The History of Rock and Roll Radio Show
Meagan Paese
Buddy Holly (1936-1959), whose birth name was Charles Hardin Holley, was an American musician and singer-songwriter who was a central figure of mid-1950s rock and roll. Holly was born in Lubbock, Texas, to a musical family during the Great Depression; he learned to play guitar and to sing alongside his siblings.

His style was influenced by gospel music, country music and rhythm and blues acts, and he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group “Buddy and Bob” with his friend Bob Montgomery.

In 1955, after opening for Elvis Presley, Holly decided to pursue a career in music. He opened for Presley three times that year; his band’s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, Holly was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.

Holly’s recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley’s control in the studio and with the sound he achieved there, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of “That’ll Be the Day”, among other songs.

Petty became the band’s manager and sent the demo to Brunswick Records, which released it as a single credited to “The Crickets”, which became the name of Holly’s band. In September 1957, as the band toured, “That’ll Be the Day” topped the US “Best Sellers in Stores” chart. Its success was followed in October by another major hit, “Peggy Sue”.

The album Chirping Crickets, released in November 1957, reached number five on the UK Albums Chart.

Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after, toured Australia and then the UK.

In early 1959, Holly assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the mid-western U.S.

After a show in Clear Lake, Iowa, Holly chartered an airplane to travel to his next show, in Moorhead, Minnesota.

Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, the Big Bopper, and the pilot, in a tragedy later elegized by Don McLean as “The Day the Music Died”.