {"atoms": [{"position_id": 606, "txt": "姜词清空疏宕，吴词质实丽密。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[91]/strong"}]}, "tags": ["strong"], "label": "content", "web_segment_id": 46, "global_sentence_id": 194, "edu_l1_label": "IOS"}, {"txt": "宋代词人有的严于诗、词之别，恪守词“别是一家”，强调歌词与曲调要宫商相协。", "language": "chinese", "position": {"atoms": [{"position_id": 608, "txt": "宋代词人有的严于诗、词之别，恪守词“别是一家”，强调歌词与曲调要宫商相协。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[93]"}]}, "tags": [], "label": "content", "web_segment_id": 47, "global_sentence_id": 195, "edu_l1_label": "IOS"}, {"txt": "有的则借鉴邻近文体的表现方法，甚至“以诗为词”或“以文为词”，填词时并不“醉心于音律”。", "language": "chinese", "position": {"atoms": [{"position_id": 609, "txt": "有的则借鉴邻近文体的表现方法，甚至“以诗为词”或“以文为词”，填词时并不“醉心于音律”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[93]"}]}, "tags": [], "label": "content", "web_segment_id": 47, "global_sentence_id": 196, "edu_l1_label": "IOS"}, {"txt": "这种对词的不同态度导致了各自词风的差异，前者词风多婉约，后者词风多豪放。", "language": "chinese", "position": {"atoms": [{"position_id": 610, "txt": "这种对词的不同态度导致了各自词风的差异，前者词风多婉约，后者词风多豪放。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[93]"}]}, "tags": [], "label": "content", "web_segment_id": 47, "global_sentence_id": 197, "edu_l1_label": "IOS"}, {"txt": "划分豪放与婉约的关键是曲调和词风，十七八岁女子执红牙板歌“杨柳岸晓风残月”，其情调风格自不同于关西大汉绰铁板唱“大江东去”。", "language": "chinese", "position": {"atoms": [{"position_id": 611, "txt": "划分豪放与婉约的关键是曲调和词风，十七八岁女子执红牙板歌“杨柳岸晓风残月”，其情调风格自不同于关西大汉绰铁板唱“大江东去”。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[93]"}]}, "tags": [], "label": "content", "web_segment_id": 47, "global_sentence_id": 198, "edu_l1_label": "IOS"}, {"txt": "当然，这仅是从其大略而言，至于每一个词人，婉约而偶涉粗犷者有之，豪放者常近婉约更为多见。", "language": "chinese", "position": {"atoms": [{"position_id": 612, "txt": "当然，这仅是从其大略而言，至于每一个词人，婉约而偶涉粗犷者有之，豪放者常近婉约更为多见。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[93]"}]}, "tags": [], "label": "content", "web_segment_id": 47, "global_sentence_id": 199, "edu_l1_label": "IOS"}, {"txt": "落实到每一首词情况还要复杂，许多词兼有英雄之气与儿女之情。", "language": "chinese", "position": {"atoms": [{"position_id": 613, "txt": "落实到每一首词情况还要复杂，许多词兼有英雄之气与儿女之情。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[93]"}]}, "tags": [], "label": "content", "web_segment_id": 47, "global_sentence_id": 200, "edu_l1_label": "IOS"}, {"txt": "因此，豪放与婉约之分切忌过于拘泥。", "language": "chinese", "position": {"atoms": [{"position_id": 614, "txt": "因此，豪放与婉约之分切忌过于拘泥。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[93]"}]}, "tags": [], "label": "content", "web_segment_id": 47, "global_sentence_id": 201, "edu_l1_label": "IOS"}, {"txt": "词的发展经唐五代至北宋而南宋，词体的兴盛也由小令到中调而至慢词。", "language": "chinese", "position": {"atoms": [{"position_id": 616, "txt": "词的发展经唐五代至北宋而南宋，词体的兴盛也由小令到中调而至慢词。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[95]"}]}, "tags": [], "label": "content", "web_segment_id": 48, "global_sentence_id": 202, "edu_l1_label": "BOS"}, {"txt": "它终于从小溪曲涧汇成了泱漭巨流，从诗的旁支别流进而与诗齐驱并驾，与唐诗同为我国古代文学中璀璨夺目的明珠。", "language": "chinese", "position": {"atoms": [{"position_id": 617, "txt": "它终于从小溪曲涧汇成了泱漭巨流，从诗的旁支别流进而与诗齐驱并驾，与唐诗同为我国古代文学中璀璨夺目的明珠。", "x": "/html/body/div[3]/div/div/div/div/div[1]/section/div/div/div[1]/div[4]/div/p[95]"}]}, "tags": [], "label": "content", "web_segment_id": 48, "global_sentence_id": 203, "edu_l1_label": "IOS"}], "type": "WEB"}
# 戴建业：我们为什么爱宋词？
## 宋代的文化特征与宋代的士人心态
## 宋词的文体特征与宋代士人的审美趣味
## 宋代的词风与宋代的士风
## 宋代商业的繁荣与宋词的娱乐性
## 词风的嬗变与题材的拓展