section

プラハの天文時計

The astronomical dial is a form of mechanical astrolabe, a device used in medieval astronomy. Alternatively, one may consider the Orloj to be a primitive planetarium, displaying the current orientation of the universe relative to the Earth.The astronomical dial has a background that represents the standing Earth and sky, and surrounding it operate four main moving components: the zodiacal ring, an outer rotating ring, an icon representing the Sun, and an icon representing the Moon.

Prompt: プラハの天文時計はどのように天文時計を説明していますか？英語で出力して下さい。


section

プラハの天文時計

The astronomical dial is a form of mechanical astrolabe, a device used in medieval astronomy. Alternatively, one may consider the Orloj to be a primitive planetarium, displaying the current orientation of the universe relative to the Earth.The astronomical dial has a background that represents the standing Earth and sky, and surrounding it operate four main moving components: the zodiacal ring, an outer rotating ring, an icon representing the Sun, and an icon representing the Moon.

Prompt: プラハの天文時計に関して、どのように天文時計が議論されていますか？英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Moving figures left280px left280px 280pxleft}The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.

Prompt: プラハの天文時計に焦点を当てて、そのアニメーションキャラクターを説明してください。英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Moving figures left280px left280px 280pxleft}The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.

Prompt: プラハの天文時計のアニメーションキャラクターを説明してください。英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Moving figures left280px left280px 280pxleft}The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.

Prompt: プラハの天文時計はどのようにアニメーションキャラクターを説明していますか？英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Moving figures left280px left280px 280pxleft}The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.

Prompt: プラハの天文時計に関して、どのようにアニメーションキャラクターが議論されていますか？英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Calendar overview and detail left275px left275px}The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.

Prompt: プラハの天文時計に焦点を当てて、そのカレンダーを説明してください。英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Calendar overview and detail left275px left275px}The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.

Prompt: プラハの天文時計のカレンダーを説明してください。英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Calendar overview and detail left275px left275px}The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.

Prompt: プラハの天文時計はどのようにカレンダーを説明していますか？英語で出力して下さい。


section

プラハの天文時計

{ align=center+ Calendar overview and detail left275px left275px}The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.

Prompt: プラハの天文時計に関して、どのようにカレンダーが議論されていますか？英語で出力して下さい。


section

プラハの天文時計

Antikythera mechanism Armillary sphere Equation of time Geocentric model Horology Orrery Šindel sequence Torquetum A replica of the clock is in Mapo District, Seoul

Prompt: プラハの天文時計に焦点を当てて、その参照を説明してください。英語で出力して下さい。

Antikythera mechanism
Armillary sphere
Equation of time
Geocentric model
Mapo District
Orrery
Seoul
Torquetum
Šindel sequence


section

プラハの天文時計

Antikythera mechanism Armillary sphere Equation of time Geocentric model Horology Orrery Šindel sequence Torquetum A replica of the clock is in Mapo District, Seoul

Prompt: プラハの天文時計の参照を説明してください。英語で出力して下さい。

Antikythera mechanism
Armillary sphere
Equation of time
Geocentric model
Mapo District
Orrery
Seoul
Torquetum
Šindel sequence


section

プラハの天文時計

Antikythera mechanism Armillary sphere Equation of time Geocentric model Horology Orrery Šindel sequence Torquetum A replica of the clock is in Mapo District, Seoul

Prompt: プラハの天文時計はどのように参照を説明していますか？英語で出力して下さい。

Antikythera mechanism
Armillary sphere
Equation of time
Geocentric model
Mapo District
Orrery
Seoul
Torquetum
Šindel sequence


section

プラハの天文時計

Antikythera mechanism Armillary sphere Equation of time Geocentric model Horology Orrery Šindel sequence Torquetum A replica of the clock is in Mapo District, Seoul

Prompt: プラハの天文時計に関して、どのように参照が議論されていますか？英語で出力して下さい。

Antikythera mechanism
Armillary sphere
Equation of time
Geocentric model
Mapo District
Orrery
Seoul
Torquetum
Šindel sequence


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計の文脈で、600周年記念と歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計の歴史に関する600周年記念を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計では、どのように歴史の600周年記念が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計の歴史における600周年記念の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計の文脈で、605周年記念と歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計の歴史に関する605周年記念を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計では、どのように歴史の605周年記念が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計の歴史における605周年記念の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計の文脈で、2018再建と歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計の歴史に関する2018再建を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計では、どのように歴史の2018再建が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計の歴史における2018再建の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計の文脈で、2022年再建論争と歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計の歴史に関する2022年再建論争を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計では、どのように歴史の2022年再建論争が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計の歴史における2022年再建論争の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計の文脈で、静止背景と歴史を説明してください。英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計の歴史に関する静止背景を説明してください。英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計では、どのように歴史の静止背景が説明されていますか？英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計の歴史における静止背景の特徴を説明してください。英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計の文脈で、黄道光と歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計の歴史に関する黄道光を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計では、どのように歴史の黄道光が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計の歴史における黄道光の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計の文脈で、オールドチェコタイムスケールと歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計の歴史に関するオールドチェコタイムスケールを説明してください。英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計では、どのように歴史のオールドチェコタイムスケールが説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計の歴史におけるオールドチェコタイムスケールの特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計の文脈で、太陽と歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計の歴史に関する太陽を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計では、どのように歴史の太陽が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計の歴史における太陽の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計の文脈で、月と歴史を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計の歴史に関する月を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計では、どのように歴史の月が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計の歴史における月の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計の文脈で、600周年記念と天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計の天文時計に関する600周年記念を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計では、どのように天文時計の600周年記念が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows.

Prompt: プラハの天文時計の天文時計における600周年記念の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計の文脈で、605周年記念と天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計の天文時計に関する605周年記念を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計では、どのように天文時計の605周年記念が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle.

Prompt: プラハの天文時計の天文時計における605周年記念の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計の文脈で、2018再建と天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計の天文時計に関する2018再建を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計では、どのように天文時計の2018再建が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018.

Prompt: プラハの天文時計の天文時計における2018再建の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計の文脈で、2022年再建論争と天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計の天文時計に関する2022年再建論争を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計では、どのように天文時計の2022年再建論争が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had "radically changed the appearance, ages, skin tone, dress and even genders of the figures" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the "spirit and detail" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, "possibly as a joke." Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as "banal and done by an amateur" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018.

Prompt: プラハの天文時計の天文時計における2022年再建論争の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計の文脈で、静止背景と天文時計を説明してください。英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計の天文時計に関する静止背景を説明してください。英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計では、どのように天文時計の静止背景が説明されていますか？英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern  part of the horizon is aurora  and ortus . On the western  part is occasus , and crepusculum .Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal "hours". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year.

Prompt: プラハの天文時計の天文時計における静止背景の特徴を説明してください。英語で出力して下さい。

Central European Time
Prague
Roman numerals
Sun


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計の文脈で、黄道光と天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計の天文時計に関する黄道光を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計では、どのように天文時計の黄道光が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear.

Prompt: プラハの天文時計の天文時計における黄道光の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計の文脈で、オールドチェコタイムスケールと天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計の天文時計に関するオールドチェコタイムスケールを説明してください。英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計では、どのように天文時計のオールドチェコタイムスケールが説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time , with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm .

Prompt: プラハの天文時計の天文時計におけるオールドチェコタイムスケールの特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計の文脈で、太陽と天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計の天文時計に関する太陽を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計では、どのように天文時計の太陽が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:# The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.# The position of the Sun over the curved golden lines indicates the time in unequal hours.# The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.

Prompt: プラハの天文時計の天文時計における太陽の特徴を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計の文脈で、月と天文時計を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計の天文時計に関する月を説明してください。英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計では、どのように天文時計の月が説明されていますか？英語で出力して下さい。


subsection

プラハの天文時計

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.

Prompt: プラハの天文時計の天文時計における月の特徴を説明してください。英語で出力して下さい。


section

システィーナ礼拝堂天井画

mapframe-frame-width=270mapframe=yesmapframe-caption=Click on the map for a fullscreen viewmapframe-zoom=14mapframe-marker=monumentmapframe-wikidata=yesfollowed_by=The st Judgment}}The Sistine Chapel ceiling , painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art.The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II.The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created a set of large tapestries  to cover the lower portion of the wall. Michelangelo returned to the chapel to create The st Judgment, a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church, serving as the location for papal conclaves and many other important services.Central to the ceiling decoration are nine scenes from the Book of Genesis, including The Creation of Adam. The complex design includes several sets of figures, some clothed and some nude, allowing Michelangelo to demonstrate his skill in depicting the human figure in a variety of poses. The ceiling was immediately well-received and imitated by other artists, continuing to the present. It has been restored several times, most recently from 1980–94.

Prompt: システィーナ礼拝堂天井画に焦点を当てて、その抽象を説明してください。英語で出力して下さい。

Adam
Book of Genesis
Catholic Church
Domenico Ghirlandaio
High Renaissance
Michelangelo


section

システィーナ礼拝堂天井画

mapframe-frame-width=270mapframe=yesmapframe-caption=Click on the map for a fullscreen viewmapframe-zoom=14mapframe-marker=monumentmapframe-wikidata=yesfollowed_by=The st Judgment}}The Sistine Chapel ceiling , painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art.The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II.The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created a set of large tapestries  to cover the lower portion of the wall. Michelangelo returned to the chapel to create The st Judgment, a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church, serving as the location for papal conclaves and many other important services.Central to the ceiling decoration are nine scenes from the Book of Genesis, including The Creation of Adam. The complex design includes several sets of figures, some clothed and some nude, allowing Michelangelo to demonstrate his skill in depicting the human figure in a variety of poses. The ceiling was immediately well-received and imitated by other artists, continuing to the present. It has been restored several times, most recently from 1980–94.

Prompt: システィーナ礼拝堂天井画の抽象を説明してください。英語で出力して下さい。

Adam
Book of Genesis
Catholic Church
Domenico Ghirlandaio
High Renaissance
Michelangelo


section

システィーナ礼拝堂天井画

mapframe-frame-width=270mapframe=yesmapframe-caption=Click on the map for a fullscreen viewmapframe-zoom=14mapframe-marker=monumentmapframe-wikidata=yesfollowed_by=The st Judgment}}The Sistine Chapel ceiling , painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art.The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II.The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created a set of large tapestries  to cover the lower portion of the wall. Michelangelo returned to the chapel to create The st Judgment, a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church, serving as the location for papal conclaves and many other important services.Central to the ceiling decoration are nine scenes from the Book of Genesis, including The Creation of Adam. The complex design includes several sets of figures, some clothed and some nude, allowing Michelangelo to demonstrate his skill in depicting the human figure in a variety of poses. The ceiling was immediately well-received and imitated by other artists, continuing to the present. It has been restored several times, most recently from 1980–94.

Prompt: システィーナ礼拝堂天井画はどのように抽象を説明していますか？英語で出力して下さい。

Adam
Book of Genesis
Catholic Church
Domenico Ghirlandaio
High Renaissance
Michelangelo


section

システィーナ礼拝堂天井画

mapframe-frame-width=270mapframe=yesmapframe-caption=Click on the map for a fullscreen viewmapframe-zoom=14mapframe-marker=monumentmapframe-wikidata=yesfollowed_by=The st Judgment}}The Sistine Chapel ceiling , painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art.The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II.The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created a set of large tapestries  to cover the lower portion of the wall. Michelangelo returned to the chapel to create The st Judgment, a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church, serving as the location for papal conclaves and many other important services.Central to the ceiling decoration are nine scenes from the Book of Genesis, including The Creation of Adam. The complex design includes several sets of figures, some clothed and some nude, allowing Michelangelo to demonstrate his skill in depicting the human figure in a variety of poses. The ceiling was immediately well-received and imitated by other artists, continuing to the present. It has been restored several times, most recently from 1980–94.

Prompt: システィーナ礼拝堂天井画に関して、どのように抽象が議論されていますか？英語で出力して下さい。

Adam
Book of Genesis
Catholic Church
Domenico Ghirlandaio
High Renaissance
Michelangelo


section

システィーナ礼拝堂天井画

The walls of the Sistine Chapel had been decorated 20 years before Michelangelo's work on the ceiling. Following this, Raphael designed a set of tapestries  to cover the lowest of three levels; the surviving tapestries are still hung on special occasions. The middle level contains a complex scheme of frescoes illustrating the Life of Christ on the right side and the Life of Moses on the left side. It was carried out by some of the most renowned Renaissance painters: Sandro Botticelli, Domenico Ghirlandaio, Pietro Perugino, Pinturicchio, Luca Signorelli, and Cosimo Rosselli. The upper level of the walls contains the windows, between which are painted pairs of illusionistic niches with representations of the first 32 popes.The original ceiling painting was by Pier Matteo d'Amelia, and had depicted stars over a blue background like the ceiling of the Arena Chapel decorated by Giotto at Padua. For six months in 1504, a diagonal crack in the chapel's vault had made the chapel unusable, and Pope Julius II  had the damaged painting removed by Piero Roselli, a friend of Michelangelo.Julius II was a "warrior pope" who in his papacy undertook an aggressive campaign for political control to unite and empower Italy under the leadership of the Catholic Church. He invested in symbolism to display his temporal power, such as his procession, in which he  rode a chariot through a triumphal arch after one of his many military victories. Julius II's project to rebuild St. Peter's Basilica would distinguish it as the most potent symbol of the source of papal power; he ultimately demolished and replaced the original basilica with a grander one intended to house his own tomb. The pope summoned Michelangelo to Rome in early 1505 and commissioned him to design his tomb, forcing the artist to leave Florence with his planned Battle of Cascina painting unfinished. By this time, Michelangelo was established as an artist;three works often interrupted, carried on through a thousand hesitations, a thousand disappointments, quarrels with his patrons, quarrels with his family, quarrels perhaps most of all with himselfthe Sistine Chapel, the Mausoleum of Julius the Second, and the Sacristy of San Lorenzo".In 1506, the same year the foundation stone was laid for the new St. Peter's,}} According to Bramante, Michelangelo stated his refusal. In November 1506 Michelangelo went to Bologna, where he received a commission from the pope to construct a colossal bronze statue of him conquering the Bolognese.}}Vasari states that "When the chapel was uncovered, people from everywhere [rushed] to see it, and the sight of it alone was sufficient to leave them amazed and speechless." At the age of 37, Michelangelo's reputation rose such that he was called il divino, and he was henceforth regarded as the greatest artist of his time, who had elevated the status of the arts themselves, a recognition that lasted the rest of his long life. The ceiling was immediately considered one of the greatest masterpieces of all time, a distinction which continues to endure.

Prompt: システィーナ礼拝堂天井画に焦点を当てて、そのコンテキストと創造を説明してください。英語で出力して下さい。

Bologna
Catholic Church
Cosimo Rosselli
Domenico Ghirlandaio
Florence
Giotto
Luca Signorelli
Michelangelo


section

システィーナ礼拝堂天井画

The walls of the Sistine Chapel had been decorated 20 years before Michelangelo's work on the ceiling. Following this, Raphael designed a set of tapestries  to cover the lowest of three levels; the surviving tapestries are still hung on special occasions. The middle level contains a complex scheme of frescoes illustrating the Life of Christ on the right side and the Life of Moses on the left side. It was carried out by some of the most renowned Renaissance painters: Sandro Botticelli, Domenico Ghirlandaio, Pietro Perugino, Pinturicchio, Luca Signorelli, and Cosimo Rosselli. The upper level of the walls contains the windows, between which are painted pairs of illusionistic niches with representations of the first 32 popes.The original ceiling painting was by Pier Matteo d'Amelia, and had depicted stars over a blue background like the ceiling of the Arena Chapel decorated by Giotto at Padua. For six months in 1504, a diagonal crack in the chapel's vault had made the chapel unusable, and Pope Julius II  had the damaged painting removed by Piero Roselli, a friend of Michelangelo.Julius II was a "warrior pope" who in his papacy undertook an aggressive campaign for political control to unite and empower Italy under the leadership of the Catholic Church. He invested in symbolism to display his temporal power, such as his procession, in which he  rode a chariot through a triumphal arch after one of his many military victories. Julius II's project to rebuild St. Peter's Basilica would distinguish it as the most potent symbol of the source of papal power; he ultimately demolished and replaced the original basilica with a grander one intended to house his own tomb. The pope summoned Michelangelo to Rome in early 1505 and commissioned him to design his tomb, forcing the artist to leave Florence with his planned Battle of Cascina painting unfinished. By this time, Michelangelo was established as an artist;three works often interrupted, carried on through a thousand hesitations, a thousand disappointments, quarrels with his patrons, quarrels with his family, quarrels perhaps most of all with himselfthe Sistine Chapel, the Mausoleum of Julius the Second, and the Sacristy of San Lorenzo".In 1506, the same year the foundation stone was laid for the new St. Peter's,}} According to Bramante, Michelangelo stated his refusal. In November 1506 Michelangelo went to Bologna, where he received a commission from the pope to construct a colossal bronze statue of him conquering the Bolognese.}}Vasari states that "When the chapel was uncovered, people from everywhere [rushed] to see it, and the sight of it alone was sufficient to leave them amazed and speechless." At the age of 37, Michelangelo's reputation rose such that he was called il divino, and he was henceforth regarded as the greatest artist of his time, who had elevated the status of the arts themselves, a recognition that lasted the rest of his long life. The ceiling was immediately considered one of the greatest masterpieces of all time, a distinction which continues to endure.

Prompt: システィーナ礼拝堂天井画のコンテキストと創造を説明してください。英語で出力して下さい。

Bologna
Catholic Church
Cosimo Rosselli
Domenico Ghirlandaio
Florence
Giotto
Luca Signorelli
Michelangelo


section

システィーナ礼拝堂天井画

The walls of the Sistine Chapel had been decorated 20 years before Michelangelo's work on the ceiling. Following this, Raphael designed a set of tapestries  to cover the lowest of three levels; the surviving tapestries are still hung on special occasions. The middle level contains a complex scheme of frescoes illustrating the Life of Christ on the right side and the Life of Moses on the left side. It was carried out by some of the most renowned Renaissance painters: Sandro Botticelli, Domenico Ghirlandaio, Pietro Perugino, Pinturicchio, Luca Signorelli, and Cosimo Rosselli. The upper level of the walls contains the windows, between which are painted pairs of illusionistic niches with representations of the first 32 popes.The original ceiling painting was by Pier Matteo d'Amelia, and had depicted stars over a blue background like the ceiling of the Arena Chapel decorated by Giotto at Padua. For six months in 1504, a diagonal crack in the chapel's vault had made the chapel unusable, and Pope Julius II  had the damaged painting removed by Piero Roselli, a friend of Michelangelo.Julius II was a "warrior pope" who in his papacy undertook an aggressive campaign for political control to unite and empower Italy under the leadership of the Catholic Church. He invested in symbolism to display his temporal power, such as his procession, in which he  rode a chariot through a triumphal arch after one of his many military victories. Julius II's project to rebuild St. Peter's Basilica would distinguish it as the most potent symbol of the source of papal power; he ultimately demolished and replaced the original basilica with a grander one intended to house his own tomb. The pope summoned Michelangelo to Rome in early 1505 and commissioned him to design his tomb, forcing the artist to leave Florence with his planned Battle of Cascina painting unfinished. By this time, Michelangelo was established as an artist;three works often interrupted, carried on through a thousand hesitations, a thousand disappointments, quarrels with his patrons, quarrels with his family, quarrels perhaps most of all with himselfthe Sistine Chapel, the Mausoleum of Julius the Second, and the Sacristy of San Lorenzo".In 1506, the same year the foundation stone was laid for the new St. Peter's,}} According to Bramante, Michelangelo stated his refusal. In November 1506 Michelangelo went to Bologna, where he received a commission from the pope to construct a colossal bronze statue of him conquering the Bolognese.}}Vasari states that "When the chapel was uncovered, people from everywhere [rushed] to see it, and the sight of it alone was sufficient to leave them amazed and speechless." At the age of 37, Michelangelo's reputation rose such that he was called il divino, and he was henceforth regarded as the greatest artist of his time, who had elevated the status of the arts themselves, a recognition that lasted the rest of his long life. The ceiling was immediately considered one of the greatest masterpieces of all time, a distinction which continues to endure.

Prompt: システィーナ礼拝堂天井画はどのようにコンテキストと創造を説明していますか？英語で出力して下さい。

Bologna
Catholic Church
Cosimo Rosselli
Domenico Ghirlandaio
Florence
Giotto
Luca Signorelli
Michelangelo


section

システィーナ礼拝堂天井画

The walls of the Sistine Chapel had been decorated 20 years before Michelangelo's work on the ceiling. Following this, Raphael designed a set of tapestries  to cover the lowest of three levels; the surviving tapestries are still hung on special occasions. The middle level contains a complex scheme of frescoes illustrating the Life of Christ on the right side and the Life of Moses on the left side. It was carried out by some of the most renowned Renaissance painters: Sandro Botticelli, Domenico Ghirlandaio, Pietro Perugino, Pinturicchio, Luca Signorelli, and Cosimo Rosselli. The upper level of the walls contains the windows, between which are painted pairs of illusionistic niches with representations of the first 32 popes.The original ceiling painting was by Pier Matteo d'Amelia, and had depicted stars over a blue background like the ceiling of the Arena Chapel decorated by Giotto at Padua. For six months in 1504, a diagonal crack in the chapel's vault had made the chapel unusable, and Pope Julius II  had the damaged painting removed by Piero Roselli, a friend of Michelangelo.Julius II was a "warrior pope" who in his papacy undertook an aggressive campaign for political control to unite and empower Italy under the leadership of the Catholic Church. He invested in symbolism to display his temporal power, such as his procession, in which he  rode a chariot through a triumphal arch after one of his many military victories. Julius II's project to rebuild St. Peter's Basilica would distinguish it as the most potent symbol of the source of papal power; he ultimately demolished and replaced the original basilica with a grander one intended to house his own tomb. The pope summoned Michelangelo to Rome in early 1505 and commissioned him to design his tomb, forcing the artist to leave Florence with his planned Battle of Cascina painting unfinished. By this time, Michelangelo was established as an artist;three works often interrupted, carried on through a thousand hesitations, a thousand disappointments, quarrels with his patrons, quarrels with his family, quarrels perhaps most of all with himselfthe Sistine Chapel, the Mausoleum of Julius the Second, and the Sacristy of San Lorenzo".In 1506, the same year the foundation stone was laid for the new St. Peter's,}} According to Bramante, Michelangelo stated his refusal. In November 1506 Michelangelo went to Bologna, where he received a commission from the pope to construct a colossal bronze statue of him conquering the Bolognese.}}Vasari states that "When the chapel was uncovered, people from everywhere [rushed] to see it, and the sight of it alone was sufficient to leave them amazed and speechless." At the age of 37, Michelangelo's reputation rose such that he was called il divino, and he was henceforth regarded as the greatest artist of his time, who had elevated the status of the arts themselves, a recognition that lasted the rest of his long life. The ceiling was immediately considered one of the greatest masterpieces of all time, a distinction which continues to endure.

Prompt: システィーナ礼拝堂天井画に関して、どのようにコンテキストと創造が議論されていますか？英語で出力して下さい。

Bologna
Catholic Church
Cosimo Rosselli
Domenico Ghirlandaio
Florence
Giotto
Luca Signorelli
Michelangelo


section

システィーナ礼拝堂天井画

Michelangelo's frescoes form the backstory to the 15th-century narrative cycles of the lives of Moses and Jesus Christ by Perugino and Botticelli on the chapel's walls.Below the painted cornice around the central rectangular area is a lower register depicting a continuation of the chapel's walls as a trompe-l'œil architectural framework against which figures press, with powerful modelling. The figures are drastically foreshortened and are at larger scale than the figures in the central scenes, which according to Harold Osborne and Hugh Brigstocke creates "a sense of spatial disequilibrium".The ceiling at the chapel's four corners forms a doubled spandrel painted with salvific scenes from the Old Testament: The Brazen Serpent, The Crucifixion of Haman, Judith and Holofernes, and David and Goliath.On the crescent-shaped areas, or lunettes, above each of the chapel's windows are tablets listing the ancestors of Christ and accompanying figures. Above them, in the triangular spandrels, a further eight groups of figures are shown, but these have not been identified with specific biblical characters. The scheme is completed by four large corner pendentives, each illustrating a dramatic biblical story.Each of the chapel's window arches cuts into the curved vault, creating above each a triangular area of vaulting. The arch of each window is separated from the next by these triangular spandrels, in each of which are enthroned Prophets alternating with the Sibyls. These figures, seven Old Testament prophets and five of the Graeco-Roman sibyls, were notable in Christian tradition for their prophesies of the Messiah or the Nativity of Jesus. The lunettes above the windows are themselves painted with scenes of the "purely human" Ancestors of Christ, as are the spaces either side of each window. Their position is both the lowest in the vault and the darkest, in contrast with the airy upper vault.

Prompt: システィーナ礼拝堂天井画に焦点を当てて、その内容を説明してください。英語で出力して下さい。

Jesus David Goliath Haman Jesus Messiah Michelangelo


section

システィーナ礼拝堂天井画

Michelangelo's frescoes form the backstory to the 15th-century narrative cycles of the lives of Moses and Jesus Christ by Perugino and Botticelli on the chapel's walls.Below the painted cornice around the central rectangular area is a lower register depicting a continuation of the chapel's walls as a trompe-l'œil architectural framework against which figures press, with powerful modelling. The figures are drastically foreshortened and are at larger scale than the figures in the central scenes, which according to Harold Osborne and Hugh Brigstocke creates "a sense of spatial disequilibrium".The ceiling at the chapel's four corners forms a doubled spandrel painted with salvific scenes from the Old Testament: The Brazen Serpent, The Crucifixion of Haman, Judith and Holofernes, and David and Goliath.On the crescent-shaped areas, or lunettes, above each of the chapel's windows are tablets listing the ancestors of Christ and accompanying figures. Above them, in the triangular spandrels, a further eight groups of figures are shown, but these have not been identified with specific biblical characters. The scheme is completed by four large corner pendentives, each illustrating a dramatic biblical story.Each of the chapel's window arches cuts into the curved vault, creating above each a triangular area of vaulting. The arch of each window is separated from the next by these triangular spandrels, in each of which are enthroned Prophets alternating with the Sibyls. These figures, seven Old Testament prophets and five of the Graeco-Roman sibyls, were notable in Christian tradition for their prophesies of the Messiah or the Nativity of Jesus. The lunettes above the windows are themselves painted with scenes of the "purely human" Ancestors of Christ, as are the spaces either side of each window. Their position is both the lowest in the vault and the darkest, in contrast with the airy upper vault.

Prompt: システィーナ礼拝堂天井画の内容を説明してください。英語で出力して下さい。

Jesus David Goliath Haman Jesus Messiah Michelangelo


section

システィーナ礼拝堂天井画

Michelangelo's frescoes form the backstory to the 15th-century narrative cycles of the lives of Moses and Jesus Christ by Perugino and Botticelli on the chapel's walls.Below the painted cornice around the central rectangular area is a lower register depicting a continuation of the chapel's walls as a trompe-l'œil architectural framework against which figures press, with powerful modelling. The figures are drastically foreshortened and are at larger scale than the figures in the central scenes, which according to Harold Osborne and Hugh Brigstocke creates "a sense of spatial disequilibrium".The ceiling at the chapel's four corners forms a doubled spandrel painted with salvific scenes from the Old Testament: The Brazen Serpent, The Crucifixion of Haman, Judith and Holofernes, and David and Goliath.On the crescent-shaped areas, or lunettes, above each of the chapel's windows are tablets listing the ancestors of Christ and accompanying figures. Above them, in the triangular spandrels, a further eight groups of figures are shown, but these have not been identified with specific biblical characters. The scheme is completed by four large corner pendentives, each illustrating a dramatic biblical story.Each of the chapel's window arches cuts into the curved vault, creating above each a triangular area of vaulting. The arch of each window is separated from the next by these triangular spandrels, in each of which are enthroned Prophets alternating with the Sibyls. These figures, seven Old Testament prophets and five of the Graeco-Roman sibyls, were notable in Christian tradition for their prophesies of the Messiah or the Nativity of Jesus. The lunettes above the windows are themselves painted with scenes of the "purely human" Ancestors of Christ, as are the spaces either side of each window. Their position is both the lowest in the vault and the darkest, in contrast with the airy upper vault.

Prompt: システィーナ礼拝堂天井画はどのように内容を説明していますか？英語で出力して下さい。

Jesus David Goliath Haman Jesus Messiah Michelangelo


section

システィーナ礼拝堂天井画

Michelangelo's frescoes form the backstory to the 15th-century narrative cycles of the lives of Moses and Jesus Christ by Perugino and Botticelli on the chapel's walls.Below the painted cornice around the central rectangular area is a lower register depicting a continuation of the chapel's walls as a trompe-l'œil architectural framework against which figures press, with powerful modelling. The figures are drastically foreshortened and are at larger scale than the figures in the central scenes, which according to Harold Osborne and Hugh Brigstocke creates "a sense of spatial disequilibrium".The ceiling at the chapel's four corners forms a doubled spandrel painted with salvific scenes from the Old Testament: The Brazen Serpent, The Crucifixion of Haman, Judith and Holofernes, and David and Goliath.On the crescent-shaped areas, or lunettes, above each of the chapel's windows are tablets listing the ancestors of Christ and accompanying figures. Above them, in the triangular spandrels, a further eight groups of figures are shown, but these have not been identified with specific biblical characters. The scheme is completed by four large corner pendentives, each illustrating a dramatic biblical story.Each of the chapel's window arches cuts into the curved vault, creating above each a triangular area of vaulting. The arch of each window is separated from the next by these triangular spandrels, in each of which are enthroned Prophets alternating with the Sibyls. These figures, seven Old Testament prophets and five of the Graeco-Roman sibyls, were notable in Christian tradition for their prophesies of the Messiah or the Nativity of Jesus. The lunettes above the windows are themselves painted with scenes of the "purely human" Ancestors of Christ, as are the spaces either side of each window. Their position is both the lowest in the vault and the darkest, in contrast with the airy upper vault.

Prompt: システィーナ礼拝堂天井画に関して、どのように内容が議論されていますか？英語で出力して下さい。

Jesus David Goliath Haman Jesus Messiah Michelangelo


section

システィーナ礼拝堂天井画

The Sistine Chapel is about 35 m  long and  wide, The crown of the wall then rises above the spandrels, to a strongly projecting painted cornice that runs right around the ceiling, separating the pictorial areas of the biblical scenes from the figures of prophets, sibyls, and ancestors, who literally and figuratively support the narratives. Ten broad painted cross-ribs of travertine cross the ceiling and divide it into alternately wide and narrow pictorial spaces, a grid that gives all the figures their defined place.A great number of small figures are integrated with the painted architecture, their purpose apparently purely decorative. These include pilasters with capitals supported by pairs of infant telamones, rams' skulls are placed at the apex of each spandrel like bucrania; bronze nude figures in varying poses, hiding in the shadows, propped between the spandrels and the ribs like animated bookends; and more putti, both clothed and unclothed, strike a variety of poses as they support the nameplates of the Prophets and Sibyls. Above the cornice and to either side of the smaller scenes are an array of medallions, or round shields. They are framed by a total of 20 more figures, the so-called ignudi, which are not part of the architecture but sit on plinths, their feet planted convincingly on the fictive cornice. Pictorially, the ignudi appear to occupy a space between the narrative spaces and the space of the chapel itself.

Prompt: システィーナ礼拝堂天井画に焦点を当てて、その建築計画を説明してください。英語で出力して下さい。


section

システィーナ礼拝堂天井画

The Sistine Chapel is about 35 m  long and  wide, The crown of the wall then rises above the spandrels, to a strongly projecting painted cornice that runs right around the ceiling, separating the pictorial areas of the biblical scenes from the figures of prophets, sibyls, and ancestors, who literally and figuratively support the narratives. Ten broad painted cross-ribs of travertine cross the ceiling and divide it into alternately wide and narrow pictorial spaces, a grid that gives all the figures their defined place.A great number of small figures are integrated with the painted architecture, their purpose apparently purely decorative. These include pilasters with capitals supported by pairs of infant telamones, rams' skulls are placed at the apex of each spandrel like bucrania; bronze nude figures in varying poses, hiding in the shadows, propped between the spandrels and the ribs like animated bookends; and more putti, both clothed and unclothed, strike a variety of poses as they support the nameplates of the Prophets and Sibyls. Above the cornice and to either side of the smaller scenes are an array of medallions, or round shields. They are framed by a total of 20 more figures, the so-called ignudi, which are not part of the architecture but sit on plinths, their feet planted convincingly on the fictive cornice. Pictorially, the ignudi appear to occupy a space between the narrative spaces and the space of the chapel itself.

Prompt: システィーナ礼拝堂天井画の建築計画を説明してください。英語で出力して下さい。


section

システィーナ礼拝堂天井画

The Sistine Chapel is about 35 m  long and  wide, The crown of the wall then rises above the spandrels, to a strongly projecting painted cornice that runs right around the ceiling, separating the pictorial areas of the biblical scenes from the figures of prophets, sibyls, and ancestors, who literally and figuratively support the narratives. Ten broad painted cross-ribs of travertine cross the ceiling and divide it into alternately wide and narrow pictorial spaces, a grid that gives all the figures their defined place.A great number of small figures are integrated with the painted architecture, their purpose apparently purely decorative. These include pilasters with capitals supported by pairs of infant telamones, rams' skulls are placed at the apex of each spandrel like bucrania; bronze nude figures in varying poses, hiding in the shadows, propped between the spandrels and the ribs like animated bookends; and more putti, both clothed and unclothed, strike a variety of poses as they support the nameplates of the Prophets and Sibyls. Above the cornice and to either side of the smaller scenes are an array of medallions, or round shields. They are framed by a total of 20 more figures, the so-called ignudi, which are not part of the architecture but sit on plinths, their feet planted convincingly on the fictive cornice. Pictorially, the ignudi appear to occupy a space between the narrative spaces and the space of the chapel itself.

Prompt: システィーナ礼拝堂天井画はどのように建築計画を説明していますか？英語で出力して下さい。


section

システィーナ礼拝堂天井画

The Sistine Chapel is about 35 m  long and  wide, The crown of the wall then rises above the spandrels, to a strongly projecting painted cornice that runs right around the ceiling, separating the pictorial areas of the biblical scenes from the figures of prophets, sibyls, and ancestors, who literally and figuratively support the narratives. Ten broad painted cross-ribs of travertine cross the ceiling and divide it into alternately wide and narrow pictorial spaces, a grid that gives all the figures their defined place.A great number of small figures are integrated with the painted architecture, their purpose apparently purely decorative. These include pilasters with capitals supported by pairs of infant telamones, rams' skulls are placed at the apex of each spandrel like bucrania; bronze nude figures in varying poses, hiding in the shadows, propped between the spandrels and the ribs like animated bookends; and more putti, both clothed and unclothed, strike a variety of poses as they support the nameplates of the Prophets and Sibyls. Above the cornice and to either side of the smaller scenes are an array of medallions, or round shields. They are framed by a total of 20 more figures, the so-called ignudi, which are not part of the architecture but sit on plinths, their feet planted convincingly on the fictive cornice. Pictorially, the ignudi appear to occupy a space between the narrative spaces and the space of the chapel itself.

Prompt: システィーナ礼拝堂天井画に関して、どのように建築計画が議論されていますか？英語で出力して下さい。


section

システィーナ礼拝堂天井画

Like many Renaissance patrons, Pope Julius wanted the ceiling to follow a design he specified, and in early 1508 Michelangelo was presented with a scheme, which has not survived. The ceiling was to be divided into "an interlocking geometric pattern of squares and circles", and images were to include the Twelve Apostles over the windows. Other commissions by Julius in the same year, for ceilings in Santa Maria del Popolo and the Stanza della Segnatura in the Vatican Palace, also had geometric frameworks, all probably influenced by the Imperian Roman remains of Hadrian's Villa, Tivoli.Michelangelo worked on drawings following the Pope's scheme, but eventually decided that it did not allow for sufficient numbers of human figures, his main interest in the commission. At a meeting later in the year, Julius allowed Michelangelo to change the design; according to Michelangelo's later account "he gave me a new commission, to do what I liked", a claim many art historians suspect is rather overstated.The artist almost certainly worked with one or more specialist theologians, perhaps including Egidio da Viterbo, and perhaps the aristocratic papal diplomat Cardinal Francesco Alidosi, who Michelangelo used to help him dealing with Julius.}}

Prompt: システィーナ礼拝堂天井画に焦点を当てて、その絵図を説明してください。英語で出力して下さい。

Francesco Alidosi
Hadrian's Villa
Hadrian's Villa
Michelangelo


section

システィーナ礼拝堂天井画

Like many Renaissance patrons, Pope Julius wanted the ceiling to follow a design he specified, and in early 1508 Michelangelo was presented with a scheme, which has not survived. The ceiling was to be divided into "an interlocking geometric pattern of squares and circles", and images were to include the Twelve Apostles over the windows. Other commissions by Julius in the same year, for ceilings in Santa Maria del Popolo and the Stanza della Segnatura in the Vatican Palace, also had geometric frameworks, all probably influenced by the Imperian Roman remains of Hadrian's Villa, Tivoli.Michelangelo worked on drawings following the Pope's scheme, but eventually decided that it did not allow for sufficient numbers of human figures, his main interest in the commission. At a meeting later in the year, Julius allowed Michelangelo to change the design; according to Michelangelo's later account "he gave me a new commission, to do what I liked", a claim many art historians suspect is rather overstated.The artist almost certainly worked with one or more specialist theologians, perhaps including Egidio da Viterbo, and perhaps the aristocratic papal diplomat Cardinal Francesco Alidosi, who Michelangelo used to help him dealing with Julius.}}

Prompt: システィーナ礼拝堂天井画の絵図を説明してください。英語で出力して下さい。

Francesco Alidosi
Hadrian's Villa
Hadrian's Villa
Michelangelo