subsection

名所江戸百景

No.: number of the print; an alternative order for the summer prints in parenthesesTitle: as it appears on the print together with English translation and Japanese readingDepicted: major landmarks that appear in the print listed in order of increasing distance from the viewerRemarks: some general remarks on the printDate: publication year and month  according to the date seal; intercalary months are preceded with "i"Location: place, ward and coordinates of the viewpointImage: a picture of the print{  class="wikitable sortable" style="background:#fff;"-!align="left" style="background:#ffdead;"  No.!align="left" style="background:#ffdead;"  Title!align="left" style="background:#ffdead;"  class="unsortable" Depicted!align="left" style="background:#ffdead;"  class="unsortable" Remarks!align="left" style="background:#ffdead;"  Date!align="left" style="background:#ffdead;"   Location !align="left" style="background:#ffdead;" class="unsortable" Image-data-sort-value="0" Table of Contents Abbreviated titles of prints arranged by season: two boxes at top are spring, fan-shaped box is summer, bottom right box autumn and bottom left are winter prints 120px-!style="background:#ADFF2F;"1Nihonbashi, Edo Castle, Mount Fuji
 120px-!style="background:#ADFF2F;"2 Street , guardhouse of residence of Asano, barracks of samurai of the Kuroda clan, Edo Bay Kadomatsu gate pines and manzai dancers indicate a setting around New Year; kite with Japanese character for fish  is a reference to the publisher of the series, Sakanaya Eikichi
 120px-!style="background:#ADFF2F;"3  Residence of daimyō Nabeshima Kansō from the Saga Domain, outer moat of Edo Castle, Mount Fuji Kadomatsu pine, hagoita and kites indicate a setting around New year
 120px-!style="background:#ADFF2F;"4  Eitai Bridge, Sumida River, fishing boats of Tsukudajima An almost identical composition titled Eitaibashi by Hiroshige exists in the second volume of his "Illustrated Souvenirs of Edo"
 120px-!style="background:#ADFF2F;"5  Drum tower of Ekō-in, Honjo neighbourhood, Sumida River, residence of Matsudaira feudal lor of Tanba, Mount Fuji Drum tower was associated with sumo tournaments held at Ekō-in; for marketing purposes the print appeared two months after a popular major exhibition of temple treasures at Ekō-in
 120px-!style="background:#ADFF2F;"6  Hatsune Riding Ground and district's fire watch tower Dyers of Konya-chō district using riding grounds to dry their cloths
 120px-!style="background:#ADFF2F;"7  Street scene with geishas, cotton shops in Ōdenma-chō
 120px-!style="background:#ADFF2F;"8  Mitsui  textile stores, Mount Fuji Echigoya later became the Mitsukoshi department store chain whose modern day headquarters are located on the left side of the street in the print
 120px-!style="background:#ADFF2F;"9  Yatsukōji junction, Kanda River, Kanda Shrine One of the few open spaces in Edo, created as fire-breaks
 120px-!style="background:#ADFF2F;"10  Kanda Shrine Probably produced as a souvenir of the shrine festival in memory of the Battle of Sekigahara celebrated on the 15th day of the 9th month
 120px-!style="background:#ADFF2F;"11  Kiyomizu Hall of Kan'ei-ji, Moon Pine, Shinobazu Pond Depicted pines are in reality much smaller
 120px-!style="background:#ADFF2F;"12  Iseya restaurant, temples Published in the month after Hiroshige's death; composition probably based on his sketches but probably completed by Hiroshige II
 120px-!style="background:#ADFF2F;"13  Hirokōji , premises of textile retailer Matsuzakaya Published in the same month in which the depicted Matsuzakaya store re-opened after the 1855 earthquake
 120px-!style="background:#ADFF2F;"14  Temple Gardens Depicts cherries and azaleas in bloom while in reality they bloom at different times of the year
 120px-!style="background:#ADFF2F;"15  Suwa Myōjin Shrine grounds, Mount Tsukuba
 120px-!style="background:#ADFF2F;"16  Cherry orchard, Pavilion of the Violet Spring  The print is a reference to the reconstruction of the Shisentai after the 1855 earthquake and to Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"17  Asukayama Park, Mount Tsukuba Possibly inspired by Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"18  Ōji Inari Shrine, Mount Tsukuba
 120px-!style="background:#ADFF2F;"19  Otonashi River, Amida Hall of Kinrin-ji temple, Takata-chō Likely created to mark Tokugawa Iesada's visit to Kinrin-ji  and Takata on the 21st day of the first month
 120px-!style="background:#ADFF2F;"20  Arakawa River, Zenkō-ji temple A year after Hiroshige designed the print, the Buddha in the Amida Hall at the top was due to be exhibited publicly for the first time in 13 years; in a pun Hiroshige covered the hall of this  "secret Buddha" with the title cartouche
 120px-!style="background:#ADFF2F;"21  Atago Shrine, Edo Bay Scene depicts an emissary from Enpuku-ji temple who on every third day of the year performs a ceremony at Atago Shrine for good fortune, health and success and to avert hunger and disease; the large rice paddle in his hand symbolizes abundance, the seaweed around his neck was distributed after the ceremony among the faithful who used it to brew an infusion against colds
 120px-!style="background:#ADFF2F;"22  Furukawa River, "Fox"  restaurant
 120px-!style="background:#ADFF2F;"23  Chiyogaike Pond Feature a — for the time — unusual depiction of reflections of the trees in the water
 120px-!style="background:#ADFF2F;"24  Mita Aqueduct, Mount Fuji replica, Mount Fuji Subject is a replica  of Mount Fuji erected in 1829 by Fuji worshippers
 120px-!style="background:#ADFF2F;"25  Mount Fuji replica, Mount Fuji Fuji replica erected in 1812 was at  the tallest in Edo; this print was incorrectly placed in the spring section of the table of contents since the depicted cherry trees are in autumn foliage; spelling of "Fuji" in the title as  is thought to be a pun on the doubling of the mountain
 120px-!style="background:#ADFF2F;"26  Tōkaidō, Edo Bay Depicts a popular viewpoint of Edo Bay; according to legend, Minamoto no Yoshiie hung his armour on this tree in 1062; Hiroshige adapts the shape of the tree so that only a giant could have hung his armour on it
 120px-!style="background:#ADFF2F;"27  Plum Orchard in Kamada
 120px-!style="background:#ADFF2F;"28  Palace Hill Depicts both a famous cherry blossom spot and the destruction of the landscape after removal of earth; the earth was used to build ramparts  in the sea following Commodore Perry's arrival in Edo Bay in 1853

 120px-!style="background:#ADFF2F;"29  Torii of Moto-Hachiman Shrine, Edo Bay
 120px-!style="background:#ADFF2F;"30  Plum Park in Kameido Both in color and theme this print is related to print no. 27 ; copied by Vincent van Gogh under the title Japonaiserie: Flowering Plum Tree
 120px-!style="background:#ADFF2F;"31  Azuma Shrine
 120px-!style="background:#ADFF2F;"32  Myōken Hall of Hōshō-ji temple, Hashimotoya restaurant , Mount Tsukuba
 120px-!style="background:#ADFF2F;"33  Yotsugi-dōri Canal towpath Unlike in the print, the canal and towpath were absolutely straight
 120px-!style="background:#ADFF2F;"34  Sumida River, San'ya Canal inlet, Yumeiro and Takeya restaurants, Matsuchiyama hill, Shōten Shrine Only image in the series to depict a large human figure, purportedly the favourite geisha of Hiroshige; Shōten Shrine on the top of the hill has sexual connotations
 120px-!style="background:#ADFF2F;"35  Cherry tree trunk, Suijin Shrine, Sumida River, Massaki district, Mount Tsukuba People at the bottom of the print are on the way to the Hashiba ferry
 120px-!style="background:#ADFF2F;"36  Sumida River, Suijin Shrine, Massaki district, Mount Tsukuba Similar subject and location as no. 35
 120px-!style="background:#ADFF2F;"37  Kilns, Sumida River, Suijin Shrine, Mount Tsukuba Similar area as no. 35, 36
 120px-!style="background:#ADFF2F;"38  Yoshiwara Published two months prior to the reopening of Yoshiwara after it burnt down in the 1855 earthquake; Hiroshige may have submitted this design and title following the suicide of two courtesans and their two lovers at dawn of the 19th day of the 4th month of 1857
 120px-!style="background:#ADFF2F;"39  Sumida River, Azuma Bridge, Kinryūzan Temple, Mount Fuji
 120px-!style="background:#ADFF2F;"40  Sekiguchi Aqueduct, Bashō's Hermitage
 120px-!style="background:#ADFF2F;"41  Ichigaya moat, shopping street, Hachiman Shrine Dated one month after Hiroshige's death and therefore attributed to Hiroshige II by some art historians
 120px-!style="background:#ADFF2F;"42  Actually, the Tama River-Jōsui channel is depicted, with cherry trees far outside Edo One of the first five prints sanctioned by the censors
 120px-!style="background:#FCF75E;"43  Nihonbashi, Nihonbashi River, Edobashi Fish barrel with first bonito of the season represents early summer
 120px-!style="background:#FCF75E;"44  Nihonbashi itchōme Street Shirokiya shop on the right developed into one of the city's largest department stores and finally became part of the Tokyu Group  }} 120px-!style="background:#FCF75E;"45   Yatsumi Bridge, Edo Castle, Mount Fuji   }} 120px-!style="background:#FCF75E;"46   Nihonbashi River, Yoroi ferry   }} 120px-!style="background:#FCF75E;"47   Shōhei Bridge, Shōheizaka hill, Kanda River, wall of Yushima Seidō Exaggerated size of hill on left
 120px-!style="background:#FCF75E;"48   View from Surugadai, Kanda River, Suidō Bridge, Edo Castle, Mount Fuji Koinobori carp streamers place the scene around the Boy's festival on the 5th day of the 5th month, the same month as the print was approved by the censors
 120px-!style="background:#FCF75E;"49   Fudō Falls
 120px-!style="background:#FCF75E;"50   Kumano Jūnisha Shrine
 120px-!style="background:#FCF75E;"51   Moat and Hanzōmon Gate of Edo Castle Sannō  Festival was held one month prior to the approval of the print
 120px-!style="background:#FCF75E;"52   Paulownia Garden, Tameike Pond, Hie Shrine, residence of daimyō Kuroda from Fukuoka Hie Shrine is location for the Sannō Festival
 120px-!style="background:#FCF75E;"53   Zōjō-ji, Akabane Bridge, residence of daimyō Arima from Kurume
 120px-!style="background:#FCF75E;"54   South-west embankment and moat of Edo Castle, residence of daimyō Ii from the Hikone Domain, Kōjimachi watchtower Kōjimachi watchtower had been restored two months prior to publication after burning down in the 1855 earthquake
 120px-!style="background:#FCF75E;"55    Tsukudajima Island The Sumiyoshi Festival is held on the 29th of the sixth month, i.e., in the month prior to publication of this print; writer of the inscription is identified on the banner as the creator of the table of contents of this series, Seikengū Gengyo
 120px-!style="background:#FCF75E;"56   Mannen Bridge, Mount Fuji A turtle hanging from tub's handle use for Life release.
 120px-!style="background:#FCF75E;"57   Sumida River, Mount Fuji Reed-covered sandbank alludes to the artificial Nakazu island, location of a famous 18th-century pleasure district that was demolished in the course of the Kansei Reforms
 120px-!style="background:#FCF75E;"58   Shin-Ōhashi bridge, Sumida River, Atake district Considered to be a masterpiece and possibly Hiroshige's most famous work; copied by Vincent van Gogh
 120px-!style="background:#FCF75E;"59   Sumida River, Ryōgoku Bridge At the time Japan's largest bridge   120px-!style="background:#FCF75E;"60   Sumida River, Mount Tsukuba Depicts pilgrimage to Mount Ōyama, the pilgrim's return from the mountain is shown in no. 76; names in title are synonymous names for the depicted section of the Sumida River; in later prints, the title was simplified to: In Boats at Ryōgoku with a distant View of Asakusa
 120px-!style="background:#FCF75E;"61   Sumida River, Oumayagashi ferry Hiroshige's "Illustrated Souvenirs of Edo" contains a mirror image of this view with  a woman standing upright in the boat
 120px-!style="background:#FCF75E;"62   Komakata Hall, Sumida River, Azuma Bridge, Asakusa district Lesser cuckoo  and Komakata Hall in the print allude to a 17th-century love poem attributed to Takao II, courtesan and lover of Date Tsunamune: Are you now, my love, near Komakata? Cry of the cuckoo!"
 120px-!style="background:#FCF75E;"63   Sumida River, Ayase River Northernmost point of the Sumida river depicted in this series
 120px-!style="background:#FCF75E;"64   Horikiri Iris Garden Influenced European Art Nouveau   120px-!style="background:#FCF75E;"65   Drum bridge and garden at Kameido Tenjin Shrine Flowering wisteria indicates summer season
 120px-!style="background:#FCF75E;"66   Sazaidō Hall
 120px-!style="background:#FCF75E;"67   Nakagawa River
 120px-!style="background:#FCF75E;"68   Garden at Hachiman Shrine Print shows both azaleas and cherry trees in blossom which is unnatural for Edo; hill in the back is one of many miniature Mount Fuji that were scattered all over Edo
 120px-!style="background:#FCF75E;"69   Sanjusangendō, Kiba lumberyards  About half of the hall is depicted
 120px-!style="background:#FCF75E;"70   Onagigawa Canal, Nakagawa River, Shinkawa Canal Nakagawa River is the broad waterway in the middle running left-right
 120px-!style="background:#FCF75E;"71   Tone River
 120px-!style="background:#FCF75E;"72  Tama River, Benten Shrine, Edo Bay The ground of the Benten Shrine is now occupied by Haneda Airport
 120px-!style="background:#E34234;"73  Edo Castle, Mount Fuji Arguably shows the view from Hiroshige's house; only print in series without a place name in the title
 120px-!style="background:#E34234;"74  Daimaru silk merchant shops People depicted are carpenters
 120px-!style="background:#E34234;"75  Kanda dye works, Edo Castle, Mount Fuji Kanji on first two white-blue fabrics reads "sakana" and is a reference to the publisher Sakanaya Eikichi, last two white-blue fabrics contain Hiroshige's monogram
 120px-!style="background:#E34234;"76  Kyōbashi River, Kyōbashi Bridge
 120px-!style="background:#E34234;"77  Hatchōbori Canal, Minato Shrine, Inari Bridge, Mount Fuji
 120px-!style="background:#E34234;"78  Sumida River, Tsukiji Hongan-ji Temple Like no. 79, this print has the changed series title: Entertaining Supplements to the One Hundred Famous Views of Edo, as likely Hiroshige wanted to end this series having produced 110 plates already at the time; he resumed the original title on the publisher insisting to do so
 120px-!style="background:#E34234;"79  Shiba Shinmei Shrine, Zōjōji
 120px-!style="background:#E34234;"80  Kanasugi Bridge Print shows pilgrims of the Nichiren sect; brown and white cloths at bottom left contain abbreviation "Uoei" of the publisher's name Sakanaya Eikichi
 120px-!style="background:#E34234;"81  Tōkaidō, Edo Bay with daiba Place name Takanawa meaning "high wheel" is symbolized by the wheel on the right and the rainbow
 120px-!style="background:#E34234;"82  Edo Bay Approximately same view as no. 83
 120px-!style="background:#E34234;"83  Meguro River, Benten Shrine, Edo Bay with daiba Establishment depicted in no. 82 might be the one cropped in the bottom left of this print
 120px-!style="background:#E34234;"84  Teahouse and teastall, Mount Fuji
 120px-!style="background:#E34234;"85  outer Benkeibori moat of Edo Castle People depicted are samurai
 120px-!style="background:#E34234;"86  Naitō Shinjuku  Depiction of horse dung was criticized for being vulgar; Hiroshige likely alludes to the quote: "flowers thriving on the horse dung of Yotsuya" from the 1775 book Master Flashgold's Splendiferous Dream referring to the prostitutes of Shinjuku
 120px-!style="background:#E34234;"87   Benten Shrine, Inokashira Pond Depicts most western point of the series and location furthest away from central Edo
 120px-!style="background:#E34234;"88  Takinogawa, Matsubashi Benten Shrine, Kongo-ji Temple Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"89  Moon Pine, Shinobazu Pond, Benten Shrine
 120px-!style="background:#E34234;"90  Saruwaka-chō street with theatres Notable for the use of peoples' shadows giving the impression of puppets on a stage; the street was home to the Kabuki and marionette theatres
 120px-!style="background:#E34234;"91  Garden of Akiba Shrine People depicted in the bottom left might be Hiroshige as a monk with painting utensils, his wife Yasu and their adopted daughter Tatsu according to Henry D. Smith
 120px-!style="background:#E34234;"92  Uchigawa inlet of Sumida River, Uekiya Han'emon restaurant The Mokuboji temple mentioned in the title is close but not depicted in this print; Tokugawa Iesada had visited the restaurant one month before publication of the print
 120px-!style="background:#E34234;"93  Nakagawa River Northeasternmost scene of the series confirmed by detailed depiction of the Edo side of the river and vagueness on the opposite bank
 120px-!style="background:#E34234;"94  Edogawa River, Tekona Shrine, Tsugihashi Bridge Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"95  Tone River , Mount Fuji
 120px-!style="background:#E34234;"96  branch of the Edogawa River, Horie and Nekozane villages, Edo Bay, Mount Fuji One of the first five prints sanctioned by the censors
 120px-!style="background:#E34234;"97  Onagi Canal Tree depicted is the only surviving of five pines and was at the time of Hiroshige known as "Five Pines"; Onagi Canal was in fact straight
 120px-!style="background:#E34234;"98  Sumida River, Ryōgoku Bridge
 120px-!style="background:#ADD8E6;"99  Kaminarimon, Hōzōmon and pagoda of Sensō-ji Thought to commemorate the restoration of the pagoda two month prior to the publication of the print after damage suffered in the 1855 earthquake
 120px-!style="background:#ADD8E6;"100  Nihon Embankment, Yoshiwara
 120px-!style="background:#ADD8E6;"101  Yoshiwara teahouse, Chōkoku-ji temple , Mount Fuji White cat represents courtesan who just finished her work; the festival of the rooster is hinted at by bear's paw hairpins resembling the good luck rakes carried by pilgrims in the background
 120px-!style="background:#ADD8E6;"102  Minowa, Kanasugi and Mikawashima villages
 120px-!style="background:#ADD8E6;"103  Arakawa River, Senju Great Bridge One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"104  Yotsugi dōri Canal
 120px-!style="background:#ADD8E6;"105  Sumida River The two women are yotaka , the lowest class of prostitutes whose faces were often disfigured forcing them to apply very thick make-up
 120px-!style="background:#ADD8E6;"106   Fukagawa Lumberyards Character for "sakana" on the umbrella refers to Sakanaya Eikichi, the publisher of the series
 120px-!style="background:#ADD8E6;"107  Mount Tsukuba
 120px-!style="background:#ADD8E6;"108  Hamarikyu Gardens, daiba, Edo Bay One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"109  Edo Bay, Kaian-ji temple, Mount Tsukuba Fishermen gather seaweed from submerged tree trunks
 120px-!style="background:#ADD8E6;"110  Senzoku no ike, "Robe-Hanging Pine", Hachiman Shrine One of the first five prints sanctioned by the censors; Nichiren is said to have hung his monk's robe on this pine while resting
 120px-!style="background:#ADD8E6;"111  Drum Bridge, Meguro River Publication date of this and three other prints  depicting Meguro coincides with the exhibition of a Fudō Myōō icon
 120px-!style="background:#ADD8E6;"112  Yabu ne, residences of the daimyōs Katō from Minakuchi and Hijikata from Komono, gate of Atago Shrine Yabu ne is to the far right beyond the bamboo thicket lining it
 120px-!style="background:#ADD8E6;"113  Aoi Slope, moat
 120px-!style="background:#ADD8E6;"114  Bikuni Bridge, outer moat of Edo Castle Believed to be created by Hiroshige II based on empty foreground, depiction of wall and schematic arrangement of snowflakes. Sign on left advertises  "mountain whale" meat, referring to wild boar.
 120px-!style="background:#ADD8E6;"115  Takata Riding Grounds
 120px-!style="background:#ADD8E6;"116  Kanda River, Omokage Bridge, Hikawa rice field, Hikawa Shrine, Sugatami Bridge Notable for striking colors; Tokugawa Iesada crossed the Omokage Bridge in the publication month
 120px-!style="background:#ADD8E6;"117  Yushima Tenjin Shrine, Shinobazu Pond, Kan'ei-ji
 120px-!style="background:#ADD8E6;"118  Enoki tree
 120px-!style="background:#ADD8E6;"119  Tameike Pond Work by Hiroshige II; not always included in collections of One Hundred Famous Views of Edo; variously thought to be replacement print for no. 52, The Paulownia Garden at Akasaka, although its woodblock prints show significant wear indicating age. Alternatively a work on commission by Sakanaya Eikichi, celebrating Hiroshige II's adoption of his name and Hiroshige's seal
 120px}

Prompt: 名所江戸百景の文脈で、鍵と歴史を説明してください。英語で出力して下さい。

Edo
Hiroshige
Hiroshige II
Vincent van Gogh


subsection

名所江戸百景

No.: number of the print; an alternative order for the summer prints in parenthesesTitle: as it appears on the print together with English translation and Japanese readingDepicted: major landmarks that appear in the print listed in order of increasing distance from the viewerRemarks: some general remarks on the printDate: publication year and month  according to the date seal; intercalary months are preceded with "i"Location: place, ward and coordinates of the viewpointImage: a picture of the print{  class="wikitable sortable" style="background:#fff;"-!align="left" style="background:#ffdead;"  No.!align="left" style="background:#ffdead;"  Title!align="left" style="background:#ffdead;"  class="unsortable" Depicted!align="left" style="background:#ffdead;"  class="unsortable" Remarks!align="left" style="background:#ffdead;"  Date!align="left" style="background:#ffdead;"   Location !align="left" style="background:#ffdead;" class="unsortable" Image-data-sort-value="0" Table of Contents Abbreviated titles of prints arranged by season: two boxes at top are spring, fan-shaped box is summer, bottom right box autumn and bottom left are winter prints 120px-!style="background:#ADFF2F;"1Nihonbashi, Edo Castle, Mount Fuji
 120px-!style="background:#ADFF2F;"2 Street , guardhouse of residence of Asano, barracks of samurai of the Kuroda clan, Edo Bay Kadomatsu gate pines and manzai dancers indicate a setting around New Year; kite with Japanese character for fish  is a reference to the publisher of the series, Sakanaya Eikichi
 120px-!style="background:#ADFF2F;"3  Residence of daimyō Nabeshima Kansō from the Saga Domain, outer moat of Edo Castle, Mount Fuji Kadomatsu pine, hagoita and kites indicate a setting around New year
 120px-!style="background:#ADFF2F;"4  Eitai Bridge, Sumida River, fishing boats of Tsukudajima An almost identical composition titled Eitaibashi by Hiroshige exists in the second volume of his "Illustrated Souvenirs of Edo"
 120px-!style="background:#ADFF2F;"5  Drum tower of Ekō-in, Honjo neighbourhood, Sumida River, residence of Matsudaira feudal lor of Tanba, Mount Fuji Drum tower was associated with sumo tournaments held at Ekō-in; for marketing purposes the print appeared two months after a popular major exhibition of temple treasures at Ekō-in
 120px-!style="background:#ADFF2F;"6  Hatsune Riding Ground and district's fire watch tower Dyers of Konya-chō district using riding grounds to dry their cloths
 120px-!style="background:#ADFF2F;"7  Street scene with geishas, cotton shops in Ōdenma-chō
 120px-!style="background:#ADFF2F;"8  Mitsui  textile stores, Mount Fuji Echigoya later became the Mitsukoshi department store chain whose modern day headquarters are located on the left side of the street in the print
 120px-!style="background:#ADFF2F;"9  Yatsukōji junction, Kanda River, Kanda Shrine One of the few open spaces in Edo, created as fire-breaks
 120px-!style="background:#ADFF2F;"10  Kanda Shrine Probably produced as a souvenir of the shrine festival in memory of the Battle of Sekigahara celebrated on the 15th day of the 9th month
 120px-!style="background:#ADFF2F;"11  Kiyomizu Hall of Kan'ei-ji, Moon Pine, Shinobazu Pond Depicted pines are in reality much smaller
 120px-!style="background:#ADFF2F;"12  Iseya restaurant, temples Published in the month after Hiroshige's death; composition probably based on his sketches but probably completed by Hiroshige II
 120px-!style="background:#ADFF2F;"13  Hirokōji , premises of textile retailer Matsuzakaya Published in the same month in which the depicted Matsuzakaya store re-opened after the 1855 earthquake
 120px-!style="background:#ADFF2F;"14  Temple Gardens Depicts cherries and azaleas in bloom while in reality they bloom at different times of the year
 120px-!style="background:#ADFF2F;"15  Suwa Myōjin Shrine grounds, Mount Tsukuba
 120px-!style="background:#ADFF2F;"16  Cherry orchard, Pavilion of the Violet Spring  The print is a reference to the reconstruction of the Shisentai after the 1855 earthquake and to Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"17  Asukayama Park, Mount Tsukuba Possibly inspired by Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"18  Ōji Inari Shrine, Mount Tsukuba
 120px-!style="background:#ADFF2F;"19  Otonashi River, Amida Hall of Kinrin-ji temple, Takata-chō Likely created to mark Tokugawa Iesada's visit to Kinrin-ji  and Takata on the 21st day of the first month
 120px-!style="background:#ADFF2F;"20  Arakawa River, Zenkō-ji temple A year after Hiroshige designed the print, the Buddha in the Amida Hall at the top was due to be exhibited publicly for the first time in 13 years; in a pun Hiroshige covered the hall of this  "secret Buddha" with the title cartouche
 120px-!style="background:#ADFF2F;"21  Atago Shrine, Edo Bay Scene depicts an emissary from Enpuku-ji temple who on every third day of the year performs a ceremony at Atago Shrine for good fortune, health and success and to avert hunger and disease; the large rice paddle in his hand symbolizes abundance, the seaweed around his neck was distributed after the ceremony among the faithful who used it to brew an infusion against colds
 120px-!style="background:#ADFF2F;"22  Furukawa River, "Fox"  restaurant
 120px-!style="background:#ADFF2F;"23  Chiyogaike Pond Feature a — for the time — unusual depiction of reflections of the trees in the water
 120px-!style="background:#ADFF2F;"24  Mita Aqueduct, Mount Fuji replica, Mount Fuji Subject is a replica  of Mount Fuji erected in 1829 by Fuji worshippers
 120px-!style="background:#ADFF2F;"25  Mount Fuji replica, Mount Fuji Fuji replica erected in 1812 was at  the tallest in Edo; this print was incorrectly placed in the spring section of the table of contents since the depicted cherry trees are in autumn foliage; spelling of "Fuji" in the title as  is thought to be a pun on the doubling of the mountain
 120px-!style="background:#ADFF2F;"26  Tōkaidō, Edo Bay Depicts a popular viewpoint of Edo Bay; according to legend, Minamoto no Yoshiie hung his armour on this tree in 1062; Hiroshige adapts the shape of the tree so that only a giant could have hung his armour on it
 120px-!style="background:#ADFF2F;"27  Plum Orchard in Kamada
 120px-!style="background:#ADFF2F;"28  Palace Hill Depicts both a famous cherry blossom spot and the destruction of the landscape after removal of earth; the earth was used to build ramparts  in the sea following Commodore Perry's arrival in Edo Bay in 1853

 120px-!style="background:#ADFF2F;"29  Torii of Moto-Hachiman Shrine, Edo Bay
 120px-!style="background:#ADFF2F;"30  Plum Park in Kameido Both in color and theme this print is related to print no. 27 ; copied by Vincent van Gogh under the title Japonaiserie: Flowering Plum Tree
 120px-!style="background:#ADFF2F;"31  Azuma Shrine
 120px-!style="background:#ADFF2F;"32  Myōken Hall of Hōshō-ji temple, Hashimotoya restaurant , Mount Tsukuba
 120px-!style="background:#ADFF2F;"33  Yotsugi-dōri Canal towpath Unlike in the print, the canal and towpath were absolutely straight
 120px-!style="background:#ADFF2F;"34  Sumida River, San'ya Canal inlet, Yumeiro and Takeya restaurants, Matsuchiyama hill, Shōten Shrine Only image in the series to depict a large human figure, purportedly the favourite geisha of Hiroshige; Shōten Shrine on the top of the hill has sexual connotations
 120px-!style="background:#ADFF2F;"35  Cherry tree trunk, Suijin Shrine, Sumida River, Massaki district, Mount Tsukuba People at the bottom of the print are on the way to the Hashiba ferry
 120px-!style="background:#ADFF2F;"36  Sumida River, Suijin Shrine, Massaki district, Mount Tsukuba Similar subject and location as no. 35
 120px-!style="background:#ADFF2F;"37  Kilns, Sumida River, Suijin Shrine, Mount Tsukuba Similar area as no. 35, 36
 120px-!style="background:#ADFF2F;"38  Yoshiwara Published two months prior to the reopening of Yoshiwara after it burnt down in the 1855 earthquake; Hiroshige may have submitted this design and title following the suicide of two courtesans and their two lovers at dawn of the 19th day of the 4th month of 1857
 120px-!style="background:#ADFF2F;"39  Sumida River, Azuma Bridge, Kinryūzan Temple, Mount Fuji
 120px-!style="background:#ADFF2F;"40  Sekiguchi Aqueduct, Bashō's Hermitage
 120px-!style="background:#ADFF2F;"41  Ichigaya moat, shopping street, Hachiman Shrine Dated one month after Hiroshige's death and therefore attributed to Hiroshige II by some art historians
 120px-!style="background:#ADFF2F;"42  Actually, the Tama River-Jōsui channel is depicted, with cherry trees far outside Edo One of the first five prints sanctioned by the censors
 120px-!style="background:#FCF75E;"43  Nihonbashi, Nihonbashi River, Edobashi Fish barrel with first bonito of the season represents early summer
 120px-!style="background:#FCF75E;"44  Nihonbashi itchōme Street Shirokiya shop on the right developed into one of the city's largest department stores and finally became part of the Tokyu Group  }} 120px-!style="background:#FCF75E;"45   Yatsumi Bridge, Edo Castle, Mount Fuji   }} 120px-!style="background:#FCF75E;"46   Nihonbashi River, Yoroi ferry   }} 120px-!style="background:#FCF75E;"47   Shōhei Bridge, Shōheizaka hill, Kanda River, wall of Yushima Seidō Exaggerated size of hill on left
 120px-!style="background:#FCF75E;"48   View from Surugadai, Kanda River, Suidō Bridge, Edo Castle, Mount Fuji Koinobori carp streamers place the scene around the Boy's festival on the 5th day of the 5th month, the same month as the print was approved by the censors
 120px-!style="background:#FCF75E;"49   Fudō Falls
 120px-!style="background:#FCF75E;"50   Kumano Jūnisha Shrine
 120px-!style="background:#FCF75E;"51   Moat and Hanzōmon Gate of Edo Castle Sannō  Festival was held one month prior to the approval of the print
 120px-!style="background:#FCF75E;"52   Paulownia Garden, Tameike Pond, Hie Shrine, residence of daimyō Kuroda from Fukuoka Hie Shrine is location for the Sannō Festival
 120px-!style="background:#FCF75E;"53   Zōjō-ji, Akabane Bridge, residence of daimyō Arima from Kurume
 120px-!style="background:#FCF75E;"54   South-west embankment and moat of Edo Castle, residence of daimyō Ii from the Hikone Domain, Kōjimachi watchtower Kōjimachi watchtower had been restored two months prior to publication after burning down in the 1855 earthquake
 120px-!style="background:#FCF75E;"55    Tsukudajima Island The Sumiyoshi Festival is held on the 29th of the sixth month, i.e., in the month prior to publication of this print; writer of the inscription is identified on the banner as the creator of the table of contents of this series, Seikengū Gengyo
 120px-!style="background:#FCF75E;"56   Mannen Bridge, Mount Fuji A turtle hanging from tub's handle use for Life release.
 120px-!style="background:#FCF75E;"57   Sumida River, Mount Fuji Reed-covered sandbank alludes to the artificial Nakazu island, location of a famous 18th-century pleasure district that was demolished in the course of the Kansei Reforms
 120px-!style="background:#FCF75E;"58   Shin-Ōhashi bridge, Sumida River, Atake district Considered to be a masterpiece and possibly Hiroshige's most famous work; copied by Vincent van Gogh
 120px-!style="background:#FCF75E;"59   Sumida River, Ryōgoku Bridge At the time Japan's largest bridge   120px-!style="background:#FCF75E;"60   Sumida River, Mount Tsukuba Depicts pilgrimage to Mount Ōyama, the pilgrim's return from the mountain is shown in no. 76; names in title are synonymous names for the depicted section of the Sumida River; in later prints, the title was simplified to: In Boats at Ryōgoku with a distant View of Asakusa
 120px-!style="background:#FCF75E;"61   Sumida River, Oumayagashi ferry Hiroshige's "Illustrated Souvenirs of Edo" contains a mirror image of this view with  a woman standing upright in the boat
 120px-!style="background:#FCF75E;"62   Komakata Hall, Sumida River, Azuma Bridge, Asakusa district Lesser cuckoo  and Komakata Hall in the print allude to a 17th-century love poem attributed to Takao II, courtesan and lover of Date Tsunamune: Are you now, my love, near Komakata? Cry of the cuckoo!"
 120px-!style="background:#FCF75E;"63   Sumida River, Ayase River Northernmost point of the Sumida river depicted in this series
 120px-!style="background:#FCF75E;"64   Horikiri Iris Garden Influenced European Art Nouveau   120px-!style="background:#FCF75E;"65   Drum bridge and garden at Kameido Tenjin Shrine Flowering wisteria indicates summer season
 120px-!style="background:#FCF75E;"66   Sazaidō Hall
 120px-!style="background:#FCF75E;"67   Nakagawa River
 120px-!style="background:#FCF75E;"68   Garden at Hachiman Shrine Print shows both azaleas and cherry trees in blossom which is unnatural for Edo; hill in the back is one of many miniature Mount Fuji that were scattered all over Edo
 120px-!style="background:#FCF75E;"69   Sanjusangendō, Kiba lumberyards  About half of the hall is depicted
 120px-!style="background:#FCF75E;"70   Onagigawa Canal, Nakagawa River, Shinkawa Canal Nakagawa River is the broad waterway in the middle running left-right
 120px-!style="background:#FCF75E;"71   Tone River
 120px-!style="background:#FCF75E;"72  Tama River, Benten Shrine, Edo Bay The ground of the Benten Shrine is now occupied by Haneda Airport
 120px-!style="background:#E34234;"73  Edo Castle, Mount Fuji Arguably shows the view from Hiroshige's house; only print in series without a place name in the title
 120px-!style="background:#E34234;"74  Daimaru silk merchant shops People depicted are carpenters
 120px-!style="background:#E34234;"75  Kanda dye works, Edo Castle, Mount Fuji Kanji on first two white-blue fabrics reads "sakana" and is a reference to the publisher Sakanaya Eikichi, last two white-blue fabrics contain Hiroshige's monogram
 120px-!style="background:#E34234;"76  Kyōbashi River, Kyōbashi Bridge
 120px-!style="background:#E34234;"77  Hatchōbori Canal, Minato Shrine, Inari Bridge, Mount Fuji
 120px-!style="background:#E34234;"78  Sumida River, Tsukiji Hongan-ji Temple Like no. 79, this print has the changed series title: Entertaining Supplements to the One Hundred Famous Views of Edo, as likely Hiroshige wanted to end this series having produced 110 plates already at the time; he resumed the original title on the publisher insisting to do so
 120px-!style="background:#E34234;"79  Shiba Shinmei Shrine, Zōjōji
 120px-!style="background:#E34234;"80  Kanasugi Bridge Print shows pilgrims of the Nichiren sect; brown and white cloths at bottom left contain abbreviation "Uoei" of the publisher's name Sakanaya Eikichi
 120px-!style="background:#E34234;"81  Tōkaidō, Edo Bay with daiba Place name Takanawa meaning "high wheel" is symbolized by the wheel on the right and the rainbow
 120px-!style="background:#E34234;"82  Edo Bay Approximately same view as no. 83
 120px-!style="background:#E34234;"83  Meguro River, Benten Shrine, Edo Bay with daiba Establishment depicted in no. 82 might be the one cropped in the bottom left of this print
 120px-!style="background:#E34234;"84  Teahouse and teastall, Mount Fuji
 120px-!style="background:#E34234;"85  outer Benkeibori moat of Edo Castle People depicted are samurai
 120px-!style="background:#E34234;"86  Naitō Shinjuku  Depiction of horse dung was criticized for being vulgar; Hiroshige likely alludes to the quote: "flowers thriving on the horse dung of Yotsuya" from the 1775 book Master Flashgold's Splendiferous Dream referring to the prostitutes of Shinjuku
 120px-!style="background:#E34234;"87   Benten Shrine, Inokashira Pond Depicts most western point of the series and location furthest away from central Edo
 120px-!style="background:#E34234;"88  Takinogawa, Matsubashi Benten Shrine, Kongo-ji Temple Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"89  Moon Pine, Shinobazu Pond, Benten Shrine
 120px-!style="background:#E34234;"90  Saruwaka-chō street with theatres Notable for the use of peoples' shadows giving the impression of puppets on a stage; the street was home to the Kabuki and marionette theatres
 120px-!style="background:#E34234;"91  Garden of Akiba Shrine People depicted in the bottom left might be Hiroshige as a monk with painting utensils, his wife Yasu and their adopted daughter Tatsu according to Henry D. Smith
 120px-!style="background:#E34234;"92  Uchigawa inlet of Sumida River, Uekiya Han'emon restaurant The Mokuboji temple mentioned in the title is close but not depicted in this print; Tokugawa Iesada had visited the restaurant one month before publication of the print
 120px-!style="background:#E34234;"93  Nakagawa River Northeasternmost scene of the series confirmed by detailed depiction of the Edo side of the river and vagueness on the opposite bank
 120px-!style="background:#E34234;"94  Edogawa River, Tekona Shrine, Tsugihashi Bridge Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"95  Tone River , Mount Fuji
 120px-!style="background:#E34234;"96  branch of the Edogawa River, Horie and Nekozane villages, Edo Bay, Mount Fuji One of the first five prints sanctioned by the censors
 120px-!style="background:#E34234;"97  Onagi Canal Tree depicted is the only surviving of five pines and was at the time of Hiroshige known as "Five Pines"; Onagi Canal was in fact straight
 120px-!style="background:#E34234;"98  Sumida River, Ryōgoku Bridge
 120px-!style="background:#ADD8E6;"99  Kaminarimon, Hōzōmon and pagoda of Sensō-ji Thought to commemorate the restoration of the pagoda two month prior to the publication of the print after damage suffered in the 1855 earthquake
 120px-!style="background:#ADD8E6;"100  Nihon Embankment, Yoshiwara
 120px-!style="background:#ADD8E6;"101  Yoshiwara teahouse, Chōkoku-ji temple , Mount Fuji White cat represents courtesan who just finished her work; the festival of the rooster is hinted at by bear's paw hairpins resembling the good luck rakes carried by pilgrims in the background
 120px-!style="background:#ADD8E6;"102  Minowa, Kanasugi and Mikawashima villages
 120px-!style="background:#ADD8E6;"103  Arakawa River, Senju Great Bridge One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"104  Yotsugi dōri Canal
 120px-!style="background:#ADD8E6;"105  Sumida River The two women are yotaka , the lowest class of prostitutes whose faces were often disfigured forcing them to apply very thick make-up
 120px-!style="background:#ADD8E6;"106   Fukagawa Lumberyards Character for "sakana" on the umbrella refers to Sakanaya Eikichi, the publisher of the series
 120px-!style="background:#ADD8E6;"107  Mount Tsukuba
 120px-!style="background:#ADD8E6;"108  Hamarikyu Gardens, daiba, Edo Bay One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"109  Edo Bay, Kaian-ji temple, Mount Tsukuba Fishermen gather seaweed from submerged tree trunks
 120px-!style="background:#ADD8E6;"110  Senzoku no ike, "Robe-Hanging Pine", Hachiman Shrine One of the first five prints sanctioned by the censors; Nichiren is said to have hung his monk's robe on this pine while resting
 120px-!style="background:#ADD8E6;"111  Drum Bridge, Meguro River Publication date of this and three other prints  depicting Meguro coincides with the exhibition of a Fudō Myōō icon
 120px-!style="background:#ADD8E6;"112  Yabu ne, residences of the daimyōs Katō from Minakuchi and Hijikata from Komono, gate of Atago Shrine Yabu ne is to the far right beyond the bamboo thicket lining it
 120px-!style="background:#ADD8E6;"113  Aoi Slope, moat
 120px-!style="background:#ADD8E6;"114  Bikuni Bridge, outer moat of Edo Castle Believed to be created by Hiroshige II based on empty foreground, depiction of wall and schematic arrangement of snowflakes. Sign on left advertises  "mountain whale" meat, referring to wild boar.
 120px-!style="background:#ADD8E6;"115  Takata Riding Grounds
 120px-!style="background:#ADD8E6;"116  Kanda River, Omokage Bridge, Hikawa rice field, Hikawa Shrine, Sugatami Bridge Notable for striking colors; Tokugawa Iesada crossed the Omokage Bridge in the publication month
 120px-!style="background:#ADD8E6;"117  Yushima Tenjin Shrine, Shinobazu Pond, Kan'ei-ji
 120px-!style="background:#ADD8E6;"118  Enoki tree
 120px-!style="background:#ADD8E6;"119  Tameike Pond Work by Hiroshige II; not always included in collections of One Hundred Famous Views of Edo; variously thought to be replacement print for no. 52, The Paulownia Garden at Akasaka, although its woodblock prints show significant wear indicating age. Alternatively a work on commission by Sakanaya Eikichi, celebrating Hiroshige II's adoption of his name and Hiroshige's seal
 120px}

Prompt: 名所江戸百景の歴史に関する鍵を説明してください。英語で出力して下さい。

Edo
Hiroshige
Hiroshige II
Vincent van Gogh


subsection

名所江戸百景

No.: number of the print; an alternative order for the summer prints in parenthesesTitle: as it appears on the print together with English translation and Japanese readingDepicted: major landmarks that appear in the print listed in order of increasing distance from the viewerRemarks: some general remarks on the printDate: publication year and month  according to the date seal; intercalary months are preceded with "i"Location: place, ward and coordinates of the viewpointImage: a picture of the print{  class="wikitable sortable" style="background:#fff;"-!align="left" style="background:#ffdead;"  No.!align="left" style="background:#ffdead;"  Title!align="left" style="background:#ffdead;"  class="unsortable" Depicted!align="left" style="background:#ffdead;"  class="unsortable" Remarks!align="left" style="background:#ffdead;"  Date!align="left" style="background:#ffdead;"   Location !align="left" style="background:#ffdead;" class="unsortable" Image-data-sort-value="0" Table of Contents Abbreviated titles of prints arranged by season: two boxes at top are spring, fan-shaped box is summer, bottom right box autumn and bottom left are winter prints 120px-!style="background:#ADFF2F;"1Nihonbashi, Edo Castle, Mount Fuji
 120px-!style="background:#ADFF2F;"2 Street , guardhouse of residence of Asano, barracks of samurai of the Kuroda clan, Edo Bay Kadomatsu gate pines and manzai dancers indicate a setting around New Year; kite with Japanese character for fish  is a reference to the publisher of the series, Sakanaya Eikichi
 120px-!style="background:#ADFF2F;"3  Residence of daimyō Nabeshima Kansō from the Saga Domain, outer moat of Edo Castle, Mount Fuji Kadomatsu pine, hagoita and kites indicate a setting around New year
 120px-!style="background:#ADFF2F;"4  Eitai Bridge, Sumida River, fishing boats of Tsukudajima An almost identical composition titled Eitaibashi by Hiroshige exists in the second volume of his "Illustrated Souvenirs of Edo"
 120px-!style="background:#ADFF2F;"5  Drum tower of Ekō-in, Honjo neighbourhood, Sumida River, residence of Matsudaira feudal lor of Tanba, Mount Fuji Drum tower was associated with sumo tournaments held at Ekō-in; for marketing purposes the print appeared two months after a popular major exhibition of temple treasures at Ekō-in
 120px-!style="background:#ADFF2F;"6  Hatsune Riding Ground and district's fire watch tower Dyers of Konya-chō district using riding grounds to dry their cloths
 120px-!style="background:#ADFF2F;"7  Street scene with geishas, cotton shops in Ōdenma-chō
 120px-!style="background:#ADFF2F;"8  Mitsui  textile stores, Mount Fuji Echigoya later became the Mitsukoshi department store chain whose modern day headquarters are located on the left side of the street in the print
 120px-!style="background:#ADFF2F;"9  Yatsukōji junction, Kanda River, Kanda Shrine One of the few open spaces in Edo, created as fire-breaks
 120px-!style="background:#ADFF2F;"10  Kanda Shrine Probably produced as a souvenir of the shrine festival in memory of the Battle of Sekigahara celebrated on the 15th day of the 9th month
 120px-!style="background:#ADFF2F;"11  Kiyomizu Hall of Kan'ei-ji, Moon Pine, Shinobazu Pond Depicted pines are in reality much smaller
 120px-!style="background:#ADFF2F;"12  Iseya restaurant, temples Published in the month after Hiroshige's death; composition probably based on his sketches but probably completed by Hiroshige II
 120px-!style="background:#ADFF2F;"13  Hirokōji , premises of textile retailer Matsuzakaya Published in the same month in which the depicted Matsuzakaya store re-opened after the 1855 earthquake
 120px-!style="background:#ADFF2F;"14  Temple Gardens Depicts cherries and azaleas in bloom while in reality they bloom at different times of the year
 120px-!style="background:#ADFF2F;"15  Suwa Myōjin Shrine grounds, Mount Tsukuba
 120px-!style="background:#ADFF2F;"16  Cherry orchard, Pavilion of the Violet Spring  The print is a reference to the reconstruction of the Shisentai after the 1855 earthquake and to Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"17  Asukayama Park, Mount Tsukuba Possibly inspired by Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"18  Ōji Inari Shrine, Mount Tsukuba
 120px-!style="background:#ADFF2F;"19  Otonashi River, Amida Hall of Kinrin-ji temple, Takata-chō Likely created to mark Tokugawa Iesada's visit to Kinrin-ji  and Takata on the 21st day of the first month
 120px-!style="background:#ADFF2F;"20  Arakawa River, Zenkō-ji temple A year after Hiroshige designed the print, the Buddha in the Amida Hall at the top was due to be exhibited publicly for the first time in 13 years; in a pun Hiroshige covered the hall of this  "secret Buddha" with the title cartouche
 120px-!style="background:#ADFF2F;"21  Atago Shrine, Edo Bay Scene depicts an emissary from Enpuku-ji temple who on every third day of the year performs a ceremony at Atago Shrine for good fortune, health and success and to avert hunger and disease; the large rice paddle in his hand symbolizes abundance, the seaweed around his neck was distributed after the ceremony among the faithful who used it to brew an infusion against colds
 120px-!style="background:#ADFF2F;"22  Furukawa River, "Fox"  restaurant
 120px-!style="background:#ADFF2F;"23  Chiyogaike Pond Feature a — for the time — unusual depiction of reflections of the trees in the water
 120px-!style="background:#ADFF2F;"24  Mita Aqueduct, Mount Fuji replica, Mount Fuji Subject is a replica  of Mount Fuji erected in 1829 by Fuji worshippers
 120px-!style="background:#ADFF2F;"25  Mount Fuji replica, Mount Fuji Fuji replica erected in 1812 was at  the tallest in Edo; this print was incorrectly placed in the spring section of the table of contents since the depicted cherry trees are in autumn foliage; spelling of "Fuji" in the title as  is thought to be a pun on the doubling of the mountain
 120px-!style="background:#ADFF2F;"26  Tōkaidō, Edo Bay Depicts a popular viewpoint of Edo Bay; according to legend, Minamoto no Yoshiie hung his armour on this tree in 1062; Hiroshige adapts the shape of the tree so that only a giant could have hung his armour on it
 120px-!style="background:#ADFF2F;"27  Plum Orchard in Kamada
 120px-!style="background:#ADFF2F;"28  Palace Hill Depicts both a famous cherry blossom spot and the destruction of the landscape after removal of earth; the earth was used to build ramparts  in the sea following Commodore Perry's arrival in Edo Bay in 1853

 120px-!style="background:#ADFF2F;"29  Torii of Moto-Hachiman Shrine, Edo Bay
 120px-!style="background:#ADFF2F;"30  Plum Park in Kameido Both in color and theme this print is related to print no. 27 ; copied by Vincent van Gogh under the title Japonaiserie: Flowering Plum Tree
 120px-!style="background:#ADFF2F;"31  Azuma Shrine
 120px-!style="background:#ADFF2F;"32  Myōken Hall of Hōshō-ji temple, Hashimotoya restaurant , Mount Tsukuba
 120px-!style="background:#ADFF2F;"33  Yotsugi-dōri Canal towpath Unlike in the print, the canal and towpath were absolutely straight
 120px-!style="background:#ADFF2F;"34  Sumida River, San'ya Canal inlet, Yumeiro and Takeya restaurants, Matsuchiyama hill, Shōten Shrine Only image in the series to depict a large human figure, purportedly the favourite geisha of Hiroshige; Shōten Shrine on the top of the hill has sexual connotations
 120px-!style="background:#ADFF2F;"35  Cherry tree trunk, Suijin Shrine, Sumida River, Massaki district, Mount Tsukuba People at the bottom of the print are on the way to the Hashiba ferry
 120px-!style="background:#ADFF2F;"36  Sumida River, Suijin Shrine, Massaki district, Mount Tsukuba Similar subject and location as no. 35
 120px-!style="background:#ADFF2F;"37  Kilns, Sumida River, Suijin Shrine, Mount Tsukuba Similar area as no. 35, 36
 120px-!style="background:#ADFF2F;"38  Yoshiwara Published two months prior to the reopening of Yoshiwara after it burnt down in the 1855 earthquake; Hiroshige may have submitted this design and title following the suicide of two courtesans and their two lovers at dawn of the 19th day of the 4th month of 1857
 120px-!style="background:#ADFF2F;"39  Sumida River, Azuma Bridge, Kinryūzan Temple, Mount Fuji
 120px-!style="background:#ADFF2F;"40  Sekiguchi Aqueduct, Bashō's Hermitage
 120px-!style="background:#ADFF2F;"41  Ichigaya moat, shopping street, Hachiman Shrine Dated one month after Hiroshige's death and therefore attributed to Hiroshige II by some art historians
 120px-!style="background:#ADFF2F;"42  Actually, the Tama River-Jōsui channel is depicted, with cherry trees far outside Edo One of the first five prints sanctioned by the censors
 120px-!style="background:#FCF75E;"43  Nihonbashi, Nihonbashi River, Edobashi Fish barrel with first bonito of the season represents early summer
 120px-!style="background:#FCF75E;"44  Nihonbashi itchōme Street Shirokiya shop on the right developed into one of the city's largest department stores and finally became part of the Tokyu Group  }} 120px-!style="background:#FCF75E;"45   Yatsumi Bridge, Edo Castle, Mount Fuji   }} 120px-!style="background:#FCF75E;"46   Nihonbashi River, Yoroi ferry   }} 120px-!style="background:#FCF75E;"47   Shōhei Bridge, Shōheizaka hill, Kanda River, wall of Yushima Seidō Exaggerated size of hill on left
 120px-!style="background:#FCF75E;"48   View from Surugadai, Kanda River, Suidō Bridge, Edo Castle, Mount Fuji Koinobori carp streamers place the scene around the Boy's festival on the 5th day of the 5th month, the same month as the print was approved by the censors
 120px-!style="background:#FCF75E;"49   Fudō Falls
 120px-!style="background:#FCF75E;"50   Kumano Jūnisha Shrine
 120px-!style="background:#FCF75E;"51   Moat and Hanzōmon Gate of Edo Castle Sannō  Festival was held one month prior to the approval of the print
 120px-!style="background:#FCF75E;"52   Paulownia Garden, Tameike Pond, Hie Shrine, residence of daimyō Kuroda from Fukuoka Hie Shrine is location for the Sannō Festival
 120px-!style="background:#FCF75E;"53   Zōjō-ji, Akabane Bridge, residence of daimyō Arima from Kurume
 120px-!style="background:#FCF75E;"54   South-west embankment and moat of Edo Castle, residence of daimyō Ii from the Hikone Domain, Kōjimachi watchtower Kōjimachi watchtower had been restored two months prior to publication after burning down in the 1855 earthquake
 120px-!style="background:#FCF75E;"55    Tsukudajima Island The Sumiyoshi Festival is held on the 29th of the sixth month, i.e., in the month prior to publication of this print; writer of the inscription is identified on the banner as the creator of the table of contents of this series, Seikengū Gengyo
 120px-!style="background:#FCF75E;"56   Mannen Bridge, Mount Fuji A turtle hanging from tub's handle use for Life release.
 120px-!style="background:#FCF75E;"57   Sumida River, Mount Fuji Reed-covered sandbank alludes to the artificial Nakazu island, location of a famous 18th-century pleasure district that was demolished in the course of the Kansei Reforms
 120px-!style="background:#FCF75E;"58   Shin-Ōhashi bridge, Sumida River, Atake district Considered to be a masterpiece and possibly Hiroshige's most famous work; copied by Vincent van Gogh
 120px-!style="background:#FCF75E;"59   Sumida River, Ryōgoku Bridge At the time Japan's largest bridge   120px-!style="background:#FCF75E;"60   Sumida River, Mount Tsukuba Depicts pilgrimage to Mount Ōyama, the pilgrim's return from the mountain is shown in no. 76; names in title are synonymous names for the depicted section of the Sumida River; in later prints, the title was simplified to: In Boats at Ryōgoku with a distant View of Asakusa
 120px-!style="background:#FCF75E;"61   Sumida River, Oumayagashi ferry Hiroshige's "Illustrated Souvenirs of Edo" contains a mirror image of this view with  a woman standing upright in the boat
 120px-!style="background:#FCF75E;"62   Komakata Hall, Sumida River, Azuma Bridge, Asakusa district Lesser cuckoo  and Komakata Hall in the print allude to a 17th-century love poem attributed to Takao II, courtesan and lover of Date Tsunamune: Are you now, my love, near Komakata? Cry of the cuckoo!"
 120px-!style="background:#FCF75E;"63   Sumida River, Ayase River Northernmost point of the Sumida river depicted in this series
 120px-!style="background:#FCF75E;"64   Horikiri Iris Garden Influenced European Art Nouveau   120px-!style="background:#FCF75E;"65   Drum bridge and garden at Kameido Tenjin Shrine Flowering wisteria indicates summer season
 120px-!style="background:#FCF75E;"66   Sazaidō Hall
 120px-!style="background:#FCF75E;"67   Nakagawa River
 120px-!style="background:#FCF75E;"68   Garden at Hachiman Shrine Print shows both azaleas and cherry trees in blossom which is unnatural for Edo; hill in the back is one of many miniature Mount Fuji that were scattered all over Edo
 120px-!style="background:#FCF75E;"69   Sanjusangendō, Kiba lumberyards  About half of the hall is depicted
 120px-!style="background:#FCF75E;"70   Onagigawa Canal, Nakagawa River, Shinkawa Canal Nakagawa River is the broad waterway in the middle running left-right
 120px-!style="background:#FCF75E;"71   Tone River
 120px-!style="background:#FCF75E;"72  Tama River, Benten Shrine, Edo Bay The ground of the Benten Shrine is now occupied by Haneda Airport
 120px-!style="background:#E34234;"73  Edo Castle, Mount Fuji Arguably shows the view from Hiroshige's house; only print in series without a place name in the title
 120px-!style="background:#E34234;"74  Daimaru silk merchant shops People depicted are carpenters
 120px-!style="background:#E34234;"75  Kanda dye works, Edo Castle, Mount Fuji Kanji on first two white-blue fabrics reads "sakana" and is a reference to the publisher Sakanaya Eikichi, last two white-blue fabrics contain Hiroshige's monogram
 120px-!style="background:#E34234;"76  Kyōbashi River, Kyōbashi Bridge
 120px-!style="background:#E34234;"77  Hatchōbori Canal, Minato Shrine, Inari Bridge, Mount Fuji
 120px-!style="background:#E34234;"78  Sumida River, Tsukiji Hongan-ji Temple Like no. 79, this print has the changed series title: Entertaining Supplements to the One Hundred Famous Views of Edo, as likely Hiroshige wanted to end this series having produced 110 plates already at the time; he resumed the original title on the publisher insisting to do so
 120px-!style="background:#E34234;"79  Shiba Shinmei Shrine, Zōjōji
 120px-!style="background:#E34234;"80  Kanasugi Bridge Print shows pilgrims of the Nichiren sect; brown and white cloths at bottom left contain abbreviation "Uoei" of the publisher's name Sakanaya Eikichi
 120px-!style="background:#E34234;"81  Tōkaidō, Edo Bay with daiba Place name Takanawa meaning "high wheel" is symbolized by the wheel on the right and the rainbow
 120px-!style="background:#E34234;"82  Edo Bay Approximately same view as no. 83
 120px-!style="background:#E34234;"83  Meguro River, Benten Shrine, Edo Bay with daiba Establishment depicted in no. 82 might be the one cropped in the bottom left of this print
 120px-!style="background:#E34234;"84  Teahouse and teastall, Mount Fuji
 120px-!style="background:#E34234;"85  outer Benkeibori moat of Edo Castle People depicted are samurai
 120px-!style="background:#E34234;"86  Naitō Shinjuku  Depiction of horse dung was criticized for being vulgar; Hiroshige likely alludes to the quote: "flowers thriving on the horse dung of Yotsuya" from the 1775 book Master Flashgold's Splendiferous Dream referring to the prostitutes of Shinjuku
 120px-!style="background:#E34234;"87   Benten Shrine, Inokashira Pond Depicts most western point of the series and location furthest away from central Edo
 120px-!style="background:#E34234;"88  Takinogawa, Matsubashi Benten Shrine, Kongo-ji Temple Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"89  Moon Pine, Shinobazu Pond, Benten Shrine
 120px-!style="background:#E34234;"90  Saruwaka-chō street with theatres Notable for the use of peoples' shadows giving the impression of puppets on a stage; the street was home to the Kabuki and marionette theatres
 120px-!style="background:#E34234;"91  Garden of Akiba Shrine People depicted in the bottom left might be Hiroshige as a monk with painting utensils, his wife Yasu and their adopted daughter Tatsu according to Henry D. Smith
 120px-!style="background:#E34234;"92  Uchigawa inlet of Sumida River, Uekiya Han'emon restaurant The Mokuboji temple mentioned in the title is close but not depicted in this print; Tokugawa Iesada had visited the restaurant one month before publication of the print
 120px-!style="background:#E34234;"93  Nakagawa River Northeasternmost scene of the series confirmed by detailed depiction of the Edo side of the river and vagueness on the opposite bank
 120px-!style="background:#E34234;"94  Edogawa River, Tekona Shrine, Tsugihashi Bridge Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"95  Tone River , Mount Fuji
 120px-!style="background:#E34234;"96  branch of the Edogawa River, Horie and Nekozane villages, Edo Bay, Mount Fuji One of the first five prints sanctioned by the censors
 120px-!style="background:#E34234;"97  Onagi Canal Tree depicted is the only surviving of five pines and was at the time of Hiroshige known as "Five Pines"; Onagi Canal was in fact straight
 120px-!style="background:#E34234;"98  Sumida River, Ryōgoku Bridge
 120px-!style="background:#ADD8E6;"99  Kaminarimon, Hōzōmon and pagoda of Sensō-ji Thought to commemorate the restoration of the pagoda two month prior to the publication of the print after damage suffered in the 1855 earthquake
 120px-!style="background:#ADD8E6;"100  Nihon Embankment, Yoshiwara
 120px-!style="background:#ADD8E6;"101  Yoshiwara teahouse, Chōkoku-ji temple , Mount Fuji White cat represents courtesan who just finished her work; the festival of the rooster is hinted at by bear's paw hairpins resembling the good luck rakes carried by pilgrims in the background
 120px-!style="background:#ADD8E6;"102  Minowa, Kanasugi and Mikawashima villages
 120px-!style="background:#ADD8E6;"103  Arakawa River, Senju Great Bridge One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"104  Yotsugi dōri Canal
 120px-!style="background:#ADD8E6;"105  Sumida River The two women are yotaka , the lowest class of prostitutes whose faces were often disfigured forcing them to apply very thick make-up
 120px-!style="background:#ADD8E6;"106   Fukagawa Lumberyards Character for "sakana" on the umbrella refers to Sakanaya Eikichi, the publisher of the series
 120px-!style="background:#ADD8E6;"107  Mount Tsukuba
 120px-!style="background:#ADD8E6;"108  Hamarikyu Gardens, daiba, Edo Bay One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"109  Edo Bay, Kaian-ji temple, Mount Tsukuba Fishermen gather seaweed from submerged tree trunks
 120px-!style="background:#ADD8E6;"110  Senzoku no ike, "Robe-Hanging Pine", Hachiman Shrine One of the first five prints sanctioned by the censors; Nichiren is said to have hung his monk's robe on this pine while resting
 120px-!style="background:#ADD8E6;"111  Drum Bridge, Meguro River Publication date of this and three other prints  depicting Meguro coincides with the exhibition of a Fudō Myōō icon
 120px-!style="background:#ADD8E6;"112  Yabu ne, residences of the daimyōs Katō from Minakuchi and Hijikata from Komono, gate of Atago Shrine Yabu ne is to the far right beyond the bamboo thicket lining it
 120px-!style="background:#ADD8E6;"113  Aoi Slope, moat
 120px-!style="background:#ADD8E6;"114  Bikuni Bridge, outer moat of Edo Castle Believed to be created by Hiroshige II based on empty foreground, depiction of wall and schematic arrangement of snowflakes. Sign on left advertises  "mountain whale" meat, referring to wild boar.
 120px-!style="background:#ADD8E6;"115  Takata Riding Grounds
 120px-!style="background:#ADD8E6;"116  Kanda River, Omokage Bridge, Hikawa rice field, Hikawa Shrine, Sugatami Bridge Notable for striking colors; Tokugawa Iesada crossed the Omokage Bridge in the publication month
 120px-!style="background:#ADD8E6;"117  Yushima Tenjin Shrine, Shinobazu Pond, Kan'ei-ji
 120px-!style="background:#ADD8E6;"118  Enoki tree
 120px-!style="background:#ADD8E6;"119  Tameike Pond Work by Hiroshige II; not always included in collections of One Hundred Famous Views of Edo; variously thought to be replacement print for no. 52, The Paulownia Garden at Akasaka, although its woodblock prints show significant wear indicating age. Alternatively a work on commission by Sakanaya Eikichi, celebrating Hiroshige II's adoption of his name and Hiroshige's seal
 120px}

Prompt: 名所江戸百景では、どのように歴史の鍵が説明されていますか？英語で出力して下さい。

Edo
Hiroshige
Hiroshige II
Vincent van Gogh


subsection

名所江戸百景

No.: number of the print; an alternative order for the summer prints in parenthesesTitle: as it appears on the print together with English translation and Japanese readingDepicted: major landmarks that appear in the print listed in order of increasing distance from the viewerRemarks: some general remarks on the printDate: publication year and month  according to the date seal; intercalary months are preceded with "i"Location: place, ward and coordinates of the viewpointImage: a picture of the print{  class="wikitable sortable" style="background:#fff;"-!align="left" style="background:#ffdead;"  No.!align="left" style="background:#ffdead;"  Title!align="left" style="background:#ffdead;"  class="unsortable" Depicted!align="left" style="background:#ffdead;"  class="unsortable" Remarks!align="left" style="background:#ffdead;"  Date!align="left" style="background:#ffdead;"   Location !align="left" style="background:#ffdead;" class="unsortable" Image-data-sort-value="0" Table of Contents Abbreviated titles of prints arranged by season: two boxes at top are spring, fan-shaped box is summer, bottom right box autumn and bottom left are winter prints 120px-!style="background:#ADFF2F;"1Nihonbashi, Edo Castle, Mount Fuji
 120px-!style="background:#ADFF2F;"2 Street , guardhouse of residence of Asano, barracks of samurai of the Kuroda clan, Edo Bay Kadomatsu gate pines and manzai dancers indicate a setting around New Year; kite with Japanese character for fish  is a reference to the publisher of the series, Sakanaya Eikichi
 120px-!style="background:#ADFF2F;"3  Residence of daimyō Nabeshima Kansō from the Saga Domain, outer moat of Edo Castle, Mount Fuji Kadomatsu pine, hagoita and kites indicate a setting around New year
 120px-!style="background:#ADFF2F;"4  Eitai Bridge, Sumida River, fishing boats of Tsukudajima An almost identical composition titled Eitaibashi by Hiroshige exists in the second volume of his "Illustrated Souvenirs of Edo"
 120px-!style="background:#ADFF2F;"5  Drum tower of Ekō-in, Honjo neighbourhood, Sumida River, residence of Matsudaira feudal lor of Tanba, Mount Fuji Drum tower was associated with sumo tournaments held at Ekō-in; for marketing purposes the print appeared two months after a popular major exhibition of temple treasures at Ekō-in
 120px-!style="background:#ADFF2F;"6  Hatsune Riding Ground and district's fire watch tower Dyers of Konya-chō district using riding grounds to dry their cloths
 120px-!style="background:#ADFF2F;"7  Street scene with geishas, cotton shops in Ōdenma-chō
 120px-!style="background:#ADFF2F;"8  Mitsui  textile stores, Mount Fuji Echigoya later became the Mitsukoshi department store chain whose modern day headquarters are located on the left side of the street in the print
 120px-!style="background:#ADFF2F;"9  Yatsukōji junction, Kanda River, Kanda Shrine One of the few open spaces in Edo, created as fire-breaks
 120px-!style="background:#ADFF2F;"10  Kanda Shrine Probably produced as a souvenir of the shrine festival in memory of the Battle of Sekigahara celebrated on the 15th day of the 9th month
 120px-!style="background:#ADFF2F;"11  Kiyomizu Hall of Kan'ei-ji, Moon Pine, Shinobazu Pond Depicted pines are in reality much smaller
 120px-!style="background:#ADFF2F;"12  Iseya restaurant, temples Published in the month after Hiroshige's death; composition probably based on his sketches but probably completed by Hiroshige II
 120px-!style="background:#ADFF2F;"13  Hirokōji , premises of textile retailer Matsuzakaya Published in the same month in which the depicted Matsuzakaya store re-opened after the 1855 earthquake
 120px-!style="background:#ADFF2F;"14  Temple Gardens Depicts cherries and azaleas in bloom while in reality they bloom at different times of the year
 120px-!style="background:#ADFF2F;"15  Suwa Myōjin Shrine grounds, Mount Tsukuba
 120px-!style="background:#ADFF2F;"16  Cherry orchard, Pavilion of the Violet Spring  The print is a reference to the reconstruction of the Shisentai after the 1855 earthquake and to Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"17  Asukayama Park, Mount Tsukuba Possibly inspired by Tokugawa Iesada's visit to the park two months prior to publication
 120px-!style="background:#ADFF2F;"18  Ōji Inari Shrine, Mount Tsukuba
 120px-!style="background:#ADFF2F;"19  Otonashi River, Amida Hall of Kinrin-ji temple, Takata-chō Likely created to mark Tokugawa Iesada's visit to Kinrin-ji  and Takata on the 21st day of the first month
 120px-!style="background:#ADFF2F;"20  Arakawa River, Zenkō-ji temple A year after Hiroshige designed the print, the Buddha in the Amida Hall at the top was due to be exhibited publicly for the first time in 13 years; in a pun Hiroshige covered the hall of this  "secret Buddha" with the title cartouche
 120px-!style="background:#ADFF2F;"21  Atago Shrine, Edo Bay Scene depicts an emissary from Enpuku-ji temple who on every third day of the year performs a ceremony at Atago Shrine for good fortune, health and success and to avert hunger and disease; the large rice paddle in his hand symbolizes abundance, the seaweed around his neck was distributed after the ceremony among the faithful who used it to brew an infusion against colds
 120px-!style="background:#ADFF2F;"22  Furukawa River, "Fox"  restaurant
 120px-!style="background:#ADFF2F;"23  Chiyogaike Pond Feature a — for the time — unusual depiction of reflections of the trees in the water
 120px-!style="background:#ADFF2F;"24  Mita Aqueduct, Mount Fuji replica, Mount Fuji Subject is a replica  of Mount Fuji erected in 1829 by Fuji worshippers
 120px-!style="background:#ADFF2F;"25  Mount Fuji replica, Mount Fuji Fuji replica erected in 1812 was at  the tallest in Edo; this print was incorrectly placed in the spring section of the table of contents since the depicted cherry trees are in autumn foliage; spelling of "Fuji" in the title as  is thought to be a pun on the doubling of the mountain
 120px-!style="background:#ADFF2F;"26  Tōkaidō, Edo Bay Depicts a popular viewpoint of Edo Bay; according to legend, Minamoto no Yoshiie hung his armour on this tree in 1062; Hiroshige adapts the shape of the tree so that only a giant could have hung his armour on it
 120px-!style="background:#ADFF2F;"27  Plum Orchard in Kamada
 120px-!style="background:#ADFF2F;"28  Palace Hill Depicts both a famous cherry blossom spot and the destruction of the landscape after removal of earth; the earth was used to build ramparts  in the sea following Commodore Perry's arrival in Edo Bay in 1853

 120px-!style="background:#ADFF2F;"29  Torii of Moto-Hachiman Shrine, Edo Bay
 120px-!style="background:#ADFF2F;"30  Plum Park in Kameido Both in color and theme this print is related to print no. 27 ; copied by Vincent van Gogh under the title Japonaiserie: Flowering Plum Tree
 120px-!style="background:#ADFF2F;"31  Azuma Shrine
 120px-!style="background:#ADFF2F;"32  Myōken Hall of Hōshō-ji temple, Hashimotoya restaurant , Mount Tsukuba
 120px-!style="background:#ADFF2F;"33  Yotsugi-dōri Canal towpath Unlike in the print, the canal and towpath were absolutely straight
 120px-!style="background:#ADFF2F;"34  Sumida River, San'ya Canal inlet, Yumeiro and Takeya restaurants, Matsuchiyama hill, Shōten Shrine Only image in the series to depict a large human figure, purportedly the favourite geisha of Hiroshige; Shōten Shrine on the top of the hill has sexual connotations
 120px-!style="background:#ADFF2F;"35  Cherry tree trunk, Suijin Shrine, Sumida River, Massaki district, Mount Tsukuba People at the bottom of the print are on the way to the Hashiba ferry
 120px-!style="background:#ADFF2F;"36  Sumida River, Suijin Shrine, Massaki district, Mount Tsukuba Similar subject and location as no. 35
 120px-!style="background:#ADFF2F;"37  Kilns, Sumida River, Suijin Shrine, Mount Tsukuba Similar area as no. 35, 36
 120px-!style="background:#ADFF2F;"38  Yoshiwara Published two months prior to the reopening of Yoshiwara after it burnt down in the 1855 earthquake; Hiroshige may have submitted this design and title following the suicide of two courtesans and their two lovers at dawn of the 19th day of the 4th month of 1857
 120px-!style="background:#ADFF2F;"39  Sumida River, Azuma Bridge, Kinryūzan Temple, Mount Fuji
 120px-!style="background:#ADFF2F;"40  Sekiguchi Aqueduct, Bashō's Hermitage
 120px-!style="background:#ADFF2F;"41  Ichigaya moat, shopping street, Hachiman Shrine Dated one month after Hiroshige's death and therefore attributed to Hiroshige II by some art historians
 120px-!style="background:#ADFF2F;"42  Actually, the Tama River-Jōsui channel is depicted, with cherry trees far outside Edo One of the first five prints sanctioned by the censors
 120px-!style="background:#FCF75E;"43  Nihonbashi, Nihonbashi River, Edobashi Fish barrel with first bonito of the season represents early summer
 120px-!style="background:#FCF75E;"44  Nihonbashi itchōme Street Shirokiya shop on the right developed into one of the city's largest department stores and finally became part of the Tokyu Group  }} 120px-!style="background:#FCF75E;"45   Yatsumi Bridge, Edo Castle, Mount Fuji   }} 120px-!style="background:#FCF75E;"46   Nihonbashi River, Yoroi ferry   }} 120px-!style="background:#FCF75E;"47   Shōhei Bridge, Shōheizaka hill, Kanda River, wall of Yushima Seidō Exaggerated size of hill on left
 120px-!style="background:#FCF75E;"48   View from Surugadai, Kanda River, Suidō Bridge, Edo Castle, Mount Fuji Koinobori carp streamers place the scene around the Boy's festival on the 5th day of the 5th month, the same month as the print was approved by the censors
 120px-!style="background:#FCF75E;"49   Fudō Falls
 120px-!style="background:#FCF75E;"50   Kumano Jūnisha Shrine
 120px-!style="background:#FCF75E;"51   Moat and Hanzōmon Gate of Edo Castle Sannō  Festival was held one month prior to the approval of the print
 120px-!style="background:#FCF75E;"52   Paulownia Garden, Tameike Pond, Hie Shrine, residence of daimyō Kuroda from Fukuoka Hie Shrine is location for the Sannō Festival
 120px-!style="background:#FCF75E;"53   Zōjō-ji, Akabane Bridge, residence of daimyō Arima from Kurume
 120px-!style="background:#FCF75E;"54   South-west embankment and moat of Edo Castle, residence of daimyō Ii from the Hikone Domain, Kōjimachi watchtower Kōjimachi watchtower had been restored two months prior to publication after burning down in the 1855 earthquake
 120px-!style="background:#FCF75E;"55    Tsukudajima Island The Sumiyoshi Festival is held on the 29th of the sixth month, i.e., in the month prior to publication of this print; writer of the inscription is identified on the banner as the creator of the table of contents of this series, Seikengū Gengyo
 120px-!style="background:#FCF75E;"56   Mannen Bridge, Mount Fuji A turtle hanging from tub's handle use for Life release.
 120px-!style="background:#FCF75E;"57   Sumida River, Mount Fuji Reed-covered sandbank alludes to the artificial Nakazu island, location of a famous 18th-century pleasure district that was demolished in the course of the Kansei Reforms
 120px-!style="background:#FCF75E;"58   Shin-Ōhashi bridge, Sumida River, Atake district Considered to be a masterpiece and possibly Hiroshige's most famous work; copied by Vincent van Gogh
 120px-!style="background:#FCF75E;"59   Sumida River, Ryōgoku Bridge At the time Japan's largest bridge   120px-!style="background:#FCF75E;"60   Sumida River, Mount Tsukuba Depicts pilgrimage to Mount Ōyama, the pilgrim's return from the mountain is shown in no. 76; names in title are synonymous names for the depicted section of the Sumida River; in later prints, the title was simplified to: In Boats at Ryōgoku with a distant View of Asakusa
 120px-!style="background:#FCF75E;"61   Sumida River, Oumayagashi ferry Hiroshige's "Illustrated Souvenirs of Edo" contains a mirror image of this view with  a woman standing upright in the boat
 120px-!style="background:#FCF75E;"62   Komakata Hall, Sumida River, Azuma Bridge, Asakusa district Lesser cuckoo  and Komakata Hall in the print allude to a 17th-century love poem attributed to Takao II, courtesan and lover of Date Tsunamune: Are you now, my love, near Komakata? Cry of the cuckoo!"
 120px-!style="background:#FCF75E;"63   Sumida River, Ayase River Northernmost point of the Sumida river depicted in this series
 120px-!style="background:#FCF75E;"64   Horikiri Iris Garden Influenced European Art Nouveau   120px-!style="background:#FCF75E;"65   Drum bridge and garden at Kameido Tenjin Shrine Flowering wisteria indicates summer season
 120px-!style="background:#FCF75E;"66   Sazaidō Hall
 120px-!style="background:#FCF75E;"67   Nakagawa River
 120px-!style="background:#FCF75E;"68   Garden at Hachiman Shrine Print shows both azaleas and cherry trees in blossom which is unnatural for Edo; hill in the back is one of many miniature Mount Fuji that were scattered all over Edo
 120px-!style="background:#FCF75E;"69   Sanjusangendō, Kiba lumberyards  About half of the hall is depicted
 120px-!style="background:#FCF75E;"70   Onagigawa Canal, Nakagawa River, Shinkawa Canal Nakagawa River is the broad waterway in the middle running left-right
 120px-!style="background:#FCF75E;"71   Tone River
 120px-!style="background:#FCF75E;"72  Tama River, Benten Shrine, Edo Bay The ground of the Benten Shrine is now occupied by Haneda Airport
 120px-!style="background:#E34234;"73  Edo Castle, Mount Fuji Arguably shows the view from Hiroshige's house; only print in series without a place name in the title
 120px-!style="background:#E34234;"74  Daimaru silk merchant shops People depicted are carpenters
 120px-!style="background:#E34234;"75  Kanda dye works, Edo Castle, Mount Fuji Kanji on first two white-blue fabrics reads "sakana" and is a reference to the publisher Sakanaya Eikichi, last two white-blue fabrics contain Hiroshige's monogram
 120px-!style="background:#E34234;"76  Kyōbashi River, Kyōbashi Bridge
 120px-!style="background:#E34234;"77  Hatchōbori Canal, Minato Shrine, Inari Bridge, Mount Fuji
 120px-!style="background:#E34234;"78  Sumida River, Tsukiji Hongan-ji Temple Like no. 79, this print has the changed series title: Entertaining Supplements to the One Hundred Famous Views of Edo, as likely Hiroshige wanted to end this series having produced 110 plates already at the time; he resumed the original title on the publisher insisting to do so
 120px-!style="background:#E34234;"79  Shiba Shinmei Shrine, Zōjōji
 120px-!style="background:#E34234;"80  Kanasugi Bridge Print shows pilgrims of the Nichiren sect; brown and white cloths at bottom left contain abbreviation "Uoei" of the publisher's name Sakanaya Eikichi
 120px-!style="background:#E34234;"81  Tōkaidō, Edo Bay with daiba Place name Takanawa meaning "high wheel" is symbolized by the wheel on the right and the rainbow
 120px-!style="background:#E34234;"82  Edo Bay Approximately same view as no. 83
 120px-!style="background:#E34234;"83  Meguro River, Benten Shrine, Edo Bay with daiba Establishment depicted in no. 82 might be the one cropped in the bottom left of this print
 120px-!style="background:#E34234;"84  Teahouse and teastall, Mount Fuji
 120px-!style="background:#E34234;"85  outer Benkeibori moat of Edo Castle People depicted are samurai
 120px-!style="background:#E34234;"86  Naitō Shinjuku  Depiction of horse dung was criticized for being vulgar; Hiroshige likely alludes to the quote: "flowers thriving on the horse dung of Yotsuya" from the 1775 book Master Flashgold's Splendiferous Dream referring to the prostitutes of Shinjuku
 120px-!style="background:#E34234;"87   Benten Shrine, Inokashira Pond Depicts most western point of the series and location furthest away from central Edo
 120px-!style="background:#E34234;"88  Takinogawa, Matsubashi Benten Shrine, Kongo-ji Temple Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"89  Moon Pine, Shinobazu Pond, Benten Shrine
 120px-!style="background:#E34234;"90  Saruwaka-chō street with theatres Notable for the use of peoples' shadows giving the impression of puppets on a stage; the street was home to the Kabuki and marionette theatres
 120px-!style="background:#E34234;"91  Garden of Akiba Shrine People depicted in the bottom left might be Hiroshige as a monk with painting utensils, his wife Yasu and their adopted daughter Tatsu according to Henry D. Smith
 120px-!style="background:#E34234;"92  Uchigawa inlet of Sumida River, Uekiya Han'emon restaurant The Mokuboji temple mentioned in the title is close but not depicted in this print; Tokugawa Iesada had visited the restaurant one month before publication of the print
 120px-!style="background:#E34234;"93  Nakagawa River Northeasternmost scene of the series confirmed by detailed depiction of the Edo side of the river and vagueness on the opposite bank
 120px-!style="background:#E34234;"94  Edogawa River, Tekona Shrine, Tsugihashi Bridge Original orange color of autumn color has turned brownish-black due to oxidation over time
 120px-!style="background:#E34234;"95  Tone River , Mount Fuji
 120px-!style="background:#E34234;"96  branch of the Edogawa River, Horie and Nekozane villages, Edo Bay, Mount Fuji One of the first five prints sanctioned by the censors
 120px-!style="background:#E34234;"97  Onagi Canal Tree depicted is the only surviving of five pines and was at the time of Hiroshige known as "Five Pines"; Onagi Canal was in fact straight
 120px-!style="background:#E34234;"98  Sumida River, Ryōgoku Bridge
 120px-!style="background:#ADD8E6;"99  Kaminarimon, Hōzōmon and pagoda of Sensō-ji Thought to commemorate the restoration of the pagoda two month prior to the publication of the print after damage suffered in the 1855 earthquake
 120px-!style="background:#ADD8E6;"100  Nihon Embankment, Yoshiwara
 120px-!style="background:#ADD8E6;"101  Yoshiwara teahouse, Chōkoku-ji temple , Mount Fuji White cat represents courtesan who just finished her work; the festival of the rooster is hinted at by bear's paw hairpins resembling the good luck rakes carried by pilgrims in the background
 120px-!style="background:#ADD8E6;"102  Minowa, Kanasugi and Mikawashima villages
 120px-!style="background:#ADD8E6;"103  Arakawa River, Senju Great Bridge One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"104  Yotsugi dōri Canal
 120px-!style="background:#ADD8E6;"105  Sumida River The two women are yotaka , the lowest class of prostitutes whose faces were often disfigured forcing them to apply very thick make-up
 120px-!style="background:#ADD8E6;"106   Fukagawa Lumberyards Character for "sakana" on the umbrella refers to Sakanaya Eikichi, the publisher of the series
 120px-!style="background:#ADD8E6;"107  Mount Tsukuba
 120px-!style="background:#ADD8E6;"108  Hamarikyu Gardens, daiba, Edo Bay One of the first five prints sanctioned by the censors
 120px-!style="background:#ADD8E6;"109  Edo Bay, Kaian-ji temple, Mount Tsukuba Fishermen gather seaweed from submerged tree trunks
 120px-!style="background:#ADD8E6;"110  Senzoku no ike, "Robe-Hanging Pine", Hachiman Shrine One of the first five prints sanctioned by the censors; Nichiren is said to have hung his monk's robe on this pine while resting
 120px-!style="background:#ADD8E6;"111  Drum Bridge, Meguro River Publication date of this and three other prints  depicting Meguro coincides with the exhibition of a Fudō Myōō icon
 120px-!style="background:#ADD8E6;"112  Yabu ne, residences of the daimyōs Katō from Minakuchi and Hijikata from Komono, gate of Atago Shrine Yabu ne is to the far right beyond the bamboo thicket lining it
 120px-!style="background:#ADD8E6;"113  Aoi Slope, moat
 120px-!style="background:#ADD8E6;"114  Bikuni Bridge, outer moat of Edo Castle Believed to be created by Hiroshige II based on empty foreground, depiction of wall and schematic arrangement of snowflakes. Sign on left advertises  "mountain whale" meat, referring to wild boar.
 120px-!style="background:#ADD8E6;"115  Takata Riding Grounds
 120px-!style="background:#ADD8E6;"116  Kanda River, Omokage Bridge, Hikawa rice field, Hikawa Shrine, Sugatami Bridge Notable for striking colors; Tokugawa Iesada crossed the Omokage Bridge in the publication month
 120px-!style="background:#ADD8E6;"117  Yushima Tenjin Shrine, Shinobazu Pond, Kan'ei-ji
 120px-!style="background:#ADD8E6;"118  Enoki tree
 120px-!style="background:#ADD8E6;"119  Tameike Pond Work by Hiroshige II; not always included in collections of One Hundred Famous Views of Edo; variously thought to be replacement print for no. 52, The Paulownia Garden at Akasaka, although its woodblock prints show significant wear indicating age. Alternatively a work on commission by Sakanaya Eikichi, celebrating Hiroshige II's adoption of his name and Hiroshige's seal
 120px}

Prompt: 名所江戸百景の歴史における鍵の特徴を説明してください。英語で出力して下さい。

Edo
Hiroshige
Hiroshige II
Vincent van Gogh


section

笛を吹く少年

The Fifer or Young Flautist is a painting by French painter Édouard Manet, made in 1866. It is usually kept in the Musée d'Orsay, Paris.

Prompt: 笛を吹く少年に焦点を当てて、その抽象を説明してください。英語で出力して下さい。


section

笛を吹く少年

The Fifer or Young Flautist is a painting by French painter Édouard Manet, made in 1866. It is usually kept in the Musée d'Orsay, Paris.

Prompt: 笛を吹く少年の抽象を説明してください。英語で出力して下さい。


section

笛を吹く少年

The Fifer or Young Flautist is a painting by French painter Édouard Manet, made in 1866. It is usually kept in the Musée d'Orsay, Paris.

Prompt: 笛を吹く少年はどのように抽象を説明していますか？英語で出力して下さい。


section

笛を吹く少年

The Fifer or Young Flautist is a painting by French painter Édouard Manet, made in 1866. It is usually kept in the Musée d'Orsay, Paris.

Prompt: 笛を吹く少年に関して、どのように抽象が議論されていますか？英語で出力して下さい。


section

笛を吹く少年

On a trip to Spain in 1865, Édouard Manet visited the Prado, where the art of Diego Velázquez was a revelation. Upon his return to Paris in 1866, he began work on a new painting, depicting an anonymous regimental fifer of the Spanish army. In this picture, Manet presents the uniformed boy, in a manner that imitates and inverts the formula of Vélazquez's court portraits, against a barely inflected, flattened background of neutral tone, thus frustrating attempts to assess the figure's true size and, by extension, importance.The painting, entitled Le fifre, was rejected by the jury of the Salon of 1866. Outraged by the jury's decision, Émile Zola, an early champion of Manet's art, published a series of articles in the newspaper L'Évenement, that praised Manet's realist style and modern content.  Following the example of Gustave Courbet, in May 1867, Manet personally funded and mounted an exhibition of his own work in a pavilion at the edge of the Éxposition universelle. The exhibition included Le fifre, which was ridiculed in the popular press for its unusual brushwork and inscrutable spatial setting.The painting was acquired by Durand-Ruell in 1872 and again in 1893. Between 1873 and 1893, the painting was owned by Manet's friend, composer and baritone Jean-Baptiste Faure.  It was included in a large exhibition of Manet's work in 1884, a year after his premature death.Le fifre was accepted by the French government in lieu of taxes on the estate of its last private owner, the Count Isaac de Camondo, and entered the national collections in 1911. It was displayed at the Louvre from 1914 until 1947, when it was relocated to the Musée du Jeu de Paume. It was included in the sweeping Manet retrospective held at the Grand Palais in 1983, the 100th anniversary of the artist's death.In 1986, it was moved to its current home in the Musée d'Orsay, the national museum of 19th-century art.  It has since traveled in exposition; for example, in 2017 and 2018 it was on loan to the Louvre Abu Dhabi museum in Abu Dhabi, UAE.

Prompt: 笛を吹く少年に焦点を当てて、その歴史を説明してください。英語で出力して下さい。

Abu Dhabi
Diego Velázquez
Jean-Baptiste Faure
Louvre
Louvre Abu Dhabi
Musée d'Orsay
Édouard Manet
Émile Zola


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笛を吹く少年

On a trip to Spain in 1865, Édouard Manet visited the Prado, where the art of Diego Velázquez was a revelation. Upon his return to Paris in 1866, he began work on a new painting, depicting an anonymous regimental fifer of the Spanish army. In this picture, Manet presents the uniformed boy, in a manner that imitates and inverts the formula of Vélazquez's court portraits, against a barely inflected, flattened background of neutral tone, thus frustrating attempts to assess the figure's true size and, by extension, importance.The painting, entitled Le fifre, was rejected by the jury of the Salon of 1866. Outraged by the jury's decision, Émile Zola, an early champion of Manet's art, published a series of articles in the newspaper L'Évenement, that praised Manet's realist style and modern content.  Following the example of Gustave Courbet, in May 1867, Manet personally funded and mounted an exhibition of his own work in a pavilion at the edge of the Éxposition universelle. The exhibition included Le fifre, which was ridiculed in the popular press for its unusual brushwork and inscrutable spatial setting.The painting was acquired by Durand-Ruell in 1872 and again in 1893. Between 1873 and 1893, the painting was owned by Manet's friend, composer and baritone Jean-Baptiste Faure.  It was included in a large exhibition of Manet's work in 1884, a year after his premature death.Le fifre was accepted by the French government in lieu of taxes on the estate of its last private owner, the Count Isaac de Camondo, and entered the national collections in 1911. It was displayed at the Louvre from 1914 until 1947, when it was relocated to the Musée du Jeu de Paume. It was included in the sweeping Manet retrospective held at the Grand Palais in 1983, the 100th anniversary of the artist's death.In 1986, it was moved to its current home in the Musée d'Orsay, the national museum of 19th-century art.  It has since traveled in exposition; for example, in 2017 and 2018 it was on loan to the Louvre Abu Dhabi museum in Abu Dhabi, UAE.

Prompt: 笛を吹く少年の歴史を説明してください。英語で出力して下さい。

Abu Dhabi
Diego Velázquez
Jean-Baptiste Faure
Louvre
Louvre Abu Dhabi
Musée d'Orsay
Édouard Manet
Émile Zola


section

笛を吹く少年

On a trip to Spain in 1865, Édouard Manet visited the Prado, where the art of Diego Velázquez was a revelation. Upon his return to Paris in 1866, he began work on a new painting, depicting an anonymous regimental fifer of the Spanish army. In this picture, Manet presents the uniformed boy, in a manner that imitates and inverts the formula of Vélazquez's court portraits, against a barely inflected, flattened background of neutral tone, thus frustrating attempts to assess the figure's true size and, by extension, importance.The painting, entitled Le fifre, was rejected by the jury of the Salon of 1866. Outraged by the jury's decision, Émile Zola, an early champion of Manet's art, published a series of articles in the newspaper L'Évenement, that praised Manet's realist style and modern content.  Following the example of Gustave Courbet, in May 1867, Manet personally funded and mounted an exhibition of his own work in a pavilion at the edge of the Éxposition universelle. The exhibition included Le fifre, which was ridiculed in the popular press for its unusual brushwork and inscrutable spatial setting.The painting was acquired by Durand-Ruell in 1872 and again in 1893. Between 1873 and 1893, the painting was owned by Manet's friend, composer and baritone Jean-Baptiste Faure.  It was included in a large exhibition of Manet's work in 1884, a year after his premature death.Le fifre was accepted by the French government in lieu of taxes on the estate of its last private owner, the Count Isaac de Camondo, and entered the national collections in 1911. It was displayed at the Louvre from 1914 until 1947, when it was relocated to the Musée du Jeu de Paume. It was included in the sweeping Manet retrospective held at the Grand Palais in 1983, the 100th anniversary of the artist's death.In 1986, it was moved to its current home in the Musée d'Orsay, the national museum of 19th-century art.  It has since traveled in exposition; for example, in 2017 and 2018 it was on loan to the Louvre Abu Dhabi museum in Abu Dhabi, UAE.

Prompt: 笛を吹く少年はどのように歴史を説明していますか？英語で出力して下さい。

Abu Dhabi
Diego Velázquez
Jean-Baptiste Faure
Louvre
Louvre Abu Dhabi
Musée d'Orsay
Édouard Manet
Émile Zola


section

笛を吹く少年

On a trip to Spain in 1865, Édouard Manet visited the Prado, where the art of Diego Velázquez was a revelation. Upon his return to Paris in 1866, he began work on a new painting, depicting an anonymous regimental fifer of the Spanish army. In this picture, Manet presents the uniformed boy, in a manner that imitates and inverts the formula of Vélazquez's court portraits, against a barely inflected, flattened background of neutral tone, thus frustrating attempts to assess the figure's true size and, by extension, importance.The painting, entitled Le fifre, was rejected by the jury of the Salon of 1866. Outraged by the jury's decision, Émile Zola, an early champion of Manet's art, published a series of articles in the newspaper L'Évenement, that praised Manet's realist style and modern content.  Following the example of Gustave Courbet, in May 1867, Manet personally funded and mounted an exhibition of his own work in a pavilion at the edge of the Éxposition universelle. The exhibition included Le fifre, which was ridiculed in the popular press for its unusual brushwork and inscrutable spatial setting.The painting was acquired by Durand-Ruell in 1872 and again in 1893. Between 1873 and 1893, the painting was owned by Manet's friend, composer and baritone Jean-Baptiste Faure.  It was included in a large exhibition of Manet's work in 1884, a year after his premature death.Le fifre was accepted by the French government in lieu of taxes on the estate of its last private owner, the Count Isaac de Camondo, and entered the national collections in 1911. It was displayed at the Louvre from 1914 until 1947, when it was relocated to the Musée du Jeu de Paume. It was included in the sweeping Manet retrospective held at the Grand Palais in 1983, the 100th anniversary of the artist's death.In 1986, it was moved to its current home in the Musée d'Orsay, the national museum of 19th-century art.  It has since traveled in exposition; for example, in 2017 and 2018 it was on loan to the Louvre Abu Dhabi museum in Abu Dhabi, UAE.

Prompt: 笛を吹く少年に関して、どのように歴史が議論されていますか？英語で出力して下さい。

Abu Dhabi
Diego Velázquez
Jean-Baptiste Faure
Louvre
Louvre Abu Dhabi
Musée d'Orsay
Édouard Manet
Émile Zola


section

笛を吹く少年

As with a painting by Velázquez, Manet conceived a shallow depth, where vertical and horizontal planes are barely distinguishable. According to Peter H. Feist, in The Player fife, Manet showed the appeal of "the decorative effect of a large single figure, with emphatic contours and placed before a background surface." Against a monochrome background, the figure is boldly highlighted with a reduced palette of colors mostly laid on in a thick impasto which brings forth the very sharp black of the jacket and shoes, along with the red pants, white strap, spats and so on. Thus, the figure stands "firm, smooth and alive." "treated like a grandee of Spain."

Prompt: 笛を吹く少年に焦点を当てて、その分析を説明してください。英語で出力して下さい。


section

笛を吹く少年

As with a painting by Velázquez, Manet conceived a shallow depth, where vertical and horizontal planes are barely distinguishable. According to Peter H. Feist, in The Player fife, Manet showed the appeal of "the decorative effect of a large single figure, with emphatic contours and placed before a background surface." Against a monochrome background, the figure is boldly highlighted with a reduced palette of colors mostly laid on in a thick impasto which brings forth the very sharp black of the jacket and shoes, along with the red pants, white strap, spats and so on. Thus, the figure stands "firm, smooth and alive." "treated like a grandee of Spain."

Prompt: 笛を吹く少年の分析を説明してください。英語で出力して下さい。


section

笛を吹く少年

As with a painting by Velázquez, Manet conceived a shallow depth, where vertical and horizontal planes are barely distinguishable. According to Peter H. Feist, in The Player fife, Manet showed the appeal of "the decorative effect of a large single figure, with emphatic contours and placed before a background surface." Against a monochrome background, the figure is boldly highlighted with a reduced palette of colors mostly laid on in a thick impasto which brings forth the very sharp black of the jacket and shoes, along with the red pants, white strap, spats and so on. Thus, the figure stands "firm, smooth and alive." "treated like a grandee of Spain."

Prompt: 笛を吹く少年はどのように分析を説明していますか？英語で出力して下さい。


section

笛を吹く少年

As with a painting by Velázquez, Manet conceived a shallow depth, where vertical and horizontal planes are barely distinguishable. According to Peter H. Feist, in The Player fife, Manet showed the appeal of "the decorative effect of a large single figure, with emphatic contours and placed before a background surface." Against a monochrome background, the figure is boldly highlighted with a reduced palette of colors mostly laid on in a thick impasto which brings forth the very sharp black of the jacket and shoes, along with the red pants, white strap, spats and so on. Thus, the figure stands "firm, smooth and alive." "treated like a grandee of Spain."

Prompt: 笛を吹く少年に関して、どのように分析が議論されていますか？英語で出力して下さい。


section

笛を吹く少年

A fictional tale concerning the painting forms the subject of an episode  of the American television series Hogan's Heroes, in which the work is stolen from the Louvre by a Nazi general and returned by the Allied POW's working with the French underground.

Prompt: 笛を吹く少年に焦点を当てて、その大衆文化でを説明してください。英語で出力して下さい。


section

笛を吹く少年

A fictional tale concerning the painting forms the subject of an episode  of the American television series Hogan's Heroes, in which the work is stolen from the Louvre by a Nazi general and returned by the Allied POW's working with the French underground.

Prompt: 笛を吹く少年の大衆文化でを説明してください。英語で出力して下さい。


section

笛を吹く少年

A fictional tale concerning the painting forms the subject of an episode  of the American television series Hogan's Heroes, in which the work is stolen from the Louvre by a Nazi general and returned by the Allied POW's working with the French underground.

Prompt: 笛を吹く少年はどのように大衆文化でを説明していますか？英語で出力して下さい。


section

笛を吹く少年

A fictional tale concerning the painting forms the subject of an episode  of the American television series Hogan's Heroes, in which the work is stolen from the Louvre by a Nazi general and returned by the Allied POW's working with the French underground.

Prompt: 笛を吹く少年に関して、どのように大衆文化でが議論されていますか？英語で出力して下さい。


section

笛を吹く少年

Prompt: 笛を吹く少年に焦点を当てて、その参照を説明してください。英語で出力して下さい。

List of paintings by Édouard Manet
Édouard Manet


section

笛を吹く少年

Prompt: 笛を吹く少年の参照を説明してください。英語で出力して下さい。

List of paintings by Édouard Manet
Édouard Manet


section

笛を吹く少年

Prompt: 笛を吹く少年はどのように参照を説明していますか？英語で出力して下さい。

List of paintings by Édouard Manet
Édouard Manet


section

笛を吹く少年

Prompt: 笛を吹く少年に関して、どのように参照が議論されていますか？英語で出力して下さい。

List of paintings by Édouard Manet
Édouard Manet


section

藤島武二

birth_place      = Kagoshima Satsuma Domain, Japan death_date     =  death_place    = Tokyo, Japan nationality   = Japanese field         =  Painting training      =  movement      = Yōga works         =  patrons       =  awards = }} was a Japanese painter, noted for his work in developing Romanticism and impressionism within the yōga  art movement in late 19th- and early 20th-century Japanese painting. In his later years, he was influenced by the Art Nouveau movement.

Prompt: 藤島武二に焦点を当てて、その抽象を説明してください。英語で出力して下さい。

Art Nouveau
Japan
Japanese painting
Painting
Romanticism
Satsuma Domain
Tokyo


section

藤島武二

birth_place      = Kagoshima Satsuma Domain, Japan death_date     =  death_place    = Tokyo, Japan nationality   = Japanese field         =  Painting training      =  movement      = Yōga works         =  patrons       =  awards = }} was a Japanese painter, noted for his work in developing Romanticism and impressionism within the yōga  art movement in late 19th- and early 20th-century Japanese painting. In his later years, he was influenced by the Art Nouveau movement.

Prompt: 藤島武二の抽象を説明してください。英語で出力して下さい。

Art Nouveau
Japan
Japanese painting
Painting
Romanticism
Satsuma Domain
Tokyo