Installation view of Danielle Brathwaite-Shirley’s WE ARE HERE BECAUSE OF THOSE THAT ARE NOT, 2020, in Difference Machines: Technology and Identity in Contemporary Art at Albright-Knox Northland, October 16, 2021–January 16, 2022. © Danielle Brathwaite-Shirley. Photo: Tina Rivers Ryan for Buffalo AKG Art Museum.
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iInstallation view of "Difference Machines: Technology and Identity in Contemporary Art" (Albright-Knox Northland, October 16, 2021—January 16, 2022). Art © Saya Woolfalk. Photo: Amanda Smith for Albright-Knox Art Gallery, Buffalo, New York.

# Difference Machines: Technology and Identity in Contemporary Art

## Oct 13, 2023-Jan 27, 2024

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Difference Machines: Technology and Identity in Contemporary Art was a special exhibition held at Albright-Knox Northland from October 16, 2021 to January 16, 2022.

Difference Machines: Technology and Identity in Contemporary Art addresses the complex relationship between the technologies we use and the identities we inhabit. The exhibition presents the work of 17 contemporary artists who ask some of the most urgent questions we face today: How is technology changing the way we see ourselves, and each other? In what ways does it contribute to—or allow us to resist—prejudice and systemic forms of oppression? What role should it have in our lives and in our communities?

When the web first emerged in the 1990s, many people imagined that it would allow us to escape our bodies. Some celebrated the idea that attributes like our race, ethnicity, gender, sexual orientation, and dis/ability would become irrelevant. Instead, the opposite became true: Our offline and online selves have fused. We upload our identities when we put our real names in our Facebook profiles, post selfies to Instagram, or use hashtags like #BlackLivesMatter and #TransDayofVisibility to advocate for our communities.

While the internet allows us to express ourselves and connect with each other, there is also a darker side to digital technologies. Some governments and corporations are creating databases that surveil and monetize our identities, as well as biased algorithms that perpetuate discrimination in everything from education and healthcare to employment and the justice system. The forerunner of the computer was called a “difference engine,” as it was used to calculate the differences between numbers. Today, we are surrounded by “difference machines,” or computers that are used to encode the differences between us.

The artists in this exhibition explore our newly digitized identities by creatively adapting both familiar and emerging technologies. Their projects span the last three decades, and range from software-based and internet art to animated videos, bioart experiments, online games, and 3-D printed sculptures. Many examine how digital systems contribute to the exclusion, erasure, and exploitation of marginalized people. Others emphasize how digital tools can be repurposed to tell more inclusive stories or imagine new ways of being. Dynamic and interactive, these projects transform the space of the museum into a laboratory for experimenting with our increasingly powerful “difference machines,” as we strive to invent a more equitable future.

Previously, the exhibition was on tour at:

Gray Area, San Francisco, California: July 7–August 31, 2023

Difference Machines: Technology and Identity in Contemporary Art is organized by the Buffalo AKG Art Museum.

Difference Machines is co-curated by Tina Rivers Ryan, PhD, Curator, Buffalo AKG Art Museum, and Paul Vanouse, Professor, University at Buffalo.

The exhibition is presented by Alphawood Exhibitions at Wrightwood 659.

Installation view of Danielle Brathwaite-Shirley’s WE ARE HERE BECAUSE OF THOSE THAT ARE NOT, 2020, in Difference Machines: Technology and Identity in Contemporary Art at Albright-Knox Northland, October 16, 2021–January 16, 2022. © Danielle Brathwaite-Shirley. Photo: Tina Rivers Ryan for Buffalo AKG Art Museum.

Installation view of Danielle Brathwaite-Shirley’s "WE ARE HERE BECAUSE OF THOSE THAT ARE NOT, 2020" in "Difference Machines: Technology and Identity in Contemporary Art" at Albright-Knox Northland, October 16, 2021–January 16, 2022.
© Danielle Brathwaite-Shirley. Photo: Tina Rivers Ryan for Buffalo AKG Art Museum.

Installation view of Saya Woolfalk’s Landscape of Anticipation 2.0, 2021, in Difference Machines: Technology and Identity in Contemporary Art at Albright-Knox Northland, October 16, 2021-January 16, 2022. © Saya Woolfalk. Photo: Brenda Bieger for Buffalo AKG Art Museum.

Installation view of Saya Woolfalk’s "Landscape of Anticipation 2.0" 2021, in "Difference Machines: Technology and Identity in Contemporary Art" at Albright-Knox Northland, October 16, 2021-January 16, 2022. © Saya Woolfalk. Photo: Brenda Bieger for Buffalo AKG Art Museum.

Installation view of Stephanie Dinkins’ Conversations with Bina48: 7, 6, 5, 2, 2014–present (ongoing), in Difference Machines: Technology and Identity in Contemporary Art at Albright-Knox Northland, October 16, 2021–January 16, 2022. © Stephanie Dinkins. Photo: Amanda Smith for Buffalo AKG Art Museum.

Installation view of Stephanie Dinkins’ "Conversations with Bina48: 7, 6, 5, 2, 2014–present (ongoing)" in "Difference Machines: Technology and Identity in Contemporary Art" at Albright-Knox Northland, October 16, 2021–January 16, 2022. © Stephanie Dinkins. Photo: Amanda Smith for Buffalo AKG Art Museum.

Detail of Hasan Elahi’s Thousand Little Brothers, 2014, in Difference Machines: Technology and Identity in Contemporary Art at Albright-Knox Northland, October 16, 2021-January 16, 2022. © Hasan Elahi. Photo: Brenda Bieger for Buffalo AKG Art Museum.

Detail of Hasan Elahi’s "Thousand Little Brothers" 2014, in "Difference Machines: Technology and Identity in Contemporary Art" at Albright-Knox Northland, October 16, 2021-January 16, 2022. © Hasan Elahi. Photo: Brenda Bieger for Buffalo AKG Art Museum.

Visitors with A.M. Darke’s 'Ye or Nay?, 2020, in Difference Machines: Technology and Identity in Contemporary Art at Albright-Knox Northland, on October 16, 2021. © A.M. Darke. Photo: Jeff Mace for Buffalo AKG Art Museum.

Visitors with A.M. Darke’s "'Ye or Nay?" 2020, in "Difference Machines: Technology and Identity in Contemporary Art" at Albright-Knox Northland, on October 16, 2021. © A.M. Darke. Photo: Jeff Mace for Buffalo AKG Art Museum.

Installation view of Sean Fader’s Insufficient Memory, 2020, in Difference Machines: Technology and Identity in Contemporary Art at Albright-Knox Northland, October 16, 2021-January 16, 2022. © Sean Fader. Photo: Brenda Bieger for Buffalo AKG Art Museum

Installation view of Sean Fader’s "Insufficient Memory" 2020, in "Difference Machines: Technology and Identity in Contemporary Art" at Albright-Knox Northland, October 16, 2021-January 16, 2022. © Sean Fader. Photo: Brenda Bieger for Buffalo AKG Art Museum.

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