{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Mona Lisa and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜丽莎》（義大利語：La Gioconda，發音：[dʒoˈkonda]或Monna Lisa，發音：[ˈmɔnna ˈliːza]；法語：La Joconde，发音：[ʒɔkɔ̃d]）是一幅文艺复兴时期画家列奥纳多·达芬奇所绘的肖像画與其代表作。被認為是意大利文藝復興時期的傑作，也被視為世上最有名、訪問量最大且最常被寫、唱、模仿的藝術作品。該画中描绘了一位表情内敛的、微带笑容的女士，她的笑容有時被称作是「神秘的笑容」。這幅畫所描繪的模特，被認為是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。它被塗在白色的倫巴第白杨木版上。达芬奇從未將這幅畫交給焦孔多家族，後來據信他在遺囑中將這幅畫留給了他的學徒达奥雷诺。它被認為是在1503年至1506年之間所繪製；然而达芬奇可能一直到1507年才完成該作。最後，《蒙娜丽莎》被法國國王弗朗索瓦一世买下，現在則為法國的財產。自1797年以來便一直在巴黎卢浮宫展出。 作爲世界上最具有價值的畫作之一，《蒙娜麗莎》擁有1962年歷史上保險估值最高的吉尼斯世界纪录，價值約1億美元（相當於2021年的8.7億美元）。不過，《蒙娜麗莎》的名氣不僅是在於藝術家作畫中採用的技巧，同時也包括女子的身份以及神秘的表情等謎團，學界長期對於這幅畫作進行著評論和爭議。雖然曾對該畫作的背景來歷提出多種假設，但也仍然缺乏足夠的證據以證明各種結論的正確性。更使《蒙娜麗莎》的存在引起人們的好奇。此外，《蒙娜麗莎》的傳說也涉及到1911年的盜竊事件及各世紀藝術家的複製品、從中得到啟發的衍生作品等文化現象；因而進一步使《蒙娜麗莎》成為世界最著名的畫作，當前，每年共有數百萬人前往羅浮宮欣賞該畫作。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜丽莎》（義大利語：La Gioconda，發音：[dʒoˈkonda]或Monna Lisa，發音：[ˈmɔnna ˈliːza]；法語：La Joconde，发音：[ʒɔkɔ̃d]）是一幅文艺复兴时期画家列奥纳多·达芬奇所绘的肖像画與其代表作。被認為是意大利文藝復興時期的傑作，也被視為世上最有名、訪問量最大且最常被寫、唱、模仿的藝術作品。該画中描绘了一位表情内敛的、微带笑容的女士，她的笑容有時被称作是「神秘的笑容」。這幅畫所描繪的模特，被認為是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。它被塗在白色的倫巴第白杨木版上。达芬奇從未將這幅畫交給焦孔多家族，後來據信他在遺囑中將這幅畫留給了他的學徒达奥雷诺。它被認為是在1503年至1506年之間所繪製；然而达芬奇可能一直到1507年才完成該作。最後，《蒙娜丽莎》被法國國王弗朗索瓦一世买下，現在則為法國的財產。自1797年以來便一直在巴黎卢浮宫展出。 作爲世界上最具有價值的畫作之一，《蒙娜麗莎》擁有1962年歷史上保險估值最高的吉尼斯世界纪录，價值約1億美元（相當於2021年的8.7億美元）。不過，《蒙娜麗莎》的名氣不僅是在於藝術家作畫中採用的技巧，同時也包括女子的身份以及神秘的表情等謎團，學界長期對於這幅畫作進行著評論和爭議。雖然曾對該畫作的背景來歷提出多種假設，但也仍然缺乏足夠的證據以證明各種結論的正確性。更使《蒙娜麗莎》的存在引起人們的好奇。此外，《蒙娜麗莎》的傳說也涉及到1911年的盜竊事件及各世紀藝術家的複製品、從中得到啟發的衍生作品等文化現象；因而進一步使《蒙娜麗莎》成為世界最著名的畫作，當前，每年共有數百萬人前往羅浮宮欣賞該畫作。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Mona Lisa explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜丽莎》（義大利語：La Gioconda，發音：[dʒoˈkonda]或Monna Lisa，發音：[ˈmɔnna ˈliːza]；法語：La Joconde，发音：[ʒɔkɔ̃d]）是一幅文艺复兴时期画家列奥纳多·达芬奇所绘的肖像画與其代表作。被認為是意大利文藝復興時期的傑作，也被視為世上最有名、訪問量最大且最常被寫、唱、模仿的藝術作品。該画中描绘了一位表情内敛的、微带笑容的女士，她的笑容有時被称作是「神秘的笑容」。這幅畫所描繪的模特，被認為是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。它被塗在白色的倫巴第白杨木版上。达芬奇從未將這幅畫交給焦孔多家族，後來據信他在遺囑中將這幅畫留給了他的學徒达奥雷诺。它被認為是在1503年至1506年之間所繪製；然而达芬奇可能一直到1507年才完成該作。最後，《蒙娜丽莎》被法國國王弗朗索瓦一世买下，現在則為法國的財產。自1797年以來便一直在巴黎卢浮宫展出。 作爲世界上最具有價值的畫作之一，《蒙娜麗莎》擁有1962年歷史上保險估值最高的吉尼斯世界纪录，價值約1億美元（相當於2021年的8.7億美元）。不過，《蒙娜麗莎》的名氣不僅是在於藝術家作畫中採用的技巧，同時也包括女子的身份以及神秘的表情等謎團，學界長期對於這幅畫作進行著評論和爭議。雖然曾對該畫作的背景來歷提出多種假設，但也仍然缺乏足夠的證據以證明各種結論的正確性。更使《蒙娜麗莎》的存在引起人們的好奇。此外，《蒙娜麗莎》的傳說也涉及到1911年的盜竊事件及各世紀藝術家的複製品、從中得到啟發的衍生作品等文化現象；因而進一步使《蒙娜麗莎》成為世界最著名的畫作，當前，每年共有數百萬人前往羅浮宮欣賞該畫作。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Mona Lisa, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜丽莎》（義大利語：La Gioconda，發音：[dʒoˈkonda]或Monna Lisa，發音：[ˈmɔnna ˈliːza]；法語：La Joconde，发音：[ʒɔkɔ̃d]）是一幅文艺复兴时期画家列奥纳多·达芬奇所绘的肖像画與其代表作。被認為是意大利文藝復興時期的傑作，也被視為世上最有名、訪問量最大且最常被寫、唱、模仿的藝術作品。該画中描绘了一位表情内敛的、微带笑容的女士，她的笑容有時被称作是「神秘的笑容」。這幅畫所描繪的模特，被認為是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。它被塗在白色的倫巴第白杨木版上。达芬奇從未將這幅畫交給焦孔多家族，後來據信他在遺囑中將這幅畫留給了他的學徒达奥雷诺。它被認為是在1503年至1506年之間所繪製；然而达芬奇可能一直到1507年才完成該作。最後，《蒙娜丽莎》被法國國王弗朗索瓦一世买下，現在則為法國的財產。自1797年以來便一直在巴黎卢浮宫展出。 作爲世界上最具有價值的畫作之一，《蒙娜麗莎》擁有1962年歷史上保險估值最高的吉尼斯世界纪录，價值約1億美元（相當於2021年的8.7億美元）。不過，《蒙娜麗莎》的名氣不僅是在於藝術家作畫中採用的技巧，同時也包括女子的身份以及神秘的表情等謎團，學界長期對於這幅畫作進行著評論和爭議。雖然曾對該畫作的背景來歷提出多種假設，但也仍然缺乏足夠的證據以證明各種結論的正確性。更使《蒙娜麗莎》的存在引起人們的好奇。此外，《蒙娜麗莎》的傳說也涉及到1911年的盜竊事件及各世紀藝術家的複製品、從中得到啟發的衍生作品等文化現象；因而進一步使《蒙娜麗莎》成為世界最著名的畫作，當前，每年共有數百萬人前往羅浮宮欣賞該畫作。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Naming", "subsection": null, "sub_subsection": null, "prompt": "Focus on Mona Lisa and explain the Naming.Please output in Chinese.", "template": "en_template1_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "蒙娜丽莎是从英文的「Mona Lisa」音译过来，来自于达芬奇去世31年后由乔尔乔·瓦萨里著成的《艺苑名人传》。在其中，乔尔乔·瓦萨里认为这位模特是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。蒙娜在意大利语為Madonna，簡稱Monna（或作Mona），中文翻译为“我的女士”，通常放在女性的名字前，相当于英语中的“Madam”。所以，蒙娜丽莎的意思是「丽莎夫人」。这幅画的另一个名称是意大利语“La Gioconda”，这是焦孔多（Giocondo）的女性化拼写。意大利语中，“gioconda”的解释是“轻松的，无忧无虑的”，因此“gioconda”也可以指“无忧无虑的妇人”。由于她的微笑，此名称便有了两层含义。法语名称“La Joconde”同样可以这样解释。19世纪以来，“蒙娜丽莎”（Mona Lisa）和意大利语名称“Gioconda”已经成为了这幅画固定的名称。在此前很长的一段时间，这幅画有很多描述性的名称，如「某个佛罗伦萨女士」、「带着纱巾的情妇」等等。汉语“蒙娜丽莎”这一译名最早由画家丰子恺在1930年出版的《西洋名画巡礼》中使用，早期还有梁启超翻译的“莫那利沙”。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Naming", "subsection": null, "sub_subsection": null, "prompt": "Explain the Naming of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "蒙娜丽莎是从英文的「Mona Lisa」音译过来，来自于达芬奇去世31年后由乔尔乔·瓦萨里著成的《艺苑名人传》。在其中，乔尔乔·瓦萨里认为这位模特是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。蒙娜在意大利语為Madonna，簡稱Monna（或作Mona），中文翻译为“我的女士”，通常放在女性的名字前，相当于英语中的“Madam”。所以，蒙娜丽莎的意思是「丽莎夫人」。这幅画的另一个名称是意大利语“La Gioconda”，这是焦孔多（Giocondo）的女性化拼写。意大利语中，“gioconda”的解释是“轻松的，无忧无虑的”，因此“gioconda”也可以指“无忧无虑的妇人”。由于她的微笑，此名称便有了两层含义。法语名称“La Joconde”同样可以这样解释。19世纪以来，“蒙娜丽莎”（Mona Lisa）和意大利语名称“Gioconda”已经成为了这幅画固定的名称。在此前很长的一段时间，这幅画有很多描述性的名称，如「某个佛罗伦萨女士」、「带着纱巾的情妇」等等。汉语“蒙娜丽莎”这一译名最早由画家丰子恺在1930年出版的《西洋名画巡礼》中使用，早期还有梁启超翻译的“莫那利沙”。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Naming", "subsection": null, "sub_subsection": null, "prompt": "How does Mona Lisa explain its Naming?Please output in Chinese.", "template": "en_template3_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "蒙娜丽莎是从英文的「Mona Lisa」音译过来，来自于达芬奇去世31年后由乔尔乔·瓦萨里著成的《艺苑名人传》。在其中，乔尔乔·瓦萨里认为这位模特是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。蒙娜在意大利语為Madonna，簡稱Monna（或作Mona），中文翻译为“我的女士”，通常放在女性的名字前，相当于英语中的“Madam”。所以，蒙娜丽莎的意思是「丽莎夫人」。这幅画的另一个名称是意大利语“La Gioconda”，这是焦孔多（Giocondo）的女性化拼写。意大利语中，“gioconda”的解释是“轻松的，无忧无虑的”，因此“gioconda”也可以指“无忧无虑的妇人”。由于她的微笑，此名称便有了两层含义。法语名称“La Joconde”同样可以这样解释。19世纪以来，“蒙娜丽莎”（Mona Lisa）和意大利语名称“Gioconda”已经成为了这幅画固定的名称。在此前很长的一段时间，这幅画有很多描述性的名称，如「某个佛罗伦萨女士」、「带着纱巾的情妇」等等。汉语“蒙娜丽莎”这一译名最早由画家丰子恺在1930年出版的《西洋名画巡礼》中使用，早期还有梁启超翻译的“莫那利沙”。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Naming", "subsection": null, "sub_subsection": null, "prompt": "In Mona Lisa, how is the Naming discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "蒙娜丽莎是从英文的「Mona Lisa」音译过来，来自于达芬奇去世31年后由乔尔乔·瓦萨里著成的《艺苑名人传》。在其中，乔尔乔·瓦萨里认为这位模特是佛罗伦萨富商弗朗切斯科·德尔·焦孔多（Francesco del Giocondo）的夫人麗莎·喬宮多。蒙娜在意大利语為Madonna，簡稱Monna（或作Mona），中文翻译为“我的女士”，通常放在女性的名字前，相当于英语中的“Madam”。所以，蒙娜丽莎的意思是「丽莎夫人」。这幅画的另一个名称是意大利语“La Gioconda”，这是焦孔多（Giocondo）的女性化拼写。意大利语中，“gioconda”的解释是“轻松的，无忧无虑的”，因此“gioconda”也可以指“无忧无虑的妇人”。由于她的微笑，此名称便有了两层含义。法语名称“La Joconde”同样可以这样解释。19世纪以来，“蒙娜丽莎”（Mona Lisa）和意大利语名称“Gioconda”已经成为了这幅画固定的名称。在此前很长的一段时间，这幅画有很多描述性的名称，如「某个佛罗伦萨女士」、「带着纱巾的情妇」等等。汉语“蒙娜丽莎”这一译名最早由画家丰子恺在1930年出版的《西洋名画巡礼》中使用，早期还有梁启超翻译的“莫那利沙”。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Author", "subsection": null, "sub_subsection": null, "prompt": "Focus on Mona Lisa and explain the Author.Please output in Chinese.", "template": "en_template1_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "李奧納多·達文西於1452年出生於佛羅倫斯共和國芬奇境內的安基亞諾農莊，是佛羅倫斯的法律公證員瑟·皮耶羅·達文西和佣人卡特琳娜·瓦卡的私生子。在14歲時，達文西進入了佛羅倫薩著名畫家安德烈·德尔·委罗基奥的工作室學習，並與桑德罗·波提切利和彼得羅·佩魯吉諾一同學習繪畫。在其一生中，達文西發展了對數學、几何学、透视和自然科学的研究，此外，他還學習了建筑学和工程学等補充教育。便因而成為文藝復興時期人文主義的代表藝術家，曾為洛伦佐·德·美第奇、卢多维科·斯福尔扎、曼托瓦的君主和法國國王弗朗西斯一世等，在當時具有政治影響力的人物服務。達文西的代表作品包括《岩间圣母》、《安吉亞里戰役》、《最後的晚餐》和《蒙娜麗莎》。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Author", "subsection": null, "sub_subsection": null, "prompt": "Explain the Author of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "李奧納多·達文西於1452年出生於佛羅倫斯共和國芬奇境內的安基亞諾農莊，是佛羅倫斯的法律公證員瑟·皮耶羅·達文西和佣人卡特琳娜·瓦卡的私生子。在14歲時，達文西進入了佛羅倫薩著名畫家安德烈·德尔·委罗基奥的工作室學習，並與桑德罗·波提切利和彼得羅·佩魯吉諾一同學習繪畫。在其一生中，達文西發展了對數學、几何学、透视和自然科学的研究，此外，他還學習了建筑学和工程学等補充教育。便因而成為文藝復興時期人文主義的代表藝術家，曾為洛伦佐·德·美第奇、卢多维科·斯福尔扎、曼托瓦的君主和法國國王弗朗西斯一世等，在當時具有政治影響力的人物服務。達文西的代表作品包括《岩间圣母》、《安吉亞里戰役》、《最後的晚餐》和《蒙娜麗莎》。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Author", "subsection": null, "sub_subsection": null, "prompt": "How does Mona Lisa explain its Author?Please output in Chinese.", "template": "en_template3_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "李奧納多·達文西於1452年出生於佛羅倫斯共和國芬奇境內的安基亞諾農莊，是佛羅倫斯的法律公證員瑟·皮耶羅·達文西和佣人卡特琳娜·瓦卡的私生子。在14歲時，達文西進入了佛羅倫薩著名畫家安德烈·德尔·委罗基奥的工作室學習，並與桑德罗·波提切利和彼得羅·佩魯吉諾一同學習繪畫。在其一生中，達文西發展了對數學、几何学、透视和自然科学的研究，此外，他還學習了建筑学和工程学等補充教育。便因而成為文藝復興時期人文主義的代表藝術家，曾為洛伦佐·德·美第奇、卢多维科·斯福尔扎、曼托瓦的君主和法國國王弗朗西斯一世等，在當時具有政治影響力的人物服務。達文西的代表作品包括《岩间圣母》、《安吉亞里戰役》、《最後的晚餐》和《蒙娜麗莎》。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Author", "subsection": null, "sub_subsection": null, "prompt": "In Mona Lisa, how is the Author discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "李奧納多·達文西於1452年出生於佛羅倫斯共和國芬奇境內的安基亞諾農莊，是佛羅倫斯的法律公證員瑟·皮耶羅·達文西和佣人卡特琳娜·瓦卡的私生子。在14歲時，達文西進入了佛羅倫薩著名畫家安德烈·德尔·委罗基奥的工作室學習，並與桑德罗·波提切利和彼得羅·佩魯吉諾一同學習繪畫。在其一生中，達文西發展了對數學、几何学、透视和自然科学的研究，此外，他還學習了建筑学和工程学等補充教育。便因而成為文藝復興時期人文主義的代表藝術家，曾為洛伦佐·德·美第奇、卢多维科·斯福尔扎、曼托瓦的君主和法國國王弗朗西斯一世等，在當時具有政治影響力的人物服務。達文西的代表作品包括《岩间圣母》、《安吉亞里戰役》、《最後的晚餐》和《蒙娜麗莎》。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "16th century", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the 16th century and the History.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在達文西的作品中，《蒙娜丽莎》，和《聖葉理諾在野外》、《三博士来朝》及《最後的晚餐》是少數其真實性從未受到嚴重質疑的作品。據信，达芬奇在1503年10月开始创作《蒙娜丽莎》，有些學者認為，《蒙娜丽莎》是在1503年或1504年在佛羅倫薩開始製作。儘管羅浮宮聲稱它「毫無疑問在1503年至1506年之間繪」但藝術史學家馬丁·坎普曾對此表示：「《蒙娜丽莎》具體的創作時間並無法完全確定」。 亞歷山德羅·維佐斯則認為這幅畫擁有达芬奇生命最後幾年之前的風格特徵。其他學者則爭辯表示鑑於歷史文獻，达芬奇是在1513年開始繪製《蒙娜丽莎》。根據瓦薩里的记载，「这幅画雖耗时4年完成，但達文西並沒有完成它」。1516年，法国国王弗朗索瓦一世邀请达芬奇去位於国王所有的昂布瓦斯城堡附近的克劳斯·吕斯城堡工作。据说他也将《蒙娜丽莎》一起带去。不過在達文西去世后，他的画作便归學徒们和助手沙萊所有。對此，藝術史學家卡門·巴姆巴赫得出的結論是，「在1516年或1517年期間，达芬奇仍持續繪製《蒙娜丽莎》」。但鑒於达芬奇的右手大約於1517年癱瘓，這也可能表明，為什麼达芬奇始終沒有完成《蒙娜麗莎》的原因。隨後，国王花了4000埃居买下了《蒙娜麗莎》，并把它移至枫丹白露宫收藏，直至路易十四时期將它移到凡爾賽宮。在16世紀《蒙娜丽莎》被塗上了清漆。法國大革命後。1797年開始，《蒙娜麗莎》在羅浮宮永久展出。1809年，羅浮宮首次對《蒙娜麗莎》進行較大規模的修復，當時負責美術館畫作修復工作的人是讓-馬里·弗斯圖爾（Jean Marie Fouilleul），他是當時拿破崙美術館畫廊的負責人。他指揮了一系列對於畫作修復工作，包括使用蒸餾酒清洗、重新上光和塗抹顏料等。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "16th century", "sub_subsection": null, "prompt": "Explain the 16th century about the History of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在達文西的作品中，《蒙娜丽莎》，和《聖葉理諾在野外》、《三博士来朝》及《最後的晚餐》是少數其真實性從未受到嚴重質疑的作品。據信，达芬奇在1503年10月开始创作《蒙娜丽莎》，有些學者認為，《蒙娜丽莎》是在1503年或1504年在佛羅倫薩開始製作。儘管羅浮宮聲稱它「毫無疑問在1503年至1506年之間繪」但藝術史學家馬丁·坎普曾對此表示：「《蒙娜丽莎》具體的創作時間並無法完全確定」。 亞歷山德羅·維佐斯則認為這幅畫擁有达芬奇生命最後幾年之前的風格特徵。其他學者則爭辯表示鑑於歷史文獻，达芬奇是在1513年開始繪製《蒙娜丽莎》。根據瓦薩里的记载，「这幅画雖耗时4年完成，但達文西並沒有完成它」。1516年，法国国王弗朗索瓦一世邀请达芬奇去位於国王所有的昂布瓦斯城堡附近的克劳斯·吕斯城堡工作。据说他也将《蒙娜丽莎》一起带去。不過在達文西去世后，他的画作便归學徒们和助手沙萊所有。對此，藝術史學家卡門·巴姆巴赫得出的結論是，「在1516年或1517年期間，达芬奇仍持續繪製《蒙娜丽莎》」。但鑒於达芬奇的右手大約於1517年癱瘓，這也可能表明，為什麼达芬奇始終沒有完成《蒙娜麗莎》的原因。隨後，国王花了4000埃居买下了《蒙娜麗莎》，并把它移至枫丹白露宫收藏，直至路易十四时期將它移到凡爾賽宮。在16世紀《蒙娜丽莎》被塗上了清漆。法國大革命後。1797年開始，《蒙娜麗莎》在羅浮宮永久展出。1809年，羅浮宮首次對《蒙娜麗莎》進行較大規模的修復，當時負責美術館畫作修復工作的人是讓-馬里·弗斯圖爾（Jean Marie Fouilleul），他是當時拿破崙美術館畫廊的負責人。他指揮了一系列對於畫作修復工作，包括使用蒸餾酒清洗、重新上光和塗抹顏料等。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "16th century", "sub_subsection": null, "prompt": "In Mona Lisa, how is the 16th century of the History explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在達文西的作品中，《蒙娜丽莎》，和《聖葉理諾在野外》、《三博士来朝》及《最後的晚餐》是少數其真實性從未受到嚴重質疑的作品。據信，达芬奇在1503年10月开始创作《蒙娜丽莎》，有些學者認為，《蒙娜丽莎》是在1503年或1504年在佛羅倫薩開始製作。儘管羅浮宮聲稱它「毫無疑問在1503年至1506年之間繪」但藝術史學家馬丁·坎普曾對此表示：「《蒙娜丽莎》具體的創作時間並無法完全確定」。 亞歷山德羅·維佐斯則認為這幅畫擁有达芬奇生命最後幾年之前的風格特徵。其他學者則爭辯表示鑑於歷史文獻，达芬奇是在1513年開始繪製《蒙娜丽莎》。根據瓦薩里的记载，「这幅画雖耗时4年完成，但達文西並沒有完成它」。1516年，法国国王弗朗索瓦一世邀请达芬奇去位於国王所有的昂布瓦斯城堡附近的克劳斯·吕斯城堡工作。据说他也将《蒙娜丽莎》一起带去。不過在達文西去世后，他的画作便归學徒们和助手沙萊所有。對此，藝術史學家卡門·巴姆巴赫得出的結論是，「在1516年或1517年期間，达芬奇仍持續繪製《蒙娜丽莎》」。但鑒於达芬奇的右手大約於1517年癱瘓，這也可能表明，為什麼达芬奇始終沒有完成《蒙娜麗莎》的原因。隨後，国王花了4000埃居买下了《蒙娜麗莎》，并把它移至枫丹白露宫收藏，直至路易十四时期將它移到凡爾賽宮。在16世紀《蒙娜丽莎》被塗上了清漆。法國大革命後。1797年開始，《蒙娜麗莎》在羅浮宮永久展出。1809年，羅浮宮首次對《蒙娜麗莎》進行較大規模的修復，當時負責美術館畫作修復工作的人是讓-馬里·弗斯圖爾（Jean Marie Fouilleul），他是當時拿破崙美術館畫廊的負責人。他指揮了一系列對於畫作修復工作，包括使用蒸餾酒清洗、重新上光和塗抹顏料等。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "16th century", "sub_subsection": null, "prompt": "Describe the characteristics of the 16th century in Mona Lisa's History.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在達文西的作品中，《蒙娜丽莎》，和《聖葉理諾在野外》、《三博士来朝》及《最後的晚餐》是少數其真實性從未受到嚴重質疑的作品。據信，达芬奇在1503年10月开始创作《蒙娜丽莎》，有些學者認為，《蒙娜丽莎》是在1503年或1504年在佛羅倫薩開始製作。儘管羅浮宮聲稱它「毫無疑問在1503年至1506年之間繪」但藝術史學家馬丁·坎普曾對此表示：「《蒙娜丽莎》具體的創作時間並無法完全確定」。 亞歷山德羅·維佐斯則認為這幅畫擁有达芬奇生命最後幾年之前的風格特徵。其他學者則爭辯表示鑑於歷史文獻，达芬奇是在1513年開始繪製《蒙娜丽莎》。根據瓦薩里的记载，「这幅画雖耗时4年完成，但達文西並沒有完成它」。1516年，法国国王弗朗索瓦一世邀请达芬奇去位於国王所有的昂布瓦斯城堡附近的克劳斯·吕斯城堡工作。据说他也将《蒙娜丽莎》一起带去。不過在達文西去世后，他的画作便归學徒们和助手沙萊所有。對此，藝術史學家卡門·巴姆巴赫得出的結論是，「在1516年或1517年期間，达芬奇仍持續繪製《蒙娜丽莎》」。但鑒於达芬奇的右手大約於1517年癱瘓，這也可能表明，為什麼达芬奇始終沒有完成《蒙娜麗莎》的原因。隨後，国王花了4000埃居买下了《蒙娜麗莎》，并把它移至枫丹白露宫收藏，直至路易十四时期將它移到凡爾賽宮。在16世紀《蒙娜丽莎》被塗上了清漆。法國大革命後。1797年開始，《蒙娜麗莎》在羅浮宮永久展出。1809年，羅浮宮首次對《蒙娜麗莎》進行較大規模的修復，當時負責美術館畫作修復工作的人是讓-馬里·弗斯圖爾（Jean Marie Fouilleul），他是當時拿破崙美術館畫廊的負責人。他指揮了一系列對於畫作修復工作，包括使用蒸餾酒清洗、重新上光和塗抹顏料等。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Theft", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Theft and the History.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》被移至羅浮宮後，曾展示在杜樂麗宮的拿破崙臥室，最初《蒙娜麗莎》在藝術界之外並不廣為人知，但在1860年代開始，一部分法國知識分子開始稱讚它是文藝復興時期繪畫的傑作。在普法戰爭期間，《蒙娜麗莎》從羅浮宮搬到了布雷斯特兵工廠接受保護。1906年，羅浮宮的修復工作人員尤金·杜尼扎爾使用水彩顏料再次對《蒙娜麗莎》進行修復，並補充畫板開裂而受損的畫面部分。此外也修復了舊框架遮蓋畫布邊緣的上光層。1911年8月20日，曾在羅浮宮內擔任油漆匠的溫琴佐·佩魯賈於閉館時躲入儲藏室，趁隔天周一休館取下畫作，藏於大衣內竊出博物館。館方在22日發現《蒙娜麗莎》遭竊，於是進行一周閉館調查，並祭出高額懸賞金。由於持續沒有畫作的下落，在各家報紙的報導下，《蒙娜麗莎》逐漸有了知名度。法國警方一度懷疑是纪尧姆·阿波利奈尔偷了畫作，並將其逮捕。因為紀堯姆和畢卡索有來往，畢卡索也被帶到警局問話。不過二人最後都被無罪釋放。兩年後，佩魯賈覺得風頭已過，想要將《蒙娜麗莎》賣給佛羅倫斯烏菲茲美術館，遭警方逮捕。被捕後佩魯賈聲稱《蒙娜麗莎》是義大利的財產，理所當然該回到義大利。由此佩魯賈獲得義大利國民廣泛同情，而義大利象徵性地將佩魯賈只拘禁六個月，但因為他是在判刑六個月之前就被逮捕，所以當庭釋放。當被盜的《蒙娜麗莎》歸還羅浮宮時，杜尼扎爾再次被任命為修復工作負責人。這次他被指示使用特殊的溶劑進行清洗，並使用水彩顏料進行少量補充的修復作業。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Theft", "sub_subsection": null, "prompt": "Explain the Theft about the History of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》被移至羅浮宮後，曾展示在杜樂麗宮的拿破崙臥室，最初《蒙娜麗莎》在藝術界之外並不廣為人知，但在1860年代開始，一部分法國知識分子開始稱讚它是文藝復興時期繪畫的傑作。在普法戰爭期間，《蒙娜麗莎》從羅浮宮搬到了布雷斯特兵工廠接受保護。1906年，羅浮宮的修復工作人員尤金·杜尼扎爾使用水彩顏料再次對《蒙娜麗莎》進行修復，並補充畫板開裂而受損的畫面部分。此外也修復了舊框架遮蓋畫布邊緣的上光層。1911年8月20日，曾在羅浮宮內擔任油漆匠的溫琴佐·佩魯賈於閉館時躲入儲藏室，趁隔天周一休館取下畫作，藏於大衣內竊出博物館。館方在22日發現《蒙娜麗莎》遭竊，於是進行一周閉館調查，並祭出高額懸賞金。由於持續沒有畫作的下落，在各家報紙的報導下，《蒙娜麗莎》逐漸有了知名度。法國警方一度懷疑是纪尧姆·阿波利奈尔偷了畫作，並將其逮捕。因為紀堯姆和畢卡索有來往，畢卡索也被帶到警局問話。不過二人最後都被無罪釋放。兩年後，佩魯賈覺得風頭已過，想要將《蒙娜麗莎》賣給佛羅倫斯烏菲茲美術館，遭警方逮捕。被捕後佩魯賈聲稱《蒙娜麗莎》是義大利的財產，理所當然該回到義大利。由此佩魯賈獲得義大利國民廣泛同情，而義大利象徵性地將佩魯賈只拘禁六個月，但因為他是在判刑六個月之前就被逮捕，所以當庭釋放。當被盜的《蒙娜麗莎》歸還羅浮宮時，杜尼扎爾再次被任命為修復工作負責人。這次他被指示使用特殊的溶劑進行清洗，並使用水彩顏料進行少量補充的修復作業。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Theft", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Theft of the History explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》被移至羅浮宮後，曾展示在杜樂麗宮的拿破崙臥室，最初《蒙娜麗莎》在藝術界之外並不廣為人知，但在1860年代開始，一部分法國知識分子開始稱讚它是文藝復興時期繪畫的傑作。在普法戰爭期間，《蒙娜麗莎》從羅浮宮搬到了布雷斯特兵工廠接受保護。1906年，羅浮宮的修復工作人員尤金·杜尼扎爾使用水彩顏料再次對《蒙娜麗莎》進行修復，並補充畫板開裂而受損的畫面部分。此外也修復了舊框架遮蓋畫布邊緣的上光層。1911年8月20日，曾在羅浮宮內擔任油漆匠的溫琴佐·佩魯賈於閉館時躲入儲藏室，趁隔天周一休館取下畫作，藏於大衣內竊出博物館。館方在22日發現《蒙娜麗莎》遭竊，於是進行一周閉館調查，並祭出高額懸賞金。由於持續沒有畫作的下落，在各家報紙的報導下，《蒙娜麗莎》逐漸有了知名度。法國警方一度懷疑是纪尧姆·阿波利奈尔偷了畫作，並將其逮捕。因為紀堯姆和畢卡索有來往，畢卡索也被帶到警局問話。不過二人最後都被無罪釋放。兩年後，佩魯賈覺得風頭已過，想要將《蒙娜麗莎》賣給佛羅倫斯烏菲茲美術館，遭警方逮捕。被捕後佩魯賈聲稱《蒙娜麗莎》是義大利的財產，理所當然該回到義大利。由此佩魯賈獲得義大利國民廣泛同情，而義大利象徵性地將佩魯賈只拘禁六個月，但因為他是在判刑六個月之前就被逮捕，所以當庭釋放。當被盜的《蒙娜麗莎》歸還羅浮宮時，杜尼扎爾再次被任命為修復工作負責人。這次他被指示使用特殊的溶劑進行清洗，並使用水彩顏料進行少量補充的修復作業。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Theft", "sub_subsection": null, "prompt": "Describe the characteristics of the Theft in Mona Lisa's History.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》被移至羅浮宮後，曾展示在杜樂麗宮的拿破崙臥室，最初《蒙娜麗莎》在藝術界之外並不廣為人知，但在1860年代開始，一部分法國知識分子開始稱讚它是文藝復興時期繪畫的傑作。在普法戰爭期間，《蒙娜麗莎》從羅浮宮搬到了布雷斯特兵工廠接受保護。1906年，羅浮宮的修復工作人員尤金·杜尼扎爾使用水彩顏料再次對《蒙娜麗莎》進行修復，並補充畫板開裂而受損的畫面部分。此外也修復了舊框架遮蓋畫布邊緣的上光層。1911年8月20日，曾在羅浮宮內擔任油漆匠的溫琴佐·佩魯賈於閉館時躲入儲藏室，趁隔天周一休館取下畫作，藏於大衣內竊出博物館。館方在22日發現《蒙娜麗莎》遭竊，於是進行一周閉館調查，並祭出高額懸賞金。由於持續沒有畫作的下落，在各家報紙的報導下，《蒙娜麗莎》逐漸有了知名度。法國警方一度懷疑是纪尧姆·阿波利奈尔偷了畫作，並將其逮捕。因為紀堯姆和畢卡索有來往，畢卡索也被帶到警局問話。不過二人最後都被無罪釋放。兩年後，佩魯賈覺得風頭已過，想要將《蒙娜麗莎》賣給佛羅倫斯烏菲茲美術館，遭警方逮捕。被捕後佩魯賈聲稱《蒙娜麗莎》是義大利的財產，理所當然該回到義大利。由此佩魯賈獲得義大利國民廣泛同情，而義大利象徵性地將佩魯賈只拘禁六個月，但因為他是在判刑六個月之前就被逮捕，所以當庭釋放。當被盜的《蒙娜麗莎》歸還羅浮宮時，杜尼扎爾再次被任命為修復工作負責人。這次他被指示使用特殊的溶劑進行清洗，並使用水彩顏料進行少量補充的修復作業。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Modern times", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Modern times and the History.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在第二次世界大戰期間，為躲避戰火影響，《蒙娜麗莎》與其他文物從羅浮宮搬置昂布瓦斯城堡進行保護，隨後被轉移到禄迪修道院和香波尔城堡，最後則是帶到蒙托邦的安格尔博物馆，直至戰爭結束後才回歸羅浮宮。1952年，修復人員對覆蓋畫布背景的上光層進行了平滑修復。1956年12月30日，來自玻利維亞的乌戈·昂加萨·维勒加斯（Ugo Ungaza Villegas）向《蒙娜麗莎》扔擲石頭。導致畫作左肘附近的一粒顏料脫落。幸運的是當時這幅畫早已受到玻璃的保護，因為在幾年前曾有一名自稱愛上《蒙娜麗莎》的人，使用剃刀片試圖將它切開並偷走它。從那之後，羅浮宮則改而在畫外裝設防彈玻璃，以避免《蒙娜麗莎》受到任何進一步的攻擊。此次修復作業的負責人是加布里埃爾·古林納，他採用了水彩顏料修復和補充，因損壞而失去顏料的《蒙娜麗莎》左臂部分。1974年4月21日，《蒙娜麗莎》巡迴在東京國立博物館展出時，一名婦女因不滿博物館內缺乏無障礙坡道，試圖朝著這幅畫噴灑紅漆而被當場逮捕。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Modern times", "sub_subsection": null, "prompt": "Explain the Modern times about the History of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在第二次世界大戰期間，為躲避戰火影響，《蒙娜麗莎》與其他文物從羅浮宮搬置昂布瓦斯城堡進行保護，隨後被轉移到禄迪修道院和香波尔城堡，最後則是帶到蒙托邦的安格尔博物馆，直至戰爭結束後才回歸羅浮宮。1952年，修復人員對覆蓋畫布背景的上光層進行了平滑修復。1956年12月30日，來自玻利維亞的乌戈·昂加萨·维勒加斯（Ugo Ungaza Villegas）向《蒙娜麗莎》扔擲石頭。導致畫作左肘附近的一粒顏料脫落。幸運的是當時這幅畫早已受到玻璃的保護，因為在幾年前曾有一名自稱愛上《蒙娜麗莎》的人，使用剃刀片試圖將它切開並偷走它。從那之後，羅浮宮則改而在畫外裝設防彈玻璃，以避免《蒙娜麗莎》受到任何進一步的攻擊。此次修復作業的負責人是加布里埃爾·古林納，他採用了水彩顏料修復和補充，因損壞而失去顏料的《蒙娜麗莎》左臂部分。1974年4月21日，《蒙娜麗莎》巡迴在東京國立博物館展出時，一名婦女因不滿博物館內缺乏無障礙坡道，試圖朝著這幅畫噴灑紅漆而被當場逮捕。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Modern times", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Modern times of the History explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在第二次世界大戰期間，為躲避戰火影響，《蒙娜麗莎》與其他文物從羅浮宮搬置昂布瓦斯城堡進行保護，隨後被轉移到禄迪修道院和香波尔城堡，最後則是帶到蒙托邦的安格尔博物馆，直至戰爭結束後才回歸羅浮宮。1952年，修復人員對覆蓋畫布背景的上光層進行了平滑修復。1956年12月30日，來自玻利維亞的乌戈·昂加萨·维勒加斯（Ugo Ungaza Villegas）向《蒙娜麗莎》扔擲石頭。導致畫作左肘附近的一粒顏料脫落。幸運的是當時這幅畫早已受到玻璃的保護，因為在幾年前曾有一名自稱愛上《蒙娜麗莎》的人，使用剃刀片試圖將它切開並偷走它。從那之後，羅浮宮則改而在畫外裝設防彈玻璃，以避免《蒙娜麗莎》受到任何進一步的攻擊。此次修復作業的負責人是加布里埃爾·古林納，他採用了水彩顏料修復和補充，因損壞而失去顏料的《蒙娜麗莎》左臂部分。1974年4月21日，《蒙娜麗莎》巡迴在東京國立博物館展出時，一名婦女因不滿博物館內缺乏無障礙坡道，試圖朝著這幅畫噴灑紅漆而被當場逮捕。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Modern times", "sub_subsection": null, "prompt": "Describe the characteristics of the Modern times in Mona Lisa's History.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "在第二次世界大戰期間，為躲避戰火影響，《蒙娜麗莎》與其他文物從羅浮宮搬置昂布瓦斯城堡進行保護，隨後被轉移到禄迪修道院和香波尔城堡，最後則是帶到蒙托邦的安格尔博物馆，直至戰爭結束後才回歸羅浮宮。1952年，修復人員對覆蓋畫布背景的上光層進行了平滑修復。1956年12月30日，來自玻利維亞的乌戈·昂加萨·维勒加斯（Ugo Ungaza Villegas）向《蒙娜麗莎》扔擲石頭。導致畫作左肘附近的一粒顏料脫落。幸運的是當時這幅畫早已受到玻璃的保護，因為在幾年前曾有一名自稱愛上《蒙娜麗莎》的人，使用剃刀片試圖將它切開並偷走它。從那之後，羅浮宮則改而在畫外裝設防彈玻璃，以避免《蒙娜麗莎》受到任何進一步的攻擊。此次修復作業的負責人是加布里埃爾·古林納，他採用了水彩顏料修復和補充，因損壞而失去顏料的《蒙娜麗莎》左臂部分。1974年4月21日，《蒙娜麗莎》巡迴在東京國立博物館展出時，一名婦女因不滿博物館內缺乏無障礙坡道，試圖朝著這幅畫噴灑紅漆而被當場逮捕。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Contemporary", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Contemporary and the History.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "近幾十年來，《蒙娜麗莎》曾三度被臨時搬遷以適應羅浮宮的翻修：分別為1992年至1995年、2001年至2005年以及2019年。其中，羅浮宮在2019年引入了新式排隊系統，博物館的參觀者需要排隊才能欣賞這幅畫作。當排隊完畢後，每組觀眾只有約30秒的時間觀賞《蒙娜麗莎》。2009年8月2日，一名俄羅斯婦女因被剝奪法國公民身份而惱怒，向《蒙娜麗莎》投擲陶瓷茶杯；然而茶杯容器撞到防彈玻璃後則當場摔碎，女子隨後被捕。2022年5月29日，一名男性活動家偽裝成坐在輪椅上的女性，向《蒙娜麗莎》的防彈玻璃投擲蛋糕，表示是為了提高人們對氣候變遷的認識。但該幅畫沒有被損壞。2024年1月28日，法国两名气候活动人士向《蒙娜丽莎》泼汤，由于画作前面有防弹玻璃保护，因此未有受损。保安员之后在现场拉起黑布，又将两人带走。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Contemporary", "sub_subsection": null, "prompt": "Explain the Contemporary about the History of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "近幾十年來，《蒙娜麗莎》曾三度被臨時搬遷以適應羅浮宮的翻修：分別為1992年至1995年、2001年至2005年以及2019年。其中，羅浮宮在2019年引入了新式排隊系統，博物館的參觀者需要排隊才能欣賞這幅畫作。當排隊完畢後，每組觀眾只有約30秒的時間觀賞《蒙娜麗莎》。2009年8月2日，一名俄羅斯婦女因被剝奪法國公民身份而惱怒，向《蒙娜麗莎》投擲陶瓷茶杯；然而茶杯容器撞到防彈玻璃後則當場摔碎，女子隨後被捕。2022年5月29日，一名男性活動家偽裝成坐在輪椅上的女性，向《蒙娜麗莎》的防彈玻璃投擲蛋糕，表示是為了提高人們對氣候變遷的認識。但該幅畫沒有被損壞。2024年1月28日，法国两名气候活动人士向《蒙娜丽莎》泼汤，由于画作前面有防弹玻璃保护，因此未有受损。保安员之后在现场拉起黑布，又将两人带走。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Contemporary", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Contemporary of the History explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "近幾十年來，《蒙娜麗莎》曾三度被臨時搬遷以適應羅浮宮的翻修：分別為1992年至1995年、2001年至2005年以及2019年。其中，羅浮宮在2019年引入了新式排隊系統，博物館的參觀者需要排隊才能欣賞這幅畫作。當排隊完畢後，每組觀眾只有約30秒的時間觀賞《蒙娜麗莎》。2009年8月2日，一名俄羅斯婦女因被剝奪法國公民身份而惱怒，向《蒙娜麗莎》投擲陶瓷茶杯；然而茶杯容器撞到防彈玻璃後則當場摔碎，女子隨後被捕。2022年5月29日，一名男性活動家偽裝成坐在輪椅上的女性，向《蒙娜麗莎》的防彈玻璃投擲蛋糕，表示是為了提高人們對氣候變遷的認識。但該幅畫沒有被損壞。2024年1月28日，法国两名气候活动人士向《蒙娜丽莎》泼汤，由于画作前面有防弹玻璃保护，因此未有受损。保安员之后在现场拉起黑布，又将两人带走。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "History", "subsection": "Contemporary", "sub_subsection": null, "prompt": "Describe the characteristics of the Contemporary in Mona Lisa's History.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "近幾十年來，《蒙娜麗莎》曾三度被臨時搬遷以適應羅浮宮的翻修：分別為1992年至1995年、2001年至2005年以及2019年。其中，羅浮宮在2019年引入了新式排隊系統，博物館的參觀者需要排隊才能欣賞這幅畫作。當排隊完畢後，每組觀眾只有約30秒的時間觀賞《蒙娜麗莎》。2009年8月2日，一名俄羅斯婦女因被剝奪法國公民身份而惱怒，向《蒙娜麗莎》投擲陶瓷茶杯；然而茶杯容器撞到防彈玻璃後則當場摔碎，女子隨後被捕。2022年5月29日，一名男性活動家偽裝成坐在輪椅上的女性，向《蒙娜麗莎》的防彈玻璃投擲蛋糕，表示是為了提高人們對氣候變遷的認識。但該幅畫沒有被損壞。2024年1月28日，法国两名气候活动人士向《蒙娜丽莎》泼汤，由于画作前面有防弹玻璃保护，因此未有受损。保安员之后在现场拉起黑布，又将两人带走。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": null, "sub_subsection": null, "prompt": "Focus on Mona Lisa and explain the Aesthetics.Please output in Chinese.", "template": "en_template1_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》是義大利最早的一幅半身畫像，該畫作描繪出15世紀理想女性的形象，並包含與聖母瑪麗亞在中世纪及文艺复兴的形象特徵。該畫作的許多細節，與同時期的藝術家羅倫佐·迪·克雷迪和阿格諾洛·迪·多梅尼科·德爾·馬佐爾的人物肖像畫相似，澤爾訥曾指出，《蒙娜麗莎》與早期尼德蘭繪畫中的模特也有相似之處。其中，側柱在佛蘭德肖像畫中也是常見的細節之一。藝術史學家喬安娜·伍茲-馬斯登則提到，漢斯·梅姆林的《班奈德托·波提納裏三聯畫》（1487年）和巴斯蒂亞諾·梅納迪肖像畫已明確描繪了主題和背景中的「涼廊」元素，而達芬奇的早期肖像畫作品《吉內薇拉·班琪》則未使用涼廊景觀。這幅畫中的人物坐在椅子上，雙手交叉擱在椅子扶手上，從頭到腰完整呈現出半身的形體。該畫作的構圖與早期僅呈現頭部和上半身的肖像畫不同，成為後來畫家和攝影師樹立新肖像圖基本架構的先驅。達芬奇在創作《蒙娜麗莎》時，則先畫了一張草圖，然後用稀釋的精油塗抹上去，這種技法稱為「暈塗法」。達文西摒棄了四百時期清晰輪廓線條的技法，而採用一種模糊的技法來包裹畫作，在底層色彩的明暗界線逐漸模糊，使人物像是被包裹在作品的柔和氛圍中，給人賦予立體的感覺。藉由將風景與模特的目光、微笑聯繫起來，從而進一步強調畫面的神秘性。根據以往歷史的肖像畫研究中，基本涵蓋了藝術家、模特和風景研究成果，但在《蒙娜麗莎》中，所呈現的模特之美不特別突出，即使與四百時期或12世紀畫作的標準相比也是如此。在畫中，達文西選擇使用手勢，而非繪製戒指來表明圖中的女子是一個對家庭相當忠誠的女士。一些東方美術史學者，如矢代幸雄提出達文西可能從中國畫中獲得靈感，但西方學者基於缺乏確鑿的證據，否認了這些假設"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": null, "sub_subsection": null, "prompt": "Explain the Aesthetics of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》是義大利最早的一幅半身畫像，該畫作描繪出15世紀理想女性的形象，並包含與聖母瑪麗亞在中世纪及文艺复兴的形象特徵。該畫作的許多細節，與同時期的藝術家羅倫佐·迪·克雷迪和阿格諾洛·迪·多梅尼科·德爾·馬佐爾的人物肖像畫相似，澤爾訥曾指出，《蒙娜麗莎》與早期尼德蘭繪畫中的模特也有相似之處。其中，側柱在佛蘭德肖像畫中也是常見的細節之一。藝術史學家喬安娜·伍茲-馬斯登則提到，漢斯·梅姆林的《班奈德托·波提納裏三聯畫》（1487年）和巴斯蒂亞諾·梅納迪肖像畫已明確描繪了主題和背景中的「涼廊」元素，而達芬奇的早期肖像畫作品《吉內薇拉·班琪》則未使用涼廊景觀。這幅畫中的人物坐在椅子上，雙手交叉擱在椅子扶手上，從頭到腰完整呈現出半身的形體。該畫作的構圖與早期僅呈現頭部和上半身的肖像畫不同，成為後來畫家和攝影師樹立新肖像圖基本架構的先驅。達芬奇在創作《蒙娜麗莎》時，則先畫了一張草圖，然後用稀釋的精油塗抹上去，這種技法稱為「暈塗法」。達文西摒棄了四百時期清晰輪廓線條的技法，而採用一種模糊的技法來包裹畫作，在底層色彩的明暗界線逐漸模糊，使人物像是被包裹在作品的柔和氛圍中，給人賦予立體的感覺。藉由將風景與模特的目光、微笑聯繫起來，從而進一步強調畫面的神秘性。根據以往歷史的肖像畫研究中，基本涵蓋了藝術家、模特和風景研究成果，但在《蒙娜麗莎》中，所呈現的模特之美不特別突出，即使與四百時期或12世紀畫作的標準相比也是如此。在畫中，達文西選擇使用手勢，而非繪製戒指來表明圖中的女子是一個對家庭相當忠誠的女士。一些東方美術史學者，如矢代幸雄提出達文西可能從中國畫中獲得靈感，但西方學者基於缺乏確鑿的證據，否認了這些假設"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": null, "sub_subsection": null, "prompt": "How does Mona Lisa explain its Aesthetics?Please output in Chinese.", "template": "en_template3_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》是義大利最早的一幅半身畫像，該畫作描繪出15世紀理想女性的形象，並包含與聖母瑪麗亞在中世纪及文艺复兴的形象特徵。該畫作的許多細節，與同時期的藝術家羅倫佐·迪·克雷迪和阿格諾洛·迪·多梅尼科·德爾·馬佐爾的人物肖像畫相似，澤爾訥曾指出，《蒙娜麗莎》與早期尼德蘭繪畫中的模特也有相似之處。其中，側柱在佛蘭德肖像畫中也是常見的細節之一。藝術史學家喬安娜·伍茲-馬斯登則提到，漢斯·梅姆林的《班奈德托·波提納裏三聯畫》（1487年）和巴斯蒂亞諾·梅納迪肖像畫已明確描繪了主題和背景中的「涼廊」元素，而達芬奇的早期肖像畫作品《吉內薇拉·班琪》則未使用涼廊景觀。這幅畫中的人物坐在椅子上，雙手交叉擱在椅子扶手上，從頭到腰完整呈現出半身的形體。該畫作的構圖與早期僅呈現頭部和上半身的肖像畫不同，成為後來畫家和攝影師樹立新肖像圖基本架構的先驅。達芬奇在創作《蒙娜麗莎》時，則先畫了一張草圖，然後用稀釋的精油塗抹上去，這種技法稱為「暈塗法」。達文西摒棄了四百時期清晰輪廓線條的技法，而採用一種模糊的技法來包裹畫作，在底層色彩的明暗界線逐漸模糊，使人物像是被包裹在作品的柔和氛圍中，給人賦予立體的感覺。藉由將風景與模特的目光、微笑聯繫起來，從而進一步強調畫面的神秘性。根據以往歷史的肖像畫研究中，基本涵蓋了藝術家、模特和風景研究成果，但在《蒙娜麗莎》中，所呈現的模特之美不特別突出，即使與四百時期或12世紀畫作的標準相比也是如此。在畫中，達文西選擇使用手勢，而非繪製戒指來表明圖中的女子是一個對家庭相當忠誠的女士。一些東方美術史學者，如矢代幸雄提出達文西可能從中國畫中獲得靈感，但西方學者基於缺乏確鑿的證據，否認了這些假設"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": null, "sub_subsection": null, "prompt": "In Mona Lisa, how is the Aesthetics discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》是義大利最早的一幅半身畫像，該畫作描繪出15世紀理想女性的形象，並包含與聖母瑪麗亞在中世纪及文艺复兴的形象特徵。該畫作的許多細節，與同時期的藝術家羅倫佐·迪·克雷迪和阿格諾洛·迪·多梅尼科·德爾·馬佐爾的人物肖像畫相似，澤爾訥曾指出，《蒙娜麗莎》與早期尼德蘭繪畫中的模特也有相似之處。其中，側柱在佛蘭德肖像畫中也是常見的細節之一。藝術史學家喬安娜·伍茲-馬斯登則提到，漢斯·梅姆林的《班奈德托·波提納裏三聯畫》（1487年）和巴斯蒂亞諾·梅納迪肖像畫已明確描繪了主題和背景中的「涼廊」元素，而達芬奇的早期肖像畫作品《吉內薇拉·班琪》則未使用涼廊景觀。這幅畫中的人物坐在椅子上，雙手交叉擱在椅子扶手上，從頭到腰完整呈現出半身的形體。該畫作的構圖與早期僅呈現頭部和上半身的肖像畫不同，成為後來畫家和攝影師樹立新肖像圖基本架構的先驅。達芬奇在創作《蒙娜麗莎》時，則先畫了一張草圖，然後用稀釋的精油塗抹上去，這種技法稱為「暈塗法」。達文西摒棄了四百時期清晰輪廓線條的技法，而採用一種模糊的技法來包裹畫作，在底層色彩的明暗界線逐漸模糊，使人物像是被包裹在作品的柔和氛圍中，給人賦予立體的感覺。藉由將風景與模特的目光、微笑聯繫起來，從而進一步強調畫面的神秘性。根據以往歷史的肖像畫研究中，基本涵蓋了藝術家、模特和風景研究成果，但在《蒙娜麗莎》中，所呈現的模特之美不特別突出，即使與四百時期或12世紀畫作的標準相比也是如此。在畫中，達文西選擇使用手勢，而非繪製戒指來表明圖中的女子是一個對家庭相當忠誠的女士。一些東方美術史學者，如矢代幸雄提出達文西可能從中國畫中獲得靈感，但西方學者基於缺乏確鑿的證據，否認了這些假設"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Canvas and Preservation", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Canvas and Preservation and the Aesthetics.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "這幅畫支撐在一張非常脆弱的银白杨框架上，框架上覆蓋著幾層石膏。目前，它被羅浮宮保存在一個厚度為40厘米、防彈的玻璃容器中，並接受特殊處理以避免光的反射。收藏這幅畫的房間，被設計為保持恆定的20度溫度和50%的相對濕度；以確保維護繪畫的最佳條件。在肖像畫的上半部分有一道12厘米的裂縫，可能是因為原始畫布的老化所致，雖然根據紅外線研究顯示，這個裂縫可能和畫布同樣古老，但根據調查，這個裂縫在18世紀中葉至19世紀初期進行過修補。為了預防任何形式的損壞，2004年，一組法國修復人員被派遣來監測畫作的狀態。監測結果表明，《蒙娜麗莎》畫作保存仍然是處於穩定的狀態，並沒有隨著時間的推移而惡化。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Canvas and Preservation", "sub_subsection": null, "prompt": "Explain the Canvas and Preservation about the Aesthetics of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "這幅畫支撐在一張非常脆弱的银白杨框架上，框架上覆蓋著幾層石膏。目前，它被羅浮宮保存在一個厚度為40厘米、防彈的玻璃容器中，並接受特殊處理以避免光的反射。收藏這幅畫的房間，被設計為保持恆定的20度溫度和50%的相對濕度；以確保維護繪畫的最佳條件。在肖像畫的上半部分有一道12厘米的裂縫，可能是因為原始畫布的老化所致，雖然根據紅外線研究顯示，這個裂縫可能和畫布同樣古老，但根據調查，這個裂縫在18世紀中葉至19世紀初期進行過修補。為了預防任何形式的損壞，2004年，一組法國修復人員被派遣來監測畫作的狀態。監測結果表明，《蒙娜麗莎》畫作保存仍然是處於穩定的狀態，並沒有隨著時間的推移而惡化。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Canvas and Preservation", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Canvas and Preservation of the Aesthetics explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "這幅畫支撐在一張非常脆弱的银白杨框架上，框架上覆蓋著幾層石膏。目前，它被羅浮宮保存在一個厚度為40厘米、防彈的玻璃容器中，並接受特殊處理以避免光的反射。收藏這幅畫的房間，被設計為保持恆定的20度溫度和50%的相對濕度；以確保維護繪畫的最佳條件。在肖像畫的上半部分有一道12厘米的裂縫，可能是因為原始畫布的老化所致，雖然根據紅外線研究顯示，這個裂縫可能和畫布同樣古老，但根據調查，這個裂縫在18世紀中葉至19世紀初期進行過修補。為了預防任何形式的損壞，2004年，一組法國修復人員被派遣來監測畫作的狀態。監測結果表明，《蒙娜麗莎》畫作保存仍然是處於穩定的狀態，並沒有隨著時間的推移而惡化。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Canvas and Preservation", "sub_subsection": null, "prompt": "Describe the characteristics of the Canvas and Preservation in Mona Lisa's Aesthetics.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "這幅畫支撐在一張非常脆弱的银白杨框架上，框架上覆蓋著幾層石膏。目前，它被羅浮宮保存在一個厚度為40厘米、防彈的玻璃容器中，並接受特殊處理以避免光的反射。收藏這幅畫的房間，被設計為保持恆定的20度溫度和50%的相對濕度；以確保維護繪畫的最佳條件。在肖像畫的上半部分有一道12厘米的裂縫，可能是因為原始畫布的老化所致，雖然根據紅外線研究顯示，這個裂縫可能和畫布同樣古老，但根據調查，這個裂縫在18世紀中葉至19世紀初期進行過修補。為了預防任何形式的損壞，2004年，一組法國修復人員被派遣來監測畫作的狀態。監測結果表明，《蒙娜麗莎》畫作保存仍然是處於穩定的狀態，並沒有隨著時間的推移而惡化。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Layout", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Layout and the Aesthetics.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》主要描繪一位女性坐在扶手椅上，該婦女的頭上戴著一頂小小披肩，這被視為貞潔的象徵，也是文藝復興時期配偶畫像的常見特徵。女性的左臂靠在扶手上，右手則放在左臂上，這種姿勢表達了平靜和自我控制的感覺。畫作的整體畫面設置於一個長廊中，畫面的左側有一根柱子基座。手部和眼部的細節展示了獨特的暈塗技法，並且將光影變化的描繪更加巧妙，增強物體的立體感。藝術家運用了技巧，成功地將模特兒融入周圍的氛圍和景色，展現了巴洛克時期的「空气透视」特色。此外，畫作的色調偏向藍色且透明，這種效果增強了畫面的景深感。這幅畫的背景為一片廣漠荒涼的山岳風景，可能源自於達文西在前往米蘭途中，欣賞阿爾卑斯山風景時的啟發，他在畫中呈現出濕潤、水氣繚繞的氛圍，環繞著女士的身影。儘管曾有人試圖找出畫中場景的實際位置，例如可能是阿諾河畔的某個角落或科莫湖的某處，但至今仍未有明確的結論。許多人嘗試連接女士兩旁的景象，但由於這兩幅畫面之間的不協調性，因此無法構建出一個連續、基於真實世界風景的模型。值得注意的是，左側景色似乎比右側來得更高，這與物理定律相矛盾，因為水不可能停留在地勢高低不平的地方。藝術史學家恩斯特·贡布里希對《蒙娜麗莎》的佈局持以下觀點：因此，當我們把注意力放在畫作左側時，女士的身影似乎比右側更高或更直。同樣地，她的面容也似乎因為位置的改變而略有不同，這兩個部分也無法完全吻合。此外，在畫作的右側景觀出現了一座蜿蜒道路和橋樑，這被視為文明的特徵元素，可能指向著工程和建築的重要性。另外，模特並沒有眉毛和睫毛的特徵，這被推測可能是因過去幾個世紀進行較為過度激烈的修復，導致原本細微的線條和薄膜被抹掉了，事實上，瓦薩里在文獻中曾明確提到了女士具有眉毛的特徵：「在眉毛上，我們可以看到毛髮是如何從肌膚中生長出來的，它們多或少豐富，根據肌膚毛孔的方向旋轉，不能再現實了。」不過，其他專家認為達文西從未為她畫過眉毛和睫毛，是為了使女士的表情更加模糊不清，或者因為他實際上從未完成這幅畫作。在很长的一段时间裡，人们认为这幅画在达芬奇死后曾被人剪裁过，然而這種說法並沒有任何證據支持，2007年，法國工程師帕斯卡爾·科特（Pascal Cotte）運用紫外線及紅外線拍攝取得的高畫質影像，對《蒙娜麗莎》進行了研究，結果發現《蒙娜麗莎》最初的畫作上畫有眉毛和睫毛，但是這些細節很可能在後來的清洗過程中不慎丟失了。科特還確定，這幅作品在之後曾多次經過加工，改變《蒙娜麗莎》臉部的大小和視角。此外，他還在主漆層下發現了一個版本，該版本上蒙娜麗莎的頭飾經過許多手柄固定在頭髮上，脖子上還佩戴著一條珍珠項鍊。然而，這些細節在後來的清理過程中被清理乾淨，證明了這幅作品在日後曾被重新加工過，另外，在經過畫作分層範圍及前置作業（石膏底）的解析後，也得出這幅畫從未被切割過的結論。儘管《蒙娜麗莎》畫作的保存狀況雖然良好，但由於頭頂部位有一道相對重要的裂縫。而各層清漆也隨著時間開始龜裂開來。據說羅浮宮的負責人不願對畫作進行全面修復的原因，因為他們擔心修復後會改變畫作的外觀。不過在當代，人們已經藉由電腦技術成功地重現了畫作在清除污垢後的樣貌。此外，2011年至2012年期間，由於普拉多博物館所保存的一幅複製品得到修復，因而有助於學者想像《蒙娜麗莎》原始畫作的外觀。2008年，烏爾比諾大學地貌學教授羅塞塔·博爾基亞和攝影師奧利維亞·內西（Olivia Nesci）的研究中，他們指出達文西在畫中所描繪的景觀，與位於蒙特费尔特罗歷史區域涵蓋的佩萨罗，乌尔比诺和里米尼的景色相似。2011年，專業雜誌《Cartographica 》發表文章稱，《蒙娜麗莎》的背景與瓦爾迪基亞納部分地區的地形相吻合。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Layout", "sub_subsection": null, "prompt": "Explain the Layout about the Aesthetics of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》主要描繪一位女性坐在扶手椅上，該婦女的頭上戴著一頂小小披肩，這被視為貞潔的象徵，也是文藝復興時期配偶畫像的常見特徵。女性的左臂靠在扶手上，右手則放在左臂上，這種姿勢表達了平靜和自我控制的感覺。畫作的整體畫面設置於一個長廊中，畫面的左側有一根柱子基座。手部和眼部的細節展示了獨特的暈塗技法，並且將光影變化的描繪更加巧妙，增強物體的立體感。藝術家運用了技巧，成功地將模特兒融入周圍的氛圍和景色，展現了巴洛克時期的「空气透视」特色。此外，畫作的色調偏向藍色且透明，這種效果增強了畫面的景深感。這幅畫的背景為一片廣漠荒涼的山岳風景，可能源自於達文西在前往米蘭途中，欣賞阿爾卑斯山風景時的啟發，他在畫中呈現出濕潤、水氣繚繞的氛圍，環繞著女士的身影。儘管曾有人試圖找出畫中場景的實際位置，例如可能是阿諾河畔的某個角落或科莫湖的某處，但至今仍未有明確的結論。許多人嘗試連接女士兩旁的景象，但由於這兩幅畫面之間的不協調性，因此無法構建出一個連續、基於真實世界風景的模型。值得注意的是，左側景色似乎比右側來得更高，這與物理定律相矛盾，因為水不可能停留在地勢高低不平的地方。藝術史學家恩斯特·贡布里希對《蒙娜麗莎》的佈局持以下觀點：因此，當我們把注意力放在畫作左側時，女士的身影似乎比右側更高或更直。同樣地，她的面容也似乎因為位置的改變而略有不同，這兩個部分也無法完全吻合。此外，在畫作的右側景觀出現了一座蜿蜒道路和橋樑，這被視為文明的特徵元素，可能指向著工程和建築的重要性。另外，模特並沒有眉毛和睫毛的特徵，這被推測可能是因過去幾個世紀進行較為過度激烈的修復，導致原本細微的線條和薄膜被抹掉了，事實上，瓦薩里在文獻中曾明確提到了女士具有眉毛的特徵：「在眉毛上，我們可以看到毛髮是如何從肌膚中生長出來的，它們多或少豐富，根據肌膚毛孔的方向旋轉，不能再現實了。」不過，其他專家認為達文西從未為她畫過眉毛和睫毛，是為了使女士的表情更加模糊不清，或者因為他實際上從未完成這幅畫作。在很长的一段时间裡，人们认为这幅画在达芬奇死后曾被人剪裁过，然而這種說法並沒有任何證據支持，2007年，法國工程師帕斯卡爾·科特（Pascal Cotte）運用紫外線及紅外線拍攝取得的高畫質影像，對《蒙娜麗莎》進行了研究，結果發現《蒙娜麗莎》最初的畫作上畫有眉毛和睫毛，但是這些細節很可能在後來的清洗過程中不慎丟失了。科特還確定，這幅作品在之後曾多次經過加工，改變《蒙娜麗莎》臉部的大小和視角。此外，他還在主漆層下發現了一個版本，該版本上蒙娜麗莎的頭飾經過許多手柄固定在頭髮上，脖子上還佩戴著一條珍珠項鍊。然而，這些細節在後來的清理過程中被清理乾淨，證明了這幅作品在日後曾被重新加工過，另外，在經過畫作分層範圍及前置作業（石膏底）的解析後，也得出這幅畫從未被切割過的結論。儘管《蒙娜麗莎》畫作的保存狀況雖然良好，但由於頭頂部位有一道相對重要的裂縫。而各層清漆也隨著時間開始龜裂開來。據說羅浮宮的負責人不願對畫作進行全面修復的原因，因為他們擔心修復後會改變畫作的外觀。不過在當代，人們已經藉由電腦技術成功地重現了畫作在清除污垢後的樣貌。此外，2011年至2012年期間，由於普拉多博物館所保存的一幅複製品得到修復，因而有助於學者想像《蒙娜麗莎》原始畫作的外觀。2008年，烏爾比諾大學地貌學教授羅塞塔·博爾基亞和攝影師奧利維亞·內西（Olivia Nesci）的研究中，他們指出達文西在畫中所描繪的景觀，與位於蒙特费尔特罗歷史區域涵蓋的佩萨罗，乌尔比诺和里米尼的景色相似。2011年，專業雜誌《Cartographica 》發表文章稱，《蒙娜麗莎》的背景與瓦爾迪基亞納部分地區的地形相吻合。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Layout", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Layout of the Aesthetics explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》主要描繪一位女性坐在扶手椅上，該婦女的頭上戴著一頂小小披肩，這被視為貞潔的象徵，也是文藝復興時期配偶畫像的常見特徵。女性的左臂靠在扶手上，右手則放在左臂上，這種姿勢表達了平靜和自我控制的感覺。畫作的整體畫面設置於一個長廊中，畫面的左側有一根柱子基座。手部和眼部的細節展示了獨特的暈塗技法，並且將光影變化的描繪更加巧妙，增強物體的立體感。藝術家運用了技巧，成功地將模特兒融入周圍的氛圍和景色，展現了巴洛克時期的「空气透视」特色。此外，畫作的色調偏向藍色且透明，這種效果增強了畫面的景深感。這幅畫的背景為一片廣漠荒涼的山岳風景，可能源自於達文西在前往米蘭途中，欣賞阿爾卑斯山風景時的啟發，他在畫中呈現出濕潤、水氣繚繞的氛圍，環繞著女士的身影。儘管曾有人試圖找出畫中場景的實際位置，例如可能是阿諾河畔的某個角落或科莫湖的某處，但至今仍未有明確的結論。許多人嘗試連接女士兩旁的景象，但由於這兩幅畫面之間的不協調性，因此無法構建出一個連續、基於真實世界風景的模型。值得注意的是，左側景色似乎比右側來得更高，這與物理定律相矛盾，因為水不可能停留在地勢高低不平的地方。藝術史學家恩斯特·贡布里希對《蒙娜麗莎》的佈局持以下觀點：因此，當我們把注意力放在畫作左側時，女士的身影似乎比右側更高或更直。同樣地，她的面容也似乎因為位置的改變而略有不同，這兩個部分也無法完全吻合。此外，在畫作的右側景觀出現了一座蜿蜒道路和橋樑，這被視為文明的特徵元素，可能指向著工程和建築的重要性。另外，模特並沒有眉毛和睫毛的特徵，這被推測可能是因過去幾個世紀進行較為過度激烈的修復，導致原本細微的線條和薄膜被抹掉了，事實上，瓦薩里在文獻中曾明確提到了女士具有眉毛的特徵：「在眉毛上，我們可以看到毛髮是如何從肌膚中生長出來的，它們多或少豐富，根據肌膚毛孔的方向旋轉，不能再現實了。」不過，其他專家認為達文西從未為她畫過眉毛和睫毛，是為了使女士的表情更加模糊不清，或者因為他實際上從未完成這幅畫作。在很长的一段时间裡，人们认为这幅画在达芬奇死后曾被人剪裁过，然而這種說法並沒有任何證據支持，2007年，法國工程師帕斯卡爾·科特（Pascal Cotte）運用紫外線及紅外線拍攝取得的高畫質影像，對《蒙娜麗莎》進行了研究，結果發現《蒙娜麗莎》最初的畫作上畫有眉毛和睫毛，但是這些細節很可能在後來的清洗過程中不慎丟失了。科特還確定，這幅作品在之後曾多次經過加工，改變《蒙娜麗莎》臉部的大小和視角。此外，他還在主漆層下發現了一個版本，該版本上蒙娜麗莎的頭飾經過許多手柄固定在頭髮上，脖子上還佩戴著一條珍珠項鍊。然而，這些細節在後來的清理過程中被清理乾淨，證明了這幅作品在日後曾被重新加工過，另外，在經過畫作分層範圍及前置作業（石膏底）的解析後，也得出這幅畫從未被切割過的結論。儘管《蒙娜麗莎》畫作的保存狀況雖然良好，但由於頭頂部位有一道相對重要的裂縫。而各層清漆也隨著時間開始龜裂開來。據說羅浮宮的負責人不願對畫作進行全面修復的原因，因為他們擔心修復後會改變畫作的外觀。不過在當代，人們已經藉由電腦技術成功地重現了畫作在清除污垢後的樣貌。此外，2011年至2012年期間，由於普拉多博物館所保存的一幅複製品得到修復，因而有助於學者想像《蒙娜麗莎》原始畫作的外觀。2008年，烏爾比諾大學地貌學教授羅塞塔·博爾基亞和攝影師奧利維亞·內西（Olivia Nesci）的研究中，他們指出達文西在畫中所描繪的景觀，與位於蒙特费尔特罗歷史區域涵蓋的佩萨罗，乌尔比诺和里米尼的景色相似。2011年，專業雜誌《Cartographica 》發表文章稱，《蒙娜麗莎》的背景與瓦爾迪基亞納部分地區的地形相吻合。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Layout", "sub_subsection": null, "prompt": "Describe the characteristics of the Layout in Mona Lisa's Aesthetics.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》主要描繪一位女性坐在扶手椅上，該婦女的頭上戴著一頂小小披肩，這被視為貞潔的象徵，也是文藝復興時期配偶畫像的常見特徵。女性的左臂靠在扶手上，右手則放在左臂上，這種姿勢表達了平靜和自我控制的感覺。畫作的整體畫面設置於一個長廊中，畫面的左側有一根柱子基座。手部和眼部的細節展示了獨特的暈塗技法，並且將光影變化的描繪更加巧妙，增強物體的立體感。藝術家運用了技巧，成功地將模特兒融入周圍的氛圍和景色，展現了巴洛克時期的「空气透视」特色。此外，畫作的色調偏向藍色且透明，這種效果增強了畫面的景深感。這幅畫的背景為一片廣漠荒涼的山岳風景，可能源自於達文西在前往米蘭途中，欣賞阿爾卑斯山風景時的啟發，他在畫中呈現出濕潤、水氣繚繞的氛圍，環繞著女士的身影。儘管曾有人試圖找出畫中場景的實際位置，例如可能是阿諾河畔的某個角落或科莫湖的某處，但至今仍未有明確的結論。許多人嘗試連接女士兩旁的景象，但由於這兩幅畫面之間的不協調性，因此無法構建出一個連續、基於真實世界風景的模型。值得注意的是，左側景色似乎比右側來得更高，這與物理定律相矛盾，因為水不可能停留在地勢高低不平的地方。藝術史學家恩斯特·贡布里希對《蒙娜麗莎》的佈局持以下觀點：因此，當我們把注意力放在畫作左側時，女士的身影似乎比右側更高或更直。同樣地，她的面容也似乎因為位置的改變而略有不同，這兩個部分也無法完全吻合。此外，在畫作的右側景觀出現了一座蜿蜒道路和橋樑，這被視為文明的特徵元素，可能指向著工程和建築的重要性。另外，模特並沒有眉毛和睫毛的特徵，這被推測可能是因過去幾個世紀進行較為過度激烈的修復，導致原本細微的線條和薄膜被抹掉了，事實上，瓦薩里在文獻中曾明確提到了女士具有眉毛的特徵：「在眉毛上，我們可以看到毛髮是如何從肌膚中生長出來的，它們多或少豐富，根據肌膚毛孔的方向旋轉，不能再現實了。」不過，其他專家認為達文西從未為她畫過眉毛和睫毛，是為了使女士的表情更加模糊不清，或者因為他實際上從未完成這幅畫作。在很长的一段时间裡，人们认为这幅画在达芬奇死后曾被人剪裁过，然而這種說法並沒有任何證據支持，2007年，法國工程師帕斯卡爾·科特（Pascal Cotte）運用紫外線及紅外線拍攝取得的高畫質影像，對《蒙娜麗莎》進行了研究，結果發現《蒙娜麗莎》最初的畫作上畫有眉毛和睫毛，但是這些細節很可能在後來的清洗過程中不慎丟失了。科特還確定，這幅作品在之後曾多次經過加工，改變《蒙娜麗莎》臉部的大小和視角。此外，他還在主漆層下發現了一個版本，該版本上蒙娜麗莎的頭飾經過許多手柄固定在頭髮上，脖子上還佩戴著一條珍珠項鍊。然而，這些細節在後來的清理過程中被清理乾淨，證明了這幅作品在日後曾被重新加工過，另外，在經過畫作分層範圍及前置作業（石膏底）的解析後，也得出這幅畫從未被切割過的結論。儘管《蒙娜麗莎》畫作的保存狀況雖然良好，但由於頭頂部位有一道相對重要的裂縫。而各層清漆也隨著時間開始龜裂開來。據說羅浮宮的負責人不願對畫作進行全面修復的原因，因為他們擔心修復後會改變畫作的外觀。不過在當代，人們已經藉由電腦技術成功地重現了畫作在清除污垢後的樣貌。此外，2011年至2012年期間，由於普拉多博物館所保存的一幅複製品得到修復，因而有助於學者想像《蒙娜麗莎》原始畫作的外觀。2008年，烏爾比諾大學地貌學教授羅塞塔·博爾基亞和攝影師奧利維亞·內西（Olivia Nesci）的研究中，他們指出達文西在畫中所描繪的景觀，與位於蒙特费尔特罗歷史區域涵蓋的佩萨罗，乌尔比诺和里米尼的景色相似。2011年，專業雜誌《Cartographica 》發表文章稱，《蒙娜麗莎》的背景與瓦爾迪基亞納部分地區的地形相吻合。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Technology", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Technology and the Aesthetics.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "阿列克塞·齊維列科夫（Aleksey Civeleqov）曾指出，在《蒙娜麗莎》創作之時，達文西已經成為當時最傑出的藝術家之一，他的技藝已經達到了巔峰，作品已經達到了所有形式和組合的目標。對達文西來說，只有最困難的藝術技巧問題才值得關注。當他找到符合他要求的模特時，他決定解決一些他之前沒有解決過的最複雜的藝術技巧問題之一。為了表達模特的內心世界，達文西使用他之前發現並經過測試的技巧，特別是他以前用來創造非凡效果的暈塗法而更加精進，以創造出更加生動的人臉和面部特徵。他試圖描繪出模特的面部特徵，使其能夠完全表達模特內心的情感。這也是為什麼《蒙娜麗莎》的面部特徵看起來非常逼真和生動。鮑里斯·維珀也有相似的想法，並提出，如果要解釋《蒙娜麗莎》臉上這種感知上的消失，必須考慮兩個主要原因。首先需歸功達文西的精湛暈塗技巧。達文西曾堅定地表示：「模型是藝術的靈魂。」，通過這種技法，他在畫作營造出女子憂鬱的眼神、柔和的笑容，集無與倫比的觸感。其中特別在蒙娜麗莎臉部周圍的陰影展現暈塗技法的精髓。達文西建議通過混合光源和身體部位所形成的「微妙的煙霧」，以此創造出與眾不同的氛圍。達文西採用了三角形構圖形式進行製作，其中手臂和手的姿勢則是關鍵的位置。使畫面產生穩定的感覺。在《蒙娜麗莎》的畫像中，她的胸部、脖子和臉頰都比手更加明亮。而畫中的光線顯示了手繪圖案下方的形狀。他在這幅畫中試圖展示了坐著的女人和觀察者之間的距離，引導觀察者的目光隨著她的而轉動。耶夫謝·羅滕貝爾格寫道：「李奧納多·達文西確保他的創作概括具有普遍性，這使他能夠將其視為普遍人類的形象。這種高度的普遍性影響了畫作的所有元素，將蒙娜麗莎頭部和下巴周圍的光線、透明的紗帽、細心梳理的頭髮和小褶皺的服裝結合在一起，形成了共同的輪廓。儘管在她的臉部眉毛已經消失，但期美麗、明亮的手，依然讓讓作品充滿著柔和的感覺。」弗拉基米爾·阿爾帕托夫（Vladimir Alpatov）則認為：「達文西成功地描繪了蒙娜麗莎無盡變幻的面部表情。儘管畫中女子的眼睛注視著觀眾，並保持著安靜的姿態，但由於眼窩的陰影，她的眉毛微微凹陷。嘴唇緊閉，但邊緣陰影顯著著。蒙娜麗莎的微笑隨時都可能浮現，使得她的表情更加生動。她的面部表情克制且微笑以表現堅定的性格。達文西在創作時共花費數年的時間，嘗試消除任何強烈的轉折或交叉點，以創造出畫中更加流暢的效果。儘管畫面的陰影十分清晰，但它們卻完全消失在半個陰影中。」"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Technology", "sub_subsection": null, "prompt": "Explain the Technology about the Aesthetics of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "阿列克塞·齊維列科夫（Aleksey Civeleqov）曾指出，在《蒙娜麗莎》創作之時，達文西已經成為當時最傑出的藝術家之一，他的技藝已經達到了巔峰，作品已經達到了所有形式和組合的目標。對達文西來說，只有最困難的藝術技巧問題才值得關注。當他找到符合他要求的模特時，他決定解決一些他之前沒有解決過的最複雜的藝術技巧問題之一。為了表達模特的內心世界，達文西使用他之前發現並經過測試的技巧，特別是他以前用來創造非凡效果的暈塗法而更加精進，以創造出更加生動的人臉和面部特徵。他試圖描繪出模特的面部特徵，使其能夠完全表達模特內心的情感。這也是為什麼《蒙娜麗莎》的面部特徵看起來非常逼真和生動。鮑里斯·維珀也有相似的想法，並提出，如果要解釋《蒙娜麗莎》臉上這種感知上的消失，必須考慮兩個主要原因。首先需歸功達文西的精湛暈塗技巧。達文西曾堅定地表示：「模型是藝術的靈魂。」，通過這種技法，他在畫作營造出女子憂鬱的眼神、柔和的笑容，集無與倫比的觸感。其中特別在蒙娜麗莎臉部周圍的陰影展現暈塗技法的精髓。達文西建議通過混合光源和身體部位所形成的「微妙的煙霧」，以此創造出與眾不同的氛圍。達文西採用了三角形構圖形式進行製作，其中手臂和手的姿勢則是關鍵的位置。使畫面產生穩定的感覺。在《蒙娜麗莎》的畫像中，她的胸部、脖子和臉頰都比手更加明亮。而畫中的光線顯示了手繪圖案下方的形狀。他在這幅畫中試圖展示了坐著的女人和觀察者之間的距離，引導觀察者的目光隨著她的而轉動。耶夫謝·羅滕貝爾格寫道：「李奧納多·達文西確保他的創作概括具有普遍性，這使他能夠將其視為普遍人類的形象。這種高度的普遍性影響了畫作的所有元素，將蒙娜麗莎頭部和下巴周圍的光線、透明的紗帽、細心梳理的頭髮和小褶皺的服裝結合在一起，形成了共同的輪廓。儘管在她的臉部眉毛已經消失，但期美麗、明亮的手，依然讓讓作品充滿著柔和的感覺。」弗拉基米爾·阿爾帕托夫（Vladimir Alpatov）則認為：「達文西成功地描繪了蒙娜麗莎無盡變幻的面部表情。儘管畫中女子的眼睛注視著觀眾，並保持著安靜的姿態，但由於眼窩的陰影，她的眉毛微微凹陷。嘴唇緊閉，但邊緣陰影顯著著。蒙娜麗莎的微笑隨時都可能浮現，使得她的表情更加生動。她的面部表情克制且微笑以表現堅定的性格。達文西在創作時共花費數年的時間，嘗試消除任何強烈的轉折或交叉點，以創造出畫中更加流暢的效果。儘管畫面的陰影十分清晰，但它們卻完全消失在半個陰影中。」"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Technology", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Technology of the Aesthetics explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "阿列克塞·齊維列科夫（Aleksey Civeleqov）曾指出，在《蒙娜麗莎》創作之時，達文西已經成為當時最傑出的藝術家之一，他的技藝已經達到了巔峰，作品已經達到了所有形式和組合的目標。對達文西來說，只有最困難的藝術技巧問題才值得關注。當他找到符合他要求的模特時，他決定解決一些他之前沒有解決過的最複雜的藝術技巧問題之一。為了表達模特的內心世界，達文西使用他之前發現並經過測試的技巧，特別是他以前用來創造非凡效果的暈塗法而更加精進，以創造出更加生動的人臉和面部特徵。他試圖描繪出模特的面部特徵，使其能夠完全表達模特內心的情感。這也是為什麼《蒙娜麗莎》的面部特徵看起來非常逼真和生動。鮑里斯·維珀也有相似的想法，並提出，如果要解釋《蒙娜麗莎》臉上這種感知上的消失，必須考慮兩個主要原因。首先需歸功達文西的精湛暈塗技巧。達文西曾堅定地表示：「模型是藝術的靈魂。」，通過這種技法，他在畫作營造出女子憂鬱的眼神、柔和的笑容，集無與倫比的觸感。其中特別在蒙娜麗莎臉部周圍的陰影展現暈塗技法的精髓。達文西建議通過混合光源和身體部位所形成的「微妙的煙霧」，以此創造出與眾不同的氛圍。達文西採用了三角形構圖形式進行製作，其中手臂和手的姿勢則是關鍵的位置。使畫面產生穩定的感覺。在《蒙娜麗莎》的畫像中，她的胸部、脖子和臉頰都比手更加明亮。而畫中的光線顯示了手繪圖案下方的形狀。他在這幅畫中試圖展示了坐著的女人和觀察者之間的距離，引導觀察者的目光隨著她的而轉動。耶夫謝·羅滕貝爾格寫道：「李奧納多·達文西確保他的創作概括具有普遍性，這使他能夠將其視為普遍人類的形象。這種高度的普遍性影響了畫作的所有元素，將蒙娜麗莎頭部和下巴周圍的光線、透明的紗帽、細心梳理的頭髮和小褶皺的服裝結合在一起，形成了共同的輪廓。儘管在她的臉部眉毛已經消失，但期美麗、明亮的手，依然讓讓作品充滿著柔和的感覺。」弗拉基米爾·阿爾帕托夫（Vladimir Alpatov）則認為：「達文西成功地描繪了蒙娜麗莎無盡變幻的面部表情。儘管畫中女子的眼睛注視著觀眾，並保持著安靜的姿態，但由於眼窩的陰影，她的眉毛微微凹陷。嘴唇緊閉，但邊緣陰影顯著著。蒙娜麗莎的微笑隨時都可能浮現，使得她的表情更加生動。她的面部表情克制且微笑以表現堅定的性格。達文西在創作時共花費數年的時間，嘗試消除任何強烈的轉折或交叉點，以創造出畫中更加流暢的效果。儘管畫面的陰影十分清晰，但它們卻完全消失在半個陰影中。」"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Aesthetics", "subsection": "Technology", "sub_subsection": null, "prompt": "Describe the characteristics of the Technology in Mona Lisa's Aesthetics.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "阿列克塞·齊維列科夫（Aleksey Civeleqov）曾指出，在《蒙娜麗莎》創作之時，達文西已經成為當時最傑出的藝術家之一，他的技藝已經達到了巔峰，作品已經達到了所有形式和組合的目標。對達文西來說，只有最困難的藝術技巧問題才值得關注。當他找到符合他要求的模特時，他決定解決一些他之前沒有解決過的最複雜的藝術技巧問題之一。為了表達模特的內心世界，達文西使用他之前發現並經過測試的技巧，特別是他以前用來創造非凡效果的暈塗法而更加精進，以創造出更加生動的人臉和面部特徵。他試圖描繪出模特的面部特徵，使其能夠完全表達模特內心的情感。這也是為什麼《蒙娜麗莎》的面部特徵看起來非常逼真和生動。鮑里斯·維珀也有相似的想法，並提出，如果要解釋《蒙娜麗莎》臉上這種感知上的消失，必須考慮兩個主要原因。首先需歸功達文西的精湛暈塗技巧。達文西曾堅定地表示：「模型是藝術的靈魂。」，通過這種技法，他在畫作營造出女子憂鬱的眼神、柔和的笑容，集無與倫比的觸感。其中特別在蒙娜麗莎臉部周圍的陰影展現暈塗技法的精髓。達文西建議通過混合光源和身體部位所形成的「微妙的煙霧」，以此創造出與眾不同的氛圍。達文西採用了三角形構圖形式進行製作，其中手臂和手的姿勢則是關鍵的位置。使畫面產生穩定的感覺。在《蒙娜麗莎》的畫像中，她的胸部、脖子和臉頰都比手更加明亮。而畫中的光線顯示了手繪圖案下方的形狀。他在這幅畫中試圖展示了坐著的女人和觀察者之間的距離，引導觀察者的目光隨著她的而轉動。耶夫謝·羅滕貝爾格寫道：「李奧納多·達文西確保他的創作概括具有普遍性，這使他能夠將其視為普遍人類的形象。這種高度的普遍性影響了畫作的所有元素，將蒙娜麗莎頭部和下巴周圍的光線、透明的紗帽、細心梳理的頭髮和小褶皺的服裝結合在一起，形成了共同的輪廓。儘管在她的臉部眉毛已經消失，但期美麗、明亮的手，依然讓讓作品充滿著柔和的感覺。」弗拉基米爾·阿爾帕托夫（Vladimir Alpatov）則認為：「達文西成功地描繪了蒙娜麗莎無盡變幻的面部表情。儘管畫中女子的眼睛注視著觀眾，並保持著安靜的姿態，但由於眼窩的陰影，她的眉毛微微凹陷。嘴唇緊閉，但邊緣陰影顯著著。蒙娜麗莎的微笑隨時都可能浮現，使得她的表情更加生動。她的面部表情克制且微笑以表現堅定的性格。達文西在創作時共花費數年的時間，嘗試消除任何強烈的轉折或交叉點，以創造出畫中更加流暢的效果。儘管畫面的陰影十分清晰，但它們卻完全消失在半個陰影中。」"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": null, "sub_subsection": null, "prompt": "Focus on Mona Lisa and explain the Mystery.Please output in Chinese.", "template": "en_template1_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》已經引發了幾個世紀以來的問題，這些問題一直沒有得到適當的答案，但也激起了許多學者和研究人員的熱情。儘管存在著許多問題，在結論通常並不完全令人信服，因此對於畫中的辯論在當代仍然持續著。尤其是在19世纪和20世紀期間。其中，人們對於畫中的女士的起源、她臉上的表情、作者的靈感以及其他許多問題的理論都得到了廣泛討論，迫使人們對這幅肖像進行深入的歷史和科學分析。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": null, "sub_subsection": null, "prompt": "Explain the Mystery of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》已經引發了幾個世紀以來的問題，這些問題一直沒有得到適當的答案，但也激起了許多學者和研究人員的熱情。儘管存在著許多問題，在結論通常並不完全令人信服，因此對於畫中的辯論在當代仍然持續著。尤其是在19世纪和20世紀期間。其中，人們對於畫中的女士的起源、她臉上的表情、作者的靈感以及其他許多問題的理論都得到了廣泛討論，迫使人們對這幅肖像進行深入的歷史和科學分析。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": null, "sub_subsection": null, "prompt": "How does Mona Lisa explain its Mystery?Please output in Chinese.", "template": "en_template3_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》已經引發了幾個世紀以來的問題，這些問題一直沒有得到適當的答案，但也激起了許多學者和研究人員的熱情。儘管存在著許多問題，在結論通常並不完全令人信服，因此對於畫中的辯論在當代仍然持續著。尤其是在19世纪和20世紀期間。其中，人們對於畫中的女士的起源、她臉上的表情、作者的靈感以及其他許多問題的理論都得到了廣泛討論，迫使人們對這幅肖像進行深入的歷史和科學分析。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": null, "sub_subsection": null, "prompt": "In Mona Lisa, how is the Mystery discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》已經引發了幾個世紀以來的問題，這些問題一直沒有得到適當的答案，但也激起了許多學者和研究人員的熱情。儘管存在著許多問題，在結論通常並不完全令人信服，因此對於畫中的辯論在當代仍然持續著。尤其是在19世纪和20世紀期間。其中，人們對於畫中的女士的起源、她臉上的表情、作者的靈感以及其他許多問題的理論都得到了廣泛討論，迫使人們對這幅肖像進行深入的歷史和科學分析。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Mysterious smile", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Mysterious smile and the Mystery.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》中，女子目光輕微地朝左看，並展現出一個極其神秘的微笑。瓦薩里曾對此表示：在繪畫這幅畫像時，他讓人唱歌或演奏樂器，還有小丑逗她開心，以避免在繪畫肖像時常呈現的憂鬱情緒。哈佛大學專門研究視覺的生物學教授瑪格麗特·利文斯通在2003年的一項研究中指出，當直接注視《蒙娜麗莎》時，她的微笑會消失，她在拉科魯尼亞舉行的歐洲視覺知覺大會上解釋，《蒙娜麗莎》神秘的微笑實質是「一種錯覺」，這是因為人類的眼睛處理圖像的方式非常獨特而對空間頻率產生「消失」的效果。此外，利文斯通還指出，藝術家們比專業的醫學專家更早地研究了人類的視覺。並還介紹了人類視覺系統的兩種視覺方式，即直視或中央凹和周邊或邊緣的視覺，前者用於感知明視覺，但不適用於區分陰影，而後者則擅長區分暗視覺。Leonardo利用周邊視覺中更容易看到的陰影繪製了蒙娜麗莎的微笑。為了說明這個效果，利文斯通藉由舉例人們可以專注於印刷頁面上的單個字母，但其他鄰近的字母看起來不太清晰或難以辨認。這是因為當人們專注於一個物體或一個區域時，他們的視覺系統會將周圍的事物模糊化或忽略，以便更好地專注於目標物體。在《蒙娜麗莎》的情況下，達文西透過繪製一些只有在人們透過周圍視野看的比較模糊的陰影，這些陰影增強了《蒙娜麗莎》微笑的神秘感。另外，為了解決一些謎團，在近年，專門用於「情感測量」的软件被曾被應用於這幅畫作，以獲取有關模特表情的有關數據。該程序的結論是，蒙娜麗莎的幸福感為83％，厭惡感為9％，恐懼感為6％；剩餘的2％對應於生氣的情感。該程序考慮到嘴唇的彎曲，眼周的皺紋等特徵進行測量，然後與包含平均表情的女性面部表情數據庫進行比較因此，通過這個新程序則可通過某人的照片或畫像，來分析人物的情緒狀態。布朗大學的兼職教授迪娜·戈丁認為，蒙娜麗莎神秘的微笑是由於豐富的面部表情。豐富的面部肌肉作用下，觀眾不自覺地擴大了對蒙娜麗莎微笑的解讀，每一位觀眾都會想起蒙娜麗莎的微笑帶給他們淡淡而明確的情感。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Mysterious smile", "sub_subsection": null, "prompt": "Explain the Mysterious smile about the Mystery of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》中，女子目光輕微地朝左看，並展現出一個極其神秘的微笑。瓦薩里曾對此表示：在繪畫這幅畫像時，他讓人唱歌或演奏樂器，還有小丑逗她開心，以避免在繪畫肖像時常呈現的憂鬱情緒。哈佛大學專門研究視覺的生物學教授瑪格麗特·利文斯通在2003年的一項研究中指出，當直接注視《蒙娜麗莎》時，她的微笑會消失，她在拉科魯尼亞舉行的歐洲視覺知覺大會上解釋，《蒙娜麗莎》神秘的微笑實質是「一種錯覺」，這是因為人類的眼睛處理圖像的方式非常獨特而對空間頻率產生「消失」的效果。此外，利文斯通還指出，藝術家們比專業的醫學專家更早地研究了人類的視覺。並還介紹了人類視覺系統的兩種視覺方式，即直視或中央凹和周邊或邊緣的視覺，前者用於感知明視覺，但不適用於區分陰影，而後者則擅長區分暗視覺。Leonardo利用周邊視覺中更容易看到的陰影繪製了蒙娜麗莎的微笑。為了說明這個效果，利文斯通藉由舉例人們可以專注於印刷頁面上的單個字母，但其他鄰近的字母看起來不太清晰或難以辨認。這是因為當人們專注於一個物體或一個區域時，他們的視覺系統會將周圍的事物模糊化或忽略，以便更好地專注於目標物體。在《蒙娜麗莎》的情況下，達文西透過繪製一些只有在人們透過周圍視野看的比較模糊的陰影，這些陰影增強了《蒙娜麗莎》微笑的神秘感。另外，為了解決一些謎團，在近年，專門用於「情感測量」的软件被曾被應用於這幅畫作，以獲取有關模特表情的有關數據。該程序的結論是，蒙娜麗莎的幸福感為83％，厭惡感為9％，恐懼感為6％；剩餘的2％對應於生氣的情感。該程序考慮到嘴唇的彎曲，眼周的皺紋等特徵進行測量，然後與包含平均表情的女性面部表情數據庫進行比較因此，通過這個新程序則可通過某人的照片或畫像，來分析人物的情緒狀態。布朗大學的兼職教授迪娜·戈丁認為，蒙娜麗莎神秘的微笑是由於豐富的面部表情。豐富的面部肌肉作用下，觀眾不自覺地擴大了對蒙娜麗莎微笑的解讀，每一位觀眾都會想起蒙娜麗莎的微笑帶給他們淡淡而明確的情感。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Mysterious smile", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Mysterious smile of the Mystery explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》中，女子目光輕微地朝左看，並展現出一個極其神秘的微笑。瓦薩里曾對此表示：在繪畫這幅畫像時，他讓人唱歌或演奏樂器，還有小丑逗她開心，以避免在繪畫肖像時常呈現的憂鬱情緒。哈佛大學專門研究視覺的生物學教授瑪格麗特·利文斯通在2003年的一項研究中指出，當直接注視《蒙娜麗莎》時，她的微笑會消失，她在拉科魯尼亞舉行的歐洲視覺知覺大會上解釋，《蒙娜麗莎》神秘的微笑實質是「一種錯覺」，這是因為人類的眼睛處理圖像的方式非常獨特而對空間頻率產生「消失」的效果。此外，利文斯通還指出，藝術家們比專業的醫學專家更早地研究了人類的視覺。並還介紹了人類視覺系統的兩種視覺方式，即直視或中央凹和周邊或邊緣的視覺，前者用於感知明視覺，但不適用於區分陰影，而後者則擅長區分暗視覺。Leonardo利用周邊視覺中更容易看到的陰影繪製了蒙娜麗莎的微笑。為了說明這個效果，利文斯通藉由舉例人們可以專注於印刷頁面上的單個字母，但其他鄰近的字母看起來不太清晰或難以辨認。這是因為當人們專注於一個物體或一個區域時，他們的視覺系統會將周圍的事物模糊化或忽略，以便更好地專注於目標物體。在《蒙娜麗莎》的情況下，達文西透過繪製一些只有在人們透過周圍視野看的比較模糊的陰影，這些陰影增強了《蒙娜麗莎》微笑的神秘感。另外，為了解決一些謎團，在近年，專門用於「情感測量」的软件被曾被應用於這幅畫作，以獲取有關模特表情的有關數據。該程序的結論是，蒙娜麗莎的幸福感為83％，厭惡感為9％，恐懼感為6％；剩餘的2％對應於生氣的情感。該程序考慮到嘴唇的彎曲，眼周的皺紋等特徵進行測量，然後與包含平均表情的女性面部表情數據庫進行比較因此，通過這個新程序則可通過某人的照片或畫像，來分析人物的情緒狀態。布朗大學的兼職教授迪娜·戈丁認為，蒙娜麗莎神秘的微笑是由於豐富的面部表情。豐富的面部肌肉作用下，觀眾不自覺地擴大了對蒙娜麗莎微笑的解讀，每一位觀眾都會想起蒙娜麗莎的微笑帶給他們淡淡而明確的情感。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Mysterious smile", "sub_subsection": null, "prompt": "Describe the characteristics of the Mysterious smile in Mona Lisa's Mystery.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》中，女子目光輕微地朝左看，並展現出一個極其神秘的微笑。瓦薩里曾對此表示：在繪畫這幅畫像時，他讓人唱歌或演奏樂器，還有小丑逗她開心，以避免在繪畫肖像時常呈現的憂鬱情緒。哈佛大學專門研究視覺的生物學教授瑪格麗特·利文斯通在2003年的一項研究中指出，當直接注視《蒙娜麗莎》時，她的微笑會消失，她在拉科魯尼亞舉行的歐洲視覺知覺大會上解釋，《蒙娜麗莎》神秘的微笑實質是「一種錯覺」，這是因為人類的眼睛處理圖像的方式非常獨特而對空間頻率產生「消失」的效果。此外，利文斯通還指出，藝術家們比專業的醫學專家更早地研究了人類的視覺。並還介紹了人類視覺系統的兩種視覺方式，即直視或中央凹和周邊或邊緣的視覺，前者用於感知明視覺，但不適用於區分陰影，而後者則擅長區分暗視覺。Leonardo利用周邊視覺中更容易看到的陰影繪製了蒙娜麗莎的微笑。為了說明這個效果，利文斯通藉由舉例人們可以專注於印刷頁面上的單個字母，但其他鄰近的字母看起來不太清晰或難以辨認。這是因為當人們專注於一個物體或一個區域時，他們的視覺系統會將周圍的事物模糊化或忽略，以便更好地專注於目標物體。在《蒙娜麗莎》的情況下，達文西透過繪製一些只有在人們透過周圍視野看的比較模糊的陰影，這些陰影增強了《蒙娜麗莎》微笑的神秘感。另外，為了解決一些謎團，在近年，專門用於「情感測量」的软件被曾被應用於這幅畫作，以獲取有關模特表情的有關數據。該程序的結論是，蒙娜麗莎的幸福感為83％，厭惡感為9％，恐懼感為6％；剩餘的2％對應於生氣的情感。該程序考慮到嘴唇的彎曲，眼周的皺紋等特徵進行測量，然後與包含平均表情的女性面部表情數據庫進行比較因此，通過這個新程序則可通過某人的照片或畫像，來分析人物的情緒狀態。布朗大學的兼職教授迪娜·戈丁認為，蒙娜麗莎神秘的微笑是由於豐富的面部表情。豐富的面部肌肉作用下，觀眾不自覺地擴大了對蒙娜麗莎微笑的解讀，每一位觀眾都會想起蒙娜麗莎的微笑帶給他們淡淡而明確的情感。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "It is said that pregnancy and physical condition", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the It is said that pregnancy and physical condition and the Mystery.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "有些研究人員認為《蒙娜麗莎》圖中的人物在被描繪時可能懷孕了，因為她的手放在腹部上方。為了澄清這一理論，一組研究人員曾使用三維紅外線掃描儀進行研究，該研究結果於2006年9月26日由加拿大研究委員會發表。根據三維紅外線掃描儀的解析技術，研究人員能夠發現之前未知的畫作細節，掃描儀的解析度比人類頭髮直徑的細度還要高出10倍。他們在該次研究中發現畫作襯衫領口上一層薄透的紗質披肩，這種服飾經常懷孕的女性穿戴。此外，研究還揭示了模特兒的體重（63公斤）和身高（1.68公尺），以及她戴著一個被遮蓋的髮髻。在畫作的任何一層塗料中都沒有發現任何秘密訊息，這點與小說《達文西密碼》中的描述不同。該項研究的結果，最後得到加拿大主要的官方研究機構加拿大国家研究院的認可。該研究最初在2004年渥太華的一個學術活動上發表。此外，馬德里康普魯坦斯大學的胡里奧·克魯斯·埃爾米達（Julio Cruz Hermida）博士則根據調查，聲稱這名模特兒有磨牙症、圓禿和早期帕金森氏症的症狀。2010年1月，巴勒莫大學解剖病理學教授维托佛朗哥（Vito Franco）向意大利報紙《新聞報》投稿了一篇關於蒙娜麗莎的文章。在佛羅倫薩的一次醫學會議上，他指出蒙娜麗莎中描繪的女人體內明顯積累了導致高膽固醇血症的脂肪酸。佛朗哥還報告說，這名婦女的右眼長了一個脂肪瘤。 "}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "It is said that pregnancy and physical condition", "sub_subsection": null, "prompt": "Explain the It is said that pregnancy and physical condition about the Mystery of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "有些研究人員認為《蒙娜麗莎》圖中的人物在被描繪時可能懷孕了，因為她的手放在腹部上方。為了澄清這一理論，一組研究人員曾使用三維紅外線掃描儀進行研究，該研究結果於2006年9月26日由加拿大研究委員會發表。根據三維紅外線掃描儀的解析技術，研究人員能夠發現之前未知的畫作細節，掃描儀的解析度比人類頭髮直徑的細度還要高出10倍。他們在該次研究中發現畫作襯衫領口上一層薄透的紗質披肩，這種服飾經常懷孕的女性穿戴。此外，研究還揭示了模特兒的體重（63公斤）和身高（1.68公尺），以及她戴著一個被遮蓋的髮髻。在畫作的任何一層塗料中都沒有發現任何秘密訊息，這點與小說《達文西密碼》中的描述不同。該項研究的結果，最後得到加拿大主要的官方研究機構加拿大国家研究院的認可。該研究最初在2004年渥太華的一個學術活動上發表。此外，馬德里康普魯坦斯大學的胡里奧·克魯斯·埃爾米達（Julio Cruz Hermida）博士則根據調查，聲稱這名模特兒有磨牙症、圓禿和早期帕金森氏症的症狀。2010年1月，巴勒莫大學解剖病理學教授维托佛朗哥（Vito Franco）向意大利報紙《新聞報》投稿了一篇關於蒙娜麗莎的文章。在佛羅倫薩的一次醫學會議上，他指出蒙娜麗莎中描繪的女人體內明顯積累了導致高膽固醇血症的脂肪酸。佛朗哥還報告說，這名婦女的右眼長了一個脂肪瘤。 "}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "It is said that pregnancy and physical condition", "sub_subsection": null, "prompt": "In Mona Lisa, how is the It is said that pregnancy and physical condition of the Mystery explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "有些研究人員認為《蒙娜麗莎》圖中的人物在被描繪時可能懷孕了，因為她的手放在腹部上方。為了澄清這一理論，一組研究人員曾使用三維紅外線掃描儀進行研究，該研究結果於2006年9月26日由加拿大研究委員會發表。根據三維紅外線掃描儀的解析技術，研究人員能夠發現之前未知的畫作細節，掃描儀的解析度比人類頭髮直徑的細度還要高出10倍。他們在該次研究中發現畫作襯衫領口上一層薄透的紗質披肩，這種服飾經常懷孕的女性穿戴。此外，研究還揭示了模特兒的體重（63公斤）和身高（1.68公尺），以及她戴著一個被遮蓋的髮髻。在畫作的任何一層塗料中都沒有發現任何秘密訊息，這點與小說《達文西密碼》中的描述不同。該項研究的結果，最後得到加拿大主要的官方研究機構加拿大国家研究院的認可。該研究最初在2004年渥太華的一個學術活動上發表。此外，馬德里康普魯坦斯大學的胡里奧·克魯斯·埃爾米達（Julio Cruz Hermida）博士則根據調查，聲稱這名模特兒有磨牙症、圓禿和早期帕金森氏症的症狀。2010年1月，巴勒莫大學解剖病理學教授维托佛朗哥（Vito Franco）向意大利報紙《新聞報》投稿了一篇關於蒙娜麗莎的文章。在佛羅倫薩的一次醫學會議上，他指出蒙娜麗莎中描繪的女人體內明顯積累了導致高膽固醇血症的脂肪酸。佛朗哥還報告說，這名婦女的右眼長了一個脂肪瘤。 "}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "It is said that pregnancy and physical condition", "sub_subsection": null, "prompt": "Describe the characteristics of the It is said that pregnancy and physical condition in Mona Lisa's Mystery.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "有些研究人員認為《蒙娜麗莎》圖中的人物在被描繪時可能懷孕了，因為她的手放在腹部上方。為了澄清這一理論，一組研究人員曾使用三維紅外線掃描儀進行研究，該研究結果於2006年9月26日由加拿大研究委員會發表。根據三維紅外線掃描儀的解析技術，研究人員能夠發現之前未知的畫作細節，掃描儀的解析度比人類頭髮直徑的細度還要高出10倍。他們在該次研究中發現畫作襯衫領口上一層薄透的紗質披肩，這種服飾經常懷孕的女性穿戴。此外，研究還揭示了模特兒的體重（63公斤）和身高（1.68公尺），以及她戴著一個被遮蓋的髮髻。在畫作的任何一層塗料中都沒有發現任何秘密訊息，這點與小說《達文西密碼》中的描述不同。該項研究的結果，最後得到加拿大主要的官方研究機構加拿大国家研究院的認可。該研究最初在2004年渥太華的一個學術活動上發表。此外，馬德里康普魯坦斯大學的胡里奧·克魯斯·埃爾米達（Julio Cruz Hermida）博士則根據調查，聲稱這名模特兒有磨牙症、圓禿和早期帕金森氏症的症狀。2010年1月，巴勒莫大學解剖病理學教授维托佛朗哥（Vito Franco）向意大利報紙《新聞報》投稿了一篇關於蒙娜麗莎的文章。在佛羅倫薩的一次醫學會議上，他指出蒙娜麗莎中描繪的女人體內明顯積累了導致高膽固醇血症的脂肪酸。佛朗哥還報告說，這名婦女的右眼長了一個脂肪瘤。 "}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the The person in the painting and the Mystery.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "根據畫家和傳記作者喬爾喬·瓦薩里的說法，有關《蒙娜丽莎》的模特身份有不同的假設。他曾在1550年寫道：他為弗朗切斯科·德爾·焦孔多畫了他妻子莫娜·麗莎的肖像，儘管他花了四年的時間，但最後並未完成。這件作品現在在法國的楓丹白露宮裡，由法國國王所擁有。1625年，卡西亞諾·德爾·波佐在楓丹白露宮看到這幅作品，並寫下：一幅真人大小的肖像，用木板製作，採用刻有胡桃木的邊框;該畫作為半身像，描繪了一位名叫焦孔多的女性。基於這些證言，人們認為《蒙娜丽莎》的模特，實際上是商人弗朗切斯科·德爾·焦孔多的妻子：「麗莎·喬宮多」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": null, "prompt": "Explain the The person in the painting about the Mystery of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "根據畫家和傳記作者喬爾喬·瓦薩里的說法，有關《蒙娜丽莎》的模特身份有不同的假設。他曾在1550年寫道：他為弗朗切斯科·德爾·焦孔多畫了他妻子莫娜·麗莎的肖像，儘管他花了四年的時間，但最後並未完成。這件作品現在在法國的楓丹白露宮裡，由法國國王所擁有。1625年，卡西亞諾·德爾·波佐在楓丹白露宮看到這幅作品，並寫下：一幅真人大小的肖像，用木板製作，採用刻有胡桃木的邊框;該畫作為半身像，描繪了一位名叫焦孔多的女性。基於這些證言，人們認為《蒙娜丽莎》的模特，實際上是商人弗朗切斯科·德爾·焦孔多的妻子：「麗莎·喬宮多」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": null, "prompt": "In Mona Lisa, how is the The person in the painting of the Mystery explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "根據畫家和傳記作者喬爾喬·瓦薩里的說法，有關《蒙娜丽莎》的模特身份有不同的假設。他曾在1550年寫道：他為弗朗切斯科·德爾·焦孔多畫了他妻子莫娜·麗莎的肖像，儘管他花了四年的時間，但最後並未完成。這件作品現在在法國的楓丹白露宮裡，由法國國王所擁有。1625年，卡西亞諾·德爾·波佐在楓丹白露宮看到這幅作品，並寫下：一幅真人大小的肖像，用木板製作，採用刻有胡桃木的邊框;該畫作為半身像，描繪了一位名叫焦孔多的女性。基於這些證言，人們認為《蒙娜丽莎》的模特，實際上是商人弗朗切斯科·德爾·焦孔多的妻子：「麗莎·喬宮多」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": null, "prompt": "Describe the characteristics of the The person in the painting in Mona Lisa's Mystery.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "根據畫家和傳記作者喬爾喬·瓦薩里的說法，有關《蒙娜丽莎》的模特身份有不同的假設。他曾在1550年寫道：他為弗朗切斯科·德爾·焦孔多畫了他妻子莫娜·麗莎的肖像，儘管他花了四年的時間，但最後並未完成。這件作品現在在法國的楓丹白露宮裡，由法國國王所擁有。1625年，卡西亞諾·德爾·波佐在楓丹白露宮看到這幅作品，並寫下：一幅真人大小的肖像，用木板製作，採用刻有胡桃木的邊框;該畫作為半身像，描繪了一位名叫焦孔多的女性。基於這些證言，人們認為《蒙娜丽莎》的模特，實際上是商人弗朗切斯科·德爾·焦孔多的妻子：「麗莎·喬宮多」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Lisa Giocondori Theory", "prompt": "Focusing on the Mystery of Mona Lisa, explain the Lisa Giocondori Theory about the The person in the painting.Please output in Chinese.", "template": "en_template1_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=15到16世纪初，为忠贞女性绘制肖像在艺术界比较常见，達文西雖繪製《蒙娜丽莎》，然而圖中女子的身份則眾說紛紜，据与弗朗切斯科家族的部分成员相识的畫家和建築師乔尔乔·瓦萨里於1550年记载：“列奥纳多为弗朗切斯科·德尔·焦孔多的夫人蒙娜丽莎画了一幅肖像”，麗莎·喬宮多是義大利佛羅倫斯和托斯卡納的格拉迪尼家族成員，後人對麗莎的一生所知甚少。她生於佛羅倫斯，十幾歲時就嫁給了布料和絲綢商人，丈夫之後還當上地方官員，並生有5個孩子，在丈夫死後，麗莎成為修女，並於1542年7月15日去世，終年64歲。《蒙娜丽莎》的意大利语名称“La Gioconda”和法语名称“La Joconde”都是丽莎婚后从夫的姓氏，也是她的昵称，意思是“幸福的人”。瓦薩里對《蒙娜丽莎》的描述來自他於1550年出版的《列奥纳多傳記》，也就是達文西去世31年後。長期以來，該本傳記一直是有關列奥纳多作品出處和委託人身份的最之名的資料來源。此外列奥纳多的助手薩萊在1524年去世前，擁有一幅肖像，在他的個人文件中名為《la Gioconda》，是列奥纳多遺贈給他的。2005年，海德堡大学图书馆的一位专家在图书馆收藏文献《Marcus Tullius Cicero》（1477年出版）中发现由達文西摯友阿戈斯蒂诺·韦斯普奇在1503年所写的边注，其中确认画像中正坐的女士就是丽莎，达·芬奇当时正在为丽莎·德尔·焦孔多繪製肖像，大約比瓦薩里提到的參考資料早47年。羅浮宮的代表文森特·德利尤文（Vincent Delieuvin）在回應發現這份文件的聲明時表示：「李奧納多·達文西確實在1503年畫了一位名叫丽莎·德尔·焦孔多的佛羅倫薩女士肖像。不幸的是，我們不能絕對確定羅浮宮的畫作是丽莎·德尔·焦孔多的肖像畫。」根據上述資料，意大利的家譜研究員多梅尼科·薩維尼則聲稱現今仍有麗莎·喬宮多家族的後代存在，並根據家譜找到了據信為喬宮多後代的托斯卡納公爵的女兒：娜塔莉亞（Natalia）和伊琳娜·斯特羅齊（Irina Strozzi）。法醫毛里齊奧·塞拉西尼（Maurizio Seracini）已經表示願意幫助尋找該女子的遺體並進行DNA分析，以確定斯特羅齊家族和喬宮多家族之間的關係。此外，當時的人口普查文件證實，達文西的父親住在喬宮多家族的對面。歷史學家假設《蒙娜麗莎》的畫像是焦孔多送給他24歲妻子的一份禮物，以慶祝她的第二次懷孕。然而，這種假設沒有其他證據來支持。此外，還有一些人支持《達芬奇密碼》中有關抹大拉的馬利亞和這幅畫之間的關係的一些理論，他們認為這幅畫描繪的是一名懷孕，生活在羅馬帝國時代的女人。人們對《蒙娜麗莎》身份的探究曾驅使日本研究員鈴木松美展開一項特殊的研究。為了探究《蒙娜麗莎》的身份，她使用焦孔多的頭骨進行了重建，並且通過骨頭分析生成了蒙娜麗莎可能的聲音。鈴木聲稱，這種聲音再現的準確性約為90％，然而她對達文西的聲音表示懷疑，因為在達文西自畫像中的鬍子反射掩蓋了一些重要的細節。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Lisa Giocondori Theory", "prompt": "Explain the Lisa Giocondori Theory about the The person in the painting of the Mystery in this work, Mona Lisa.Please output in Chinese.", "template": "en_template2_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=15到16世纪初，为忠贞女性绘制肖像在艺术界比较常见，達文西雖繪製《蒙娜丽莎》，然而圖中女子的身份則眾說紛紜，据与弗朗切斯科家族的部分成员相识的畫家和建築師乔尔乔·瓦萨里於1550年记载：“列奥纳多为弗朗切斯科·德尔·焦孔多的夫人蒙娜丽莎画了一幅肖像”，麗莎·喬宮多是義大利佛羅倫斯和托斯卡納的格拉迪尼家族成員，後人對麗莎的一生所知甚少。她生於佛羅倫斯，十幾歲時就嫁給了布料和絲綢商人，丈夫之後還當上地方官員，並生有5個孩子，在丈夫死後，麗莎成為修女，並於1542年7月15日去世，終年64歲。《蒙娜丽莎》的意大利语名称“La Gioconda”和法语名称“La Joconde”都是丽莎婚后从夫的姓氏，也是她的昵称，意思是“幸福的人”。瓦薩里對《蒙娜丽莎》的描述來自他於1550年出版的《列奥纳多傳記》，也就是達文西去世31年後。長期以來，該本傳記一直是有關列奥纳多作品出處和委託人身份的最之名的資料來源。此外列奥纳多的助手薩萊在1524年去世前，擁有一幅肖像，在他的個人文件中名為《la Gioconda》，是列奥纳多遺贈給他的。2005年，海德堡大学图书馆的一位专家在图书馆收藏文献《Marcus Tullius Cicero》（1477年出版）中发现由達文西摯友阿戈斯蒂诺·韦斯普奇在1503年所写的边注，其中确认画像中正坐的女士就是丽莎，达·芬奇当时正在为丽莎·德尔·焦孔多繪製肖像，大約比瓦薩里提到的參考資料早47年。羅浮宮的代表文森特·德利尤文（Vincent Delieuvin）在回應發現這份文件的聲明時表示：「李奧納多·達文西確實在1503年畫了一位名叫丽莎·德尔·焦孔多的佛羅倫薩女士肖像。不幸的是，我們不能絕對確定羅浮宮的畫作是丽莎·德尔·焦孔多的肖像畫。」根據上述資料，意大利的家譜研究員多梅尼科·薩維尼則聲稱現今仍有麗莎·喬宮多家族的後代存在，並根據家譜找到了據信為喬宮多後代的托斯卡納公爵的女兒：娜塔莉亞（Natalia）和伊琳娜·斯特羅齊（Irina Strozzi）。法醫毛里齊奧·塞拉西尼（Maurizio Seracini）已經表示願意幫助尋找該女子的遺體並進行DNA分析，以確定斯特羅齊家族和喬宮多家族之間的關係。此外，當時的人口普查文件證實，達文西的父親住在喬宮多家族的對面。歷史學家假設《蒙娜麗莎》的畫像是焦孔多送給他24歲妻子的一份禮物，以慶祝她的第二次懷孕。然而，這種假設沒有其他證據來支持。此外，還有一些人支持《達芬奇密碼》中有關抹大拉的馬利亞和這幅畫之間的關係的一些理論，他們認為這幅畫描繪的是一名懷孕，生活在羅馬帝國時代的女人。人們對《蒙娜麗莎》身份的探究曾驅使日本研究員鈴木松美展開一項特殊的研究。為了探究《蒙娜麗莎》的身份，她使用焦孔多的頭骨進行了重建，並且通過骨頭分析生成了蒙娜麗莎可能的聲音。鈴木聲稱，這種聲音再現的準確性約為90％，然而她對達文西的聲音表示懷疑，因為在達文西自畫像中的鬍子反射掩蓋了一些重要的細節。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Lisa Giocondori Theory", "prompt": "Regarding Mona Lisa, how does the Mystery's The person in the painting  incorporate the Lisa Giocondori Theory.Please output in Chinese.", "template": "en_template3_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=15到16世纪初，为忠贞女性绘制肖像在艺术界比较常见，達文西雖繪製《蒙娜丽莎》，然而圖中女子的身份則眾說紛紜，据与弗朗切斯科家族的部分成员相识的畫家和建築師乔尔乔·瓦萨里於1550年记载：“列奥纳多为弗朗切斯科·德尔·焦孔多的夫人蒙娜丽莎画了一幅肖像”，麗莎·喬宮多是義大利佛羅倫斯和托斯卡納的格拉迪尼家族成員，後人對麗莎的一生所知甚少。她生於佛羅倫斯，十幾歲時就嫁給了布料和絲綢商人，丈夫之後還當上地方官員，並生有5個孩子，在丈夫死後，麗莎成為修女，並於1542年7月15日去世，終年64歲。《蒙娜丽莎》的意大利语名称“La Gioconda”和法语名称“La Joconde”都是丽莎婚后从夫的姓氏，也是她的昵称，意思是“幸福的人”。瓦薩里對《蒙娜丽莎》的描述來自他於1550年出版的《列奥纳多傳記》，也就是達文西去世31年後。長期以來，該本傳記一直是有關列奥纳多作品出處和委託人身份的最之名的資料來源。此外列奥纳多的助手薩萊在1524年去世前，擁有一幅肖像，在他的個人文件中名為《la Gioconda》，是列奥纳多遺贈給他的。2005年，海德堡大学图书馆的一位专家在图书馆收藏文献《Marcus Tullius Cicero》（1477年出版）中发现由達文西摯友阿戈斯蒂诺·韦斯普奇在1503年所写的边注，其中确认画像中正坐的女士就是丽莎，达·芬奇当时正在为丽莎·德尔·焦孔多繪製肖像，大約比瓦薩里提到的參考資料早47年。羅浮宮的代表文森特·德利尤文（Vincent Delieuvin）在回應發現這份文件的聲明時表示：「李奧納多·達文西確實在1503年畫了一位名叫丽莎·德尔·焦孔多的佛羅倫薩女士肖像。不幸的是，我們不能絕對確定羅浮宮的畫作是丽莎·德尔·焦孔多的肖像畫。」根據上述資料，意大利的家譜研究員多梅尼科·薩維尼則聲稱現今仍有麗莎·喬宮多家族的後代存在，並根據家譜找到了據信為喬宮多後代的托斯卡納公爵的女兒：娜塔莉亞（Natalia）和伊琳娜·斯特羅齊（Irina Strozzi）。法醫毛里齊奧·塞拉西尼（Maurizio Seracini）已經表示願意幫助尋找該女子的遺體並進行DNA分析，以確定斯特羅齊家族和喬宮多家族之間的關係。此外，當時的人口普查文件證實，達文西的父親住在喬宮多家族的對面。歷史學家假設《蒙娜麗莎》的畫像是焦孔多送給他24歲妻子的一份禮物，以慶祝她的第二次懷孕。然而，這種假設沒有其他證據來支持。此外，還有一些人支持《達芬奇密碼》中有關抹大拉的馬利亞和這幅畫之間的關係的一些理論，他們認為這幅畫描繪的是一名懷孕，生活在羅馬帝國時代的女人。人們對《蒙娜麗莎》身份的探究曾驅使日本研究員鈴木松美展開一項特殊的研究。為了探究《蒙娜麗莎》的身份，她使用焦孔多的頭骨進行了重建，並且通過骨頭分析生成了蒙娜麗莎可能的聲音。鈴木聲稱，這種聲音再現的準確性約為90％，然而她對達文西的聲音表示懷疑，因為在達文西自畫像中的鬍子反射掩蓋了一些重要的細節。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Lisa Giocondori Theory", "prompt": "When looking at the Mystery of Mona Lisa, how do you discuss its The person in the painting's Lisa Giocondori Theory?Please output in Chinese.", "template": "en_template4_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=15到16世纪初，为忠贞女性绘制肖像在艺术界比较常见，達文西雖繪製《蒙娜丽莎》，然而圖中女子的身份則眾說紛紜，据与弗朗切斯科家族的部分成员相识的畫家和建築師乔尔乔·瓦萨里於1550年记载：“列奥纳多为弗朗切斯科·德尔·焦孔多的夫人蒙娜丽莎画了一幅肖像”，麗莎·喬宮多是義大利佛羅倫斯和托斯卡納的格拉迪尼家族成員，後人對麗莎的一生所知甚少。她生於佛羅倫斯，十幾歲時就嫁給了布料和絲綢商人，丈夫之後還當上地方官員，並生有5個孩子，在丈夫死後，麗莎成為修女，並於1542年7月15日去世，終年64歲。《蒙娜丽莎》的意大利语名称“La Gioconda”和法语名称“La Joconde”都是丽莎婚后从夫的姓氏，也是她的昵称，意思是“幸福的人”。瓦薩里對《蒙娜丽莎》的描述來自他於1550年出版的《列奥纳多傳記》，也就是達文西去世31年後。長期以來，該本傳記一直是有關列奥纳多作品出處和委託人身份的最之名的資料來源。此外列奥纳多的助手薩萊在1524年去世前，擁有一幅肖像，在他的個人文件中名為《la Gioconda》，是列奥纳多遺贈給他的。2005年，海德堡大学图书馆的一位专家在图书馆收藏文献《Marcus Tullius Cicero》（1477年出版）中发现由達文西摯友阿戈斯蒂诺·韦斯普奇在1503年所写的边注，其中确认画像中正坐的女士就是丽莎，达·芬奇当时正在为丽莎·德尔·焦孔多繪製肖像，大約比瓦薩里提到的參考資料早47年。羅浮宮的代表文森特·德利尤文（Vincent Delieuvin）在回應發現這份文件的聲明時表示：「李奧納多·達文西確實在1503年畫了一位名叫丽莎·德尔·焦孔多的佛羅倫薩女士肖像。不幸的是，我們不能絕對確定羅浮宮的畫作是丽莎·德尔·焦孔多的肖像畫。」根據上述資料，意大利的家譜研究員多梅尼科·薩維尼則聲稱現今仍有麗莎·喬宮多家族的後代存在，並根據家譜找到了據信為喬宮多後代的托斯卡納公爵的女兒：娜塔莉亞（Natalia）和伊琳娜·斯特羅齊（Irina Strozzi）。法醫毛里齊奧·塞拉西尼（Maurizio Seracini）已經表示願意幫助尋找該女子的遺體並進行DNA分析，以確定斯特羅齊家族和喬宮多家族之間的關係。此外，當時的人口普查文件證實，達文西的父親住在喬宮多家族的對面。歷史學家假設《蒙娜麗莎》的畫像是焦孔多送給他24歲妻子的一份禮物，以慶祝她的第二次懷孕。然而，這種假設沒有其他證據來支持。此外，還有一些人支持《達芬奇密碼》中有關抹大拉的馬利亞和這幅畫之間的關係的一些理論，他們認為這幅畫描繪的是一名懷孕，生活在羅馬帝國時代的女人。人們對《蒙娜麗莎》身份的探究曾驅使日本研究員鈴木松美展開一項特殊的研究。為了探究《蒙娜麗莎》的身份，她使用焦孔多的頭骨進行了重建，並且通過骨頭分析生成了蒙娜麗莎可能的聲音。鈴木聲稱，這種聲音再現的準確性約為90％，然而她對達文西的聲音表示懷疑，因為在達文西自畫像中的鬍子反射掩蓋了一些重要的細節。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Isabella Esther Theory", "prompt": "Focusing on the Mystery of Mona Lisa, explain the Isabella Esther Theory about the The person in the painting.Please output in Chinese.", "template": "en_template1_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=除了麗莎·喬宮多外，還有伊莎貝拉·埃斯特被視為《蒙娜麗莎》原型的推測性理論。伊莎貝拉·埃斯特(1474-1539)是曼切華公國的侯爵夫人，也是義大利文藝復興中最著名的藝術贊助人。列奧納多是她的姐姐貝亞特麗切·德斯特在米蘭公國的宮廷畫家，根據達文西所留下來的紀錄中。1499年，達文西在斯福尔扎家族被驅逐後來到了佛羅倫斯。並在隨後的三個月的時間裡繪製了幾幅伊莎貝拉的肖像畫 ，其中一張鉛筆素描圖現保存在羅浮宮，並和《蒙娜麗莎》畫中的女子具有相似之處。此外，根據1501年到1506年所撰寫的幾封手信顯示，伊莎貝拉曾直接或通過代理人委託達文西，要求繪製其本人的油畫肖像，而《蒙娜麗莎》的創作年代恰好屬於這一時期。不過到了1504年，此時的伊莎貝拉卻被肖像畫以外的主題更感興趣，這與《蒙娜麗莎》後續仍保存在達文西手中的情況也為一致。根據1517年安東尼奧·德·貝蒂斯的描述，他在克魯城堡拜訪過達文西，並提到他畫過三幅畫，其中一幅是按照朱利亞諾·德·麥地奇之要求畫的一位佛羅倫薩女士的肖像。儘管盧浮宮的研究認為伊莎貝拉的髮色爲金髪 ，與《蒙娜麗莎》女子的形象不符。 然而部分保存至今的伊莎貝拉肖像，尤其是彼得·保罗·鲁本斯以模仿提齊安諾·維伽略為範本的《紅髮伊莎貝拉》複製品，畫中具有棕色頭髮的伊莎貝拉本人被認為與蒙娜麗莎有著相似的特徵。不過至今這種推論現今已被視為爭議性，因為該畫作的頭部既沒有顯示出「美」的理想化，更與其他伊莎貝拉的彩色肖像毫無任何相似之處。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Isabella Esther Theory", "prompt": "Explain the Isabella Esther Theory about the The person in the painting of the Mystery in this work, Mona Lisa.Please output in Chinese.", "template": "en_template2_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=除了麗莎·喬宮多外，還有伊莎貝拉·埃斯特被視為《蒙娜麗莎》原型的推測性理論。伊莎貝拉·埃斯特(1474-1539)是曼切華公國的侯爵夫人，也是義大利文藝復興中最著名的藝術贊助人。列奧納多是她的姐姐貝亞特麗切·德斯特在米蘭公國的宮廷畫家，根據達文西所留下來的紀錄中。1499年，達文西在斯福尔扎家族被驅逐後來到了佛羅倫斯。並在隨後的三個月的時間裡繪製了幾幅伊莎貝拉的肖像畫 ，其中一張鉛筆素描圖現保存在羅浮宮，並和《蒙娜麗莎》畫中的女子具有相似之處。此外，根據1501年到1506年所撰寫的幾封手信顯示，伊莎貝拉曾直接或通過代理人委託達文西，要求繪製其本人的油畫肖像，而《蒙娜麗莎》的創作年代恰好屬於這一時期。不過到了1504年，此時的伊莎貝拉卻被肖像畫以外的主題更感興趣，這與《蒙娜麗莎》後續仍保存在達文西手中的情況也為一致。根據1517年安東尼奧·德·貝蒂斯的描述，他在克魯城堡拜訪過達文西，並提到他畫過三幅畫，其中一幅是按照朱利亞諾·德·麥地奇之要求畫的一位佛羅倫薩女士的肖像。儘管盧浮宮的研究認為伊莎貝拉的髮色爲金髪 ，與《蒙娜麗莎》女子的形象不符。 然而部分保存至今的伊莎貝拉肖像，尤其是彼得·保罗·鲁本斯以模仿提齊安諾·維伽略為範本的《紅髮伊莎貝拉》複製品，畫中具有棕色頭髮的伊莎貝拉本人被認為與蒙娜麗莎有著相似的特徵。不過至今這種推論現今已被視為爭議性，因為該畫作的頭部既沒有顯示出「美」的理想化，更與其他伊莎貝拉的彩色肖像毫無任何相似之處。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Isabella Esther Theory", "prompt": "Regarding Mona Lisa, how does the Mystery's The person in the painting  incorporate the Isabella Esther Theory.Please output in Chinese.", "template": "en_template3_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=除了麗莎·喬宮多外，還有伊莎貝拉·埃斯特被視為《蒙娜麗莎》原型的推測性理論。伊莎貝拉·埃斯特(1474-1539)是曼切華公國的侯爵夫人，也是義大利文藝復興中最著名的藝術贊助人。列奧納多是她的姐姐貝亞特麗切·德斯特在米蘭公國的宮廷畫家，根據達文西所留下來的紀錄中。1499年，達文西在斯福尔扎家族被驅逐後來到了佛羅倫斯。並在隨後的三個月的時間裡繪製了幾幅伊莎貝拉的肖像畫 ，其中一張鉛筆素描圖現保存在羅浮宮，並和《蒙娜麗莎》畫中的女子具有相似之處。此外，根據1501年到1506年所撰寫的幾封手信顯示，伊莎貝拉曾直接或通過代理人委託達文西，要求繪製其本人的油畫肖像，而《蒙娜麗莎》的創作年代恰好屬於這一時期。不過到了1504年，此時的伊莎貝拉卻被肖像畫以外的主題更感興趣，這與《蒙娜麗莎》後續仍保存在達文西手中的情況也為一致。根據1517年安東尼奧·德·貝蒂斯的描述，他在克魯城堡拜訪過達文西，並提到他畫過三幅畫，其中一幅是按照朱利亞諾·德·麥地奇之要求畫的一位佛羅倫薩女士的肖像。儘管盧浮宮的研究認為伊莎貝拉的髮色爲金髪 ，與《蒙娜麗莎》女子的形象不符。 然而部分保存至今的伊莎貝拉肖像，尤其是彼得·保罗·鲁本斯以模仿提齊安諾·維伽略為範本的《紅髮伊莎貝拉》複製品，畫中具有棕色頭髮的伊莎貝拉本人被認為與蒙娜麗莎有著相似的特徵。不過至今這種推論現今已被視為爭議性，因為該畫作的頭部既沒有顯示出「美」的理想化，更與其他伊莎貝拉的彩色肖像毫無任何相似之處。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "The person in the painting", "sub_subsection": "Isabella Esther Theory", "prompt": "When looking at the Mystery of Mona Lisa, how do you discuss its The person in the painting's Isabella Esther Theory?Please output in Chinese.", "template": "en_template4_sub_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "=除了麗莎·喬宮多外，還有伊莎貝拉·埃斯特被視為《蒙娜麗莎》原型的推測性理論。伊莎貝拉·埃斯特(1474-1539)是曼切華公國的侯爵夫人，也是義大利文藝復興中最著名的藝術贊助人。列奧納多是她的姐姐貝亞特麗切·德斯特在米蘭公國的宮廷畫家，根據達文西所留下來的紀錄中。1499年，達文西在斯福尔扎家族被驅逐後來到了佛羅倫斯。並在隨後的三個月的時間裡繪製了幾幅伊莎貝拉的肖像畫 ，其中一張鉛筆素描圖現保存在羅浮宮，並和《蒙娜麗莎》畫中的女子具有相似之處。此外，根據1501年到1506年所撰寫的幾封手信顯示，伊莎貝拉曾直接或通過代理人委託達文西，要求繪製其本人的油畫肖像，而《蒙娜麗莎》的創作年代恰好屬於這一時期。不過到了1504年，此時的伊莎貝拉卻被肖像畫以外的主題更感興趣，這與《蒙娜麗莎》後續仍保存在達文西手中的情況也為一致。根據1517年安東尼奧·德·貝蒂斯的描述，他在克魯城堡拜訪過達文西，並提到他畫過三幅畫，其中一幅是按照朱利亞諾·德·麥地奇之要求畫的一位佛羅倫薩女士的肖像。儘管盧浮宮的研究認為伊莎貝拉的髮色爲金髪 ，與《蒙娜麗莎》女子的形象不符。 然而部分保存至今的伊莎貝拉肖像，尤其是彼得·保罗·鲁本斯以模仿提齊安諾·維伽略為範本的《紅髮伊莎貝拉》複製品，畫中具有棕色頭髮的伊莎貝拉本人被認為與蒙娜麗莎有著相似的特徵。不過至今這種推論現今已被視為爭議性，因為該畫作的頭部既沒有顯示出「美」的理想化，更與其他伊莎貝拉的彩色肖像毫無任何相似之處。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Other theories", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Other theories and the Mystery.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "學者們也對《蒙娜麗莎》的畫中人提出了幾種不同的觀點。有观点认为，至少有四幅画作所画的是丽莎，对她身份的猜测涉及至少十人他們爭辯麗莎·喬孔多是達文西另一幅肖像的主題，畢竟在瓦薩里的紀錄中，至少有四幅畫被推測可能是蒙娜麗莎。其他幾位女性曾被提出視為蒙娜麗莎的形象來源，包括亞拉岡的伊莎貝拉、切奇利娅·加莱拉尼、弗蘭卡維拉公爵夫人、卡特琳娜·斯福爾扎等人，甚至薩萊和達文西本人也都在蒙娜麗莎的假想模特名單之列，其他的猜測包括該模特可能是達文西的情婦，或一個穿著女裝的少年，甚至可能是達文西的自畫像的女性版本，也可能只是一個想像中的女性形象。有學者認為，這幅畫的主題是達文西的母親卡特琳娜，是他對母親的回憶。關於這一點，奧地利心理學家西格蒙德·弗洛伊德曾暗示這幅畫反映了一種「令人不安的男性氣質」。為了滿足歷史上關於這些理論的真實性的好奇心，1987年進行了首次研究，將達文西的自畫像與《蒙娜麗莎》的畫像進行了重疊比較；結果顯示在尺寸和外貌特徵上有很大的相似之處。對於這項研究的批評者聲稱，這些特徵之所以相似，是因為作者是同一個人而導致了混淆。試驗的負責人莉蓮·施瓦茨和杰拉德·霍爾茲曼（Gerald Holzman）則聲稱，作者把自己描繪成女性的樣子，以進行自畫像。 。據英國《每日郵報》報導，2010年10月，美術史學家席爾瓦諾·溫切蒂在《蒙娜麗莎》的眼睛中發現了李奧納多·達文西的縮寫微小的文字。據報導，在右眼中畫有達文西的縮寫「LV」，在左眼中畫有類似於「CE」或「B」的符號，在背景的橋拱上有像「72」或「L2」等字母，可以使用高倍放大鏡確認。不久之後，溫切蒂開始聲稱，從這些文字中，可以推斷出長期是列奧納多的學生和情人的詹·賈科莫·卡普羅蒂是《蒙娜麗莎》的模特。但是盧浮宮指出，溫切蒂實際上沒有仔細檢查《蒙娜麗莎》，並反駁稱，在2004年和2009年的科學分析期間，“任何研究機構都有可能調查，但“在調查中，並沒有在畫中沒有發現任何字母或數字，並且由於木板上的繪畫已經經歷了年代變化，表面已經出現了無數的裂紋。這些裂紋的形狀可能會被過度推測看作是數字或文字。在2019年，達文西選集的目錄則否定其他觀點，即明確的表示《蒙娜麗莎》畫中的人物可能為麗莎·喬孔多，而伊莎貝拉·埃斯則是唯一的推測人選。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Other theories", "sub_subsection": null, "prompt": "Explain the Other theories about the Mystery of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "學者們也對《蒙娜麗莎》的畫中人提出了幾種不同的觀點。有观点认为，至少有四幅画作所画的是丽莎，对她身份的猜测涉及至少十人他們爭辯麗莎·喬孔多是達文西另一幅肖像的主題，畢竟在瓦薩里的紀錄中，至少有四幅畫被推測可能是蒙娜麗莎。其他幾位女性曾被提出視為蒙娜麗莎的形象來源，包括亞拉岡的伊莎貝拉、切奇利娅·加莱拉尼、弗蘭卡維拉公爵夫人、卡特琳娜·斯福爾扎等人，甚至薩萊和達文西本人也都在蒙娜麗莎的假想模特名單之列，其他的猜測包括該模特可能是達文西的情婦，或一個穿著女裝的少年，甚至可能是達文西的自畫像的女性版本，也可能只是一個想像中的女性形象。有學者認為，這幅畫的主題是達文西的母親卡特琳娜，是他對母親的回憶。關於這一點，奧地利心理學家西格蒙德·弗洛伊德曾暗示這幅畫反映了一種「令人不安的男性氣質」。為了滿足歷史上關於這些理論的真實性的好奇心，1987年進行了首次研究，將達文西的自畫像與《蒙娜麗莎》的畫像進行了重疊比較；結果顯示在尺寸和外貌特徵上有很大的相似之處。對於這項研究的批評者聲稱，這些特徵之所以相似，是因為作者是同一個人而導致了混淆。試驗的負責人莉蓮·施瓦茨和杰拉德·霍爾茲曼（Gerald Holzman）則聲稱，作者把自己描繪成女性的樣子，以進行自畫像。 。據英國《每日郵報》報導，2010年10月，美術史學家席爾瓦諾·溫切蒂在《蒙娜麗莎》的眼睛中發現了李奧納多·達文西的縮寫微小的文字。據報導，在右眼中畫有達文西的縮寫「LV」，在左眼中畫有類似於「CE」或「B」的符號，在背景的橋拱上有像「72」或「L2」等字母，可以使用高倍放大鏡確認。不久之後，溫切蒂開始聲稱，從這些文字中，可以推斷出長期是列奧納多的學生和情人的詹·賈科莫·卡普羅蒂是《蒙娜麗莎》的模特。但是盧浮宮指出，溫切蒂實際上沒有仔細檢查《蒙娜麗莎》，並反駁稱，在2004年和2009年的科學分析期間，“任何研究機構都有可能調查，但“在調查中，並沒有在畫中沒有發現任何字母或數字，並且由於木板上的繪畫已經經歷了年代變化，表面已經出現了無數的裂紋。這些裂紋的形狀可能會被過度推測看作是數字或文字。在2019年，達文西選集的目錄則否定其他觀點，即明確的表示《蒙娜麗莎》畫中的人物可能為麗莎·喬孔多，而伊莎貝拉·埃斯則是唯一的推測人選。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Other theories", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Other theories of the Mystery explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "學者們也對《蒙娜麗莎》的畫中人提出了幾種不同的觀點。有观点认为，至少有四幅画作所画的是丽莎，对她身份的猜测涉及至少十人他們爭辯麗莎·喬孔多是達文西另一幅肖像的主題，畢竟在瓦薩里的紀錄中，至少有四幅畫被推測可能是蒙娜麗莎。其他幾位女性曾被提出視為蒙娜麗莎的形象來源，包括亞拉岡的伊莎貝拉、切奇利娅·加莱拉尼、弗蘭卡維拉公爵夫人、卡特琳娜·斯福爾扎等人，甚至薩萊和達文西本人也都在蒙娜麗莎的假想模特名單之列，其他的猜測包括該模特可能是達文西的情婦，或一個穿著女裝的少年，甚至可能是達文西的自畫像的女性版本，也可能只是一個想像中的女性形象。有學者認為，這幅畫的主題是達文西的母親卡特琳娜，是他對母親的回憶。關於這一點，奧地利心理學家西格蒙德·弗洛伊德曾暗示這幅畫反映了一種「令人不安的男性氣質」。為了滿足歷史上關於這些理論的真實性的好奇心，1987年進行了首次研究，將達文西的自畫像與《蒙娜麗莎》的畫像進行了重疊比較；結果顯示在尺寸和外貌特徵上有很大的相似之處。對於這項研究的批評者聲稱，這些特徵之所以相似，是因為作者是同一個人而導致了混淆。試驗的負責人莉蓮·施瓦茨和杰拉德·霍爾茲曼（Gerald Holzman）則聲稱，作者把自己描繪成女性的樣子，以進行自畫像。 。據英國《每日郵報》報導，2010年10月，美術史學家席爾瓦諾·溫切蒂在《蒙娜麗莎》的眼睛中發現了李奧納多·達文西的縮寫微小的文字。據報導，在右眼中畫有達文西的縮寫「LV」，在左眼中畫有類似於「CE」或「B」的符號，在背景的橋拱上有像「72」或「L2」等字母，可以使用高倍放大鏡確認。不久之後，溫切蒂開始聲稱，從這些文字中，可以推斷出長期是列奧納多的學生和情人的詹·賈科莫·卡普羅蒂是《蒙娜麗莎》的模特。但是盧浮宮指出，溫切蒂實際上沒有仔細檢查《蒙娜麗莎》，並反駁稱，在2004年和2009年的科學分析期間，“任何研究機構都有可能調查，但“在調查中，並沒有在畫中沒有發現任何字母或數字，並且由於木板上的繪畫已經經歷了年代變化，表面已經出現了無數的裂紋。這些裂紋的形狀可能會被過度推測看作是數字或文字。在2019年，達文西選集的目錄則否定其他觀點，即明確的表示《蒙娜麗莎》畫中的人物可能為麗莎·喬孔多，而伊莎貝拉·埃斯則是唯一的推測人選。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Mystery", "subsection": "Other theories", "sub_subsection": null, "prompt": "Describe the characteristics of the Other theories in Mona Lisa's Mystery.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "學者們也對《蒙娜麗莎》的畫中人提出了幾種不同的觀點。有观点认为，至少有四幅画作所画的是丽莎，对她身份的猜测涉及至少十人他們爭辯麗莎·喬孔多是達文西另一幅肖像的主題，畢竟在瓦薩里的紀錄中，至少有四幅畫被推測可能是蒙娜麗莎。其他幾位女性曾被提出視為蒙娜麗莎的形象來源，包括亞拉岡的伊莎貝拉、切奇利娅·加莱拉尼、弗蘭卡維拉公爵夫人、卡特琳娜·斯福爾扎等人，甚至薩萊和達文西本人也都在蒙娜麗莎的假想模特名單之列，其他的猜測包括該模特可能是達文西的情婦，或一個穿著女裝的少年，甚至可能是達文西的自畫像的女性版本，也可能只是一個想像中的女性形象。有學者認為，這幅畫的主題是達文西的母親卡特琳娜，是他對母親的回憶。關於這一點，奧地利心理學家西格蒙德·弗洛伊德曾暗示這幅畫反映了一種「令人不安的男性氣質」。為了滿足歷史上關於這些理論的真實性的好奇心，1987年進行了首次研究，將達文西的自畫像與《蒙娜麗莎》的畫像進行了重疊比較；結果顯示在尺寸和外貌特徵上有很大的相似之處。對於這項研究的批評者聲稱，這些特徵之所以相似，是因為作者是同一個人而導致了混淆。試驗的負責人莉蓮·施瓦茨和杰拉德·霍爾茲曼（Gerald Holzman）則聲稱，作者把自己描繪成女性的樣子，以進行自畫像。 。據英國《每日郵報》報導，2010年10月，美術史學家席爾瓦諾·溫切蒂在《蒙娜麗莎》的眼睛中發現了李奧納多·達文西的縮寫微小的文字。據報導，在右眼中畫有達文西的縮寫「LV」，在左眼中畫有類似於「CE」或「B」的符號，在背景的橋拱上有像「72」或「L2」等字母，可以使用高倍放大鏡確認。不久之後，溫切蒂開始聲稱，從這些文字中，可以推斷出長期是列奧納多的學生和情人的詹·賈科莫·卡普羅蒂是《蒙娜麗莎》的模特。但是盧浮宮指出，溫切蒂實際上沒有仔細檢查《蒙娜麗莎》，並反駁稱，在2004年和2009年的科學分析期間，“任何研究機構都有可能調查，但“在調查中，並沒有在畫中沒有發現任何字母或數字，並且由於木板上的繪畫已經經歷了年代變化，表面已經出現了無數的裂紋。這些裂紋的形狀可能會被過度推測看作是數字或文字。在2019年，達文西選集的目錄則否定其他觀點，即明確的表示《蒙娜麗莎》畫中的人物可能為麗莎·喬孔多，而伊莎貝拉·埃斯則是唯一的推測人選。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Heritage", "subsection": null, "sub_subsection": null, "prompt": "Focus on Mona Lisa and explain the Heritage.Please output in Chinese.", "template": "en_template1_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》在完成前就已開始影響佛羅倫斯畫派。拉斐尔曾多次去過達文西的工作室，迅速在他的幾部作品中使用《蒙娜麗莎》肖像的構圖和格式元素，例如《抱着独角兽的年轻女子》（約1506年）和《瑪達琳娜·多尼肖像》（約1506年）。拉斐爾後來的畫作如《戴頭紗的女子》(1515-16年) 和《巴爾達薩雷·卡斯蒂廖內肖像》也繼續借鑒達文西的畫作。藝術史學家弗蘭克·佐爾納曾表示：「蒙娜麗莎流派的演變比達文西的其他作品產生更大的影響。更成為文藝復興時期肖像畫的典範，也許出於這個原因，《蒙娜麗莎》不僅被視為真人的肖像，而且還作為理想的體現。」。包括乔尔乔·瓦萨里和安德烈·費利比安等早期史家稱讚《蒙娜麗莎》的真實感，到了維多利亞時代，此時的作家們開始認為《蒙娜麗莎》充滿了神秘和浪漫的魅力。如在1859年，泰奥菲尔·戈蒂耶曾寫道「蒙娜麗莎宛如『美麗的獅身人面像』，她的笑容是如此神秘”，在所表達的形式之下，人們將對於畫作感到一種模糊、無限、無法表達的思想。 一個被感動，被困擾……被壓抑的慾望，讓人絕望的希望此刻正痛苦地攪動著。」，華特·佩特在1869年的文章中也對於《蒙娜麗莎》有所評論，並表示其「比她所坐的岩石還老；像吸血鬼一樣，她已經死了很多次，並且學會了墳墓的秘密……」。到了20世紀初，評論家開始認為《蒙娜麗莎》已成主觀詮釋和理論的寶庫，同時也令對於不喜權威，典雅的人士感到厭煩。在1911年發生失竊案後，文藝復興時期的歷史學家伯納德·貝倫森承認「很高興擺脫了它」。讓·梅金傑的《下午茶時間 》在1911年的秋季沙龍展出，並被藝術評論家路易·沃克塞爾在《吉爾·布拉斯期刊》諷刺地描述其為「la Joconde à la cuiller（拿勺子的蒙娜麗莎）」 ，安德烈·萨尔蒙隨後將這幅畫描述為「立體主義的蒙娜麗莎」。然而，隨著前衛藝術界開始注意到《蒙娜麗莎》不可否認受到歡迎的程度。使达达主义、超现实主义的藝術家開始不斷地重新解讀《蒙娜麗莎》，1883年，由法國畫家歐仁·巴代伊創作過蒙娜麗莎吸著煙斗的圖像《Le rire》在巴黎的不連貫展覽上展出。評論家都把這幅畫看作是對傳統藝術的嘲諷。1919年，最具影響力的現代藝術家之一杜象，依據《蒙娜丽莎》改造一系列而成的作品《L.H.O.O.Q.》，在這幅畫作上的人物，則是以用鉛筆加了兩撇小鬍子，其標題《L.H.O.O.Q.》則是一個雙關語，在法語中發音類似“Elle a chaud au cul”，意即“她有一个性感的屁股”或「她的屁股很熱辣」，以隱喻性慾旺盛、坐立難安的女性。杜象隨後用不同的材料製作了多個版本的《L.H.O.O.Q.》，它們的大小也不盡相同。薩爾瓦多·達利以他的超現實主義作品而聞名，他於1954年將自畫像描繪成蒙娜麗莎。 安迪·沃荷在1963 年《蒙娜麗莎》來到美國展覽之際創作了多幅蒙娜麗莎的絲網版畫，被稱為《三十勝於一（Thirty Are Better than One）》。當代，街頭藝術家尹瓦德使用馬賽克風格在巴黎和東京的牆上創造了蒙娜麗莎的版本。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Heritage", "subsection": null, "sub_subsection": null, "prompt": "Explain the Heritage of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》在完成前就已開始影響佛羅倫斯畫派。拉斐尔曾多次去過達文西的工作室，迅速在他的幾部作品中使用《蒙娜麗莎》肖像的構圖和格式元素，例如《抱着独角兽的年轻女子》（約1506年）和《瑪達琳娜·多尼肖像》（約1506年）。拉斐爾後來的畫作如《戴頭紗的女子》(1515-16年) 和《巴爾達薩雷·卡斯蒂廖內肖像》也繼續借鑒達文西的畫作。藝術史學家弗蘭克·佐爾納曾表示：「蒙娜麗莎流派的演變比達文西的其他作品產生更大的影響。更成為文藝復興時期肖像畫的典範，也許出於這個原因，《蒙娜麗莎》不僅被視為真人的肖像，而且還作為理想的體現。」。包括乔尔乔·瓦萨里和安德烈·費利比安等早期史家稱讚《蒙娜麗莎》的真實感，到了維多利亞時代，此時的作家們開始認為《蒙娜麗莎》充滿了神秘和浪漫的魅力。如在1859年，泰奥菲尔·戈蒂耶曾寫道「蒙娜麗莎宛如『美麗的獅身人面像』，她的笑容是如此神秘”，在所表達的形式之下，人們將對於畫作感到一種模糊、無限、無法表達的思想。 一個被感動，被困擾……被壓抑的慾望，讓人絕望的希望此刻正痛苦地攪動著。」，華特·佩特在1869年的文章中也對於《蒙娜麗莎》有所評論，並表示其「比她所坐的岩石還老；像吸血鬼一樣，她已經死了很多次，並且學會了墳墓的秘密……」。到了20世紀初，評論家開始認為《蒙娜麗莎》已成主觀詮釋和理論的寶庫，同時也令對於不喜權威，典雅的人士感到厭煩。在1911年發生失竊案後，文藝復興時期的歷史學家伯納德·貝倫森承認「很高興擺脫了它」。讓·梅金傑的《下午茶時間 》在1911年的秋季沙龍展出，並被藝術評論家路易·沃克塞爾在《吉爾·布拉斯期刊》諷刺地描述其為「la Joconde à la cuiller（拿勺子的蒙娜麗莎）」 ，安德烈·萨尔蒙隨後將這幅畫描述為「立體主義的蒙娜麗莎」。然而，隨著前衛藝術界開始注意到《蒙娜麗莎》不可否認受到歡迎的程度。使达达主义、超现实主义的藝術家開始不斷地重新解讀《蒙娜麗莎》，1883年，由法國畫家歐仁·巴代伊創作過蒙娜麗莎吸著煙斗的圖像《Le rire》在巴黎的不連貫展覽上展出。評論家都把這幅畫看作是對傳統藝術的嘲諷。1919年，最具影響力的現代藝術家之一杜象，依據《蒙娜丽莎》改造一系列而成的作品《L.H.O.O.Q.》，在這幅畫作上的人物，則是以用鉛筆加了兩撇小鬍子，其標題《L.H.O.O.Q.》則是一個雙關語，在法語中發音類似“Elle a chaud au cul”，意即“她有一个性感的屁股”或「她的屁股很熱辣」，以隱喻性慾旺盛、坐立難安的女性。杜象隨後用不同的材料製作了多個版本的《L.H.O.O.Q.》，它們的大小也不盡相同。薩爾瓦多·達利以他的超現實主義作品而聞名，他於1954年將自畫像描繪成蒙娜麗莎。 安迪·沃荷在1963 年《蒙娜麗莎》來到美國展覽之際創作了多幅蒙娜麗莎的絲網版畫，被稱為《三十勝於一（Thirty Are Better than One）》。當代，街頭藝術家尹瓦德使用馬賽克風格在巴黎和東京的牆上創造了蒙娜麗莎的版本。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Heritage", "subsection": null, "sub_subsection": null, "prompt": "How does Mona Lisa explain its Heritage?Please output in Chinese.", "template": "en_template3_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》在完成前就已開始影響佛羅倫斯畫派。拉斐尔曾多次去過達文西的工作室，迅速在他的幾部作品中使用《蒙娜麗莎》肖像的構圖和格式元素，例如《抱着独角兽的年轻女子》（約1506年）和《瑪達琳娜·多尼肖像》（約1506年）。拉斐爾後來的畫作如《戴頭紗的女子》(1515-16年) 和《巴爾達薩雷·卡斯蒂廖內肖像》也繼續借鑒達文西的畫作。藝術史學家弗蘭克·佐爾納曾表示：「蒙娜麗莎流派的演變比達文西的其他作品產生更大的影響。更成為文藝復興時期肖像畫的典範，也許出於這個原因，《蒙娜麗莎》不僅被視為真人的肖像，而且還作為理想的體現。」。包括乔尔乔·瓦萨里和安德烈·費利比安等早期史家稱讚《蒙娜麗莎》的真實感，到了維多利亞時代，此時的作家們開始認為《蒙娜麗莎》充滿了神秘和浪漫的魅力。如在1859年，泰奥菲尔·戈蒂耶曾寫道「蒙娜麗莎宛如『美麗的獅身人面像』，她的笑容是如此神秘”，在所表達的形式之下，人們將對於畫作感到一種模糊、無限、無法表達的思想。 一個被感動，被困擾……被壓抑的慾望，讓人絕望的希望此刻正痛苦地攪動著。」，華特·佩特在1869年的文章中也對於《蒙娜麗莎》有所評論，並表示其「比她所坐的岩石還老；像吸血鬼一樣，她已經死了很多次，並且學會了墳墓的秘密……」。到了20世紀初，評論家開始認為《蒙娜麗莎》已成主觀詮釋和理論的寶庫，同時也令對於不喜權威，典雅的人士感到厭煩。在1911年發生失竊案後，文藝復興時期的歷史學家伯納德·貝倫森承認「很高興擺脫了它」。讓·梅金傑的《下午茶時間 》在1911年的秋季沙龍展出，並被藝術評論家路易·沃克塞爾在《吉爾·布拉斯期刊》諷刺地描述其為「la Joconde à la cuiller（拿勺子的蒙娜麗莎）」 ，安德烈·萨尔蒙隨後將這幅畫描述為「立體主義的蒙娜麗莎」。然而，隨著前衛藝術界開始注意到《蒙娜麗莎》不可否認受到歡迎的程度。使达达主义、超现实主义的藝術家開始不斷地重新解讀《蒙娜麗莎》，1883年，由法國畫家歐仁·巴代伊創作過蒙娜麗莎吸著煙斗的圖像《Le rire》在巴黎的不連貫展覽上展出。評論家都把這幅畫看作是對傳統藝術的嘲諷。1919年，最具影響力的現代藝術家之一杜象，依據《蒙娜丽莎》改造一系列而成的作品《L.H.O.O.Q.》，在這幅畫作上的人物，則是以用鉛筆加了兩撇小鬍子，其標題《L.H.O.O.Q.》則是一個雙關語，在法語中發音類似“Elle a chaud au cul”，意即“她有一个性感的屁股”或「她的屁股很熱辣」，以隱喻性慾旺盛、坐立難安的女性。杜象隨後用不同的材料製作了多個版本的《L.H.O.O.Q.》，它們的大小也不盡相同。薩爾瓦多·達利以他的超現實主義作品而聞名，他於1954年將自畫像描繪成蒙娜麗莎。 安迪·沃荷在1963 年《蒙娜麗莎》來到美國展覽之際創作了多幅蒙娜麗莎的絲網版畫，被稱為《三十勝於一（Thirty Are Better than One）》。當代，街頭藝術家尹瓦德使用馬賽克風格在巴黎和東京的牆上創造了蒙娜麗莎的版本。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Heritage", "subsection": null, "sub_subsection": null, "prompt": "In Mona Lisa, how is the Heritage discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《蒙娜麗莎》在完成前就已開始影響佛羅倫斯畫派。拉斐尔曾多次去過達文西的工作室，迅速在他的幾部作品中使用《蒙娜麗莎》肖像的構圖和格式元素，例如《抱着独角兽的年轻女子》（約1506年）和《瑪達琳娜·多尼肖像》（約1506年）。拉斐爾後來的畫作如《戴頭紗的女子》(1515-16年) 和《巴爾達薩雷·卡斯蒂廖內肖像》也繼續借鑒達文西的畫作。藝術史學家弗蘭克·佐爾納曾表示：「蒙娜麗莎流派的演變比達文西的其他作品產生更大的影響。更成為文藝復興時期肖像畫的典範，也許出於這個原因，《蒙娜麗莎》不僅被視為真人的肖像，而且還作為理想的體現。」。包括乔尔乔·瓦萨里和安德烈·費利比安等早期史家稱讚《蒙娜麗莎》的真實感，到了維多利亞時代，此時的作家們開始認為《蒙娜麗莎》充滿了神秘和浪漫的魅力。如在1859年，泰奥菲尔·戈蒂耶曾寫道「蒙娜麗莎宛如『美麗的獅身人面像』，她的笑容是如此神秘”，在所表達的形式之下，人們將對於畫作感到一種模糊、無限、無法表達的思想。 一個被感動，被困擾……被壓抑的慾望，讓人絕望的希望此刻正痛苦地攪動著。」，華特·佩特在1869年的文章中也對於《蒙娜麗莎》有所評論，並表示其「比她所坐的岩石還老；像吸血鬼一樣，她已經死了很多次，並且學會了墳墓的秘密……」。到了20世紀初，評論家開始認為《蒙娜麗莎》已成主觀詮釋和理論的寶庫，同時也令對於不喜權威，典雅的人士感到厭煩。在1911年發生失竊案後，文藝復興時期的歷史學家伯納德·貝倫森承認「很高興擺脫了它」。讓·梅金傑的《下午茶時間 》在1911年的秋季沙龍展出，並被藝術評論家路易·沃克塞爾在《吉爾·布拉斯期刊》諷刺地描述其為「la Joconde à la cuiller（拿勺子的蒙娜麗莎）」 ，安德烈·萨尔蒙隨後將這幅畫描述為「立體主義的蒙娜麗莎」。然而，隨著前衛藝術界開始注意到《蒙娜麗莎》不可否認受到歡迎的程度。使达达主义、超现实主义的藝術家開始不斷地重新解讀《蒙娜麗莎》，1883年，由法國畫家歐仁·巴代伊創作過蒙娜麗莎吸著煙斗的圖像《Le rire》在巴黎的不連貫展覽上展出。評論家都把這幅畫看作是對傳統藝術的嘲諷。1919年，最具影響力的現代藝術家之一杜象，依據《蒙娜丽莎》改造一系列而成的作品《L.H.O.O.Q.》，在這幅畫作上的人物，則是以用鉛筆加了兩撇小鬍子，其標題《L.H.O.O.Q.》則是一個雙關語，在法語中發音類似“Elle a chaud au cul”，意即“她有一个性感的屁股”或「她的屁股很熱辣」，以隱喻性慾旺盛、坐立難安的女性。杜象隨後用不同的材料製作了多個版本的《L.H.O.O.Q.》，它們的大小也不盡相同。薩爾瓦多·達利以他的超現實主義作品而聞名，他於1954年將自畫像描繪成蒙娜麗莎。 安迪·沃荷在1963 年《蒙娜麗莎》來到美國展覽之際創作了多幅蒙娜麗莎的絲網版畫，被稱為《三十勝於一（Thirty Are Better than One）》。當代，街頭藝術家尹瓦德使用馬賽克風格在巴黎和東京的牆上創造了蒙娜麗莎的版本。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Prado Mona Lisa", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Prado Mona Lisa and the Early versions and copies.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《普拉多蒙娜麗莎》（Prado Mona Lisa）是達文西學派的畫作，這幅畫自1819年以來便一直被收藏在西班牙的普拉多博物館。它在很長的一段時間裡被看作是一個相對來說重要性不高的複製品。然而在2012年對畫作進行了復原之後，普拉多版蒙娜麗莎被認為是由達文西學派創作的最早的蒙娜麗莎複製品。作者被認為可能是達文西的學生弗朗西斯科·梅爾茲或沙萊。其他一些觀點則不贊成上述假設，他們覺得作者或許是達文西的其中一位西班牙學徒（比如費爾南多·阿爾梅迪納或赫爾南多·洛斯亞諾斯）修復後的畫作與原版《蒙娜麗莎》的視角略有不同，因此有人猜測它是世界上第一幅立體畫的一部分。然而最近的一份報告表明，《普拉多蒙娜麗莎》實際上未有可靠的立體深度。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Prado Mona Lisa", "sub_subsection": null, "prompt": "Explain the Prado Mona Lisa about the Early versions and copies of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《普拉多蒙娜麗莎》（Prado Mona Lisa）是達文西學派的畫作，這幅畫自1819年以來便一直被收藏在西班牙的普拉多博物館。它在很長的一段時間裡被看作是一個相對來說重要性不高的複製品。然而在2012年對畫作進行了復原之後，普拉多版蒙娜麗莎被認為是由達文西學派創作的最早的蒙娜麗莎複製品。作者被認為可能是達文西的學生弗朗西斯科·梅爾茲或沙萊。其他一些觀點則不贊成上述假設，他們覺得作者或許是達文西的其中一位西班牙學徒（比如費爾南多·阿爾梅迪納或赫爾南多·洛斯亞諾斯）修復後的畫作與原版《蒙娜麗莎》的視角略有不同，因此有人猜測它是世界上第一幅立體畫的一部分。然而最近的一份報告表明，《普拉多蒙娜麗莎》實際上未有可靠的立體深度。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Prado Mona Lisa", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Prado Mona Lisa of the Early versions and copies explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《普拉多蒙娜麗莎》（Prado Mona Lisa）是達文西學派的畫作，這幅畫自1819年以來便一直被收藏在西班牙的普拉多博物館。它在很長的一段時間裡被看作是一個相對來說重要性不高的複製品。然而在2012年對畫作進行了復原之後，普拉多版蒙娜麗莎被認為是由達文西學派創作的最早的蒙娜麗莎複製品。作者被認為可能是達文西的學生弗朗西斯科·梅爾茲或沙萊。其他一些觀點則不贊成上述假設，他們覺得作者或許是達文西的其中一位西班牙學徒（比如費爾南多·阿爾梅迪納或赫爾南多·洛斯亞諾斯）修復後的畫作與原版《蒙娜麗莎》的視角略有不同，因此有人猜測它是世界上第一幅立體畫的一部分。然而最近的一份報告表明，《普拉多蒙娜麗莎》實際上未有可靠的立體深度。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Prado Mona Lisa", "sub_subsection": null, "prompt": "Describe the characteristics of the Prado Mona Lisa in Mona Lisa's Early versions and copies.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "《普拉多蒙娜麗莎》（Prado Mona Lisa）是達文西學派的畫作，這幅畫自1819年以來便一直被收藏在西班牙的普拉多博物館。它在很長的一段時間裡被看作是一個相對來說重要性不高的複製品。然而在2012年對畫作進行了復原之後，普拉多版蒙娜麗莎被認為是由達文西學派創作的最早的蒙娜麗莎複製品。作者被認為可能是達文西的學生弗朗西斯科·梅爾茲或沙萊。其他一些觀點則不贊成上述假設，他們覺得作者或許是達文西的其中一位西班牙學徒（比如費爾南多·阿爾梅迪納或赫爾南多·洛斯亞諾斯）修復後的畫作與原版《蒙娜麗莎》的視角略有不同，因此有人猜測它是世界上第一幅立體畫的一部分。然而最近的一份報告表明，《普拉多蒙娜麗莎》實際上未有可靠的立體深度。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Aivor's Mona Lisa", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Aivor's Mona Lisa and the Early versions and copies.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個早期版本的蒙娜麗莎被稱為《艾爾沃斯蒙娜麗莎》，該畫作於1778年由一位英國貴族購買，並於1913年被英格蘭美術收藏家休·布拉克爾（Hugh Blaker）發現。布拉克爾把畫買下後，帶到他在倫敦艾爾沃斯的畫室，這幅畫作因此被命名為「艾爾沃斯蒙娜麗莎」。在畫作歷經易手後，新主人Henry Pulitzer於1975年把放在瑞士一家銀行的金庫中，直至2012年9月由蒙娜麗莎基金會向媒體展示。儘管該幅作品與達芬奇的《蒙娜麗莎》相當相似。然而目前對於畫作原作者的定論，在學術界尚未有共識，尚支持艾爾沃斯蒙娜麗莎真實性的人們堅稱艾爾沃斯蒙娜麗莎就是「未完成的蒙娜麗莎」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Aivor's Mona Lisa", "sub_subsection": null, "prompt": "Explain the Aivor's Mona Lisa about the Early versions and copies of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個早期版本的蒙娜麗莎被稱為《艾爾沃斯蒙娜麗莎》，該畫作於1778年由一位英國貴族購買，並於1913年被英格蘭美術收藏家休·布拉克爾（Hugh Blaker）發現。布拉克爾把畫買下後，帶到他在倫敦艾爾沃斯的畫室，這幅畫作因此被命名為「艾爾沃斯蒙娜麗莎」。在畫作歷經易手後，新主人Henry Pulitzer於1975年把放在瑞士一家銀行的金庫中，直至2012年9月由蒙娜麗莎基金會向媒體展示。儘管該幅作品與達芬奇的《蒙娜麗莎》相當相似。然而目前對於畫作原作者的定論，在學術界尚未有共識，尚支持艾爾沃斯蒙娜麗莎真實性的人們堅稱艾爾沃斯蒙娜麗莎就是「未完成的蒙娜麗莎」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Aivor's Mona Lisa", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Aivor's Mona Lisa of the Early versions and copies explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個早期版本的蒙娜麗莎被稱為《艾爾沃斯蒙娜麗莎》，該畫作於1778年由一位英國貴族購買，並於1913年被英格蘭美術收藏家休·布拉克爾（Hugh Blaker）發現。布拉克爾把畫買下後，帶到他在倫敦艾爾沃斯的畫室，這幅畫作因此被命名為「艾爾沃斯蒙娜麗莎」。在畫作歷經易手後，新主人Henry Pulitzer於1975年把放在瑞士一家銀行的金庫中，直至2012年9月由蒙娜麗莎基金會向媒體展示。儘管該幅作品與達芬奇的《蒙娜麗莎》相當相似。然而目前對於畫作原作者的定論，在學術界尚未有共識，尚支持艾爾沃斯蒙娜麗莎真實性的人們堅稱艾爾沃斯蒙娜麗莎就是「未完成的蒙娜麗莎」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Aivor's Mona Lisa", "sub_subsection": null, "prompt": "Describe the characteristics of the Aivor's Mona Lisa in Mona Lisa's Early versions and copies.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個早期版本的蒙娜麗莎被稱為《艾爾沃斯蒙娜麗莎》，該畫作於1778年由一位英國貴族購買，並於1913年被英格蘭美術收藏家休·布拉克爾（Hugh Blaker）發現。布拉克爾把畫買下後，帶到他在倫敦艾爾沃斯的畫室，這幅畫作因此被命名為「艾爾沃斯蒙娜麗莎」。在畫作歷經易手後，新主人Henry Pulitzer於1975年把放在瑞士一家銀行的金庫中，直至2012年9月由蒙娜麗莎基金會向媒體展示。儘管該幅作品與達芬奇的《蒙娜麗莎》相當相似。然而目前對於畫作原作者的定論，在學術界尚未有共識，尚支持艾爾沃斯蒙娜麗莎真實性的人們堅稱艾爾沃斯蒙娜麗莎就是「未完成的蒙娜麗莎」。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Winter Palace Mona Lisa", "sub_subsection": null, "prompt": "In the context of Mona Lisa, explain the Winter Palace Mona Lisa and the Early versions and copies.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個被稱為《冬宮蒙娜麗莎》的版本現收藏於冬宮博物館，它是由一位不知名的16世紀藝術家繪製的。這幅肖像與羅浮宮的蒙娜麗莎較為不一樣；最重要的區別在於女人的臉比羅浮宮畫中的女士較為年輕。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Winter Palace Mona Lisa", "sub_subsection": null, "prompt": "Explain the Winter Palace Mona Lisa about the Early versions and copies of this artwork, Mona Lisa.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個被稱為《冬宮蒙娜麗莎》的版本現收藏於冬宮博物館，它是由一位不知名的16世紀藝術家繪製的。這幅肖像與羅浮宮的蒙娜麗莎較為不一樣；最重要的區別在於女人的臉比羅浮宮畫中的女士較為年輕。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Winter Palace Mona Lisa", "sub_subsection": null, "prompt": "In Mona Lisa, how is the Winter Palace Mona Lisa of the Early versions and copies explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個被稱為《冬宮蒙娜麗莎》的版本現收藏於冬宮博物館，它是由一位不知名的16世紀藝術家繪製的。這幅肖像與羅浮宮的蒙娜麗莎較為不一樣；最重要的區別在於女人的臉比羅浮宮畫中的女士較為年輕。"}
{"title": "Mona Lisa", "srclang_title": "蒙娜丽莎", "en_title": "Mona Lisa", "pageid": "55927", "page_rank": 1, "page_url": "https://zh.wikipedia.org/wiki/%E8%92%99%E5%A8%9C%E4%B8%BD%E8%8E%8E", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/300px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "Early versions and copies", "subsection": "Winter Palace Mona Lisa", "sub_subsection": null, "prompt": "Describe the characteristics of the Winter Palace Mona Lisa in Mona Lisa's Early versions and copies.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["義大利文藝復興", "最后的晚餐 (达芬奇)", "路易·貝魯德", "最後的晚餐", "海德堡大学", "弗朗索瓦一世", "佛羅倫斯共和國", "戴頭紗的女子", "安德烈·德尔·委罗基奥", "斯福尔扎家族", "小巴黎人报", "在海德堡大學的一本書中發現的{{le", "未修飾的圖像", "芬奇", "東京國立博物館", "拉科魯尼亞", "access-date=2023-03-27", "渥太華", "紐約時報", "卢多维科·斯福尔扎", "瑞士", "構圖", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "凡尔赛宫", "埃尔米塔日博物馆", "達文西", "科莫湖", "Carroll & Graf Publishers", "米蘭", "白杨", "吉安·賈科莫·卡普羅蒂·達奧雷諾", "数学", "矢代幸雄", "达达主义", "每日郵報", "伯纳德·贝伦森", "這幅畫藏於紐約{{link-en", "File: Isabella d'Este vs Isabella in Black.jpg", "Category:列奥纳多·达·芬奇的绘画作品", "暈塗法", "昂布瓦斯城堡", "畢卡索", "聖葉理諾在野外", "乔尔乔·瓦萨里", "《蒙娜麗莎》的嘴部細節", "三博士来朝", "x200px", "沙萊 (藝術家)", "佛罗伦萨", "紅外線", " ", "吉內薇拉·班琪", "下午茶時間", "意大利", "Alessandro Vezzosi", "脂肪瘤", "红外线", "三博士来朝_(达芬奇)", "Andrea Mantegna", "瑟·皮耶羅·達文西", "薩爾瓦多·達利", "阿戈斯蒂诺·韦斯普奇", "喬爾喬·瓦薩里", "西格蒙德·弗洛伊德", "彼得·保罗·鲁本斯", "維多利亞時代", "巴勃羅·畢卡索", "Janina Ramirez", "Category:被追回艺术品", "Category:藏於盧浮宮的畫作", "佛罗伦萨共和国", "none", "西班牙", "Vienna", "達文西的自畫像。大約 1512-1515 年用紅色蠟筆繪製。", "貝亞特麗切·德斯特", "超现实主义", "软件", "豐子愷", "空气透视", "title=Mysteries", "巴諾書店", "File:Leonardo_design_attributed.jpg", "代表作", "瑪達琳娜·多尼肖像", "妊娠", "哈佛大学", "泰奥菲尔·戈蒂耶", "拉斐爾", "File:Mona_Lisa_detail_eyes.jpg", "聖母瑪麗亞", "亞歷山德羅·維佐斯", "烏菲茲美術館", "阿爾卑斯山", "普拉多蒙娜麗莎", "达奥雷诺", "Category:1500年代畫作", "肖像", "彭博商业周刊", "埃居", "乌尔比诺", "曼切華公國", "聖葉理諾在野外_(達文西)", "佩萨罗", "禄迪修道院", "麗莎·喬宮多", "阿諾河", "thumb", "性 (语法)", "馬丁·坎普", "石膏", "雙關語", "right", "尹瓦德", "弗朗索瓦一世 (法兰西)", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "亞拉岡的伊莎貝拉", "中央凹", "巴爾達薩雷·卡斯蒂廖內", "第二次世界大战", "曼托瓦", "File:Mona_Lisa_detail_hands.jpg", "加州大學出版社", "19世纪", "Archduke Leopold Wilhelm of Austria", "File:Mona Lisa margin scribble.jpg", "數學", "提齊安諾·維伽略", "玻璃", "華特·佩特", "空間頻率", "阿爾諾河", "凡爾賽宮", "拉斐爾的《蒙娜丽莎》（1505年），現保存於羅浮宮。", "艾爾沃斯蒙娜麗莎", "羅浮宮", "安德烈·德尔·韦罗基奥", "All Things Considered", "第二次世界大戰", "[[维也纳艺术史博物馆", "侯爵", "加拿大国家研究委员会", "圓禿", "蒙特费尔特罗", "帕金森氏症", "Geneva", "安德烈·萨尔蒙", "Kunsthistorisches Museum", "切奇利娅·加莱拉尼", "Category:意大利油画作品", "李奧納多·達文西", "佛羅倫斯畫派", "玻利維亞", "磨牙症", "杜樂麗宮", "235px", "安東尼奧·德·貝蒂斯", "卡西亞諾·德爾·波佐", "列奥纳多·达芬奇", "File:Da Vinci Isabella d'Este.jpg", "File:Mona_Lisa_detail_mouth.jpg", "卡門·巴姆巴赫", "Reuters", "left", "明視覺", "纪尧姆·阿波利奈尔", "溫琴佐·佩魯賈", "Louis Béroud}}在1911年於盧浮宮描繪蒙娜麗莎的畫作", "哈佛大學", "前衛", "景深", "抹大拉的馬利亞", "抱着独角兽的年轻女子", "蒙娜麗莎 (普拉多)", "里米尼", "早期尼德蘭繪畫", "瑟·皮耶罗·达芬奇", "路易·沃克塞爾", "互联网档案馆", "海德收藏館", "东京国立博物馆", "文艺复兴", "法国", "布雷斯特兵工廠", "岩间圣母", "義大利語", "脂肪酸", "白杨木", "弗朗西斯一世", "弗朗索瓦一世_(法兰西)", "班奈德托·波提納裏三聯畫", "Carlo Pedretti", "拉斐尔", "彭博", "Martin Kemp (art historian)", "伯納德·貝倫森", "艾索沃斯", "睫毛", "阿尔卑斯山", "鈴木松美", "安吉亞里戰役 (繪畫)", "File:Leonardo_da_Vinci_-_presumed_self-portrait_-_WGA12798.jpg", "紫外线", "桑德罗·波提切利", "吉爾·布拉斯期刊", "紫外線", "安德烈·費利比安", "吉安·贾科莫·卡普罗蒂·达奥雷诺", "File:Mona_Lisa_detail_background_right.jpg", "眉毛", "路易·沃塞勒", "《蒙娜麗莎》的手部細節，蒙娜麗莎把右手放在左手上面，這個手勢是為了展現她是一位有家庭的貞淑女士，而不是為了表現戒指的效果，因此達文西選擇了這個手勢。", "安格尔博物馆", "Agostino Vespucci}}在1503年所写的边注。它指出達文西正在為麗莎·喬宮多創作肖像。", "倫敦", "克劳斯·吕斯城堡", "language=en-US}}</ref>", "几何学", "Archduke Leopold Wilhelm", "阿格諾洛·迪·多梅尼科·德爾·馬佐爾", "银白杨", "冬宮博物館", "弗蘭卡維拉公爵夫人", "安吉亞里戰役", "《蒙娜麗莎》在羅浮宮現況", "建筑学", "瑪格麗特·利文斯通", "《蒙娜麗莎》右側", "维多利亚时代", "法國", "艺苑名人传", "氣候變遷", "普拉多博物館", "女性化", "暗視覺", "橋樑", "法国大革命", "文艺复兴时期", "Conservation Science in Cultural Heritage", "卢浮宫", "《蒙娜麗莎》的眼睛細節。", "彼得羅·佩魯吉諾", "普法戰爭", "肖像画", "達文西學派", "卡特琳娜·斯福爾扎", "Associated Press", "橋", "伊莎貝拉·埃斯特", "讓·梅金傑", "法國大革命", "帕金森氏病", "ABC News", "懷孕", "巴黎", "石膏底", "海德堡大学图书馆", "馬利亞", "紅髮伊莎貝拉", "羅倫佐·迪·克雷迪", "加拿大国家研究院", "雙關", "板面油画", "香波尔城堡", "杜象", "伦敦", "艾爾沃斯", "File:Raffaello_Sanzio_-_Portrait_of_a_Woman_-_WGA18948.jpg", "吉尼斯世界纪录", "File:Mona_Lisa_in_the_Louvre_-_Paris_2019_(45904397595).jpg", "克洛吕塞城堡", "法语", "恩斯特·贡布里希", "L.H.O.O.Q.", "歐仁·巴代伊", "巴斯蒂亞諾·梅納迪", "枫丹白露宫", "Margherita Paleologa", "File:Mona_Lisa_detail_background_left.jpg", "達芬奇繪製的《伊莎貝拉·埃斯特》）剖面圖", "弗朗索瓦一世 (法蘭西)", "氣候變率與變化", "文明", "企鵝出版集團", "四百", "意大利语", "Martin Kemp", "赫爾南多·洛斯亞諾斯", "website=The Hyde Collection", "漢斯·梅姆林", "《蒙娜麗莎》左側", "沙萊", "四百 (文艺复兴)", "安迪·沃荷", "丰子恺", "洛伦佐·德·美第奇", "380px", "費爾南多·阿爾梅迪納", "The Hyde Collection}}，據信出自達文西之手，被視為《蒙娜麗莎》的準備草圖（1503年）。如果是這樣，那麼藝術家原本打算將一根大羽毛放在模特的手上。<ref>{{Cite web", "馬塞爾·杜尚", "弗蘭克·佐爾納", "National Public Radio", "Category:蒙娜麗莎", "url=https://www.hydecollection.org/exhibition/masterpieces-mysteries/", "牛津大學出版社", "中世纪", "梁启超", "英语", "工程学", "{{link-en", "塔森出版社", "透视", "莉蓮·施瓦茨", "列奥纳多·达·芬奇", "杜伊勒里宫", "马丁·坎普 (艺术史家)", "萨尔瓦多·达利", "自然科学"], "gold": "一個被稱為《冬宮蒙娜麗莎》的版本現收藏於冬宮博物館，它是由一位不知名的16世紀藝術家繪製的。這幅肖像與羅浮宮的蒙娜麗莎較為不一樣；最重要的區別在於女人的臉比羅浮宮畫中的女士較為年輕。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Laocoön and His Sons and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奧孔與兒子們（拉丁語：Laocoon cum filiis），亦稱為拉奥孔群雕，是一座著名的大理石雕像，現藏於梵蒂岡博物館。該雕像根據古羅馬作家老普林尼所称是由三位来自于罗得岛的雕刻家：艾格桑德、阿提諾多洛斯（Athenodoros）及波利多魯斯（Polydorus）所創造的，表现了特洛伊祭司拉奥孔與他的兒子Antiphantes和Thymbraeus被海蛇纏繞而死的情景。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Laocoön and His Sons.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奧孔與兒子們（拉丁語：Laocoon cum filiis），亦稱為拉奥孔群雕，是一座著名的大理石雕像，現藏於梵蒂岡博物館。該雕像根據古羅馬作家老普林尼所称是由三位来自于罗得岛的雕刻家：艾格桑德、阿提諾多洛斯（Athenodoros）及波利多魯斯（Polydorus）所創造的，表现了特洛伊祭司拉奥孔與他的兒子Antiphantes和Thymbraeus被海蛇纏繞而死的情景。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Laocoön and His Sons explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奧孔與兒子們（拉丁語：Laocoon cum filiis），亦稱為拉奥孔群雕，是一座著名的大理石雕像，現藏於梵蒂岡博物館。該雕像根據古羅馬作家老普林尼所称是由三位来自于罗得岛的雕刻家：艾格桑德、阿提諾多洛斯（Athenodoros）及波利多魯斯（Polydorus）所創造的，表现了特洛伊祭司拉奥孔與他的兒子Antiphantes和Thymbraeus被海蛇纏繞而死的情景。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Laocoön and His Sons, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奧孔與兒子們（拉丁語：Laocoon cum filiis），亦稱為拉奥孔群雕，是一座著名的大理石雕像，現藏於梵蒂岡博物館。該雕像根據古羅馬作家老普林尼所称是由三位来自于罗得岛的雕刻家：艾格桑德、阿提諾多洛斯（Athenodoros）及波利多魯斯（Polydorus）所創造的，表现了特洛伊祭司拉奥孔與他的兒子Antiphantes和Thymbraeus被海蛇纏繞而死的情景。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Focus on Laocoön and His Sons and explain the History.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔的故事曾是索福克勒斯的一部已失传的戏剧的主题，也被其他的古希腊作者提到过。拉奥孔为了表明特洛伊木马是一个诡计，用一把长矛刺向木马，不料导致杀身之祸。毒蛇是雅典娜、太阳神阿波罗或海神波塞冬派出来的。拉奥孔之死让特洛伊人相信木马是用于献祭的圣物。这一事件最著名的描述见于维吉尔的《埃涅阿斯纪》，但很可能是雕像完成之后才创作的。雕像的创作年代众说纷纭，从公元前20年到公元160年。从罗得岛发现的Lindos雕像上的铭文表明艾格桑德和Athenedoros生活的年代为公元前42年之后，因而公元前42年至公元前20年为拉奥孔雕像的创作年代较为可信。雕像当初可能是为一古罗马富户的居所而作，于1506年在尼禄皇帝（54年至68年在位）的金宮遗址附近被发现，表明雕像可能曾为尼禄所有。雕像也曾在提圖斯的宫殿摆放过。雕像出土后不久就被热衷古典艺术的教宗儒略二世所收罗，并放置在梵蒂冈的Belvedere花园（现为梵蒂冈博物馆的一部分）。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Explain the History of this artwork, Laocoön and His Sons.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔的故事曾是索福克勒斯的一部已失传的戏剧的主题，也被其他的古希腊作者提到过。拉奥孔为了表明特洛伊木马是一个诡计，用一把长矛刺向木马，不料导致杀身之祸。毒蛇是雅典娜、太阳神阿波罗或海神波塞冬派出来的。拉奥孔之死让特洛伊人相信木马是用于献祭的圣物。这一事件最著名的描述见于维吉尔的《埃涅阿斯纪》，但很可能是雕像完成之后才创作的。雕像的创作年代众说纷纭，从公元前20年到公元160年。从罗得岛发现的Lindos雕像上的铭文表明艾格桑德和Athenedoros生活的年代为公元前42年之后，因而公元前42年至公元前20年为拉奥孔雕像的创作年代较为可信。雕像当初可能是为一古罗马富户的居所而作，于1506年在尼禄皇帝（54年至68年在位）的金宮遗址附近被发现，表明雕像可能曾为尼禄所有。雕像也曾在提圖斯的宫殿摆放过。雕像出土后不久就被热衷古典艺术的教宗儒略二世所收罗，并放置在梵蒂冈的Belvedere花园（现为梵蒂冈博物馆的一部分）。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "How does Laocoön and His Sons explain its History?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔的故事曾是索福克勒斯的一部已失传的戏剧的主题，也被其他的古希腊作者提到过。拉奥孔为了表明特洛伊木马是一个诡计，用一把长矛刺向木马，不料导致杀身之祸。毒蛇是雅典娜、太阳神阿波罗或海神波塞冬派出来的。拉奥孔之死让特洛伊人相信木马是用于献祭的圣物。这一事件最著名的描述见于维吉尔的《埃涅阿斯纪》，但很可能是雕像完成之后才创作的。雕像的创作年代众说纷纭，从公元前20年到公元160年。从罗得岛发现的Lindos雕像上的铭文表明艾格桑德和Athenedoros生活的年代为公元前42年之后，因而公元前42年至公元前20年为拉奥孔雕像的创作年代较为可信。雕像当初可能是为一古罗马富户的居所而作，于1506年在尼禄皇帝（54年至68年在位）的金宮遗址附近被发现，表明雕像可能曾为尼禄所有。雕像也曾在提圖斯的宫殿摆放过。雕像出土后不久就被热衷古典艺术的教宗儒略二世所收罗，并放置在梵蒂冈的Belvedere花园（现为梵蒂冈博物馆的一部分）。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "In Laocoön and His Sons, how is the History discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔的故事曾是索福克勒斯的一部已失传的戏剧的主题，也被其他的古希腊作者提到过。拉奥孔为了表明特洛伊木马是一个诡计，用一把长矛刺向木马，不料导致杀身之祸。毒蛇是雅典娜、太阳神阿波罗或海神波塞冬派出来的。拉奥孔之死让特洛伊人相信木马是用于献祭的圣物。这一事件最著名的描述见于维吉尔的《埃涅阿斯纪》，但很可能是雕像完成之后才创作的。雕像的创作年代众说纷纭，从公元前20年到公元160年。从罗得岛发现的Lindos雕像上的铭文表明艾格桑德和Athenedoros生活的年代为公元前42年之后，因而公元前42年至公元前20年为拉奥孔雕像的创作年代较为可信。雕像当初可能是为一古罗马富户的居所而作，于1506年在尼禄皇帝（54年至68年在位）的金宮遗址附近被发现，表明雕像可能曾为尼禄所有。雕像也曾在提圖斯的宫殿摆放过。雕像出土后不久就被热衷古典艺术的教宗儒略二世所收罗，并放置在梵蒂冈的Belvedere花园（现为梵蒂冈博物馆的一部分）。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": "Restoration", "sub_subsection": null, "prompt": "In the context of Laocoön and His Sons, explain the Restoration and the History.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "发现雕像时，拉奥孔的右臂以及一个儿子的手、另一个儿子的右臂均缺失，导致艺术家与鉴定家们对于缺失部分的原有情形争辩不休。米开朗琪罗认为拉奥孔的右臂是往回折的，这样显得痛苦，而其他人则认为右臂伸展指向天空，更有英雄气概。教宗组织雕塑家们进行评议，拉斐尔作为评判。最终手臂伸展的方案胜出并被安装到雕像上。1905年，L. Pollack 在罗马的一处建筑工地上发现了缺失的拉奥孔右臂，其正如米开朗琪罗所主张的右臂回折姿势。这条右臂现在已经重新安装到雕像上，之前装上去的儿子们的手、臂也都被移除。拆装过程中，人们发现断面、凿痕以及金属的榫头、榫口表明雕像最初比文艺复兴时代复原出来的情景更为紧凑，更像立体的金字塔形状。为人所熟知的更开放、更为平面排列的形状“明显应归因于罗马帝国时代、文艺复兴及现代的工匠们的一系列重新创作”。 雕像有许多复制品，其中很著名的一座安置在罗得岛马耳他骑士团的大殿中。很多复制品还保留着手臂伸展的姿势，但罗得岛那个已经改正了。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": "Restoration", "sub_subsection": null, "prompt": "Explain the Restoration about the History of this artwork, Laocoön and His Sons.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "发现雕像时，拉奥孔的右臂以及一个儿子的手、另一个儿子的右臂均缺失，导致艺术家与鉴定家们对于缺失部分的原有情形争辩不休。米开朗琪罗认为拉奥孔的右臂是往回折的，这样显得痛苦，而其他人则认为右臂伸展指向天空，更有英雄气概。教宗组织雕塑家们进行评议，拉斐尔作为评判。最终手臂伸展的方案胜出并被安装到雕像上。1905年，L. Pollack 在罗马的一处建筑工地上发现了缺失的拉奥孔右臂，其正如米开朗琪罗所主张的右臂回折姿势。这条右臂现在已经重新安装到雕像上，之前装上去的儿子们的手、臂也都被移除。拆装过程中，人们发现断面、凿痕以及金属的榫头、榫口表明雕像最初比文艺复兴时代复原出来的情景更为紧凑，更像立体的金字塔形状。为人所熟知的更开放、更为平面排列的形状“明显应归因于罗马帝国时代、文艺复兴及现代的工匠们的一系列重新创作”。 雕像有许多复制品，其中很著名的一座安置在罗得岛马耳他骑士团的大殿中。很多复制品还保留着手臂伸展的姿势，但罗得岛那个已经改正了。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": "Restoration", "sub_subsection": null, "prompt": "In Laocoön and His Sons, how is the Restoration of the History explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "发现雕像时，拉奥孔的右臂以及一个儿子的手、另一个儿子的右臂均缺失，导致艺术家与鉴定家们对于缺失部分的原有情形争辩不休。米开朗琪罗认为拉奥孔的右臂是往回折的，这样显得痛苦，而其他人则认为右臂伸展指向天空，更有英雄气概。教宗组织雕塑家们进行评议，拉斐尔作为评判。最终手臂伸展的方案胜出并被安装到雕像上。1905年，L. Pollack 在罗马的一处建筑工地上发现了缺失的拉奥孔右臂，其正如米开朗琪罗所主张的右臂回折姿势。这条右臂现在已经重新安装到雕像上，之前装上去的儿子们的手、臂也都被移除。拆装过程中，人们发现断面、凿痕以及金属的榫头、榫口表明雕像最初比文艺复兴时代复原出来的情景更为紧凑，更像立体的金字塔形状。为人所熟知的更开放、更为平面排列的形状“明显应归因于罗马帝国时代、文艺复兴及现代的工匠们的一系列重新创作”。 雕像有许多复制品，其中很著名的一座安置在罗得岛马耳他骑士团的大殿中。很多复制品还保留着手臂伸展的姿势，但罗得岛那个已经改正了。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "History", "subsection": "Restoration", "sub_subsection": null, "prompt": "Describe the characteristics of the Restoration in Laocoön and His Sons's History.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "发现雕像时，拉奥孔的右臂以及一个儿子的手、另一个儿子的右臂均缺失，导致艺术家与鉴定家们对于缺失部分的原有情形争辩不休。米开朗琪罗认为拉奥孔的右臂是往回折的，这样显得痛苦，而其他人则认为右臂伸展指向天空，更有英雄气概。教宗组织雕塑家们进行评议，拉斐尔作为评判。最终手臂伸展的方案胜出并被安装到雕像上。1905年，L. Pollack 在罗马的一处建筑工地上发现了缺失的拉奥孔右臂，其正如米开朗琪罗所主张的右臂回折姿势。这条右臂现在已经重新安装到雕像上，之前装上去的儿子们的手、臂也都被移除。拆装过程中，人们发现断面、凿痕以及金属的榫头、榫口表明雕像最初比文艺复兴时代复原出来的情景更为紧凑，更像立体的金字塔形状。为人所熟知的更开放、更为平面排列的形状“明显应归因于罗马帝国时代、文艺复兴及现代的工匠们的一系列重新创作”。 雕像有许多复制品，其中很著名的一座安置在罗得岛马耳他骑士团的大殿中。很多复制品还保留着手臂伸展的姿势，但罗得岛那个已经改正了。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": null, "sub_subsection": null, "prompt": "Focus on Laocoön and His Sons and explain the Impact.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔雕像的发现，对意大利雕塑家以及意大利文艺复兴进程产生了重大影响。众所周知，米开朗琪罗曾被雕像的庞大规模以及其所表现出来的古希腊美学，尤其是其对于男性体格的表现所深深吸引。拉奥孔的影响在米开朗琪罗后期的作品中明显得到体现，例如他为教宗儒略二世墓所作的反抗的奴隶与垂死的奴隶。雕像所表现的悲剧性的高贵成为莱辛关于文学与美学的著作的一个主题，该著作是早期艺术评论的经典之一。佛罗伦萨雕塑家巴喬·班迪內利受教宗良十世之命为雕像做一个复制品。班迪內利的版本通常会被复制成小型的青铜像，其原件现存于佛罗伦萨的烏菲茲美術館(查看 （页面存档备份，存于互联网档案馆）)。为弗朗索瓦一世所作放置于枫丹白露宫的青铜像，是在 Francesco Primaticcio 监督下从原件翻模浇铸的，现存卢浮宫博物馆。一座木雕戏仿了拉奥孔雕像，用三只猿猴替代了三个人物，这也许是步提香的后尘。这种做法常常被解释为讥讽 班迪內利的拙劣复制品，但也有人说是对当时人与猿猴在解剖上的相似性争论的一种看法。1799年，当拿破仑·波拿巴征服意大利之后，雕像的原件被运送到巴黎，并放置于卢浮宫中新古典主义风格的拿破仑博物馆中。随着拿破仑的倒台，雕像于1816年由英国人还给了梵蒂冈。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": null, "sub_subsection": null, "prompt": "Explain the Impact of this artwork, Laocoön and His Sons.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔雕像的发现，对意大利雕塑家以及意大利文艺复兴进程产生了重大影响。众所周知，米开朗琪罗曾被雕像的庞大规模以及其所表现出来的古希腊美学，尤其是其对于男性体格的表现所深深吸引。拉奥孔的影响在米开朗琪罗后期的作品中明显得到体现，例如他为教宗儒略二世墓所作的反抗的奴隶与垂死的奴隶。雕像所表现的悲剧性的高贵成为莱辛关于文学与美学的著作的一个主题，该著作是早期艺术评论的经典之一。佛罗伦萨雕塑家巴喬·班迪內利受教宗良十世之命为雕像做一个复制品。班迪內利的版本通常会被复制成小型的青铜像，其原件现存于佛罗伦萨的烏菲茲美術館(查看 （页面存档备份，存于互联网档案馆）)。为弗朗索瓦一世所作放置于枫丹白露宫的青铜像，是在 Francesco Primaticcio 监督下从原件翻模浇铸的，现存卢浮宫博物馆。一座木雕戏仿了拉奥孔雕像，用三只猿猴替代了三个人物，这也许是步提香的后尘。这种做法常常被解释为讥讽 班迪內利的拙劣复制品，但也有人说是对当时人与猿猴在解剖上的相似性争论的一种看法。1799年，当拿破仑·波拿巴征服意大利之后，雕像的原件被运送到巴黎，并放置于卢浮宫中新古典主义风格的拿破仑博物馆中。随着拿破仑的倒台，雕像于1816年由英国人还给了梵蒂冈。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": null, "sub_subsection": null, "prompt": "How does Laocoön and His Sons explain its Impact?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔雕像的发现，对意大利雕塑家以及意大利文艺复兴进程产生了重大影响。众所周知，米开朗琪罗曾被雕像的庞大规模以及其所表现出来的古希腊美学，尤其是其对于男性体格的表现所深深吸引。拉奥孔的影响在米开朗琪罗后期的作品中明显得到体现，例如他为教宗儒略二世墓所作的反抗的奴隶与垂死的奴隶。雕像所表现的悲剧性的高贵成为莱辛关于文学与美学的著作的一个主题，该著作是早期艺术评论的经典之一。佛罗伦萨雕塑家巴喬·班迪內利受教宗良十世之命为雕像做一个复制品。班迪內利的版本通常会被复制成小型的青铜像，其原件现存于佛罗伦萨的烏菲茲美術館(查看 （页面存档备份，存于互联网档案馆）)。为弗朗索瓦一世所作放置于枫丹白露宫的青铜像，是在 Francesco Primaticcio 监督下从原件翻模浇铸的，现存卢浮宫博物馆。一座木雕戏仿了拉奥孔雕像，用三只猿猴替代了三个人物，这也许是步提香的后尘。这种做法常常被解释为讥讽 班迪內利的拙劣复制品，但也有人说是对当时人与猿猴在解剖上的相似性争论的一种看法。1799年，当拿破仑·波拿巴征服意大利之后，雕像的原件被运送到巴黎，并放置于卢浮宫中新古典主义风格的拿破仑博物馆中。随着拿破仑的倒台，雕像于1816年由英国人还给了梵蒂冈。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": null, "sub_subsection": null, "prompt": "In Laocoön and His Sons, how is the Impact discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "拉奥孔雕像的发现，对意大利雕塑家以及意大利文艺复兴进程产生了重大影响。众所周知，米开朗琪罗曾被雕像的庞大规模以及其所表现出来的古希腊美学，尤其是其对于男性体格的表现所深深吸引。拉奥孔的影响在米开朗琪罗后期的作品中明显得到体现，例如他为教宗儒略二世墓所作的反抗的奴隶与垂死的奴隶。雕像所表现的悲剧性的高贵成为莱辛关于文学与美学的著作的一个主题，该著作是早期艺术评论的经典之一。佛罗伦萨雕塑家巴喬·班迪內利受教宗良十世之命为雕像做一个复制品。班迪內利的版本通常会被复制成小型的青铜像，其原件现存于佛罗伦萨的烏菲茲美術館(查看 （页面存档备份，存于互联网档案馆）)。为弗朗索瓦一世所作放置于枫丹白露宫的青铜像，是在 Francesco Primaticcio 监督下从原件翻模浇铸的，现存卢浮宫博物馆。一座木雕戏仿了拉奥孔雕像，用三只猿猴替代了三个人物，这也许是步提香的后尘。这种做法常常被解释为讥讽 班迪內利的拙劣复制品，但也有人说是对当时人与猿猴在解剖上的相似性争论的一种看法。1799年，当拿破仑·波拿巴征服意大利之后，雕像的原件被运送到巴黎，并放置于卢浮宫中新古典主义风格的拿破仑博物馆中。随着拿破仑的倒台，雕像于1816年由英国人还给了梵蒂冈。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": "Laocoön as the Ideal of Art", "sub_subsection": null, "prompt": "In the context of Laocoön and His Sons, explain the Laocoön as the Ideal of Art and the Impact.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "溫克爾曼写到目睹死亡与失败情景却从中欣赏艺术美的矛盾处境。在争论中最具影响力的论点来自莱辛的《拉奥孔：论绘画与诗歌的局限性》（中文译本：《拉奥孔》，朱光潜/译，人民文学出版社，1979年，ISBN 7-02-002508-0），书中通过对雕像和维吉尔诗篇的比较，论证了视觉与文字艺术的区别。他认为艺术家不可能实实在在地描述牺牲者肉体上的苦难，因为这过于痛苦。从而他们只能在描述苦难的时候仍然保持美感。威廉·布莱克的插图画拉奥孔以最不平常的方式参与了论争，他环绕图像的四周以几种文字、向多个方向写上注解。布莱克将雕像描绘成对已失传的以色列原作的平庸拷贝，说它是“三个罗得岛人拷贝了所罗门神庙中的耶和华与他的儿子撒旦与亚当雕像，然后附会上特洛伊的自然或历史事件”。这表明布莱克认为对于古代希腊和罗马艺术的模仿是对创造性想象力的破坏，而且与犹太教-基督教注重精神的艺术形式相比较，这种古典雕像表现出平庸的自然主义。1940年，克莱门特·格林伯格撰写了Towards a Newer Laocoön一文，提出抽象艺术为艺术家们提供了一种可相匹敌的理想形式。文章的题目2007年被 Henry Moore 基金会用作一个展览的标题，展出了现代艺术家们受雕像的影响而创作出的作品。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": "Laocoön as the Ideal of Art", "sub_subsection": null, "prompt": "Explain the Laocoön as the Ideal of Art about the Impact of this artwork, Laocoön and His Sons.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "溫克爾曼写到目睹死亡与失败情景却从中欣赏艺术美的矛盾处境。在争论中最具影响力的论点来自莱辛的《拉奥孔：论绘画与诗歌的局限性》（中文译本：《拉奥孔》，朱光潜/译，人民文学出版社，1979年，ISBN 7-02-002508-0），书中通过对雕像和维吉尔诗篇的比较，论证了视觉与文字艺术的区别。他认为艺术家不可能实实在在地描述牺牲者肉体上的苦难，因为这过于痛苦。从而他们只能在描述苦难的时候仍然保持美感。威廉·布莱克的插图画拉奥孔以最不平常的方式参与了论争，他环绕图像的四周以几种文字、向多个方向写上注解。布莱克将雕像描绘成对已失传的以色列原作的平庸拷贝，说它是“三个罗得岛人拷贝了所罗门神庙中的耶和华与他的儿子撒旦与亚当雕像，然后附会上特洛伊的自然或历史事件”。这表明布莱克认为对于古代希腊和罗马艺术的模仿是对创造性想象力的破坏，而且与犹太教-基督教注重精神的艺术形式相比较，这种古典雕像表现出平庸的自然主义。1940年，克莱门特·格林伯格撰写了Towards a Newer Laocoön一文，提出抽象艺术为艺术家们提供了一种可相匹敌的理想形式。文章的题目2007年被 Henry Moore 基金会用作一个展览的标题，展出了现代艺术家们受雕像的影响而创作出的作品。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": "Laocoön as the Ideal of Art", "sub_subsection": null, "prompt": "In Laocoön and His Sons, how is the Laocoön as the Ideal of Art of the Impact explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "溫克爾曼写到目睹死亡与失败情景却从中欣赏艺术美的矛盾处境。在争论中最具影响力的论点来自莱辛的《拉奥孔：论绘画与诗歌的局限性》（中文译本：《拉奥孔》，朱光潜/译，人民文学出版社，1979年，ISBN 7-02-002508-0），书中通过对雕像和维吉尔诗篇的比较，论证了视觉与文字艺术的区别。他认为艺术家不可能实实在在地描述牺牲者肉体上的苦难，因为这过于痛苦。从而他们只能在描述苦难的时候仍然保持美感。威廉·布莱克的插图画拉奥孔以最不平常的方式参与了论争，他环绕图像的四周以几种文字、向多个方向写上注解。布莱克将雕像描绘成对已失传的以色列原作的平庸拷贝，说它是“三个罗得岛人拷贝了所罗门神庙中的耶和华与他的儿子撒旦与亚当雕像，然后附会上特洛伊的自然或历史事件”。这表明布莱克认为对于古代希腊和罗马艺术的模仿是对创造性想象力的破坏，而且与犹太教-基督教注重精神的艺术形式相比较，这种古典雕像表现出平庸的自然主义。1940年，克莱门特·格林伯格撰写了Towards a Newer Laocoön一文，提出抽象艺术为艺术家们提供了一种可相匹敌的理想形式。文章的题目2007年被 Henry Moore 基金会用作一个展览的标题，展出了现代艺术家们受雕像的影响而创作出的作品。"}
{"title": "Laocoön and His Sons", "srclang_title": "拉奥孔与儿子们", "en_title": "Laocoön and His Sons", "pageid": "908943", "page_rank": 18, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E5%A5%A5%E5%AD%94%E4%B8%8E%E5%84%BF%E5%AD%90%E4%BB%AC", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Laocoon_and_His_Sons.jpg/300px-Laocoon_and_His_Sons.jpg", "section": "Impact", "subsection": "Laocoön as the Ideal of Art", "sub_subsection": null, "prompt": "Describe the characteristics of the Laocoön as the Ideal of Art in Laocoön and His Sons's Impact.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["File:Laocoonphoto.jpg", "索福克勒斯", "Category:罗马旅游景点", "前20年", "烏菲茲美術館", "弗朗索瓦一世", "Category:梵蒂冈博物馆藏品", "雕刻", "维吉尔", "Penny, Nicholas", "古罗马", "良十世", "美学", "特洛伊木马", "克莱门特·格林伯格", "University of California", "巴黎", "約翰·約阿希姆·溫克爾曼", "thumb", "互联网档案馆", "现代的正视图", "梵蒂冈博物馆", "雅典娜", "Nicholas Penny", "right", "提圖斯", "文艺复兴", "弗朗索瓦一世 (法兰西)", "新古典主义", "马耳他骑士团", "20世纪前雕像的复原正视图", "拿破仑·波拿巴", "馬爾他騎士團", "Kenneth Clark", "枫丹白露宫", "巴喬·班迪內利", "卢浮宫博物馆", "John Boardman (art historian)", "溫克爾曼", "Category:古羅馬雕塑作品", "Haskell, Francis", "拉斐尔", "Clark, Kenneth", "雕琢", "尼禄皇帝", "160年", "威廉·布莱克", "Francis Haskell", "提香", "犹太教", "拿破仑一世", "Spivey, Nigel", "Oxford University Press", "提齊安諾·維伽略", "老普林尼", "儒略二世", "Robert Manuel Cook", "太阳神阿波罗", "阿波罗", "埃涅阿斯纪", "Boardman, John", "The Art Bulletin", "教宗", "海神波塞冬", "佛罗伦萨", "波塞冬", "米开朗基罗", "罗马", "200px", "意大利", "特洛伊木馬", "尼禄", "加州大學", "Roland Hampe", "金宮", "Category:罗马雕塑作品", "梵蒂岡博物館", "新古典主義", "教宗儒略二世", "戈特霍尔德·埃夫莱姆·莱辛", "牛津大學出版社", "Cook, R.M.", "拉丁语", "公元", "罗得岛", "意大利文艺复兴", "米开朗琪罗", "基督教", "Beard, Mary", "Mary Beard (classicist)", "梵蒂冈", "Nigel Spivey", "大理石", "古希腊", "古羅馬", "Times Literary Supplement", "特洛伊", "Lindos", "File:Laocoön_and_His_Sons.jpg", "大理岩", "莱辛", "拉奥孔", "卢浮宫"], "gold": "溫克爾曼写到目睹死亡与失败情景却从中欣赏艺术美的矛盾处境。在争论中最具影响力的论点来自莱辛的《拉奥孔：论绘画与诗歌的局限性》（中文译本：《拉奥孔》，朱光潜/译，人民文学出版社，1979年，ISBN 7-02-002508-0），书中通过对雕像和维吉尔诗篇的比较，论证了视觉与文字艺术的区别。他认为艺术家不可能实实在在地描述牺牲者肉体上的苦难，因为这过于痛苦。从而他们只能在描述苦难的时候仍然保持美感。威廉·布莱克的插图画拉奥孔以最不平常的方式参与了论争，他环绕图像的四周以几种文字、向多个方向写上注解。布莱克将雕像描绘成对已失传的以色列原作的平庸拷贝，说它是“三个罗得岛人拷贝了所罗门神庙中的耶和华与他的儿子撒旦与亚当雕像，然后附会上特洛伊的自然或历史事件”。这表明布莱克认为对于古代希腊和罗马艺术的模仿是对创造性想象力的破坏，而且与犹太教-基督教注重精神的艺术形式相比较，这种古典雕像表现出平庸的自然主义。1940年，克莱门特·格林伯格撰写了Towards a Newer Laocoön一文，提出抽象艺术为艺术家们提供了一种可相匹敌的理想形式。文章的题目2007年被 Henry Moore 基金会用作一个展览的标题，展出了现代艺术家们受雕像的影响而创作出的作品。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Freedom guides the people and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "《自由領導人民》（法語：La Liberté guidant le peuple），或譯稱《自由引導人民》，是法国浪漫主義畫家歐仁·德拉克洛瓦為紀念1830年法國七月革命而創作的作品。此画最早在1831年的巴黎沙龙上展出，而后被巴黎羅浮宫收藏至今。《自由領導人民》曾经出现在法國政府1980年推出的邮票上，也曾经被印入1983年版的100法郎钞票。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Freedom guides the people.Please output in Chinese.", "template": "en_template2_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "《自由領導人民》（法語：La Liberté guidant le peuple），或譯稱《自由引導人民》，是法国浪漫主義畫家歐仁·德拉克洛瓦為紀念1830年法國七月革命而創作的作品。此画最早在1831年的巴黎沙龙上展出，而后被巴黎羅浮宫收藏至今。《自由領導人民》曾经出现在法國政府1980年推出的邮票上，也曾经被印入1983年版的100法郎钞票。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Freedom guides the people explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "《自由領導人民》（法語：La Liberté guidant le peuple），或譯稱《自由引導人民》，是法国浪漫主義畫家歐仁·德拉克洛瓦為紀念1830年法國七月革命而創作的作品。此画最早在1831年的巴黎沙龙上展出，而后被巴黎羅浮宫收藏至今。《自由領導人民》曾经出现在法國政府1980年推出的邮票上，也曾经被印入1983年版的100法郎钞票。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Freedom guides the people, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "《自由領導人民》（法語：La Liberté guidant le peuple），或譯稱《自由引導人民》，是法国浪漫主義畫家歐仁·德拉克洛瓦為紀念1830年法國七月革命而創作的作品。此画最早在1831年的巴黎沙龙上展出，而后被巴黎羅浮宫收藏至今。《自由領導人民》曾经出现在法國政府1980年推出的邮票上，也曾经被印入1983年版的100法郎钞票。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Historical background", "subsection": null, "sub_subsection": null, "prompt": "Focus on Freedom guides the people and explain the Historical background.Please output in Chinese.", "template": "en_template1_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "當歐仁·德拉克罗瓦创作这幅作品时，他已经是法国油画浪漫主义画派的领军人物了。作为生于启蒙时代的法国人，德拉克罗瓦不喜欢以强调精确细致作画为特征的学院派油画艺术，而倾向于使用更为奔放自由的笔触和明丽强烈的色彩。德拉克罗瓦在1830年秋天创作了《自由引导人民》一作。他在写给他兄弟的一封信中谈到：“当我努力创作的时候，我的心情便好转了……即使我没有为了我的祖国战斗，我也可以用我的画作来歌颂它。”这幅作品表现的是1830年的法国七月革命。当时的法国民众以暴力抗争的方式反对法蘭西王國波旁王朝國王查理十世的统治。革命持续了三日（1830年7月的27、28、29日），最终以查理十世退位導致波旁王朝滅亡、奧爾良公爵路易-菲利普繼承王位告终，法國亦開始了奧爾良王朝的統治，但奧爾良王朝也不長命，亡於1848年的法国二月革命。《自由引导人民》于1831年在巴黎沙龙展上向公众展出。当时引起了争议。有评论认为它“太过脏乱”，“没有美感”等等。直至1874年，这幅画才被收入巴黎卢浮宫。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Historical background", "subsection": null, "sub_subsection": null, "prompt": "Explain the Historical background of this artwork, Freedom guides the people.Please output in Chinese.", "template": "en_template2_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "當歐仁·德拉克罗瓦创作这幅作品时，他已经是法国油画浪漫主义画派的领军人物了。作为生于启蒙时代的法国人，德拉克罗瓦不喜欢以强调精确细致作画为特征的学院派油画艺术，而倾向于使用更为奔放自由的笔触和明丽强烈的色彩。德拉克罗瓦在1830年秋天创作了《自由引导人民》一作。他在写给他兄弟的一封信中谈到：“当我努力创作的时候，我的心情便好转了……即使我没有为了我的祖国战斗，我也可以用我的画作来歌颂它。”这幅作品表现的是1830年的法国七月革命。当时的法国民众以暴力抗争的方式反对法蘭西王國波旁王朝國王查理十世的统治。革命持续了三日（1830年7月的27、28、29日），最终以查理十世退位導致波旁王朝滅亡、奧爾良公爵路易-菲利普繼承王位告终，法國亦開始了奧爾良王朝的統治，但奧爾良王朝也不長命，亡於1848年的法国二月革命。《自由引导人民》于1831年在巴黎沙龙展上向公众展出。当时引起了争议。有评论认为它“太过脏乱”，“没有美感”等等。直至1874年，这幅画才被收入巴黎卢浮宫。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Historical background", "subsection": null, "sub_subsection": null, "prompt": "How does Freedom guides the people explain its Historical background?Please output in Chinese.", "template": "en_template3_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "當歐仁·德拉克罗瓦创作这幅作品时，他已经是法国油画浪漫主义画派的领军人物了。作为生于启蒙时代的法国人，德拉克罗瓦不喜欢以强调精确细致作画为特征的学院派油画艺术，而倾向于使用更为奔放自由的笔触和明丽强烈的色彩。德拉克罗瓦在1830年秋天创作了《自由引导人民》一作。他在写给他兄弟的一封信中谈到：“当我努力创作的时候，我的心情便好转了……即使我没有为了我的祖国战斗，我也可以用我的画作来歌颂它。”这幅作品表现的是1830年的法国七月革命。当时的法国民众以暴力抗争的方式反对法蘭西王國波旁王朝國王查理十世的统治。革命持续了三日（1830年7月的27、28、29日），最终以查理十世退位導致波旁王朝滅亡、奧爾良公爵路易-菲利普繼承王位告终，法國亦開始了奧爾良王朝的統治，但奧爾良王朝也不長命，亡於1848年的法国二月革命。《自由引导人民》于1831年在巴黎沙龙展上向公众展出。当时引起了争议。有评论认为它“太过脏乱”，“没有美感”等等。直至1874年，这幅画才被收入巴黎卢浮宫。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Historical background", "subsection": null, "sub_subsection": null, "prompt": "In Freedom guides the people, how is the Historical background discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "當歐仁·德拉克罗瓦创作这幅作品时，他已经是法国油画浪漫主义画派的领军人物了。作为生于启蒙时代的法国人，德拉克罗瓦不喜欢以强调精确细致作画为特征的学院派油画艺术，而倾向于使用更为奔放自由的笔触和明丽强烈的色彩。德拉克罗瓦在1830年秋天创作了《自由引导人民》一作。他在写给他兄弟的一封信中谈到：“当我努力创作的时候，我的心情便好转了……即使我没有为了我的祖国战斗，我也可以用我的画作来歌颂它。”这幅作品表现的是1830年的法国七月革命。当时的法国民众以暴力抗争的方式反对法蘭西王國波旁王朝國王查理十世的统治。革命持续了三日（1830年7月的27、28、29日），最终以查理十世退位導致波旁王朝滅亡、奧爾良公爵路易-菲利普繼承王位告终，法國亦開始了奧爾良王朝的統治，但奧爾良王朝也不長命，亡於1848年的法国二月革命。《自由引导人民》于1831年在巴黎沙龙展上向公众展出。当时引起了争议。有评论认为它“太过脏乱”，“没有美感”等等。直至1874年，这幅画才被收入巴黎卢浮宫。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Content", "subsection": null, "sub_subsection": null, "prompt": "Focus on Freedom guides the people and explain the Content.Please output in Chinese.", "template": "en_template1_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "从画面背景右侧的巴黎圣母院可以看出，画作中的地点是在巴黎。从巴黎圣母院和主要人物的比较中，可以显出画面场景的深远。画的正中是戴着象徵自由的弗里吉亞帽、坦胸露出双乳的自由女神，她右手上扬，挥动着象征革命的红白蓝三色旗，面向右侧后方，号召身后的人民起來革命。画的左侧她望的方向，是一群手持武器向前冲的人民，最突出的是最前方望向自由女神的两个男人。左侧的男人做工人装扮，头戴瓜皮帽，身穿敞开的白衬衫，背着卡其布的挎包，右手持一把土耳其弯刀，腰间别着一把火铳。右侧的男人做资产阶级打扮，头戴黑色卷边圆礼帽，身穿白色衬衫与扣紧的黑色夹克，系有黑色领结，双手握着一把长火枪（此人的相貌酷似画家欧仁·德拉克罗瓦本人，但在這點上沒有共識）。在自由女神右脚边，一个男子匍匐在她脚下，他头裹暗红色头巾，身穿蓝色布衫，抬头仰视女神。画面右侧，在自由女神的左侧，有一个正举着右臂的小男孩，戴着帽子，身背挎包，双手各拿着一把手枪。人群的前方是倒卧在木头石块上的尸体，自由女神正跨过这些尸体，向前迈去。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Content", "subsection": null, "sub_subsection": null, "prompt": "Explain the Content of this artwork, Freedom guides the people.Please output in Chinese.", "template": "en_template2_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "从画面背景右侧的巴黎圣母院可以看出，画作中的地点是在巴黎。从巴黎圣母院和主要人物的比较中，可以显出画面场景的深远。画的正中是戴着象徵自由的弗里吉亞帽、坦胸露出双乳的自由女神，她右手上扬，挥动着象征革命的红白蓝三色旗，面向右侧后方，号召身后的人民起來革命。画的左侧她望的方向，是一群手持武器向前冲的人民，最突出的是最前方望向自由女神的两个男人。左侧的男人做工人装扮，头戴瓜皮帽，身穿敞开的白衬衫，背着卡其布的挎包，右手持一把土耳其弯刀，腰间别着一把火铳。右侧的男人做资产阶级打扮，头戴黑色卷边圆礼帽，身穿白色衬衫与扣紧的黑色夹克，系有黑色领结，双手握着一把长火枪（此人的相貌酷似画家欧仁·德拉克罗瓦本人，但在這點上沒有共識）。在自由女神右脚边，一个男子匍匐在她脚下，他头裹暗红色头巾，身穿蓝色布衫，抬头仰视女神。画面右侧，在自由女神的左侧，有一个正举着右臂的小男孩，戴着帽子，身背挎包，双手各拿着一把手枪。人群的前方是倒卧在木头石块上的尸体，自由女神正跨过这些尸体，向前迈去。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Content", "subsection": null, "sub_subsection": null, "prompt": "How does Freedom guides the people explain its Content?Please output in Chinese.", "template": "en_template3_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "从画面背景右侧的巴黎圣母院可以看出，画作中的地点是在巴黎。从巴黎圣母院和主要人物的比较中，可以显出画面场景的深远。画的正中是戴着象徵自由的弗里吉亞帽、坦胸露出双乳的自由女神，她右手上扬，挥动着象征革命的红白蓝三色旗，面向右侧后方，号召身后的人民起來革命。画的左侧她望的方向，是一群手持武器向前冲的人民，最突出的是最前方望向自由女神的两个男人。左侧的男人做工人装扮，头戴瓜皮帽，身穿敞开的白衬衫，背着卡其布的挎包，右手持一把土耳其弯刀，腰间别着一把火铳。右侧的男人做资产阶级打扮，头戴黑色卷边圆礼帽，身穿白色衬衫与扣紧的黑色夹克，系有黑色领结，双手握着一把长火枪（此人的相貌酷似画家欧仁·德拉克罗瓦本人，但在這點上沒有共識）。在自由女神右脚边，一个男子匍匐在她脚下，他头裹暗红色头巾，身穿蓝色布衫，抬头仰视女神。画面右侧，在自由女神的左侧，有一个正举着右臂的小男孩，戴着帽子，身背挎包，双手各拿着一把手枪。人群的前方是倒卧在木头石块上的尸体，自由女神正跨过这些尸体，向前迈去。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Content", "subsection": null, "sub_subsection": null, "prompt": "In Freedom guides the people, how is the Content discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "从画面背景右侧的巴黎圣母院可以看出，画作中的地点是在巴黎。从巴黎圣母院和主要人物的比较中，可以显出画面场景的深远。画的正中是戴着象徵自由的弗里吉亞帽、坦胸露出双乳的自由女神，她右手上扬，挥动着象征革命的红白蓝三色旗，面向右侧后方，号召身后的人民起來革命。画的左侧她望的方向，是一群手持武器向前冲的人民，最突出的是最前方望向自由女神的两个男人。左侧的男人做工人装扮，头戴瓜皮帽，身穿敞开的白衬衫，背着卡其布的挎包，右手持一把土耳其弯刀，腰间别着一把火铳。右侧的男人做资产阶级打扮，头戴黑色卷边圆礼帽，身穿白色衬衫与扣紧的黑色夹克，系有黑色领结，双手握着一把长火枪（此人的相貌酷似画家欧仁·德拉克罗瓦本人，但在這點上沒有共識）。在自由女神右脚边，一个男子匍匐在她脚下，他头裹暗红色头巾，身穿蓝色布衫，抬头仰视女神。画面右侧，在自由女神的左侧，有一个正举着右臂的小男孩，戴着帽子，身背挎包，双手各拿着一把手枪。人群的前方是倒卧在木头石块上的尸体，自由女神正跨过这些尸体，向前迈去。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Evaluation", "subsection": null, "sub_subsection": null, "prompt": "Focus on Freedom guides the people and explain the Evaluation.Please output in Chinese.", "template": "en_template1_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此画场面宏大，用色对比强烈。画家有意地大量使用了红、白、蓝三种颜色，不仅在三色旗上，也在画面的其它地方。最明显的是伏跪在自由女神前面的男子的衣着：他的红色腰带、蓝色布衫以及其中露出的一截白色内衫恰好重现了三色旗的颜色排列。画作采用金字塔式的三角构图，自由女神的三色旗正是金字塔的最高点。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Evaluation", "subsection": null, "sub_subsection": null, "prompt": "Explain the Evaluation of this artwork, Freedom guides the people.Please output in Chinese.", "template": "en_template2_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此画场面宏大，用色对比强烈。画家有意地大量使用了红、白、蓝三种颜色，不仅在三色旗上，也在画面的其它地方。最明显的是伏跪在自由女神前面的男子的衣着：他的红色腰带、蓝色布衫以及其中露出的一截白色内衫恰好重现了三色旗的颜色排列。画作采用金字塔式的三角构图，自由女神的三色旗正是金字塔的最高点。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Evaluation", "subsection": null, "sub_subsection": null, "prompt": "How does Freedom guides the people explain its Evaluation?Please output in Chinese.", "template": "en_template3_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此画场面宏大，用色对比强烈。画家有意地大量使用了红、白、蓝三种颜色，不仅在三色旗上，也在画面的其它地方。最明显的是伏跪在自由女神前面的男子的衣着：他的红色腰带、蓝色布衫以及其中露出的一截白色内衫恰好重现了三色旗的颜色排列。画作采用金字塔式的三角构图，自由女神的三色旗正是金字塔的最高点。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Evaluation", "subsection": null, "sub_subsection": null, "prompt": "In Freedom guides the people, how is the Evaluation discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此画场面宏大，用色对比强烈。画家有意地大量使用了红、白、蓝三种颜色，不仅在三色旗上，也在画面的其它地方。最明显的是伏跪在自由女神前面的男子的衣着：他的红色腰带、蓝色布衫以及其中露出的一截白色内衫恰好重现了三色旗的颜色排列。画作采用金字塔式的三角构图，自由女神的三色旗正是金字塔的最高点。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Imitation", "subsection": null, "sub_subsection": null, "prompt": "Focus on Freedom guides the people and explain the Imitation.Please output in Chinese.", "template": "en_template1_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此作品曾被英國乐队酷玩乐队（Coldplay）用作其专辑《玩酷人生》的封面，并用白色涂上“Viva la Vida”字样。另外，有示威者於反修例時期利用此作品作為藍圖，變成了畫作《兄弟爬山》。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Imitation", "subsection": null, "sub_subsection": null, "prompt": "Explain the Imitation of this artwork, Freedom guides the people.Please output in Chinese.", "template": "en_template2_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此作品曾被英國乐队酷玩乐队（Coldplay）用作其专辑《玩酷人生》的封面，并用白色涂上“Viva la Vida”字样。另外，有示威者於反修例時期利用此作品作為藍圖，變成了畫作《兄弟爬山》。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Imitation", "subsection": null, "sub_subsection": null, "prompt": "How does Freedom guides the people explain its Imitation?Please output in Chinese.", "template": "en_template3_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此作品曾被英國乐队酷玩乐队（Coldplay）用作其专辑《玩酷人生》的封面，并用白色涂上“Viva la Vida”字样。另外，有示威者於反修例時期利用此作品作為藍圖，變成了畫作《兄弟爬山》。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Imitation", "subsection": null, "sub_subsection": null, "prompt": "In Freedom guides the people, how is the Imitation discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "此作品曾被英國乐队酷玩乐队（Coldplay）用作其专辑《玩酷人生》的封面，并用白色涂上“Viva la Vida”字样。另外，有示威者於反修例時期利用此作品作為藍圖，變成了畫作《兄弟爬山》。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Overseas exhibition", "subsection": null, "sub_subsection": null, "prompt": "Focus on Freedom guides the people and explain the Overseas exhibition.Please output in Chinese.", "template": "en_template1_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "1999年時，為慶祝“日本法國年”（“Year of France in Japan”），《自由領导人民》（La Liberté guidant le peuple）被法國出借給日本在東京國立博物館展覽，為了保護這身價不凡的珍寶，羅浮宮使用了一個3.3公尺高、3.9公尺長的加壓絕熱保護艙來運送名畫，過大的尺寸使得一般貨機沒有辦法輕易容納得下它，只好動用空中巴士A300-600ST。為了這不凡的託付，空中巴士國際運輸（Airbus Transport International, ATI）特別在負責運輸的大白鯨四號機機身兩側繪製上大尺寸的名畫複製圖，以資慶祝。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Overseas exhibition", "subsection": null, "sub_subsection": null, "prompt": "Explain the Overseas exhibition of this artwork, Freedom guides the people.Please output in Chinese.", "template": "en_template2_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "1999年時，為慶祝“日本法國年”（“Year of France in Japan”），《自由領导人民》（La Liberté guidant le peuple）被法國出借給日本在東京國立博物館展覽，為了保護這身價不凡的珍寶，羅浮宮使用了一個3.3公尺高、3.9公尺長的加壓絕熱保護艙來運送名畫，過大的尺寸使得一般貨機沒有辦法輕易容納得下它，只好動用空中巴士A300-600ST。為了這不凡的託付，空中巴士國際運輸（Airbus Transport International, ATI）特別在負責運輸的大白鯨四號機機身兩側繪製上大尺寸的名畫複製圖，以資慶祝。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Overseas exhibition", "subsection": null, "sub_subsection": null, "prompt": "How does Freedom guides the people explain its Overseas exhibition?Please output in Chinese.", "template": "en_template3_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "1999年時，為慶祝“日本法國年”（“Year of France in Japan”），《自由領导人民》（La Liberté guidant le peuple）被法國出借給日本在東京國立博物館展覽，為了保護這身價不凡的珍寶，羅浮宮使用了一個3.3公尺高、3.9公尺長的加壓絕熱保護艙來運送名畫，過大的尺寸使得一般貨機沒有辦法輕易容納得下它，只好動用空中巴士A300-600ST。為了這不凡的託付，空中巴士國際運輸（Airbus Transport International, ATI）特別在負責運輸的大白鯨四號機機身兩側繪製上大尺寸的名畫複製圖，以資慶祝。"}
{"title": "Freedom guides the people", "srclang_title": "自由引导人民", "en_title": "Liberty Leading the People", "pageid": "441310", "page_rank": 23, "page_url": "https://zh.wikipedia.org/wiki/%E8%87%AA%E7%94%B1%E5%BC%95%E5%AF%BC%E4%BA%BA%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "Overseas exhibition", "subsection": null, "sub_subsection": null, "prompt": "In Freedom guides the people, how is the Overseas exhibition discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法國波旁復辟", "瓜皮帽", "革命", "法国七月革命", "法国", "[[伯利恆", "内衫", "File:The separation barrier which runs through Bethlehem.jpg", "欧仁·德拉克罗瓦", "Category:藏於盧浮宮的畫作", "三角构图", "Category:歐仁·德拉克羅瓦畫作", "波旁王朝", "玩酷人生", "巴黎圣母院", "奥尔良公爵", "构图", "襯衫", "弗里吉亞帽", "乳房", "Z", "羅浮宫", "資產階級", "酷玩樂團", "头巾", "反對逃犯條例修訂草案運動", "土耳其弯刀", "查理十世", "路易-菲利普一世", "奧爾良公爵", "啟蒙時代", "挎包", "歐仁·德拉克洛瓦", "油画", "双乳", "法國", "東京國立博物館", "浪漫主義", "Z自", "奧爾良王朝", "日本", "法國七月革命", "酷玩乐队", "浪漫主义", "法蘭西王國", "法国国旗", "Category:托寓", "衬衫", "屍體", "巴黎", "路易-菲利普", "Category:自由符号", "Category:1830年畫作", "Category:戰爭畫作", "Category:浪漫主義藝術", "尸体", "手枪", "启蒙时代", "红白蓝三色旗", "火枪", "巴黎沙龙", "火铳", "工人", "thumb", "空中巴士國際運輸", "構圖", "法国二月革命", "空中巴士A300-600ST", "巴黎聖母院", "反修例時期", "东京国立博物馆", "资产阶级", "Category:法国油画作品", "对比", "查理十世 (法兰西)", "卢浮宫"], "gold": "1999年時，為慶祝“日本法國年”（“Year of France in Japan”），《自由領导人民》（La Liberté guidant le peuple）被法國出借給日本在東京國立博物館展覽，為了保護這身價不凡的珍寶，羅浮宮使用了一個3.3公尺高、3.9公尺長的加壓絕熱保護艙來運送名畫，過大的尺寸使得一般貨機沒有辦法輕易容納得下它，只好動用空中巴士A300-600ST。為了這不凡的託付，空中巴士國際運輸（Airbus Transport International, ATI）特別在負責運輸的大白鯨四號機機身兩側繪製上大尺寸的名畫複製圖，以資慶祝。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Venus of Milo and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的维纳斯（希臘語：Ἀφροδίτη τῆς Μήλου，法語：Vénus de Milo）也稱米洛斯的阿芙洛狄忒、断臂维纳斯，是一座著名的古希腊雕像。這座雕像創作於西元前150到125年之間，表现的是希腊神话中爱与美的女神阿佛洛狄忒（罗马神话中与之对应的女神是维纳斯）。這座大理石雕成的雕像高204公分，明顯大於女性人體真實大小。1820年發現於希臘米洛斯島（現代希臘語稱作米洛），故被稱作米洛的維納斯。過去它曾被誤認為雕刻家普拉克西特列斯的作品，現在一般認為是亞歷山德羅斯的創作。目前收藏於法國巴黎的羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Venus of Milo.Please output in Chinese.", "template": "en_template2_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的维纳斯（希臘語：Ἀφροδίτη τῆς Μήλου，法語：Vénus de Milo）也稱米洛斯的阿芙洛狄忒、断臂维纳斯，是一座著名的古希腊雕像。這座雕像創作於西元前150到125年之間，表现的是希腊神话中爱与美的女神阿佛洛狄忒（罗马神话中与之对应的女神是维纳斯）。這座大理石雕成的雕像高204公分，明顯大於女性人體真實大小。1820年發現於希臘米洛斯島（現代希臘語稱作米洛），故被稱作米洛的維納斯。過去它曾被誤認為雕刻家普拉克西特列斯的作品，現在一般認為是亞歷山德羅斯的創作。目前收藏於法國巴黎的羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Venus of Milo explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的维纳斯（希臘語：Ἀφροδίτη τῆς Μήλου，法語：Vénus de Milo）也稱米洛斯的阿芙洛狄忒、断臂维纳斯，是一座著名的古希腊雕像。這座雕像創作於西元前150到125年之間，表现的是希腊神话中爱与美的女神阿佛洛狄忒（罗马神话中与之对应的女神是维纳斯）。這座大理石雕成的雕像高204公分，明顯大於女性人體真實大小。1820年發現於希臘米洛斯島（現代希臘語稱作米洛），故被稱作米洛的維納斯。過去它曾被誤認為雕刻家普拉克西特列斯的作品，現在一般認為是亞歷山德羅斯的創作。目前收藏於法國巴黎的羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Venus of Milo, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的维纳斯（希臘語：Ἀφροδίτη τῆς Μήλου，法語：Vénus de Milo）也稱米洛斯的阿芙洛狄忒、断臂维纳斯，是一座著名的古希腊雕像。這座雕像創作於西元前150到125年之間，表现的是希腊神话中爱与美的女神阿佛洛狄忒（罗马神话中与之对应的女神是维纳斯）。這座大理石雕成的雕像高204公分，明顯大於女性人體真實大小。1820年發現於希臘米洛斯島（現代希臘語稱作米洛），故被稱作米洛的維納斯。過去它曾被誤認為雕刻家普拉克西特列斯的作品，現在一般認為是亞歷山德羅斯的創作。目前收藏於法國巴黎的羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Origin", "subsection": null, "sub_subsection": null, "prompt": "Focus on Venus of Milo and explain the Origin.Please output in Chinese.", "template": "en_template1_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "1820年，农民伊奥尔科斯在米洛斯岛上发现它。他试图将这尊雕像藏起来，但后来还是被一个土耳其军官发现了。当时法国驻土耳其的大使将它买下。這座雕像於隔年作為禮物獻給法國國王路易十八，之後國王將其贈送給羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Origin", "subsection": null, "sub_subsection": null, "prompt": "Explain the Origin of this artwork, Venus of Milo.Please output in Chinese.", "template": "en_template2_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "1820年，农民伊奥尔科斯在米洛斯岛上发现它。他试图将这尊雕像藏起来，但后来还是被一个土耳其军官发现了。当时法国驻土耳其的大使将它买下。這座雕像於隔年作為禮物獻給法國國王路易十八，之後國王將其贈送給羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Origin", "subsection": null, "sub_subsection": null, "prompt": "How does Venus of Milo explain its Origin?Please output in Chinese.", "template": "en_template3_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "1820年，农民伊奥尔科斯在米洛斯岛上发现它。他试图将这尊雕像藏起来，但后来还是被一个土耳其军官发现了。当时法国驻土耳其的大使将它买下。這座雕像於隔年作為禮物獻給法國國王路易十八，之後國王將其贈送給羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Origin", "subsection": null, "sub_subsection": null, "prompt": "In Venus of Milo, how is the Origin discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "1820年，农民伊奥尔科斯在米洛斯岛上发现它。他试图将这尊雕像藏起来，但后来还是被一个土耳其军官发现了。当时法国驻土耳其的大使将它买下。這座雕像於隔年作為禮物獻給法國國王路易十八，之後國王將其贈送給羅浮宮。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Focus on Venus of Milo and explain the Description.Please output in Chinese.", "template": "en_template1_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的維納斯以其遺失的神祕雙臂而知名。雕塑整體由两块大理石拼接而成，两块大理石连接处非常巧妙，在身躯裸露部分与裹巾的相邻处。这座维纳斯雕像是举世公认的女性人体美的典范，这是因为她完全符合黄金分割的人体美比例关系。黄金分割的比例关系是1:1.618，把它用在人体上，就是将人体分为上下两个部分，其分界点正位于肚脐。匀称的人体上下两部分的比例正好是1:1.618。由于这个比例接近于8:5或5:3，而人体的总长为8头身，所以这个总长度可以分割成头、颈下至肚脐、肚脐至脚三段。这三段以头部为基准，分割为1:2:5的整数比，成为人体美的标准规则。维纳斯的造型魅力在于，无论从哪个角度去看，她都符合人体的黄金分割率，因此她能超越时代，成为女性永恒美的象征。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Explain the Description of this artwork, Venus of Milo.Please output in Chinese.", "template": "en_template2_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的維納斯以其遺失的神祕雙臂而知名。雕塑整體由两块大理石拼接而成，两块大理石连接处非常巧妙，在身躯裸露部分与裹巾的相邻处。这座维纳斯雕像是举世公认的女性人体美的典范，这是因为她完全符合黄金分割的人体美比例关系。黄金分割的比例关系是1:1.618，把它用在人体上，就是将人体分为上下两个部分，其分界点正位于肚脐。匀称的人体上下两部分的比例正好是1:1.618。由于这个比例接近于8:5或5:3，而人体的总长为8头身，所以这个总长度可以分割成头、颈下至肚脐、肚脐至脚三段。这三段以头部为基准，分割为1:2:5的整数比，成为人体美的标准规则。维纳斯的造型魅力在于，无论从哪个角度去看，她都符合人体的黄金分割率，因此她能超越时代，成为女性永恒美的象征。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "How does Venus of Milo explain its Description?Please output in Chinese.", "template": "en_template3_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的維納斯以其遺失的神祕雙臂而知名。雕塑整體由两块大理石拼接而成，两块大理石连接处非常巧妙，在身躯裸露部分与裹巾的相邻处。这座维纳斯雕像是举世公认的女性人体美的典范，这是因为她完全符合黄金分割的人体美比例关系。黄金分割的比例关系是1:1.618，把它用在人体上，就是将人体分为上下两个部分，其分界点正位于肚脐。匀称的人体上下两部分的比例正好是1:1.618。由于这个比例接近于8:5或5:3，而人体的总长为8头身，所以这个总长度可以分割成头、颈下至肚脐、肚脐至脚三段。这三段以头部为基准，分割为1:2:5的整数比，成为人体美的标准规则。维纳斯的造型魅力在于，无论从哪个角度去看，她都符合人体的黄金分割率，因此她能超越时代，成为女性永恒美的象征。"}
{"title": "Venus of Milo", "srclang_title": "米洛的维纳斯", "en_title": "Venus de Milo", "pageid": "15516", "page_rank": 26, "page_url": "https://zh.wikipedia.org/wiki/%E7%B1%B3%E6%B4%9B%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/250px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "In Venus of Milo, how is the Description discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["法国", "古希臘雕刻", "路易十八", "Category:神像", "米洛斯島", "黄金分割", "The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War", "羅浮宮", "希腊语", "雕塑", "米洛斯岛", "维纳斯", "法國", "土耳其", "希腊神话", "古希臘雕塑", "塑像", "中国大百科全书", "希臘", "阿佛洛狄忒", "大理石", "巴黎", "希腊", "古希腊", "亞歷山德羅斯", "黄金分割率", "The Rape of Europa (book)", "Category:古希臘雕塑作品", "互联网档案馆", "大理岩", "Vintage Books", "普拉克西特列斯", "雕像", "罗马神话", "卢浮宫"], "gold": "米洛的維納斯以其遺失的神祕雙臂而知名。雕塑整體由两块大理石拼接而成，两块大理石连接处非常巧妙，在身躯裸露部分与裹巾的相邻处。这座维纳斯雕像是举世公认的女性人体美的典范，这是因为她完全符合黄金分割的人体美比例关系。黄金分割的比例关系是1:1.618，把它用在人体上，就是将人体分为上下两个部分，其分界点正位于肚脐。匀称的人体上下两部分的比例正好是1:1.618。由于这个比例接近于8:5或5:3，而人体的总长为8头身，所以这个总长度可以分割成头、颈下至肚脐、肚脐至脚三段。这三段以头部为基准，分割为1:2:5的整数比，成为人体美的标准规则。维纳斯的造型魅力在于，无论从哪个角度去看，她都符合人体的黄金分割率，因此她能超越时代，成为女性永恒美的象征。"}
{"title": "Statue of Augustus at the First Door", "srclang_title": "第一门的奥古斯都像", "en_title": "Augustus of Prima Porta", "pageid": "1025470", "page_rank": 33, "page_url": "https://zh.wikipedia.org/wiki/%E7%AC%AC%E4%B8%80%E9%97%A8%E7%9A%84%E5%A5%A5%E5%8F%A4%E6%96%AF%E9%83%BD%E5%83%8F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Statue of Augustus at the First Door and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:1860年代考古发现", "奧羅拉", "羅馬神話", "得墨忒耳", "刻瑞斯 (羅馬神話)", "奥罗拉", "阿耳忒彌斯", "阿波罗", "Category:梵蒂冈博物馆藏品", "奥古斯都", "莉薇娅", "特魯斯", "塞勒涅", "第一门的奥古斯都像", "邱比特", "狄阿娜", "戰車", "盧娜", "丘比特", "阿耳忒弥斯", "罗马", "安息帝國", "赫利俄斯", "莉薇婭", "Category:古羅馬雕塑作品", "里拉琴", "right", "厄俄斯", "刻瑞斯", "索尔", "莉薇娅别墅", "阿波羅", "雙輪戰車", "肌肉胸甲", "盖亚", "250px", "凱路斯", "克娄巴特拉七世", "File:Statue-Augustus.jpg", "索尔 (罗马神话)", "thumb", "斯芬克斯", "互联网档案馆", "意大利语", "莉薇婭別墅", "烏拉諾斯", "Category:罗马雕塑作品", "梵蒂冈博物馆", "罗马神话", "蓋亞", "乌拉诺斯"], "gold": "第一门的奥古斯都像（義大利語：Augusto di Prima Porta）是一尊罗马帝国的第一位皇帝奥古斯都的白色大理石雕像，高2.04米，完成于1世纪，1863年4月20日于罗马附近郊区第一门（Prima Porta）的莉薇娅别墅发现。奧古斯都的妻子莉薇娅在他去世后退隐到这座别墅。雕像现在收藏于梵蒂冈博物馆。奥古斯都表情严峻沉着，身材魁梧，全身披挂右手指向前方，左手握着权杖，右脚边有一个骑着海豚的爱神丘比特的形象，表现奥古斯都是一位仁爱之君。肌肉胸甲上的浮雕描绘羅馬神話的諸神，從正上方開始順時針起：天空神凱路斯（烏拉諾斯）雙臂撐起天空黎明女神奧羅拉（厄俄斯）和月女神盧娜（塞勒涅）被征服的敵人的代表狩獵女神狄阿娜（阿耳忒彌斯）騎著雄鹿正下方的大地母神特魯斯（蓋亞）或豐收女神刻瑞斯（得墨忒耳）手舉聚寶盤曲樂文藝神阿波羅手持里拉琴被征服的敵人的代表太陽神索尔（赫利俄斯）策騎雙輪戰車驅進正中央（主觀視點的）左邊是安息帝國的代表，正在將手中的天鷹軍杖送交對面的代表，象徵安息帝國被羅馬帝國擊敗正中央右邊是羅馬帝國的代表，一說可能是羅馬的神格化身羅馬女神兩邊坎肩板上的獅身人面獸斯芬克斯，象徵奥古斯擊敗埃及艷后克娄巴特拉七世"}
{"title": "Statue of Augustus at the First Door", "srclang_title": "第一门的奥古斯都像", "en_title": "Augustus of Prima Porta", "pageid": "1025470", "page_rank": 33, "page_url": "https://zh.wikipedia.org/wiki/%E7%AC%AC%E4%B8%80%E9%97%A8%E7%9A%84%E5%A5%A5%E5%8F%A4%E6%96%AF%E9%83%BD%E5%83%8F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Statue of Augustus at the First Door.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:1860年代考古发现", "奧羅拉", "羅馬神話", "得墨忒耳", "刻瑞斯 (羅馬神話)", "奥罗拉", "阿耳忒彌斯", "阿波罗", "Category:梵蒂冈博物馆藏品", "奥古斯都", "莉薇娅", "特魯斯", "塞勒涅", "第一门的奥古斯都像", "邱比特", "狄阿娜", "戰車", "盧娜", "丘比特", "阿耳忒弥斯", "罗马", "安息帝國", "赫利俄斯", "莉薇婭", "Category:古羅馬雕塑作品", "里拉琴", "right", "厄俄斯", "刻瑞斯", "索尔", "莉薇娅别墅", "阿波羅", "雙輪戰車", "肌肉胸甲", "盖亚", "250px", "凱路斯", "克娄巴特拉七世", "File:Statue-Augustus.jpg", "索尔 (罗马神话)", "thumb", "斯芬克斯", "互联网档案馆", "意大利语", "莉薇婭別墅", "烏拉諾斯", "Category:罗马雕塑作品", "梵蒂冈博物馆", "罗马神话", "蓋亞", "乌拉诺斯"], "gold": "第一门的奥古斯都像（義大利語：Augusto di Prima Porta）是一尊罗马帝国的第一位皇帝奥古斯都的白色大理石雕像，高2.04米，完成于1世纪，1863年4月20日于罗马附近郊区第一门（Prima Porta）的莉薇娅别墅发现。奧古斯都的妻子莉薇娅在他去世后退隐到这座别墅。雕像现在收藏于梵蒂冈博物馆。奥古斯都表情严峻沉着，身材魁梧，全身披挂右手指向前方，左手握着权杖，右脚边有一个骑着海豚的爱神丘比特的形象，表现奥古斯都是一位仁爱之君。肌肉胸甲上的浮雕描绘羅馬神話的諸神，從正上方開始順時針起：天空神凱路斯（烏拉諾斯）雙臂撐起天空黎明女神奧羅拉（厄俄斯）和月女神盧娜（塞勒涅）被征服的敵人的代表狩獵女神狄阿娜（阿耳忒彌斯）騎著雄鹿正下方的大地母神特魯斯（蓋亞）或豐收女神刻瑞斯（得墨忒耳）手舉聚寶盤曲樂文藝神阿波羅手持里拉琴被征服的敵人的代表太陽神索尔（赫利俄斯）策騎雙輪戰車驅進正中央（主觀視點的）左邊是安息帝國的代表，正在將手中的天鷹軍杖送交對面的代表，象徵安息帝國被羅馬帝國擊敗正中央右邊是羅馬帝國的代表，一說可能是羅馬的神格化身羅馬女神兩邊坎肩板上的獅身人面獸斯芬克斯，象徵奥古斯擊敗埃及艷后克娄巴特拉七世"}
{"title": "Statue of Augustus at the First Door", "srclang_title": "第一门的奥古斯都像", "en_title": "Augustus of Prima Porta", "pageid": "1025470", "page_rank": 33, "page_url": "https://zh.wikipedia.org/wiki/%E7%AC%AC%E4%B8%80%E9%97%A8%E7%9A%84%E5%A5%A5%E5%8F%A4%E6%96%AF%E9%83%BD%E5%83%8F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Statue of Augustus at the First Door explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:1860年代考古发现", "奧羅拉", "羅馬神話", "得墨忒耳", "刻瑞斯 (羅馬神話)", "奥罗拉", "阿耳忒彌斯", "阿波罗", "Category:梵蒂冈博物馆藏品", "奥古斯都", "莉薇娅", "特魯斯", "塞勒涅", "第一门的奥古斯都像", "邱比特", "狄阿娜", "戰車", "盧娜", "丘比特", "阿耳忒弥斯", "罗马", "安息帝國", "赫利俄斯", "莉薇婭", "Category:古羅馬雕塑作品", "里拉琴", "right", "厄俄斯", "刻瑞斯", "索尔", "莉薇娅别墅", "阿波羅", "雙輪戰車", "肌肉胸甲", "盖亚", "250px", "凱路斯", "克娄巴特拉七世", "File:Statue-Augustus.jpg", "索尔 (罗马神话)", "thumb", "斯芬克斯", "互联网档案馆", "意大利语", "莉薇婭別墅", "烏拉諾斯", "Category:罗马雕塑作品", "梵蒂冈博物馆", "罗马神话", "蓋亞", "乌拉诺斯"], "gold": "第一门的奥古斯都像（義大利語：Augusto di Prima Porta）是一尊罗马帝国的第一位皇帝奥古斯都的白色大理石雕像，高2.04米，完成于1世纪，1863年4月20日于罗马附近郊区第一门（Prima Porta）的莉薇娅别墅发现。奧古斯都的妻子莉薇娅在他去世后退隐到这座别墅。雕像现在收藏于梵蒂冈博物馆。奥古斯都表情严峻沉着，身材魁梧，全身披挂右手指向前方，左手握着权杖，右脚边有一个骑着海豚的爱神丘比特的形象，表现奥古斯都是一位仁爱之君。肌肉胸甲上的浮雕描绘羅馬神話的諸神，從正上方開始順時針起：天空神凱路斯（烏拉諾斯）雙臂撐起天空黎明女神奧羅拉（厄俄斯）和月女神盧娜（塞勒涅）被征服的敵人的代表狩獵女神狄阿娜（阿耳忒彌斯）騎著雄鹿正下方的大地母神特魯斯（蓋亞）或豐收女神刻瑞斯（得墨忒耳）手舉聚寶盤曲樂文藝神阿波羅手持里拉琴被征服的敵人的代表太陽神索尔（赫利俄斯）策騎雙輪戰車驅進正中央（主觀視點的）左邊是安息帝國的代表，正在將手中的天鷹軍杖送交對面的代表，象徵安息帝國被羅馬帝國擊敗正中央右邊是羅馬帝國的代表，一說可能是羅馬的神格化身羅馬女神兩邊坎肩板上的獅身人面獸斯芬克斯，象徵奥古斯擊敗埃及艷后克娄巴特拉七世"}
{"title": "Statue of Augustus at the First Door", "srclang_title": "第一门的奥古斯都像", "en_title": "Augustus of Prima Porta", "pageid": "1025470", "page_rank": 33, "page_url": "https://zh.wikipedia.org/wiki/%E7%AC%AC%E4%B8%80%E9%97%A8%E7%9A%84%E5%A5%A5%E5%8F%A4%E6%96%AF%E9%83%BD%E5%83%8F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Statue of Augustus at the First Door, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:1860年代考古发现", "奧羅拉", "羅馬神話", "得墨忒耳", "刻瑞斯 (羅馬神話)", "奥罗拉", "阿耳忒彌斯", "阿波罗", "Category:梵蒂冈博物馆藏品", "奥古斯都", "莉薇娅", "特魯斯", "塞勒涅", "第一门的奥古斯都像", "邱比特", "狄阿娜", "戰車", "盧娜", "丘比特", "阿耳忒弥斯", "罗马", "安息帝國", "赫利俄斯", "莉薇婭", "Category:古羅馬雕塑作品", "里拉琴", "right", "厄俄斯", "刻瑞斯", "索尔", "莉薇娅别墅", "阿波羅", "雙輪戰車", "肌肉胸甲", "盖亚", "250px", "凱路斯", "克娄巴特拉七世", "File:Statue-Augustus.jpg", "索尔 (罗马神话)", "thumb", "斯芬克斯", "互联网档案馆", "意大利语", "莉薇婭別墅", "烏拉諾斯", "Category:罗马雕塑作品", "梵蒂冈博物馆", "罗马神话", "蓋亞", "乌拉诺斯"], "gold": "第一门的奥古斯都像（義大利語：Augusto di Prima Porta）是一尊罗马帝国的第一位皇帝奥古斯都的白色大理石雕像，高2.04米，完成于1世纪，1863年4月20日于罗马附近郊区第一门（Prima Porta）的莉薇娅别墅发现。奧古斯都的妻子莉薇娅在他去世后退隐到这座别墅。雕像现在收藏于梵蒂冈博物馆。奥古斯都表情严峻沉着，身材魁梧，全身披挂右手指向前方，左手握着权杖，右脚边有一个骑着海豚的爱神丘比特的形象，表现奥古斯都是一位仁爱之君。肌肉胸甲上的浮雕描绘羅馬神話的諸神，從正上方開始順時針起：天空神凱路斯（烏拉諾斯）雙臂撐起天空黎明女神奧羅拉（厄俄斯）和月女神盧娜（塞勒涅）被征服的敵人的代表狩獵女神狄阿娜（阿耳忒彌斯）騎著雄鹿正下方的大地母神特魯斯（蓋亞）或豐收女神刻瑞斯（得墨忒耳）手舉聚寶盤曲樂文藝神阿波羅手持里拉琴被征服的敵人的代表太陽神索尔（赫利俄斯）策騎雙輪戰車驅進正中央（主觀視點的）左邊是安息帝國的代表，正在將手中的天鷹軍杖送交對面的代表，象徵安息帝國被羅馬帝國擊敗正中央右邊是羅馬帝國的代表，一說可能是羅馬的神格化身羅馬女神兩邊坎肩板上的獅身人面獸斯芬克斯，象徵奥古斯擊敗埃及艷后克娄巴特拉七世"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on The divine soul of St. Teresa is transcendent and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "《圣女大德兰的神魂超拔》（義大利語：L'Estasi di Santa Teresa；英语：Ecstasy of Saint Teresa），也译为《圣女特蕾莎的狂喜》。是在罗马胜利之后圣母堂祭台左侧的科尔纳洛小堂（Cornaro Chapel）的一组白色大理石雕塑，由当时的顶级雕塑家吉安·洛伦佐·贝尼尼设计和完成（整个小堂的大理石和灰泥装饰均由其设计）。它被视为巴洛克雕塑的杰作之一。雕像描绘圣女大德兰神魂超拔的情景。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, The divine soul of St. Teresa is transcendent.Please output in Chinese.", "template": "en_template2_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "《圣女大德兰的神魂超拔》（義大利語：L'Estasi di Santa Teresa；英语：Ecstasy of Saint Teresa），也译为《圣女特蕾莎的狂喜》。是在罗马胜利之后圣母堂祭台左侧的科尔纳洛小堂（Cornaro Chapel）的一组白色大理石雕塑，由当时的顶级雕塑家吉安·洛伦佐·贝尼尼设计和完成（整个小堂的大理石和灰泥装饰均由其设计）。它被视为巴洛克雕塑的杰作之一。雕像描绘圣女大德兰神魂超拔的情景。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does The divine soul of St. Teresa is transcendent explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "《圣女大德兰的神魂超拔》（義大利語：L'Estasi di Santa Teresa；英语：Ecstasy of Saint Teresa），也译为《圣女特蕾莎的狂喜》。是在罗马胜利之后圣母堂祭台左侧的科尔纳洛小堂（Cornaro Chapel）的一组白色大理石雕塑，由当时的顶级雕塑家吉安·洛伦佐·贝尼尼设计和完成（整个小堂的大理石和灰泥装饰均由其设计）。它被视为巴洛克雕塑的杰作之一。雕像描绘圣女大德兰神魂超拔的情景。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In The divine soul of St. Teresa is transcendent, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "《圣女大德兰的神魂超拔》（義大利語：L'Estasi di Santa Teresa；英语：Ecstasy of Saint Teresa），也译为《圣女特蕾莎的狂喜》。是在罗马胜利之后圣母堂祭台左侧的科尔纳洛小堂（Cornaro Chapel）的一组白色大理石雕塑，由当时的顶级雕塑家吉安·洛伦佐·贝尼尼设计和完成（整个小堂的大理石和灰泥装饰均由其设计）。它被视为巴洛克雕塑的杰作之一。雕像描绘圣女大德兰神魂超拔的情景。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Entrustment", "subsection": null, "sub_subsection": null, "prompt": "Focus on The divine soul of St. Teresa is transcendent and explain the Entrustment.Please output in Chinese.", "template": "en_template1_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "整组雕塑由成熟的贝尼尼监督和完成。贝尼尼曾是前一任教宗，挥霍无度的巴贝里尼最喜欢的艺术家，但是现任教宗，潘菲利家族的依諾增爵十世就任后，就不再青睐贝尼尼。因此，贝尼尼得以服务于来自威尼斯的费德里科·科纳罗枢机（1579-1653）。科尔纳洛选择不起眼的加尔默罗会教堂作为他的埋葬地点。他有理由避免葬在威尼斯，因为他被烏爾巴諾八世任命为枢机主教 而他的父亲乔万尼曾担任总督，在家乡制造了一场骚乱，此后这个家族就被禁止担任如此有权势的职务。小堂选定的地点是左耳堂，这里原有一幅画像“圣保禄的神魂超拔”，代之以不久前刚被册封的（1622年）第一位加尔默罗会圣人的戏剧化的宗教经历地题材。它于1652年完工， 当时的造价为12,000斯库多。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Entrustment", "subsection": null, "sub_subsection": null, "prompt": "Explain the Entrustment of this artwork, The divine soul of St. Teresa is transcendent.Please output in Chinese.", "template": "en_template2_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "整组雕塑由成熟的贝尼尼监督和完成。贝尼尼曾是前一任教宗，挥霍无度的巴贝里尼最喜欢的艺术家，但是现任教宗，潘菲利家族的依諾增爵十世就任后，就不再青睐贝尼尼。因此，贝尼尼得以服务于来自威尼斯的费德里科·科纳罗枢机（1579-1653）。科尔纳洛选择不起眼的加尔默罗会教堂作为他的埋葬地点。他有理由避免葬在威尼斯，因为他被烏爾巴諾八世任命为枢机主教 而他的父亲乔万尼曾担任总督，在家乡制造了一场骚乱，此后这个家族就被禁止担任如此有权势的职务。小堂选定的地点是左耳堂，这里原有一幅画像“圣保禄的神魂超拔”，代之以不久前刚被册封的（1622年）第一位加尔默罗会圣人的戏剧化的宗教经历地题材。它于1652年完工， 当时的造价为12,000斯库多。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Entrustment", "subsection": null, "sub_subsection": null, "prompt": "How does The divine soul of St. Teresa is transcendent explain its Entrustment?Please output in Chinese.", "template": "en_template3_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "整组雕塑由成熟的贝尼尼监督和完成。贝尼尼曾是前一任教宗，挥霍无度的巴贝里尼最喜欢的艺术家，但是现任教宗，潘菲利家族的依諾增爵十世就任后，就不再青睐贝尼尼。因此，贝尼尼得以服务于来自威尼斯的费德里科·科纳罗枢机（1579-1653）。科尔纳洛选择不起眼的加尔默罗会教堂作为他的埋葬地点。他有理由避免葬在威尼斯，因为他被烏爾巴諾八世任命为枢机主教 而他的父亲乔万尼曾担任总督，在家乡制造了一场骚乱，此后这个家族就被禁止担任如此有权势的职务。小堂选定的地点是左耳堂，这里原有一幅画像“圣保禄的神魂超拔”，代之以不久前刚被册封的（1622年）第一位加尔默罗会圣人的戏剧化的宗教经历地题材。它于1652年完工， 当时的造价为12,000斯库多。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Entrustment", "subsection": null, "sub_subsection": null, "prompt": "In The divine soul of St. Teresa is transcendent, how is the Entrustment discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "整组雕塑由成熟的贝尼尼监督和完成。贝尼尼曾是前一任教宗，挥霍无度的巴贝里尼最喜欢的艺术家，但是现任教宗，潘菲利家族的依諾增爵十世就任后，就不再青睐贝尼尼。因此，贝尼尼得以服务于来自威尼斯的费德里科·科纳罗枢机（1579-1653）。科尔纳洛选择不起眼的加尔默罗会教堂作为他的埋葬地点。他有理由避免葬在威尼斯，因为他被烏爾巴諾八世任命为枢机主教 而他的父亲乔万尼曾担任总督，在家乡制造了一场骚乱，此后这个家族就被禁止担任如此有权势的职务。小堂选定的地点是左耳堂，这里原有一幅画像“圣保禄的神魂超拔”，代之以不久前刚被册封的（1622年）第一位加尔默罗会圣人的戏剧化的宗教经历地题材。它于1652年完工， 当时的造价为12,000斯库多。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Focus on The divine soul of St. Teresa is transcendent and explain the Description.Please output in Chinese.", "template": "en_template1_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "这组雕塑包括两个人物：昏昏欲睡的修女，和手持箭杆的天使。描绘的情景来自圣女大德兰本人的描述。她是一位神秘主義者、加尔默罗会修女。她在自传中这样描述自己神魂超拔时，与天使相遇的经历：我看見在他的手裡有一支金質的長矛，在鐵質的矛尖處似乎有小小的火花。他看似好幾次把長矛插進我的心臟，刺穿我的內臟。當他把矛拔出來的時候，似乎要把我的內臟也拔出來，讓我全人燃燒在天主的大愛之中。這痛苦是如此巨大，讓我不禁呻吟，然而這種極致的痛苦帶來的甜蜜卻也如此非凡，讓我甚至生不起擺脫它的願望。現在滿足我的靈魂的無外於天主。這痛苦不是身體上，而是靈性上的，儘管身體也分擔了一份痛苦。現在在我的靈魂和天主之間的是無比甜蜜的愛的撫摸。我祈求良善的天主，讓認為我在說謊的人也能親自體驗我所體驗到的。这组雕塑用自然光照亮。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Explain the Description of this artwork, The divine soul of St. Teresa is transcendent.Please output in Chinese.", "template": "en_template2_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "这组雕塑包括两个人物：昏昏欲睡的修女，和手持箭杆的天使。描绘的情景来自圣女大德兰本人的描述。她是一位神秘主義者、加尔默罗会修女。她在自传中这样描述自己神魂超拔时，与天使相遇的经历：我看見在他的手裡有一支金質的長矛，在鐵質的矛尖處似乎有小小的火花。他看似好幾次把長矛插進我的心臟，刺穿我的內臟。當他把矛拔出來的時候，似乎要把我的內臟也拔出來，讓我全人燃燒在天主的大愛之中。這痛苦是如此巨大，讓我不禁呻吟，然而這種極致的痛苦帶來的甜蜜卻也如此非凡，讓我甚至生不起擺脫它的願望。現在滿足我的靈魂的無外於天主。這痛苦不是身體上，而是靈性上的，儘管身體也分擔了一份痛苦。現在在我的靈魂和天主之間的是無比甜蜜的愛的撫摸。我祈求良善的天主，讓認為我在說謊的人也能親自體驗我所體驗到的。这组雕塑用自然光照亮。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "How does The divine soul of St. Teresa is transcendent explain its Description?Please output in Chinese.", "template": "en_template3_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "这组雕塑包括两个人物：昏昏欲睡的修女，和手持箭杆的天使。描绘的情景来自圣女大德兰本人的描述。她是一位神秘主義者、加尔默罗会修女。她在自传中这样描述自己神魂超拔时，与天使相遇的经历：我看見在他的手裡有一支金質的長矛，在鐵質的矛尖處似乎有小小的火花。他看似好幾次把長矛插進我的心臟，刺穿我的內臟。當他把矛拔出來的時候，似乎要把我的內臟也拔出來，讓我全人燃燒在天主的大愛之中。這痛苦是如此巨大，讓我不禁呻吟，然而這種極致的痛苦帶來的甜蜜卻也如此非凡，讓我甚至生不起擺脫它的願望。現在滿足我的靈魂的無外於天主。這痛苦不是身體上，而是靈性上的，儘管身體也分擔了一份痛苦。現在在我的靈魂和天主之間的是無比甜蜜的愛的撫摸。我祈求良善的天主，讓認為我在說謊的人也能親自體驗我所體驗到的。这组雕塑用自然光照亮。"}
{"title": "The divine soul of St. Teresa is transcendent", "srclang_title": "圣女大德兰的神魂超拔", "en_title": "Ecstasy of Saint Teresa", "pageid": "6687201", "page_rank": 36, "page_url": "https://zh.wikipedia.org/wiki/%E5%9C%A3%E5%A5%B3%E5%A4%A7%E5%BE%B7%E5%85%B0%E7%9A%84%E7%A5%9E%E9%AD%82%E8%B6%85%E6%8B%94", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "In The divine soul of St. Teresa is transcendent, how is the Description discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["", "圣女大德兰", "吉安·洛伦佐·贝尼尼", "巴洛克艺术", "潘菲利家族", "依諾增爵十世", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "left", "巴洛克", "胜利之后圣母堂", "Category:意大利雕塑", "亞維拉的德蘭", "罗马", "天使", "勝利之后聖母堂 (羅馬)", "巴贝里尼", "胜利之后圣母堂 (罗马)", "勝利之后聖母堂", "神秘主義", "加尔默罗会", "巴贝里尼家族", "thumb", "互联网档案馆", "意大利语", "烏爾巴諾八世"], "gold": "这组雕塑包括两个人物：昏昏欲睡的修女，和手持箭杆的天使。描绘的情景来自圣女大德兰本人的描述。她是一位神秘主義者、加尔默罗会修女。她在自传中这样描述自己神魂超拔时，与天使相遇的经历：我看見在他的手裡有一支金質的長矛，在鐵質的矛尖處似乎有小小的火花。他看似好幾次把長矛插進我的心臟，刺穿我的內臟。當他把矛拔出來的時候，似乎要把我的內臟也拔出來，讓我全人燃燒在天主的大愛之中。這痛苦是如此巨大，讓我不禁呻吟，然而這種極致的痛苦帶來的甜蜜卻也如此非凡，讓我甚至生不起擺脫它的願望。現在滿足我的靈魂的無外於天主。這痛苦不是身體上，而是靈性上的，儘管身體也分擔了一份痛苦。現在在我的靈魂和天主之間的是無比甜蜜的愛的撫摸。我祈求良善的天主，讓認為我在說謊的人也能親自體驗我所體驗到的。这组雕塑用自然光照亮。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on The Death of Mara and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "《馬拉之死》（法語：La Mort de Marat或者Marat Assassiné）是雅克-路易·大卫繪製的一幅油畫作品，是法國大革命時代最著名的畫作之一。此畫描繪的是法國革命家、記者让-保尔·马拉被夏绿蒂·科黛刺殺、死在浴缸之中的場景。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, The Death of Mara.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "《馬拉之死》（法語：La Mort de Marat或者Marat Assassiné）是雅克-路易·大卫繪製的一幅油畫作品，是法國大革命時代最著名的畫作之一。此畫描繪的是法國革命家、記者让-保尔·马拉被夏绿蒂·科黛刺殺、死在浴缸之中的場景。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does The Death of Mara explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "《馬拉之死》（法語：La Mort de Marat或者Marat Assassiné）是雅克-路易·大卫繪製的一幅油畫作品，是法國大革命時代最著名的畫作之一。此畫描繪的是法國革命家、記者让-保尔·马拉被夏绿蒂·科黛刺殺、死在浴缸之中的場景。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In The Death of Mara, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "《馬拉之死》（法語：La Mort de Marat或者Marat Assassiné）是雅克-路易·大卫繪製的一幅油畫作品，是法國大革命時代最著名的畫作之一。此畫描繪的是法國革命家、記者让-保尔·马拉被夏绿蒂·科黛刺殺、死在浴缸之中的場景。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Focus on The Death of Mara and explain the Description.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "在這幅作品中，馬拉的形象在一定程度上被理想化了。例如馬拉生前有著的皮膚問題就沒有在這裡表現出來。但這幅作品仍包含有大量真實的細節，畢竟畫家大衛曾在馬拉死後前往其住所，並看到了當時確實存在的一些事物，例如綠色的圍毯、馬拉手握的紙張以及筆。大衛創作這幅畫的目的便是悼念馬拉之死，將其描繪成了為革命而獻身的“殉道者”。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Explain the Description of this artwork, The Death of Mara.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "在這幅作品中，馬拉的形象在一定程度上被理想化了。例如馬拉生前有著的皮膚問題就沒有在這裡表現出來。但這幅作品仍包含有大量真實的細節，畢竟畫家大衛曾在馬拉死後前往其住所，並看到了當時確實存在的一些事物，例如綠色的圍毯、馬拉手握的紙張以及筆。大衛創作這幅畫的目的便是悼念馬拉之死，將其描繪成了為革命而獻身的“殉道者”。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "How does The Death of Mara explain its Description?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "在這幅作品中，馬拉的形象在一定程度上被理想化了。例如馬拉生前有著的皮膚問題就沒有在這裡表現出來。但這幅作品仍包含有大量真實的細節，畢竟畫家大衛曾在馬拉死後前往其住所，並看到了當時確實存在的一些事物，例如綠色的圍毯、馬拉手握的紙張以及筆。大衛創作這幅畫的目的便是悼念馬拉之死，將其描繪成了為革命而獻身的“殉道者”。"}
{"title": "The Death of Mara", "srclang_title": "馬拉之死", "en_title": "The Death of Marat", "pageid": "2992936", "page_rank": 50, "page_url": "https://zh.wikipedia.org/wiki/%E9%A6%AC%E6%8B%89%E4%B9%8B%E6%AD%BB", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg/300px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "In The Death of Mara, how is the Description discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:1793年畫作", "Category:雅克-路易·大衛畫作", "夏洛特·科黛", "Cambridge University Press", "Category:死亡題材畫作", "法國大革命", "夏绿蒂·科黛", "Category:法國大革命題材作品", "法国大革命", "华夏时报", "Category:比利时皇家美术博物馆藏品", "比利时皇家美术博物馆", "让-保尔·马拉", "雅克-路易·大卫"], "gold": "在這幅作品中，馬拉的形象在一定程度上被理想化了。例如馬拉生前有著的皮膚問題就沒有在這裡表現出來。但這幅作品仍包含有大量真實的細節，畢竟畫家大衛曾在馬拉死後前往其住所，並看到了當時確實存在的一些事物，例如綠色的圍毯、馬拉手握的紙張以及筆。大衛創作這幅畫的目的便是悼念馬拉之死，將其描繪成了為革命而獻身的“殉道者”。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Rafael Room and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四间拉斐尔室（Stanze di Raffaello）是梵蒂冈宫内的一组客房，教宗住所的公共部分。它们以拉斐尔及其工作室创作的壁画著称。它们连同西斯廷礼拜堂内米开朗基罗的天顶画，构成标志罗马文艺复兴的盛大的壁画系列。这些房间最初目的是作为儒略二世的住所。他委托年轻的乌尔比诺艺术家拉斐尔在1508年或1509年完全重新装修内部。儒略二世的意图可能是要胜过其前任（也是对手）亚历山大六世，因为这些房间位于亚历山大六世居住的波奇亚寓所的正上方。它们位于三楼，俯瞰观景中庭（Cortile del Belvedere）的南侧。游客进入这些房间，从东向西，会经过君士坦丁大帝厅（Sala di Costantino）、赫略多洛室（Stanza di Eliodoro）、机要室（Stanza della Segnatura）和火灾厅（Stanza dell'Incendio del Borgo）。儒略于1513年去世，已完成两个房间的壁画，良十世继续此工程。拉斐尔在1520年去世后，他的助手吉昂弗朗斯科·班尼、朱利奥·罗马诺和若弗琳诺·迪·库里（Raffaellino del Colle）完成康斯坦丁大厅的壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四间拉斐尔室（Stanze di Raffaello）是梵蒂冈宫内的一组客房，教宗住所的公共部分。它们以拉斐尔及其工作室创作的壁画著称。它们连同西斯廷礼拜堂内米开朗基罗的天顶画，构成标志罗马文艺复兴的盛大的壁画系列。这些房间最初目的是作为儒略二世的住所。他委托年轻的乌尔比诺艺术家拉斐尔在1508年或1509年完全重新装修内部。儒略二世的意图可能是要胜过其前任（也是对手）亚历山大六世，因为这些房间位于亚历山大六世居住的波奇亚寓所的正上方。它们位于三楼，俯瞰观景中庭（Cortile del Belvedere）的南侧。游客进入这些房间，从东向西，会经过君士坦丁大帝厅（Sala di Costantino）、赫略多洛室（Stanza di Eliodoro）、机要室（Stanza della Segnatura）和火灾厅（Stanza dell'Incendio del Borgo）。儒略于1513年去世，已完成两个房间的壁画，良十世继续此工程。拉斐尔在1520年去世后，他的助手吉昂弗朗斯科·班尼、朱利奥·罗马诺和若弗琳诺·迪·库里（Raffaellino del Colle）完成康斯坦丁大厅的壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Rafael Room explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四间拉斐尔室（Stanze di Raffaello）是梵蒂冈宫内的一组客房，教宗住所的公共部分。它们以拉斐尔及其工作室创作的壁画著称。它们连同西斯廷礼拜堂内米开朗基罗的天顶画，构成标志罗马文艺复兴的盛大的壁画系列。这些房间最初目的是作为儒略二世的住所。他委托年轻的乌尔比诺艺术家拉斐尔在1508年或1509年完全重新装修内部。儒略二世的意图可能是要胜过其前任（也是对手）亚历山大六世，因为这些房间位于亚历山大六世居住的波奇亚寓所的正上方。它们位于三楼，俯瞰观景中庭（Cortile del Belvedere）的南侧。游客进入这些房间，从东向西，会经过君士坦丁大帝厅（Sala di Costantino）、赫略多洛室（Stanza di Eliodoro）、机要室（Stanza della Segnatura）和火灾厅（Stanza dell'Incendio del Borgo）。儒略于1513年去世，已完成两个房间的壁画，良十世继续此工程。拉斐尔在1520年去世后，他的助手吉昂弗朗斯科·班尼、朱利奥·罗马诺和若弗琳诺·迪·库里（Raffaellino del Colle）完成康斯坦丁大厅的壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Rafael Room, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四间拉斐尔室（Stanze di Raffaello）是梵蒂冈宫内的一组客房，教宗住所的公共部分。它们以拉斐尔及其工作室创作的壁画著称。它们连同西斯廷礼拜堂内米开朗基罗的天顶画，构成标志罗马文艺复兴的盛大的壁画系列。这些房间最初目的是作为儒略二世的住所。他委托年轻的乌尔比诺艺术家拉斐尔在1508年或1509年完全重新装修内部。儒略二世的意图可能是要胜过其前任（也是对手）亚历山大六世，因为这些房间位于亚历山大六世居住的波奇亚寓所的正上方。它们位于三楼，俯瞰观景中庭（Cortile del Belvedere）的南侧。游客进入这些房间，从东向西，会经过君士坦丁大帝厅（Sala di Costantino）、赫略多洛室（Stanza di Eliodoro）、机要室（Stanza della Segnatura）和火灾厅（Stanza dell'Incendio del Borgo）。儒略于1513年去世，已完成两个房间的壁画，良十世继续此工程。拉斐尔在1520年去世后，他的助手吉昂弗朗斯科·班尼、朱利奥·罗马诺和若弗琳诺·迪·库里（Raffaellino del Colle）完成康斯坦丁大厅的壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": null, "sub_subsection": null, "prompt": "Focus on Rafael Room and explain the Hall of Constantine the Great.Please output in Chinese.", "template": "en_template1_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四个房间中最大的一个是君士坦丁大帝厅（Sala di Costantino）。这些壁画创作于教宗儒略时期，那时，拉斐尔本人已经去世。这个房间的主题是基督教战胜了异教。壁画通过罗马皇帝君士坦丁一世的生平反映这场斗争。这些壁画是朱利奥·罗马诺、吉昂弗朗斯科·班尼和若弗琳诺·迪·库里的作品。由于这些壁画不是出自大师本人之手，它们不及相邻房间的作品出名。出于一种奉承的悠久的传统，拉斐尔的助手在画中将教宗西尔维斯特的面容描绘成当时的教宗克萊孟七世的面容。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": null, "sub_subsection": null, "prompt": "Explain the Hall of Constantine the Great of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四个房间中最大的一个是君士坦丁大帝厅（Sala di Costantino）。这些壁画创作于教宗儒略时期，那时，拉斐尔本人已经去世。这个房间的主题是基督教战胜了异教。壁画通过罗马皇帝君士坦丁一世的生平反映这场斗争。这些壁画是朱利奥·罗马诺、吉昂弗朗斯科·班尼和若弗琳诺·迪·库里的作品。由于这些壁画不是出自大师本人之手，它们不及相邻房间的作品出名。出于一种奉承的悠久的传统，拉斐尔的助手在画中将教宗西尔维斯特的面容描绘成当时的教宗克萊孟七世的面容。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": null, "sub_subsection": null, "prompt": "How does Rafael Room explain its Hall of Constantine the Great?Please output in Chinese.", "template": "en_template3_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四个房间中最大的一个是君士坦丁大帝厅（Sala di Costantino）。这些壁画创作于教宗儒略时期，那时，拉斐尔本人已经去世。这个房间的主题是基督教战胜了异教。壁画通过罗马皇帝君士坦丁一世的生平反映这场斗争。这些壁画是朱利奥·罗马诺、吉昂弗朗斯科·班尼和若弗琳诺·迪·库里的作品。由于这些壁画不是出自大师本人之手，它们不及相邻房间的作品出名。出于一种奉承的悠久的传统，拉斐尔的助手在画中将教宗西尔维斯特的面容描绘成当时的教宗克萊孟七世的面容。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": null, "sub_subsection": null, "prompt": "In Rafael Room, how is the Hall of Constantine the Great discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "四个房间中最大的一个是君士坦丁大帝厅（Sala di Costantino）。这些壁画创作于教宗儒略时期，那时，拉斐尔本人已经去世。这个房间的主题是基督教战胜了异教。壁画通过罗马皇帝君士坦丁一世的生平反映这场斗争。这些壁画是朱利奥·罗马诺、吉昂弗朗斯科·班尼和若弗琳诺·迪·库里的作品。由于这些壁画不是出自大师本人之手，它们不及相邻房间的作品出名。出于一种奉承的悠久的传统，拉斐尔的助手在画中将教宗西尔维斯特的面容描绘成当时的教宗克萊孟七世的面容。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The cross manifests holiness", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the The cross manifests holiness and the Hall of Constantine the Great.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "壁画《十字架显圣》描绘当君士坦丁出征他的对手马克森提乌斯时，巨大的十字架向他显现的传奇故事。在天空中出现十字架的异象，旁边是希腊文“Εν τούτω νίκα”（藉此記號，你必征服）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The cross manifests holiness", "sub_subsection": null, "prompt": "Explain the The cross manifests holiness about the Hall of Constantine the Great of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "壁画《十字架显圣》描绘当君士坦丁出征他的对手马克森提乌斯时，巨大的十字架向他显现的传奇故事。在天空中出现十字架的异象，旁边是希腊文“Εν τούτω νίκα”（藉此記號，你必征服）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The cross manifests holiness", "sub_subsection": null, "prompt": "In Rafael Room, how is the The cross manifests holiness of the Hall of Constantine the Great explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "壁画《十字架显圣》描绘当君士坦丁出征他的对手马克森提乌斯时，巨大的十字架向他显现的传奇故事。在天空中出现十字架的异象，旁边是希腊文“Εν τούτω νίκα”（藉此記號，你必征服）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The cross manifests holiness", "sub_subsection": null, "prompt": "Describe the characteristics of the The cross manifests holiness in Rafael Room's Hall of Constantine the Great.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "壁画《十字架显圣》描绘当君士坦丁出征他的对手马克森提乌斯时，巨大的十字架向他显现的传奇故事。在天空中出现十字架的异象，旁边是希腊文“Εν τούτω νίκα”（藉此記號，你必征服）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Battle of the Milvian Bridge", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Battle of the Milvian Bridge and the Hall of Constantine the Great.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《米尔维奥桥大战》朱利奥·罗马诺表现的是发生于312年10月28日的米尔维安大桥战役。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Battle of the Milvian Bridge", "sub_subsection": null, "prompt": "Explain the Battle of the Milvian Bridge about the Hall of Constantine the Great of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《米尔维奥桥大战》朱利奥·罗马诺表现的是发生于312年10月28日的米尔维安大桥战役。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Battle of the Milvian Bridge", "sub_subsection": null, "prompt": "In Rafael Room, how is the Battle of the Milvian Bridge of the Hall of Constantine the Great explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《米尔维奥桥大战》朱利奥·罗马诺表现的是发生于312年10月28日的米尔维安大桥战役。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Battle of the Milvian Bridge", "sub_subsection": null, "prompt": "Describe the characteristics of the Battle of the Milvian Bridge in Rafael Room's Hall of Constantine the Great.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《米尔维奥桥大战》朱利奥·罗马诺表现的是发生于312年10月28日的米尔维安大桥战役。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Dedication to Rome", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Dedication to Rome and the Hall of Constantine the Great.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奉献罗马城》的灵感来自于著名的君士坦丁的捐赠，这份伪造文件内容称羅馬皇帝君士坦丁一世將羅馬一帶的土地贈送給教宗。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Dedication to Rome", "sub_subsection": null, "prompt": "Explain the Dedication to Rome about the Hall of Constantine the Great of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奉献罗马城》的灵感来自于著名的君士坦丁的捐赠，这份伪造文件内容称羅馬皇帝君士坦丁一世將羅馬一帶的土地贈送給教宗。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Dedication to Rome", "sub_subsection": null, "prompt": "In Rafael Room, how is the Dedication to Rome of the Hall of Constantine the Great explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奉献罗马城》的灵感来自于著名的君士坦丁的捐赠，这份伪造文件内容称羅馬皇帝君士坦丁一世將羅馬一帶的土地贈送給教宗。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "Dedication to Rome", "sub_subsection": null, "prompt": "Describe the characteristics of the Dedication to Rome in Rafael Room's Hall of Constantine the Great.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奉献罗马城》的灵感来自于著名的君士坦丁的捐赠，这份伪造文件内容称羅馬皇帝君士坦丁一世將羅馬一帶的土地贈送給教宗。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The Baptism of Constantine", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the The Baptism of Constantine and the Hall of Constantine the Great.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "最后一幅画，《君士坦丁的洗礼》，最有可能是吉昂弗朗斯科·班尼所画，表现了这位皇帝在临终前受洗为基督徒的情形。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The Baptism of Constantine", "sub_subsection": null, "prompt": "Explain the The Baptism of Constantine about the Hall of Constantine the Great of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "最后一幅画，《君士坦丁的洗礼》，最有可能是吉昂弗朗斯科·班尼所画，表现了这位皇帝在临终前受洗为基督徒的情形。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The Baptism of Constantine", "sub_subsection": null, "prompt": "In Rafael Room, how is the The Baptism of Constantine of the Hall of Constantine the Great explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "最后一幅画，《君士坦丁的洗礼》，最有可能是吉昂弗朗斯科·班尼所画，表现了这位皇帝在临终前受洗为基督徒的情形。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Hall of Constantine the Great", "subsection": "The Baptism of Constantine", "sub_subsection": null, "prompt": "Describe the characteristics of the The Baptism of Constantine in Rafael Room's Hall of Constantine the Great.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "最后一幅画，《君士坦丁的洗礼》，最有可能是吉昂弗朗斯科·班尼所画，表现了这位皇帝在临终前受洗为基督徒的情形。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": null, "sub_subsection": null, "prompt": "Focus on Rafael Room and explain the Herlodolo Room.Please output in Chinese.", "template": "en_template1_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "从东向西的第二个房间，是赫略多洛室（Stanza di Eliodoro）。这里的壁画绘于1511年到1514年，房间也得名于其中的一幅画。这个私人房间的主题是基督在天上保护教会。 四幅壁画分别是：《将赫略多洛赶出圣殿》、《波尔塞纳的弥撒》、《良一世与阿提拉的会议》和《解救圣伯多禄》。其中前两幅壁画，拉斐尔将他的赞助人教宗儒略二世画成了参与者或观察者；第三幅绘于儒略死后，包括他的继任者良十世的肖像。与机要室相比，拉斐尔的风格在此有所改变。与教宗图书馆的静态图像不同，取而代之的是戏剧性的叙述描绘，他的做法是，最大限度地提高壁画的表现效果。他描绘较少，较大的人物，因此他们的行为和情绪 对观众有更直接的影响，他使用舞台灯光效果来突出某些人物，和加剧紧张局势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": null, "sub_subsection": null, "prompt": "Explain the Herlodolo Room of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "从东向西的第二个房间，是赫略多洛室（Stanza di Eliodoro）。这里的壁画绘于1511年到1514年，房间也得名于其中的一幅画。这个私人房间的主题是基督在天上保护教会。 四幅壁画分别是：《将赫略多洛赶出圣殿》、《波尔塞纳的弥撒》、《良一世与阿提拉的会议》和《解救圣伯多禄》。其中前两幅壁画，拉斐尔将他的赞助人教宗儒略二世画成了参与者或观察者；第三幅绘于儒略死后，包括他的继任者良十世的肖像。与机要室相比，拉斐尔的风格在此有所改变。与教宗图书馆的静态图像不同，取而代之的是戏剧性的叙述描绘，他的做法是，最大限度地提高壁画的表现效果。他描绘较少，较大的人物，因此他们的行为和情绪 对观众有更直接的影响，他使用舞台灯光效果来突出某些人物，和加剧紧张局势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": null, "sub_subsection": null, "prompt": "How does Rafael Room explain its Herlodolo Room?Please output in Chinese.", "template": "en_template3_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "从东向西的第二个房间，是赫略多洛室（Stanza di Eliodoro）。这里的壁画绘于1511年到1514年，房间也得名于其中的一幅画。这个私人房间的主题是基督在天上保护教会。 四幅壁画分别是：《将赫略多洛赶出圣殿》、《波尔塞纳的弥撒》、《良一世与阿提拉的会议》和《解救圣伯多禄》。其中前两幅壁画，拉斐尔将他的赞助人教宗儒略二世画成了参与者或观察者；第三幅绘于儒略死后，包括他的继任者良十世的肖像。与机要室相比，拉斐尔的风格在此有所改变。与教宗图书馆的静态图像不同，取而代之的是戏剧性的叙述描绘，他的做法是，最大限度地提高壁画的表现效果。他描绘较少，较大的人物，因此他们的行为和情绪 对观众有更直接的影响，他使用舞台灯光效果来突出某些人物，和加剧紧张局势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": null, "sub_subsection": null, "prompt": "In Rafael Room, how is the Herlodolo Room discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "从东向西的第二个房间，是赫略多洛室（Stanza di Eliodoro）。这里的壁画绘于1511年到1514年，房间也得名于其中的一幅画。这个私人房间的主题是基督在天上保护教会。 四幅壁画分别是：《将赫略多洛赶出圣殿》、《波尔塞纳的弥撒》、《良一世与阿提拉的会议》和《解救圣伯多禄》。其中前两幅壁画，拉斐尔将他的赞助人教宗儒略二世画成了参与者或观察者；第三幅绘于儒略死后，包括他的继任者良十世的肖像。与机要室相比，拉斐尔的风格在此有所改变。与教宗图书馆的静态图像不同，取而代之的是戏剧性的叙述描绘，他的做法是，最大限度地提高壁画的表现效果。他描绘较少，较大的人物，因此他们的行为和情绪 对观众有更直接的影响，他使用舞台灯光效果来突出某些人物，和加剧紧张局势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Drive Heliodoro out of the temple", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Drive Heliodoro out of the temple and the Herlodolo Room.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的《将赫略多洛赶出圣殿》取材自马加比二书（3:21-28） 关于赫略多洛，受命抢夺保存在耶路撒冷圣殿的珍宝，但是受到阻止，因为天使答应圣殿祭司的祷告，鞭打入侵者，一个天使般的骑手从圣殿将其追赶。比起签字厅内拉斐尔的早期壁画，这幅画具有更多的戏剧性。虽然焦点是正在祷告的祭司这个静止的人物，赫略多洛和天使向前冲入空中，似乎要飞出画面。在左侧，儒略二世由瑞士卫队抬在椅子上，目击了这一事件。在这里也是指儒略防止世俗领袖篡夺教廷领土的斗争。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Drive Heliodoro out of the temple", "sub_subsection": null, "prompt": "Explain the Drive Heliodoro out of the temple about the Herlodolo Room of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的《将赫略多洛赶出圣殿》取材自马加比二书（3:21-28） 关于赫略多洛，受命抢夺保存在耶路撒冷圣殿的珍宝，但是受到阻止，因为天使答应圣殿祭司的祷告，鞭打入侵者，一个天使般的骑手从圣殿将其追赶。比起签字厅内拉斐尔的早期壁画，这幅画具有更多的戏剧性。虽然焦点是正在祷告的祭司这个静止的人物，赫略多洛和天使向前冲入空中，似乎要飞出画面。在左侧，儒略二世由瑞士卫队抬在椅子上，目击了这一事件。在这里也是指儒略防止世俗领袖篡夺教廷领土的斗争。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Drive Heliodoro out of the temple", "sub_subsection": null, "prompt": "In Rafael Room, how is the Drive Heliodoro out of the temple of the Herlodolo Room explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的《将赫略多洛赶出圣殿》取材自马加比二书（3:21-28） 关于赫略多洛，受命抢夺保存在耶路撒冷圣殿的珍宝，但是受到阻止，因为天使答应圣殿祭司的祷告，鞭打入侵者，一个天使般的骑手从圣殿将其追赶。比起签字厅内拉斐尔的早期壁画，这幅画具有更多的戏剧性。虽然焦点是正在祷告的祭司这个静止的人物，赫略多洛和天使向前冲入空中，似乎要飞出画面。在左侧，儒略二世由瑞士卫队抬在椅子上，目击了这一事件。在这里也是指儒略防止世俗领袖篡夺教廷领土的斗争。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Drive Heliodoro out of the temple", "sub_subsection": null, "prompt": "Describe the characteristics of the Drive Heliodoro out of the temple in Rafael Room's Herlodolo Room.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的《将赫略多洛赶出圣殿》取材自马加比二书（3:21-28） 关于赫略多洛，受命抢夺保存在耶路撒冷圣殿的珍宝，但是受到阻止，因为天使答应圣殿祭司的祷告，鞭打入侵者，一个天使般的骑手从圣殿将其追赶。比起签字厅内拉斐尔的早期壁画，这幅画具有更多的戏剧性。虽然焦点是正在祷告的祭司这个静止的人物，赫略多洛和天使向前冲入空中，似乎要飞出画面。在左侧，儒略二世由瑞士卫队抬在椅子上，目击了这一事件。在这里也是指儒略防止世俗领袖篡夺教廷领土的斗争。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "The Mass of Bolsena", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the The Mass of Bolsena and the Herlodolo Room.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《波尔塞纳的弥撒》描绘了一位波希米亚神父故事，他在1263年在弥撒过程中看到面包开始流血，于是停止了对化质说教义的怀疑。被血染红的布成为圣物，在奥尔维耶多附近小镇；儒略二世访问奥尔维耶多，并在1506年为此圣物祈祷。这位教宗被描绘成一个弥撒的参与者和奇迹的见证者；他跪在祭台的右边，Curia 的成员站在他身后。拉斐尔从事件中的参与程度来区分“真正的”13世纪的见证人与教宗同时代的见证人。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "The Mass of Bolsena", "sub_subsection": null, "prompt": "Explain the The Mass of Bolsena about the Herlodolo Room of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《波尔塞纳的弥撒》描绘了一位波希米亚神父故事，他在1263年在弥撒过程中看到面包开始流血，于是停止了对化质说教义的怀疑。被血染红的布成为圣物，在奥尔维耶多附近小镇；儒略二世访问奥尔维耶多，并在1506年为此圣物祈祷。这位教宗被描绘成一个弥撒的参与者和奇迹的见证者；他跪在祭台的右边，Curia 的成员站在他身后。拉斐尔从事件中的参与程度来区分“真正的”13世纪的见证人与教宗同时代的见证人。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "The Mass of Bolsena", "sub_subsection": null, "prompt": "In Rafael Room, how is the The Mass of Bolsena of the Herlodolo Room explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《波尔塞纳的弥撒》描绘了一位波希米亚神父故事，他在1263年在弥撒过程中看到面包开始流血，于是停止了对化质说教义的怀疑。被血染红的布成为圣物，在奥尔维耶多附近小镇；儒略二世访问奥尔维耶多，并在1506年为此圣物祈祷。这位教宗被描绘成一个弥撒的参与者和奇迹的见证者；他跪在祭台的右边，Curia 的成员站在他身后。拉斐尔从事件中的参与程度来区分“真正的”13世纪的见证人与教宗同时代的见证人。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "The Mass of Bolsena", "sub_subsection": null, "prompt": "Describe the characteristics of the The Mass of Bolsena in Rafael Room's Herlodolo Room.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《波尔塞纳的弥撒》描绘了一位波希米亚神父故事，他在1263年在弥撒过程中看到面包开始流血，于是停止了对化质说教义的怀疑。被血染红的布成为圣物，在奥尔维耶多附近小镇；儒略二世访问奥尔维耶多，并在1506年为此圣物祈祷。这位教宗被描绘成一个弥撒的参与者和奇迹的见证者；他跪在祭台的右边，Curia 的成员站在他身后。拉斐尔从事件中的参与程度来区分“真正的”13世纪的见证人与教宗同时代的见证人。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Pope Dalian meets Attila", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Pope Dalian meets Attila and the Herlodolo Room.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": " 《大良教宗会晤阿蒂拉》描绘了历史上有名的良一世和阿提拉的会议，包括圣伯多禄和圣保禄在天空持剑的图像。拉斐尔一个充分发展的绘图显示他计划将教宗描绘成儒略的面容 - 在背景中；当良十世成为教宗时 - 他必须鼓励艺术家将教宗描绘在前方中央的位置，并使用自己的肖像。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Pope Dalian meets Attila", "sub_subsection": null, "prompt": "Explain the Pope Dalian meets Attila about the Herlodolo Room of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": " 《大良教宗会晤阿蒂拉》描绘了历史上有名的良一世和阿提拉的会议，包括圣伯多禄和圣保禄在天空持剑的图像。拉斐尔一个充分发展的绘图显示他计划将教宗描绘成儒略的面容 - 在背景中；当良十世成为教宗时 - 他必须鼓励艺术家将教宗描绘在前方中央的位置，并使用自己的肖像。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Pope Dalian meets Attila", "sub_subsection": null, "prompt": "In Rafael Room, how is the Pope Dalian meets Attila of the Herlodolo Room explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": " 《大良教宗会晤阿蒂拉》描绘了历史上有名的良一世和阿提拉的会议，包括圣伯多禄和圣保禄在天空持剑的图像。拉斐尔一个充分发展的绘图显示他计划将教宗描绘成儒略的面容 - 在背景中；当良十世成为教宗时 - 他必须鼓励艺术家将教宗描绘在前方中央的位置，并使用自己的肖像。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "Pope Dalian meets Attila", "sub_subsection": null, "prompt": "Describe the characteristics of the Pope Dalian meets Attila in Rafael Room's Herlodolo Room.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": " 《大良教宗会晤阿蒂拉》描绘了历史上有名的良一世和阿提拉的会议，包括圣伯多禄和圣保禄在天空持剑的图像。拉斐尔一个充分发展的绘图显示他计划将教宗描绘成儒略的面容 - 在背景中；当良十世成为教宗时 - 他必须鼓励艺术家将教宗描绘在前方中央的位置，并使用自己的肖像。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "St. Peter Released", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the St. Peter Released and the Herlodolo Room.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《圣伯多禄获释》分为三段，描绘了使徒行传十二章所记载的圣伯多禄被一位天使解救出狱的故事。它象征着基督牧者的力量逃脱人类的限制。儒略二世在升任教宗之前担任枢机主教时，领衔教堂就在圣伯多禄锁链堂，所以这幅画既是概指教宗制，又是特指儒略。 这幅壁画是一种对光线的研究：天然的的月光，人工的火炬光，以及上帝提供的天使光。当然，后者的光优于其他两种光。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "St. Peter Released", "sub_subsection": null, "prompt": "Explain the St. Peter Released about the Herlodolo Room of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《圣伯多禄获释》分为三段，描绘了使徒行传十二章所记载的圣伯多禄被一位天使解救出狱的故事。它象征着基督牧者的力量逃脱人类的限制。儒略二世在升任教宗之前担任枢机主教时，领衔教堂就在圣伯多禄锁链堂，所以这幅画既是概指教宗制，又是特指儒略。 这幅壁画是一种对光线的研究：天然的的月光，人工的火炬光，以及上帝提供的天使光。当然，后者的光优于其他两种光。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "St. Peter Released", "sub_subsection": null, "prompt": "In Rafael Room, how is the St. Peter Released of the Herlodolo Room explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《圣伯多禄获释》分为三段，描绘了使徒行传十二章所记载的圣伯多禄被一位天使解救出狱的故事。它象征着基督牧者的力量逃脱人类的限制。儒略二世在升任教宗之前担任枢机主教时，领衔教堂就在圣伯多禄锁链堂，所以这幅画既是概指教宗制，又是特指儒略。 这幅壁画是一种对光线的研究：天然的的月光，人工的火炬光，以及上帝提供的天使光。当然，后者的光优于其他两种光。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Herlodolo Room", "subsection": "St. Peter Released", "sub_subsection": null, "prompt": "Describe the characteristics of the St. Peter Released in Rafael Room's Herlodolo Room.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《圣伯多禄获释》分为三段，描绘了使徒行传十二章所记载的圣伯多禄被一位天使解救出狱的故事。它象征着基督牧者的力量逃脱人类的限制。儒略二世在升任教宗之前担任枢机主教时，领衔教堂就在圣伯多禄锁链堂，所以这幅画既是概指教宗制，又是特指儒略。 这幅壁画是一种对光线的研究：天然的的月光，人工的火炬光，以及上帝提供的天使光。当然，后者的光优于其他两种光。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": null, "sub_subsection": null, "prompt": "Focus on Rafael Room and explain the Secretariat.Please output in Chinese.", "template": "en_template1_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "首先用拉斐尔壁画装饰的是机要室（Stanza della segnatura）。它曾是儒略二世的图书馆，宗座圣玺最高法院曾设于此处。艺术家的概念是，带进古代精神与基督教的和谐，以及反映儒略二世的图书馆的内容：神学、哲学、法学和诗歌四大主题。这个房间的主题是世俗智慧与属灵智慧的和谐，以及文艺复兴人文主义者感知的基督教与希腊哲学之间的和谐。智慧的主题很适合这个房间，因为此处曾是宗座圣玺最高法院的会议室，大多数重要的教宗文件都是在此签字盖章。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": null, "sub_subsection": null, "prompt": "Explain the Secretariat of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "首先用拉斐尔壁画装饰的是机要室（Stanza della segnatura）。它曾是儒略二世的图书馆，宗座圣玺最高法院曾设于此处。艺术家的概念是，带进古代精神与基督教的和谐，以及反映儒略二世的图书馆的内容：神学、哲学、法学和诗歌四大主题。这个房间的主题是世俗智慧与属灵智慧的和谐，以及文艺复兴人文主义者感知的基督教与希腊哲学之间的和谐。智慧的主题很适合这个房间，因为此处曾是宗座圣玺最高法院的会议室，大多数重要的教宗文件都是在此签字盖章。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": null, "sub_subsection": null, "prompt": "How does Rafael Room explain its Secretariat?Please output in Chinese.", "template": "en_template3_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "首先用拉斐尔壁画装饰的是机要室（Stanza della segnatura）。它曾是儒略二世的图书馆，宗座圣玺最高法院曾设于此处。艺术家的概念是，带进古代精神与基督教的和谐，以及反映儒略二世的图书馆的内容：神学、哲学、法学和诗歌四大主题。这个房间的主题是世俗智慧与属灵智慧的和谐，以及文艺复兴人文主义者感知的基督教与希腊哲学之间的和谐。智慧的主题很适合这个房间，因为此处曾是宗座圣玺最高法院的会议室，大多数重要的教宗文件都是在此签字盖章。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": null, "sub_subsection": null, "prompt": "In Rafael Room, how is the Secretariat discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "首先用拉斐尔壁画装饰的是机要室（Stanza della segnatura）。它曾是儒略二世的图书馆，宗座圣玺最高法院曾设于此处。艺术家的概念是，带进古代精神与基督教的和谐，以及反映儒略二世的图书馆的内容：神学、哲学、法学和诗歌四大主题。这个房间的主题是世俗智慧与属灵智慧的和谐，以及文艺复兴人文主义者感知的基督教与希腊哲学之间的和谐。智慧的主题很适合这个房间，因为此处曾是宗座圣玺最高法院的会议室，大多数重要的教宗文件都是在此签字盖章。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Debate on the Sacraments", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Debate on the Sacraments and the Secretariat.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的第一幅壁画《圣礼的争辩》创作于1508年或1509年。在这幅作品中，拉斐尔描绘的教会的形象，跨越天与地。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Debate on the Sacraments", "sub_subsection": null, "prompt": "Explain the Debate on the Sacraments about the Secretariat of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的第一幅壁画《圣礼的争辩》创作于1508年或1509年。在这幅作品中，拉斐尔描绘的教会的形象，跨越天与地。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Debate on the Sacraments", "sub_subsection": null, "prompt": "In Rafael Room, how is the Debate on the Sacraments of the Secretariat explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的第一幅壁画《圣礼的争辩》创作于1508年或1509年。在这幅作品中，拉斐尔描绘的教会的形象，跨越天与地。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Debate on the Sacraments", "sub_subsection": null, "prompt": "Describe the characteristics of the Debate on the Sacraments in Rafael Room's Secretariat.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔的第一幅壁画《圣礼的争辩》创作于1508年或1509年。在这幅作品中，拉斐尔描绘的教会的形象，跨越天与地。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Athens Academy", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Athens Academy and the Secretariat.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "1509年底，拉斐尔开始在《圣体的辩论》对面的墙上，创作第二幅壁画《雅典学院》。整个房间解释为从古典哲学到真正的宗教，以及从前基督教世界到基督教的运动。 。这也许是拉斐尔最著名的一幅壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Athens Academy", "sub_subsection": null, "prompt": "Explain the Athens Academy about the Secretariat of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "1509年底，拉斐尔开始在《圣体的辩论》对面的墙上，创作第二幅壁画《雅典学院》。整个房间解释为从古典哲学到真正的宗教，以及从前基督教世界到基督教的运动。 。这也许是拉斐尔最著名的一幅壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Athens Academy", "sub_subsection": null, "prompt": "In Rafael Room, how is the Athens Academy of the Secretariat explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "1509年底，拉斐尔开始在《圣体的辩论》对面的墙上，创作第二幅壁画《雅典学院》。整个房间解释为从古典哲学到真正的宗教，以及从前基督教世界到基督教的运动。 。这也许是拉斐尔最著名的一幅壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Athens Academy", "sub_subsection": null, "prompt": "Describe the characteristics of the Athens Academy in Rafael Room's Secretariat.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "1509年底，拉斐尔开始在《圣体的辩论》对面的墙上，创作第二幅壁画《雅典学院》。整个房间解释为从古典哲学到真正的宗教，以及从前基督教世界到基督教的运动。 。这也许是拉斐尔最著名的一幅壁画。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Mount Parnassus", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Mount Parnassus and the Secretariat.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔在1509年底或1510年初开始创作第三幅壁画《帕那苏斯山》。在古代神话中，那里是阿波罗和缪斯女神居住的地方，以及诗歌的家乡。在壁画中，阿波罗和缪斯女神被古代和拉斐尔时代的诗人所环绕。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Mount Parnassus", "sub_subsection": null, "prompt": "Explain the Mount Parnassus about the Secretariat of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔在1509年底或1510年初开始创作第三幅壁画《帕那苏斯山》。在古代神话中，那里是阿波罗和缪斯女神居住的地方，以及诗歌的家乡。在壁画中，阿波罗和缪斯女神被古代和拉斐尔时代的诗人所环绕。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Mount Parnassus", "sub_subsection": null, "prompt": "In Rafael Room, how is the Mount Parnassus of the Secretariat explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔在1509年底或1510年初开始创作第三幅壁画《帕那苏斯山》。在古代神话中，那里是阿波罗和缪斯女神居住的地方，以及诗歌的家乡。在壁画中，阿波罗和缪斯女神被古代和拉斐尔时代的诗人所环绕。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Mount Parnassus", "sub_subsection": null, "prompt": "Describe the characteristics of the Mount Parnassus in Rafael Room's Secretariat.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "拉斐尔在1509年底或1510年初开始创作第三幅壁画《帕那苏斯山》。在古代神话中，那里是阿波罗和缪斯女神居住的地方，以及诗歌的家乡。在壁画中，阿波罗和缪斯女神被古代和拉斐尔时代的诗人所环绕。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Sande Statue", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Sande Statue and the Secretariat.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "第四幅壁画《三德像》绘于1511年。所谓“三德”，是指勇德（勇气）、智德（明智）和节德（节制）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Sande Statue", "sub_subsection": null, "prompt": "Explain the Sande Statue about the Secretariat of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "第四幅壁画《三德像》绘于1511年。所谓“三德”，是指勇德（勇气）、智德（明智）和节德（节制）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Sande Statue", "sub_subsection": null, "prompt": "In Rafael Room, how is the Sande Statue of the Secretariat explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "第四幅壁画《三德像》绘于1511年。所谓“三德”，是指勇德（勇气）、智德（明智）和节德（节制）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Secretariat", "subsection": "Sande Statue", "sub_subsection": null, "prompt": "Describe the characteristics of the Sande Statue in Rafael Room's Secretariat.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "第四幅壁画《三德像》绘于1511年。所谓“三德”，是指勇德（勇气）、智德（明智）和节德（节制）。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": null, "sub_subsection": null, "prompt": "Focus on Rafael Room and explain the Fire interval.Please output in Chinese.", "template": "en_template1_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "火灾间（Stanza dell'incendio del Borgo）得名于壁画《城门外的火灾》，这幅画描绘良四世十字架的记号扑灭罗马博尔戈区（靠近梵蒂冈）的熊熊大火。这个房间准备作为儒勒的继任者良十世的音乐室。壁画描绘了教宗良三世和良四世的生平事迹。房间里另外三幅壁画是《良三世的誓言》、《查理大帝加冕》和《沃斯提亚战役》。《城门外的火灾》是由拉斐尔设计构图，但是由他的助手执行。另外三幅画没有他的指导。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": null, "sub_subsection": null, "prompt": "Explain the Fire interval of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "火灾间（Stanza dell'incendio del Borgo）得名于壁画《城门外的火灾》，这幅画描绘良四世十字架的记号扑灭罗马博尔戈区（靠近梵蒂冈）的熊熊大火。这个房间准备作为儒勒的继任者良十世的音乐室。壁画描绘了教宗良三世和良四世的生平事迹。房间里另外三幅壁画是《良三世的誓言》、《查理大帝加冕》和《沃斯提亚战役》。《城门外的火灾》是由拉斐尔设计构图，但是由他的助手执行。另外三幅画没有他的指导。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": null, "sub_subsection": null, "prompt": "How does Rafael Room explain its Fire interval?Please output in Chinese.", "template": "en_template3_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "火灾间（Stanza dell'incendio del Borgo）得名于壁画《城门外的火灾》，这幅画描绘良四世十字架的记号扑灭罗马博尔戈区（靠近梵蒂冈）的熊熊大火。这个房间准备作为儒勒的继任者良十世的音乐室。壁画描绘了教宗良三世和良四世的生平事迹。房间里另外三幅壁画是《良三世的誓言》、《查理大帝加冕》和《沃斯提亚战役》。《城门外的火灾》是由拉斐尔设计构图，但是由他的助手执行。另外三幅画没有他的指导。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": null, "sub_subsection": null, "prompt": "In Rafael Room, how is the Fire interval discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "火灾间（Stanza dell'incendio del Borgo）得名于壁画《城门外的火灾》，这幅画描绘良四世十字架的记号扑灭罗马博尔戈区（靠近梵蒂冈）的熊熊大火。这个房间准备作为儒勒的继任者良十世的音乐室。壁画描绘了教宗良三世和良四世的生平事迹。房间里另外三幅壁画是《良三世的誓言》、《查理大帝加冕》和《沃斯提亚战役》。《城门外的火灾》是由拉斐尔设计构图，但是由他的助手执行。另外三幅画没有他的指导。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The Oath of Liang Sansei", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the The Oath of Liang Sansei and the Fire interval.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "800年12月23日，教宗良三世面对他的前任教宗哈德良一世的侄子对他提出的指控进行宣誓。这一事件在壁画《良三世的誓言》中得到展现。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The Oath of Liang Sansei", "sub_subsection": null, "prompt": "Explain the The Oath of Liang Sansei about the Fire interval of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "800年12月23日，教宗良三世面对他的前任教宗哈德良一世的侄子对他提出的指控进行宣誓。这一事件在壁画《良三世的誓言》中得到展现。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The Oath of Liang Sansei", "sub_subsection": null, "prompt": "In Rafael Room, how is the The Oath of Liang Sansei of the Fire interval explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "800年12月23日，教宗良三世面对他的前任教宗哈德良一世的侄子对他提出的指控进行宣誓。这一事件在壁画《良三世的誓言》中得到展现。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The Oath of Liang Sansei", "sub_subsection": null, "prompt": "Describe the characteristics of the The Oath of Liang Sansei in Rafael Room's Fire interval.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "800年12月23日，教宗良三世面对他的前任教宗哈德良一世的侄子对他提出的指控进行宣誓。这一事件在壁画《良三世的誓言》中得到展现。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Charlemagne's Coronation", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Charlemagne's Coronation and the Fire interval.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《查理大帝加冕》表现查理大帝在800年圣诞节加冕成为神圣罗马皇帝的情景。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Charlemagne's Coronation", "sub_subsection": null, "prompt": "Explain the Charlemagne's Coronation about the Fire interval of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《查理大帝加冕》表现查理大帝在800年圣诞节加冕成为神圣罗马皇帝的情景。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Charlemagne's Coronation", "sub_subsection": null, "prompt": "In Rafael Room, how is the Charlemagne's Coronation of the Fire interval explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《查理大帝加冕》表现查理大帝在800年圣诞节加冕成为神圣罗马皇帝的情景。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Charlemagne's Coronation", "sub_subsection": null, "prompt": "Describe the characteristics of the Charlemagne's Coronation in Rafael Room's Fire interval.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《查理大帝加冕》表现查理大帝在800年圣诞节加冕成为神圣罗马皇帝的情景。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The fire outside the city gate", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the The fire outside the city gate and the Fire interval.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《城门外的火灾》描绘了847年在罗马博尔戈区发生的一次火灾。根据天主教会传统，教宗良四世用它他的祝福控制了火势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The fire outside the city gate", "sub_subsection": null, "prompt": "Explain the The fire outside the city gate about the Fire interval of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《城门外的火灾》描绘了847年在罗马博尔戈区发生的一次火灾。根据天主教会传统，教宗良四世用它他的祝福控制了火势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The fire outside the city gate", "sub_subsection": null, "prompt": "In Rafael Room, how is the The fire outside the city gate of the Fire interval explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《城门外的火灾》描绘了847年在罗马博尔戈区发生的一次火灾。根据天主教会传统，教宗良四世用它他的祝福控制了火势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "The fire outside the city gate", "sub_subsection": null, "prompt": "Describe the characteristics of the The fire outside the city gate in Rafael Room's Fire interval.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《城门外的火灾》描绘了847年在罗马博尔戈区发生的一次火灾。根据天主教会传统，教宗良四世用它他的祝福控制了火势。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Battle of Ostia", "sub_subsection": null, "prompt": "In the context of Rafael Room, explain the Battle of Ostia and the Fire interval.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奥斯蒂亚之战》的灵感来自于良四世于849年在奥斯蒂亚之战中战胜了撒拉逊人。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Battle of Ostia", "sub_subsection": null, "prompt": "Explain the Battle of Ostia about the Fire interval of this artwork, Rafael Room.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奥斯蒂亚之战》的灵感来自于良四世于849年在奥斯蒂亚之战中战胜了撒拉逊人。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Battle of Ostia", "sub_subsection": null, "prompt": "In Rafael Room, how is the Battle of Ostia of the Fire interval explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奥斯蒂亚之战》的灵感来自于良四世于849年在奥斯蒂亚之战中战胜了撒拉逊人。"}
{"title": "Rafael Room", "srclang_title": "拉斐尔房间", "en_title": "Raphael Rooms", "pageid": "3193616", "page_rank": 71, "page_url": "https://zh.wikipedia.org/wiki/%E6%8B%89%E6%96%90%E5%B0%94%E6%88%BF%E9%97%B4", "image_url": null, "section": "Fire interval", "subsection": "Battle of Ostia", "sub_subsection": null, "prompt": "Describe the characteristics of the Battle of Ostia in Rafael Room's Fire interval.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["良一世", "十字架显圣", "center", "教宗西尔维斯特一世", "大良教宗会晤阿蒂拉", "奥斯蒂亚之战", "圣伯多禄锁链堂", "Image:Raphael Ostia.jpg", "教宗西尔维斯特", "良十世", "勇气", "乌尔比诺", "centre", "Category:拉斐尔的绘画作品", "帕那苏斯山", "File:Raphael - The Mass at Bolsena.jpg", "File:1 Estancia del Sello (Vista general I).jpg", "Image:Raphael Baptism Constantine.jpg", "Image:Raphael Charlemagne.jpg", "教宗哈德良一世", "马克森提乌斯", "File:Raphael - Disputation of the Holy Sacrament.jpg", "雅典學院 (畫作)", "57px", "File:113d Sala de Constantino (Vista, d).jpg", "撒拉森人", "thumb", "File:113e Sala de Constantino (Vista, e).jpg", "圣礼的争辩", "互联网档案馆", "查理大帝加冕", "雅典学府", "弥撒", "right", "File:Raphael - Deliverance of Saint Peter.jpg", "查理曼", "文艺复兴", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "君士坦丁的捐赠", "使徒行传", "File:Raphael - Battle of Ostia.jpg", "希腊哲学", "将赫略多洛赶出圣殿 1511-12", "君士坦丁的洗礼", "良三世的誓言", "109px", "人文主义者", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "梵蒂冈宫", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "将赫略多洛赶出圣殿", "Image:Raffael 078.jpg", "耶路撒冷圣殿", "600px", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "波尔塞纳的弥撒 1512", "米尔维奥桥大战", "Image:0 Adam et Eve - Fresque de Raphaël - Stanza della Signatura (2).JPG", "File:Giannfrancesco Penni - Baptism of Constantine.jpg", "File:2 Estancia del Sello (Vista general II).jpg", "拉斐尔", "File:School of Raphael - Vision of the Cross.jpg", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "98px", "圣伯多禄获释", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "圣保禄", "壁畫", "壁画", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "雅典学院", "查理大帝", "大良教宗会晤阿蒂拉,1514", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "107px", "儒略二世", "西斯廷礼拜堂", "Image:Leoattila-Raphael.jpg", "阿波罗", "西斯汀小堂", "教宗", "城门外的火灾", "99px", "米开朗基罗", "罗马", "克萊孟七世", "200px", "104px", "奉献罗马城", "亚历山大六世", "Image:Escola de atenas - vaticano.jpg", "神圣罗马皇帝", "神聖羅馬皇帝", "天顶画", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Image:Raffael 072.jpg", "File:School of Raphael - Donation of Rome.jpg", "File:Raphael - Coronation of Charlemagne.jpg", "博尔戈", "撒拉逊人", "File:Raphael - The Parnassus.jpg", "三德像", "君士坦丁一世", "Image:Raphael Heliodorus.jpg", "马加比二书", "Image:Massatbolsena.jpg", "良三世", "圣伯多禄获释，1514", "阿提拉", "良四世", "人文主义", "克勉七世", "彼得 (使徒)", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:Raphael - Ceiling of the Selling Room.jpg", "Category:梵蒂岡", "保罗 (使徒)", "基督教", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "米尔维安大桥战役", "Image:Deliveranceofstpeter.jpg", "君士坦丁大帝", "亞歷山大六世", "梵蒂冈", "康斯坦丁的洗礼", "112px", "File:9 Estancia de Heliodoro (Vista general II).jpg", "105px", "Category:文藝復興", "波尔塞纳的弥撒", "圣伯多禄", "File:8 Estancia de Heliodoro (Vista general I).jpg", "File:Raphael - Fire in the Borgo.jpg", "《亚当和夏娃》，机要室的天顶画", "File:Raphael - Oath of Leo III.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "95px", "100px"], "gold": "《奥斯蒂亚之战》的灵感来自于良四世于849年在奥斯蒂亚之战中战胜了撒拉逊人。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Dr. Nicholas Dool's Anatomy Class and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "《尼古拉斯·杜爾博士的解剖學課》（荷蘭語：De anatomische les van Dr. Nicolaes Tulp）是荷蘭畫家林布蘭於1632年的油畫作品。這幅畫現存於海牙的莫瑞泰斯皇家美术馆。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Dr. Nicholas Dool's Anatomy Class.Please output in Chinese.", "template": "en_template2_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "《尼古拉斯·杜爾博士的解剖學課》（荷蘭語：De anatomische les van Dr. Nicolaes Tulp）是荷蘭畫家林布蘭於1632年的油畫作品。這幅畫現存於海牙的莫瑞泰斯皇家美术馆。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Dr. Nicholas Dool's Anatomy Class explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "《尼古拉斯·杜爾博士的解剖學課》（荷蘭語：De anatomische les van Dr. Nicolaes Tulp）是荷蘭畫家林布蘭於1632年的油畫作品。這幅畫現存於海牙的莫瑞泰斯皇家美术馆。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Dr. Nicholas Dool's Anatomy Class, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "《尼古拉斯·杜爾博士的解剖學課》（荷蘭語：De anatomische les van Dr. Nicolaes Tulp）是荷蘭畫家林布蘭於1632年的油畫作品。這幅畫現存於海牙的莫瑞泰斯皇家美术馆。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "Focus on Dr. Nicholas Dool's Anatomy Class and explain the Introduction.Please output in Chinese.", "template": "en_template1_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "这幅画是林布蘭26岁的成名之作，受阿姆斯特丹外科医生行会委托，为医生行会的成员画一张团体肖像，畫的重心是屍體，主讲人是著名的尼古拉斯·杜爾医生，占主要位置，其他人有层次的穿插排列，互不遮挡，使人能清楚的看到他们各自不同的表情。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "Explain the Introduction of this artwork, Dr. Nicholas Dool's Anatomy Class.Please output in Chinese.", "template": "en_template2_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "这幅画是林布蘭26岁的成名之作，受阿姆斯特丹外科医生行会委托，为医生行会的成员画一张团体肖像，畫的重心是屍體，主讲人是著名的尼古拉斯·杜爾医生，占主要位置，其他人有层次的穿插排列，互不遮挡，使人能清楚的看到他们各自不同的表情。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "How does Dr. Nicholas Dool's Anatomy Class explain its Introduction?Please output in Chinese.", "template": "en_template3_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "这幅画是林布蘭26岁的成名之作，受阿姆斯特丹外科医生行会委托，为医生行会的成员画一张团体肖像，畫的重心是屍體，主讲人是著名的尼古拉斯·杜爾医生，占主要位置，其他人有层次的穿插排列，互不遮挡，使人能清楚的看到他们各自不同的表情。"}
{"title": "Dr. Nicholas Dool's Anatomy Class", "srclang_title": "尼古拉斯·杜爾博士的解剖學課", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": "1043035", "page_rank": 73, "page_url": "https://zh.wikipedia.org/wiki/%E5%B0%BC%E5%8F%A4%E6%8B%89%E6%96%AF%C2%B7%E6%9D%9C%E7%88%BE%E5%8D%9A%E5%A3%AB%E7%9A%84%E8%A7%A3%E5%89%96%E5%AD%B8%E8%AA%B2", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/300px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "In Dr. Nicholas Dool's Anatomy Class, how is the Introduction discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["海牙", "Category:莫瑞泰斯皇家美术馆藏品", "畫家", "荷蘭", "Category:伦勃朗畫作", "伦勃朗", "尼古拉斯·杜爾", "荷兰", "Category:解剖学史", "绘画", "油画", "油畫", "Category:1632年畫作", "荷蘭語", "林布蘭", "莫瑞泰斯皇家美术馆"], "gold": "这幅画是林布蘭26岁的成名之作，受阿姆斯特丹外科医生行会委托，为医生行会的成员画一张团体肖像，畫的重心是屍體，主讲人是著名的尼古拉斯·杜爾医生，占主要位置，其他人有层次的穿插排列，互不遮挡，使人能清楚的看到他们各自不同的表情。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on People who eat potatoes and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》（荷蘭語：De Aardappeleters，英語：The Potato Eaters），又译食薯者，是荷兰后印象派画家文森特·梵高创作于1885年的一幅油画。该画现藏于阿姆斯特丹的梵高博物馆，這幅畫的原始油畫素描現藏於奧特洛的克勒勒-米勒博物館，圖像的石版畫收藏在紐約市的現代藝術博物館等收藏品中。這幅畫被認為是梵高的傑作之一。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, People who eat potatoes.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》（荷蘭語：De Aardappeleters，英語：The Potato Eaters），又译食薯者，是荷兰后印象派画家文森特·梵高创作于1885年的一幅油画。该画现藏于阿姆斯特丹的梵高博物馆，這幅畫的原始油畫素描現藏於奧特洛的克勒勒-米勒博物館，圖像的石版畫收藏在紐約市的現代藝術博物館等收藏品中。這幅畫被認為是梵高的傑作之一。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does People who eat potatoes explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》（荷蘭語：De Aardappeleters，英語：The Potato Eaters），又译食薯者，是荷兰后印象派画家文森特·梵高创作于1885年的一幅油画。该画现藏于阿姆斯特丹的梵高博物馆，這幅畫的原始油畫素描現藏於奧特洛的克勒勒-米勒博物館，圖像的石版畫收藏在紐約市的現代藝術博物館等收藏品中。這幅畫被認為是梵高的傑作之一。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In People who eat potatoes, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》（荷蘭語：De Aardappeleters，英語：The Potato Eaters），又译食薯者，是荷兰后印象派画家文森特·梵高创作于1885年的一幅油画。该画现藏于阿姆斯特丹的梵高博物馆，這幅畫的原始油畫素描現藏於奧特洛的克勒勒-米勒博物館，圖像的石版畫收藏在紐約市的現代藝術博物館等收藏品中。這幅畫被認為是梵高的傑作之一。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Creation", "subsection": null, "sub_subsection": null, "prompt": "Focus on People who eat potatoes and explain the Creation.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》是1885年4月在荷蘭北布拉班特省市镇尼嫩、海尔文和下韦滕的尼嫩鎮居住时的作品，在1885年3月和4月初，梵谷為了繪製《吃馬鈴薯的人》作了素描研究，並與他的兄弟西奧保持聯絡，後者對他目前的作品和梵谷在巴黎寄給他的素描印象不深。梵谷從4 月13日到5月初一直在畫這幅畫，當時大部分畫作的細節都完成了，除了同年晚些時候他使用小刷子對作品做了一些小改動。梵谷講藉由該畫想描繪農民的真實面目。他刻意選擇粗獷醜陋的模特，認為它們在他完成的作品中會很自然，不會受到任何破壞。兩年後，梵谷在巴黎寫信給他的妹妹薇兒，他仍然認為《吃馬鈴薯的人》是他最成功的畫作：「我對自己的作品的看法是，我在紐南畫的農民吃馬鈴薯的畫畢竟還是最好的。」然而，這幅畫在畫完後不久就遭到了他的朋友安東·範·拉帕德的批評。這對梵谷想成為新興藝術家的信心是一個打擊，他回信給他的朋友，「你……沒有權利像那樣譴責我的作品」（1885 年 7 月），後來則回信「我總是做我還不能做的事情，以便學習如何去做。」 （1885年8月）。眾所周知，梵谷曾欽佩比利時畫家查爾斯·德格魯，尤其是他的作品《晚餐前的祝福》。德格魯的作品莊嚴描繪了一個農民家庭在晚飯前說著恩典的場景。這幅畫與基督教對最後的晚餐的描繪密切相關。梵谷的《吃馬鈴薯的人》受到德格魯的啟發，同樣在梵谷的其他作品中也可以找到類似的宗教內涵。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Creation", "subsection": null, "sub_subsection": null, "prompt": "Explain the Creation of this artwork, People who eat potatoes.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》是1885年4月在荷蘭北布拉班特省市镇尼嫩、海尔文和下韦滕的尼嫩鎮居住时的作品，在1885年3月和4月初，梵谷為了繪製《吃馬鈴薯的人》作了素描研究，並與他的兄弟西奧保持聯絡，後者對他目前的作品和梵谷在巴黎寄給他的素描印象不深。梵谷從4 月13日到5月初一直在畫這幅畫，當時大部分畫作的細節都完成了，除了同年晚些時候他使用小刷子對作品做了一些小改動。梵谷講藉由該畫想描繪農民的真實面目。他刻意選擇粗獷醜陋的模特，認為它們在他完成的作品中會很自然，不會受到任何破壞。兩年後，梵谷在巴黎寫信給他的妹妹薇兒，他仍然認為《吃馬鈴薯的人》是他最成功的畫作：「我對自己的作品的看法是，我在紐南畫的農民吃馬鈴薯的畫畢竟還是最好的。」然而，這幅畫在畫完後不久就遭到了他的朋友安東·範·拉帕德的批評。這對梵谷想成為新興藝術家的信心是一個打擊，他回信給他的朋友，「你……沒有權利像那樣譴責我的作品」（1885 年 7 月），後來則回信「我總是做我還不能做的事情，以便學習如何去做。」 （1885年8月）。眾所周知，梵谷曾欽佩比利時畫家查爾斯·德格魯，尤其是他的作品《晚餐前的祝福》。德格魯的作品莊嚴描繪了一個農民家庭在晚飯前說著恩典的場景。這幅畫與基督教對最後的晚餐的描繪密切相關。梵谷的《吃馬鈴薯的人》受到德格魯的啟發，同樣在梵谷的其他作品中也可以找到類似的宗教內涵。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Creation", "subsection": null, "sub_subsection": null, "prompt": "How does People who eat potatoes explain its Creation?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》是1885年4月在荷蘭北布拉班特省市镇尼嫩、海尔文和下韦滕的尼嫩鎮居住时的作品，在1885年3月和4月初，梵谷為了繪製《吃馬鈴薯的人》作了素描研究，並與他的兄弟西奧保持聯絡，後者對他目前的作品和梵谷在巴黎寄給他的素描印象不深。梵谷從4 月13日到5月初一直在畫這幅畫，當時大部分畫作的細節都完成了，除了同年晚些時候他使用小刷子對作品做了一些小改動。梵谷講藉由該畫想描繪農民的真實面目。他刻意選擇粗獷醜陋的模特，認為它們在他完成的作品中會很自然，不會受到任何破壞。兩年後，梵谷在巴黎寫信給他的妹妹薇兒，他仍然認為《吃馬鈴薯的人》是他最成功的畫作：「我對自己的作品的看法是，我在紐南畫的農民吃馬鈴薯的畫畢竟還是最好的。」然而，這幅畫在畫完後不久就遭到了他的朋友安東·範·拉帕德的批評。這對梵谷想成為新興藝術家的信心是一個打擊，他回信給他的朋友，「你……沒有權利像那樣譴責我的作品」（1885 年 7 月），後來則回信「我總是做我還不能做的事情，以便學習如何去做。」 （1885年8月）。眾所周知，梵谷曾欽佩比利時畫家查爾斯·德格魯，尤其是他的作品《晚餐前的祝福》。德格魯的作品莊嚴描繪了一個農民家庭在晚飯前說著恩典的場景。這幅畫與基督教對最後的晚餐的描繪密切相關。梵谷的《吃馬鈴薯的人》受到德格魯的啟發，同樣在梵谷的其他作品中也可以找到類似的宗教內涵。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Creation", "subsection": null, "sub_subsection": null, "prompt": "In People who eat potatoes, how is the Creation discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "《吃馬鈴薯的人》是1885年4月在荷蘭北布拉班特省市镇尼嫩、海尔文和下韦滕的尼嫩鎮居住时的作品，在1885年3月和4月初，梵谷為了繪製《吃馬鈴薯的人》作了素描研究，並與他的兄弟西奧保持聯絡，後者對他目前的作品和梵谷在巴黎寄給他的素描印象不深。梵谷從4 月13日到5月初一直在畫這幅畫，當時大部分畫作的細節都完成了，除了同年晚些時候他使用小刷子對作品做了一些小改動。梵谷講藉由該畫想描繪農民的真實面目。他刻意選擇粗獷醜陋的模特，認為它們在他完成的作品中會很自然，不會受到任何破壞。兩年後，梵谷在巴黎寫信給他的妹妹薇兒，他仍然認為《吃馬鈴薯的人》是他最成功的畫作：「我對自己的作品的看法是，我在紐南畫的農民吃馬鈴薯的畫畢竟還是最好的。」然而，這幅畫在畫完後不久就遭到了他的朋友安東·範·拉帕德的批評。這對梵谷想成為新興藝術家的信心是一個打擊，他回信給他的朋友，「你……沒有權利像那樣譴責我的作品」（1885 年 7 月），後來則回信「我總是做我還不能做的事情，以便學習如何去做。」 （1885年8月）。眾所周知，梵谷曾欽佩比利時畫家查爾斯·德格魯，尤其是他的作品《晚餐前的祝福》。德格魯的作品莊嚴描繪了一個農民家庭在晚飯前說著恩典的場景。這幅畫與基督教對最後的晚餐的描繪密切相關。梵谷的《吃馬鈴薯的人》受到德格魯的啟發，同樣在梵谷的其他作品中也可以找到類似的宗教內涵。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Painting Description", "subsection": null, "sub_subsection": null, "prompt": "Focus on People who eat potatoes and explain the Painting Description.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "在这幅画里，梵高用朴实的模特来显示真正的平民。画家自己说，“我想传达的观点是，借着一个油灯的光线，吃馬鈴薯的人用他们同一双在土地上工作的手从盘子里抓起馬鈴薯 － 他们诚实地自食其力”。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Painting Description", "subsection": null, "sub_subsection": null, "prompt": "Explain the Painting Description of this artwork, People who eat potatoes.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "在这幅画里，梵高用朴实的模特来显示真正的平民。画家自己说，“我想传达的观点是，借着一个油灯的光线，吃馬鈴薯的人用他们同一双在土地上工作的手从盘子里抓起馬鈴薯 － 他们诚实地自食其力”。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Painting Description", "subsection": null, "sub_subsection": null, "prompt": "How does People who eat potatoes explain its Painting Description?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "在这幅画里，梵高用朴实的模特来显示真正的平民。画家自己说，“我想传达的观点是，借着一个油灯的光线，吃馬鈴薯的人用他们同一双在土地上工作的手从盘子里抓起馬鈴薯 － 他们诚实地自食其力”。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Painting Description", "subsection": null, "sub_subsection": null, "prompt": "In People who eat potatoes, how is the Painting Description discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "在这幅画里，梵高用朴实的模特来显示真正的平民。画家自己说，“我想传达的观点是，借着一个油灯的光线，吃馬鈴薯的人用他们同一双在土地上工作的手从盘子里抓起馬鈴薯 － 他们诚实地自食其力”。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Lithograph", "subsection": null, "sub_subsection": null, "prompt": "Focus on People who eat potatoes and explain the Lithograph.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "梵谷在開始繪畫《吃馬鈴薯的人》之前曾特地創作了一幅石版畫。並將該作品寄給他的兄弟，同時在朋友的一封信中寫道，他在一天的時間裡憑記憶製作了這幅石版畫。梵高於1882年在海牙首次嘗試平版印刷術。在1882年12月3日左右的一封信中，他說：不過我認為，如果想像諸如印刷品“The Grace”（餐桌上的樵夫或農民的家庭）之類的東西，是其最終形式中一下子創作出來的，那將是一個很大的錯誤。 不，在大多數情況下，只有通過比那些輕描淡寫的插圖的人，還要更想像且更認真的研究，才能理解這種小東西的堅固性和精髓……反正有些畫在巨大的畫框裡看起來很充實，後來則留下這種空虛和不滿足的感覺，讓人吃驚。 另一方面，人們有時會忽略許多樸實無華的木刻版畫或石版畫或蝕刻版畫，但隨著時間的推移，它會變得越來越依戀它，並感覺到其中的某些偉大之處。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Lithograph", "subsection": null, "sub_subsection": null, "prompt": "Explain the Lithograph of this artwork, People who eat potatoes.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "梵谷在開始繪畫《吃馬鈴薯的人》之前曾特地創作了一幅石版畫。並將該作品寄給他的兄弟，同時在朋友的一封信中寫道，他在一天的時間裡憑記憶製作了這幅石版畫。梵高於1882年在海牙首次嘗試平版印刷術。在1882年12月3日左右的一封信中，他說：不過我認為，如果想像諸如印刷品“The Grace”（餐桌上的樵夫或農民的家庭）之類的東西，是其最終形式中一下子創作出來的，那將是一個很大的錯誤。 不，在大多數情況下，只有通過比那些輕描淡寫的插圖的人，還要更想像且更認真的研究，才能理解這種小東西的堅固性和精髓……反正有些畫在巨大的畫框裡看起來很充實，後來則留下這種空虛和不滿足的感覺，讓人吃驚。 另一方面，人們有時會忽略許多樸實無華的木刻版畫或石版畫或蝕刻版畫，但隨著時間的推移，它會變得越來越依戀它，並感覺到其中的某些偉大之處。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Lithograph", "subsection": null, "sub_subsection": null, "prompt": "How does People who eat potatoes explain its Lithograph?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "梵谷在開始繪畫《吃馬鈴薯的人》之前曾特地創作了一幅石版畫。並將該作品寄給他的兄弟，同時在朋友的一封信中寫道，他在一天的時間裡憑記憶製作了這幅石版畫。梵高於1882年在海牙首次嘗試平版印刷術。在1882年12月3日左右的一封信中，他說：不過我認為，如果想像諸如印刷品“The Grace”（餐桌上的樵夫或農民的家庭）之類的東西，是其最終形式中一下子創作出來的，那將是一個很大的錯誤。 不，在大多數情況下，只有通過比那些輕描淡寫的插圖的人，還要更想像且更認真的研究，才能理解這種小東西的堅固性和精髓……反正有些畫在巨大的畫框裡看起來很充實，後來則留下這種空虛和不滿足的感覺，讓人吃驚。 另一方面，人們有時會忽略許多樸實無華的木刻版畫或石版畫或蝕刻版畫，但隨著時間的推移，它會變得越來越依戀它，並感覺到其中的某些偉大之處。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Lithograph", "subsection": null, "sub_subsection": null, "prompt": "In People who eat potatoes, how is the Lithograph discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "梵谷在開始繪畫《吃馬鈴薯的人》之前曾特地創作了一幅石版畫。並將該作品寄給他的兄弟，同時在朋友的一封信中寫道，他在一天的時間裡憑記憶製作了這幅石版畫。梵高於1882年在海牙首次嘗試平版印刷術。在1882年12月3日左右的一封信中，他說：不過我認為，如果想像諸如印刷品“The Grace”（餐桌上的樵夫或農民的家庭）之類的東西，是其最終形式中一下子創作出來的，那將是一個很大的錯誤。 不，在大多數情況下，只有通過比那些輕描淡寫的插圖的人，還要更想像且更認真的研究，才能理解這種小東西的堅固性和精髓……反正有些畫在巨大的畫框裡看起來很充實，後來則留下這種空虛和不滿足的感覺，讓人吃驚。 另一方面，人們有時會忽略許多樸實無華的木刻版畫或石版畫或蝕刻版畫，但隨著時間的推移，它會變得越來越依戀它，並感覺到其中的某些偉大之處。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Theft incident", "subsection": null, "sub_subsection": null, "prompt": "Focus on People who eat potatoes and explain the Theft incident.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "1988年12月，盜賊從庫勒-穆勒博物館 博物館偷走了早期版本的《吃馬鈴薯的人》、《織布者》和《乾向日葵》。1989年4月，盜賊歸還《織布者》企圖獲得 250 萬美元的贖金。 然而警方於1989年7月14日成功逮捕了盜賊兩人，並找回了尚未歸還的《吃馬鈴薯的人》早期版本的《乾向日葵》。1991年4月14日，梵谷博物館被盜賊偷竊了20幅主要畫作，其中包括《吃土豆的人》的最終版本。.然而，盜賊駕駛的汽車爆胎，使得盜賊被迫逃走留下了畫作。搶劫後三十五分鐘，20幅畫作全被找回。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Theft incident", "subsection": null, "sub_subsection": null, "prompt": "Explain the Theft incident of this artwork, People who eat potatoes.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "1988年12月，盜賊從庫勒-穆勒博物館 博物館偷走了早期版本的《吃馬鈴薯的人》、《織布者》和《乾向日葵》。1989年4月，盜賊歸還《織布者》企圖獲得 250 萬美元的贖金。 然而警方於1989年7月14日成功逮捕了盜賊兩人，並找回了尚未歸還的《吃馬鈴薯的人》早期版本的《乾向日葵》。1991年4月14日，梵谷博物館被盜賊偷竊了20幅主要畫作，其中包括《吃土豆的人》的最終版本。.然而，盜賊駕駛的汽車爆胎，使得盜賊被迫逃走留下了畫作。搶劫後三十五分鐘，20幅畫作全被找回。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Theft incident", "subsection": null, "sub_subsection": null, "prompt": "How does People who eat potatoes explain its Theft incident?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "1988年12月，盜賊從庫勒-穆勒博物館 博物館偷走了早期版本的《吃馬鈴薯的人》、《織布者》和《乾向日葵》。1989年4月，盜賊歸還《織布者》企圖獲得 250 萬美元的贖金。 然而警方於1989年7月14日成功逮捕了盜賊兩人，並找回了尚未歸還的《吃馬鈴薯的人》早期版本的《乾向日葵》。1991年4月14日，梵谷博物館被盜賊偷竊了20幅主要畫作，其中包括《吃土豆的人》的最終版本。.然而，盜賊駕駛的汽車爆胎，使得盜賊被迫逃走留下了畫作。搶劫後三十五分鐘，20幅畫作全被找回。"}
{"title": "People who eat potatoes", "srclang_title": "吃馬鈴薯的人", "en_title": "The Potato Eaters", "pageid": "706812", "page_rank": 84, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%83%E9%A6%AC%E9%88%B4%E8%96%AF%E7%9A%84%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "Theft incident", "subsection": null, "sub_subsection": null, "prompt": "In People who eat potatoes, how is the Theft incident discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "模特", "荷蘭", "梵", "后印象派", "文森特·梵高", "阿姆斯特丹", "《吃馬鈴薯的人》石版畫（1885年4月），[[阿姆斯特丹国家博物馆", "最後的晚餐", "尼嫩", "The New York Times", "尼嫩、海尔文和下韦滕", "海牙", "Category:1885年畫作", "北布拉班特省", "安東·範·拉帕德", "市镇", "纽约", "《晚餐前的祝福》", "Category:梵高博物馆藏品", ":File:Charles de Groux - The blessing.jpg", "油画", "荷蘭語", "克勒勒-米勒博物館", "最后的晚餐", "文森·梵谷", "梵高博物馆", "Category:梵高的繪畫作品", "荷兰", "奧特洛", "庫勒-穆勒博物館", "查爾斯·德格魯", "巴黎", "300px", "《小屋》、 1885年，現由[[梵高博物馆", "阿姆斯特丹國立博物館", "現代藝術博物館", "File:WLANL - artanonymous - De hut.jpg", "市镇 (荷兰)", "thumb", "紐約市", "互联网档案馆", "模特兒", "Category:饮食题材画作", "特奧·梵谷_(商人)", "Van Gogh Museum", "奥特洛", "西奧"], "gold": "1988年12月，盜賊從庫勒-穆勒博物館 博物館偷走了早期版本的《吃馬鈴薯的人》、《織布者》和《乾向日葵》。1989年4月，盜賊歸還《織布者》企圖獲得 250 萬美元的贖金。 然而警方於1989年7月14日成功逮捕了盜賊兩人，並找回了尚未歸還的《吃馬鈴薯的人》早期版本的《乾向日葵》。1991年4月14日，梵谷博物館被盜賊偷竊了20幅主要畫作，其中包括《吃土豆的人》的最終版本。.然而，盜賊駕駛的汽車爆胎，使得盜賊被迫逃走留下了畫作。搶劫後三十五分鐘，20幅畫作全被找回。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Portrait of Edith No. 1 and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "《艾蒂兒·布洛赫-鮑爾肖像一號 》（英語：Portrait of Adele Bloch-Bauer I），是奧地利畫家古斯塔夫·克林姆於1907年完成的畫作。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Portrait of Edith No. 1.Please output in Chinese.", "template": "en_template2_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "《艾蒂兒·布洛赫-鮑爾肖像一號 》（英語：Portrait of Adele Bloch-Bauer I），是奧地利畫家古斯塔夫·克林姆於1907年完成的畫作。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Portrait of Edith No. 1 explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "《艾蒂兒·布洛赫-鮑爾肖像一號 》（英語：Portrait of Adele Bloch-Bauer I），是奧地利畫家古斯塔夫·克林姆於1907年完成的畫作。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Portrait of Edith No. 1, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "《艾蒂兒·布洛赫-鮑爾肖像一號 》（英語：Portrait of Adele Bloch-Bauer I），是奧地利畫家古斯塔夫·克林姆於1907年完成的畫作。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Focus on Portrait of Edith No. 1 and explain the History.Please output in Chinese.", "template": "en_template1_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "1907年維也納猶太富商布洛赫-鮑爾委託古斯塔夫·克林姆為其妻艾蒂兒·布洛赫-鮑爾繪製的畫像，後於納粹統治奧地利時期遭到搶奪充公，期間這幅畫流入奧地利美景宮美術館展覽，戰後亦成為該館的鎮館之寶。直到2000年，逃亡至美國的布洛赫-鮑爾遺族僅存的唯一繼承人瑪麗亞·阿特曼委託藍道·荀白克（阿諾·荀白克之孫）與奧地利政府返打了6年的官司，2006年奧地利法院宣判作品歸還鮑爾家族合法繼承人，後來這場官司過程被改編成電影《名畫的控訴》。此畫作於2006年6月瑪麗亞·阿特曼再以1億3500萬美元天價賣給罗纳德·劳德，此畫現在收藏於他在紐約市的紐約新畫廊。這使得《艾蒂兒肖像一號》成了當時史上最昂貴的畫作。《艾蒂兒肖像一號》並自2006年7月起於畫廊展出。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Explain the History of this artwork, Portrait of Edith No. 1.Please output in Chinese.", "template": "en_template2_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "1907年維也納猶太富商布洛赫-鮑爾委託古斯塔夫·克林姆為其妻艾蒂兒·布洛赫-鮑爾繪製的畫像，後於納粹統治奧地利時期遭到搶奪充公，期間這幅畫流入奧地利美景宮美術館展覽，戰後亦成為該館的鎮館之寶。直到2000年，逃亡至美國的布洛赫-鮑爾遺族僅存的唯一繼承人瑪麗亞·阿特曼委託藍道·荀白克（阿諾·荀白克之孫）與奧地利政府返打了6年的官司，2006年奧地利法院宣判作品歸還鮑爾家族合法繼承人，後來這場官司過程被改編成電影《名畫的控訴》。此畫作於2006年6月瑪麗亞·阿特曼再以1億3500萬美元天價賣給罗纳德·劳德，此畫現在收藏於他在紐約市的紐約新畫廊。這使得《艾蒂兒肖像一號》成了當時史上最昂貴的畫作。《艾蒂兒肖像一號》並自2006年7月起於畫廊展出。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "How does Portrait of Edith No. 1 explain its History?Please output in Chinese.", "template": "en_template3_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "1907年維也納猶太富商布洛赫-鮑爾委託古斯塔夫·克林姆為其妻艾蒂兒·布洛赫-鮑爾繪製的畫像，後於納粹統治奧地利時期遭到搶奪充公，期間這幅畫流入奧地利美景宮美術館展覽，戰後亦成為該館的鎮館之寶。直到2000年，逃亡至美國的布洛赫-鮑爾遺族僅存的唯一繼承人瑪麗亞·阿特曼委託藍道·荀白克（阿諾·荀白克之孫）與奧地利政府返打了6年的官司，2006年奧地利法院宣判作品歸還鮑爾家族合法繼承人，後來這場官司過程被改編成電影《名畫的控訴》。此畫作於2006年6月瑪麗亞·阿特曼再以1億3500萬美元天價賣給罗纳德·劳德，此畫現在收藏於他在紐約市的紐約新畫廊。這使得《艾蒂兒肖像一號》成了當時史上最昂貴的畫作。《艾蒂兒肖像一號》並自2006年7月起於畫廊展出。"}
{"title": "Portrait of Edith No. 1", "srclang_title": "艾蒂兒肖像一號", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": "1070568", "page_rank": 96, "page_url": "https://zh.wikipedia.org/wiki/%E8%89%BE%E8%92%82%E5%85%92%E8%82%96%E5%83%8F%E4%B8%80%E8%99%9F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/300px-Gustav_Klimt_046.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "In Portrait of Edith No. 1, how is the History discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["最昂貴繪畫列表", "Category:1907年畫作", "紐約新畫廊", "名畫的控訴", "艾蒂兒·布洛赫-鮑爾", "瑪麗亞·阿特曼", "最昂貴的畫作", "纽约", "古斯塔夫·克林姆", "阿诺德·勋伯格", "阿諾·荀白克", "納粹", "罗纳德·劳德", "Category:古斯塔夫·克林姆畫作", "Category:納粹掠奪藝術品", "奥地利", "布洛赫-鮑爾", "奧地利美景宮美術館", "罗纳德·兰黛", "紐約市", "奧地利"], "gold": "1907年維也納猶太富商布洛赫-鮑爾委託古斯塔夫·克林姆為其妻艾蒂兒·布洛赫-鮑爾繪製的畫像，後於納粹統治奧地利時期遭到搶奪充公，期間這幅畫流入奧地利美景宮美術館展覽，戰後亦成為該館的鎮館之寶。直到2000年，逃亡至美國的布洛赫-鮑爾遺族僅存的唯一繼承人瑪麗亞·阿特曼委託藍道·荀白克（阿諾·荀白克之孫）與奧地利政府返打了6年的官司，2006年奧地利法院宣判作品歸還鮑爾家族合法繼承人，後來這場官司過程被改編成電影《名畫的控訴》。此畫作於2006年6月瑪麗亞·阿特曼再以1億3500萬美元天價賣給罗纳德·劳德，此畫現在收藏於他在紐約市的紐約新畫廊。這使得《艾蒂兒肖像一號》成了當時史上最昂貴的畫作。《艾蒂兒肖像一號》並自2006年7月起於畫廊展出。"}
{"title": "Black square", "srclang_title": "黑方塊", "en_title": "Black Square", "pageid": "5301704", "page_rank": 99, "page_url": "https://zh.wikipedia.org/wiki/%E9%BB%91%E6%96%B9%E5%A1%8A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/220px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Black square and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["File:0.10 Exhibition.jpg", "馬列維奇", "1915年[[0.10展", "Category:俄罗斯艺术作品", "0.10展", "現代藝術", "thumb", "Category:抽象藝術", "现代艺术", "卡濟米爾·馬列維奇", "特列季亚科夫画廊", "油畫", "布面油畫", "Category:1915年畫作", "莫斯科"], "gold": "《黑方塊》是俄羅斯前衛藝術家馬列維奇創作的一幅作品，最早的一幅創作於1915年，展出於當年的0.10展，隨後還有其他四個類似的版本。雖然畫家本人説最後一幅實際上早就完成于1913年，其真正的創作時間應該是1930年前後。《黑方塊》在現代藝術史上有重要的地位，被認爲是對傳統藝術的反叛。 "}
{"title": "Black square", "srclang_title": "黑方塊", "en_title": "Black Square", "pageid": "5301704", "page_rank": 99, "page_url": "https://zh.wikipedia.org/wiki/%E9%BB%91%E6%96%B9%E5%A1%8A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/220px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Black square.Please output in Chinese.", "template": "en_template2_section", "entities": ["File:0.10 Exhibition.jpg", "馬列維奇", "1915年[[0.10展", "Category:俄罗斯艺术作品", "0.10展", "現代藝術", "thumb", "Category:抽象藝術", "现代艺术", "卡濟米爾·馬列維奇", "特列季亚科夫画廊", "油畫", "布面油畫", "Category:1915年畫作", "莫斯科"], "gold": "《黑方塊》是俄羅斯前衛藝術家馬列維奇創作的一幅作品，最早的一幅創作於1915年，展出於當年的0.10展，隨後還有其他四個類似的版本。雖然畫家本人説最後一幅實際上早就完成于1913年，其真正的創作時間應該是1930年前後。《黑方塊》在現代藝術史上有重要的地位，被認爲是對傳統藝術的反叛。 "}
{"title": "Black square", "srclang_title": "黑方塊", "en_title": "Black Square", "pageid": "5301704", "page_rank": 99, "page_url": "https://zh.wikipedia.org/wiki/%E9%BB%91%E6%96%B9%E5%A1%8A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/220px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Black square explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["File:0.10 Exhibition.jpg", "馬列維奇", "1915年[[0.10展", "Category:俄罗斯艺术作品", "0.10展", "現代藝術", "thumb", "Category:抽象藝術", "现代艺术", "卡濟米爾·馬列維奇", "特列季亚科夫画廊", "油畫", "布面油畫", "Category:1915年畫作", "莫斯科"], "gold": "《黑方塊》是俄羅斯前衛藝術家馬列維奇創作的一幅作品，最早的一幅創作於1915年，展出於當年的0.10展，隨後還有其他四個類似的版本。雖然畫家本人説最後一幅實際上早就完成于1913年，其真正的創作時間應該是1930年前後。《黑方塊》在現代藝術史上有重要的地位，被認爲是對傳統藝術的反叛。 "}
{"title": "Black square", "srclang_title": "黑方塊", "en_title": "Black Square", "pageid": "5301704", "page_rank": 99, "page_url": "https://zh.wikipedia.org/wiki/%E9%BB%91%E6%96%B9%E5%A1%8A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/220px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Black square, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["File:0.10 Exhibition.jpg", "馬列維奇", "1915年[[0.10展", "Category:俄罗斯艺术作品", "0.10展", "現代藝術", "thumb", "Category:抽象藝術", "现代艺术", "卡濟米爾·馬列維奇", "特列季亚科夫画廊", "油畫", "布面油畫", "Category:1915年畫作", "莫斯科"], "gold": "《黑方塊》是俄羅斯前衛藝術家馬列維奇創作的一幅作品，最早的一幅創作於1915年，展出於當年的0.10展，隨後還有其他四個類似的版本。雖然畫家本人説最後一幅實際上早就完成于1913年，其真正的創作時間應該是1930年前後。《黑方塊》在現代藝術史上有重要的地位，被認爲是對傳統藝術的反叛。 "}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on The Venus of Urbino and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "《乌尔比诺的维纳斯》（意大利语：Venere di Urbino）是意大利文艺复兴后期画家提香创作于1538年的一副油画。该画受乔尔乔内《沉睡的维纳斯》的影响，描繪了希腊神话爱神维纳斯赤裸躺臥的情景。现藏于意大利佛罗伦萨的乌菲兹美术馆。"}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, The Venus of Urbino.Please output in Chinese.", "template": "en_template2_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "《乌尔比诺的维纳斯》（意大利语：Venere di Urbino）是意大利文艺复兴后期画家提香创作于1538年的一副油画。该画受乔尔乔内《沉睡的维纳斯》的影响，描繪了希腊神话爱神维纳斯赤裸躺臥的情景。现藏于意大利佛罗伦萨的乌菲兹美术馆。"}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does The Venus of Urbino explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "《乌尔比诺的维纳斯》（意大利语：Venere di Urbino）是意大利文艺复兴后期画家提香创作于1538年的一副油画。该画受乔尔乔内《沉睡的维纳斯》的影响，描繪了希腊神话爱神维纳斯赤裸躺臥的情景。现藏于意大利佛罗伦萨的乌菲兹美术馆。"}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In The Venus of Urbino, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "《乌尔比诺的维纳斯》（意大利语：Venere di Urbino）是意大利文艺复兴后期画家提香创作于1538年的一副油画。该画受乔尔乔内《沉睡的维纳斯》的影响，描繪了希腊神话爱神维纳斯赤裸躺臥的情景。现藏于意大利佛罗伦萨的乌菲兹美术馆。"}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "Focus on The Venus of Urbino and explain the Introduction.Please output in Chinese.", "template": "en_template1_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "畫中的主角可能是其他人，不是維納斯。即叫做「地上的維納斯」。床單的白和皺，與身體的暖和滑造成強烈對比。小狗平衡人、紅色的床平衡綠色的牆。而画中的小狗有说法是“忠貞”的象征，而躺卧在床上的美人，正与背后忙碌的女仆形成了对比"}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "Explain the Introduction of this artwork, The Venus of Urbino.Please output in Chinese.", "template": "en_template2_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "畫中的主角可能是其他人，不是維納斯。即叫做「地上的維納斯」。床單的白和皺，與身體的暖和滑造成強烈對比。小狗平衡人、紅色的床平衡綠色的牆。而画中的小狗有说法是“忠貞”的象征，而躺卧在床上的美人，正与背后忙碌的女仆形成了对比"}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "How does The Venus of Urbino explain its Introduction?Please output in Chinese.", "template": "en_template3_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "畫中的主角可能是其他人，不是維納斯。即叫做「地上的維納斯」。床單的白和皺，與身體的暖和滑造成強烈對比。小狗平衡人、紅色的床平衡綠色的牆。而画中的小狗有说法是“忠貞”的象征，而躺卧在床上的美人，正与背后忙碌的女仆形成了对比"}
{"title": "The Venus of Urbino", "srclang_title": "乌尔比诺的维纳斯", "en_title": "Venus of Urbino", "pageid": "698934", "page_rank": 106, "page_url": "https://zh.wikipedia.org/wiki/%E4%B9%8C%E5%B0%94%E6%AF%94%E8%AF%BA%E7%9A%84%E7%BB%B4%E7%BA%B3%E6%96%AF", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Tizian_102.jpg/300px-Tizian_102.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "In The Venus of Urbino, how is the Introduction discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["哥雅", "提齊安諾·維伽略", "沉睡的维纳斯", "綠色", "白", "弗朗西斯科·戈雅", "裸体的马哈", "乌菲兹美术馆", "犬", "身體", "Category:1538年畫作", "牆", "维纳斯", "佛罗伦萨", "油画", "墙", "Category:烏菲茲美術館藏品", "Category:维纳斯画作", "人", "白色", "意大利", "神话", "希腊", "红色", "提香", "马奈", "小狗", "紅色", "奥林匹亚", "床", "乔尔乔内", "裸体的玛哈", "Category:提香的绘画作品", "愛德華·馬奈", "奥林匹亚 (马奈)"], "gold": "畫中的主角可能是其他人，不是維納斯。即叫做「地上的維納斯」。床單的白和皺，與身體的暖和滑造成強烈對比。小狗平衡人、紅色的床平衡綠色的牆。而画中的小狗有说法是“忠貞”的象征，而躺卧在床上的美人，正与背后忙碌的女仆形成了对比"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Oath of the Horatii Brothers and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "《荷拉斯兄弟之誓》（法語：Le Serment des Horaces）是法國畫家雅克-路易·大衛於1784年之作品。這是新古典主義的作品，亦是大衛的成名之作。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Oath of the Horatii Brothers.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "《荷拉斯兄弟之誓》（法語：Le Serment des Horaces）是法國畫家雅克-路易·大衛於1784年之作品。這是新古典主義的作品，亦是大衛的成名之作。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Oath of the Horatii Brothers explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "《荷拉斯兄弟之誓》（法語：Le Serment des Horaces）是法國畫家雅克-路易·大衛於1784年之作品。這是新古典主義的作品，亦是大衛的成名之作。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Oath of the Horatii Brothers, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "《荷拉斯兄弟之誓》（法語：Le Serment des Horaces）是法國畫家雅克-路易·大衛於1784年之作品。這是新古典主義的作品，亦是大衛的成名之作。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "Focus on Oath of the Horatii Brothers and explain the Introduction.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "畫家重視建築，藉此表達理性。畫中三兄弟在左面，父親在中間，三兄弟的妻子及姊妹在右面。这个故事来自李维的《建城以来史》，講述羅馬與阿尔巴隆加的戰爭中，三兄弟向父親立下誓言以表決心，他們姊妹的阿尔巴隆加人丈夫亦要被他們所殺。畫中男人手腳被畫成直線，以表示愛國心，即國家的最高道德。畫中女人則被畫成弧線，與男人造成對比，為大事等待男人解決。作者以這幅作品教育國民，使藝術與政治拉上關係。此畫以深色背景突出主題。定格的畫面亦有助表現理性。此作品畫於法國大革命前，表示效忠國家比效忠民族、神更重要。作品所要渲染的是，城邦的利益高于个人和家族的利益，荣誉和自我牺牲是义不容辞的公民品质。这是最典型不过的新古典主义的理性与主题。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "Explain the Introduction of this artwork, Oath of the Horatii Brothers.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "畫家重視建築，藉此表達理性。畫中三兄弟在左面，父親在中間，三兄弟的妻子及姊妹在右面。这个故事来自李维的《建城以来史》，講述羅馬與阿尔巴隆加的戰爭中，三兄弟向父親立下誓言以表決心，他們姊妹的阿尔巴隆加人丈夫亦要被他們所殺。畫中男人手腳被畫成直線，以表示愛國心，即國家的最高道德。畫中女人則被畫成弧線，與男人造成對比，為大事等待男人解決。作者以這幅作品教育國民，使藝術與政治拉上關係。此畫以深色背景突出主題。定格的畫面亦有助表現理性。此作品畫於法國大革命前，表示效忠國家比效忠民族、神更重要。作品所要渲染的是，城邦的利益高于个人和家族的利益，荣誉和自我牺牲是义不容辞的公民品质。这是最典型不过的新古典主义的理性与主题。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "How does Oath of the Horatii Brothers explain its Introduction?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "畫家重視建築，藉此表達理性。畫中三兄弟在左面，父親在中間，三兄弟的妻子及姊妹在右面。这个故事来自李维的《建城以来史》，講述羅馬與阿尔巴隆加的戰爭中，三兄弟向父親立下誓言以表決心，他們姊妹的阿尔巴隆加人丈夫亦要被他們所殺。畫中男人手腳被畫成直線，以表示愛國心，即國家的最高道德。畫中女人則被畫成弧線，與男人造成對比，為大事等待男人解決。作者以這幅作品教育國民，使藝術與政治拉上關係。此畫以深色背景突出主題。定格的畫面亦有助表現理性。此作品畫於法國大革命前，表示效忠國家比效忠民族、神更重要。作品所要渲染的是，城邦的利益高于个人和家族的利益，荣誉和自我牺牲是义不容辞的公民品质。这是最典型不过的新古典主义的理性与主题。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Introduction", "subsection": null, "sub_subsection": null, "prompt": "In Oath of the Horatii Brothers, how is the Introduction discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "畫家重視建築，藉此表達理性。畫中三兄弟在左面，父親在中間，三兄弟的妻子及姊妹在右面。这个故事来自李维的《建城以来史》，講述羅馬與阿尔巴隆加的戰爭中，三兄弟向父親立下誓言以表決心，他們姊妹的阿尔巴隆加人丈夫亦要被他們所殺。畫中男人手腳被畫成直線，以表示愛國心，即國家的最高道德。畫中女人則被畫成弧線，與男人造成對比，為大事等待男人解決。作者以這幅作品教育國民，使藝術與政治拉上關係。此畫以深色背景突出主題。定格的畫面亦有助表現理性。此作品畫於法國大革命前，表示效忠國家比效忠民族、神更重要。作品所要渲染的是，城邦的利益高于个人和家族的利益，荣誉和自我牺牲是义不容辞的公民品质。这是最典型不过的新古典主义的理性与主题。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Painting style", "subsection": null, "sub_subsection": null, "prompt": "Focus on Oath of the Horatii Brothers and explain the Painting style.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "這幅畫有明顯的新古典主義藝術之風格，採用了不少有特色的技術。畫的背景十分暗，而人物則很明亮，令人物更突出，陰沈的顏色更突顯背後的嚴肅氣氛。畫面構圖有精密的部署，三位兄弟伸直手臂向畫的正中心，表現其堅定立誓的一剎那。主體焦點鮮明，物象清晰，沒矇矓之意，與洛可可藝術有明顯分別。筆觸被隱藏，可見畫家重視作品比重視自己之感受更多。定格之畫面更能表現理性，與著重感性的洛可可藝術相反。只有女性有表情，因為她們可用來表達感受，相反，畫中男性沒有表情，以表達嚴肅的英雄主義。這幅畫表達了複雜的道德及故事，令此畫被分類為新古典主義藝術。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Painting style", "subsection": null, "sub_subsection": null, "prompt": "Explain the Painting style of this artwork, Oath of the Horatii Brothers.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "這幅畫有明顯的新古典主義藝術之風格，採用了不少有特色的技術。畫的背景十分暗，而人物則很明亮，令人物更突出，陰沈的顏色更突顯背後的嚴肅氣氛。畫面構圖有精密的部署，三位兄弟伸直手臂向畫的正中心，表現其堅定立誓的一剎那。主體焦點鮮明，物象清晰，沒矇矓之意，與洛可可藝術有明顯分別。筆觸被隱藏，可見畫家重視作品比重視自己之感受更多。定格之畫面更能表現理性，與著重感性的洛可可藝術相反。只有女性有表情，因為她們可用來表達感受，相反，畫中男性沒有表情，以表達嚴肅的英雄主義。這幅畫表達了複雜的道德及故事，令此畫被分類為新古典主義藝術。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Painting style", "subsection": null, "sub_subsection": null, "prompt": "How does Oath of the Horatii Brothers explain its Painting style?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "這幅畫有明顯的新古典主義藝術之風格，採用了不少有特色的技術。畫的背景十分暗，而人物則很明亮，令人物更突出，陰沈的顏色更突顯背後的嚴肅氣氛。畫面構圖有精密的部署，三位兄弟伸直手臂向畫的正中心，表現其堅定立誓的一剎那。主體焦點鮮明，物象清晰，沒矇矓之意，與洛可可藝術有明顯分別。筆觸被隱藏，可見畫家重視作品比重視自己之感受更多。定格之畫面更能表現理性，與著重感性的洛可可藝術相反。只有女性有表情，因為她們可用來表達感受，相反，畫中男性沒有表情，以表達嚴肅的英雄主義。這幅畫表達了複雜的道德及故事，令此畫被分類為新古典主義藝術。"}
{"title": "Oath of the Horatii Brothers", "srclang_title": "荷拉斯兄弟之誓", "en_title": "Oath of the Horatii", "pageid": "1044027", "page_rank": 119, "page_url": "https://zh.wikipedia.org/wiki/%E8%8D%B7%E6%8B%89%E6%96%AF%E5%85%84%E5%BC%9F%E4%B9%8B%E8%AA%93", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/300px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "Painting style", "subsection": null, "sub_subsection": null, "prompt": "In Oath of the Horatii Brothers, how is the Painting style discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:兄弟", "罗马史 (李维)", "女性", "愛國主義", "Category:歷史畫", "Category:1784年畫作", "法語", "贺拉斯兄弟", "政治", "教育", "颜色", "直線", "同胞", "軍人", "羅馬", "法國大革命", "刹那", "巴黎", "英雄主義", "道德", "構圖", "绘画", "Category:誓词", "父親", "法国", "直线", "技术", "妹", "中間", "法语", "背景", "浪漫主义", "焦點", "丈夫", "理性", "黑暗", "李维", "剎那", "脚", "建築", "弗朗西斯科·戈雅", "羅浮宮", "人物", "明亮", "布面油畫", "罗马", "浪漫主義", "男性", "阿尔巴隆加", "雅克-路易·大衛", "兄弟", "建城以来史", "國民", "畫家", "蒂托·李维", "愛國心", "新古典主義", "1808年5月3日的枪杀", "姊", "Category:藏於盧浮宮的畫作", "阿尔巴隆伽", "西班牙", "艺术", "建筑学", "藝術", "腳", "法國", "英雄", "战争", "暗", "畫", "戰爭", "民族", "神", "手", "顏色", "妻子", "雅克-路易·大卫", "洛可可", "Category:雅克-路易·大衛畫作", "法国大革命", "军人", "技術", "感受"], "gold": "這幅畫有明顯的新古典主義藝術之風格，採用了不少有特色的技術。畫的背景十分暗，而人物則很明亮，令人物更突出，陰沈的顏色更突顯背後的嚴肅氣氛。畫面構圖有精密的部署，三位兄弟伸直手臂向畫的正中心，表現其堅定立誓的一剎那。主體焦點鮮明，物象清晰，沒矇矓之意，與洛可可藝術有明顯分別。筆觸被隱藏，可見畫家重視作品比重視自己之感受更多。定格之畫面更能表現理性，與著重感性的洛可可藝術相反。只有女性有表情，因為她們可用來表達感受，相反，畫中男性沒有表情，以表達嚴肅的英雄主義。這幅畫表達了複雜的道德及故事，令此畫被分類為新古典主義藝術。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Prague Astronomical Clock and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "布拉格天文钟（捷克語：Pražský orloj，[praʒski: ɔrlɔi]）是捷克首都布拉格的一座中世纪天文钟，座落於老城广场的老城市政厅的南面墙上，是一个热门的旅游景点。它是世界上仍在運作的天文钟中最古老的，也是世界上第三古老的天文鐘。布拉格天文钟包括三个主要部分：天文钟面，代表太阳和月亮在天空中的方位，显示各种天文资料；“行走的使徒”，每小时显示使徒和其他移动雕塑；下部的日历盘代表月份。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "布拉格天文钟（捷克語：Pražský orloj，[praʒski: ɔrlɔi]）是捷克首都布拉格的一座中世纪天文钟，座落於老城广场的老城市政厅的南面墙上，是一个热门的旅游景点。它是世界上仍在運作的天文钟中最古老的，也是世界上第三古老的天文鐘。布拉格天文钟包括三个主要部分：天文钟面，代表太阳和月亮在天空中的方位，显示各种天文资料；“行走的使徒”，每小时显示使徒和其他移动雕塑；下部的日历盘代表月份。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Prague Astronomical Clock explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "布拉格天文钟（捷克語：Pražský orloj，[praʒski: ɔrlɔi]）是捷克首都布拉格的一座中世纪天文钟，座落於老城广场的老城市政厅的南面墙上，是一个热门的旅游景点。它是世界上仍在運作的天文钟中最古老的，也是世界上第三古老的天文鐘。布拉格天文钟包括三个主要部分：天文钟面，代表太阳和月亮在天空中的方位，显示各种天文资料；“行走的使徒”，每小时显示使徒和其他移动雕塑；下部的日历盘代表月份。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "布拉格天文钟（捷克語：Pražský orloj，[praʒski: ɔrlɔi]）是捷克首都布拉格的一座中世纪天文钟，座落於老城广场的老城市政厅的南面墙上，是一个热门的旅游景点。它是世界上仍在運作的天文钟中最古老的，也是世界上第三古老的天文鐘。布拉格天文钟包括三个主要部分：天文钟面，代表太阳和月亮在天空中的方位，显示各种天文资料；“行走的使徒”，每小时显示使徒和其他移动雕塑；下部的日历盘代表月份。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Focus on Prague Astronomical Clock and explain the History.Please output in Chinese.", "template": "en_template1_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "機械鐘和天文錶盤是布拉格天文鐘最古老的部分，1410年由鐘錶師傅Mikuláš of Kadaň和Jan Šindel製作，後者是查理大學的數學和天文學教授。第一個提到布拉格天文鐘的記載是在1410年10月9日。大約在1490年，天文鐘加了日曆錶盤，外觀上加了歌德式的雕塑。以前，人們以為布拉格天文鐘是鐘錶師傅Jan Růže(也稱為Hanuš)在1490年製造的；現在知道這是一個歷史上的錯誤。根據一個被Alois Jirásek詳細描述的傳說，當年布拉格的議員們害怕鐘錶師傅Hanuš為其他城市再造一座更壯觀的天文鐘，為了確保布拉格廣場上的天文鐘獨一無二，於是命令將鐘錶師傅Hanuš弄瞎，使他不能重複他的工作。結果，Hanuš破壞這個鐘，使得百年內沒有人可以修復。布拉格天文鐘在1552年被Klokotská Hora的鐘錶大師Jan Taborský（約1500-1572）整修過。他為這鐘寫了一份報告，提到Hanuš是這個鐘的製造者。Zdeněk Horský指出：這個錯誤是因為對那時期一份記錄不正確的解釋。Hanuš製造這鐘的錯誤臆測可能是與他在1470-1473年重建舊市政廳的事做了連結。1552年後布拉格天文鐘曾多次停止運行，並多次被修理。1629或1659年增加木雕像，1787-1791年大修後加使徒畫像，1865-1866年的大整修時加上金製鳴叫公雞。1945年5月，為了讓國家委員會在5日具挑釁的廣播安靜，7日、特別是8日布拉格暴動時，德國一些裝甲車及防空砲向西南方的老城廣場開砲，嚴重損毀了天文鐘。大廳和附近的建築及天文鐘的木雕和由約瑟夫(Josef Mánes)製做的日曆錶盤都被燒毀。經重大努力後，機械部份修好。Vojtěch Sucharda修復木製使徒，天文鐘於1948年再次運轉。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Explain the History of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "機械鐘和天文錶盤是布拉格天文鐘最古老的部分，1410年由鐘錶師傅Mikuláš of Kadaň和Jan Šindel製作，後者是查理大學的數學和天文學教授。第一個提到布拉格天文鐘的記載是在1410年10月9日。大約在1490年，天文鐘加了日曆錶盤，外觀上加了歌德式的雕塑。以前，人們以為布拉格天文鐘是鐘錶師傅Jan Růže(也稱為Hanuš)在1490年製造的；現在知道這是一個歷史上的錯誤。根據一個被Alois Jirásek詳細描述的傳說，當年布拉格的議員們害怕鐘錶師傅Hanuš為其他城市再造一座更壯觀的天文鐘，為了確保布拉格廣場上的天文鐘獨一無二，於是命令將鐘錶師傅Hanuš弄瞎，使他不能重複他的工作。結果，Hanuš破壞這個鐘，使得百年內沒有人可以修復。布拉格天文鐘在1552年被Klokotská Hora的鐘錶大師Jan Taborský（約1500-1572）整修過。他為這鐘寫了一份報告，提到Hanuš是這個鐘的製造者。Zdeněk Horský指出：這個錯誤是因為對那時期一份記錄不正確的解釋。Hanuš製造這鐘的錯誤臆測可能是與他在1470-1473年重建舊市政廳的事做了連結。1552年後布拉格天文鐘曾多次停止運行，並多次被修理。1629或1659年增加木雕像，1787-1791年大修後加使徒畫像，1865-1866年的大整修時加上金製鳴叫公雞。1945年5月，為了讓國家委員會在5日具挑釁的廣播安靜，7日、特別是8日布拉格暴動時，德國一些裝甲車及防空砲向西南方的老城廣場開砲，嚴重損毀了天文鐘。大廳和附近的建築及天文鐘的木雕和由約瑟夫(Josef Mánes)製做的日曆錶盤都被燒毀。經重大努力後，機械部份修好。Vojtěch Sucharda修復木製使徒，天文鐘於1948年再次運轉。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": null, "sub_subsection": null, "prompt": "How does Prague Astronomical Clock explain its History?Please output in Chinese.", "template": "en_template3_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "機械鐘和天文錶盤是布拉格天文鐘最古老的部分，1410年由鐘錶師傅Mikuláš of Kadaň和Jan Šindel製作，後者是查理大學的數學和天文學教授。第一個提到布拉格天文鐘的記載是在1410年10月9日。大約在1490年，天文鐘加了日曆錶盤，外觀上加了歌德式的雕塑。以前，人們以為布拉格天文鐘是鐘錶師傅Jan Růže(也稱為Hanuš)在1490年製造的；現在知道這是一個歷史上的錯誤。根據一個被Alois Jirásek詳細描述的傳說，當年布拉格的議員們害怕鐘錶師傅Hanuš為其他城市再造一座更壯觀的天文鐘，為了確保布拉格廣場上的天文鐘獨一無二，於是命令將鐘錶師傅Hanuš弄瞎，使他不能重複他的工作。結果，Hanuš破壞這個鐘，使得百年內沒有人可以修復。布拉格天文鐘在1552年被Klokotská Hora的鐘錶大師Jan Taborský（約1500-1572）整修過。他為這鐘寫了一份報告，提到Hanuš是這個鐘的製造者。Zdeněk Horský指出：這個錯誤是因為對那時期一份記錄不正確的解釋。Hanuš製造這鐘的錯誤臆測可能是與他在1470-1473年重建舊市政廳的事做了連結。1552年後布拉格天文鐘曾多次停止運行，並多次被修理。1629或1659年增加木雕像，1787-1791年大修後加使徒畫像，1865-1866年的大整修時加上金製鳴叫公雞。1945年5月，為了讓國家委員會在5日具挑釁的廣播安靜，7日、特別是8日布拉格暴動時，德國一些裝甲車及防空砲向西南方的老城廣場開砲，嚴重損毀了天文鐘。大廳和附近的建築及天文鐘的木雕和由約瑟夫(Josef Mánes)製做的日曆錶盤都被燒毀。經重大努力後，機械部份修好。Vojtěch Sucharda修復木製使徒，天文鐘於1948年再次運轉。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": null, "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the History discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "機械鐘和天文錶盤是布拉格天文鐘最古老的部分，1410年由鐘錶師傅Mikuláš of Kadaň和Jan Šindel製作，後者是查理大學的數學和天文學教授。第一個提到布拉格天文鐘的記載是在1410年10月9日。大約在1490年，天文鐘加了日曆錶盤，外觀上加了歌德式的雕塑。以前，人們以為布拉格天文鐘是鐘錶師傅Jan Růže(也稱為Hanuš)在1490年製造的；現在知道這是一個歷史上的錯誤。根據一個被Alois Jirásek詳細描述的傳說，當年布拉格的議員們害怕鐘錶師傅Hanuš為其他城市再造一座更壯觀的天文鐘，為了確保布拉格廣場上的天文鐘獨一無二，於是命令將鐘錶師傅Hanuš弄瞎，使他不能重複他的工作。結果，Hanuš破壞這個鐘，使得百年內沒有人可以修復。布拉格天文鐘在1552年被Klokotská Hora的鐘錶大師Jan Taborský（約1500-1572）整修過。他為這鐘寫了一份報告，提到Hanuš是這個鐘的製造者。Zdeněk Horský指出：這個錯誤是因為對那時期一份記錄不正確的解釋。Hanuš製造這鐘的錯誤臆測可能是與他在1470-1473年重建舊市政廳的事做了連結。1552年後布拉格天文鐘曾多次停止運行，並多次被修理。1629或1659年增加木雕像，1787-1791年大修後加使徒畫像，1865-1866年的大整修時加上金製鳴叫公雞。1945年5月，為了讓國家委員會在5日具挑釁的廣播安靜，7日、特別是8日布拉格暴動時，德國一些裝甲車及防空砲向西南方的老城廣場開砲，嚴重損毀了天文鐘。大廳和附近的建築及天文鐘的木雕和由約瑟夫(Josef Mánes)製做的日曆錶盤都被燒毀。經重大努力後，機械部份修好。Vojtěch Sucharda修復木製使徒，天文鐘於1948年再次運轉。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "600th Anniversary Celebration", "sub_subsection": null, "prompt": "In the context of Prague Astronomical Clock, explain the 600th Anniversary Celebration and the History.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2010年10月9日，這個時鐘600周年的慶典由在鐘樓正面的燈光秀（YouTube （页面存档备份，存于互联网档案馆））展開。兩個2X的克麗斯蒂18KHD投影機，每個都有1920 X 1080解析度，被用來投映一些動態的影像在這個鐘面上。這些影像顯示這個鐘的建造、拆除、和重建，並且剝除外殼顯示它內部的機械結構，以及在鐘的歷史上著名事件的動畫。影像與鐘塔的交互作用，有如滾滾洪流穿過拱門，以移動的陰影顯示出時間的推移。the macula （页面存档备份，存于互联网档案馆）、Duber Studio （页面存档备份，存于互联网档案馆）和Michel Kotek花了4個月以上的時間製作這個節目，並且由AV Media （页面存档备份，存于互联网档案馆）.發行。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "600th Anniversary Celebration", "sub_subsection": null, "prompt": "Explain the 600th Anniversary Celebration about the History of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2010年10月9日，這個時鐘600周年的慶典由在鐘樓正面的燈光秀（YouTube （页面存档备份，存于互联网档案馆））展開。兩個2X的克麗斯蒂18KHD投影機，每個都有1920 X 1080解析度，被用來投映一些動態的影像在這個鐘面上。這些影像顯示這個鐘的建造、拆除、和重建，並且剝除外殼顯示它內部的機械結構，以及在鐘的歷史上著名事件的動畫。影像與鐘塔的交互作用，有如滾滾洪流穿過拱門，以移動的陰影顯示出時間的推移。the macula （页面存档备份，存于互联网档案馆）、Duber Studio （页面存档备份，存于互联网档案馆）和Michel Kotek花了4個月以上的時間製作這個節目，並且由AV Media （页面存档备份，存于互联网档案馆）.發行。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "600th Anniversary Celebration", "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the 600th Anniversary Celebration of the History explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2010年10月9日，這個時鐘600周年的慶典由在鐘樓正面的燈光秀（YouTube （页面存档备份，存于互联网档案馆））展開。兩個2X的克麗斯蒂18KHD投影機，每個都有1920 X 1080解析度，被用來投映一些動態的影像在這個鐘面上。這些影像顯示這個鐘的建造、拆除、和重建，並且剝除外殼顯示它內部的機械結構，以及在鐘的歷史上著名事件的動畫。影像與鐘塔的交互作用，有如滾滾洪流穿過拱門，以移動的陰影顯示出時間的推移。the macula （页面存档备份，存于互联网档案馆）、Duber Studio （页面存档备份，存于互联网档案馆）和Michel Kotek花了4個月以上的時間製作這個節目，並且由AV Media （页面存档备份，存于互联网档案馆）.發行。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "600th Anniversary Celebration", "sub_subsection": null, "prompt": "Describe the characteristics of the 600th Anniversary Celebration in Prague Astronomical Clock's History.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2010年10月9日，這個時鐘600周年的慶典由在鐘樓正面的燈光秀（YouTube （页面存档备份，存于互联网档案馆））展開。兩個2X的克麗斯蒂18KHD投影機，每個都有1920 X 1080解析度，被用來投映一些動態的影像在這個鐘面上。這些影像顯示這個鐘的建造、拆除、和重建，並且剝除外殼顯示它內部的機械結構，以及在鐘的歷史上著名事件的動畫。影像與鐘塔的交互作用，有如滾滾洪流穿過拱門，以移動的陰影顯示出時間的推移。the macula （页面存档备份，存于互联网档案馆）、Duber Studio （页面存档备份，存于互联网档案馆）和Michel Kotek花了4個月以上的時間製作這個節目，並且由AV Media （页面存档备份，存于互联网档案馆）.發行。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "605th Anniversary Celebration", "sub_subsection": null, "prompt": "In the context of Prague Astronomical Clock, explain the 605th Anniversary Celebration and the History.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2015年10月9日，Google在首頁以Google塗鴉來慶祝。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "605th Anniversary Celebration", "sub_subsection": null, "prompt": "Explain the 605th Anniversary Celebration about the History of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2015年10月9日，Google在首頁以Google塗鴉來慶祝。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "605th Anniversary Celebration", "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the 605th Anniversary Celebration of the History explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2015年10月9日，Google在首頁以Google塗鴉來慶祝。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "History", "subsection": "605th Anniversary Celebration", "sub_subsection": null, "prompt": "Describe the characteristics of the 605th Anniversary Celebration in Prague Astronomical Clock's History.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "2015年10月9日，Google在首頁以Google塗鴉來慶祝。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "Focus on Prague Astronomical Clock and explain the Astronomical Clock.Please output in Chinese.", "template": "en_template1_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "天文鐘是一種機械式的星盤，在中世紀是一種天文學的設備。另外，也可以將布拉格天文鐘當成是一個原始的天象儀，顯示目前的宇宙狀態。天文鐘的背景顯示出地球和天空，圍繞著它有4個主要的移動元件：黃道環、一個旋轉的外環、代表太陽標幟的圖示、代表月球標幟的圖示。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "Explain the Astronomical Clock of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "天文鐘是一種機械式的星盤，在中世紀是一種天文學的設備。另外，也可以將布拉格天文鐘當成是一個原始的天象儀，顯示目前的宇宙狀態。天文鐘的背景顯示出地球和天空，圍繞著它有4個主要的移動元件：黃道環、一個旋轉的外環、代表太陽標幟的圖示、代表月球標幟的圖示。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "How does Prague Astronomical Clock explain its Astronomical Clock?Please output in Chinese.", "template": "en_template3_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "天文鐘是一種機械式的星盤，在中世紀是一種天文學的設備。另外，也可以將布拉格天文鐘當成是一個原始的天象儀，顯示目前的宇宙狀態。天文鐘的背景顯示出地球和天空，圍繞著它有4個主要的移動元件：黃道環、一個旋轉的外環、代表太陽標幟的圖示、代表月球標幟的圖示。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Astronomical Clock discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "天文鐘是一種機械式的星盤，在中世紀是一種天文學的設備。另外，也可以將布拉格天文鐘當成是一個原始的天象儀，顯示目前的宇宙狀態。天文鐘的背景顯示出地球和天空，圍繞著它有4個主要的移動元件：黃道環、一個旋轉的外環、代表太陽標幟的圖示、代表月球標幟的圖示。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Fixed background", "sub_subsection": null, "prompt": "In the context of Prague Astronomical Clock, explain the Fixed background and the Astronomical Clock.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "背景顯示的是地球和當地可見的天空。在中心的藍色圈就直接代表地球，以外的藍色部分代表地平線以上的天空部分，紅色和黑色的區域是在地平線以下的天空。在白天的時候，太陽位在藍色天空的部分，並以之做為背景；在夜晚它座落在黑色的部分。而在黃昏或黎明時，機械的太陽會被安置在紅色背景的部分。在地平面的東面（左邊）部分，寫著aurora（拉丁文的黎明）和ortus（上升），在西側（右邊）的部分寫著occasus（日沒）和crepusculum（暮光）。在較外緣藍色圈的金色羅馬數字（以12時制表示）顯示的是24小時的布拉格當地的時間，或是中歐時間。在日出和日沒之間的時間被金黃色的曲線分割成1/12不等的時間間隔，因此呈現的日夜長短在一年當中會隨著實際而變化。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Fixed background", "sub_subsection": null, "prompt": "Explain the Fixed background about the Astronomical Clock of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "背景顯示的是地球和當地可見的天空。在中心的藍色圈就直接代表地球，以外的藍色部分代表地平線以上的天空部分，紅色和黑色的區域是在地平線以下的天空。在白天的時候，太陽位在藍色天空的部分，並以之做為背景；在夜晚它座落在黑色的部分。而在黃昏或黎明時，機械的太陽會被安置在紅色背景的部分。在地平面的東面（左邊）部分，寫著aurora（拉丁文的黎明）和ortus（上升），在西側（右邊）的部分寫著occasus（日沒）和crepusculum（暮光）。在較外緣藍色圈的金色羅馬數字（以12時制表示）顯示的是24小時的布拉格當地的時間，或是中歐時間。在日出和日沒之間的時間被金黃色的曲線分割成1/12不等的時間間隔，因此呈現的日夜長短在一年當中會隨著實際而變化。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Fixed background", "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Fixed background of the Astronomical Clock explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "背景顯示的是地球和當地可見的天空。在中心的藍色圈就直接代表地球，以外的藍色部分代表地平線以上的天空部分，紅色和黑色的區域是在地平線以下的天空。在白天的時候，太陽位在藍色天空的部分，並以之做為背景；在夜晚它座落在黑色的部分。而在黃昏或黎明時，機械的太陽會被安置在紅色背景的部分。在地平面的東面（左邊）部分，寫著aurora（拉丁文的黎明）和ortus（上升），在西側（右邊）的部分寫著occasus（日沒）和crepusculum（暮光）。在較外緣藍色圈的金色羅馬數字（以12時制表示）顯示的是24小時的布拉格當地的時間，或是中歐時間。在日出和日沒之間的時間被金黃色的曲線分割成1/12不等的時間間隔，因此呈現的日夜長短在一年當中會隨著實際而變化。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Fixed background", "sub_subsection": null, "prompt": "Describe the characteristics of the Fixed background in Prague Astronomical Clock's Astronomical Clock.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "背景顯示的是地球和當地可見的天空。在中心的藍色圈就直接代表地球，以外的藍色部分代表地平線以上的天空部分，紅色和黑色的區域是在地平線以下的天空。在白天的時候，太陽位在藍色天空的部分，並以之做為背景；在夜晚它座落在黑色的部分。而在黃昏或黎明時，機械的太陽會被安置在紅色背景的部分。在地平面的東面（左邊）部分，寫著aurora（拉丁文的黎明）和ortus（上升），在西側（右邊）的部分寫著occasus（日沒）和crepusculum（暮光）。在較外緣藍色圈的金色羅馬數字（以12時制表示）顯示的是24小時的布拉格當地的時間，或是中歐時間。在日出和日沒之間的時間被金黃色的曲線分割成1/12不等的時間間隔，因此呈現的日夜長短在一年當中會隨著實際而變化。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Zodiac Ring", "sub_subsection": null, "prompt": "In the context of Prague Astronomical Clock, explain the Zodiac Ring and the Astronomical Clock.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "躺在大的黑色外環內的是另一個可以移動的環，是標示著黃道標緻以顯示太陽位置的黃道。這些標緻的順序是逆時針的，這篇文章所附的照片顯示太陽正在白羊宮，將以逆時針方向進入金牛宮。黃道圈是以球極平面投影法以極點為基礎向赤道平面投影所呈現的結果。這在天文鐘的週期上是很常見的。小的金色恆星顯示春分點的位置，並且可以從金色的羅馬數字讀出恆星時。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Zodiac Ring", "sub_subsection": null, "prompt": "Explain the Zodiac Ring about the Astronomical Clock of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "躺在大的黑色外環內的是另一個可以移動的環，是標示著黃道標緻以顯示太陽位置的黃道。這些標緻的順序是逆時針的，這篇文章所附的照片顯示太陽正在白羊宮，將以逆時針方向進入金牛宮。黃道圈是以球極平面投影法以極點為基礎向赤道平面投影所呈現的結果。這在天文鐘的週期上是很常見的。小的金色恆星顯示春分點的位置，並且可以從金色的羅馬數字讀出恆星時。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Zodiac Ring", "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Zodiac Ring of the Astronomical Clock explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "躺在大的黑色外環內的是另一個可以移動的環，是標示著黃道標緻以顯示太陽位置的黃道。這些標緻的順序是逆時針的，這篇文章所附的照片顯示太陽正在白羊宮，將以逆時針方向進入金牛宮。黃道圈是以球極平面投影法以極點為基礎向赤道平面投影所呈現的結果。這在天文鐘的週期上是很常見的。小的金色恆星顯示春分點的位置，並且可以從金色的羅馬數字讀出恆星時。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Zodiac Ring", "sub_subsection": null, "prompt": "Describe the characteristics of the Zodiac Ring in Prague Astronomical Clock's Astronomical Clock.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "躺在大的黑色外環內的是另一個可以移動的環，是標示著黃道標緻以顯示太陽位置的黃道。這些標緻的順序是逆時針的，這篇文章所附的照片顯示太陽正在白羊宮，將以逆時針方向進入金牛宮。黃道圈是以球極平面投影法以極點為基礎向赤道平面投影所呈現的結果。這在天文鐘的週期上是很常見的。小的金色恆星顯示春分點的位置，並且可以從金色的羅馬數字讀出恆星時。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Ancient Czech time ruler", "sub_subsection": null, "prompt": "In the context of Prague Astronomical Clock, explain the Ancient Czech time ruler and the Astronomical Clock.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在鐘的外緣，金色的施瓦巴赫數字安放在黑色背景上。這些數字呈現的是舊捷克時（或義大利時間），以24小時顯示日落的時間在一年之中的變化，最早是在冬天的16:00，最晚是在夏天的20:16。在一年之中，這個環會前後的移動以正確的顯示日落時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Ancient Czech time ruler", "sub_subsection": null, "prompt": "Explain the Ancient Czech time ruler about the Astronomical Clock of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在鐘的外緣，金色的施瓦巴赫數字安放在黑色背景上。這些數字呈現的是舊捷克時（或義大利時間），以24小時顯示日落的時間在一年之中的變化，最早是在冬天的16:00，最晚是在夏天的20:16。在一年之中，這個環會前後的移動以正確的顯示日落時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Ancient Czech time ruler", "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Ancient Czech time ruler of the Astronomical Clock explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在鐘的外緣，金色的施瓦巴赫數字安放在黑色背景上。這些數字呈現的是舊捷克時（或義大利時間），以24小時顯示日落的時間在一年之中的變化，最早是在冬天的16:00，最晚是在夏天的20:16。在一年之中，這個環會前後的移動以正確的顯示日落時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Ancient Czech time ruler", "sub_subsection": null, "prompt": "Describe the characteristics of the Ancient Czech time ruler in Prague Astronomical Clock's Astronomical Clock.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在鐘的外緣，金色的施瓦巴赫數字安放在黑色背景上。這些數字呈現的是舊捷克時（或義大利時間），以24小時顯示日落的時間在一年之中的變化，最早是在冬天的16:00，最晚是在夏天的20:16。在一年之中，這個環會前後的移動以正確的顯示日落時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "The sun", "sub_subsection": null, "prompt": "In the context of Prague Astronomical Clock, explain the The sun and the Astronomical Clock.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "金色的太陽在黃道圈上運行，因此能顯示太陽在黃道上的位置。太陽被安置在金色並附有手指的一支手臂上，並以三種不同的方法一起顯示時間：金色手臂在背後羅馬數字上的位置顯示布拉格當地的時間。金色太陽在金色曲線上的位置不等的小時（unequal hours）。金色的手指在更外圈的位置顯示出太陽下山以後的古捷克時。另一方面，太陽与片面中心的距離顯示出日出與日落的時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "The sun", "sub_subsection": null, "prompt": "Explain the The sun about the Astronomical Clock of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "金色的太陽在黃道圈上運行，因此能顯示太陽在黃道上的位置。太陽被安置在金色並附有手指的一支手臂上，並以三種不同的方法一起顯示時間：金色手臂在背後羅馬數字上的位置顯示布拉格當地的時間。金色太陽在金色曲線上的位置不等的小時（unequal hours）。金色的手指在更外圈的位置顯示出太陽下山以後的古捷克時。另一方面，太陽与片面中心的距離顯示出日出與日落的時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "The sun", "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the The sun of the Astronomical Clock explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "金色的太陽在黃道圈上運行，因此能顯示太陽在黃道上的位置。太陽被安置在金色並附有手指的一支手臂上，並以三種不同的方法一起顯示時間：金色手臂在背後羅馬數字上的位置顯示布拉格當地的時間。金色太陽在金色曲線上的位置不等的小時（unequal hours）。金色的手指在更外圈的位置顯示出太陽下山以後的古捷克時。另一方面，太陽与片面中心的距離顯示出日出與日落的時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "The sun", "sub_subsection": null, "prompt": "Describe the characteristics of the The sun in Prague Astronomical Clock's Astronomical Clock.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "金色的太陽在黃道圈上運行，因此能顯示太陽在黃道上的位置。太陽被安置在金色並附有手指的一支手臂上，並以三種不同的方法一起顯示時間：金色手臂在背後羅馬數字上的位置顯示布拉格當地的時間。金色太陽在金色曲線上的位置不等的小時（unequal hours）。金色的手指在更外圈的位置顯示出太陽下山以後的古捷克時。另一方面，太陽与片面中心的距離顯示出日出與日落的時間。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Moon", "sub_subsection": null, "prompt": "In the context of Prague Astronomical Clock, explain the Moon and the Astronomical Clock.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "月球的運動也像太陽一樣顯示在黃道上，但顯然速度是快得多了（因月球的軌道是繞著地球）。月球銀白色的半球還能顯示月相。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Moon", "sub_subsection": null, "prompt": "Explain the Moon about the Astronomical Clock of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "月球的運動也像太陽一樣顯示在黃道上，但顯然速度是快得多了（因月球的軌道是繞著地球）。月球銀白色的半球還能顯示月相。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Moon", "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Moon of the Astronomical Clock explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "月球的運動也像太陽一樣顯示在黃道上，但顯然速度是快得多了（因月球的軌道是繞著地球）。月球銀白色的半球還能顯示月相。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Astronomical Clock", "subsection": "Moon", "sub_subsection": null, "prompt": "Describe the characteristics of the Moon in Prague Astronomical Clock's Astronomical Clock.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "月球的運動也像太陽一樣顯示在黃道上，但顯然速度是快得多了（因月球的軌道是繞著地球）。月球銀白色的半球還能顯示月相。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Sculpture of activities", "subsection": null, "sub_subsection": null, "prompt": "Focus on Prague Astronomical Clock and explain the Sculpture of activities.Please output in Chinese.", "template": "en_template1_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "左圖：為布拉格天文鐘吉祥物用持有一面鏡子——「虛榮」人及「貪婪」猶太人。中圖：整點報時在窗口輪流出現的十二名使徒的第三組：拿著棍棒的老者是猶達·達陡；右手持十字架的人則是腓力。右圖：「死亡」代表有一座拿著手拉叮噹的骷髏；「慾望」代表充滿著願愛的人在時鐘的兩側設置了四個由齒輪驅動在整點會動作的雕塑，一般認為這些在時鐘製作的年代是代表被鄙視的四種事情。在上行可以活動的第一個雕塑，當這個使徒動作時，它轉動頭部以幾個不同的方向對著鏡子。常見的解釋是代表虛榮並懼怕死亡的心態；另一個解釋是透過鏡子看見物質世界邊界的魔術師。第二個雕塑，是一個行進中的使徒，一手拄著拐杖，另一手貪婪的搖晃著一個錢包；另一種說法是吝嗇，而這兩種解釋是差異性最小的。也有人認為是一個鉛鑄的猶太人拿著一袋金，表示貪婪或高利貸。跨過時鐘是一個代表死亡的雕塑，它一手旋轉著沙漏，另一手拉扯著鈴繩，代表時間是有可能停止的。對第四個雕塑的解釋，與其它的不同，一般都稱他是突厥人（土耳其的回教徒）。最常被認為是快樂的象徵，他也常被認為是慾望的象徵。下面還有一列四個雕塑（見下圖的日曆兩側），原本都是突厥人，但後來換成哲學家、米迦勒（天使長）、天文學家、和歷史學者。在整點時，天文鐘上方的窗口會打開，耶穌的十二使徒雕像會從窗口輪流出現。使徒出現的順序是固定的。然而使徒與福音書中記載的不同，保羅與巴拿巴取代了大雅各及馬太）。十二使徒雕像一覽"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Sculpture of activities", "subsection": null, "sub_subsection": null, "prompt": "Explain the Sculpture of activities of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "左圖：為布拉格天文鐘吉祥物用持有一面鏡子——「虛榮」人及「貪婪」猶太人。中圖：整點報時在窗口輪流出現的十二名使徒的第三組：拿著棍棒的老者是猶達·達陡；右手持十字架的人則是腓力。右圖：「死亡」代表有一座拿著手拉叮噹的骷髏；「慾望」代表充滿著願愛的人在時鐘的兩側設置了四個由齒輪驅動在整點會動作的雕塑，一般認為這些在時鐘製作的年代是代表被鄙視的四種事情。在上行可以活動的第一個雕塑，當這個使徒動作時，它轉動頭部以幾個不同的方向對著鏡子。常見的解釋是代表虛榮並懼怕死亡的心態；另一個解釋是透過鏡子看見物質世界邊界的魔術師。第二個雕塑，是一個行進中的使徒，一手拄著拐杖，另一手貪婪的搖晃著一個錢包；另一種說法是吝嗇，而這兩種解釋是差異性最小的。也有人認為是一個鉛鑄的猶太人拿著一袋金，表示貪婪或高利貸。跨過時鐘是一個代表死亡的雕塑，它一手旋轉著沙漏，另一手拉扯著鈴繩，代表時間是有可能停止的。對第四個雕塑的解釋，與其它的不同，一般都稱他是突厥人（土耳其的回教徒）。最常被認為是快樂的象徵，他也常被認為是慾望的象徵。下面還有一列四個雕塑（見下圖的日曆兩側），原本都是突厥人，但後來換成哲學家、米迦勒（天使長）、天文學家、和歷史學者。在整點時，天文鐘上方的窗口會打開，耶穌的十二使徒雕像會從窗口輪流出現。使徒出現的順序是固定的。然而使徒與福音書中記載的不同，保羅與巴拿巴取代了大雅各及馬太）。十二使徒雕像一覽"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Sculpture of activities", "subsection": null, "sub_subsection": null, "prompt": "How does Prague Astronomical Clock explain its Sculpture of activities?Please output in Chinese.", "template": "en_template3_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "左圖：為布拉格天文鐘吉祥物用持有一面鏡子——「虛榮」人及「貪婪」猶太人。中圖：整點報時在窗口輪流出現的十二名使徒的第三組：拿著棍棒的老者是猶達·達陡；右手持十字架的人則是腓力。右圖：「死亡」代表有一座拿著手拉叮噹的骷髏；「慾望」代表充滿著願愛的人在時鐘的兩側設置了四個由齒輪驅動在整點會動作的雕塑，一般認為這些在時鐘製作的年代是代表被鄙視的四種事情。在上行可以活動的第一個雕塑，當這個使徒動作時，它轉動頭部以幾個不同的方向對著鏡子。常見的解釋是代表虛榮並懼怕死亡的心態；另一個解釋是透過鏡子看見物質世界邊界的魔術師。第二個雕塑，是一個行進中的使徒，一手拄著拐杖，另一手貪婪的搖晃著一個錢包；另一種說法是吝嗇，而這兩種解釋是差異性最小的。也有人認為是一個鉛鑄的猶太人拿著一袋金，表示貪婪或高利貸。跨過時鐘是一個代表死亡的雕塑，它一手旋轉著沙漏，另一手拉扯著鈴繩，代表時間是有可能停止的。對第四個雕塑的解釋，與其它的不同，一般都稱他是突厥人（土耳其的回教徒）。最常被認為是快樂的象徵，他也常被認為是慾望的象徵。下面還有一列四個雕塑（見下圖的日曆兩側），原本都是突厥人，但後來換成哲學家、米迦勒（天使長）、天文學家、和歷史學者。在整點時，天文鐘上方的窗口會打開，耶穌的十二使徒雕像會從窗口輪流出現。使徒出現的順序是固定的。然而使徒與福音書中記載的不同，保羅與巴拿巴取代了大雅各及馬太）。十二使徒雕像一覽"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Sculpture of activities", "subsection": null, "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Sculpture of activities discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "左圖：為布拉格天文鐘吉祥物用持有一面鏡子——「虛榮」人及「貪婪」猶太人。中圖：整點報時在窗口輪流出現的十二名使徒的第三組：拿著棍棒的老者是猶達·達陡；右手持十字架的人則是腓力。右圖：「死亡」代表有一座拿著手拉叮噹的骷髏；「慾望」代表充滿著願愛的人在時鐘的兩側設置了四個由齒輪驅動在整點會動作的雕塑，一般認為這些在時鐘製作的年代是代表被鄙視的四種事情。在上行可以活動的第一個雕塑，當這個使徒動作時，它轉動頭部以幾個不同的方向對著鏡子。常見的解釋是代表虛榮並懼怕死亡的心態；另一個解釋是透過鏡子看見物質世界邊界的魔術師。第二個雕塑，是一個行進中的使徒，一手拄著拐杖，另一手貪婪的搖晃著一個錢包；另一種說法是吝嗇，而這兩種解釋是差異性最小的。也有人認為是一個鉛鑄的猶太人拿著一袋金，表示貪婪或高利貸。跨過時鐘是一個代表死亡的雕塑，它一手旋轉著沙漏，另一手拉扯著鈴繩，代表時間是有可能停止的。對第四個雕塑的解釋，與其它的不同，一般都稱他是突厥人（土耳其的回教徒）。最常被認為是快樂的象徵，他也常被認為是慾望的象徵。下面還有一列四個雕塑（見下圖的日曆兩側），原本都是突厥人，但後來換成哲學家、米迦勒（天使長）、天文學家、和歷史學者。在整點時，天文鐘上方的窗口會打開，耶穌的十二使徒雕像會從窗口輪流出現。使徒出現的順序是固定的。然而使徒與福音書中記載的不同，保羅與巴拿巴取代了大雅各及馬太）。十二使徒雕像一覽"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Hourly chime", "subsection": null, "sub_subsection": null, "prompt": "Focus on Prague Astronomical Clock and explain the Hourly chime.Please output in Chinese.", "template": "en_template1_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在整點報時開始之前（可觀賞YouTube （页面存档备份，存于互联网档案馆）短片），在骷顱的右手持續搖動的鈴聲中，鐘上方兩側的窗口打開，耶穌的12門徒（左右各六位）分別在門內由左自右的走過，並在經過窗口時將正面朝向窗外，使徒走完後在一聲雞鳴聲中關起窗門，骷顱左手平舉的沙漏垂下，然後響起報時的鐘聲。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Hourly chime", "subsection": null, "sub_subsection": null, "prompt": "Explain the Hourly chime of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在整點報時開始之前（可觀賞YouTube （页面存档备份，存于互联网档案馆）短片），在骷顱的右手持續搖動的鈴聲中，鐘上方兩側的窗口打開，耶穌的12門徒（左右各六位）分別在門內由左自右的走過，並在經過窗口時將正面朝向窗外，使徒走完後在一聲雞鳴聲中關起窗門，骷顱左手平舉的沙漏垂下，然後響起報時的鐘聲。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Hourly chime", "subsection": null, "sub_subsection": null, "prompt": "How does Prague Astronomical Clock explain its Hourly chime?Please output in Chinese.", "template": "en_template3_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在整點報時開始之前（可觀賞YouTube （页面存档备份，存于互联网档案馆）短片），在骷顱的右手持續搖動的鈴聲中，鐘上方兩側的窗口打開，耶穌的12門徒（左右各六位）分別在門內由左自右的走過，並在經過窗口時將正面朝向窗外，使徒走完後在一聲雞鳴聲中關起窗門，骷顱左手平舉的沙漏垂下，然後響起報時的鐘聲。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Hourly chime", "subsection": null, "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Hourly chime discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "在整點報時開始之前（可觀賞YouTube （页面存档备份，存于互联网档案馆）短片），在骷顱的右手持續搖動的鈴聲中，鐘上方兩側的窗口打開，耶穌的12門徒（左右各六位）分別在門內由左自右的走過，並在經過窗口時將正面朝向窗外，使徒走完後在一聲雞鳴聲中關起窗門，骷顱左手平舉的沙漏垂下，然後響起報時的鐘聲。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Calendar", "subsection": null, "sub_subsection": null, "prompt": "Focus on Prague Astronomical Clock and explain the Calendar.Please output in Chinese.", "template": "en_template1_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "現今，在鐘下面的日曆是在1870年添加的。在捷克，每一天都有相对应的名字。捷克人不但要庆祝自己的生日，还要庆祝对应名字日子的命名日。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Calendar", "subsection": null, "sub_subsection": null, "prompt": "Explain the Calendar of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "現今，在鐘下面的日曆是在1870年添加的。在捷克，每一天都有相对应的名字。捷克人不但要庆祝自己的生日，还要庆祝对应名字日子的命名日。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Calendar", "subsection": null, "sub_subsection": null, "prompt": "How does Prague Astronomical Clock explain its Calendar?Please output in Chinese.", "template": "en_template3_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "現今，在鐘下面的日曆是在1870年添加的。在捷克，每一天都有相对应的名字。捷克人不但要庆祝自己的生日，还要庆祝对应名字日子的命名日。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "Calendar", "subsection": null, "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the Calendar discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "現今，在鐘下面的日曆是在1870年添加的。在捷克，每一天都有相对应的名字。捷克人不但要庆祝自己的生日，还要庆祝对应名字日子的命名日。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "The computer model of the Prague Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "Focus on Prague Astronomical Clock and explain the The computer model of the Prague Astronomical Clock.Please output in Chinese.", "template": "en_template1_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "真實天文鐘的各種機械動作都太緩慢而難以真實的觀賞，但是使用電腦軟體可以很容易的模擬Orloj的所有動作。可以通過下面的網頁\"Prague à la carte\"。一張動畫的說明，可以看見一個試算表（Excel），以啟發式的分解圖說明 （页面存档备份，存于互联网档案馆）顯示這個天文鐘在一年當中的任何時間和地點的動態至少已經有三種以Orloj為基礎的不同應用程式，可以用在iPhone或iPad。通過軟體商店或鏈結到前述的第一個網址，就能夠找到它們。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "The computer model of the Prague Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "Explain the The computer model of the Prague Astronomical Clock of this artwork, Prague Astronomical Clock.Please output in Chinese.", "template": "en_template2_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "真實天文鐘的各種機械動作都太緩慢而難以真實的觀賞，但是使用電腦軟體可以很容易的模擬Orloj的所有動作。可以通過下面的網頁\"Prague à la carte\"。一張動畫的說明，可以看見一個試算表（Excel），以啟發式的分解圖說明 （页面存档备份，存于互联网档案馆）顯示這個天文鐘在一年當中的任何時間和地點的動態至少已經有三種以Orloj為基礎的不同應用程式，可以用在iPhone或iPad。通過軟體商店或鏈結到前述的第一個網址，就能夠找到它們。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "The computer model of the Prague Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "How does Prague Astronomical Clock explain its The computer model of the Prague Astronomical Clock?Please output in Chinese.", "template": "en_template3_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "真實天文鐘的各種機械動作都太緩慢而難以真實的觀賞，但是使用電腦軟體可以很容易的模擬Orloj的所有動作。可以通過下面的網頁\"Prague à la carte\"。一張動畫的說明，可以看見一個試算表（Excel），以啟發式的分解圖說明 （页面存档备份，存于互联网档案馆）顯示這個天文鐘在一年當中的任何時間和地點的動態至少已經有三種以Orloj為基礎的不同應用程式，可以用在iPhone或iPad。通過軟體商店或鏈結到前述的第一個網址，就能夠找到它們。"}
{"title": "Prague Astronomical Clock", "srclang_title": "布拉格天文钟", "en_title": "Prague astronomical clock", "pageid": "1025868", "page_rank": 132, "page_url": "https://zh.wikipedia.org/wiki/%E5%B8%83%E6%8B%89%E6%A0%BC%E5%A4%A9%E6%96%87%E9%92%9F", "image_url": null, "section": "The computer model of the Prague Astronomical Clock", "subsection": null, "sub_subsection": null, "prompt": "In Prague Astronomical Clock, how is the The computer model of the Prague Astronomical Clock discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["老城广场 (布拉格)", "月亮", "黃道", "iPhone", "File:Staromestsky orloj detail 2.jpg", "鐘、日曆、和動態的使徒。", "布拉格暴動", "歌德式", "left", "295px", "十二门徒", "腓力 (使徒)", "不等的小時", "安提基特拉機械", "地心說", "應用", "巴拿巴", "天文學", "280px", "捷克语", "多馬", "應用軟體", "地平線", "Jan Šindel", "克麗斯蒂 (公司)", "thumb", "互联网档案馆", "18K", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "均時差", "月相", "鐘錶學", "馬提亞", "Category:布拉格老城广场", "330px", "340px", "羅馬數字", "星盤", "使徒 (基督教) ", "雅各 (西庇太的兒子)", "布拉格查理大學", "雅各 (亞勒腓的兒子) ", "渾象", "Josef Mánes", "Google塗鴉", "Category:天文鐘", "小時", "恆星時", "中歐時間", "巴多羅買", "功能註解", "Alois Jirásek", "彼得 (使徒) ", "Google#Doodles", "太阳", "Zdeněk Horský", "小雅各", "Category:鐘樓", "iPad", "小时", "File:Staromestsky_orloj_detail_1.jpg", "義大利時間", "File:Schema Orloj en.png", "金牛宮", "罗马数字", "File:Praga 0003.JPG", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "哥特式建築", "安得烈", "球極平面投影", "Google", "大雅各", "施瓦巴赫", "約翰 (使徒) ", "月球", "200px", "Category:布拉格建筑物", "天文鐘", "星盘", "奮銳黨的西門", "File:Astronomical_Clock_(8341899828).jpg", "春分點", "彼得", "保羅 (使徒)", "黃道帶", "數位電影#數位投影", "克麗斯蒂", "在聖誕夜的鐘樓", "多馬 (使徒)", "黎明", "中世纪", "天文钟", "File:Prazsky orloj sochy apostolove.jpg", "布拉格天文钟", "馬太", "耶穌的十二使徒", "布拉格", "保羅", "地心模型", "黃昏", "黄道", "Category:天文學史", "約翰", "小時#時的計算", "Category:布拉格旅游景点", "軟體商店", "腓力", "老城广场", "使徒", "天象儀", "浑象", "赤基黃道儀", "查理大學", "黃道標緻", "猶達·達陡", "File:Prague Astronomical Clock.png", "Mikuláš of Kadaň", "太陽系儀", "古捷克時", "250px"], "gold": "真實天文鐘的各種機械動作都太緩慢而難以真實的觀賞，但是使用電腦軟體可以很容易的模擬Orloj的所有動作。可以通過下面的網頁\"Prague à la carte\"。一張動畫的說明，可以看見一個試算表（Excel），以啟發式的分解圖說明 （页面存档备份，存于互联网档案馆）顯示這個天文鐘在一年當中的任何時間和地點的動態至少已經有三種以Orloj為基礎的不同應用程式，可以用在iPhone或iPad。通過軟體商店或鏈結到前述的第一個網址，就能夠找到它們。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Wikipedia commemorative statue and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "维基百科纪念雕像（波蘭語：Pomnik Wikipedii），是位于波兰斯武比采的一座公共雕塑，安放在斯武比采中央广场。该雕像是该市市民捐款47000兹罗提，由亚美尼亚美术家Mihran Hakobjan制作的，其最初是由来自Collegium Polonicu学院主任Krzysztof Wojciechowski提议的。雕像材料采用纤维和树脂，黄铜外观。这个雕像高6.5英尺，表现了四个人物共同举起维基球的形象。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Wikipedia commemorative statue.Please output in Chinese.", "template": "en_template2_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "维基百科纪念雕像（波蘭語：Pomnik Wikipedii），是位于波兰斯武比采的一座公共雕塑，安放在斯武比采中央广场。该雕像是该市市民捐款47000兹罗提，由亚美尼亚美术家Mihran Hakobjan制作的，其最初是由来自Collegium Polonicu学院主任Krzysztof Wojciechowski提议的。雕像材料采用纤维和树脂，黄铜外观。这个雕像高6.5英尺，表现了四个人物共同举起维基球的形象。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Wikipedia commemorative statue explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "维基百科纪念雕像（波蘭語：Pomnik Wikipedii），是位于波兰斯武比采的一座公共雕塑，安放在斯武比采中央广场。该雕像是该市市民捐款47000兹罗提，由亚美尼亚美术家Mihran Hakobjan制作的，其最初是由来自Collegium Polonicu学院主任Krzysztof Wojciechowski提议的。雕像材料采用纤维和树脂，黄铜外观。这个雕像高6.5英尺，表现了四个人物共同举起维基球的形象。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Wikipedia commemorative statue, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "维基百科纪念雕像（波蘭語：Pomnik Wikipedii），是位于波兰斯武比采的一座公共雕塑，安放在斯武比采中央广场。该雕像是该市市民捐款47000兹罗提，由亚美尼亚美术家Mihran Hakobjan制作的，其最初是由来自Collegium Polonicu学院主任Krzysztof Wojciechowski提议的。雕像材料采用纤维和树脂，黄铜外观。这个雕像高6.5英尺，表现了四个人物共同举起维基球的形象。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Focus on Wikipedia commemorative statue and explain the Description.Please output in Chinese.", "template": "en_template1_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "纪念碑描绘了四个裸体人物，他们高举着一个基于维基百科标志的地球仪， 该雕塑高度超过2米。采用纤维和树脂制成，由亚美尼亚艺术家Mihran Hakobjan制作。 它耗资约47000兹罗提（约83000人民币），由斯武比采地区当局资助。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Explain the Description of this artwork, Wikipedia commemorative statue.Please output in Chinese.", "template": "en_template2_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "纪念碑描绘了四个裸体人物，他们高举着一个基于维基百科标志的地球仪， 该雕塑高度超过2米。采用纤维和树脂制成，由亚美尼亚艺术家Mihran Hakobjan制作。 它耗资约47000兹罗提（约83000人民币），由斯武比采地区当局资助。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "How does Wikipedia commemorative statue explain its Description?Please output in Chinese.", "template": "en_template3_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "纪念碑描绘了四个裸体人物，他们高举着一个基于维基百科标志的地球仪， 该雕塑高度超过2米。采用纤维和树脂制成，由亚美尼亚艺术家Mihran Hakobjan制作。 它耗资约47000兹罗提（约83000人民币），由斯武比采地区当局资助。"}
{"title": "Wikipedia commemorative statue", "srclang_title": "维基百科纪念雕像", "en_title": "Wikipedia Monument", "pageid": "4317279", "page_rank": 147, "page_url": "https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E7%99%BE%E7%A7%91%E7%BA%AA%E5%BF%B5%E9%9B%95%E5%83%8F", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/220px-Wikipedia_Monument_2.JPG", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "In Wikipedia commemorative statue, how is the Description discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["波洛尼古姆學院", "The Daily Telegraph", "斯武比采", "波罗尼库姆大学", "英尺", "纤维", "树脂", "吉米·威尔士", "维基百科标志", "維基百科", "兹罗提", "维基人", "吉米·威爾斯", "Category:波蘭藝術", "Category:2014年雕塑作品", "维基百科", "波兰", "維基", "黄铜", "Wiki", "黃銅", "波兰语", "維基百科標誌", "Category:塑像", "亚美尼亚", "波兰兹罗提", "Category:维基百科", "维基球", "亞美尼亞"], "gold": "纪念碑描绘了四个裸体人物，他们高举着一个基于维基百科标志的地球仪， 该雕塑高度超过2米。采用纤维和树脂制成，由亚美尼亚艺术家Mihran Hakobjan制作。 它耗资约47000兹罗提（约83000人民币），由斯武比采地区当局资助。"}
{"title": "Ginevra Banchi", "srclang_title": "吉內薇拉·班琪", "en_title": "Ginevra de' Benci", "pageid": "4054378", "page_rank": 233, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E5%85%A7%E8%96%87%E6%8B%89%C2%B7%E7%8F%AD%E7%90%AA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/300px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Ginevra Banchi and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:15世纪肖像画", "华盛顿哥伦比亚特区", "国家美术馆 (华盛顿)", "Category:列奥纳多·达·芬奇的绘画作品", "Category:15世纪佛罗伦萨共和国人物", "意大利语", "列支敦斯登", "達芬奇", "國家藝廊", "木板油画", "Category:16世纪佛罗伦萨共和国人物", "佛罗伦萨", "列支敦士登", "Category:美國國家美術館藏品", "列奥纳多‧达‧芬奇", "华盛顿"], "gold": "吉内薇拉‧班琪（義大利語：Ginevra de' Benci）是15世纪佛罗伦萨的一位贵族。她因睿智而广受同时代人的敬仰。达‧芬奇为她创作了一幅肖像画。1967年，这幅画被艾尔莎‧梅隆‧布鲁斯基金会以当时创纪录的5百万美金的高价从列支敦士登王室的手中获取。这幅木板油画现收藏在坐落于华盛顿的國家藝廊。这是唯一一幅能在美洲見到的达‧芬奇画作。"}
{"title": "Ginevra Banchi", "srclang_title": "吉內薇拉·班琪", "en_title": "Ginevra de' Benci", "pageid": "4054378", "page_rank": 233, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E5%85%A7%E8%96%87%E6%8B%89%C2%B7%E7%8F%AD%E7%90%AA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/300px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Ginevra Banchi.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:15世纪肖像画", "华盛顿哥伦比亚特区", "国家美术馆 (华盛顿)", "Category:列奥纳多·达·芬奇的绘画作品", "Category:15世纪佛罗伦萨共和国人物", "意大利语", "列支敦斯登", "達芬奇", "國家藝廊", "木板油画", "Category:16世纪佛罗伦萨共和国人物", "佛罗伦萨", "列支敦士登", "Category:美國國家美術館藏品", "列奥纳多‧达‧芬奇", "华盛顿"], "gold": "吉内薇拉‧班琪（義大利語：Ginevra de' Benci）是15世纪佛罗伦萨的一位贵族。她因睿智而广受同时代人的敬仰。达‧芬奇为她创作了一幅肖像画。1967年，这幅画被艾尔莎‧梅隆‧布鲁斯基金会以当时创纪录的5百万美金的高价从列支敦士登王室的手中获取。这幅木板油画现收藏在坐落于华盛顿的國家藝廊。这是唯一一幅能在美洲見到的达‧芬奇画作。"}
{"title": "Ginevra Banchi", "srclang_title": "吉內薇拉·班琪", "en_title": "Ginevra de' Benci", "pageid": "4054378", "page_rank": 233, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E5%85%A7%E8%96%87%E6%8B%89%C2%B7%E7%8F%AD%E7%90%AA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/300px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Ginevra Banchi explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:15世纪肖像画", "华盛顿哥伦比亚特区", "国家美术馆 (华盛顿)", "Category:列奥纳多·达·芬奇的绘画作品", "Category:15世纪佛罗伦萨共和国人物", "意大利语", "列支敦斯登", "達芬奇", "國家藝廊", "木板油画", "Category:16世纪佛罗伦萨共和国人物", "佛罗伦萨", "列支敦士登", "Category:美國國家美術館藏品", "列奥纳多‧达‧芬奇", "华盛顿"], "gold": "吉内薇拉‧班琪（義大利語：Ginevra de' Benci）是15世纪佛罗伦萨的一位贵族。她因睿智而广受同时代人的敬仰。达‧芬奇为她创作了一幅肖像画。1967年，这幅画被艾尔莎‧梅隆‧布鲁斯基金会以当时创纪录的5百万美金的高价从列支敦士登王室的手中获取。这幅木板油画现收藏在坐落于华盛顿的國家藝廊。这是唯一一幅能在美洲見到的达‧芬奇画作。"}
{"title": "Ginevra Banchi", "srclang_title": "吉內薇拉·班琪", "en_title": "Ginevra de' Benci", "pageid": "4054378", "page_rank": 233, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E5%85%A7%E8%96%87%E6%8B%89%C2%B7%E7%8F%AD%E7%90%AA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/300px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Ginevra Banchi, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:15世纪肖像画", "华盛顿哥伦比亚特区", "国家美术馆 (华盛顿)", "Category:列奥纳多·达·芬奇的绘画作品", "Category:15世纪佛罗伦萨共和国人物", "意大利语", "列支敦斯登", "達芬奇", "國家藝廊", "木板油画", "Category:16世纪佛罗伦萨共和国人物", "佛罗伦萨", "列支敦士登", "Category:美國國家美術館藏品", "列奥纳多‧达‧芬奇", "华盛顿"], "gold": "吉内薇拉‧班琪（義大利語：Ginevra de' Benci）是15世纪佛罗伦萨的一位贵族。她因睿智而广受同时代人的敬仰。达‧芬奇为她创作了一幅肖像画。1967年，这幅画被艾尔莎‧梅隆‧布鲁斯基金会以当时创纪录的5百万美金的高价从列支敦士登王室的手中获取。这幅木板油画现收藏在坐落于华盛顿的國家藝廊。这是唯一一幅能在美洲見到的达‧芬奇画作。"}
{"title": "Losers' Salon", "srclang_title": "落選者沙龍", "en_title": "Salon des Refusés", "pageid": "6068218", "page_rank": 350, "page_url": "https://zh.wikipedia.org/wiki/%E8%90%BD%E9%81%B8%E8%80%85%E6%B2%99%E9%BE%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/fc/%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg/220px-%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Losers' Salon and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:1863年法國", "左拉", "巴黎沙龍", "學院藝術", "Category:法國藝術展", "Category:印象派", "拿破仑三世", "白交響曲一號：穿白衣女子", "Category:巴黎藝術", "300px", "馬奈", "File:Palais de l'Industrie - Édouard Baldus.jpg", "草地上的午餐", "工业宫", "File:Édouard Manet - Le Déjeuner sur l'herbe.jpg", "埃米尔·左拉", "thumb", "庫爾貝", "落選者沙龍的舉辦地[[工业宫", "《[[草地上的午餐", "愛德華·馬奈", "拿破崙三世", "畢沙羅"], "gold": "落選者沙龍（Salon des Refusés）是1863年開始舉辦的一個藝術展，展出被巴黎沙龍拒收的作品，也稱落選展。巴黎沙龍主要展出學院藝術作品，1863年它拒絕了三分之二的上交作品，遭拒絕的畫家包括庫爾貝、馬奈、畢沙羅。這些畫家對此表示抗議，抗議上達拿破崙三世。拿破崙三世本人偏好學院藝術，但是迫於公眾壓力，要求巴黎沙龍接受這些落選作品以供大眾評判，但展出點設在工业宫（當年巴黎沙龍展出地）的另外一個房間中。這些作品展出之後一日之內就有上千遊客前去觀看，左拉對此進行過報道。他說當時觀眾摩肩擦踵，展覽廳內充滿奚落的笑聲。1864年印象派藝術家開始自己組織落選者沙龍。曾展出於此的名作包括《草地上的午餐》及《白交響曲一號：穿白衣女子》。"}
{"title": "Losers' Salon", "srclang_title": "落選者沙龍", "en_title": "Salon des Refusés", "pageid": "6068218", "page_rank": 350, "page_url": "https://zh.wikipedia.org/wiki/%E8%90%BD%E9%81%B8%E8%80%85%E6%B2%99%E9%BE%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/fc/%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg/220px-%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Losers' Salon.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:1863年法國", "左拉", "巴黎沙龍", "學院藝術", "Category:法國藝術展", "Category:印象派", "拿破仑三世", "白交響曲一號：穿白衣女子", "Category:巴黎藝術", "300px", "馬奈", "File:Palais de l'Industrie - Édouard Baldus.jpg", "草地上的午餐", "工业宫", "File:Édouard Manet - Le Déjeuner sur l'herbe.jpg", "埃米尔·左拉", "thumb", "庫爾貝", "落選者沙龍的舉辦地[[工业宫", "《[[草地上的午餐", "愛德華·馬奈", "拿破崙三世", "畢沙羅"], "gold": "落選者沙龍（Salon des Refusés）是1863年開始舉辦的一個藝術展，展出被巴黎沙龍拒收的作品，也稱落選展。巴黎沙龍主要展出學院藝術作品，1863年它拒絕了三分之二的上交作品，遭拒絕的畫家包括庫爾貝、馬奈、畢沙羅。這些畫家對此表示抗議，抗議上達拿破崙三世。拿破崙三世本人偏好學院藝術，但是迫於公眾壓力，要求巴黎沙龍接受這些落選作品以供大眾評判，但展出點設在工业宫（當年巴黎沙龍展出地）的另外一個房間中。這些作品展出之後一日之內就有上千遊客前去觀看，左拉對此進行過報道。他說當時觀眾摩肩擦踵，展覽廳內充滿奚落的笑聲。1864年印象派藝術家開始自己組織落選者沙龍。曾展出於此的名作包括《草地上的午餐》及《白交響曲一號：穿白衣女子》。"}
{"title": "Losers' Salon", "srclang_title": "落選者沙龍", "en_title": "Salon des Refusés", "pageid": "6068218", "page_rank": 350, "page_url": "https://zh.wikipedia.org/wiki/%E8%90%BD%E9%81%B8%E8%80%85%E6%B2%99%E9%BE%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/fc/%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg/220px-%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Losers' Salon explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:1863年法國", "左拉", "巴黎沙龍", "學院藝術", "Category:法國藝術展", "Category:印象派", "拿破仑三世", "白交響曲一號：穿白衣女子", "Category:巴黎藝術", "300px", "馬奈", "File:Palais de l'Industrie - Édouard Baldus.jpg", "草地上的午餐", "工业宫", "File:Édouard Manet - Le Déjeuner sur l'herbe.jpg", "埃米尔·左拉", "thumb", "庫爾貝", "落選者沙龍的舉辦地[[工业宫", "《[[草地上的午餐", "愛德華·馬奈", "拿破崙三世", "畢沙羅"], "gold": "落選者沙龍（Salon des Refusés）是1863年開始舉辦的一個藝術展，展出被巴黎沙龍拒收的作品，也稱落選展。巴黎沙龍主要展出學院藝術作品，1863年它拒絕了三分之二的上交作品，遭拒絕的畫家包括庫爾貝、馬奈、畢沙羅。這些畫家對此表示抗議，抗議上達拿破崙三世。拿破崙三世本人偏好學院藝術，但是迫於公眾壓力，要求巴黎沙龍接受這些落選作品以供大眾評判，但展出點設在工业宫（當年巴黎沙龍展出地）的另外一個房間中。這些作品展出之後一日之內就有上千遊客前去觀看，左拉對此進行過報道。他說當時觀眾摩肩擦踵，展覽廳內充滿奚落的笑聲。1864年印象派藝術家開始自己組織落選者沙龍。曾展出於此的名作包括《草地上的午餐》及《白交響曲一號：穿白衣女子》。"}
{"title": "Losers' Salon", "srclang_title": "落選者沙龍", "en_title": "Salon des Refusés", "pageid": "6068218", "page_rank": 350, "page_url": "https://zh.wikipedia.org/wiki/%E8%90%BD%E9%81%B8%E8%80%85%E6%B2%99%E9%BE%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/f/fc/%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg/220px-%C3%89douard_Manet_-_Le_D%C3%A9jeuner_sur_l%27herbe.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Losers' Salon, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:1863年法國", "左拉", "巴黎沙龍", "學院藝術", "Category:法國藝術展", "Category:印象派", "拿破仑三世", "白交響曲一號：穿白衣女子", "Category:巴黎藝術", "300px", "馬奈", "File:Palais de l'Industrie - Édouard Baldus.jpg", "草地上的午餐", "工业宫", "File:Édouard Manet - Le Déjeuner sur l'herbe.jpg", "埃米尔·左拉", "thumb", "庫爾貝", "落選者沙龍的舉辦地[[工业宫", "《[[草地上的午餐", "愛德華·馬奈", "拿破崙三世", "畢沙羅"], "gold": "落選者沙龍（Salon des Refusés）是1863年開始舉辦的一個藝術展，展出被巴黎沙龍拒收的作品，也稱落選展。巴黎沙龍主要展出學院藝術作品，1863年它拒絕了三分之二的上交作品，遭拒絕的畫家包括庫爾貝、馬奈、畢沙羅。這些畫家對此表示抗議，抗議上達拿破崙三世。拿破崙三世本人偏好學院藝術，但是迫於公眾壓力，要求巴黎沙龍接受這些落選作品以供大眾評判，但展出點設在工业宫（當年巴黎沙龍展出地）的另外一個房間中。這些作品展出之後一日之內就有上千遊客前去觀看，左拉對此進行過報道。他說當時觀眾摩肩擦踵，展覽廳內充滿奚落的笑聲。1864年印象派藝術家開始自己組織落選者沙龍。曾展出於此的名作包括《草地上的午餐》及《白交響曲一號：穿白衣女子》。"}
{"title": "Our Lady of Bonneuval", "srclang_title": "柏諾瓦的聖母", "en_title": "Benois Madonna", "pageid": "3761816", "page_rank": 402, "page_url": "https://zh.wikipedia.org/wiki/%E6%9F%8F%E8%AB%BE%E7%93%A6%E7%9A%84%E8%81%96%E6%AF%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/300px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Our Lady of Bonneuval and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:圣母子主题绘画作品", "康乃馨聖母", "利昂·柏諾瓦", "Category:列奧納多·達·芬奇的繪畫作品", "粉紅色的聖母", "大英博物馆", "大英博物館", "達芬奇", "聖母瑪麗", "聖彼得堡", "圣彼得堡", "Category:藏於埃爾米塔日博物館的畫作", "馬利亞 (耶穌的母親)", "拉斐尔", "埃爾米塔日博物館", "Category:1478年畫作", "聖母的康乃馨", "列奥纳多·达·芬奇", "拉斐爾", "互联网档案馆", "埃尔米塔日博物馆"], "gold": "《柏諾瓦的聖母》是達芬奇1478年10月開始繪製的兩幅以聖母瑪麗為主題的作品之一，另一幅是聖母的康乃馨。這幅作品很可能是達芬奇獨立完成的第一幅作品。達芬奇為該畫作所繪的兩幅素描現藏於大英博物館。此作品是達芬奇最著名的畫作之一，後來許多年輕藝術家都仿繪過此作，其中包括拉斐爾的《粉紅色的聖母》。此作品實際上失蹤了數個世紀，直到1909年建築師利昂·柏諾瓦才在聖彼得堡將其展出，引發了一場轟動，據稱這是他岳父的藏品之一。1914年柏諾瓦將其賣給了埃爾米塔日博物館。"}
{"title": "Our Lady of Bonneuval", "srclang_title": "柏諾瓦的聖母", "en_title": "Benois Madonna", "pageid": "3761816", "page_rank": 402, "page_url": "https://zh.wikipedia.org/wiki/%E6%9F%8F%E8%AB%BE%E7%93%A6%E7%9A%84%E8%81%96%E6%AF%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/300px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Our Lady of Bonneuval.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:圣母子主题绘画作品", "康乃馨聖母", "利昂·柏諾瓦", "Category:列奧納多·達·芬奇的繪畫作品", "粉紅色的聖母", "大英博物馆", "大英博物館", "達芬奇", "聖母瑪麗", "聖彼得堡", "圣彼得堡", "Category:藏於埃爾米塔日博物館的畫作", "馬利亞 (耶穌的母親)", "拉斐尔", "埃爾米塔日博物館", "Category:1478年畫作", "聖母的康乃馨", "列奥纳多·达·芬奇", "拉斐爾", "互联网档案馆", "埃尔米塔日博物馆"], "gold": "《柏諾瓦的聖母》是達芬奇1478年10月開始繪製的兩幅以聖母瑪麗為主題的作品之一，另一幅是聖母的康乃馨。這幅作品很可能是達芬奇獨立完成的第一幅作品。達芬奇為該畫作所繪的兩幅素描現藏於大英博物館。此作品是達芬奇最著名的畫作之一，後來許多年輕藝術家都仿繪過此作，其中包括拉斐爾的《粉紅色的聖母》。此作品實際上失蹤了數個世紀，直到1909年建築師利昂·柏諾瓦才在聖彼得堡將其展出，引發了一場轟動，據稱這是他岳父的藏品之一。1914年柏諾瓦將其賣給了埃爾米塔日博物館。"}
{"title": "Our Lady of Bonneuval", "srclang_title": "柏諾瓦的聖母", "en_title": "Benois Madonna", "pageid": "3761816", "page_rank": 402, "page_url": "https://zh.wikipedia.org/wiki/%E6%9F%8F%E8%AB%BE%E7%93%A6%E7%9A%84%E8%81%96%E6%AF%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/300px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Our Lady of Bonneuval explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:圣母子主题绘画作品", "康乃馨聖母", "利昂·柏諾瓦", "Category:列奧納多·達·芬奇的繪畫作品", "粉紅色的聖母", "大英博物馆", "大英博物館", "達芬奇", "聖母瑪麗", "聖彼得堡", "圣彼得堡", "Category:藏於埃爾米塔日博物館的畫作", "馬利亞 (耶穌的母親)", "拉斐尔", "埃爾米塔日博物館", "Category:1478年畫作", "聖母的康乃馨", "列奥纳多·达·芬奇", "拉斐爾", "互联网档案馆", "埃尔米塔日博物馆"], "gold": "《柏諾瓦的聖母》是達芬奇1478年10月開始繪製的兩幅以聖母瑪麗為主題的作品之一，另一幅是聖母的康乃馨。這幅作品很可能是達芬奇獨立完成的第一幅作品。達芬奇為該畫作所繪的兩幅素描現藏於大英博物館。此作品是達芬奇最著名的畫作之一，後來許多年輕藝術家都仿繪過此作，其中包括拉斐爾的《粉紅色的聖母》。此作品實際上失蹤了數個世紀，直到1909年建築師利昂·柏諾瓦才在聖彼得堡將其展出，引發了一場轟動，據稱這是他岳父的藏品之一。1914年柏諾瓦將其賣給了埃爾米塔日博物館。"}
{"title": "Our Lady of Bonneuval", "srclang_title": "柏諾瓦的聖母", "en_title": "Benois Madonna", "pageid": "3761816", "page_rank": 402, "page_url": "https://zh.wikipedia.org/wiki/%E6%9F%8F%E8%AB%BE%E7%93%A6%E7%9A%84%E8%81%96%E6%AF%8D", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/300px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Our Lady of Bonneuval, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:圣母子主题绘画作品", "康乃馨聖母", "利昂·柏諾瓦", "Category:列奧納多·達·芬奇的繪畫作品", "粉紅色的聖母", "大英博物馆", "大英博物館", "達芬奇", "聖母瑪麗", "聖彼得堡", "圣彼得堡", "Category:藏於埃爾米塔日博物館的畫作", "馬利亞 (耶穌的母親)", "拉斐尔", "埃爾米塔日博物館", "Category:1478年畫作", "聖母的康乃馨", "列奥纳多·达·芬奇", "拉斐爾", "互联网档案馆", "埃尔米塔日博物馆"], "gold": "《柏諾瓦的聖母》是達芬奇1478年10月開始繪製的兩幅以聖母瑪麗為主題的作品之一，另一幅是聖母的康乃馨。這幅作品很可能是達芬奇獨立完成的第一幅作品。達芬奇為該畫作所繪的兩幅素描現藏於大英博物館。此作品是達芬奇最著名的畫作之一，後來許多年輕藝術家都仿繪過此作，其中包括拉斐爾的《粉紅色的聖母》。此作品實際上失蹤了數個世紀，直到1909年建築師利昂·柏諾瓦才在聖彼得堡將其展出，引發了一場轟動，據稱這是他岳父的藏品之一。1914年柏諾瓦將其賣給了埃爾米塔日博物館。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Owen Church and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》（英語：The Church at Auvers）是文森·梵谷於1890年6月所創作的一幅油畫，該作品現保存於法國巴黎的奥赛博物馆。實際的教堂位於法國瓦兹河畔欧韦尔的聖堂廣場，距離巴黎西北27公里（17英里）。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Owen Church.Please output in Chinese.", "template": "en_template2_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》（英語：The Church at Auvers）是文森·梵谷於1890年6月所創作的一幅油畫，該作品現保存於法國巴黎的奥赛博物馆。實際的教堂位於法國瓦兹河畔欧韦尔的聖堂廣場，距離巴黎西北27公里（17英里）。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Owen Church explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》（英語：The Church at Auvers）是文森·梵谷於1890年6月所創作的一幅油畫，該作品現保存於法國巴黎的奥赛博物馆。實際的教堂位於法國瓦兹河畔欧韦尔的聖堂廣場，距離巴黎西北27公里（17英里）。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Owen Church, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》（英語：The Church at Auvers）是文森·梵谷於1890年6月所創作的一幅油畫，該作品現保存於法國巴黎的奥赛博物馆。實際的教堂位於法國瓦兹河畔欧韦尔的聖堂廣場，距離巴黎西北27公里（17英里）。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Focus on Owen Church and explain the Description.Please output in Chinese.", "template": "en_template1_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》這幅畫與其他作品如《奧維爾市政廳》及幾幅茅草屋頂小房子的素描，讓人聯想起梵谷在尼嫩時期（1883–1886年）的作畫風格。他在聖雷米德普羅旺斯所居住的最後幾週，已經表現出對於荷蘭北部的某種懷舊情感：在他逝世前幾週寫給妹妹的一封信中，他寫道：「我生病時，還是憑著記憶中畫了一些小畫布，你以後會看到，那是我對北方的回憶。」當梵谷在1890年6月5日給妹妹威廉明娜（Wilhelmina）的信中描述《奧維爾教堂》時，他特別提到了過去在尼嫩時期所完成的類似作品：我有一張較大的村莊教堂的畫，呈現的效果是建築物看起來帶有紫羅蘭色調，對比著簡單深藍色、純鈷藍色的天空；彩色玻璃窗看起來像是天藍色的斑點，屋頂則是紫羅蘭色和部分橙色。前景是一些盛開的綠色植物、和帶有粉紅色陽光流的沙灘。這幅畫跟我在紐嫩所做的那些老塔和墓地的研究幾乎一模一樣，只是現在的色彩則更具表現力和奢華感。梵谷在畫作中使用的「簡單深藍色」，也用在同一時期於瓦兹河畔欧韦尔創作的《阿德琳·拉武的肖像》中，在《奧維爾教堂》的呈現中，畫作的前景被陽光照亮，教堂本身坐落在自己的陰影中，「既不反射也不散發出任何自己的光。」梵高從事佈道生涯時，曾希望在比利時的博里纳日繼續進行佈道，但被教會開除後，他在1880年7月從奎姆寫信給兄弟西奧時，引用了威廉·莎士比亚《亨利四世 (第一部)》中有關教堂內部的黑暗空虛形象，來象徵自身「空洞無知的講道」：「他們的神就如同莎士比亞所寫的法斯塔夫在喝醉說的，就僅是一座教堂的內部一般。」，這個比喻被梵谷用來批評毫無沒有真正意義和內容的講道，如同教堂內部一樣充滿著空洞和無知。畫作中帶有分歧道路的主題，也出現在他的畫作《麥田群鴉》中。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "Explain the Description of this artwork, Owen Church.Please output in Chinese.", "template": "en_template2_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》這幅畫與其他作品如《奧維爾市政廳》及幾幅茅草屋頂小房子的素描，讓人聯想起梵谷在尼嫩時期（1883–1886年）的作畫風格。他在聖雷米德普羅旺斯所居住的最後幾週，已經表現出對於荷蘭北部的某種懷舊情感：在他逝世前幾週寫給妹妹的一封信中，他寫道：「我生病時，還是憑著記憶中畫了一些小畫布，你以後會看到，那是我對北方的回憶。」當梵谷在1890年6月5日給妹妹威廉明娜（Wilhelmina）的信中描述《奧維爾教堂》時，他特別提到了過去在尼嫩時期所完成的類似作品：我有一張較大的村莊教堂的畫，呈現的效果是建築物看起來帶有紫羅蘭色調，對比著簡單深藍色、純鈷藍色的天空；彩色玻璃窗看起來像是天藍色的斑點，屋頂則是紫羅蘭色和部分橙色。前景是一些盛開的綠色植物、和帶有粉紅色陽光流的沙灘。這幅畫跟我在紐嫩所做的那些老塔和墓地的研究幾乎一模一樣，只是現在的色彩則更具表現力和奢華感。梵谷在畫作中使用的「簡單深藍色」，也用在同一時期於瓦兹河畔欧韦尔創作的《阿德琳·拉武的肖像》中，在《奧維爾教堂》的呈現中，畫作的前景被陽光照亮，教堂本身坐落在自己的陰影中，「既不反射也不散發出任何自己的光。」梵高從事佈道生涯時，曾希望在比利時的博里纳日繼續進行佈道，但被教會開除後，他在1880年7月從奎姆寫信給兄弟西奧時，引用了威廉·莎士比亚《亨利四世 (第一部)》中有關教堂內部的黑暗空虛形象，來象徵自身「空洞無知的講道」：「他們的神就如同莎士比亞所寫的法斯塔夫在喝醉說的，就僅是一座教堂的內部一般。」，這個比喻被梵谷用來批評毫無沒有真正意義和內容的講道，如同教堂內部一樣充滿著空洞和無知。畫作中帶有分歧道路的主題，也出現在他的畫作《麥田群鴉》中。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "How does Owen Church explain its Description?Please output in Chinese.", "template": "en_template3_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》這幅畫與其他作品如《奧維爾市政廳》及幾幅茅草屋頂小房子的素描，讓人聯想起梵谷在尼嫩時期（1883–1886年）的作畫風格。他在聖雷米德普羅旺斯所居住的最後幾週，已經表現出對於荷蘭北部的某種懷舊情感：在他逝世前幾週寫給妹妹的一封信中，他寫道：「我生病時，還是憑著記憶中畫了一些小畫布，你以後會看到，那是我對北方的回憶。」當梵谷在1890年6月5日給妹妹威廉明娜（Wilhelmina）的信中描述《奧維爾教堂》時，他特別提到了過去在尼嫩時期所完成的類似作品：我有一張較大的村莊教堂的畫，呈現的效果是建築物看起來帶有紫羅蘭色調，對比著簡單深藍色、純鈷藍色的天空；彩色玻璃窗看起來像是天藍色的斑點，屋頂則是紫羅蘭色和部分橙色。前景是一些盛開的綠色植物、和帶有粉紅色陽光流的沙灘。這幅畫跟我在紐嫩所做的那些老塔和墓地的研究幾乎一模一樣，只是現在的色彩則更具表現力和奢華感。梵谷在畫作中使用的「簡單深藍色」，也用在同一時期於瓦兹河畔欧韦尔創作的《阿德琳·拉武的肖像》中，在《奧維爾教堂》的呈現中，畫作的前景被陽光照亮，教堂本身坐落在自己的陰影中，「既不反射也不散發出任何自己的光。」梵高從事佈道生涯時，曾希望在比利時的博里纳日繼續進行佈道，但被教會開除後，他在1880年7月從奎姆寫信給兄弟西奧時，引用了威廉·莎士比亚《亨利四世 (第一部)》中有關教堂內部的黑暗空虛形象，來象徵自身「空洞無知的講道」：「他們的神就如同莎士比亞所寫的法斯塔夫在喝醉說的，就僅是一座教堂的內部一般。」，這個比喻被梵谷用來批評毫無沒有真正意義和內容的講道，如同教堂內部一樣充滿著空洞和無知。畫作中帶有分歧道路的主題，也出現在他的畫作《麥田群鴉》中。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "Description", "subsection": null, "sub_subsection": null, "prompt": "In Owen Church, how is the Description discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》這幅畫與其他作品如《奧維爾市政廳》及幾幅茅草屋頂小房子的素描，讓人聯想起梵谷在尼嫩時期（1883–1886年）的作畫風格。他在聖雷米德普羅旺斯所居住的最後幾週，已經表現出對於荷蘭北部的某種懷舊情感：在他逝世前幾週寫給妹妹的一封信中，他寫道：「我生病時，還是憑著記憶中畫了一些小畫布，你以後會看到，那是我對北方的回憶。」當梵谷在1890年6月5日給妹妹威廉明娜（Wilhelmina）的信中描述《奧維爾教堂》時，他特別提到了過去在尼嫩時期所完成的類似作品：我有一張較大的村莊教堂的畫，呈現的效果是建築物看起來帶有紫羅蘭色調，對比著簡單深藍色、純鈷藍色的天空；彩色玻璃窗看起來像是天藍色的斑點，屋頂則是紫羅蘭色和部分橙色。前景是一些盛開的綠色植物、和帶有粉紅色陽光流的沙灘。這幅畫跟我在紐嫩所做的那些老塔和墓地的研究幾乎一模一樣，只是現在的色彩則更具表現力和奢華感。梵谷在畫作中使用的「簡單深藍色」，也用在同一時期於瓦兹河畔欧韦尔創作的《阿德琳·拉武的肖像》中，在《奧維爾教堂》的呈現中，畫作的前景被陽光照亮，教堂本身坐落在自己的陰影中，「既不反射也不散發出任何自己的光。」梵高從事佈道生涯時，曾希望在比利時的博里纳日繼續進行佈道，但被教會開除後，他在1880年7月從奎姆寫信給兄弟西奧時，引用了威廉·莎士比亚《亨利四世 (第一部)》中有關教堂內部的黑暗空虛形象，來象徵自身「空洞無知的講道」：「他們的神就如同莎士比亞所寫的法斯塔夫在喝醉說的，就僅是一座教堂的內部一般。」，這個比喻被梵谷用來批評毫無沒有真正意義和內容的講道，如同教堂內部一樣充滿著空洞和無知。畫作中帶有分歧道路的主題，也出現在他的畫作《麥田群鴉》中。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "In popular culture", "subsection": null, "sub_subsection": null, "prompt": "Focus on Owen Church and explain the In popular culture.Please output in Chinese.", "template": "en_template1_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》在科幻电视剧《神秘博士》第五季第10集的故事《文森特與博士》扮演着重要的角色。在这个故事里，此画教堂的一个窗户上，有一个奇怪的生物（称作“Krafayis”），这令时间旅行主角博士发现，梵高住的瓦兹河畔欧韦尔有些邪恶的东西。当托尼·库兰扮演的梵高本人打败怪物后，画作才恢复了现在的样子。有意思的是，后来发现怪物是盲的，人们对世界与天空的盲目（只有梵高不是）是本集的中心主题。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "In popular culture", "subsection": null, "sub_subsection": null, "prompt": "Explain the In popular culture of this artwork, Owen Church.Please output in Chinese.", "template": "en_template2_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》在科幻电视剧《神秘博士》第五季第10集的故事《文森特與博士》扮演着重要的角色。在这个故事里，此画教堂的一个窗户上，有一个奇怪的生物（称作“Krafayis”），这令时间旅行主角博士发现，梵高住的瓦兹河畔欧韦尔有些邪恶的东西。当托尼·库兰扮演的梵高本人打败怪物后，画作才恢复了现在的样子。有意思的是，后来发现怪物是盲的，人们对世界与天空的盲目（只有梵高不是）是本集的中心主题。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "In popular culture", "subsection": null, "sub_subsection": null, "prompt": "How does Owen Church explain its In popular culture?Please output in Chinese.", "template": "en_template3_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》在科幻电视剧《神秘博士》第五季第10集的故事《文森特與博士》扮演着重要的角色。在这个故事里，此画教堂的一个窗户上，有一个奇怪的生物（称作“Krafayis”），这令时间旅行主角博士发现，梵高住的瓦兹河畔欧韦尔有些邪恶的东西。当托尼·库兰扮演的梵高本人打败怪物后，画作才恢复了现在的样子。有意思的是，后来发现怪物是盲的，人们对世界与天空的盲目（只有梵高不是）是本集的中心主题。"}
{"title": "Owen Church", "srclang_title": "奧維爾教堂", "en_title": "The Church at Auvers", "pageid": "2936728", "page_rank": 549, "page_url": "https://zh.wikipedia.org/wiki/%E5%A5%A7%E7%B6%AD%E7%88%BE%E6%95%99%E5%A0%82", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "In popular culture", "subsection": null, "sub_subsection": null, "prompt": "In Owen Church, how is the In popular culture discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["實際的教堂", "法国", "法斯塔夫", "文森特·梵高", "後印象派", "神秘博士", "File:L’église_d’Auvers-sur-Oise_cadrée_façon_Van_Gogh.jpg", "奥赛博物馆", "尼嫩", "異世奇人", "特奧·梵谷 (商人)", "亨利四世 (第一部)", "法國", "油画", "油畫", "维基共享资源", "文森·梵谷", "瓦兹河畔欧韦尔", "托尼·库兰", "Category:1890年畫作", "Category:梵高的繪畫作品", "Category:艺术中的教堂", "奧維爾市政廳", "巴黎", "比利时", "奎姆", "麥田群鴉", "文森特與博士", "thumb", "威廉·莎士比亚", "Category:奧塞美術館藏品", "upright", "阿德琳·拉武的肖像", "比利時", "博里纳日", "西奧"], "gold": "《奧維爾教堂》在科幻电视剧《神秘博士》第五季第10集的故事《文森特與博士》扮演着重要的角色。在这个故事里，此画教堂的一个窗户上，有一个奇怪的生物（称作“Krafayis”），这令时间旅行主角博士发现，梵高住的瓦兹河畔欧韦尔有些邪恶的东西。当托尼·库兰扮演的梵高本人打败怪物后，画作才恢复了现在的样子。有意思的是，后来发现怪物是盲的，人们对世界与天空的盲目（只有梵高不是）是本集的中心主题。"}
{"title": "Three Philosophers", "srclang_title": "三哲人", "en_title": "The Three Philosophers", "pageid": "8300306", "page_rank": 565, "page_url": "https://zh.wikipedia.org/wiki/%E4%B8%89%E5%93%B2%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/300px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Three Philosophers and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:乔尔乔内的绘画作品", "塞巴斯蒂亚诺·德尔·皮翁博", "Category:1500年代畫作", "阿拉伯人", "波斯人", "乔尔乔内", "波斯", "阿拉伯", "東方三博士", "东方三博士", "炼金术", "文艺复兴全盛期", "艺术史博物馆"], "gold": "《三哲人》是意大利文艺复兴全盛期艺术家乔尔乔内的一幅布面油画。订制者是一位对神秘学和炼金术感兴趣的威尼斯商人塔德奥·康塔里尼。作品在画家去世前一年完成，是他最后的画作之一，并由塞巴斯蒂亚诺·德尔·皮翁博完成。现藏于维也纳艺术史博物馆。《三哲人》绘制于1509 年左右，名称源自马尔坎托尼奥·米歇尔的一篇作品，几年后他在一座威尼斯别墅中看到这幅画。 画中描绘了三位哲人，分别处于青年、中年和老年：一位留胡子的老人可能是希腊哲学家；一位波斯或阿拉伯哲学家；还有一个坐着的年轻人 ，正在观察并用仪器测量。自 19 世纪末以来，学者和评论家否定了这是东方三博士的观点。  "}
{"title": "Three Philosophers", "srclang_title": "三哲人", "en_title": "The Three Philosophers", "pageid": "8300306", "page_rank": 565, "page_url": "https://zh.wikipedia.org/wiki/%E4%B8%89%E5%93%B2%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/300px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Three Philosophers.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:乔尔乔内的绘画作品", "塞巴斯蒂亚诺·德尔·皮翁博", "Category:1500年代畫作", "阿拉伯人", "波斯人", "乔尔乔内", "波斯", "阿拉伯", "東方三博士", "东方三博士", "炼金术", "文艺复兴全盛期", "艺术史博物馆"], "gold": "《三哲人》是意大利文艺复兴全盛期艺术家乔尔乔内的一幅布面油画。订制者是一位对神秘学和炼金术感兴趣的威尼斯商人塔德奥·康塔里尼。作品在画家去世前一年完成，是他最后的画作之一，并由塞巴斯蒂亚诺·德尔·皮翁博完成。现藏于维也纳艺术史博物馆。《三哲人》绘制于1509 年左右，名称源自马尔坎托尼奥·米歇尔的一篇作品，几年后他在一座威尼斯别墅中看到这幅画。 画中描绘了三位哲人，分别处于青年、中年和老年：一位留胡子的老人可能是希腊哲学家；一位波斯或阿拉伯哲学家；还有一个坐着的年轻人 ，正在观察并用仪器测量。自 19 世纪末以来，学者和评论家否定了这是东方三博士的观点。  "}
{"title": "Three Philosophers", "srclang_title": "三哲人", "en_title": "The Three Philosophers", "pageid": "8300306", "page_rank": 565, "page_url": "https://zh.wikipedia.org/wiki/%E4%B8%89%E5%93%B2%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/300px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Three Philosophers explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:乔尔乔内的绘画作品", "塞巴斯蒂亚诺·德尔·皮翁博", "Category:1500年代畫作", "阿拉伯人", "波斯人", "乔尔乔内", "波斯", "阿拉伯", "東方三博士", "东方三博士", "炼金术", "文艺复兴全盛期", "艺术史博物馆"], "gold": "《三哲人》是意大利文艺复兴全盛期艺术家乔尔乔内的一幅布面油画。订制者是一位对神秘学和炼金术感兴趣的威尼斯商人塔德奥·康塔里尼。作品在画家去世前一年完成，是他最后的画作之一，并由塞巴斯蒂亚诺·德尔·皮翁博完成。现藏于维也纳艺术史博物馆。《三哲人》绘制于1509 年左右，名称源自马尔坎托尼奥·米歇尔的一篇作品，几年后他在一座威尼斯别墅中看到这幅画。 画中描绘了三位哲人，分别处于青年、中年和老年：一位留胡子的老人可能是希腊哲学家；一位波斯或阿拉伯哲学家；还有一个坐着的年轻人 ，正在观察并用仪器测量。自 19 世纪末以来，学者和评论家否定了这是东方三博士的观点。  "}
{"title": "Three Philosophers", "srclang_title": "三哲人", "en_title": "The Three Philosophers", "pageid": "8300306", "page_rank": 565, "page_url": "https://zh.wikipedia.org/wiki/%E4%B8%89%E5%93%B2%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/300px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Three Philosophers, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:乔尔乔内的绘画作品", "塞巴斯蒂亚诺·德尔·皮翁博", "Category:1500年代畫作", "阿拉伯人", "波斯人", "乔尔乔内", "波斯", "阿拉伯", "東方三博士", "东方三博士", "炼金术", "文艺复兴全盛期", "艺术史博物馆"], "gold": "《三哲人》是意大利文艺复兴全盛期艺术家乔尔乔内的一幅布面油画。订制者是一位对神秘学和炼金术感兴趣的威尼斯商人塔德奥·康塔里尼。作品在画家去世前一年完成，是他最后的画作之一，并由塞巴斯蒂亚诺·德尔·皮翁博完成。现藏于维也纳艺术史博物馆。《三哲人》绘制于1509 年左右，名称源自马尔坎托尼奥·米歇尔的一篇作品，几年后他在一座威尼斯别墅中看到这幅画。 画中描绘了三位哲人，分别处于青年、中年和老年：一位留胡子的老人可能是希腊哲学家；一位波斯或阿拉伯哲学家；还有一个坐着的年轻人 ，正在观察并用仪器测量。自 19 世纪末以来，学者和评论家否定了这是东方三博士的观点。  "}
{"title": "Dulwich Garden Concert", "srclang_title": "杜伊勒里花园音乐会", "en_title": "Music in the Tuileries", "pageid": "728008", "page_rank": 631, "page_url": "https://zh.wikipedia.org/wiki/%E6%9D%9C%E4%BC%8A%E5%8B%92%E9%87%8C%E8%8A%B1%E5%9B%AD%E9%9F%B3%E4%B9%90%E4%BC%9A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Edouard_Manet_036.jpg/300px-Edouard_Manet_036.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Dulwich Garden Concert and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["英国国家美术馆", "布面油画", "法国", "伦敦", "發現之旅叢書", "委拉斯開茲", "波特萊爾", "時報文化", "国家美术馆 (伦敦)", "哈尔斯", "印象派", "Category:倫敦國家美術館藏品", "愛杜爾·馬奈", "油画", "發現之旅叢書書目列表", "53", "發現之旅", "迭戈·委拉斯开兹", "杜伊勒里宫", "愛德華·馬奈", "杜乐丽", "Category:愛德華·馬奈畫作"], "gold": "《杜伊勒里花园音乐会》（法語：La Musique aux Tuileries），又译「杜乐丽音乐会」或「花园音乐会」，是法国写实派与印象派画家愛杜爾·馬奈创作于1862年的一幅布面油画。该画受哈尔斯和迭戈·委拉斯开兹的影响。而靈感可能受到波特萊爾的啓發，他寫過這樣的文句：「對於全神貫注的演員及感情充沛的觀察者而言，置身人群之中是一種無比的喜悅，正如坐看潮起潮落、享受轉動、瞬間及浩瀚無邊的感覺一般。」休闲为其一生的创造主题之一。有人认为马奈没有完成该画。在这幅画里，马奈将他的朋友、艺术家、作家、音乐家及其家人包括画家自己画在作品中。显示在杜乐丽花园参加音乐会的情景。现藏于伦敦的英国国家美术馆。"}
{"title": "Dulwich Garden Concert", "srclang_title": "杜伊勒里花园音乐会", "en_title": "Music in the Tuileries", "pageid": "728008", "page_rank": 631, "page_url": "https://zh.wikipedia.org/wiki/%E6%9D%9C%E4%BC%8A%E5%8B%92%E9%87%8C%E8%8A%B1%E5%9B%AD%E9%9F%B3%E4%B9%90%E4%BC%9A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Edouard_Manet_036.jpg/300px-Edouard_Manet_036.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Dulwich Garden Concert.Please output in Chinese.", "template": "en_template2_section", "entities": ["英国国家美术馆", "布面油画", "法国", "伦敦", "發現之旅叢書", "委拉斯開茲", "波特萊爾", "時報文化", "国家美术馆 (伦敦)", "哈尔斯", "印象派", "Category:倫敦國家美術館藏品", "愛杜爾·馬奈", "油画", "發現之旅叢書書目列表", "53", "發現之旅", "迭戈·委拉斯开兹", "杜伊勒里宫", "愛德華·馬奈", "杜乐丽", "Category:愛德華·馬奈畫作"], "gold": "《杜伊勒里花园音乐会》（法語：La Musique aux Tuileries），又译「杜乐丽音乐会」或「花园音乐会」，是法国写实派与印象派画家愛杜爾·馬奈创作于1862年的一幅布面油画。该画受哈尔斯和迭戈·委拉斯开兹的影响。而靈感可能受到波特萊爾的啓發，他寫過這樣的文句：「對於全神貫注的演員及感情充沛的觀察者而言，置身人群之中是一種無比的喜悅，正如坐看潮起潮落、享受轉動、瞬間及浩瀚無邊的感覺一般。」休闲为其一生的创造主题之一。有人认为马奈没有完成该画。在这幅画里，马奈将他的朋友、艺术家、作家、音乐家及其家人包括画家自己画在作品中。显示在杜乐丽花园参加音乐会的情景。现藏于伦敦的英国国家美术馆。"}
{"title": "Dulwich Garden Concert", "srclang_title": "杜伊勒里花园音乐会", "en_title": "Music in the Tuileries", "pageid": "728008", "page_rank": 631, "page_url": "https://zh.wikipedia.org/wiki/%E6%9D%9C%E4%BC%8A%E5%8B%92%E9%87%8C%E8%8A%B1%E5%9B%AD%E9%9F%B3%E4%B9%90%E4%BC%9A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Edouard_Manet_036.jpg/300px-Edouard_Manet_036.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Dulwich Garden Concert explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["英国国家美术馆", "布面油画", "法国", "伦敦", "發現之旅叢書", "委拉斯開茲", "波特萊爾", "時報文化", "国家美术馆 (伦敦)", "哈尔斯", "印象派", "Category:倫敦國家美術館藏品", "愛杜爾·馬奈", "油画", "發現之旅叢書書目列表", "53", "發現之旅", "迭戈·委拉斯开兹", "杜伊勒里宫", "愛德華·馬奈", "杜乐丽", "Category:愛德華·馬奈畫作"], "gold": "《杜伊勒里花园音乐会》（法語：La Musique aux Tuileries），又译「杜乐丽音乐会」或「花园音乐会」，是法国写实派与印象派画家愛杜爾·馬奈创作于1862年的一幅布面油画。该画受哈尔斯和迭戈·委拉斯开兹的影响。而靈感可能受到波特萊爾的啓發，他寫過這樣的文句：「對於全神貫注的演員及感情充沛的觀察者而言，置身人群之中是一種無比的喜悅，正如坐看潮起潮落、享受轉動、瞬間及浩瀚無邊的感覺一般。」休闲为其一生的创造主题之一。有人认为马奈没有完成该画。在这幅画里，马奈将他的朋友、艺术家、作家、音乐家及其家人包括画家自己画在作品中。显示在杜乐丽花园参加音乐会的情景。现藏于伦敦的英国国家美术馆。"}
{"title": "Dulwich Garden Concert", "srclang_title": "杜伊勒里花园音乐会", "en_title": "Music in the Tuileries", "pageid": "728008", "page_rank": 631, "page_url": "https://zh.wikipedia.org/wiki/%E6%9D%9C%E4%BC%8A%E5%8B%92%E9%87%8C%E8%8A%B1%E5%9B%AD%E9%9F%B3%E4%B9%90%E4%BC%9A", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Edouard_Manet_036.jpg/300px-Edouard_Manet_036.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Dulwich Garden Concert, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["英国国家美术馆", "布面油画", "法国", "伦敦", "發現之旅叢書", "委拉斯開茲", "波特萊爾", "時報文化", "国家美术馆 (伦敦)", "哈尔斯", "印象派", "Category:倫敦國家美術館藏品", "愛杜爾·馬奈", "油画", "發現之旅叢書書目列表", "53", "發現之旅", "迭戈·委拉斯开兹", "杜伊勒里宫", "愛德華·馬奈", "杜乐丽", "Category:愛德華·馬奈畫作"], "gold": "《杜伊勒里花园音乐会》（法語：La Musique aux Tuileries），又译「杜乐丽音乐会」或「花园音乐会」，是法国写实派与印象派画家愛杜爾·馬奈创作于1862年的一幅布面油画。该画受哈尔斯和迭戈·委拉斯开兹的影响。而靈感可能受到波特萊爾的啓發，他寫過這樣的文句：「對於全神貫注的演員及感情充沛的觀察者而言，置身人群之中是一種無比的喜悅，正如坐看潮起潮落、享受轉動、瞬間及浩瀚無邊的感覺一般。」休闲为其一生的创造主题之一。有人认为马奈没有完成该画。在这幅画里，马奈将他的朋友、艺术家、作家、音乐家及其家人包括画家自己画在作品中。显示在杜乐丽花园参加音乐会的情景。现藏于伦敦的英国国家美术馆。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Love and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "愛，通常多見於人和動物，是指对一个人或某物的一种强烈的情感和依恋，衍生自親人之間的強烈關愛、忠誠及善意的情感與心理狀態，如母愛。愛是包含一系列强烈和积极的情感和精神状态。古代地中海人认为和宇宙的和谐有关。愛有正面和負面的之分，其美德代表最崇高的美德或好习惯，最深的人际关系，到最简单的愉快，是“對他人利益的無私忠誠和仁慈的關懷”。愛的負面則代表人的道德缺陷，類似於虛榮、自私、和自負。愛可能會導致人們陷入一種躁狂症、強迫症或互累症。 愛这种情感和依恋驱使那些有这种感觉的人寻求与爱的对象在身体上、智力上甚至想象上的接近。爱亦可為衍生自性欲與情感上的吸引力，例如情人之間的情愛與溫柔。此外，亦可能為衍生自尊敬與欽佩之情，例如朋友之間彼此重視與欣賞。同時，愛被認為是一種神奇的力量。「愛」字在中文裡有著許多解釋，從「某種事物給予人滿足」（喜欢，如「我愛吃这些食物」）到「為了愛某些東西而願意犧牲」（如愛國心、對偶結合）。愛可以用來形容愛慕的強烈情感、情緒或情緒狀態。在日常生活裡，愛通常指人際間的愛。可能因為愛為情感之首位，所以它是美術中普遍的主題。愛最佳的定義可能是主動心動，以真心對待某個生命體或物體（可以是人、動物 、物品、神明），使其整體得到快樂。簡而言之，愛即主動使整體得到快樂。雖然世界各民族間的文化差異使得一個普世的愛的定義難以道明，但並非不可能成立（沙皮亚-沃尔福假设）。愛可以包括靈魂或心靈上的愛、對法律與組織的愛、對自己的愛、對食物的愛、對金錢的愛、對學習的愛、對權力的愛、對名譽的愛、對他人的愛等，數之不盡。不同人對其所接受的愛有著不同的重視程度。愛本質上是一個抽象概念，可以體驗但卻難以用言語或文字来表達。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Love.Please output in Chinese.", "template": "en_template2_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "愛，通常多見於人和動物，是指对一个人或某物的一种强烈的情感和依恋，衍生自親人之間的強烈關愛、忠誠及善意的情感與心理狀態，如母愛。愛是包含一系列强烈和积极的情感和精神状态。古代地中海人认为和宇宙的和谐有关。愛有正面和負面的之分，其美德代表最崇高的美德或好习惯，最深的人际关系，到最简单的愉快，是“對他人利益的無私忠誠和仁慈的關懷”。愛的負面則代表人的道德缺陷，類似於虛榮、自私、和自負。愛可能會導致人們陷入一種躁狂症、強迫症或互累症。 愛这种情感和依恋驱使那些有这种感觉的人寻求与爱的对象在身体上、智力上甚至想象上的接近。爱亦可為衍生自性欲與情感上的吸引力，例如情人之間的情愛與溫柔。此外，亦可能為衍生自尊敬與欽佩之情，例如朋友之間彼此重視與欣賞。同時，愛被認為是一種神奇的力量。「愛」字在中文裡有著許多解釋，從「某種事物給予人滿足」（喜欢，如「我愛吃这些食物」）到「為了愛某些東西而願意犧牲」（如愛國心、對偶結合）。愛可以用來形容愛慕的強烈情感、情緒或情緒狀態。在日常生活裡，愛通常指人際間的愛。可能因為愛為情感之首位，所以它是美術中普遍的主題。愛最佳的定義可能是主動心動，以真心對待某個生命體或物體（可以是人、動物 、物品、神明），使其整體得到快樂。簡而言之，愛即主動使整體得到快樂。雖然世界各民族間的文化差異使得一個普世的愛的定義難以道明，但並非不可能成立（沙皮亚-沃尔福假设）。愛可以包括靈魂或心靈上的愛、對法律與組織的愛、對自己的愛、對食物的愛、對金錢的愛、對學習的愛、對權力的愛、對名譽的愛、對他人的愛等，數之不盡。不同人對其所接受的愛有著不同的重視程度。愛本質上是一個抽象概念，可以體驗但卻難以用言語或文字来表達。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Love explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "愛，通常多見於人和動物，是指对一个人或某物的一种强烈的情感和依恋，衍生自親人之間的強烈關愛、忠誠及善意的情感與心理狀態，如母愛。愛是包含一系列强烈和积极的情感和精神状态。古代地中海人认为和宇宙的和谐有关。愛有正面和負面的之分，其美德代表最崇高的美德或好习惯，最深的人际关系，到最简单的愉快，是“對他人利益的無私忠誠和仁慈的關懷”。愛的負面則代表人的道德缺陷，類似於虛榮、自私、和自負。愛可能會導致人們陷入一種躁狂症、強迫症或互累症。 愛这种情感和依恋驱使那些有这种感觉的人寻求与爱的对象在身体上、智力上甚至想象上的接近。爱亦可為衍生自性欲與情感上的吸引力，例如情人之間的情愛與溫柔。此外，亦可能為衍生自尊敬與欽佩之情，例如朋友之間彼此重視與欣賞。同時，愛被認為是一種神奇的力量。「愛」字在中文裡有著許多解釋，從「某種事物給予人滿足」（喜欢，如「我愛吃这些食物」）到「為了愛某些東西而願意犧牲」（如愛國心、對偶結合）。愛可以用來形容愛慕的強烈情感、情緒或情緒狀態。在日常生活裡，愛通常指人際間的愛。可能因為愛為情感之首位，所以它是美術中普遍的主題。愛最佳的定義可能是主動心動，以真心對待某個生命體或物體（可以是人、動物 、物品、神明），使其整體得到快樂。簡而言之，愛即主動使整體得到快樂。雖然世界各民族間的文化差異使得一個普世的愛的定義難以道明，但並非不可能成立（沙皮亚-沃尔福假设）。愛可以包括靈魂或心靈上的愛、對法律與組織的愛、對自己的愛、對食物的愛、對金錢的愛、對學習的愛、對權力的愛、對名譽的愛、對他人的愛等，數之不盡。不同人對其所接受的愛有著不同的重視程度。愛本質上是一個抽象概念，可以體驗但卻難以用言語或文字来表達。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Love, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "愛，通常多見於人和動物，是指对一个人或某物的一种强烈的情感和依恋，衍生自親人之間的強烈關愛、忠誠及善意的情感與心理狀態，如母愛。愛是包含一系列强烈和积极的情感和精神状态。古代地中海人认为和宇宙的和谐有关。愛有正面和負面的之分，其美德代表最崇高的美德或好习惯，最深的人际关系，到最简单的愉快，是“對他人利益的無私忠誠和仁慈的關懷”。愛的負面則代表人的道德缺陷，類似於虛榮、自私、和自負。愛可能會導致人們陷入一種躁狂症、強迫症或互累症。 愛这种情感和依恋驱使那些有这种感觉的人寻求与爱的对象在身体上、智力上甚至想象上的接近。爱亦可為衍生自性欲與情感上的吸引力，例如情人之間的情愛與溫柔。此外，亦可能為衍生自尊敬與欽佩之情，例如朋友之間彼此重視與欣賞。同時，愛被認為是一種神奇的力量。「愛」字在中文裡有著許多解釋，從「某種事物給予人滿足」（喜欢，如「我愛吃这些食物」）到「為了愛某些東西而願意犧牲」（如愛國心、對偶結合）。愛可以用來形容愛慕的強烈情感、情緒或情緒狀態。在日常生活裡，愛通常指人際間的愛。可能因為愛為情感之首位，所以它是美術中普遍的主題。愛最佳的定義可能是主動心動，以真心對待某個生命體或物體（可以是人、動物 、物品、神明），使其整體得到快樂。簡而言之，愛即主動使整體得到快樂。雖然世界各民族間的文化差異使得一個普世的愛的定義難以道明，但並非不可能成立（沙皮亚-沃尔福假设）。愛可以包括靈魂或心靈上的愛、對法律與組織的愛、對自己的愛、對食物的愛、對金錢的愛、對學習的愛、對權力的愛、對名譽的愛、對他人的愛等，數之不盡。不同人對其所接受的愛有著不同的重視程度。愛本質上是一個抽象概念，可以體驗但卻難以用言語或文字来表達。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": null, "sub_subsection": null, "prompt": "Focus on Love and explain the Scientific model.Please output in Chinese.", "template": "en_template1_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生理學上愛是哺乳類動物的意慾表現，就如飢餓或口渴。心理學上愛是社交與文化的表現。其兩者皆有可能是正確的－愛肯定是受到荷爾蒙（如催產素）與外激素影響而產生的表現，但同時人們對愛的想法與行為亦受到其對愛的信念影響。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": null, "sub_subsection": null, "prompt": "Explain the Scientific model of this artwork, Love.Please output in Chinese.", "template": "en_template2_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生理學上愛是哺乳類動物的意慾表現，就如飢餓或口渴。心理學上愛是社交與文化的表現。其兩者皆有可能是正確的－愛肯定是受到荷爾蒙（如催產素）與外激素影響而產生的表現，但同時人們對愛的想法與行為亦受到其對愛的信念影響。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": null, "sub_subsection": null, "prompt": "How does Love explain its Scientific model?Please output in Chinese.", "template": "en_template3_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生理學上愛是哺乳類動物的意慾表現，就如飢餓或口渴。心理學上愛是社交與文化的表現。其兩者皆有可能是正確的－愛肯定是受到荷爾蒙（如催產素）與外激素影響而產生的表現，但同時人們對愛的想法與行為亦受到其對愛的信念影響。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": null, "sub_subsection": null, "prompt": "In Love, how is the Scientific model discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生理學上愛是哺乳類動物的意慾表現，就如飢餓或口渴。心理學上愛是社交與文化的表現。其兩者皆有可能是正確的－愛肯定是受到荷爾蒙（如催產素）與外激素影響而產生的表現，但同時人們對愛的想法與行為亦受到其對愛的信念影響。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Attraction and Attachment", "sub_subsection": null, "prompt": "In the context of Love, explain the Attraction and Attachment and the Scientific model.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生物學觀點普遍認為愛有兩種主要意慾，性魅力與依附。成人間的依附被假設為共同協作以孕育下一代，並讓其依附其父母。2006年2月，該期的國家地理雜誌的封面文章《愛：化學反應》討論了愛與化學反應的關係。其作者史雷特解釋了部份關於此領域的研究，部份重點為：化學觸發反應可以表示為熱烈的愛，長期的依附的愛則要雙方互相參與而非只是單人參與。沉醉在愛河時的血清素效應（serotonin effects）擁有與強迫觀念-強迫行為症相似的化學表現（這解釋了為何沉醉在愛河的人無法想到其他人）。因此亦有人主張若患有強迫觀念-強迫行為症的精神病人服食血清素再回收抑制劑或其他抗抑鬱藥，其墮入愛河的能力會被阻礙。舉例：當剛開始時期的熱愛消失後，便會轉為長期依附的愛，這是因為催產素等化學物的影響。按摩與做愛可以起到幫助觸發催產素的作用。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Attraction and Attachment", "sub_subsection": null, "prompt": "Explain the Attraction and Attachment about the Scientific model of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生物學觀點普遍認為愛有兩種主要意慾，性魅力與依附。成人間的依附被假設為共同協作以孕育下一代，並讓其依附其父母。2006年2月，該期的國家地理雜誌的封面文章《愛：化學反應》討論了愛與化學反應的關係。其作者史雷特解釋了部份關於此領域的研究，部份重點為：化學觸發反應可以表示為熱烈的愛，長期的依附的愛則要雙方互相參與而非只是單人參與。沉醉在愛河時的血清素效應（serotonin effects）擁有與強迫觀念-強迫行為症相似的化學表現（這解釋了為何沉醉在愛河的人無法想到其他人）。因此亦有人主張若患有強迫觀念-強迫行為症的精神病人服食血清素再回收抑制劑或其他抗抑鬱藥，其墮入愛河的能力會被阻礙。舉例：當剛開始時期的熱愛消失後，便會轉為長期依附的愛，這是因為催產素等化學物的影響。按摩與做愛可以起到幫助觸發催產素的作用。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Attraction and Attachment", "sub_subsection": null, "prompt": "In Love, how is the Attraction and Attachment of the Scientific model explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生物學觀點普遍認為愛有兩種主要意慾，性魅力與依附。成人間的依附被假設為共同協作以孕育下一代，並讓其依附其父母。2006年2月，該期的國家地理雜誌的封面文章《愛：化學反應》討論了愛與化學反應的關係。其作者史雷特解釋了部份關於此領域的研究，部份重點為：化學觸發反應可以表示為熱烈的愛，長期的依附的愛則要雙方互相參與而非只是單人參與。沉醉在愛河時的血清素效應（serotonin effects）擁有與強迫觀念-強迫行為症相似的化學表現（這解釋了為何沉醉在愛河的人無法想到其他人）。因此亦有人主張若患有強迫觀念-強迫行為症的精神病人服食血清素再回收抑制劑或其他抗抑鬱藥，其墮入愛河的能力會被阻礙。舉例：當剛開始時期的熱愛消失後，便會轉為長期依附的愛，這是因為催產素等化學物的影響。按摩與做愛可以起到幫助觸發催產素的作用。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Attraction and Attachment", "sub_subsection": null, "prompt": "Describe the characteristics of the Attraction and Attachment in Love's Scientific model.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "生物學觀點普遍認為愛有兩種主要意慾，性魅力與依附。成人間的依附被假設為共同協作以孕育下一代，並讓其依附其父母。2006年2月，該期的國家地理雜誌的封面文章《愛：化學反應》討論了愛與化學反應的關係。其作者史雷特解釋了部份關於此領域的研究，部份重點為：化學觸發反應可以表示為熱烈的愛，長期的依附的愛則要雙方互相參與而非只是單人參與。沉醉在愛河時的血清素效應（serotonin effects）擁有與強迫觀念-強迫行為症相似的化學表現（這解釋了為何沉醉在愛河的人無法想到其他人）。因此亦有人主張若患有強迫觀念-強迫行為症的精神病人服食血清素再回收抑制劑或其他抗抑鬱藥，其墮入愛河的能力會被阻礙。舉例：當剛開始時期的熱愛消失後，便會轉為長期依附的愛，這是因為催產素等化學物的影響。按摩與做愛可以起到幫助觸發催產素的作用。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Friendship and Passion", "sub_subsection": null, "prompt": "In the context of Love, explain the Friendship and Passion and the Scientific model.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "傳統心理學的觀點認為愛是由友愛與熱愛組成。熱愛是強烈的渴望，通常伴隨著生理激起（呼吸急促、心跳加速，如墮入愛河）。友愛是由緊密的行為而引起的愛慕與感覺，但不伴隨著生理激起（如君子之交）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Friendship and Passion", "sub_subsection": null, "prompt": "Explain the Friendship and Passion about the Scientific model of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "傳統心理學的觀點認為愛是由友愛與熱愛組成。熱愛是強烈的渴望，通常伴隨著生理激起（呼吸急促、心跳加速，如墮入愛河）。友愛是由緊密的行為而引起的愛慕與感覺，但不伴隨著生理激起（如君子之交）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Friendship and Passion", "sub_subsection": null, "prompt": "In Love, how is the Friendship and Passion of the Scientific model explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "傳統心理學的觀點認為愛是由友愛與熱愛組成。熱愛是強烈的渴望，通常伴隨著生理激起（呼吸急促、心跳加速，如墮入愛河）。友愛是由緊密的行為而引起的愛慕與感覺，但不伴隨著生理激起（如君子之交）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "Friendship and Passion", "sub_subsection": null, "prompt": "Describe the characteristics of the Friendship and Passion in Love's Scientific model.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "傳統心理學的觀點認為愛是由友愛與熱愛組成。熱愛是強烈的渴望，通常伴隨著生理激起（呼吸急促、心跳加速，如墮入愛河）。友愛是由緊密的行為而引起的愛慕與感覺，但不伴隨著生理激起（如君子之交）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Theory of Three Causes of Love", "sub_subsection": null, "prompt": "In the context of Love, explain the The Theory of Three Causes of Love and the Scientific model.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在1986年，心理學家羅伯特·史坦伯格在《心理評論》（Psychological Review （Vol. 93, No.2, 119-135））發表「愛情三因論」，對愛作出幾何學的假設。根據愛情三角理論，愛由三部份組成：「親密」——包括了強烈關心感、緊密感、約束感與聯絡意識。「激情」——包括了驅使人戀愛、互相吸引、進行性行為的動力。「承諾」——包括了短期上願意與對方相處，以及長期的愛的維繫。對其他人的愛的程度主要是看這些組成部件的絕對強度；而對別人的愛的種類則是看這些組成部件的相對強度。這三個組成部件可當為三角形，互相影響，使得愛出現很多不同類別。三角形的大小代愛的程度，越大代表越愛對方。而三角形的形狀則代表愛的種類，普遍分為「激情階段」（三角形傾向右方）、「親密階段」（正常三角形）、「承諾階段」（三角形傾向左方）。這三個元素可以構出七種不同的愛的組合："}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Theory of Three Causes of Love", "sub_subsection": null, "prompt": "Explain the The Theory of Three Causes of Love about the Scientific model of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在1986年，心理學家羅伯特·史坦伯格在《心理評論》（Psychological Review （Vol. 93, No.2, 119-135））發表「愛情三因論」，對愛作出幾何學的假設。根據愛情三角理論，愛由三部份組成：「親密」——包括了強烈關心感、緊密感、約束感與聯絡意識。「激情」——包括了驅使人戀愛、互相吸引、進行性行為的動力。「承諾」——包括了短期上願意與對方相處，以及長期的愛的維繫。對其他人的愛的程度主要是看這些組成部件的絕對強度；而對別人的愛的種類則是看這些組成部件的相對強度。這三個組成部件可當為三角形，互相影響，使得愛出現很多不同類別。三角形的大小代愛的程度，越大代表越愛對方。而三角形的形狀則代表愛的種類，普遍分為「激情階段」（三角形傾向右方）、「親密階段」（正常三角形）、「承諾階段」（三角形傾向左方）。這三個元素可以構出七種不同的愛的組合："}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Theory of Three Causes of Love", "sub_subsection": null, "prompt": "In Love, how is the The Theory of Three Causes of Love of the Scientific model explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在1986年，心理學家羅伯特·史坦伯格在《心理評論》（Psychological Review （Vol. 93, No.2, 119-135））發表「愛情三因論」，對愛作出幾何學的假設。根據愛情三角理論，愛由三部份組成：「親密」——包括了強烈關心感、緊密感、約束感與聯絡意識。「激情」——包括了驅使人戀愛、互相吸引、進行性行為的動力。「承諾」——包括了短期上願意與對方相處，以及長期的愛的維繫。對其他人的愛的程度主要是看這些組成部件的絕對強度；而對別人的愛的種類則是看這些組成部件的相對強度。這三個組成部件可當為三角形，互相影響，使得愛出現很多不同類別。三角形的大小代愛的程度，越大代表越愛對方。而三角形的形狀則代表愛的種類，普遍分為「激情階段」（三角形傾向右方）、「親密階段」（正常三角形）、「承諾階段」（三角形傾向左方）。這三個元素可以構出七種不同的愛的組合："}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Theory of Three Causes of Love", "sub_subsection": null, "prompt": "Describe the characteristics of the The Theory of Three Causes of Love in Love's Scientific model.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在1986年，心理學家羅伯特·史坦伯格在《心理評論》（Psychological Review （Vol. 93, No.2, 119-135））發表「愛情三因論」，對愛作出幾何學的假設。根據愛情三角理論，愛由三部份組成：「親密」——包括了強烈關心感、緊密感、約束感與聯絡意識。「激情」——包括了驅使人戀愛、互相吸引、進行性行為的動力。「承諾」——包括了短期上願意與對方相處，以及長期的愛的維繫。對其他人的愛的程度主要是看這些組成部件的絕對強度；而對別人的愛的種類則是看這些組成部件的相對強度。這三個組成部件可當為三角形，互相影響，使得愛出現很多不同類別。三角形的大小代愛的程度，越大代表越愛對方。而三角形的形狀則代表愛的種類，普遍分為「激情階段」（三角形傾向右方）、「親密階段」（正常三角形）、「承諾階段」（三角形傾向左方）。這三個元素可以構出七種不同的愛的組合："}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Style of Love", "sub_subsection": null, "prompt": "In the context of Love, explain the The Style of Love and the Scientific model.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "蘇珊與克萊德根據李約翰的理論開發了愛的態度指標，稱為愛的風格。其將人際關係分為六個基本類別：情慾之愛——基於對方的外表而產生的熱愛。遊戲之愛——愛就如遊戲，充滿樂趣，通常不重視承諾而著重征服對方。友誼之愛——緩慢發展的重情義的愛，基於雙方互相尊重與友善。現實之愛——傾向選取可以幫助自己的朋友，使雙方皆可由此得益。依附之愛——重情緒的愛，不穩定，是由浪漫之愛衰退而成，充滿妒忌與爭執。利他之愛——完全無私的愛，可不惜傷害自己或捨棄任何東西。重視神交。現代多半喜歡稱呼這種愛為「真愛」。兩位漢迪斯認為男人會漸漸趨向遊戲之愛與依附之愛，反之女人則會漸漸趨向友誼之愛與現實之愛。而兩者之間的關係若是具有相類的愛可維持得更為長久。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Style of Love", "sub_subsection": null, "prompt": "Explain the The Style of Love about the Scientific model of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "蘇珊與克萊德根據李約翰的理論開發了愛的態度指標，稱為愛的風格。其將人際關係分為六個基本類別：情慾之愛——基於對方的外表而產生的熱愛。遊戲之愛——愛就如遊戲，充滿樂趣，通常不重視承諾而著重征服對方。友誼之愛——緩慢發展的重情義的愛，基於雙方互相尊重與友善。現實之愛——傾向選取可以幫助自己的朋友，使雙方皆可由此得益。依附之愛——重情緒的愛，不穩定，是由浪漫之愛衰退而成，充滿妒忌與爭執。利他之愛——完全無私的愛，可不惜傷害自己或捨棄任何東西。重視神交。現代多半喜歡稱呼這種愛為「真愛」。兩位漢迪斯認為男人會漸漸趨向遊戲之愛與依附之愛，反之女人則會漸漸趨向友誼之愛與現實之愛。而兩者之間的關係若是具有相類的愛可維持得更為長久。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Style of Love", "sub_subsection": null, "prompt": "In Love, how is the The Style of Love of the Scientific model explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "蘇珊與克萊德根據李約翰的理論開發了愛的態度指標，稱為愛的風格。其將人際關係分為六個基本類別：情慾之愛——基於對方的外表而產生的熱愛。遊戲之愛——愛就如遊戲，充滿樂趣，通常不重視承諾而著重征服對方。友誼之愛——緩慢發展的重情義的愛，基於雙方互相尊重與友善。現實之愛——傾向選取可以幫助自己的朋友，使雙方皆可由此得益。依附之愛——重情緒的愛，不穩定，是由浪漫之愛衰退而成，充滿妒忌與爭執。利他之愛——完全無私的愛，可不惜傷害自己或捨棄任何東西。重視神交。現代多半喜歡稱呼這種愛為「真愛」。兩位漢迪斯認為男人會漸漸趨向遊戲之愛與依附之愛，反之女人則會漸漸趨向友誼之愛與現實之愛。而兩者之間的關係若是具有相類的愛可維持得更為長久。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Style of Love", "sub_subsection": null, "prompt": "Describe the characteristics of the The Style of Love in Love's Scientific model.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "蘇珊與克萊德根據李約翰的理論開發了愛的態度指標，稱為愛的風格。其將人際關係分為六個基本類別：情慾之愛——基於對方的外表而產生的熱愛。遊戲之愛——愛就如遊戲，充滿樂趣，通常不重視承諾而著重征服對方。友誼之愛——緩慢發展的重情義的愛，基於雙方互相尊重與友善。現實之愛——傾向選取可以幫助自己的朋友，使雙方皆可由此得益。依附之愛——重情緒的愛，不穩定，是由浪漫之愛衰退而成，充滿妒忌與爭執。利他之愛——完全無私的愛，可不惜傷害自己或捨棄任何東西。重視神交。現代多半喜歡稱呼這種愛為「真愛」。兩位漢迪斯認為男人會漸漸趨向遊戲之愛與依附之愛，反之女人則會漸漸趨向友誼之愛與現實之愛。而兩者之間的關係若是具有相類的愛可維持得更為長久。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Stage of Love", "sub_subsection": null, "prompt": "In the context of Love, explain the The Stage of Love and the Scientific model.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "費雪提議愛有三種主要的狀態：情慾、吸引、依附。愛通常會由情慾狀態開始，主要著重激情而忽略其他元素。此階段最基本的推動力是基本性本能、如外表、氣味與其他相似的因素是選取伙伴的主要因素。然而隨著時間的流逝，其他元素可能會增多而激情則減少，但這卻是每個人皆不同。在吸引階段，人們會將注意力集中在其對對方的影響上，而此時忠誠最為重要。與此相似，當一個人長時間被愛，其將會與其伙伴發展出依附的關係。一段时间后，激情消失，愛會由熱愛轉向友愛，或由浪漫之愛轉向好感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Stage of Love", "sub_subsection": null, "prompt": "Explain the The Stage of Love about the Scientific model of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "費雪提議愛有三種主要的狀態：情慾、吸引、依附。愛通常會由情慾狀態開始，主要著重激情而忽略其他元素。此階段最基本的推動力是基本性本能、如外表、氣味與其他相似的因素是選取伙伴的主要因素。然而隨著時間的流逝，其他元素可能會增多而激情則減少，但這卻是每個人皆不同。在吸引階段，人們會將注意力集中在其對對方的影響上，而此時忠誠最為重要。與此相似，當一個人長時間被愛，其將會與其伙伴發展出依附的關係。一段时间后，激情消失，愛會由熱愛轉向友愛，或由浪漫之愛轉向好感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Stage of Love", "sub_subsection": null, "prompt": "In Love, how is the The Stage of Love of the Scientific model explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "費雪提議愛有三種主要的狀態：情慾、吸引、依附。愛通常會由情慾狀態開始，主要著重激情而忽略其他元素。此階段最基本的推動力是基本性本能、如外表、氣味與其他相似的因素是選取伙伴的主要因素。然而隨著時間的流逝，其他元素可能會增多而激情則減少，但這卻是每個人皆不同。在吸引階段，人們會將注意力集中在其對對方的影響上，而此時忠誠最為重要。與此相似，當一個人長時間被愛，其將會與其伙伴發展出依附的關係。一段时间后，激情消失，愛會由熱愛轉向友愛，或由浪漫之愛轉向好感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Scientific model", "subsection": "The Stage of Love", "sub_subsection": null, "prompt": "Describe the characteristics of the The Stage of Love in Love's Scientific model.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "費雪提議愛有三種主要的狀態：情慾、吸引、依附。愛通常會由情慾狀態開始，主要著重激情而忽略其他元素。此階段最基本的推動力是基本性本能、如外表、氣味與其他相似的因素是選取伙伴的主要因素。然而隨著時間的流逝，其他元素可能會增多而激情則減少，但這卻是每個人皆不同。在吸引階段，人們會將注意力集中在其對對方的影響上，而此時忠誠最為重要。與此相似，當一個人長時間被愛，其將會與其伙伴發展出依附的關係。一段时间后，激情消失，愛會由熱愛轉向友愛，或由浪漫之愛轉向好感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Chinese culture", "sub_subsection": null, "prompt": "In the context of Love, explain the Chinese culture and the Cultural perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "字形演變：用於表示詞語｛愛｝的漢字最早見於戰國文字，寫作「㤅」，以「心」為義符，「旡」為聲符。受「慶」等字類化影響，下方添加了無實際意義的「夊」作「𢙴」。隸變後上方的「㤅」與「受」字的上半部分混同，寫作「愛」。而中下方又在行書中粘合為「犮」或「友」，遂為俗字和簡化字「爱」所本。現代漢語與中華文化裡，少數的詞彙被用作描繪愛的概念：「愛」這個字可用作動詞，如「我愛你」，或名詞，如「愛情」。「戀」這個字並不會作單詞用，通常會與其他字組合，如「戀愛」和「戀人」。「情」這個字通常解作感覺或情緒，通常指代為愛，而其可與其他字組合為相愛的意思，如「愛情」、「感情」、「情人」。性相关联的事。在儒家學說裡，戀是純愛之意。戀為所有人追求的東西，為道德生活的反映，儒家多用「仁」來表達對人之愛，是一種摒棄私慾的愛。子女對父母的愛為「孝」，父母對子女的愛為「慈」，兄弟姊妹之間的愛為「悌」。而墨子則發展出與儒家的戀概念相對的愛的概念。愛在墨家學說裡為兼愛之意，即愛無等差，對眾生皆持對等的愛。浪費與攻伐對愛則不利。雖然墨子的想法亦有一定影響力，但儒家的戀仍是大部份中國人對愛的概念。感情指兩人之間的感覺。兩人會以建立良好感情來表達對對方的愛，如互相幫助。而且可以對萬物存有感情，不只限於人。緣份是指兩人間命運的關連。俗語說：有緣千里能相聚，無緣對面不相識。「早恋」一詞是在中國大陸当代常用的概念，指的是少年 、童年时发生的青春期戀愛，或者对某异性產生興趣，包括年少情侶以及儿童間的迷戀（跟英文的「Crush」这一概念有关）。这概念反映当代中国文化 、社会上的其中一個观点：未成年人基于学习的必要，不应该谈恋爱，否则可能會干擾學習，对他们的前途和出息有負面影響。當地报章和其他傳媒也會报道青春期戀愛这现象对学生的危险，与家长對此的憂慮。有分析將社會衍生此概念之原因，歸納到当代中国應試教育制度的极大竞争性。在中国文化中，亦有博愛的观点，其发源可见孙中山的政治主张。香港中文大學政治及行政系副教授周保松認為，沒有愛的人生難言美好；在愛之中我們體會到付出、信任、關懷、尊重、忠誠、犧牲與互相扶持。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Chinese culture", "sub_subsection": null, "prompt": "Explain the Chinese culture about the Cultural perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "字形演變：用於表示詞語｛愛｝的漢字最早見於戰國文字，寫作「㤅」，以「心」為義符，「旡」為聲符。受「慶」等字類化影響，下方添加了無實際意義的「夊」作「𢙴」。隸變後上方的「㤅」與「受」字的上半部分混同，寫作「愛」。而中下方又在行書中粘合為「犮」或「友」，遂為俗字和簡化字「爱」所本。現代漢語與中華文化裡，少數的詞彙被用作描繪愛的概念：「愛」這個字可用作動詞，如「我愛你」，或名詞，如「愛情」。「戀」這個字並不會作單詞用，通常會與其他字組合，如「戀愛」和「戀人」。「情」這個字通常解作感覺或情緒，通常指代為愛，而其可與其他字組合為相愛的意思，如「愛情」、「感情」、「情人」。性相关联的事。在儒家學說裡，戀是純愛之意。戀為所有人追求的東西，為道德生活的反映，儒家多用「仁」來表達對人之愛，是一種摒棄私慾的愛。子女對父母的愛為「孝」，父母對子女的愛為「慈」，兄弟姊妹之間的愛為「悌」。而墨子則發展出與儒家的戀概念相對的愛的概念。愛在墨家學說裡為兼愛之意，即愛無等差，對眾生皆持對等的愛。浪費與攻伐對愛則不利。雖然墨子的想法亦有一定影響力，但儒家的戀仍是大部份中國人對愛的概念。感情指兩人之間的感覺。兩人會以建立良好感情來表達對對方的愛，如互相幫助。而且可以對萬物存有感情，不只限於人。緣份是指兩人間命運的關連。俗語說：有緣千里能相聚，無緣對面不相識。「早恋」一詞是在中國大陸当代常用的概念，指的是少年 、童年时发生的青春期戀愛，或者对某异性產生興趣，包括年少情侶以及儿童間的迷戀（跟英文的「Crush」这一概念有关）。这概念反映当代中国文化 、社会上的其中一個观点：未成年人基于学习的必要，不应该谈恋爱，否则可能會干擾學習，对他们的前途和出息有負面影響。當地报章和其他傳媒也會报道青春期戀愛这现象对学生的危险，与家长對此的憂慮。有分析將社會衍生此概念之原因，歸納到当代中国應試教育制度的极大竞争性。在中国文化中，亦有博愛的观点，其发源可见孙中山的政治主张。香港中文大學政治及行政系副教授周保松認為，沒有愛的人生難言美好；在愛之中我們體會到付出、信任、關懷、尊重、忠誠、犧牲與互相扶持。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Chinese culture", "sub_subsection": null, "prompt": "In Love, how is the Chinese culture of the Cultural perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "字形演變：用於表示詞語｛愛｝的漢字最早見於戰國文字，寫作「㤅」，以「心」為義符，「旡」為聲符。受「慶」等字類化影響，下方添加了無實際意義的「夊」作「𢙴」。隸變後上方的「㤅」與「受」字的上半部分混同，寫作「愛」。而中下方又在行書中粘合為「犮」或「友」，遂為俗字和簡化字「爱」所本。現代漢語與中華文化裡，少數的詞彙被用作描繪愛的概念：「愛」這個字可用作動詞，如「我愛你」，或名詞，如「愛情」。「戀」這個字並不會作單詞用，通常會與其他字組合，如「戀愛」和「戀人」。「情」這個字通常解作感覺或情緒，通常指代為愛，而其可與其他字組合為相愛的意思，如「愛情」、「感情」、「情人」。性相关联的事。在儒家學說裡，戀是純愛之意。戀為所有人追求的東西，為道德生活的反映，儒家多用「仁」來表達對人之愛，是一種摒棄私慾的愛。子女對父母的愛為「孝」，父母對子女的愛為「慈」，兄弟姊妹之間的愛為「悌」。而墨子則發展出與儒家的戀概念相對的愛的概念。愛在墨家學說裡為兼愛之意，即愛無等差，對眾生皆持對等的愛。浪費與攻伐對愛則不利。雖然墨子的想法亦有一定影響力，但儒家的戀仍是大部份中國人對愛的概念。感情指兩人之間的感覺。兩人會以建立良好感情來表達對對方的愛，如互相幫助。而且可以對萬物存有感情，不只限於人。緣份是指兩人間命運的關連。俗語說：有緣千里能相聚，無緣對面不相識。「早恋」一詞是在中國大陸当代常用的概念，指的是少年 、童年时发生的青春期戀愛，或者对某异性產生興趣，包括年少情侶以及儿童間的迷戀（跟英文的「Crush」这一概念有关）。这概念反映当代中国文化 、社会上的其中一個观点：未成年人基于学习的必要，不应该谈恋爱，否则可能會干擾學習，对他们的前途和出息有負面影響。當地报章和其他傳媒也會报道青春期戀愛这现象对学生的危险，与家长對此的憂慮。有分析將社會衍生此概念之原因，歸納到当代中国應試教育制度的极大竞争性。在中国文化中，亦有博愛的观点，其发源可见孙中山的政治主张。香港中文大學政治及行政系副教授周保松認為，沒有愛的人生難言美好；在愛之中我們體會到付出、信任、關懷、尊重、忠誠、犧牲與互相扶持。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Chinese culture", "sub_subsection": null, "prompt": "Describe the characteristics of the Chinese culture in Love's Cultural perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "字形演變：用於表示詞語｛愛｝的漢字最早見於戰國文字，寫作「㤅」，以「心」為義符，「旡」為聲符。受「慶」等字類化影響，下方添加了無實際意義的「夊」作「𢙴」。隸變後上方的「㤅」與「受」字的上半部分混同，寫作「愛」。而中下方又在行書中粘合為「犮」或「友」，遂為俗字和簡化字「爱」所本。現代漢語與中華文化裡，少數的詞彙被用作描繪愛的概念：「愛」這個字可用作動詞，如「我愛你」，或名詞，如「愛情」。「戀」這個字並不會作單詞用，通常會與其他字組合，如「戀愛」和「戀人」。「情」這個字通常解作感覺或情緒，通常指代為愛，而其可與其他字組合為相愛的意思，如「愛情」、「感情」、「情人」。性相关联的事。在儒家學說裡，戀是純愛之意。戀為所有人追求的東西，為道德生活的反映，儒家多用「仁」來表達對人之愛，是一種摒棄私慾的愛。子女對父母的愛為「孝」，父母對子女的愛為「慈」，兄弟姊妹之間的愛為「悌」。而墨子則發展出與儒家的戀概念相對的愛的概念。愛在墨家學說裡為兼愛之意，即愛無等差，對眾生皆持對等的愛。浪費與攻伐對愛則不利。雖然墨子的想法亦有一定影響力，但儒家的戀仍是大部份中國人對愛的概念。感情指兩人之間的感覺。兩人會以建立良好感情來表達對對方的愛，如互相幫助。而且可以對萬物存有感情，不只限於人。緣份是指兩人間命運的關連。俗語說：有緣千里能相聚，無緣對面不相識。「早恋」一詞是在中國大陸当代常用的概念，指的是少年 、童年时发生的青春期戀愛，或者对某异性產生興趣，包括年少情侶以及儿童間的迷戀（跟英文的「Crush」这一概念有关）。这概念反映当代中国文化 、社会上的其中一個观点：未成年人基于学习的必要，不应该谈恋爱，否则可能會干擾學習，对他们的前途和出息有負面影響。當地报章和其他傳媒也會报道青春期戀愛这现象对学生的危险，与家长對此的憂慮。有分析將社會衍生此概念之原因，歸納到当代中国應試教育制度的极大竞争性。在中国文化中，亦有博愛的观点，其发源可见孙中山的政治主张。香港中文大學政治及行政系副教授周保松認為，沒有愛的人生難言美好；在愛之中我們體會到付出、信任、關懷、尊重、忠誠、犧牲與互相扶持。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Japanese culture", "sub_subsection": null, "prompt": "In the context of Love, explain the Japanese culture and the Cultural perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在日本佛教裡，愛意味著關懷、熱情與基本渴望。其可發展為自私或無私與教化兩方面。「甘え」在日語裡指撒嬌，是日本人撫養子女的文化。日本母親通常會緊抱與縱容其子女，其子女則會通由依賴與孝順來回報其母親。土居健郎等社會學家認為日本人在長大後的社交手法很大程度建基於童年時對母親撒嬌的手法。在日語語言學裡，最常見與愛相關的兩個字為愛與恋。通常非浪漫之愛均以前者表示，而浪漫之愛則以後者表示。父母之愛則稱為「親の愛」，而與人相戀則稱為恋する。當然亦有特例，「愛人」一詞解為相愛之人並暗示為非法的關係，通常表示為婚外情，反之戀人則有男朋友、女朋友或伴侶的含意。在每天的交談裡，愛與恋卻較少用到，反之以「愛している」或「恋している」來表示我愛你的人較多，例如日本人會說「好きです」來表示我喜歡你。「好き」解為喜好，亦可以用作表示對食物、音樂或其他事件的愛好，就如「寿司が好きです」解為喜歡壽司，其暗示愛，但沒有淡化其情感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Japanese culture", "sub_subsection": null, "prompt": "Explain the Japanese culture about the Cultural perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在日本佛教裡，愛意味著關懷、熱情與基本渴望。其可發展為自私或無私與教化兩方面。「甘え」在日語裡指撒嬌，是日本人撫養子女的文化。日本母親通常會緊抱與縱容其子女，其子女則會通由依賴與孝順來回報其母親。土居健郎等社會學家認為日本人在長大後的社交手法很大程度建基於童年時對母親撒嬌的手法。在日語語言學裡，最常見與愛相關的兩個字為愛與恋。通常非浪漫之愛均以前者表示，而浪漫之愛則以後者表示。父母之愛則稱為「親の愛」，而與人相戀則稱為恋する。當然亦有特例，「愛人」一詞解為相愛之人並暗示為非法的關係，通常表示為婚外情，反之戀人則有男朋友、女朋友或伴侶的含意。在每天的交談裡，愛與恋卻較少用到，反之以「愛している」或「恋している」來表示我愛你的人較多，例如日本人會說「好きです」來表示我喜歡你。「好き」解為喜好，亦可以用作表示對食物、音樂或其他事件的愛好，就如「寿司が好きです」解為喜歡壽司，其暗示愛，但沒有淡化其情感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Japanese culture", "sub_subsection": null, "prompt": "In Love, how is the Japanese culture of the Cultural perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在日本佛教裡，愛意味著關懷、熱情與基本渴望。其可發展為自私或無私與教化兩方面。「甘え」在日語裡指撒嬌，是日本人撫養子女的文化。日本母親通常會緊抱與縱容其子女，其子女則會通由依賴與孝順來回報其母親。土居健郎等社會學家認為日本人在長大後的社交手法很大程度建基於童年時對母親撒嬌的手法。在日語語言學裡，最常見與愛相關的兩個字為愛與恋。通常非浪漫之愛均以前者表示，而浪漫之愛則以後者表示。父母之愛則稱為「親の愛」，而與人相戀則稱為恋する。當然亦有特例，「愛人」一詞解為相愛之人並暗示為非法的關係，通常表示為婚外情，反之戀人則有男朋友、女朋友或伴侶的含意。在每天的交談裡，愛與恋卻較少用到，反之以「愛している」或「恋している」來表示我愛你的人較多，例如日本人會說「好きです」來表示我喜歡你。「好き」解為喜好，亦可以用作表示對食物、音樂或其他事件的愛好，就如「寿司が好きです」解為喜歡壽司，其暗示愛，但沒有淡化其情感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Japanese culture", "sub_subsection": null, "prompt": "Describe the characteristics of the Japanese culture in Love's Cultural perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在日本佛教裡，愛意味著關懷、熱情與基本渴望。其可發展為自私或無私與教化兩方面。「甘え」在日語裡指撒嬌，是日本人撫養子女的文化。日本母親通常會緊抱與縱容其子女，其子女則會通由依賴與孝順來回報其母親。土居健郎等社會學家認為日本人在長大後的社交手法很大程度建基於童年時對母親撒嬌的手法。在日語語言學裡，最常見與愛相關的兩個字為愛與恋。通常非浪漫之愛均以前者表示，而浪漫之愛則以後者表示。父母之愛則稱為「親の愛」，而與人相戀則稱為恋する。當然亦有特例，「愛人」一詞解為相愛之人並暗示為非法的關係，通常表示為婚外情，反之戀人則有男朋友、女朋友或伴侶的含意。在每天的交談裡，愛與恋卻較少用到，反之以「愛している」或「恋している」來表示我愛你的人較多，例如日本人會說「好きです」來表示我喜歡你。「好き」解為喜好，亦可以用作表示對食物、音樂或其他事件的愛好，就如「寿司が好きです」解為喜歡壽司，其暗示愛，但沒有淡化其情感。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Greek culture", "sub_subsection": null, "prompt": "In the context of Love, explain the Greek culture and the Cultural perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "希臘語裡將愛此字用作數個不同的感官裡，如古希臘語裡的「philia」、「eros」、「agape」、「storge」與「xenia」。然而，希臘語與其他語言一樣，均是難以徹底分開這些字的含意。在古希臘語的聖經裡，「agapo」這個動詞與「phileo」有著同一解釋。「Agapē」 （ἀγάπη agápē） 在現代希臘語裡解為愛，而「s'agapo」這詞句解為我愛你，「agapo」這字解為我愛。其主要指純愛，而非事物外表吸引而產生的愛（eros）。然而，有時「agape」會與「eros」同義，其亦有時亦會譯為精神上的愛。「Eros」（ἔρως érōs） 解為性愛與激情，追求感官的享受與擁有。希臘語 erota 解為沐浴在愛河裡。柏拉圖將定義淨化，雖然eros為人最初的感覺，但其卻可成為鑑賞一個人擁有的美麗的根據。Eros幫助大腦記起何謂美麗，並使人明白到崇高的事實。愛人們與哲學家們均以eros來尋求真相。其有時亦會譯為肉體上的愛。「Philia」 （φιλία「philía」）在現代希臘語裡解為友誼，為冷靜且高尚的愛。亞里士多德在《尼各馬可倫理學》加以闡述。其包括了對朋友、家庭與社群的忠誠，並需要善良、平等與友善。Philia會因為現實原因而增進，使雙方均可由其關係裡得益。「Storge」 （στοργή「storgē」） 在現代希臘語裡解為家庭之愛，即父母對子女的愛。「Xenia」 （ξενία「philoxenía」）在現代希臘語裡解為殷勤，而在古代希臘則是極重要的習俗。這是主人對賓客的儀式化禮節，即使該賓客是陌生人。主人為賓客提供飲食與住宿，但所求的只是賓客的感謝而已。由希臘神話裡可看出這習俗的重要桯度，特別是荷馬的伊里亞德與奧德賽兩首史詩。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Greek culture", "sub_subsection": null, "prompt": "Explain the Greek culture about the Cultural perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "希臘語裡將愛此字用作數個不同的感官裡，如古希臘語裡的「philia」、「eros」、「agape」、「storge」與「xenia」。然而，希臘語與其他語言一樣，均是難以徹底分開這些字的含意。在古希臘語的聖經裡，「agapo」這個動詞與「phileo」有著同一解釋。「Agapē」 （ἀγάπη agápē） 在現代希臘語裡解為愛，而「s'agapo」這詞句解為我愛你，「agapo」這字解為我愛。其主要指純愛，而非事物外表吸引而產生的愛（eros）。然而，有時「agape」會與「eros」同義，其亦有時亦會譯為精神上的愛。「Eros」（ἔρως érōs） 解為性愛與激情，追求感官的享受與擁有。希臘語 erota 解為沐浴在愛河裡。柏拉圖將定義淨化，雖然eros為人最初的感覺，但其卻可成為鑑賞一個人擁有的美麗的根據。Eros幫助大腦記起何謂美麗，並使人明白到崇高的事實。愛人們與哲學家們均以eros來尋求真相。其有時亦會譯為肉體上的愛。「Philia」 （φιλία「philía」）在現代希臘語裡解為友誼，為冷靜且高尚的愛。亞里士多德在《尼各馬可倫理學》加以闡述。其包括了對朋友、家庭與社群的忠誠，並需要善良、平等與友善。Philia會因為現實原因而增進，使雙方均可由其關係裡得益。「Storge」 （στοργή「storgē」） 在現代希臘語裡解為家庭之愛，即父母對子女的愛。「Xenia」 （ξενία「philoxenía」）在現代希臘語裡解為殷勤，而在古代希臘則是極重要的習俗。這是主人對賓客的儀式化禮節，即使該賓客是陌生人。主人為賓客提供飲食與住宿，但所求的只是賓客的感謝而已。由希臘神話裡可看出這習俗的重要桯度，特別是荷馬的伊里亞德與奧德賽兩首史詩。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Greek culture", "sub_subsection": null, "prompt": "In Love, how is the Greek culture of the Cultural perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "希臘語裡將愛此字用作數個不同的感官裡，如古希臘語裡的「philia」、「eros」、「agape」、「storge」與「xenia」。然而，希臘語與其他語言一樣，均是難以徹底分開這些字的含意。在古希臘語的聖經裡，「agapo」這個動詞與「phileo」有著同一解釋。「Agapē」 （ἀγάπη agápē） 在現代希臘語裡解為愛，而「s'agapo」這詞句解為我愛你，「agapo」這字解為我愛。其主要指純愛，而非事物外表吸引而產生的愛（eros）。然而，有時「agape」會與「eros」同義，其亦有時亦會譯為精神上的愛。「Eros」（ἔρως érōs） 解為性愛與激情，追求感官的享受與擁有。希臘語 erota 解為沐浴在愛河裡。柏拉圖將定義淨化，雖然eros為人最初的感覺，但其卻可成為鑑賞一個人擁有的美麗的根據。Eros幫助大腦記起何謂美麗，並使人明白到崇高的事實。愛人們與哲學家們均以eros來尋求真相。其有時亦會譯為肉體上的愛。「Philia」 （φιλία「philía」）在現代希臘語裡解為友誼，為冷靜且高尚的愛。亞里士多德在《尼各馬可倫理學》加以闡述。其包括了對朋友、家庭與社群的忠誠，並需要善良、平等與友善。Philia會因為現實原因而增進，使雙方均可由其關係裡得益。「Storge」 （στοργή「storgē」） 在現代希臘語裡解為家庭之愛，即父母對子女的愛。「Xenia」 （ξενία「philoxenía」）在現代希臘語裡解為殷勤，而在古代希臘則是極重要的習俗。這是主人對賓客的儀式化禮節，即使該賓客是陌生人。主人為賓客提供飲食與住宿，但所求的只是賓客的感謝而已。由希臘神話裡可看出這習俗的重要桯度，特別是荷馬的伊里亞德與奧德賽兩首史詩。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Greek culture", "sub_subsection": null, "prompt": "Describe the characteristics of the Greek culture in Love's Cultural perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "希臘語裡將愛此字用作數個不同的感官裡，如古希臘語裡的「philia」、「eros」、「agape」、「storge」與「xenia」。然而，希臘語與其他語言一樣，均是難以徹底分開這些字的含意。在古希臘語的聖經裡，「agapo」這個動詞與「phileo」有著同一解釋。「Agapē」 （ἀγάπη agápē） 在現代希臘語裡解為愛，而「s'agapo」這詞句解為我愛你，「agapo」這字解為我愛。其主要指純愛，而非事物外表吸引而產生的愛（eros）。然而，有時「agape」會與「eros」同義，其亦有時亦會譯為精神上的愛。「Eros」（ἔρως érōs） 解為性愛與激情，追求感官的享受與擁有。希臘語 erota 解為沐浴在愛河裡。柏拉圖將定義淨化，雖然eros為人最初的感覺，但其卻可成為鑑賞一個人擁有的美麗的根據。Eros幫助大腦記起何謂美麗，並使人明白到崇高的事實。愛人們與哲學家們均以eros來尋求真相。其有時亦會譯為肉體上的愛。「Philia」 （φιλία「philía」）在現代希臘語裡解為友誼，為冷靜且高尚的愛。亞里士多德在《尼各馬可倫理學》加以闡述。其包括了對朋友、家庭與社群的忠誠，並需要善良、平等與友善。Philia會因為現實原因而增進，使雙方均可由其關係裡得益。「Storge」 （στοργή「storgē」） 在現代希臘語裡解為家庭之愛，即父母對子女的愛。「Xenia」 （ξενία「philoxenía」）在現代希臘語裡解為殷勤，而在古代希臘則是極重要的習俗。這是主人對賓客的儀式化禮節，即使該賓客是陌生人。主人為賓客提供飲食與住宿，但所求的只是賓客的感謝而已。由希臘神話裡可看出這習俗的重要桯度，特別是荷馬的伊里亞德與奧德賽兩首史詩。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Latin Culture", "sub_subsection": null, "prompt": "In the context of Love, explain the Latin Culture and the Cultural perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在拉丁文裡有著數個不同的詞匯對應中文裡的愛。「Amare」 是愛的基本動詞，而且仍在今日的義大利使用，羅馬人使用其作愛護或進行性愛之意。「amans」解為愛人，為情慾的附屬觀念，而「amica」則解為女朋友，但很多時亦解為妓女。其對應名詞「amor」則解為愛的事務或共赴巫山。而由此亦生成了「amicus」、「friend」與「amicitia」、「friendship」等在人際關係用詞，解為感激或影響。西賽羅寫了一篇名為友情（「de Amicitia」）的論文，討論了與此相關的概念。奧維德寫了一篇名為愛的藝術（「Ars Amatoria」）的指導文章，由婚外情至父母對子女的溺愛各方面皆有深刻描述。在拉丁文口語裡，「amare」亦解為喜歡，而「placere」或「delectare」這兩個書面語裡解為喜歡的字則較常在卡圖盧斯的愛情詩句裡使用。「Diligere」：解為尊重，較少在浪漫之愛裡使用。這個字可以通常用以形容兩個男性之間的友誼。其對應的名詞為「diligentia」，然而其有著努力、細心之意，與其動詞形態只有少量意義重疊。「Observare」：為「diligere」的同義字，其對應的名詞「observantia」亦解為尊重或影響。「Caritas」：在拉丁文聖經裡解為慈愛，但在古典羅馬非基督教文學裡卻無此解。因為其由希臘文字演變而得，所以並沒有對應的動詞。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Latin Culture", "sub_subsection": null, "prompt": "Explain the Latin Culture about the Cultural perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在拉丁文裡有著數個不同的詞匯對應中文裡的愛。「Amare」 是愛的基本動詞，而且仍在今日的義大利使用，羅馬人使用其作愛護或進行性愛之意。「amans」解為愛人，為情慾的附屬觀念，而「amica」則解為女朋友，但很多時亦解為妓女。其對應名詞「amor」則解為愛的事務或共赴巫山。而由此亦生成了「amicus」、「friend」與「amicitia」、「friendship」等在人際關係用詞，解為感激或影響。西賽羅寫了一篇名為友情（「de Amicitia」）的論文，討論了與此相關的概念。奧維德寫了一篇名為愛的藝術（「Ars Amatoria」）的指導文章，由婚外情至父母對子女的溺愛各方面皆有深刻描述。在拉丁文口語裡，「amare」亦解為喜歡，而「placere」或「delectare」這兩個書面語裡解為喜歡的字則較常在卡圖盧斯的愛情詩句裡使用。「Diligere」：解為尊重，較少在浪漫之愛裡使用。這個字可以通常用以形容兩個男性之間的友誼。其對應的名詞為「diligentia」，然而其有著努力、細心之意，與其動詞形態只有少量意義重疊。「Observare」：為「diligere」的同義字，其對應的名詞「observantia」亦解為尊重或影響。「Caritas」：在拉丁文聖經裡解為慈愛，但在古典羅馬非基督教文學裡卻無此解。因為其由希臘文字演變而得，所以並沒有對應的動詞。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Latin Culture", "sub_subsection": null, "prompt": "In Love, how is the Latin Culture of the Cultural perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在拉丁文裡有著數個不同的詞匯對應中文裡的愛。「Amare」 是愛的基本動詞，而且仍在今日的義大利使用，羅馬人使用其作愛護或進行性愛之意。「amans」解為愛人，為情慾的附屬觀念，而「amica」則解為女朋友，但很多時亦解為妓女。其對應名詞「amor」則解為愛的事務或共赴巫山。而由此亦生成了「amicus」、「friend」與「amicitia」、「friendship」等在人際關係用詞，解為感激或影響。西賽羅寫了一篇名為友情（「de Amicitia」）的論文，討論了與此相關的概念。奧維德寫了一篇名為愛的藝術（「Ars Amatoria」）的指導文章，由婚外情至父母對子女的溺愛各方面皆有深刻描述。在拉丁文口語裡，「amare」亦解為喜歡，而「placere」或「delectare」這兩個書面語裡解為喜歡的字則較常在卡圖盧斯的愛情詩句裡使用。「Diligere」：解為尊重，較少在浪漫之愛裡使用。這個字可以通常用以形容兩個男性之間的友誼。其對應的名詞為「diligentia」，然而其有著努力、細心之意，與其動詞形態只有少量意義重疊。「Observare」：為「diligere」的同義字，其對應的名詞「observantia」亦解為尊重或影響。「Caritas」：在拉丁文聖經裡解為慈愛，但在古典羅馬非基督教文學裡卻無此解。因為其由希臘文字演變而得，所以並沒有對應的動詞。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Cultural perspective", "subsection": "Latin Culture", "sub_subsection": null, "prompt": "Describe the characteristics of the Latin Culture in Love's Cultural perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在拉丁文裡有著數個不同的詞匯對應中文裡的愛。「Amare」 是愛的基本動詞，而且仍在今日的義大利使用，羅馬人使用其作愛護或進行性愛之意。「amans」解為愛人，為情慾的附屬觀念，而「amica」則解為女朋友，但很多時亦解為妓女。其對應名詞「amor」則解為愛的事務或共赴巫山。而由此亦生成了「amicus」、「friend」與「amicitia」、「friendship」等在人際關係用詞，解為感激或影響。西賽羅寫了一篇名為友情（「de Amicitia」）的論文，討論了與此相關的概念。奧維德寫了一篇名為愛的藝術（「Ars Amatoria」）的指導文章，由婚外情至父母對子女的溺愛各方面皆有深刻描述。在拉丁文口語裡，「amare」亦解為喜歡，而「placere」或「delectare」這兩個書面語裡解為喜歡的字則較常在卡圖盧斯的愛情詩句裡使用。「Diligere」：解為尊重，較少在浪漫之愛裡使用。這個字可以通常用以形容兩個男性之間的友誼。其對應的名詞為「diligentia」，然而其有著努力、細心之意，與其動詞形態只有少量意義重疊。「Observare」：為「diligere」的同義字，其對應的名詞「observantia」亦解為尊重或影響。「Caritas」：在拉丁文聖經裡解為慈愛，但在古典羅馬非基督教文學裡卻無此解。因為其由希臘文字演變而得，所以並沒有對應的動詞。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": null, "sub_subsection": null, "prompt": "Focus on Love and explain the Religious perspective.Please output in Chinese.", "template": "en_template1_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "宗教對於愛是否與人際間的愛相類，在哲學上是一個大論題。宗教的愛可能被當為委婉，作為尊敬與順從的表達。很多宗教使用愛這個字來表達信徒對該宗教應有的虔誠，這種愛可以藉由禱告、服務、良好品行與個人犧性表現。相對地，信徒可能會相信神愛信徒與所有生命。部份傳統宗教鼓勵信徒對其宗教信仰要顯得熱誠，作為愛的表現。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": null, "sub_subsection": null, "prompt": "Explain the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "宗教對於愛是否與人際間的愛相類，在哲學上是一個大論題。宗教的愛可能被當為委婉，作為尊敬與順從的表達。很多宗教使用愛這個字來表達信徒對該宗教應有的虔誠，這種愛可以藉由禱告、服務、良好品行與個人犧性表現。相對地，信徒可能會相信神愛信徒與所有生命。部份傳統宗教鼓勵信徒對其宗教信仰要顯得熱誠，作為愛的表現。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": null, "sub_subsection": null, "prompt": "How does Love explain its Religious perspective?Please output in Chinese.", "template": "en_template3_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "宗教對於愛是否與人際間的愛相類，在哲學上是一個大論題。宗教的愛可能被當為委婉，作為尊敬與順從的表達。很多宗教使用愛這個字來表達信徒對該宗教應有的虔誠，這種愛可以藉由禱告、服務、良好品行與個人犧性表現。相對地，信徒可能會相信神愛信徒與所有生命。部份傳統宗教鼓勵信徒對其宗教信仰要顯得熱誠，作為愛的表現。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": null, "sub_subsection": null, "prompt": "In Love, how is the Religious perspective discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "宗教對於愛是否與人際間的愛相類，在哲學上是一個大論題。宗教的愛可能被當為委婉，作為尊敬與順從的表達。很多宗教使用愛這個字來表達信徒對該宗教應有的虔誠，這種愛可以藉由禱告、服務、良好品行與個人犧性表現。相對地，信徒可能會相信神愛信徒與所有生命。部份傳統宗教鼓勵信徒對其宗教信仰要顯得熱誠，作為愛的表現。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Buddhism", "sub_subsection": null, "prompt": "In the context of Love, explain the Buddhism and the Religious perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在佛教裡，「慾愛」（तृष्णा）是感官與慾望的愛，其為通往開悟的阻礙，因為其有著自私性質。「悲無量心」是憐憫與仁慈之心（慈悲），以減少他人痛苦。其與智慧（प्रज्ञापारमिता）互補，是通往開悟的必要條件。「無瞋」與「慈」為仁愛。這種愛無條件限制，並需要具有自我接受的能力。其與平常只管吸引與性的愛不同，其著重無私心存在。所以其在佛教裡解為超然與無私。在佛教裡，菩薩亦會自我超越，以脫離世俗的苦難。其有著無私的愛，以拯救世人。《證嚴法師》 認為 ：愛不是口號，要身體力行。               ----《證嚴法師》靜思語集錦22"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Buddhism", "sub_subsection": null, "prompt": "Explain the Buddhism about the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在佛教裡，「慾愛」（तृष्णा）是感官與慾望的愛，其為通往開悟的阻礙，因為其有著自私性質。「悲無量心」是憐憫與仁慈之心（慈悲），以減少他人痛苦。其與智慧（प्रज्ञापारमिता）互補，是通往開悟的必要條件。「無瞋」與「慈」為仁愛。這種愛無條件限制，並需要具有自我接受的能力。其與平常只管吸引與性的愛不同，其著重無私心存在。所以其在佛教裡解為超然與無私。在佛教裡，菩薩亦會自我超越，以脫離世俗的苦難。其有著無私的愛，以拯救世人。《證嚴法師》 認為 ：愛不是口號，要身體力行。               ----《證嚴法師》靜思語集錦22"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Buddhism", "sub_subsection": null, "prompt": "In Love, how is the Buddhism of the Religious perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在佛教裡，「慾愛」（तृष्णा）是感官與慾望的愛，其為通往開悟的阻礙，因為其有著自私性質。「悲無量心」是憐憫與仁慈之心（慈悲），以減少他人痛苦。其與智慧（प्रज्ञापारमिता）互補，是通往開悟的必要條件。「無瞋」與「慈」為仁愛。這種愛無條件限制，並需要具有自我接受的能力。其與平常只管吸引與性的愛不同，其著重無私心存在。所以其在佛教裡解為超然與無私。在佛教裡，菩薩亦會自我超越，以脫離世俗的苦難。其有著無私的愛，以拯救世人。《證嚴法師》 認為 ：愛不是口號，要身體力行。               ----《證嚴法師》靜思語集錦22"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Buddhism", "sub_subsection": null, "prompt": "Describe the characteristics of the Buddhism in Love's Religious perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在佛教裡，「慾愛」（तृष्णा）是感官與慾望的愛，其為通往開悟的阻礙，因為其有著自私性質。「悲無量心」是憐憫與仁慈之心（慈悲），以減少他人痛苦。其與智慧（प्रज्ञापारमिता）互補，是通往開悟的必要條件。「無瞋」與「慈」為仁愛。這種愛無條件限制，並需要具有自我接受的能力。其與平常只管吸引與性的愛不同，其著重無私心存在。所以其在佛教裡解為超然與無私。在佛教裡，菩薩亦會自我超越，以脫離世俗的苦難。其有著無私的愛，以拯救世人。《證嚴法師》 認為 ：愛不是口號，要身體力行。               ----《證嚴法師》靜思語集錦22"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Christianity", "sub_subsection": null, "prompt": "In the context of Love, explain the Christianity and the Religious perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在基督教《圣经》裡有著數個希臘语词解作“愛”。聖愛（ἀγάπη）——在《新約聖經》裡，聖愛解為仁慈、無私、利他與無條件的愛。其為神創造萬物裡的父愛，顯示神愛世人，亦被認為是基督徒對其他人應有的愛。友愛（φιλία）——在《新約聖經》裡，友愛是人們喜悅之情，亦被解為手足之情。此外兩個用於表達愛的希臘文字——性愛（ἔρως）與家庭之愛（στοργή）卻從未在《新約聖經》出現。C·S·刘易斯，一位有影響力的基督教神學家，寫了一本書名為《四種愛》。在聖經裡耶穌說最大的戒律為「你要盡心、盡性、盡意、盡力、愛主你的神。」因為這是第一要緊的，而「其次、就是說、要愛人如己。」（神最偉大的兩條戒律，參看《马可福音》第12章第28-34节）。聖奧古斯丁將此總結為盡您所能去愛上帝。保羅在《哥林多前书》第13章裡稱讚仁愛為人類最重要的美德，他認為：（Love is patient and kind; love does not envy or boast; it is not arrogant or rude. It does not insist on its own way; it is not irritable or resentful;it does not rejoice at wrongdoing, but rejoices with the truth.Love bears all things, believes all things, hopes all things, endures all things.Love never ends. As for prophecies, they will pass away; as for tongues, they will cease; as for knowledge, it will pass away.）基督徒相信神對世人充滿仁愛，並為世人犧牲其兒子。使徒约翰寫道：很多基督教神學家將神視為愛的根源。神就是愛，但愛不是神，而愛僅能是神的一項特質。神賦予人愛的能力，而神對人的愛有兩種關係讓人們藉以體會與比擬：父對子的親情關係：恆忍的教育與啟發引導。未婚夫對未婚妻的愛情關係：準備新房諭示未來的美好。但實際上神對人的愛遠超出上兩種關係，基於愛，神冒險將自由意志放進人裡面，並願以死付代價挽回對方的背叛，要以此顯明神恆久的愛供應人心並且分賜給更多的人(夫妻、親人、朋友、外人、仇敵)。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Christianity", "sub_subsection": null, "prompt": "Explain the Christianity about the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在基督教《圣经》裡有著數個希臘语词解作“愛”。聖愛（ἀγάπη）——在《新約聖經》裡，聖愛解為仁慈、無私、利他與無條件的愛。其為神創造萬物裡的父愛，顯示神愛世人，亦被認為是基督徒對其他人應有的愛。友愛（φιλία）——在《新約聖經》裡，友愛是人們喜悅之情，亦被解為手足之情。此外兩個用於表達愛的希臘文字——性愛（ἔρως）與家庭之愛（στοργή）卻從未在《新約聖經》出現。C·S·刘易斯，一位有影響力的基督教神學家，寫了一本書名為《四種愛》。在聖經裡耶穌說最大的戒律為「你要盡心、盡性、盡意、盡力、愛主你的神。」因為這是第一要緊的，而「其次、就是說、要愛人如己。」（神最偉大的兩條戒律，參看《马可福音》第12章第28-34节）。聖奧古斯丁將此總結為盡您所能去愛上帝。保羅在《哥林多前书》第13章裡稱讚仁愛為人類最重要的美德，他認為：（Love is patient and kind; love does not envy or boast; it is not arrogant or rude. It does not insist on its own way; it is not irritable or resentful;it does not rejoice at wrongdoing, but rejoices with the truth.Love bears all things, believes all things, hopes all things, endures all things.Love never ends. As for prophecies, they will pass away; as for tongues, they will cease; as for knowledge, it will pass away.）基督徒相信神對世人充滿仁愛，並為世人犧牲其兒子。使徒约翰寫道：很多基督教神學家將神視為愛的根源。神就是愛，但愛不是神，而愛僅能是神的一項特質。神賦予人愛的能力，而神對人的愛有兩種關係讓人們藉以體會與比擬：父對子的親情關係：恆忍的教育與啟發引導。未婚夫對未婚妻的愛情關係：準備新房諭示未來的美好。但實際上神對人的愛遠超出上兩種關係，基於愛，神冒險將自由意志放進人裡面，並願以死付代價挽回對方的背叛，要以此顯明神恆久的愛供應人心並且分賜給更多的人(夫妻、親人、朋友、外人、仇敵)。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Christianity", "sub_subsection": null, "prompt": "In Love, how is the Christianity of the Religious perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在基督教《圣经》裡有著數個希臘语词解作“愛”。聖愛（ἀγάπη）——在《新約聖經》裡，聖愛解為仁慈、無私、利他與無條件的愛。其為神創造萬物裡的父愛，顯示神愛世人，亦被認為是基督徒對其他人應有的愛。友愛（φιλία）——在《新約聖經》裡，友愛是人們喜悅之情，亦被解為手足之情。此外兩個用於表達愛的希臘文字——性愛（ἔρως）與家庭之愛（στοργή）卻從未在《新約聖經》出現。C·S·刘易斯，一位有影響力的基督教神學家，寫了一本書名為《四種愛》。在聖經裡耶穌說最大的戒律為「你要盡心、盡性、盡意、盡力、愛主你的神。」因為這是第一要緊的，而「其次、就是說、要愛人如己。」（神最偉大的兩條戒律，參看《马可福音》第12章第28-34节）。聖奧古斯丁將此總結為盡您所能去愛上帝。保羅在《哥林多前书》第13章裡稱讚仁愛為人類最重要的美德，他認為：（Love is patient and kind; love does not envy or boast; it is not arrogant or rude. It does not insist on its own way; it is not irritable or resentful;it does not rejoice at wrongdoing, but rejoices with the truth.Love bears all things, believes all things, hopes all things, endures all things.Love never ends. As for prophecies, they will pass away; as for tongues, they will cease; as for knowledge, it will pass away.）基督徒相信神對世人充滿仁愛，並為世人犧牲其兒子。使徒约翰寫道：很多基督教神學家將神視為愛的根源。神就是愛，但愛不是神，而愛僅能是神的一項特質。神賦予人愛的能力，而神對人的愛有兩種關係讓人們藉以體會與比擬：父對子的親情關係：恆忍的教育與啟發引導。未婚夫對未婚妻的愛情關係：準備新房諭示未來的美好。但實際上神對人的愛遠超出上兩種關係，基於愛，神冒險將自由意志放進人裡面，並願以死付代價挽回對方的背叛，要以此顯明神恆久的愛供應人心並且分賜給更多的人(夫妻、親人、朋友、外人、仇敵)。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Christianity", "sub_subsection": null, "prompt": "Describe the characteristics of the Christianity in Love's Religious perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在基督教《圣经》裡有著數個希臘语词解作“愛”。聖愛（ἀγάπη）——在《新約聖經》裡，聖愛解為仁慈、無私、利他與無條件的愛。其為神創造萬物裡的父愛，顯示神愛世人，亦被認為是基督徒對其他人應有的愛。友愛（φιλία）——在《新約聖經》裡，友愛是人們喜悅之情，亦被解為手足之情。此外兩個用於表達愛的希臘文字——性愛（ἔρως）與家庭之愛（στοργή）卻從未在《新約聖經》出現。C·S·刘易斯，一位有影響力的基督教神學家，寫了一本書名為《四種愛》。在聖經裡耶穌說最大的戒律為「你要盡心、盡性、盡意、盡力、愛主你的神。」因為這是第一要緊的，而「其次、就是說、要愛人如己。」（神最偉大的兩條戒律，參看《马可福音》第12章第28-34节）。聖奧古斯丁將此總結為盡您所能去愛上帝。保羅在《哥林多前书》第13章裡稱讚仁愛為人類最重要的美德，他認為：（Love is patient and kind; love does not envy or boast; it is not arrogant or rude. It does not insist on its own way; it is not irritable or resentful;it does not rejoice at wrongdoing, but rejoices with the truth.Love bears all things, believes all things, hopes all things, endures all things.Love never ends. As for prophecies, they will pass away; as for tongues, they will cease; as for knowledge, it will pass away.）基督徒相信神對世人充滿仁愛，並為世人犧牲其兒子。使徒约翰寫道：很多基督教神學家將神視為愛的根源。神就是愛，但愛不是神，而愛僅能是神的一項特質。神賦予人愛的能力，而神對人的愛有兩種關係讓人們藉以體會與比擬：父對子的親情關係：恆忍的教育與啟發引導。未婚夫對未婚妻的愛情關係：準備新房諭示未來的美好。但實際上神對人的愛遠超出上兩種關係，基於愛，神冒險將自由意志放進人裡面，並願以死付代價挽回對方的背叛，要以此顯明神恆久的愛供應人心並且分賜給更多的人(夫妻、親人、朋友、外人、仇敵)。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Hinduism", "sub_subsection": null, "prompt": "In the context of Love, explain the Hinduism and the Religious perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在印度教裡，欲樂（काम）為喜悅與情慾的愛。與「欲樂」相對的是「prema」或「prem」解為崇高的愛。慈悲(करुणा)是憐憫之愛，是為了減少其他人的苦難而產生的。奉爱（भक्ति）為印度教梵文，解為虔愛超越的神。做到這功夫的人被稱為「bhakta」。印度教作家、神學家與哲學家將bhakti分為九種不同的虔愛方法。而由佚名作者所著的《納茹阿達－巴克提－蘇陀》則將愛分為十一種。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Hinduism", "sub_subsection": null, "prompt": "Explain the Hinduism about the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在印度教裡，欲樂（काम）為喜悅與情慾的愛。與「欲樂」相對的是「prema」或「prem」解為崇高的愛。慈悲(करुणा)是憐憫之愛，是為了減少其他人的苦難而產生的。奉爱（भक्ति）為印度教梵文，解為虔愛超越的神。做到這功夫的人被稱為「bhakta」。印度教作家、神學家與哲學家將bhakti分為九種不同的虔愛方法。而由佚名作者所著的《納茹阿達－巴克提－蘇陀》則將愛分為十一種。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Hinduism", "sub_subsection": null, "prompt": "In Love, how is the Hinduism of the Religious perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在印度教裡，欲樂（काम）為喜悅與情慾的愛。與「欲樂」相對的是「prema」或「prem」解為崇高的愛。慈悲(करुणा)是憐憫之愛，是為了減少其他人的苦難而產生的。奉爱（भक्ति）為印度教梵文，解為虔愛超越的神。做到這功夫的人被稱為「bhakta」。印度教作家、神學家與哲學家將bhakti分為九種不同的虔愛方法。而由佚名作者所著的《納茹阿達－巴克提－蘇陀》則將愛分為十一種。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Hinduism", "sub_subsection": null, "prompt": "Describe the characteristics of the Hinduism in Love's Religious perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在印度教裡，欲樂（काम）為喜悅與情慾的愛。與「欲樂」相對的是「prema」或「prem」解為崇高的愛。慈悲(करुणा)是憐憫之愛，是為了減少其他人的苦難而產生的。奉爱（भक्ति）為印度教梵文，解為虔愛超越的神。做到這功夫的人被稱為「bhakta」。印度教作家、神學家與哲學家將bhakti分為九種不同的虔愛方法。而由佚名作者所著的《納茹阿達－巴克提－蘇陀》則將愛分為十一種。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Islam", "sub_subsection": null, "prompt": "In the context of Love, explain the Islam and the Religious perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "伊斯蘭教信徒視所有相信真主的人為手足，對其充滿友愛。雖然沒有特定參考資料指其真主愛世人，但在真主的九十九種名稱裡，則有「Al-Wadud」這名字，即充滿愛的，在《古蘭經》11:90章與85:14章裡提到。其認為真主是充滿慈愛的。「Ishq」（عشق‎），在伊斯蘭教裡神的愛，為蘇菲主義所強調。蘇菲相信愛是神本體對世界的投射。因為世上萬事萬物皆是神的倒影，所以即使外表醜陋，內在亦存在良善的部份，因此以蘇菲主義為辦學宗旨的學校會訓練學生由外表醜陋的東西裡看出美麗。蘇菲主義裡的神會愛人、被愛與受到愛戴。普遍認為蘇菲主義是為了通由愛人而使人回復本來良善的特性。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Islam", "sub_subsection": null, "prompt": "Explain the Islam about the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "伊斯蘭教信徒視所有相信真主的人為手足，對其充滿友愛。雖然沒有特定參考資料指其真主愛世人，但在真主的九十九種名稱裡，則有「Al-Wadud」這名字，即充滿愛的，在《古蘭經》11:90章與85:14章裡提到。其認為真主是充滿慈愛的。「Ishq」（عشق‎），在伊斯蘭教裡神的愛，為蘇菲主義所強調。蘇菲相信愛是神本體對世界的投射。因為世上萬事萬物皆是神的倒影，所以即使外表醜陋，內在亦存在良善的部份，因此以蘇菲主義為辦學宗旨的學校會訓練學生由外表醜陋的東西裡看出美麗。蘇菲主義裡的神會愛人、被愛與受到愛戴。普遍認為蘇菲主義是為了通由愛人而使人回復本來良善的特性。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Islam", "sub_subsection": null, "prompt": "In Love, how is the Islam of the Religious perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "伊斯蘭教信徒視所有相信真主的人為手足，對其充滿友愛。雖然沒有特定參考資料指其真主愛世人，但在真主的九十九種名稱裡，則有「Al-Wadud」這名字，即充滿愛的，在《古蘭經》11:90章與85:14章裡提到。其認為真主是充滿慈愛的。「Ishq」（عشق‎），在伊斯蘭教裡神的愛，為蘇菲主義所強調。蘇菲相信愛是神本體對世界的投射。因為世上萬事萬物皆是神的倒影，所以即使外表醜陋，內在亦存在良善的部份，因此以蘇菲主義為辦學宗旨的學校會訓練學生由外表醜陋的東西裡看出美麗。蘇菲主義裡的神會愛人、被愛與受到愛戴。普遍認為蘇菲主義是為了通由愛人而使人回復本來良善的特性。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Islam", "sub_subsection": null, "prompt": "Describe the characteristics of the Islam in Love's Religious perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "伊斯蘭教信徒視所有相信真主的人為手足，對其充滿友愛。雖然沒有特定參考資料指其真主愛世人，但在真主的九十九種名稱裡，則有「Al-Wadud」這名字，即充滿愛的，在《古蘭經》11:90章與85:14章裡提到。其認為真主是充滿慈愛的。「Ishq」（عشق‎），在伊斯蘭教裡神的愛，為蘇菲主義所強調。蘇菲相信愛是神本體對世界的投射。因為世上萬事萬物皆是神的倒影，所以即使外表醜陋，內在亦存在良善的部份，因此以蘇菲主義為辦學宗旨的學校會訓練學生由外表醜陋的東西裡看出美麗。蘇菲主義裡的神會愛人、被愛與受到愛戴。普遍認為蘇菲主義是為了通由愛人而使人回復本來良善的特性。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Judaism", "sub_subsection": null, "prompt": "In the context of Love, explain the Judaism and the Religious perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在希伯來語裡，「Ahava」（אהבה‎）為最常用的代表人際間的愛與神的愛的詞匯。其他相關但不相似的詞匯有 「Chen」（רחמים‎，Mercy，慈悲）與「Chesed」（חסד‎），其合併了慈愛與憐憫兩個意義。猶太教的愛定義廣闊，涵蓋了人際間的愛與神和人之間的愛。對於前者，摩西五經裡寫道，「愛人如己」（利未記 19:18）。對於後者，摩西五經裡提出人類應該「要盡心、盡性、盡力、愛耶和華你的神。」（申命記 6:5）。對於夫婦之間的愛，其認為是生活必須的組合成份之一：「當同你所愛的妻、快活度日。」（傳道書 9:9）。聖經典故裡的雅歌表面上為情歌，實際上是隱喻神與世人間之愛。二十世紀的猶太教學者迪斯薩（Eliyahu Eliezer Dessler）提出愛是無私的奉獻，不會計較回報。而浪漫之愛「per se」在猶太文學裡則只有少量回響，這可能因為中世紀的猶太教學者犹大·哈列维在其年青時代以阿拉伯文編寫了數首浪漫詩句（其後其顯得甚為後悔）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Judaism", "sub_subsection": null, "prompt": "Explain the Judaism about the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在希伯來語裡，「Ahava」（אהבה‎）為最常用的代表人際間的愛與神的愛的詞匯。其他相關但不相似的詞匯有 「Chen」（רחמים‎，Mercy，慈悲）與「Chesed」（חסד‎），其合併了慈愛與憐憫兩個意義。猶太教的愛定義廣闊，涵蓋了人際間的愛與神和人之間的愛。對於前者，摩西五經裡寫道，「愛人如己」（利未記 19:18）。對於後者，摩西五經裡提出人類應該「要盡心、盡性、盡力、愛耶和華你的神。」（申命記 6:5）。對於夫婦之間的愛，其認為是生活必須的組合成份之一：「當同你所愛的妻、快活度日。」（傳道書 9:9）。聖經典故裡的雅歌表面上為情歌，實際上是隱喻神與世人間之愛。二十世紀的猶太教學者迪斯薩（Eliyahu Eliezer Dessler）提出愛是無私的奉獻，不會計較回報。而浪漫之愛「per se」在猶太文學裡則只有少量回響，這可能因為中世紀的猶太教學者犹大·哈列维在其年青時代以阿拉伯文編寫了數首浪漫詩句（其後其顯得甚為後悔）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Judaism", "sub_subsection": null, "prompt": "In Love, how is the Judaism of the Religious perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在希伯來語裡，「Ahava」（אהבה‎）為最常用的代表人際間的愛與神的愛的詞匯。其他相關但不相似的詞匯有 「Chen」（רחמים‎，Mercy，慈悲）與「Chesed」（חסד‎），其合併了慈愛與憐憫兩個意義。猶太教的愛定義廣闊，涵蓋了人際間的愛與神和人之間的愛。對於前者，摩西五經裡寫道，「愛人如己」（利未記 19:18）。對於後者，摩西五經裡提出人類應該「要盡心、盡性、盡力、愛耶和華你的神。」（申命記 6:5）。對於夫婦之間的愛，其認為是生活必須的組合成份之一：「當同你所愛的妻、快活度日。」（傳道書 9:9）。聖經典故裡的雅歌表面上為情歌，實際上是隱喻神與世人間之愛。二十世紀的猶太教學者迪斯薩（Eliyahu Eliezer Dessler）提出愛是無私的奉獻，不會計較回報。而浪漫之愛「per se」在猶太文學裡則只有少量回響，這可能因為中世紀的猶太教學者犹大·哈列维在其年青時代以阿拉伯文編寫了數首浪漫詩句（其後其顯得甚為後悔）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Judaism", "sub_subsection": null, "prompt": "Describe the characteristics of the Judaism in Love's Religious perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "在希伯來語裡，「Ahava」（אהבה‎）為最常用的代表人際間的愛與神的愛的詞匯。其他相關但不相似的詞匯有 「Chen」（רחמים‎，Mercy，慈悲）與「Chesed」（חסד‎），其合併了慈愛與憐憫兩個意義。猶太教的愛定義廣闊，涵蓋了人際間的愛與神和人之間的愛。對於前者，摩西五經裡寫道，「愛人如己」（利未記 19:18）。對於後者，摩西五經裡提出人類應該「要盡心、盡性、盡力、愛耶和華你的神。」（申命記 6:5）。對於夫婦之間的愛，其認為是生活必須的組合成份之一：「當同你所愛的妻、快活度日。」（傳道書 9:9）。聖經典故裡的雅歌表面上為情歌，實際上是隱喻神與世人間之愛。二十世紀的猶太教學者迪斯薩（Eliyahu Eliezer Dessler）提出愛是無私的奉獻，不會計較回報。而浪漫之愛「per se」在猶太文學裡則只有少量回響，這可能因為中世紀的猶太教學者犹大·哈列维在其年青時代以阿拉伯文編寫了數首浪漫詩句（其後其顯得甚為後悔）。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "The Myth of Love", "sub_subsection": null, "prompt": "In the context of Love, explain the The Myth of Love and the Religious perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "很多文化將愛神格化，並以男與女的形態顯現，這裡列出不同神話裡的愛神。安妮（Áine）——愛爾蘭神話裡象徵生育與激情之女神阿莫爾（Amor）或丘比特（Cupid）——羅馬神話裡象徵激情之神。安格斯(Aonghus或Aengus)— 愛爾蘭神話裡象徵美麗、年輕與肉慾之愛的神愛芙羅黛蒂（Aphrodite）——希臘神話裡象徵美麗與激情的女神阿斯塔蒂（Astarte）——迦南神話裡象徵愛的女神厄洛斯（Eros）——希臘神話裡象徵激情之神弗蕾亚（Freya）——挪威神話裡愛與春天女神伊南娜（Inanna）——蘇美神話裡象徵愛與戰爭的女神伊絲塔（Ishtar）——巴比倫神話裡象徵愛與戰爭的女神伽摩（Kama）——印度教神話裡的象徵肉慾的神。拉提（Rati）——印度教神話裡象徵激情的女神維納斯（Venus）——羅馬神話裡象徵美麗與激情的女神花神（Xochipilli）——阿茲提克神話裡的神安忒亞（Antheia）——克里特神話裡象徵愛、花朵、園林與沼澤的神。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "The Myth of Love", "sub_subsection": null, "prompt": "Explain the The Myth of Love about the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "很多文化將愛神格化，並以男與女的形態顯現，這裡列出不同神話裡的愛神。安妮（Áine）——愛爾蘭神話裡象徵生育與激情之女神阿莫爾（Amor）或丘比特（Cupid）——羅馬神話裡象徵激情之神。安格斯(Aonghus或Aengus)— 愛爾蘭神話裡象徵美麗、年輕與肉慾之愛的神愛芙羅黛蒂（Aphrodite）——希臘神話裡象徵美麗與激情的女神阿斯塔蒂（Astarte）——迦南神話裡象徵愛的女神厄洛斯（Eros）——希臘神話裡象徵激情之神弗蕾亚（Freya）——挪威神話裡愛與春天女神伊南娜（Inanna）——蘇美神話裡象徵愛與戰爭的女神伊絲塔（Ishtar）——巴比倫神話裡象徵愛與戰爭的女神伽摩（Kama）——印度教神話裡的象徵肉慾的神。拉提（Rati）——印度教神話裡象徵激情的女神維納斯（Venus）——羅馬神話裡象徵美麗與激情的女神花神（Xochipilli）——阿茲提克神話裡的神安忒亞（Antheia）——克里特神話裡象徵愛、花朵、園林與沼澤的神。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "The Myth of Love", "sub_subsection": null, "prompt": "In Love, how is the The Myth of Love of the Religious perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "很多文化將愛神格化，並以男與女的形態顯現，這裡列出不同神話裡的愛神。安妮（Áine）——愛爾蘭神話裡象徵生育與激情之女神阿莫爾（Amor）或丘比特（Cupid）——羅馬神話裡象徵激情之神。安格斯(Aonghus或Aengus)— 愛爾蘭神話裡象徵美麗、年輕與肉慾之愛的神愛芙羅黛蒂（Aphrodite）——希臘神話裡象徵美麗與激情的女神阿斯塔蒂（Astarte）——迦南神話裡象徵愛的女神厄洛斯（Eros）——希臘神話裡象徵激情之神弗蕾亚（Freya）——挪威神話裡愛與春天女神伊南娜（Inanna）——蘇美神話裡象徵愛與戰爭的女神伊絲塔（Ishtar）——巴比倫神話裡象徵愛與戰爭的女神伽摩（Kama）——印度教神話裡的象徵肉慾的神。拉提（Rati）——印度教神話裡象徵激情的女神維納斯（Venus）——羅馬神話裡象徵美麗與激情的女神花神（Xochipilli）——阿茲提克神話裡的神安忒亞（Antheia）——克里特神話裡象徵愛、花朵、園林與沼澤的神。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "The Myth of Love", "sub_subsection": null, "prompt": "Describe the characteristics of the The Myth of Love in Love's Religious perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "很多文化將愛神格化，並以男與女的形態顯現，這裡列出不同神話裡的愛神。安妮（Áine）——愛爾蘭神話裡象徵生育與激情之女神阿莫爾（Amor）或丘比特（Cupid）——羅馬神話裡象徵激情之神。安格斯(Aonghus或Aengus)— 愛爾蘭神話裡象徵美麗、年輕與肉慾之愛的神愛芙羅黛蒂（Aphrodite）——希臘神話裡象徵美麗與激情的女神阿斯塔蒂（Astarte）——迦南神話裡象徵愛的女神厄洛斯（Eros）——希臘神話裡象徵激情之神弗蕾亚（Freya）——挪威神話裡愛與春天女神伊南娜（Inanna）——蘇美神話裡象徵愛與戰爭的女神伊絲塔（Ishtar）——巴比倫神話裡象徵愛與戰爭的女神伽摩（Kama）——印度教神話裡的象徵肉慾的神。拉提（Rati）——印度教神話裡象徵激情的女神維納斯（Venus）——羅馬神話裡象徵美麗與激情的女神花神（Xochipilli）——阿茲提克神話裡的神安忒亞（Antheia）——克里特神話裡象徵愛、花朵、園林與沼澤的神。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Theological perspective", "sub_subsection": null, "prompt": "In the context of Love, explain the Theological perspective and the Religious perspective.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "即使在一神教裡，神亦是愛的象徵，此外，亦經常有如天使或相似的東西象徵愛。漢尼爾（Haniel）——維納斯所派的天使，亦是厄洛斯所派的天使。拉斐爾（Raphael）——在希臘神話裡是純愛的天使。彌爾（Mihr）——波斯神話裡的愛的天使。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Theological perspective", "sub_subsection": null, "prompt": "Explain the Theological perspective about the Religious perspective of this artwork, Love.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "即使在一神教裡，神亦是愛的象徵，此外，亦經常有如天使或相似的東西象徵愛。漢尼爾（Haniel）——維納斯所派的天使，亦是厄洛斯所派的天使。拉斐爾（Raphael）——在希臘神話裡是純愛的天使。彌爾（Mihr）——波斯神話裡的愛的天使。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Theological perspective", "sub_subsection": null, "prompt": "In Love, how is the Theological perspective of the Religious perspective explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "即使在一神教裡，神亦是愛的象徵，此外，亦經常有如天使或相似的東西象徵愛。漢尼爾（Haniel）——維納斯所派的天使，亦是厄洛斯所派的天使。拉斐爾（Raphael）——在希臘神話裡是純愛的天使。彌爾（Mihr）——波斯神話裡的愛的天使。"}
{"title": "Love", "srclang_title": "愛", "en_title": "Love & Loss", "pageid": "233839", "page_rank": 4361, "page_url": "https://zh.wikipedia.org/wiki/%E6%84%9B", "image_url": null, "section": "Religious perspective", "subsection": "Theological perspective", "sub_subsection": null, "prompt": "Describe the characteristics of the Theological perspective in Love's Religious perspective.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["中國大陸", "恨", "哲学", "文化", "愛國主義", "花神", "希波的奥古斯丁", "厄洛斯", "愛心", "同性戀", "土居健郎", "愛意", "《尼各馬可倫理學》", "Chesed", "日本佛教", "奥德赛", "墨家", "荷爾蒙", "伽摩", "承諾", "希腊神话", "汉语", "自負", "情慾", "迷戀", "菩薩", "性愛", "吸引", "後悔", "緋聞", "伊南娜", "奧德賽", "柏拉圖式戀愛", "友愛", "現實之愛", "應試教育", "哥林多前書", "柏拉圖", "柏拉圖式愛情", "友情", "不同語言裡的我愛你", "词汇", "俗字", "神學家", "親密", "[[心形符號", "博爱", "Xenia", "博愛", "感情", "女朋友", "依附之愛", "Mercy", "动物", "傳媒", "靈魂", "File:baglione.jpg", "慾望", "爱人", "慈 (佛教)", "哲學", " ", "解釋", "维基共享资源", "食物", "心部", "聖經", "战国时期", "安格斯", "躁狂", "激情", "精神", "依附理論", "宗教", "愛國心", "孝", "情人", "梵语", "波斯神話", "維納斯", "周保松", "飢餓", "愛的風格", "希臘语", "人", "亲密关系", "依附", "費雪", "孫中山", "神明", "拉斐爾", "祷告", "家庭", "印度教神話", "一夜情", "古兰经", "慈", "童戀", "欽佩", "言語", "傳道書", "詞彙", "男朋友", "沙皮亚-沃尔福假设", "摩西五經", "我愛你", "美德", "由天鵝組成的愛心，很多人視這為兩人相愛的象徵", "性交", "300px", "饥饿", "thumb", "情信", "語言與言語", "right", "孙中山", "魅力", "六慾", "保罗", "性感", "遊戲之愛", "親情", "催产素", "天使", "化学反应", "Wiktionary:I love you", "約翰 (使徒)", "一神教", "报章", "強迫觀念-強迫行為症", "情绪", "仁", "母愛", "漢尼爾", "拉提", "犹太教", "動物", "愛芙羅黛蒂", "快樂", "罗马神话", "貨幣", "心", "墨子", "痛苦", "戰國", "親族", "Category:愛", "约翰福音第3章第16节", "柏拉图", "File:SwansHeart.jpg", "害羞", "挪威神話", "情慾之愛", "200px", "妒忌", "撒嬌", "戀", "早恋", "早戀", "悲 (佛教)", "條件", "简化字", "蘇美神話", "利他之愛", "西方", "深戀感", "依恋", "古蘭經", "信息素", "中華文化", "保羅", "猶太教", "抑鬱", "维纳斯", "緣份", "聖愛", "希臘神話", "情緒", "慾愛", "欲樂", "語言學", "母親", "羅伯特·史坦伯格", "迷戀 (情緒)", "神學", "Category:各类情绪", "愛 (佛教)", "性別", "感覺", "邱比特", "血清素", "Ishq", "禱告", "希伯来语", "希臘語的愛", "蘇菲派", "友愛_(情感)", "悌", "弗蕾亚", "浪漫", "釋證嚴", "和合本", "神愛世人，甚至將他的獨生子賜給他們，叫一切信他的，不至滅亡，反得永生。", "外激素", "利未記", "愉快", "《吻》，[[古斯塔夫·克林姆", "梵文", "克里特神話", "阿莫爾", "聖奧古斯丁", "国家地理 (杂志)", "愛爾蘭神話", "激素", "兼愛", "传播媒体", "人际关系", "安妮", "w:Aengus", "阿佛洛狄忒", "香港中文大學", "青春期戀愛", "證嚴法師", "愛慕", "行書", "童年", "注意", "希伯來語", "执念", "C·S·路易斯", "躁狂症", "伊絲塔", "语言学", "無瞋", "安忒亞", "中华文化", "使徒约翰", "丘比特", "慈悲", "强迫症", "和谐", "意識", "無條件的愛", "智慧", "爱意", "尼各马可伦理学", "《神聖的愛對比肉體的愛》，由巴里歐列所繪", "情欲", "朋友", "熱愛", "单恋", "Storge", "词语", "上帝", "象徵", "七情", "蘇菲主義", "初戀", "犹大·哈列维", "國家地理雜誌", "摩西五经", "儿童", "阿茲提克神話", "中国大陆", "隸變", "人際關係", "性愛_(情感)", "情感", "意识", "自私", "Ahava", "互累症", "緣分", "強迫症", "行书", "簡化字", "拉斐爾 (天使)", "弗洛姆", "业余爱好", "性", "R. J. Sternberg", "羅馬神話", "詞語", "文字", "英文", "弗蘭克·迪克西", "阿斯塔蒂", "哲學家", "巴克蒂", "性魅力", "圣经", "灵魂", "雅歌", "亞里士多德", "口渴", "中文", "[[羅密歐與朱麗葉", "彌爾", "金錢", "习惯", "菩萨", "申命記", "愛情", "希腊语", "迦南神話", "奉爱", "伊利亚特", "一神論", "性欲", "美術", "C·S·刘易斯", "巴比倫神話", "中国文化", "生理激起", "亚里士多德", "未成年恋爱", "概念", "馬可福音", "現代漢語", "רחמים", "儒家", "学习", "虚荣", "英语", "佛教", "催產素", "化學反應", "友誼之愛", "苏美尔神话", "夫妻", "民族", "神", "開悟", "般若 (佛教)", "伊里亞德", "滿足", "新約聖經", "File:The Kiss - Gustav Klimt - Google Cultural Institute.jpg", "忠誠"], "gold": "即使在一神教裡，神亦是愛的象徵，此外，亦經常有如天使或相似的東西象徵愛。漢尼爾（Haniel）——維納斯所派的天使，亦是厄洛斯所派的天使。拉斐爾（Raphael）——在希臘神話裡是純愛的天使。彌爾（Mihr）——波斯神話裡的愛的天使。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Celestial sphere and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球（英語：Celestial sphere），是在天文學和導航上想出的一個與地球同球心，並有相同的自轉軸，半徑無限大的球。天空中所有的物體都可以當成投影在天球上的物件。地球的赤道和地理極點投射到天球上，就是天球赤道和天極。天球是位置天文學上很實用的工具。在亞里斯多德和托勒密的模型，天球想像成實際的物體，而不僅僅是一個幾何的投影（參見天球模型）。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Celestial sphere.Please output in Chinese.", "template": "en_template2_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球（英語：Celestial sphere），是在天文學和導航上想出的一個與地球同球心，並有相同的自轉軸，半徑無限大的球。天空中所有的物體都可以當成投影在天球上的物件。地球的赤道和地理極點投射到天球上，就是天球赤道和天極。天球是位置天文學上很實用的工具。在亞里斯多德和托勒密的模型，天球想像成實際的物體，而不僅僅是一個幾何的投影（參見天球模型）。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Celestial sphere explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球（英語：Celestial sphere），是在天文學和導航上想出的一個與地球同球心，並有相同的自轉軸，半徑無限大的球。天空中所有的物體都可以當成投影在天球上的物件。地球的赤道和地理極點投射到天球上，就是天球赤道和天極。天球是位置天文學上很實用的工具。在亞里斯多德和托勒密的模型，天球想像成實際的物體，而不僅僅是一個幾何的投影（參見天球模型）。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Celestial sphere, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球（英語：Celestial sphere），是在天文學和導航上想出的一個與地球同球心，並有相同的自轉軸，半徑無限大的球。天空中所有的物體都可以當成投影在天球上的物件。地球的赤道和地理極點投射到天球上，就是天球赤道和天極。天球是位置天文學上很實用的工具。在亞里斯多德和托勒密的模型，天球想像成實際的物體，而不僅僅是一個幾何的投影（參見天球模型）。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Parallax effect", "subsection": null, "sub_subsection": null, "prompt": "Focus on Celestial sphere and explain the Parallax effect.Please output in Chinese.", "template": "en_template1_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球可以使用地心為中心，也可以使用地表為中心的體系。前者的作法是假設觀察者位於地球的中心，因此不需要考慮視差的影響。後者的中心是觀測者位於的地球表面，因此地平視差的影響是不能忽略的，特別是月球的位置。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Parallax effect", "subsection": null, "sub_subsection": null, "prompt": "Explain the Parallax effect of this artwork, Celestial sphere.Please output in Chinese.", "template": "en_template2_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球可以使用地心為中心，也可以使用地表為中心的體系。前者的作法是假設觀察者位於地球的中心，因此不需要考慮視差的影響。後者的中心是觀測者位於的地球表面，因此地平視差的影響是不能忽略的，特別是月球的位置。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Parallax effect", "subsection": null, "sub_subsection": null, "prompt": "How does Celestial sphere explain its Parallax effect?Please output in Chinese.", "template": "en_template3_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球可以使用地心為中心，也可以使用地表為中心的體系。前者的作法是假設觀察者位於地球的中心，因此不需要考慮視差的影響。後者的中心是觀測者位於的地球表面，因此地平視差的影響是不能忽略的，特別是月球的位置。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Parallax effect", "subsection": null, "sub_subsection": null, "prompt": "In Celestial sphere, how is the Parallax effect discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球可以使用地心為中心，也可以使用地表為中心的體系。前者的作法是假設觀察者位於地球的中心，因此不需要考慮視差的影響。後者的中心是觀測者位於的地球表面，因此地平視差的影響是不能忽略的，特別是月球的位置。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Sky half sphere", "subsection": null, "sub_subsection": null, "prompt": "Focus on Celestial sphere and explain the Sky half sphere.Please output in Chinese.", "template": "en_template1_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球被赤道的投影分為兩個空間，分別為南天球和北天球。同樣的，我們也可以在天球上找到北回歸線、南回歸線、天北極和天南極，可以量化天球上各種物體的方向，建構出各種的天球坐標系統。因为地球是自西向東旋轉，所以我们就把天球看成是自東向西旋轉。太陽在天球上每天移动约1度，一年则移动一周（360度），这称之为太陽周年视运动，太阳中心在天球上视运动的轨迹则是黄道。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Sky half sphere", "subsection": null, "sub_subsection": null, "prompt": "Explain the Sky half sphere of this artwork, Celestial sphere.Please output in Chinese.", "template": "en_template2_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球被赤道的投影分為兩個空間，分別為南天球和北天球。同樣的，我們也可以在天球上找到北回歸線、南回歸線、天北極和天南極，可以量化天球上各種物體的方向，建構出各種的天球坐標系統。因为地球是自西向東旋轉，所以我们就把天球看成是自東向西旋轉。太陽在天球上每天移动约1度，一年则移动一周（360度），这称之为太陽周年视运动，太阳中心在天球上视运动的轨迹则是黄道。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Sky half sphere", "subsection": null, "sub_subsection": null, "prompt": "How does Celestial sphere explain its Sky half sphere?Please output in Chinese.", "template": "en_template3_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球被赤道的投影分為兩個空間，分別為南天球和北天球。同樣的，我們也可以在天球上找到北回歸線、南回歸線、天北極和天南極，可以量化天球上各種物體的方向，建構出各種的天球坐標系統。因为地球是自西向東旋轉，所以我们就把天球看成是自東向西旋轉。太陽在天球上每天移动约1度，一年则移动一周（360度），这称之为太陽周年视运动，太阳中心在天球上视运动的轨迹则是黄道。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Sky half sphere", "subsection": null, "sub_subsection": null, "prompt": "In Celestial sphere, how is the Sky half sphere discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球被赤道的投影分為兩個空間，分別為南天球和北天球。同樣的，我們也可以在天球上找到北回歸線、南回歸線、天北極和天南極，可以量化天球上各種物體的方向，建構出各種的天球坐標系統。因为地球是自西向東旋轉，所以我们就把天球看成是自東向西旋轉。太陽在天球上每天移动约1度，一年则移动一周（360度），这称之为太陽周年视运动，太阳中心在天球上视运动的轨迹则是黄道。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar time", "subsection": null, "sub_subsection": null, "prompt": "Focus on Celestial sphere and explain the Stellar time.Please output in Chinese.", "template": "en_template1_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "隨著地球繞著軸心以23小時56分的周期由西向東自轉，天球和所有的天體都以天球極點為中心，以相同的時間由東向西移轉動，這就是周日運動。因此恆星會由東方升起，通過南北向的子午線過中天，然後在西方沒入（除非這顆恆星是拱極星）。第二天晚上，天體在特定的時間會再東升，但是因為我們的鐘表時間是24小時整，因此會提早4分鐘升起；再過一晚早8分鐘升起，也就是說每天都會提早4分鐘。這種與鐘表時間明顯的不一致是因為太陽不是固定在天球上的天體，每天會在天球上的黃道，一個大圓，向東移動約1°（這是太陽的周年運動，一年在天球上360°，或是完整的圓周）。如果以4分鐘的時間對應於角度的1°（360° = 24小時），則需要額外的4分鐘太陽才會回到上回的相對位置，例如中天的子午線，完成完整的一圈運動要24小時（這是忽略季節性變化的平均值，參見均時差）。因此，一般的時鐘顯示的是太陽時，天文學家研究恆星運動使用的是恆星時，等同於太陽時的23小時56分。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar time", "subsection": null, "sub_subsection": null, "prompt": "Explain the Stellar time of this artwork, Celestial sphere.Please output in Chinese.", "template": "en_template2_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "隨著地球繞著軸心以23小時56分的周期由西向東自轉，天球和所有的天體都以天球極點為中心，以相同的時間由東向西移轉動，這就是周日運動。因此恆星會由東方升起，通過南北向的子午線過中天，然後在西方沒入（除非這顆恆星是拱極星）。第二天晚上，天體在特定的時間會再東升，但是因為我們的鐘表時間是24小時整，因此會提早4分鐘升起；再過一晚早8分鐘升起，也就是說每天都會提早4分鐘。這種與鐘表時間明顯的不一致是因為太陽不是固定在天球上的天體，每天會在天球上的黃道，一個大圓，向東移動約1°（這是太陽的周年運動，一年在天球上360°，或是完整的圓周）。如果以4分鐘的時間對應於角度的1°（360° = 24小時），則需要額外的4分鐘太陽才會回到上回的相對位置，例如中天的子午線，完成完整的一圈運動要24小時（這是忽略季節性變化的平均值，參見均時差）。因此，一般的時鐘顯示的是太陽時，天文學家研究恆星運動使用的是恆星時，等同於太陽時的23小時56分。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar time", "subsection": null, "sub_subsection": null, "prompt": "How does Celestial sphere explain its Stellar time?Please output in Chinese.", "template": "en_template3_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "隨著地球繞著軸心以23小時56分的周期由西向東自轉，天球和所有的天體都以天球極點為中心，以相同的時間由東向西移轉動，這就是周日運動。因此恆星會由東方升起，通過南北向的子午線過中天，然後在西方沒入（除非這顆恆星是拱極星）。第二天晚上，天體在特定的時間會再東升，但是因為我們的鐘表時間是24小時整，因此會提早4分鐘升起；再過一晚早8分鐘升起，也就是說每天都會提早4分鐘。這種與鐘表時間明顯的不一致是因為太陽不是固定在天球上的天體，每天會在天球上的黃道，一個大圓，向東移動約1°（這是太陽的周年運動，一年在天球上360°，或是完整的圓周）。如果以4分鐘的時間對應於角度的1°（360° = 24小時），則需要額外的4分鐘太陽才會回到上回的相對位置，例如中天的子午線，完成完整的一圈運動要24小時（這是忽略季節性變化的平均值，參見均時差）。因此，一般的時鐘顯示的是太陽時，天文學家研究恆星運動使用的是恆星時，等同於太陽時的23小時56分。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar time", "subsection": null, "sub_subsection": null, "prompt": "In Celestial sphere, how is the Stellar time discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "隨著地球繞著軸心以23小時56分的周期由西向東自轉，天球和所有的天體都以天球極點為中心，以相同的時間由東向西移轉動，這就是周日運動。因此恆星會由東方升起，通過南北向的子午線過中天，然後在西方沒入（除非這顆恆星是拱極星）。第二天晚上，天體在特定的時間會再東升，但是因為我們的鐘表時間是24小時整，因此會提早4分鐘升起；再過一晚早8分鐘升起，也就是說每天都會提早4分鐘。這種與鐘表時間明顯的不一致是因為太陽不是固定在天球上的天體，每天會在天球上的黃道，一個大圓，向東移動約1°（這是太陽的周年運動，一年在天球上360°，或是完整的圓周）。如果以4分鐘的時間對應於角度的1°（360° = 24小時），則需要額外的4分鐘太陽才會回到上回的相對位置，例如中天的子午線，完成完整的一圈運動要24小時（這是忽略季節性變化的平均值，參見均時差）。因此，一般的時鐘顯示的是太陽時，天文學家研究恆星運動使用的是恆星時，等同於太陽時的23小時56分。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar Sphere", "subsection": null, "sub_subsection": null, "prompt": "Focus on Celestial sphere and explain the Stellar Sphere.Please output in Chinese.", "template": "en_template1_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球也可以引用到天球的物理模型，就是所謂的恆星球，這種天球可以顯示出在指定的時間和地點可以看見的部分星座。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar Sphere", "subsection": null, "sub_subsection": null, "prompt": "Explain the Stellar Sphere of this artwork, Celestial sphere.Please output in Chinese.", "template": "en_template2_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球也可以引用到天球的物理模型，就是所謂的恆星球，這種天球可以顯示出在指定的時間和地點可以看見的部分星座。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar Sphere", "subsection": null, "sub_subsection": null, "prompt": "How does Celestial sphere explain its Stellar Sphere?Please output in Chinese.", "template": "en_template3_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球也可以引用到天球的物理模型，就是所謂的恆星球，這種天球可以顯示出在指定的時間和地點可以看見的部分星座。"}
{"title": "Celestial sphere", "srclang_title": "天球", "en_title": "The Sphere", "pageid": "6397", "page_rank": 40, "page_url": "https://zh.wikipedia.org/wiki/%E5%A4%A9%E7%90%83", "image_url": null, "section": "Stellar Sphere", "subsection": null, "sub_subsection": null, "prompt": "In Celestial sphere, how is the Stellar Sphere discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["地平面", "天文学家", "地球", "黃道", "周日運動", "自轉軸", "地心", "地平", "File:Earth within celestial sphere.gif", "中天 (天文學)", "天球極點", "無窮", "天文學", "中天", "托勒密", "转动", "球面", "順行和逆行", "thumb", "互联网档案馆", "均時差", "亞里斯多德", "right", "地球在一個半徑相對細小，以地球為基礎的天球中旋轉的動畫。圖中還可見[[黃道", "西", "天極", "File:Celestial_sphere.svg", "兩極", "天球模型", "恆星時", "太陽日", "導航", "分至圈", "地理極點", "定位圈", "太阳", "230px", "拱極星", "天北極", "球狀地球", "至點", "視差", "渾儀", "天球地平", "北極星", "南", "赤經", "半徑", "太陽", "赤緯", "天南極", "赤道", "分點", "東", "大圓", "天空", "保角幾何", "球", "周年運動", "Category:球面天文學", "逆行", "太陽時", "亚里士多德", "天文學家", "天球坐標系統", "视差", "無限大", "位置天文學", "天球被[[天球赤道", "黃道帶", "北", "Category:天體測量學", "大圆", "坐標系", "蒼穹", "天球赤道", "克劳狄乌斯·托勒密", "黄道", "地心模型", "半径", "地表", "地核", "Category:天文学目录", "方位天文學", "天文環"], "gold": "天球也可以引用到天球的物理模型，就是所謂的恆星球，這種天球可以顯示出在指定的時間和地點可以看見的部分星座。"}
{"title": "Jeddah Fountain", "srclang_title": "吉达喷泉", "en_title": "King Fahd's Fountain", "pageid": "1701661", "page_rank": 1074, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E8%BE%BE%E5%96%B7%E6%B3%89", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Jeddah Fountain and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:喷泉", "地球一小时", "阿拉伯語", "File:King Fahd’s Fountain.jpg", "吉达", "Category:吉達建築物", "噴泉", "喷泉", "沙特阿拉伯", "thumb", "阿拉伯语", "法赫德国王", "红海", "吉达喷泉", "250px", "right", "法赫德·本·阿卜杜勒-阿齊茲·阿勒沙特"], "gold": "吉达喷泉（阿拉伯語：نافورة الملك فهد，又名法赫德国王喷泉），是世界上最高的喷泉，位于沙特阿拉伯吉达海岸边。由法赫德国王捐赠给吉达。喷泉于1980年到1983年建造，1985年开始使用。喷泉喷出的水高达 312米（1,024英尺），可达 375公里（233英里）每小时的速度。喷泉使用的是红海中的咸海水。在夜晚，500支聚光灯被用来衬托吉达喷泉。2010年3月27日，吉达喷泉关闭了所有灯光来支持地球一小时活动。"}
{"title": "Jeddah Fountain", "srclang_title": "吉达喷泉", "en_title": "King Fahd's Fountain", "pageid": "1701661", "page_rank": 1074, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E8%BE%BE%E5%96%B7%E6%B3%89", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Jeddah Fountain.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:喷泉", "地球一小时", "阿拉伯語", "File:King Fahd’s Fountain.jpg", "吉达", "Category:吉達建築物", "噴泉", "喷泉", "沙特阿拉伯", "thumb", "阿拉伯语", "法赫德国王", "红海", "吉达喷泉", "250px", "right", "法赫德·本·阿卜杜勒-阿齊茲·阿勒沙特"], "gold": "吉达喷泉（阿拉伯語：نافورة الملك فهد，又名法赫德国王喷泉），是世界上最高的喷泉，位于沙特阿拉伯吉达海岸边。由法赫德国王捐赠给吉达。喷泉于1980年到1983年建造，1985年开始使用。喷泉喷出的水高达 312米（1,024英尺），可达 375公里（233英里）每小时的速度。喷泉使用的是红海中的咸海水。在夜晚，500支聚光灯被用来衬托吉达喷泉。2010年3月27日，吉达喷泉关闭了所有灯光来支持地球一小时活动。"}
{"title": "Jeddah Fountain", "srclang_title": "吉达喷泉", "en_title": "King Fahd's Fountain", "pageid": "1701661", "page_rank": 1074, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E8%BE%BE%E5%96%B7%E6%B3%89", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Jeddah Fountain explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:喷泉", "地球一小时", "阿拉伯語", "File:King Fahd’s Fountain.jpg", "吉达", "Category:吉達建築物", "噴泉", "喷泉", "沙特阿拉伯", "thumb", "阿拉伯语", "法赫德国王", "红海", "吉达喷泉", "250px", "right", "法赫德·本·阿卜杜勒-阿齊茲·阿勒沙特"], "gold": "吉达喷泉（阿拉伯語：نافورة الملك فهد，又名法赫德国王喷泉），是世界上最高的喷泉，位于沙特阿拉伯吉达海岸边。由法赫德国王捐赠给吉达。喷泉于1980年到1983年建造，1985年开始使用。喷泉喷出的水高达 312米（1,024英尺），可达 375公里（233英里）每小时的速度。喷泉使用的是红海中的咸海水。在夜晚，500支聚光灯被用来衬托吉达喷泉。2010年3月27日，吉达喷泉关闭了所有灯光来支持地球一小时活动。"}
{"title": "Jeddah Fountain", "srclang_title": "吉达喷泉", "en_title": "King Fahd's Fountain", "pageid": "1701661", "page_rank": 1074, "page_url": "https://zh.wikipedia.org/wiki/%E5%90%89%E8%BE%BE%E5%96%B7%E6%B3%89", "image_url": null, "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Jeddah Fountain, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:喷泉", "地球一小时", "阿拉伯語", "File:King Fahd’s Fountain.jpg", "吉达", "Category:吉達建築物", "噴泉", "喷泉", "沙特阿拉伯", "thumb", "阿拉伯语", "法赫德国王", "红海", "吉达喷泉", "250px", "right", "法赫德·本·阿卜杜勒-阿齊茲·阿勒沙特"], "gold": "吉达喷泉（阿拉伯語：نافورة الملك فهد，又名法赫德国王喷泉），是世界上最高的喷泉，位于沙特阿拉伯吉达海岸边。由法赫德国王捐赠给吉达。喷泉于1980年到1983年建造，1985年开始使用。喷泉喷出的水高达 312米（1,024英尺），可达 375公里（233英里）每小时的速度。喷泉使用的是红海中的咸海水。在夜晚，500支聚光灯被用来衬托吉达喷泉。2010年3月27日，吉达喷泉关闭了所有灯光来支持地球一小时活动。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on Galei people and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "《加萊義民》 (法語：Les Bourgeois de Calais）是由奧古斯特·羅丹創作的雕塑，該作品共以十二個鑄造品構成，並在此後製作眾多的複製品。該雕塑旨在紀念百年戰爭期間的一次事件，當時法國加萊在英吉利海峡上經歷了長達十一個月的圍城後向英軍投降，該城市於1884年委託羅丹創作這座雕塑，最終於1889年完成。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, Galei people.Please output in Chinese.", "template": "en_template2_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "《加萊義民》 (法語：Les Bourgeois de Calais）是由奧古斯特·羅丹創作的雕塑，該作品共以十二個鑄造品構成，並在此後製作眾多的複製品。該雕塑旨在紀念百年戰爭期間的一次事件，當時法國加萊在英吉利海峡上經歷了長達十一個月的圍城後向英軍投降，該城市於1884年委託羅丹創作這座雕塑，最終於1889年完成。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does Galei people explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "《加萊義民》 (法語：Les Bourgeois de Calais）是由奧古斯特·羅丹創作的雕塑，該作品共以十二個鑄造品構成，並在此後製作眾多的複製品。該雕塑旨在紀念百年戰爭期間的一次事件，當時法國加萊在英吉利海峡上經歷了長達十一個月的圍城後向英軍投降，該城市於1884年委託羅丹創作這座雕塑，最終於1889年完成。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In Galei people, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "《加萊義民》 (法語：Les Bourgeois de Calais）是由奧古斯特·羅丹創作的雕塑，該作品共以十二個鑄造品構成，並在此後製作眾多的複製品。該雕塑旨在紀念百年戰爭期間的一次事件，當時法國加萊在英吉利海峡上經歷了長達十一個月的圍城後向英軍投降，該城市於1884年委託羅丹創作這座雕塑，最終於1889年完成。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Focus on Galei people and explain the History.Please output in Chinese.", "template": "en_template1_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1346年，英格蘭的爱德华三世在克雷西會戰中戰勝法軍後，實施了對加萊圍攻，而法國的腓力六世 則命令該城要不惜一切代價堅守。然而最終腓力六世未能解除圍困，城市居民在經歷長期的飢餓後被迫向英方投降。當時的編年史作者让·弗鲁瓦萨尔記錄了接下來的事件：愛德華三世提出，如果該城的六名領導人自首，他將寬恕城市的所有居民，然而這六人將面臨被處決的下場。愛德華要求這六人走出城市，脖子上套著絞索，並攜帶城市和城堡的鑰匙。城市最富有的領導人之一尤斯塔什·德·聖皮埃爾首先自願出行，其他五名市民與他一同加入。 最終聖皮埃爾領導這支代表團走向城門。羅丹則針對此刻作為雕塑的主題，並捕捉到該六人英勇的自我犧牲以及面對即將到來的死亡的過程。根據弗瓦薩爾的故事，六名市民原本預計會被處決，但由於英格蘭王后埃諾的菲莉琶的干預，他說服他的丈夫通過聲稱這些人的犧牲「將會對她未出生的孩子帶來不祥的兆頭」來施以寬恕，最終這些市民的生命得以倖免。國王立刻解開了他們脖子上的繩索，把他們帶到自己的房間，給了他們衣服，並為他們提供了一頓豐盛的大餐。再給他們錢後將他們送往安全的地方。最後，他們前往皮卡第的幾個城鎮。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Explain the History of this artwork, Galei people.Please output in Chinese.", "template": "en_template2_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1346年，英格蘭的爱德华三世在克雷西會戰中戰勝法軍後，實施了對加萊圍攻，而法國的腓力六世 則命令該城要不惜一切代價堅守。然而最終腓力六世未能解除圍困，城市居民在經歷長期的飢餓後被迫向英方投降。當時的編年史作者让·弗鲁瓦萨尔記錄了接下來的事件：愛德華三世提出，如果該城的六名領導人自首，他將寬恕城市的所有居民，然而這六人將面臨被處決的下場。愛德華要求這六人走出城市，脖子上套著絞索，並攜帶城市和城堡的鑰匙。城市最富有的領導人之一尤斯塔什·德·聖皮埃爾首先自願出行，其他五名市民與他一同加入。 最終聖皮埃爾領導這支代表團走向城門。羅丹則針對此刻作為雕塑的主題，並捕捉到該六人英勇的自我犧牲以及面對即將到來的死亡的過程。根據弗瓦薩爾的故事，六名市民原本預計會被處決，但由於英格蘭王后埃諾的菲莉琶的干預，他說服他的丈夫通過聲稱這些人的犧牲「將會對她未出生的孩子帶來不祥的兆頭」來施以寬恕，最終這些市民的生命得以倖免。國王立刻解開了他們脖子上的繩索，把他們帶到自己的房間，給了他們衣服，並為他們提供了一頓豐盛的大餐。再給他們錢後將他們送往安全的地方。最後，他們前往皮卡第的幾個城鎮。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "How does Galei people explain its History?Please output in Chinese.", "template": "en_template3_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1346年，英格蘭的爱德华三世在克雷西會戰中戰勝法軍後，實施了對加萊圍攻，而法國的腓力六世 則命令該城要不惜一切代價堅守。然而最終腓力六世未能解除圍困，城市居民在經歷長期的飢餓後被迫向英方投降。當時的編年史作者让·弗鲁瓦萨尔記錄了接下來的事件：愛德華三世提出，如果該城的六名領導人自首，他將寬恕城市的所有居民，然而這六人將面臨被處決的下場。愛德華要求這六人走出城市，脖子上套著絞索，並攜帶城市和城堡的鑰匙。城市最富有的領導人之一尤斯塔什·德·聖皮埃爾首先自願出行，其他五名市民與他一同加入。 最終聖皮埃爾領導這支代表團走向城門。羅丹則針對此刻作為雕塑的主題，並捕捉到該六人英勇的自我犧牲以及面對即將到來的死亡的過程。根據弗瓦薩爾的故事，六名市民原本預計會被處決，但由於英格蘭王后埃諾的菲莉琶的干預，他說服他的丈夫通過聲稱這些人的犧牲「將會對她未出生的孩子帶來不祥的兆頭」來施以寬恕，最終這些市民的生命得以倖免。國王立刻解開了他們脖子上的繩索，把他們帶到自己的房間，給了他們衣服，並為他們提供了一頓豐盛的大餐。再給他們錢後將他們送往安全的地方。最後，他們前往皮卡第的幾個城鎮。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "In Galei people, how is the History discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1346年，英格蘭的爱德华三世在克雷西會戰中戰勝法軍後，實施了對加萊圍攻，而法國的腓力六世 則命令該城要不惜一切代價堅守。然而最終腓力六世未能解除圍困，城市居民在經歷長期的飢餓後被迫向英方投降。當時的編年史作者让·弗鲁瓦萨尔記錄了接下來的事件：愛德華三世提出，如果該城的六名領導人自首，他將寬恕城市的所有居民，然而這六人將面臨被處決的下場。愛德華要求這六人走出城市，脖子上套著絞索，並攜帶城市和城堡的鑰匙。城市最富有的領導人之一尤斯塔什·德·聖皮埃爾首先自願出行，其他五名市民與他一同加入。 最終聖皮埃爾領導這支代表團走向城門。羅丹則針對此刻作為雕塑的主題，並捕捉到該六人英勇的自我犧牲以及面對即將到來的死亡的過程。根據弗瓦薩爾的故事，六名市民原本預計會被處決，但由於英格蘭王后埃諾的菲莉琶的干預，他說服他的丈夫通過聲稱這些人的犧牲「將會對她未出生的孩子帶來不祥的兆頭」來施以寬恕，最終這些市民的生命得以倖免。國王立刻解開了他們脖子上的繩索，把他們帶到自己的房間，給了他們衣服，並為他們提供了一頓豐盛的大餐。再給他們錢後將他們送往安全的地方。最後，他們前往皮卡第的幾個城鎮。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": null, "sub_subsection": null, "prompt": "Focus on Galei people and explain the Sculpture.Please output in Chinese.", "template": "en_template1_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "羅丹的《加萊義民》青銅雕塑高兩公尺多，寬約兩公尺半，其重1814公斤。主要由六名男子組成，男子身高相似，穿著相似的舊衣服。整體而言，表現出一種決心、痛苦和冷漠的情感。群組中沒有可見的層次結構，而是形成一個群體，但又是獨立的架構。人物比真人尺寸稍大，由於他們的衣服以及不成比例的大腳和手而顯得發育不良。男人們的手勢共同呈現出從雕塑的一側到另一側的緩慢旋轉運動，這與觀眾只能在一定距離內看到的所有個體細節形成鮮明對比。這樣的安排使觀眾在雕塑周圍走動時，能夠感受到不同角度所呈現的多樣性，並由此產生一系列凝固的影像。每位人物都呈現出獨特的特徵和情感，如尤聖皮埃爾展現的力量和決心，讓·達雷是將城市鑰匙交給英國國王的人，安德里厄斯·德安德烈斯暗示著絕望，皮埃爾·德·維桑猶豫不決，而他的兄弟似乎已經接受了犧牲的命運，費因斯則張開雙臂，將自己獻給祭品。這座雕塑在當時是極具創新性的作品。並挑戰19世紀僵化和學院藝術的傳統，同時避免了印象派的短暫性和现实主义的客觀性。羅丹巧妙地使用旋轉效果，使觀眾能夠在不同角度感受到各種想法、感受和決定的凝固影像。在雕塑的製作過程中，羅丹將人物分為多個階段獨立製作，並以不同的方式將它們組合在一起。他的研究包括小草圖和真人比例的研究，其中一些被用青銅鑄造現存於巴黎羅丹美術館。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": null, "sub_subsection": null, "prompt": "Explain the Sculpture of this artwork, Galei people.Please output in Chinese.", "template": "en_template2_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "羅丹的《加萊義民》青銅雕塑高兩公尺多，寬約兩公尺半，其重1814公斤。主要由六名男子組成，男子身高相似，穿著相似的舊衣服。整體而言，表現出一種決心、痛苦和冷漠的情感。群組中沒有可見的層次結構，而是形成一個群體，但又是獨立的架構。人物比真人尺寸稍大，由於他們的衣服以及不成比例的大腳和手而顯得發育不良。男人們的手勢共同呈現出從雕塑的一側到另一側的緩慢旋轉運動，這與觀眾只能在一定距離內看到的所有個體細節形成鮮明對比。這樣的安排使觀眾在雕塑周圍走動時，能夠感受到不同角度所呈現的多樣性，並由此產生一系列凝固的影像。每位人物都呈現出獨特的特徵和情感，如尤聖皮埃爾展現的力量和決心，讓·達雷是將城市鑰匙交給英國國王的人，安德里厄斯·德安德烈斯暗示著絕望，皮埃爾·德·維桑猶豫不決，而他的兄弟似乎已經接受了犧牲的命運，費因斯則張開雙臂，將自己獻給祭品。這座雕塑在當時是極具創新性的作品。並挑戰19世紀僵化和學院藝術的傳統，同時避免了印象派的短暫性和现实主义的客觀性。羅丹巧妙地使用旋轉效果，使觀眾能夠在不同角度感受到各種想法、感受和決定的凝固影像。在雕塑的製作過程中，羅丹將人物分為多個階段獨立製作，並以不同的方式將它們組合在一起。他的研究包括小草圖和真人比例的研究，其中一些被用青銅鑄造現存於巴黎羅丹美術館。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": null, "sub_subsection": null, "prompt": "How does Galei people explain its Sculpture?Please output in Chinese.", "template": "en_template3_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "羅丹的《加萊義民》青銅雕塑高兩公尺多，寬約兩公尺半，其重1814公斤。主要由六名男子組成，男子身高相似，穿著相似的舊衣服。整體而言，表現出一種決心、痛苦和冷漠的情感。群組中沒有可見的層次結構，而是形成一個群體，但又是獨立的架構。人物比真人尺寸稍大，由於他們的衣服以及不成比例的大腳和手而顯得發育不良。男人們的手勢共同呈現出從雕塑的一側到另一側的緩慢旋轉運動，這與觀眾只能在一定距離內看到的所有個體細節形成鮮明對比。這樣的安排使觀眾在雕塑周圍走動時，能夠感受到不同角度所呈現的多樣性，並由此產生一系列凝固的影像。每位人物都呈現出獨特的特徵和情感，如尤聖皮埃爾展現的力量和決心，讓·達雷是將城市鑰匙交給英國國王的人，安德里厄斯·德安德烈斯暗示著絕望，皮埃爾·德·維桑猶豫不決，而他的兄弟似乎已經接受了犧牲的命運，費因斯則張開雙臂，將自己獻給祭品。這座雕塑在當時是極具創新性的作品。並挑戰19世紀僵化和學院藝術的傳統，同時避免了印象派的短暫性和现实主义的客觀性。羅丹巧妙地使用旋轉效果，使觀眾能夠在不同角度感受到各種想法、感受和決定的凝固影像。在雕塑的製作過程中，羅丹將人物分為多個階段獨立製作，並以不同的方式將它們組合在一起。他的研究包括小草圖和真人比例的研究，其中一些被用青銅鑄造現存於巴黎羅丹美術館。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": null, "sub_subsection": null, "prompt": "In Galei people, how is the Sculpture discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "羅丹的《加萊義民》青銅雕塑高兩公尺多，寬約兩公尺半，其重1814公斤。主要由六名男子組成，男子身高相似，穿著相似的舊衣服。整體而言，表現出一種決心、痛苦和冷漠的情感。群組中沒有可見的層次結構，而是形成一個群體，但又是獨立的架構。人物比真人尺寸稍大，由於他們的衣服以及不成比例的大腳和手而顯得發育不良。男人們的手勢共同呈現出從雕塑的一側到另一側的緩慢旋轉運動，這與觀眾只能在一定距離內看到的所有個體細節形成鮮明對比。這樣的安排使觀眾在雕塑周圍走動時，能夠感受到不同角度所呈現的多樣性，並由此產生一系列凝固的影像。每位人物都呈現出獨特的特徵和情感，如尤聖皮埃爾展現的力量和決心，讓·達雷是將城市鑰匙交給英國國王的人，安德里厄斯·德安德烈斯暗示著絕望，皮埃爾·德·維桑猶豫不決，而他的兄弟似乎已經接受了犧牲的命運，費因斯則張開雙臂，將自己獻給祭品。這座雕塑在當時是極具創新性的作品。並挑戰19世紀僵化和學院藝術的傳統，同時避免了印象派的短暫性和现实主义的客觀性。羅丹巧妙地使用旋轉效果，使觀眾能夠在不同角度感受到各種想法、感受和決定的凝固影像。在雕塑的製作過程中，羅丹將人物分為多個階段獨立製作，並以不同的方式將它們組合在一起。他的研究包括小草圖和真人比例的研究，其中一些被用青銅鑄造現存於巴黎羅丹美術館。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": "Creation process", "sub_subsection": null, "prompt": "In the context of Galei people, explain the Creation process and the Sculpture.Please output in Chinese.", "template": "en_template1_subsection", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1845年以來，加萊市一直致力於建立一座以尤斯塔什為主題的雕像，然而在前兩位受託的藝術家大衛·昂熱斯和奧古斯特·克萊桑熱逝世後，雕塑仍未能完成，1880 年，加萊市長奧斯卡·德瓦夫林（Oscar Dewavrin）決定在城市廣場豎立一座紀念碑，並在1884年邀請了幾位藝術家，包括羅丹，在這個項目上提交他們的提案。其中，羅丹的設計除了描繪尤斯塔什之外，還包括了當時與他同行的五位市民：雅克·德·維桑、皮埃爾·德·維桑、讓‧德‧菲恩、安德烈·德·安德瑞和讓·德·艾爾。羅丹的設計在當時引起了爭議，因為它包含了所有六個人物，而不僅僅是聖皮埃爾一人。大眾認為它缺乏被認為是公共雕塑中不可或缺的「英勇的古代參考」。《加萊義民》的構圖為金字塔形的佈局，其底座的設計旨在放置在地面而非基座。六個市民的形象則呈現「痛苦、痛楚和宿命」，與當時其他紀念碑雕塑所描繪的正面、光榮的形象形成對比。對於羅丹而言，《加萊義民》的設計實則代表「自我犧牲」的英雄主義。1895年，紀念碑安裝在加萊理奇略公園前的一座大基座上，違背了雕塑家的規劃，他希望當地居民「幾乎撞上」這些人物，並與他們感到團結。當雕塑後來被移至新建成的加萊市政廳前時，他的願景才得以實現，目前雕塑被放置在一個較低的基座上。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": "Creation process", "sub_subsection": null, "prompt": "Explain the Creation process about the Sculpture of this artwork, Galei people.Please output in Chinese.", "template": "en_template2_subsection", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1845年以來，加萊市一直致力於建立一座以尤斯塔什為主題的雕像，然而在前兩位受託的藝術家大衛·昂熱斯和奧古斯特·克萊桑熱逝世後，雕塑仍未能完成，1880 年，加萊市長奧斯卡·德瓦夫林（Oscar Dewavrin）決定在城市廣場豎立一座紀念碑，並在1884年邀請了幾位藝術家，包括羅丹，在這個項目上提交他們的提案。其中，羅丹的設計除了描繪尤斯塔什之外，還包括了當時與他同行的五位市民：雅克·德·維桑、皮埃爾·德·維桑、讓‧德‧菲恩、安德烈·德·安德瑞和讓·德·艾爾。羅丹的設計在當時引起了爭議，因為它包含了所有六個人物，而不僅僅是聖皮埃爾一人。大眾認為它缺乏被認為是公共雕塑中不可或缺的「英勇的古代參考」。《加萊義民》的構圖為金字塔形的佈局，其底座的設計旨在放置在地面而非基座。六個市民的形象則呈現「痛苦、痛楚和宿命」，與當時其他紀念碑雕塑所描繪的正面、光榮的形象形成對比。對於羅丹而言，《加萊義民》的設計實則代表「自我犧牲」的英雄主義。1895年，紀念碑安裝在加萊理奇略公園前的一座大基座上，違背了雕塑家的規劃，他希望當地居民「幾乎撞上」這些人物，並與他們感到團結。當雕塑後來被移至新建成的加萊市政廳前時，他的願景才得以實現，目前雕塑被放置在一個較低的基座上。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": "Creation process", "sub_subsection": null, "prompt": "In Galei people, how is the Creation process of the Sculpture explained?Please output in Chinese.", "template": "en_template3_subsection", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1845年以來，加萊市一直致力於建立一座以尤斯塔什為主題的雕像，然而在前兩位受託的藝術家大衛·昂熱斯和奧古斯特·克萊桑熱逝世後，雕塑仍未能完成，1880 年，加萊市長奧斯卡·德瓦夫林（Oscar Dewavrin）決定在城市廣場豎立一座紀念碑，並在1884年邀請了幾位藝術家，包括羅丹，在這個項目上提交他們的提案。其中，羅丹的設計除了描繪尤斯塔什之外，還包括了當時與他同行的五位市民：雅克·德·維桑、皮埃爾·德·維桑、讓‧德‧菲恩、安德烈·德·安德瑞和讓·德·艾爾。羅丹的設計在當時引起了爭議，因為它包含了所有六個人物，而不僅僅是聖皮埃爾一人。大眾認為它缺乏被認為是公共雕塑中不可或缺的「英勇的古代參考」。《加萊義民》的構圖為金字塔形的佈局，其底座的設計旨在放置在地面而非基座。六個市民的形象則呈現「痛苦、痛楚和宿命」，與當時其他紀念碑雕塑所描繪的正面、光榮的形象形成對比。對於羅丹而言，《加萊義民》的設計實則代表「自我犧牲」的英雄主義。1895年，紀念碑安裝在加萊理奇略公園前的一座大基座上，違背了雕塑家的規劃，他希望當地居民「幾乎撞上」這些人物，並與他們感到團結。當雕塑後來被移至新建成的加萊市政廳前時，他的願景才得以實現，目前雕塑被放置在一個較低的基座上。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Sculpture", "subsection": "Creation process", "sub_subsection": null, "prompt": "Describe the characteristics of the Creation process in Galei people's Sculpture.Please output in Chinese.", "template": "en_template4_subsection", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "1845年以來，加萊市一直致力於建立一座以尤斯塔什為主題的雕像，然而在前兩位受託的藝術家大衛·昂熱斯和奧古斯特·克萊桑熱逝世後，雕塑仍未能完成，1880 年，加萊市長奧斯卡·德瓦夫林（Oscar Dewavrin）決定在城市廣場豎立一座紀念碑，並在1884年邀請了幾位藝術家，包括羅丹，在這個項目上提交他們的提案。其中，羅丹的設計除了描繪尤斯塔什之外，還包括了當時與他同行的五位市民：雅克·德·維桑、皮埃爾·德·維桑、讓‧德‧菲恩、安德烈·德·安德瑞和讓·德·艾爾。羅丹的設計在當時引起了爭議，因為它包含了所有六個人物，而不僅僅是聖皮埃爾一人。大眾認為它缺乏被認為是公共雕塑中不可或缺的「英勇的古代參考」。《加萊義民》的構圖為金字塔形的佈局，其底座的設計旨在放置在地面而非基座。六個市民的形象則呈現「痛苦、痛楚和宿命」，與當時其他紀念碑雕塑所描繪的正面、光榮的形象形成對比。對於羅丹而言，《加萊義民》的設計實則代表「自我犧牲」的英雄主義。1895年，紀念碑安裝在加萊理奇略公園前的一座大基座上，違背了雕塑家的規劃，他希望當地居民「幾乎撞上」這些人物，並與他們感到團結。當雕塑後來被移至新建成的加萊市政廳前時，他的願景才得以實現，目前雕塑被放置在一個較低的基座上。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Replica", "subsection": null, "sub_subsection": null, "prompt": "Focus on Galei people and explain the Replica.Please output in Chinese.", "template": "en_template1_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "根據法國法律，羅丹的作品最多只能製作十二個原作鑄模。《加萊義民》在1895年首件鑄模的複製品仍然立在加萊市。其他原作鑄模分別位於：哥本哈根的新嘉士伯美術館，1903年鑄模。莫尔朗韦的瑪麗蒙皇家博物館，1905年鑄模。威斯敏斯特宫旁的維多利亞塔花園，1908年鑄模，1914年安裝並於1915年7月19日揭幕。費城的羅丹博物館，1925年鑄模，1929年安裝。巴黎的羅丹美術館花園，1926年鑄模，1955年贈送給博物館。巴塞爾的巴塞爾美術館，1943年鑄模，1948年安裝。華盛頓特區的赫尚博物馆和雕塑园，1943年鑄模，1966年安裝。東京的國立西洋美術館，1953年鑄模，1959年安裝。帕薩迪納的诺顿·西蒙博物馆，1968年鑄模。紐約市大都會藝術博物館，1985年鑄模，1989年安裝。龍仁市湖巖美術館：1995年鑄模，為第十二個也是最後一個原作鑄模。以下是特定雕塑的複製品：史丹佛大學校園上的所有個別人物雕像。洛杉磯縣藝術博物館雕塑花園中展出的讓·德·艾爾和讓‧德‧菲恩的雕塑以及讓·德·艾爾和皮埃爾·德·維桑的半身像。戴維森學院視覺藝術中心的讓·德·艾爾雕塑，於1972年鑄模。奧斯陸索梅羅公園中的「持有鑰匙的人」雕像（讓·德·艾爾）；一尊讓·德·艾爾的半身像，距離紐約世貿中心原址不到四分之一英里。 這些作品曾在原One World Trade Center的康托·菲茨杰拉德公司辦公室中展出，並在九一一襲擊事件後從廢墟中恢復。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Replica", "subsection": null, "sub_subsection": null, "prompt": "Explain the Replica of this artwork, Galei people.Please output in Chinese.", "template": "en_template2_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "根據法國法律，羅丹的作品最多只能製作十二個原作鑄模。《加萊義民》在1895年首件鑄模的複製品仍然立在加萊市。其他原作鑄模分別位於：哥本哈根的新嘉士伯美術館，1903年鑄模。莫尔朗韦的瑪麗蒙皇家博物館，1905年鑄模。威斯敏斯特宫旁的維多利亞塔花園，1908年鑄模，1914年安裝並於1915年7月19日揭幕。費城的羅丹博物館，1925年鑄模，1929年安裝。巴黎的羅丹美術館花園，1926年鑄模，1955年贈送給博物館。巴塞爾的巴塞爾美術館，1943年鑄模，1948年安裝。華盛頓特區的赫尚博物馆和雕塑园，1943年鑄模，1966年安裝。東京的國立西洋美術館，1953年鑄模，1959年安裝。帕薩迪納的诺顿·西蒙博物馆，1968年鑄模。紐約市大都會藝術博物館，1985年鑄模，1989年安裝。龍仁市湖巖美術館：1995年鑄模，為第十二個也是最後一個原作鑄模。以下是特定雕塑的複製品：史丹佛大學校園上的所有個別人物雕像。洛杉磯縣藝術博物館雕塑花園中展出的讓·德·艾爾和讓‧德‧菲恩的雕塑以及讓·德·艾爾和皮埃爾·德·維桑的半身像。戴維森學院視覺藝術中心的讓·德·艾爾雕塑，於1972年鑄模。奧斯陸索梅羅公園中的「持有鑰匙的人」雕像（讓·德·艾爾）；一尊讓·德·艾爾的半身像，距離紐約世貿中心原址不到四分之一英里。 這些作品曾在原One World Trade Center的康托·菲茨杰拉德公司辦公室中展出，並在九一一襲擊事件後從廢墟中恢復。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Replica", "subsection": null, "sub_subsection": null, "prompt": "How does Galei people explain its Replica?Please output in Chinese.", "template": "en_template3_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "根據法國法律，羅丹的作品最多只能製作十二個原作鑄模。《加萊義民》在1895年首件鑄模的複製品仍然立在加萊市。其他原作鑄模分別位於：哥本哈根的新嘉士伯美術館，1903年鑄模。莫尔朗韦的瑪麗蒙皇家博物館，1905年鑄模。威斯敏斯特宫旁的維多利亞塔花園，1908年鑄模，1914年安裝並於1915年7月19日揭幕。費城的羅丹博物館，1925年鑄模，1929年安裝。巴黎的羅丹美術館花園，1926年鑄模，1955年贈送給博物館。巴塞爾的巴塞爾美術館，1943年鑄模，1948年安裝。華盛頓特區的赫尚博物馆和雕塑园，1943年鑄模，1966年安裝。東京的國立西洋美術館，1953年鑄模，1959年安裝。帕薩迪納的诺顿·西蒙博物馆，1968年鑄模。紐約市大都會藝術博物館，1985年鑄模，1989年安裝。龍仁市湖巖美術館：1995年鑄模，為第十二個也是最後一個原作鑄模。以下是特定雕塑的複製品：史丹佛大學校園上的所有個別人物雕像。洛杉磯縣藝術博物館雕塑花園中展出的讓·德·艾爾和讓‧德‧菲恩的雕塑以及讓·德·艾爾和皮埃爾·德·維桑的半身像。戴維森學院視覺藝術中心的讓·德·艾爾雕塑，於1972年鑄模。奧斯陸索梅羅公園中的「持有鑰匙的人」雕像（讓·德·艾爾）；一尊讓·德·艾爾的半身像，距離紐約世貿中心原址不到四分之一英里。 這些作品曾在原One World Trade Center的康托·菲茨杰拉德公司辦公室中展出，並在九一一襲擊事件後從廢墟中恢復。"}
{"title": "Galei people", "srclang_title": "加萊義民", "en_title": "The Burghers of Calais", "pageid": "8583863", "page_rank": 52, "page_url": "https://zh.wikipedia.org/wiki/%E5%8A%A0%E8%90%8A%E7%BE%A9%E6%B0%91", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Calais_mairie_bourgeois_de_calais.jpg/220px-Calais_mairie_bourgeois_de_calais.jpg", "section": "Replica", "subsection": null, "sub_subsection": null, "prompt": "In Galei people, how is the Replica discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["大衛·昂熱斯", "腓力六世 (法兰西)", "百年戰爭", "奥古斯特·罗丹", "以色列博物館", "赫尚博物馆和雕塑园的《加萊義民》。", "九一一襲擊事件", "赫尚博物馆和雕塑园", "Category:美国青铜雕塑", "巴塞爾美術館", "巴黎", "华盛顿哥伦比亚特区", "thumb", "紐約市", "互联网档案馆", "东京", "布魯克林博物館", "威斯敏斯特宮", "法国", "皮埃爾·德·維桑", "世界貿易中心", "青铜", "羅丹美術館", "學院藝術", "大都會藝術博物館", "加萊圍攻", "File:Calais,_Hôtel_de_Ville,_Les_Bourgeois_de_Calais_PM_01822.jpg", "Category:1889年雕塑作品", "龍仁市", "維多利亞塔花園", "世貿中心", "Adamson, John", "现实主义", "诺顿·西蒙博物馆", "加萊市政廳", "華盛頓特區", "奧古斯特·羅丹", "纽约", "康托·菲茨杰拉德公司", "雕塑", "羅丹博物館", "讓‧德‧菲恩", "维基共享资源", "奧古斯特·克萊桑熱", "加萊", "讓·德·艾爾", "加来", "費城", "《加萊義民》細節。", "Category:加来", "威斯敏斯特宫", "巴塞尔", "戴維森學院", "百年战争", "雅克·德·維桑", "帕萨迪纳 (加利福尼亚州)", "帕薩迪", "Category:奧古斯特·羅丹的雕塑作品", "尤斯塔什·德·聖皮埃爾", "瑪麗蒙皇家博物館", "青銅", "奧斯陸", "腓力六世 ", "John Adamson (publisher)", "湖巖美術館", "Category:銅像", "莫尔朗韦", "印象派", "法國", "東京", "让·弗鲁瓦萨尔", "新嘉士伯美術館", "奥斯陆", "巴塞爾", "史丹佛大學", "哥本哈根", "爱德华三世", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "國立西洋美術館", "克雷西會戰", "索梅羅公園", "埃諾的菲莉琶", "英吉利海峡", "安德烈·德·安德瑞", "皮卡第"], "gold": "根據法國法律，羅丹的作品最多只能製作十二個原作鑄模。《加萊義民》在1895年首件鑄模的複製品仍然立在加萊市。其他原作鑄模分別位於：哥本哈根的新嘉士伯美術館，1903年鑄模。莫尔朗韦的瑪麗蒙皇家博物館，1905年鑄模。威斯敏斯特宫旁的維多利亞塔花園，1908年鑄模，1914年安裝並於1915年7月19日揭幕。費城的羅丹博物館，1925年鑄模，1929年安裝。巴黎的羅丹美術館花園，1926年鑄模，1955年贈送給博物館。巴塞爾的巴塞爾美術館，1943年鑄模，1948年安裝。華盛頓特區的赫尚博物馆和雕塑园，1943年鑄模，1966年安裝。東京的國立西洋美術館，1953年鑄模，1959年安裝。帕薩迪納的诺顿·西蒙博物馆，1968年鑄模。紐約市大都會藝術博物館，1985年鑄模，1989年安裝。龍仁市湖巖美術館：1995年鑄模，為第十二個也是最後一個原作鑄模。以下是特定雕塑的複製品：史丹佛大學校園上的所有個別人物雕像。洛杉磯縣藝術博物館雕塑花園中展出的讓·德·艾爾和讓‧德‧菲恩的雕塑以及讓·德·艾爾和皮埃爾·德·維桑的半身像。戴維森學院視覺藝術中心的讓·德·艾爾雕塑，於1972年鑄模。奧斯陸索梅羅公園中的「持有鑰匙的人」雕像（讓·德·艾爾）；一尊讓·德·艾爾的半身像，距離紐約世貿中心原址不到四分之一英里。 這些作品曾在原One World Trade Center的康托·菲茨杰拉德公司辦公室中展出，並在九一一襲擊事件後從廢墟中恢復。"}
{"title": "The Chimera of Arezzo", "srclang_title": "阿雷佐的喀迈拉", "en_title": "Chimera of Arezzo", "pageid": "310406", "page_rank": 538, "page_url": "https://zh.wikipedia.org/wiki/%E9%98%BF%E9%9B%B7%E4%BD%90%E7%9A%84%E5%96%80%E8%BF%88%E6%8B%89", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Chimera_di_Arezzo.jpg/220px-Chimera_di_Arezzo.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on The Chimera of Arezzo and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["Category:雕塑作品", "托斯卡納", "厄喀德那", "厄客德娜", "烏菲茲美術館", "佛羅倫斯", "托斯卡納大公", "File:Chimera di Arezzo.jpg", "碧堤宮", "堤丰", "伊特鲁里亚", "本韋努托·切利尼", "喀邁拉", "良十世", "佛罗伦萨", "伊特魯立亞", "堤豐", "伊特魯里亞人的阿雷佐的喀迈拉銅像", "維吉歐宫殿", "Category:伊特鲁里亚宗教", "阿雷佐", "伊特魯里亞", "卡彼托山之狼", "Porta San Laurentino", "Romulus and Remus", "美第奇家族", "意大利", "柏勒洛丰", "托斯卡纳大区", "科西莫一世 (托斯卡纳)", "吕基亚", "佛羅倫薩", "乔尔乔·瓦萨里", "珀伽索斯", "thumb", "喬爾喬·瓦薩里", "科西莫一世", "柏勒罗丰", "提尼亞"], "gold": "阿雷佐的喀迈拉（Chimera di Arezzo）銅像是意大利中西部古國伊特魯里亞最著名的藝術品之一，尺寸大約80厘米高（32寸）。它在1553年11月15日因為要興建美第奇家族城堡，於現今托斯卡納區中的古代伊特魯里亞及羅馬城的阿雷佐被掘出，而且很快因為托斯卡納大公美第奇家族的要求而成了其收藏品，科西莫一世將它置於維吉歐宫殿（Palazzo Vecchio）的良十世廳展出，之後則移到碧堤宮（Palazzo Pitti）的書房（studiolo）裏。根據本韋努托·切利尼（Benvenuto Cellini）的自傳記載，科西莫一世最愛拿著金匠的工具去清潔它。在1718年此銅像被移到烏菲茲美術館，現今它則和其他古董銅器保存在佛羅倫斯的考古博物館內。阿雷佐的喀迈拉的年份被推斷是在西元前6世紀末到西元前5世紀前十年間.在希臘神話中，怪物喀邁拉為堤豐和厄喀德那所生，獅頭、羊身、蛇尾，為害其家園吕基亚，直到被柏勒罗丰（希臘神話中騎著飛馬珀伽索斯的英雄）殺死。這銅像在阿雷佐發現，是一件公認的攙合現實和神話的藝術品。其毒蛇造型的尾巴早已遺失，部份銅碎片被帶到佛羅倫薩，曾由喬爾喬·瓦薩里修復該段尾巴，而目前的銅尾巴是於18世紀修復的。喀邁拉是其中一件在古代時期基於安全理由而被埋藏的青銅器瑰寶。它是在Porta San Laurentino的城牆外挖戰壕時被意外發現。目前有一件複製品青銅像在現場附近。其右前肢刻有的銘文有不同的解讀方法，但大多數人認為是「TINSCVIL」，表示該銅像是獻給伊特魯立亞神話中掌管天空的主神提尼亞（Tinia）的聖物。"}
{"title": "The Chimera of Arezzo", "srclang_title": "阿雷佐的喀迈拉", "en_title": "Chimera of Arezzo", "pageid": "310406", "page_rank": 538, "page_url": "https://zh.wikipedia.org/wiki/%E9%98%BF%E9%9B%B7%E4%BD%90%E7%9A%84%E5%96%80%E8%BF%88%E6%8B%89", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Chimera_di_Arezzo.jpg/220px-Chimera_di_Arezzo.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, The Chimera of Arezzo.Please output in Chinese.", "template": "en_template2_section", "entities": ["Category:雕塑作品", "托斯卡納", "厄喀德那", "厄客德娜", "烏菲茲美術館", "佛羅倫斯", "托斯卡納大公", "File:Chimera di Arezzo.jpg", "碧堤宮", "堤丰", "伊特鲁里亚", "本韋努托·切利尼", "喀邁拉", "良十世", "佛罗伦萨", "伊特魯立亞", "堤豐", "伊特魯里亞人的阿雷佐的喀迈拉銅像", "維吉歐宫殿", "Category:伊特鲁里亚宗教", "阿雷佐", "伊特魯里亞", "卡彼托山之狼", "Porta San Laurentino", "Romulus and Remus", "美第奇家族", "意大利", "柏勒洛丰", "托斯卡纳大区", "科西莫一世 (托斯卡纳)", "吕基亚", "佛羅倫薩", "乔尔乔·瓦萨里", "珀伽索斯", "thumb", "喬爾喬·瓦薩里", "科西莫一世", "柏勒罗丰", "提尼亞"], "gold": "阿雷佐的喀迈拉（Chimera di Arezzo）銅像是意大利中西部古國伊特魯里亞最著名的藝術品之一，尺寸大約80厘米高（32寸）。它在1553年11月15日因為要興建美第奇家族城堡，於現今托斯卡納區中的古代伊特魯里亞及羅馬城的阿雷佐被掘出，而且很快因為托斯卡納大公美第奇家族的要求而成了其收藏品，科西莫一世將它置於維吉歐宫殿（Palazzo Vecchio）的良十世廳展出，之後則移到碧堤宮（Palazzo Pitti）的書房（studiolo）裏。根據本韋努托·切利尼（Benvenuto Cellini）的自傳記載，科西莫一世最愛拿著金匠的工具去清潔它。在1718年此銅像被移到烏菲茲美術館，現今它則和其他古董銅器保存在佛羅倫斯的考古博物館內。阿雷佐的喀迈拉的年份被推斷是在西元前6世紀末到西元前5世紀前十年間.在希臘神話中，怪物喀邁拉為堤豐和厄喀德那所生，獅頭、羊身、蛇尾，為害其家園吕基亚，直到被柏勒罗丰（希臘神話中騎著飛馬珀伽索斯的英雄）殺死。這銅像在阿雷佐發現，是一件公認的攙合現實和神話的藝術品。其毒蛇造型的尾巴早已遺失，部份銅碎片被帶到佛羅倫薩，曾由喬爾喬·瓦薩里修復該段尾巴，而目前的銅尾巴是於18世紀修復的。喀邁拉是其中一件在古代時期基於安全理由而被埋藏的青銅器瑰寶。它是在Porta San Laurentino的城牆外挖戰壕時被意外發現。目前有一件複製品青銅像在現場附近。其右前肢刻有的銘文有不同的解讀方法，但大多數人認為是「TINSCVIL」，表示該銅像是獻給伊特魯立亞神話中掌管天空的主神提尼亞（Tinia）的聖物。"}
{"title": "The Chimera of Arezzo", "srclang_title": "阿雷佐的喀迈拉", "en_title": "Chimera of Arezzo", "pageid": "310406", "page_rank": 538, "page_url": "https://zh.wikipedia.org/wiki/%E9%98%BF%E9%9B%B7%E4%BD%90%E7%9A%84%E5%96%80%E8%BF%88%E6%8B%89", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Chimera_di_Arezzo.jpg/220px-Chimera_di_Arezzo.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does The Chimera of Arezzo explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["Category:雕塑作品", "托斯卡納", "厄喀德那", "厄客德娜", "烏菲茲美術館", "佛羅倫斯", "托斯卡納大公", "File:Chimera di Arezzo.jpg", "碧堤宮", "堤丰", "伊特鲁里亚", "本韋努托·切利尼", "喀邁拉", "良十世", "佛罗伦萨", "伊特魯立亞", "堤豐", "伊特魯里亞人的阿雷佐的喀迈拉銅像", "維吉歐宫殿", "Category:伊特鲁里亚宗教", "阿雷佐", "伊特魯里亞", "卡彼托山之狼", "Porta San Laurentino", "Romulus and Remus", "美第奇家族", "意大利", "柏勒洛丰", "托斯卡纳大区", "科西莫一世 (托斯卡纳)", "吕基亚", "佛羅倫薩", "乔尔乔·瓦萨里", "珀伽索斯", "thumb", "喬爾喬·瓦薩里", "科西莫一世", "柏勒罗丰", "提尼亞"], "gold": "阿雷佐的喀迈拉（Chimera di Arezzo）銅像是意大利中西部古國伊特魯里亞最著名的藝術品之一，尺寸大約80厘米高（32寸）。它在1553年11月15日因為要興建美第奇家族城堡，於現今托斯卡納區中的古代伊特魯里亞及羅馬城的阿雷佐被掘出，而且很快因為托斯卡納大公美第奇家族的要求而成了其收藏品，科西莫一世將它置於維吉歐宫殿（Palazzo Vecchio）的良十世廳展出，之後則移到碧堤宮（Palazzo Pitti）的書房（studiolo）裏。根據本韋努托·切利尼（Benvenuto Cellini）的自傳記載，科西莫一世最愛拿著金匠的工具去清潔它。在1718年此銅像被移到烏菲茲美術館，現今它則和其他古董銅器保存在佛羅倫斯的考古博物館內。阿雷佐的喀迈拉的年份被推斷是在西元前6世紀末到西元前5世紀前十年間.在希臘神話中，怪物喀邁拉為堤豐和厄喀德那所生，獅頭、羊身、蛇尾，為害其家園吕基亚，直到被柏勒罗丰（希臘神話中騎著飛馬珀伽索斯的英雄）殺死。這銅像在阿雷佐發現，是一件公認的攙合現實和神話的藝術品。其毒蛇造型的尾巴早已遺失，部份銅碎片被帶到佛羅倫薩，曾由喬爾喬·瓦薩里修復該段尾巴，而目前的銅尾巴是於18世紀修復的。喀邁拉是其中一件在古代時期基於安全理由而被埋藏的青銅器瑰寶。它是在Porta San Laurentino的城牆外挖戰壕時被意外發現。目前有一件複製品青銅像在現場附近。其右前肢刻有的銘文有不同的解讀方法，但大多數人認為是「TINSCVIL」，表示該銅像是獻給伊特魯立亞神話中掌管天空的主神提尼亞（Tinia）的聖物。"}
{"title": "The Chimera of Arezzo", "srclang_title": "阿雷佐的喀迈拉", "en_title": "Chimera of Arezzo", "pageid": "310406", "page_rank": 538, "page_url": "https://zh.wikipedia.org/wiki/%E9%98%BF%E9%9B%B7%E4%BD%90%E7%9A%84%E5%96%80%E8%BF%88%E6%8B%89", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Chimera_di_Arezzo.jpg/220px-Chimera_di_Arezzo.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In The Chimera of Arezzo, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["Category:雕塑作品", "托斯卡納", "厄喀德那", "厄客德娜", "烏菲茲美術館", "佛羅倫斯", "托斯卡納大公", "File:Chimera di Arezzo.jpg", "碧堤宮", "堤丰", "伊特鲁里亚", "本韋努托·切利尼", "喀邁拉", "良十世", "佛罗伦萨", "伊特魯立亞", "堤豐", "伊特魯里亞人的阿雷佐的喀迈拉銅像", "維吉歐宫殿", "Category:伊特鲁里亚宗教", "阿雷佐", "伊特魯里亞", "卡彼托山之狼", "Porta San Laurentino", "Romulus and Remus", "美第奇家族", "意大利", "柏勒洛丰", "托斯卡纳大区", "科西莫一世 (托斯卡纳)", "吕基亚", "佛羅倫薩", "乔尔乔·瓦萨里", "珀伽索斯", "thumb", "喬爾喬·瓦薩里", "科西莫一世", "柏勒罗丰", "提尼亞"], "gold": "阿雷佐的喀迈拉（Chimera di Arezzo）銅像是意大利中西部古國伊特魯里亞最著名的藝術品之一，尺寸大約80厘米高（32寸）。它在1553年11月15日因為要興建美第奇家族城堡，於現今托斯卡納區中的古代伊特魯里亞及羅馬城的阿雷佐被掘出，而且很快因為托斯卡納大公美第奇家族的要求而成了其收藏品，科西莫一世將它置於維吉歐宫殿（Palazzo Vecchio）的良十世廳展出，之後則移到碧堤宮（Palazzo Pitti）的書房（studiolo）裏。根據本韋努托·切利尼（Benvenuto Cellini）的自傳記載，科西莫一世最愛拿著金匠的工具去清潔它。在1718年此銅像被移到烏菲茲美術館，現今它則和其他古董銅器保存在佛羅倫斯的考古博物館內。阿雷佐的喀迈拉的年份被推斷是在西元前6世紀末到西元前5世紀前十年間.在希臘神話中，怪物喀邁拉為堤豐和厄喀德那所生，獅頭、羊身、蛇尾，為害其家園吕基亚，直到被柏勒罗丰（希臘神話中騎著飛馬珀伽索斯的英雄）殺死。這銅像在阿雷佐發現，是一件公認的攙合現實和神話的藝術品。其毒蛇造型的尾巴早已遺失，部份銅碎片被帶到佛羅倫薩，曾由喬爾喬·瓦薩里修復該段尾巴，而目前的銅尾巴是於18世紀修復的。喀邁拉是其中一件在古代時期基於安全理由而被埋藏的青銅器瑰寶。它是在Porta San Laurentino的城牆外挖戰壕時被意外發現。目前有一件複製品青銅像在現場附近。其右前肢刻有的銘文有不同的解讀方法，但大多數人認為是「TINSCVIL」，表示該銅像是獻給伊特魯立亞神話中掌管天空的主神提尼亞（Tinia）的聖物。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Focus on The woman holding the scales and explain the abstract.Please output in Chinese.", "template": "en_template1_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "《持天平的女人》是荷蘭黃金時代畫家弗美爾繪製的一幅油畫，完成于1662年至1663年間。此畫一度被稱為《秤金子的女人》，但後來發現畫中的天平其實是空的。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "Explain the abstract of this artwork, The woman holding the scales.Please output in Chinese.", "template": "en_template2_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "《持天平的女人》是荷蘭黃金時代畫家弗美爾繪製的一幅油畫，完成于1662年至1663年間。此畫一度被稱為《秤金子的女人》，但後來發現畫中的天平其實是空的。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "How does The woman holding the scales explain its abstract?Please output in Chinese.", "template": "en_template3_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "《持天平的女人》是荷蘭黃金時代畫家弗美爾繪製的一幅油畫，完成于1662年至1663年間。此畫一度被稱為《秤金子的女人》，但後來發現畫中的天平其實是空的。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "In The woman holding the scales, how is the abstract discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "《持天平的女人》是荷蘭黃金時代畫家弗美爾繪製的一幅油畫，完成于1662年至1663年間。此畫一度被稱為《秤金子的女人》，但後來發現畫中的天平其實是空的。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "Topic", "subsection": null, "sub_subsection": null, "prompt": "Focus on The woman holding the scales and explain the Topic.Please output in Chinese.", "template": "en_template1_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "女子身前雖有一個珠寶盒，但手中的天平上什麼都沒有。身後的墻上懸掛著一幅以最後的審判為主題的畫。女子的形象是按照弗美爾的妻子畫成的。這名女子可以視為正義和真理的象征，一些學者認為畫作主題與尋珠的比喻有關，一些人認為她代表聖母瑪麗。但也有學者認為她只是一個世俗女子，追求毫無意義的虛榮（以珠寶為重）。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "Topic", "subsection": null, "sub_subsection": null, "prompt": "Explain the Topic of this artwork, The woman holding the scales.Please output in Chinese.", "template": "en_template2_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "女子身前雖有一個珠寶盒，但手中的天平上什麼都沒有。身後的墻上懸掛著一幅以最後的審判為主題的畫。女子的形象是按照弗美爾的妻子畫成的。這名女子可以視為正義和真理的象征，一些學者認為畫作主題與尋珠的比喻有關，一些人認為她代表聖母瑪麗。但也有學者認為她只是一個世俗女子，追求毫無意義的虛榮（以珠寶為重）。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "Topic", "subsection": null, "sub_subsection": null, "prompt": "How does The woman holding the scales explain its Topic?Please output in Chinese.", "template": "en_template3_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "女子身前雖有一個珠寶盒，但手中的天平上什麼都沒有。身後的墻上懸掛著一幅以最後的審判為主題的畫。女子的形象是按照弗美爾的妻子畫成的。這名女子可以視為正義和真理的象征，一些學者認為畫作主題與尋珠的比喻有關，一些人認為她代表聖母瑪麗。但也有學者認為她只是一個世俗女子，追求毫無意義的虛榮（以珠寶為重）。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "Topic", "subsection": null, "sub_subsection": null, "prompt": "In The woman holding the scales, how is the Topic discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "女子身前雖有一個珠寶盒，但手中的天平上什麼都沒有。身後的墻上懸掛著一幅以最後的審判為主題的畫。女子的形象是按照弗美爾的妻子畫成的。這名女子可以視為正義和真理的象征，一些學者認為畫作主題與尋珠的比喻有關，一些人認為她代表聖母瑪麗。但也有學者認為她只是一個世俗女子，追求毫無意義的虛榮（以珠寶為重）。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Focus on The woman holding the scales and explain the History.Please output in Chinese.", "template": "en_template1_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "這幅畫完成於1662年或1663年，曾一度被稱為《秤金子的女人》，後來經顯微鏡確認畫中女子手中的天平是空的。這幅畫是1969年5月16日於阿姆斯特丹的Jacob Dissius莊園所出售的一批維梅爾作品的其中之一。它價值155荷蘭盾，在當時遠高於他的畫作《熟睡的女孩》與《官員與笑著的女孩》，但略低於《倒牛奶的女僕》。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "Explain the History of this artwork, The woman holding the scales.Please output in Chinese.", "template": "en_template2_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "這幅畫完成於1662年或1663年，曾一度被稱為《秤金子的女人》，後來經顯微鏡確認畫中女子手中的天平是空的。這幅畫是1969年5月16日於阿姆斯特丹的Jacob Dissius莊園所出售的一批維梅爾作品的其中之一。它價值155荷蘭盾，在當時遠高於他的畫作《熟睡的女孩》與《官員與笑著的女孩》，但略低於《倒牛奶的女僕》。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "How does The woman holding the scales explain its History?Please output in Chinese.", "template": "en_template3_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "這幅畫完成於1662年或1663年，曾一度被稱為《秤金子的女人》，後來經顯微鏡確認畫中女子手中的天平是空的。這幅畫是1969年5月16日於阿姆斯特丹的Jacob Dissius莊園所出售的一批維梅爾作品的其中之一。它價值155荷蘭盾，在當時遠高於他的畫作《熟睡的女孩》與《官員與笑著的女孩》，但略低於《倒牛奶的女僕》。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "History", "subsection": null, "sub_subsection": null, "prompt": "In The woman holding the scales, how is the History discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "這幅畫完成於1662年或1663年，曾一度被稱為《秤金子的女人》，後來經顯微鏡確認畫中女子手中的天平是空的。這幅畫是1969年5月16日於阿姆斯特丹的Jacob Dissius莊園所出售的一批維梅爾作品的其中之一。它價值155荷蘭盾，在當時遠高於他的畫作《熟睡的女孩》與《官員與笑著的女孩》，但略低於《倒牛奶的女僕》。"}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "External link", "subsection": null, "sub_subsection": null, "prompt": "Focus on The woman holding the scales and explain the External link.Please output in Chinese.", "template": "en_template1_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, National Gallery of Art, Washington, D.C.Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, ColourlexJanson, J., Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, Essential Vermeer, website."}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "External link", "subsection": null, "sub_subsection": null, "prompt": "Explain the External link of this artwork, The woman holding the scales.Please output in Chinese.", "template": "en_template2_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, National Gallery of Art, Washington, D.C.Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, ColourlexJanson, J., Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, Essential Vermeer, website."}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "External link", "subsection": null, "sub_subsection": null, "prompt": "How does The woman holding the scales explain its External link?Please output in Chinese.", "template": "en_template3_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, National Gallery of Art, Washington, D.C.Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, ColourlexJanson, J., Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, Essential Vermeer, website."}
{"title": "The woman holding the scales", "srclang_title": "持天平的女人", "en_title": "Woman Holding a Balance", "pageid": "6612947", "page_rank": 695, "page_url": "https://zh.wikipedia.org/wiki/%E6%8C%81%E5%A4%A9%E5%B9%B3%E7%9A%84%E5%A5%B3%E4%BA%BA", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/300px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "External link", "subsection": null, "sub_subsection": null, "prompt": "In The woman holding the scales, how is the External link discussed?Please output in Chinese.", "template": "en_template4_section", "entities": ["最後的審判", "荷蘭黃金時代繪畫", "美國國家畫廊", "華盛頓特區", "大都會藝術博物館", "聖母瑪麗", "荷蘭盾", "布面油畫", "弗美爾", "Metropolitan Museum of Art", "馬利亞 (耶穌的母親)", "最后的审判", "荷兰盾", "倒牛奶的女僕", "熟睡的女孩", "互联网档案馆", "荷蘭黃金時代", "Category:美國國家美術館藏品", "Category:揚·弗美爾畫作", "尋珠的比喻", "Category:1663年畫作", "官員與笑著的女孩"], "gold": "Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, National Gallery of Art, Washington, D.C.Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, ColourlexJanson, J., Johannes Vermeer, Woman Holding a Balance （页面存档备份，存于互联网档案馆）, Essential Vermeer, website."}